#its very hard for me to relate to characters
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dilemmars · 2 days ago
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⠀⠀⠀⠀⠀⠀“ DIE WITH A SMILE. ”⠀⠀───⠀⠀arcane.
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⠀⠀𝖾𝗉𝗂𝗌𝗈𝖽𝖾 𝗍𝗁𝗋𝖾𝖾.⠀( the base violence necessary for change , 9.3k words. )⠀by dilemmars.
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1.⠀⠀ PAIRING⠀⠀:⠀⠀violet x f!reader.
2.⠀⠀GENRES⠀⠀:⠀⠀based on the storyline and universe of arcane ( league of legends tv show )⠀; first love trope, started dating recently, stablished relationship, exes to lovers. basically you and vi were dating before the start of the story, then got separated.
3.⠀⠀WARNINGS⠀⠀:⠀⠀i will add the warnings that the tv show has: slight presence of sex and nudity, foul language, alcohol, drugs and tobacco. moderate scenes of fear and terror. high content of violence and gore. in this third chapter, there's a lot going on. mentions of death, injuries, prostitution, blood, fights, and a brief suicidal thought at the end. please do not read if you're uncomfortable with it.
4.⠀⠀AUTHOR 'S NOTE⠀⠀:⠀⠀third chapter out! i'm so sorry thta it took me another full day to post a new chapter. i haven't even watched act 3 yet because i lit have no time, but i managed to finish this. it is very sad. i'm sorry about that too. but next chapter will be slightly more relaxed, with less drama, i promise. happy sunday ����
5.⠀⠀IMPORTANT⠀⠀:⠀⠀this is a work of fiction. i do not own arcane or any content produced or owned bychristian linke, alex yee, riot games or netflix. all rights belong to netflix and the writers of arcane. all plot events and character developments that are not related to the main character's story belong to the writers and creators of the series.
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It's hard to know what your last breath will be, but sometimes you can feel the moment lurking, like a shadow looming over you, icy and heavy. Crouched on that rooftop, the air had a strange edge to it, as if each breath cut inside. The mist rising from the streets scratched at your throat, but it wasn't just mist. It was the weight of the inevitable.
You paused, frowning, as the usual swaying of the wooden sign of Benzo's caused your gaze to wander towards the entrance of the shop. And before you could comprehend what was happening, the scream came as a jolt, tearing through the silence of the night. It was as if the sound pierced your skin, sinking into your flesh, clinging to your bones. The kind of scream you can't help but hear, a gasp ripped from a throat. A hopeless, desperate voice that forces you to imagine the pain behind it. One last breath, and a body slumped to the ground.
And then, you caught a glimpse of him. A blurred figure, moving with a ferocity that seemed unnatural, unloading a punch on another uniformed officer, the glare of his gaze utterly animalistic. You cowered over the edge of the building, struggling not to look away, and flinched at the brutality of the pounding. The Enforcers all looked the same, with the metal mask and the blue cap, but the creature that had attacked them was familiar. It seemed less human with every movement, a mass of disfigured flesh and purplish meandering veins, but the curve of its chin, the soft wave of its hair... you had been so close to its face that you had come to memorise it.
Deckard. You recognised the sharp turn of his movements, accentuated in that state. You had felt his violence in your own skin, you knew it. Altered into a violent beast, he still retained some of that cruel strength, no doubt hindered by the way his body had grown and deformed. You saw him ignore the authoritative warning of a third Enforcer, and approach her at superhuman speed. In the blink of an eye, the police collapsed at his feet, like a drunk by a tavern door. Her blood spilled down the wall of the tent, sloshing everywhere, and you followed it with your eyes as it slid between the stones, thick, after Deckard had torn her flesh to the bone.
The force of his attack hit you like a shot in your chest, and you clutched at the concrete beneath your hands as if you could somehow anchor yourself to the past. There was silence in the weathered street. You could only hear your ragged breathing, quickening under your skin, and Deckard's silent footsteps as he disappeared. Night had fallen on Zaun like a blanket on your bed, and you felt it on your shoulders, suffocating you. You looked down again, where the rickety bodies of the agents lay like broken dolls on the pavement, their stiff fingers still gripping their pistols, and you could faintly distinguish the movement of someone approaching them in the shadows.
Measuring his pace, as if calculating every step he took, a fourth Enforcer approached the bodies of the fallen agents, his service gun in his hand, and he hesitated. For a moment you wanted to say something to him, to warn him perhaps, that there was a beast loose in the darkness, tell him to run away while he could, but a movement in the dusk stopped you. He was not alone. Behind him, shoulder to shoulder at the entrance to the shop, two frozen figures watched the scene. You felt a knot in your chest as you recognised them: Vander and Benzo. Their stances looked sharp, like a taut bow about to shoot an arrow, ready to defend themselves if necessary.
You leaned forward, caught between the urge to descend and the helplessness of knowing you could do nothing from up there, but something stopped you. You saw something dancing in the fog, the soft walk of a distorted silhouette slowly approaching from the other side of the street. You tried to suppress the shiver that ran down your spine, a shiver that was not only cold, but that also contained more than just that, the fear locked in your ribcage, rising up to feel it pulsing in your throat.
And then, the glow of embers in the night: a kaleidoscope of shadows and flames, pierced by a scar, so different from its twin that they looked like the eyes of two different people. The face, sharp, pale, and an imperturbable pace, so sure of himself that the ground seemed to tremble beneath his feet.
‘Silco?’ Benzo, hesitant, confused at first, turned rabid as he brandished the old silver candlestick in the direction of the unknown man. ‘You animal,’ he said, coming closer, stumbling, ’go crawl back into whatever hole you came out of.’
