#jay scott

[drowster]

On tour with Jay Scøtt last summer.

[tiger-in-the-flightdeck]

"My favourite superhero is Green Lantern!"

"My favourite is the Flash!"

"Mine is Robin!"

[dailydccomics]

 Nicola Scott’s “Through the Ages” covers

[linnytheseagull]

More classic literature YouTubers because it's so funny to me

Bonus content:

[wonderjanga]

We Thought You Died?!

Billy became a hero in 1959, and he was a hit. He was extremely popular. Captain Marvel was a beloved hero. As for the Squadron of Justice? They were beloved too. They, plus Captain Marvel were the superheroes of that time. They were the flipping blueprint for being a hero, especially Captain Marvel. Then the bubble formed in 62, and they just disappeared off the face of the earth and everyone thought he died.

Then, out of nowhere, they just reappeared.

News channel: *showing a clip of Marvel*

Grandson: *tugs on Grandma’s sleeve* “Grandma, that looks like the hero guy the teacher are making us learn about.”

Grandma: “Amazing. He looks just like the real thing.”

Yeah… People didn’t really believe it at first. Though, to be fair, all the Fawcett heroes have been gone for over sixty years.

Old Man: “It’s disrespectful is it what is. Just because you have the same powers doesn’t mean you can dress up as a dead hero.”

Old Woman: “ I just feel bad for the families. To see someone dress up as your dead husband or wife and then go around pretending to be them? Disgraceful.”

It was then the Justice League got involved. They really couldn’t have these people running around like this. Not only that, but some of the imposters are lethal. Not to mention that there are people in the Justice League who used to know the Fawcett heroes. They were friends with them for Christ’s sake. So that’s why unanimously, they went and confronted these guys.

Supes: *hovering over Fawcett*

Marvel: *helps a cat out of a tree and sees him so he flies up*

Supes: *disapproving look* “I hope you know that if you’re trying to be a her—”

Marvel: “Oh my gods, your suit is awesome!”

Supes: “Thank you…?

Marvel: “Are you a new hero? What’s your name? Are you from Fawcett or are you gonna join us here?”

Supes: *computing, still stuck on the first question*

Meanwhile, Flash and Minuteman were arguing which then somehow spiraled into them getting tacos. Batman and Robin, and Mister Scarlet and Pinky are just fighting. And Bulletgirl and Wonder Woman had a civil conversation that actually got them a lot of information.

After sorting out the entire misunderstanding that they were all imposters, things thankfully got lighter.

Marvel: “Oh my gods, Jay, you’re an old man! What happened to your long luscious locks of beautiful brown hair?”

Barry: *holding back a laugh* “Long luscious locks?”

Jay: “Okay, it was not long, luscious, or beautiful. He just insists on calling it that to embarrass me.”

Marvel: “But it’s true! Or it was true.”

Jay: “No it wasn’t. I had perfectly average hair, thank you very much.”

Yeah, Billy met up with some of his old friends, and they were all ecstatic to see their eight feet tall, golden retriever who just wanted to make the world a better place.

Marvel: “So your not an hero anymore? Then what happened to the JSA?”

Alan Scott (First Green Lantern): “We disbanded…”

Marvel: “WHAT? Why?”

Alan: “Well, we were getting old. We needed to retire.”

Marvel: “Oh yeah.” *sounds a little bummed*

Alan: “I mean, there’s now this thing called the Justice League? Wildcat joined them. So did Mr. Terrific.”

Marvel: “That sounds like a ripoff of you guys!”

He joins anyways. So do the other Fawcett heroes cause they might as well. That’s when things go down hill once more because the JL are forced to remember that a couple Fawcett heroes, mostly Spy Smasher, kill people.

Batman and Spy Smasher: *tied up the Joker after beating up his goons*

Spy Smasher (SS): “Alright, let’s get out of here.” *pulls out a gun and puts it to the Joker’s forehead*

Batman: “What are you doing?”

SS: “I’m ending this…?” *cocks his gun*

Batman: *slaps the gun away* “No, you’re not. He’s going back to Arkham.”

SS: *pulls another gun out* “Yes, I am. Are you seriously telling me you don’t want to permanently end this guy? I’ve heard people call him a terrorist.”

The two then duked it out and the Joker still went back to Arkham anyways. Spy Smasher was so salty, not that literally anyone could blame him.

Marvel: “Wait, so people don’t kill villains anymore?”

SS: *sitting next to him, bandaged*

Wildcat: “Nope. Nowadays, you got to turn them into the police and let them break out again. I know it’s stupid.”

Marvel: “But what about the mass murderers? What about the Black Adams or the Captain Nazis? People who have done messed up stuff?”

Wildcat: “To jail they go. Why do you care anyways? It’s not like you killed any of your villains.”

Marvel: “Well, I didn’t, but I gotta ask because Smasher is trying so hard not to physically claw off his own skin at the thought of these guys just breaking back out.”

Safe to say, getting used to the modern world, took some getting used to for everyone. As for Billy, he chills with the gang at the old folks home, reminiscing about times as if he’s aged with them.