You couldn't see the venomous smile that tugged at Silco's thin lips, but you did hear the desperate tone torn from Vander's throat as he raised his hands towards his friend, cuffed, useless, trying to prevent the inevitable, ‘Benzo, stay back!’
‘You never did know when to walk away,’ Silco's voice, velvety, echoed down the street, emptying the silence, and your heart stopped inside your chest as Benzo tried to pounce on him.
The motion was too fast for the human eye. One instant, Benzo had raged forward, steadfast, defying the impassive man of mist. The next, Deckard's raw strength had brought Benzo down in a bundle of violet swirls, the body of the one who had cared for you since you were a child lying lifeless on the ground. The creaking of his bones echoed wet and dry at the same time, like tree branches snapping under too much weight, the blood surging beneath his shoulders, as if fleeing from the veins it was ceasing to flow through.
From the rooftop, it all seemed painfully distant. You brought a trembling hand to your mouth, a scream dying in your throat, watching Deckard keep his hand on Benzo's neck. His crooked fingers seemed to tingle from feeling the violence of death again, waiting, hovering over Benzo to check that he was gone, and you heard Vander's torn whimper, his legs buckling under his weight, under the weight of loss.
‘Stubborn to the end,’ muttered Silco, relishing each word with reverence.
But then the Enforcer left standing dropped his arms, defeated, betrayed, half-face covered by the mask they wore so as not to breathe Zaun's toxic air, and questioned Silco angrily, ‘What the hell have you done? This wasn't the deal!’
The echo of his words expanded, vibrating inside your head as if searching for a place to linger, and you stood still, watching from the shadows as that chilling scene unfolded, kneeling on the edge of the building, utterly overwhelmed.
‘Deal's changed.’
Silco's words reverberated on the cobblestone floor of the poorly lit street, ringing in your ears, as you tried to clear your mind. You took a breath of air, which cut, cold, down your throat, and looked down. You could still hear his voice, ominously calm and low, and the clink of coins clattering on the floor. A deal. Between the topside and the underground. You frowned, realising that there were no fire stairs on that front, and accentuated your frown as you tried to understand why someone from Zaun would want to ally himself with an Enforcer, of all people.
Before you could even try to slide down the wall, however, leaping from window to window as you had done in the past, you heard Deckard's heavy footsteps on the cobblestone floor, and you raised your head. He was slowly approaching Vander, with no sign of a reaction from the owner of The Last Drop, letting out a low growl as the beast finally took up a position in front of him. His arm swung once like the pendulum of an old clock, and the punch blew against Vander's face with a low, muffled thud, causing him to stagger under its weight.
Your throat closed as you watched him anchor his legs to the ground to keep from falling. You saw him drop his shoulders, defeated, as if he had forgotten his own strength, and he stood just as still as you did whilst Deckard shoved his hand through Vander's hair, grabbing him violently and pulling him to the ground. You watched him, because you were unable to do anything else, as if fear had slid liquid across your skin until it solidified around your ankles, the monstrous creature dragging Vander across the ground. 
It was the certainty. Vander, who had picked you up off the street at your weakest moment, who had taught you how to defend yourself, who had shown you the resilience that characterised him like a class while learning how to make Powder's favourite juice, had been reduced to a shadow of his former self by a punch. What could you have done to stop it? To stand between Vander and the one who had abused you as much as he had wanted? To face Deckard's vicious eyes once more, risking losing him all the same?
It wouldn't have helped.
You watched them walk, Silco's figure turning away from the chaos of shadows and death he left behind him, while Deckard followed close behind, gripping Vander's hair with a bruising strength. Your fingers itched. You had braided that hair many times, elaborate and funny designs as you grew up, but those hands were treating it cruelly, a monster freed of any kind of sentience. And it hurt. Watching them disappear into the fog, the Enforcer staggering down the street to the other side, it stung like an open wound. You bit your cheek, holding back the tears that threatened to slide down your skin, and felt the blood on your tongue like a foul aftertaste.
And then you heard it. The cry, choked and broken, that pierced your chest like a sharp knife. You stood up, waking the legs that had felt numb against the concrete edge of the rooftop, and moved on instinct, ignoring the insignificant discomfort of your ankle every time you leaned on it.
It was Vi. You slid across the roof, your feet seeking support on the nearest window ledge, hanging on to it to climb down to the next, and continued descending. You followed the heartbreaking sound of Vi's voice, drowning out her own sobs, and swallowed all the emotions you didn't want to feel, focused on finding your girlfriend. The polish of your nails peeled as you buried your fingers in joints between bricks, clinging to them to keep from falling to the ground, and you closed your eyes tightly before you took the last leap, placing most of your weight on your good foot as you landed on the ground.
You rose to your feet, a shiver running through your skin, as you heard the piercing cry of frustration, and turned to face it with a jolt. It had come from Benzo's shop. Had she been there all that time? You frowned, restless, and turned towards the massacre, clenching your jaw and staring straight ahead. You had to get Vi out of there. That was your priority. You couldn't afford to look at the ground, to collapse. Every breath you took, the air sounded slightly ragged, as if you were about to scream but held back, and you clenched your hands into fists as you dodged the bodies sprawled on the floor.
Your first step into Benzo's shop was hesitant, like an unconfident fawn's. You didn't want to think that it was the first time you would enter the place knowing that its owner would never come back to wait for you behind the counter, but the certainty came back to you again and again, as if brought by the tide. There was almost no light, the little oil lamps that were scattered around the shelves were off, as if they held a mourning you had not yet faced, and the darkness brought with it a feeling of coldness that dug into your bones.
‘Vi,’ you whispered, your choked voice faintly spilling across the room. ‘Vi!’ you repeated, louder.
You heard your name, low, dazed, almost vanishing into thin air, and tried to follow it. It was the storage room. She had been locked in the storeroom.
‘Wait!’ you said, rushing to the counter, ‘I'll get you out!’
You tried to piece together what had happened, your hand searching in the gloom for the spare key Benzo always kept in the wooden drawers. It was in Vi's nature to have tried to fix everything herself. It was inherent in her, to carry as much of the burden as possible so that her siblings —and even you, if you got into trouble— wouldn't have to suffer the consequences. You didn't know how she could have warned the Enforcers, but you knew they had come to Benzo's shop for her. You knew it as clearly as you knew you would have done the same for her if it had happened.
But if Vander had shown up, it was also because he had discovered her. And if he had been wearing the handcuffs, it had been him who had locked her in the storeroom. To stop her from doing another stupid thing. Maybe Vander wasn't her biological father, but a strained smile tugged at your lips at the thought that they were more alike than they allowed themselves to think they were.
When your fingertips brushed against the metal frame of the key, you grabbed onto it, running the few meters between the countertop and the door behind which Vi stood. Your hands trembled as you slid it into its lock, holding your breath as you tried a second time, and you turned it on its axis twice, as you had done so many times in the past, pulling the heavy door off its hinges so that you could wrap your arms around Vi's body.
She clung to you tightly, choking her sobs in the crook of your neck, and the silence grew heavy around you, empty of hope. You felt Vi's hands squeeze your shirt, squeezing your body against hers, her warm tears sliding down your skin. You looked up at the ceiling, letting out a shaky sigh between your lips, and ran your hand up her back until it was tangled in her hair. Her shoulders shook under your touch to the rhythm of her own sobs, and you stayed still beside her for as long as she needed, allowing her to collapse.
‘Did you see what happened?’ you finally murmured against her hair, as her breathing slowly regulated.
‘Not much,’ she replied, her voice broken by tears, pulling away from you to rub her hands across her face. ‘Did you?’
‘It was Benzo...’ you began, and you hated the way you faltered before continuing. ‘They killed Benzo. And the Enforcers, some of them...’
‘And Vander?’
‘He's alive,’ you said, sliding your hand down his arm. ‘They took him.’
And your breath hitched as you realised.
He was alive. They had taken him, but he was still alive. Your mind was scrambling, trying to plan an impulse that came to you like a tug at your heart, watching the tears glisten on Vi's freckled cheeks. You couldn't let her lose someone else. Piltover had taken enough from her. Vander was still alive, you told yourself. He was still breathing, his chest was rising and falling, even if he hadn't had the strength to rise and confront them. He was alive, and you still had a chance to fight for him.
Your face took on a more worried tinge, ‘We need to find out where they've taken him.’
Vi looked up at you, her unfocused eyes darting across your face, but she nodded.
‘I know where,’ muttered a voice behind you. You turned abruptly, brow furrowed in distrust, and felt the pain wither against your ribcage. Ekko.
Little Ekko, never as small as he looked at that moment, his shoulders slumped forward and his crystallised gaze fixed on you. You took a step forward, ready to take him in your arms, but it was he who crossed the distance between you, taking refuge in your embrace. The pained expression on his face melted into tears as you snaked your hands around his back, and your own lump in your throat threatened to unravel as you felt him cry against your chest.
‘They killed him,’ he murmured, over and over against your skin, choking back his own tears.
‘I know, kid,’ you replied, unable to understand what you were supposed to do at that moment. You felt the warmth of unshed drops in your own eyes, and fought against them, burying your face in his hair as you felt one slide down your cheek. ‘I'm sorry, I'm sorry.’
‘We'll get them, Ekko,’ Vi promised, resting one hand on your back, stroking you comfortingly, and another on the boy's shoulder.
He parted slowly, rubbing his hand over his cheeks as Vi had done a few minutes before, and looked at the two of you, trying to gather the energy to speak. You couldn't stop to think what it must have felt like, watching Benzo die like that and still finding the strength to follow the perpetrators, the murderers, just so you could have a glimmer of hope of getting Vander back. He had been very brave.
‘It should be quick,’ you said, cradling his face in your hand, the pain shining in your gaze. ‘An hour and a half, maybe, tops two hours.’ You slid your gaze slightly to Vi, who was watching you with her brows furrowed in a helpless gesture, and added, ‘If we're not back then, please, go to my Mom's, yeah?’
Your mother would know what to do. She always did. She would take care of Ekko.
‘But...,’ he stammered, and you decided to ignore the way his chin began to tremble again, new tears gathering in his almond-shaped dark eyes.
‘No buts, Ekko,’ you replied, interrupting him gently. You took a breath of air, tangling your fingers in his short pale hair, pulling him to your body, and held him tightly in your arms. ‘I need you to be safe, please,’ you implored.
‘I don't want to lose you,’ he murmured against the fabric of your shirt, and you felt every movement of his lips, your own face struggling not to cry. 
You looked up, blinking back tears, sighing the lump in your throat, ‘You won't,’ you told him, stroking his white curls, ‘you have my word. I'll come back in one piece.’
You forced yourself to pull away from him, your hands on his shoulders, and slid your thumb over his cheeks to wipe away the strands of tears that had leaked from his eyes, trying to muster the courage to flash a crooked smile. It wasn't easy, but you couldn't afford to look weak. Not in front of him, not when he needed you more than ever.
‘Besides,’ you whispered, unbuttoning your waistcoat, holding the pocket watch between your fingers, resting it against his chest in a graceful motion, ‘who's going to look after my watch while I'm gone?’
‘Are you going to let me keep it?’ he asked, cupping it in his two hands as if it were a treasure. He slid his fingertips over the silver curve of its circumference, over the twelve chipped numbers you had drawn above it - all Roman numerals - and looked up at you.
‘Forever,’ you promised, nodding solemnly.