Also, like, genuinely, their disappearance would show up in top ten unsolved mysteries vids because genuinely, they just disappeared with no trace.

Billy also doesn’t know what to think of the many memorials he finds of himself and the other Fawcett heroes around the country.

[lunar-sams]

this was funnier in my head

[iamnotshazam]

there is something deeply wrong with nick carraway in gatsby. motherfucker has been disassocating probably since the end of the war. he watches a marriage almost implode in front of him and in the stunned silence afterwards tells the awful husband, "oh yeah i just remembered today's my birthday"

i dont think casual and high school level discussions focus on how deeply weird nick must be in person and how that affects scenes? i vaguely remember analyses usually focusing on daisy and tom and gatsby but they all use nick as a barely functioning soundboard for horrible behavior and when he doesn't say anything are probably thinking "well nick seems so chill he would stop me if this was Truly Weird" and nick is meanwhile staring off into the distance thinking about what he ate last tuesday and that green eyed bilboard

edit: right and the accident literally happens next page so the weirdness of nick is probably skipped over by most readers

[susiephone]

when you're forced to read the great gatsby in high school, one of four things will happen to you.

you don't actually read it

you read it, hate it, get through the unit, and move on, but always resent f. scott fitzgerald a little bit for writing the book nearly every american teenager is forced to read

you read it, like it, and feel very smart because of this. depending on other aspects of your life and personality you may get 3% more annoying as a result

you read it, like it, and feel very smart because of this... and you're also gay. you definitely become at least 5% more annoying because of this, and nick carraway owns a bit of your soul forever. you have thoughts on this book that would make f. scott spin in his grave but you don't care because that fucker deserves it for what he put zelda through.

i barreled through door #4, as did a lot of us on this website.

[fuzzyreviewmoon]

[thegreatgatzbi]

I really should draw more of my Nick and Gatsby tbh

[crazycreatorperson]

It seems that Jay is also having problems 😏

.

.

[drowster]

Jay Scøtt organizing a mosh pit at his show.

Festival de la poutine, Québec

[anneeeboleyn]

society if jay gatsby fell in love with nick carraway :

[sanguine-prince]

i’m sure i’m not the first to say something like this, but let me tell you about my poc-passing-as-white jay gatsby headcanon!!

for some background, in the 1920s there was an interesting shift regarding (white) skin tones. previously, tans were viewed as a sign that a person worked out in the fields, and therefore a trademark of the lower class. however, slowly after the industrial revolution, it increasingly became a representation of luxury, since the rich upper class would have the time to lounge about and sunbathe at their leisure.

i say all this to show that a poc gatsby would have the ostensible class and wealth for a tan, which would ‘excuse’ a slightly browner skin tone in the public eye.

(the 20s was also the setting of passing by nella larsen, so that’s neat.)

in my vision, he’s biracial (maybe his mother was black & his father was a german immigrant) with skin light enough to pass for white.

the fact that nick states that gatsby keeps his hair neatly groomed and cut might be to prevent it from curling up.

additionally, i think it could contrast tom’s white supremacy & his fear of poc social progress.

it would also create a deeper divide between gatsby and daisy, and once again the contrast between him and tom. in my mind, daisy wouldn’t know about it until the point where tom reveals everything about gatsby’s bootlegging etc. with jay revealing it to her in the car ride back (oops then she hits myrtle).

then, when she chooses tom and the life of comfort, wealth, status, etc that their marriage offers, she also rejects not only gatsby’s new money but also his race.

it’s a lot more thematically significant for the american dream as well—it’s still unattainable and essentially tainted by capitalism, and it also emphasizes that it’s restricted to the white upper class. social mobility only becomes available to gatsby when he disguises his racial identity.

similarly, it fits with gatsby’s identity reconstruction—the quintessential american is white, rich, and educated.

daisy and tom have that ticket into society because they have that inherent thing that he will never have—pedigree, in both class and race. that’s something that even nick has.

(in my mind, he tells nick all about it the night before he dies & nick understands as best he can and doesn’t think less of him, because it further highlights the differences between his & gatsby’s relationship v. gatsby’s relationship with daisy; namely, the transparency -> acceptance give-and-take that he and daisy never had. because of having to hide himself from daisy in order to maintain her affection, he builds an expectation that he must be someone that he is not as well as developing a transactional definition of love (he gives, and people love him as long as he can continue to give) in order to be loved. therefore, nick’s immediate curiosity and fascination with who he truly is is foreign to him. not to get too into their dynamic lmao i just think it’s really interesting.)

finally, the very last part where nick is sitting and looking at the bay and thinking about the first immigrants and their dreams and how gatsby embodied the purity and naivety of those dreams is further exemplified by his racial ‘otherness.’

and there’s,,, technically nothing in the book to explicitly refute this from what i remember!

(n.b.: it has been a hot second since i’ve read tgg, so lmk if i’ve got anything wrong!)

[fabtastic123]

Confession time: the only reason English teachers teach The Great Gatsby is so we can continue to fuel the Nick/Gatsby ao3 tag. It is our lifeblood.

[theflashjaygarrick]

Feel free to elaborate as much as you want in your response.