He pounced on you, wrapping his arms around your waist, and you melted into his embrace with closed eyes, memorising every detail. Vi joined in a sigh, wrapping her strong arms around you, and for a moment you remained buried under your own skin, wishing that it was all a nightmare and that when you opened your eyes, the rapid breathing, tears and screams were just part of yet another of your childish games.
Reality was far crueler than a kid's imagination.
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You felt Vi's hand intertwined with yours like a shackle pulling you back to consciousness, the faint discomfort of your ankle keeping you sane as she led you to The Last Drop. You hadn't exchanged a word since you had left Ekko in the same room of broken glass you had fled from that morning, hidden in the rafters of the ceiling, and both of remained trapped in your minds, thoughts running at too much speed.
It was difficult to face such a situation. As inhabitants of Zaun, loss was part of your DNA. You came into the world crying for the loss of your future, a future that had been taken from you at the founding of the city, and you mourned the violence that you would inevitably encounter, ever-present in the streets of the underground. Vi had endured the death of her biological parents, as had Powder and the rest of the Vander children, and you had been born without knowing who your father was, growing up surrounded by brutality.
You didn't know what your girlfriend was thinking, but you tried to remember if you'd ever spent enough time in the docks to have been able to investigate the large building that loomed over the water, as if it were floating. Ekko had claimed to see the man of mist and Deckard disappear within its tall brick walls, but had refused to come any closer. You had left a soft kiss on his forehead as a farewell, and in a glance you and Vi had known what to do.
Vander had trained you for such a moment. He had spent years teaching you how to defend yourselves, practising boxing with you, training you to take care of your own. You had always assumed it would be complicated, any fight was. But as much as Vander had been a proponent of using violence, in his past, you had also learned peace. It was clear that Silco would not accept a dialogue, a bargain of any kind. He had negotiated with that Enforcer for Vander. Vander had been his target.
The importance of acting was to do it right. And if you sneaked in and out, as you'd done so many times before to get some food, you'd all sleep on the top floor of The Last Drop that night, listening to Vander's snoring, the sheets moving every time Powder rolled over in her bed, and Vi's body warm against yours.
The bar was dead silent when you slipped in through the back door, and you assumed Vander would have closed up before he went to find Vi. You waited a few moments for her as she went inside to fetch the gauntlets Vander always kept hanging over the counter, and slipped down the stairs to the small room in the basement of the building when she returned with a shake of her head. Someone had taken them.
‘Vi?’ uttered Claggor, turning to you as she opened the door. He added your name, avoiding the hint of a question. You tried to force a smile as you realised that they had always assumed that if one of you was there, the other would appear shortly after.
Vi came down the stairs two at a time, ignoring the two boys, and slid her eyes around the room, searching for the gauntlets, ‘Where are the...?’
You sat on one of the steps, listening to the soft thump of Powder's body as she pounced on her older sister, and pulled your trousers up to your knee, untying your laces at full speed. Whenever Vi was set on something, she acted on instinct and with great speed. You didn't know if she would look for something more —except perhaps other weapons— but you delegated finding them to her. You had little time to slow down the way your ankle was going to worsen its condition irremediably in the remainder of the night.
Nor did you have much more strength than she did to explain what had happened.
You pulled off the bandages you carried in your pocket, resting them on the old wood of the stairs, as you heard Vi's quickened breathing echo through the room, pulling your injured foot up a step to remove your boot. You looked up when you heard Mylo protest, ‘Hey, those are Vander's,’ he said, grabbing Vi by the wrist. ‘Slow down. What is going on?’
‘Benzo's dead,’ she muttered, and you closed your eyes for a moment, before continuing to untie the tight knot in your shoes. 
‘Dead?’ Claggor repeated, and you wondered if you were better off waiting outside. You removed your sock, shook your head, took a breath of air, and picked up the bandages, placing your foot on the knee of your other leg.
‘They took Vander.’
‘Who took Vander?’ added Claggor, as you began to wrap the bandage around your ankle, taut, inflexible on your skin, tense enough so that when you came back your joints wouldn't resent it. You did it angrily, trying to bury all the emotions you had managed to control so far.
‘I don't know,’ you heard Vi reply, and her voice sounded slightly closer as she turned to include you in the conversation, ’we're gonna help him.’
‘We're going with you,’ Mylo replied, almost as if he was hurt that it hadn't occurred to you earlier.
You put your sock back on when the bandages felt like a second skin over your foot, and tied your boots tightly. A bloody sprain wasn't going to stop you from rescuing Vander. It wasn't going to stop you from bringing him back, safely, home. You weren't going to let it. You looked up, sighing, and tried to intervene.
‘Whatever killed Benzo...’ you said, and your breath caught in your throat.
‘It was nothing like I've ever seen,’ Vi continued, and her voice trembled as much as yours. ‘It tore him apart.’
You saw the way her shoulders tensed before even the first sob slipped from her mouth, but you didn't have a chance to approach her before her brothers, who embraced her warmly, all united by stubbornness and impotence. Vi put her hands to her face, covering the obstinate tears she did not want to let fall down her cheeks, and you knew she had come to the same conclusion as you. They were both going to want to go with you, and you were going to need their help, no matter how much Vi wanted to keep them safe.
‘You're not doing this alone,’ Claggor stated, determined.
‘He's our father too,’ Mylo added, his hand tracing circles on Vi's back. ’Do we know where they took him?’
‘Ekko followed them,’ you interjected, clearing your throat as Vi stowed what her brothers had left on the table in one of the backpacks you always left lying around. ‘The old cannery next to the docks. He said...’
You looked up from the backpack, calming yourself once you realised it had been the boys who had taken the gauntlets, but the muscles in your back tensed again as you noticed Powder standing in front of you, a look of determination on her face, and a suitcase in her hands. Of course she wanted to go with you too.
Vi turned to you as she heard you hesitate, and exhaled an exhausted sigh at the sight of her sister.
‘I need you to sit this one out, Powder,’ she asked, approaching her.
‘What?’ her eyebrows furrowed in confusion, and your heart crumpled in your chest. Ekko had been easier to convince because he had seen what had happened. He was shocked, willing to wait for you to return. But Powder had always followed his sister's example, longing for a chance to show her worth and to stop being treated like a child.
‘You're not coming,’ and Powder's expression was worse than if she'd received a slap in the face.
‘I'm not afraid,’ she replied, desperate within the quietness of her response.
You couldn't intervene on this occasion. Nor were Mylo and Claggor going to. It went beyond their sense of responsibility, this was a blood sister fight to see which of the two would get their way. And the older one always had the upper hand.
‘It's too dangerous,’ Vi added, and you didn't have to see the gleam in her eye to know that she needed Powder to listen to her, to understand why she was asking so much of her.
‘But families stick together,’ Powder continued, accentuating his frown, ’you said it yourself.’
‘I know what I said...’
‘I want to fight,’ she announced, and the freckles creased on her cheeks as she looked up, raging, at Vi. ‘I can help.’
‘You're not ready,’ Vi replied, and her sharp tone cut over Powder's determination, shattering what hope remained. You saw how Vi held her breath for a moment, regretting her choice of words, and tried to correct them in a whisper. ‘You're all I have left,’ she said, resting the palm of her hand against Powder's cheek. ‘I can't lose you.’
‘Here,’ you uttered, in a soft, conciliatory tone, approaching them with one of the flares you had in a box under the stairs. It was a blue smoke one, a symbol you had talked about more than once with Powder, making jokes about the colour of her hair.
Vi took it gently from your hands, handing it to her little sister, ‘If they come for you, take this and run,’ she whispered, her gaze locked on Powder's pale pink eyes. ‘Wherever you are, light it up and I'll find you.’
Eyes shining, you almost couldn't hear the last words, a gentle ‘I promise’ murmured against Powder's face as she leaned down to rest her forehead against her sister's, memorising the warmth of her body before parting. You turned, beckoning Mylo and Claggor up the stairs, and you followed, leaving the sisters a few more seconds together.
The mood seemed somewhat subdued, Mylo's mouth closed in an altogether uncharacteristic muteness, and you peeled back your lips to make some comment to cheer them. The words died in your throat when you reached the landing, suddenly surrounded by Claggor's arms, and you held your breath in surprise.
‘I'm sorry,’ he said, and Mylo repeated it, both of them hugging you.
You closed your eyes, allowing yourself a moment of weakness, and let out a choked sob against Claggor's shoulder, still feeling the lump in your throat.
‘It's not your fault,’ you murmured back, ’it's not.’
‘It's not yours either,’ Vi uttered, and you turned your face towards her, who had just appeared through the door.
You tried to curl your lips into a grateful smile, your eyelids quivering to keep from shedding a tear, ‘I know.’
But it wasn't true, because you could never find out what would have happened if you had come down from that rooftop before Silco appeared, if you had warned the Enforcers of Deckard's presence. It was already in the past, you had lost your opportunity. Maybe, if you had confronted them while Vander and Benzo were still conscious, everything would be fine. Maybe your presence would had led them to fight back. And that was something Vi didn't know either.
You trailed behind, but kept pace as Vi led you through the crooked streets of Zaun, turning corners and ignoring drunken men, towards the city borders. The docks were not a highly desirable place, though one to which Madam sent many prostitutes on the days of disembarkation. Most traders transacted goods with the topside, and its bright and shiny harbours, but those who dealt in coal and alcohol had to make a stop at the Lanes, and the black market in its streets.
That building, however, looked even darker in the moonlight, the mist rising from the water creating a cloak of eerie mystery around it. You walked around its perimeter in a couple of minutes, trying to figure out which entrance was the most secluded but best accessible, and it was your keen eye that located an open window on the first floor. You climbed onto Claggor's shoulders, a rope at your shoulder, and clung tightly to one of the pipes, checking with a smirk that it would be able to support your weight.
Of the four of you, you were the best at climbing. You were elusive, small and slender for your age, even more so than the children of Zaun, no doubt a consequence of the fact that on many days your mother had been unable to offer you food to put in your mouth. The need to hide had made you learn to duck between the rooftops of the city, and though Vi was better at leaping from building to building, you were certainly the sneakiest of the bunch.
You even seemed to glide along the facades, you'd been told, clawing at bricks and picking out which spots on the wall were best to rest your limbs on, as you were doing at the moment. You panted as you managed to get your arm over the window sill, sliding your leg over so that you could slide into the building, and held your breath as you glanced down the dark corridor. No one seemed to be there. You grabbed the coiled rope you had slung over your shoulder and began to drag it down the window, waiting for Vi's two tugs before you crouched on the floor and braced your feet against the wall.
You held on, with the rope wrapped around your waist and tugging at it while the others climbed, and left it hidden under the window once everyone had climbed up. In case any guards found it, they wouldn't know where to start looking, and you doubted you would need it to escape. Vander was too heavy and too weakened to get out the way you had come in.
You scanned the corridors of the warehouse, rusty platforms stacked in a narrow space, and hurried to take up position behind Claggor, the four of you forming a line with Vi in front and Mylo last, slouching forward under the riveted iron pipe railings. Vi signalled to you when she realised that there was a poorly lit room on the upper floor, and you all hurried up the stairs, still crouching. 
When you reached the other side of the corridor, Vi leaned forward, peering quickly, and turned to you with a triumphant smile, voicelessly pronouncing that Vander was there. You rested a hand on Claggor's shoulder as you felt Mylo's on your waist, and you advanced at a rapid pace until you reached the room, where Vander sat, defeated, in a big iron chair, all his limbs imprisoned by metal straps, fastened by padlocks.
You saw him spit blood, his broad chest straining to breathe out a hoarse cough, and he whispered a soft ‘Vi,’ his unfocused eyes closing as he felt his eldest daughter's arms slipping around his shoulders in a hug. His tone became more urgent as he realised you were really there, ‘What are you doing here?’
‘We're breaking you out,’ Vi explained, as you picked up the backpack she had left on the ground.
You opened it, kneeling on the ground, and pulled out the lock-picking device you had built for Mylo. It didn't always work, but it was the best you had. ‘Mylo,’ you called, and tossed the gadget to him.
‘On it!’
You turned towards the door, rising to your feet to check that no one was coming in, your fingers tingling to check the time on a watch you no longer had, but you froze when you heard Vander's husky voice.
‘How... how did you get in?’ he said, stuttering hurriedly over the words that were building up in his mouth. ‘There's guards everywhere.’
Oh God. Of course it had been a trap. 
‘It was easy,’ you heard Vi reply, her tone losing its strength as the realisation dawned on her. ‘We found an open window and...’
You rushed over to the backpack, hastily pulling out the weapons that Claggor and Mylo had gathered, as you saw Claggor's figure hurrying to grab his favourite dagger, trying to release one of Vander's wrists from its prison. The man made eye contact with you, Vi stepping behind you to watch the door, and you held back a sob as you heard Vander again, ‘You have to get out. Now.’
No. You weren't going to leave him again. You weren't going to fail at the same task twice. There had to be time, you could do it. Silco's men probably hadn't even realised you were in yet, you had a chance, you could....
But you heard a clap reverberate through the warehouse, soft and dangerous, and your breath caught in your throat.
Silco.
‘Welcome,’ he murmured, his voice flowing like a river down its course, the sound of his rhythmic clapping coming hopelessly closer to you, ‘you have my congratulations,’ you tried to ignore it, to keep the memory of his tone from bringing back the vision of Benzo's body falling to the ground, but it came to you with the force of a storm, leaving you breathless, ‘but i'm afraid this will be a very short reunion.’
You refused to turn toward him, your hands instinctively gripping Vander's gauntlets, and Vi positioned herself at your side, shooting a defiant glare at the man of mist as she held out her arms for you to place Vander's weapons on her.
‘Have you heard the rumours?’ he added, and you could hear the amusement in his voice, ‘Vander the coward fled town with his children. And they were never seen again.’
You finished knotting the second gauntlet to your girlfriend's wrist, the straps stiff but comfortable on her pale skin, and exchanged a glance with her. You were going to make it. You rested your hand on her shoulder, squeezing lightly, and she gave you a fragile but sincere smile, real, just for you. Vi was the best at boxing. You took a quick glance back, your gaze hardening as you saw that Silco was surrounded by his followers, a bunch of buff men and women, all of them ready to fight. You sighed, determined. If there was anyone who could take on a man two heads taller, and visibly stronger, it was her.
You moved your hand up to the nape of her neck, stroking the lower part of her hair, and closed your eyes as you rested your forehead on his. It was a good-luck caress, a wish to go home, a temporary goodbye. She took a breath of air, parting from you reluctantly, as she always did, and positioned herself at your back. You saw the way Claggor's dagger broke from too much pressure, and heard Vi's first step toward the door.
‘Claggor, see if you can find another way out of here,’ you ordered him, rotating your shoulders. You saw him nod, watching out of the corner of your eye as Mylo wrestled with the device in the lock on Vander's right leg. Claggor nodded. Vander looked at you, concerned.
‘You don't have to do this,’ he said, but you knew he was talking to Vi.
‘Yes I do,’ she replied, determined, resolved.
Your priority was to get Vander out of there, to get everyone home safely. You ignored Vander's strangled gasp as Vi's quickened footsteps echoed over the metal lattice floor of the corridor, and you brought your hands to your head, grabbing the two long metal bobby pins you wore in your hair, both sharp and U-shaped. You crouched down next to Vander's other leg, and picked up the padlock. Inventions were your thing, you had to figure out how to open it.
You looked over your shoulder when you heard a thud behind you, momentarily startled, but smiled as you saw Vi, exultant in the middle of the bridge, and in the floor the body of the giant tattooed man you had seen when you turned around. That was your girl. You inserted one of the hairpins into the lock hole, noticing how Vander relaxed minimally against the seat as he saw that his daughter was perfectly capable, and then turned the other, recreating the teeth of a key. You imagined the mechanism under the padlock's metal cover, turning its gears to loosen.
Everything was going to be all right.
‘Mylo,’ you heard Vander, and saw out of the corner of your eye that Mylo had slipped the device to the floor. ‘You can do this.’
You looked over at Claggor, your fingers struggling against the lock, and saw that he had found a crack in the wall. There were enough tools in the backpack for him to open a hole. Perfect. You took a breath of air, forcing your wrist to turn the downward facing bobby pin all the way around, and the locking bow opened with a soft snap. You removed the hairpins, withdrawing the lock, and Vander rested his leg on the ground.
‘We're gonna get you out,’ you murmured, crouching down next to Mylo. ‘Hey, Myls,’ you said, laying your hands on top of his, helping him move them nimbly, ‘big breath.’
You felt him inhaling briefly, closing his eyes to feel the gears of the device against his palm, and you exchanged a glance as the smooth sound was repeated, releasing Vander's other leg.
‘We got this,’ he whispered, more encouraged.
‘Of course we do,’ you replied, placing a hand on Vander's knee to pull yourself to your feet.
Vi's soft panting continued to echo off the walls of the warehouse, to the rhythm of the punches of her gauntlet-covered fists as they impacted against the bodies of Silco's minions, and you looked back once more. Vi was rising against a bare-chested man, her shoulders tense, turned so that she could deliver another blow.
You focused on the lock on Vander's wrist as Mylo did the same on the other side of the chair, holding your hairpins tightly, moving your hands as fast as you could. You listened to your heart pounding in your ears, for a moment drowning out all sound from outside, like every time you secluded yourself in your studio, until you heard the first howl.
It reverberated in your mind, emptying it of all thought, like a shadow stretching over you. Deckard. You turned, eyes widening in horror, the mass of flesh that was the boy who had once abused you looming over Vi, and for a moment your heart stopped in your chest. In the darkness, you were only able to make out the fluorescent violet color of his veins, Vi's light pink hair, facing each other. You had seen what Deckard was capable of. You weren't going to let Vi end up like Benzo and those Enforcers.
‘Mylo, hurry,’ Vander pleaded, as you twisted the hairpins urgently, releasing the lock as soon as it gave way.
You turned toward the backpack, watching in horror as Vi leapt toward Deckard, and grabbed the first thing you saw. A piece of pipe, thin and hard against your hand, long enough that you could strike without getting too close. It wasn't a sword, but it would have to do. You looked up, checking that Claggor had already begun removing bricks from the wall, and advanced toward the deck, ignoring the way Deckard had grabbed Vi by the neck.
‘Silco, let her go!’ shouted Vander, slamming his free hand on the armrest of his chair. ‘This is between you and me!’
‘You had your chance,’ Silco replied, not even flinching.
Vi coughed, a choked, desperate sound, followed by a scraped gasp in her throat, seeking oxygen, and you slid onto the metal walkway. Deckard was barely aware that you had moved behind him, too focused on snatching every last breath of air from your girlfriend's lungs, and he dropped her against the ground as you jumped, unloading the pipe against his skull with all the force you had.
Deckard grumbled, an anguished scream spilling from his mouth, and you let go of the pipe, running to Vi. You slung one of her arms over your shoulders, one of yours around her waist, and carried her back to the room where Vander was, panting, the pain in your ankle beginning to awaken. You gritted your teeth, leaving Vi on the floor, leaning against the wall, and charged over to the sliding iron door, doing your best to close it. When you felt the door slam as it hit the wall, blocking Deckard's access, you pushed past the latch, collapsing against the floor, your shoulder pressed up to the door, just in case.
“You did good,” Vander whispered, looking at you, at Vi, his gaze clouded with admiration.
You merely nodded, exhausted, as Claggor continued to throw bricks, opening a large hole in the wall. You felt light, despite your tiredness, and leaned your head against the door. Mylo was struggling with the last lock, but you knew he was going to make it. You allowed yourself to close your eyes for a heartbeat, sighing, a moment of quiet before the first bang came. It echoed through the room, metallic and dry, and you felt it coursing through your body. Deckard was trying to reach you all.
You watched as Vi sat up, the one fist that still retained a gauntlet resting on the ground to stand, and tried to crawl to sit beside you, her chest rising and falling at full speed. There was only waiting, you knew. A slow, agonizing wait, until the boys were done with their part of the mission. You felt Vi lean her head on your shoulder, your bodies moving in time to Deckard's pounding, straining against the door to try and hold on as long as it took, and you clenched your jaw.
You were going to make it. A knock, a furtive glance at Mylo, and you heard the soft sound of the lock being released. You were going to make it. One punch, your shoulders tensed, and Vander was finally free. You. Were. Going. To. Make. It. One punch. A gentle squeeze on Vi's free hand. And Claggor finished tore a hole in the wall. You stood up, advancing forward, and then, just silence.
Suddenly, an explosion. You stopped, alert, your eyes wide, and turned to Vi. She had the same terrified expression on her face, one hand resting on the door to pull herself to her feet. You listened carefully over your ragged breathing, your ankle throbbing, your throat dry. Another explosion, closer this time. You turned to Vander, frowning, looking at him as if he could have some kind of answer. He extended his hand toward you, gesturing for Vi to hurry towards them.
A third explosion, and the world around you ceased to exist.
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The crackling of the fire, soft and malleable in your ears, was what greeted you when you woke up. Your mouth felt dry, ragged, as if you had swallowed dust, but you opened it anyway, taking in a big breath of air. The oxygen burned your tongue, your eyes still closed, and you tried to move your hands, but you were unable to. You were caught.
The weight of certainty hovered over your ribcage, imprisoning it against the ground, and you moved your head on the cement beneath you, the ground warm against your forehead. You breathed in a second time, your respiration becoming more erratic, and then it hit you. Ashes. There were ashes everywhere, flames eating up the space in the room as if to make you disappear.
You opened your eyes, hearing a faint cough somewhere, and tried to focus your gaze on some point, but you saw only shadows and fire, dancing over you, coming closer, taunting you, and then going away again. You turned your head, looking for some familiar figure, Vander's comforting gaze in the darkness, Vi's soothing touch on your skin, but you were alone. You clenched your jaw, trying to fight against the stone that held you prisoner on the ground, but you found it impossible.
And then, a cry. In a déjà vu, you stirred again under your stone prison, turning toward the desperate sound of Vi's voice. You couldn't see her, but you knew she was there. Your chest was beginning to ache under the weight of the stone, each time managing to breathe less and less air, but you gritted your teeth, struggling, and managed to get a hand out. You mumbled your girlfriend's name, calling her name amidst the chaos, and sobbed when you got no response.
It seemed like the end. You felt dirty, drenched in sweat, stiff under the night of Zaun, and you were unable to perceive your legs, dumb under the stone. They were bricks, probably. Or the roof, perhaps. Snippets of the explosion came back to your memory, the dull sound against your ears, the brutality of the shockwave, and you looked straight ahead again. Vi was there, somewhere, and you had to get to her.
You fought against the cement block above you, trying to move it with your hips, with your arms, doing everything you could to get out of there, until you heard your name. In a wail, low and desperate, to your right. You turned, ignoring the laceration from the edge of the stone on your torso, and saw her. Her clear, frightened gaze, calling for you, the desperate gesture of her body. She was trapped under the metal door.
A growl, a large, dark silhouette in the smoke, and pounding. But you ignored them. You tried to turn a little more, struggling to reach Vi, your fingernails clawing at the ground and the ashes under your hand, dragging you towards her. Then the floor began to shake under your fingers, the ringing in your ears intensifying. The door imprisoning Vi flew off, and she crawled over to you, her hand outstretched in search of yours.
You stretched out your arm to reach for her, flinching as you heard a pained shout from Vander, extending your fingers, reaching out as far as you could for her, but before you could finally touch her fingers, a monstrous figure loomed over both of you, snarling, and grabbed Vi's body, leaping out of the building.
Your hand fell to the ground, defeated, and the walls that were left standing shook with the force of another explosion. You closed your eyes, stubborn, and shook yourself. You had to get to Vi. You had to find her, and Vander, and together you would search for Mylo and Claggor. You would return home. Nothing would have been in vain.
The flames crackled louder around you, almost warning you that getting up was a bad idea, but you ignored them. You weren't going to listen to them. You rested one hand on the ground, the other pulling the stone above you. You weren't strong enough to be able to lift it, but maybe you could wriggle out from under it. You were good at crawling, you could do it. You heard a cry of pain, distant but sharp against your chest, wholly yours. Your shoulder began to burn.
The first drop landed on your cheek. For a moment you thought it was blood, thick and dark against your skin, but then another fell on your chest, light and cool, and a next, and a next. Rain. It was raining. Water, cold and clear, that made the fire sizzle around you. You breathed a sigh of relief as you rested your shoulder on the ground, the dust and rain soothing the burns that threatened to sear your flesh, and leaned forward again. One arm in front of the other, ignoring the pain, pulling yourself back up as you fell to the ground, slowly and achingly moving forward.
Your legs wobbled as you tried to stand up. The bandages on your ankle were soaked in blood, which slid down from your thigh, staining everything in its path. Your torso was bruised, throbbing against your hand, and your ears were ringing. You leaned against the stone that had been above you, towering over it, and blinked, sliding your gaze around the room.
And then you saw them, Mylo and Claggor. Buried under the pieces of ceiling that had collapsed on top of you, motionless, drained of blood. Your breath caught in your throat, and you took a step toward them, a sob piercing your throat. There was nothing to be done, you knew. Still you knelt beside them, stroking Claggor's face, running your mangled fingers through Mylo's hair. You couldn't leave them. They were your family, you had to take care of them.
Powder's desperate scream echoed across the starry sky of Zaun, and your heart pulled forward in your ribs, your head turning toward the giant gap in the wall. Powder. She was supposed to be safe, in The Last Drop. She wasn't supposed to see any of this. She was supposed to wait for you to come back, in a couple of hours, and hold each other, perhaps commenting on it all as a successful anecdote. Mourning Benzo, honoring his memory.
Powder wasn't supposed to be there.
You rose to your feet once more, brow furrowed in concentration, gritting your teeth as you braced your injured leg on the floor, crawling, leaning against the walls to get out of there. You walked the metal corridors of the deserted building, of the cemetery of concrete and fire, descending the stairs one at a time, holding back the screams of pain that threatened to spill out of your mouth. You had to get to her, protect her, look for Vi, find Vander. Together you'd be okay. You always had been. You could make it through, with Ekko, with your mother's help. You would make it. You could fix it.
The night air greeted you like a slap in the face, the empty street echoing your footsteps. No one was there. You had heard Powder, you were sure. But she wasn't there. In a haze of light and shadow, you saw a body on the ground. Everything was gone, but there was another corpse right in front of you. You approached slowly, limping, gasping for breath, until you were able to recognize his face.
It was not Deckard, as you had wished. It was Vander's bruised and deformed face, turned into a monstrous beast, the violet blood spilled under his body. You put a hand to your mouth, falling to your knees beside him, collapsing. And the lump in your throat finally burst, a scream leaving your mouth, resting your forehead on his chest. It wasn't fair. It wasn't fair. It wasn't fair.
You looked up, the loneliness caressing an uneasy shiver across your skin, and stared before you, seeing nothing.
Sometimes your last breath doesn't belong to you. It is stolen, ripped away by others with firm and merciless hands. One second, one heartbeat, one desperate look. One second, one heartbeat, and life leaves your eyes. Other times you hold your breath, the emptiness opening in your chest, deepening as you try to contain it. You tell yourself it's the end, that you need it to be. But it isn't. You end up breathing. You let the oxygen invade you again, even though it feels like a weight on your chest. You keep breathing, even though you wish you weren't.
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⠀⠀𝗍𝖺𝗀𝗅𝗂𝗌𝗍.⠀( send an ask or comment under the series to be part of it , just if you're going to interact with it ━reblogging with feedback. )⠀@im-just-a-simp-le-whore , @celestialzdiviner , @corpsebridenightamare , @louissst28 , @astr1dblogs , @notsolarry , @starlostastronaut , @yoonkinii , @padsfirewhisky , @luvrluvrr , @ssqra , @darkmoonchic , @urlocalsabito , @spicetouched , @astrxwitch , @deadlynightshadebylana , @bachirastoe , @pickmmeup , @your-scarlett-world
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machineheraldbabe · 22 hours ago
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Viktor's (subverted) Aristotelian Tragedy
A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)
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Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.
Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.
Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.
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Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.
“There is always a choice.”
Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.
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So why is Viktor so anti-choice in his final season 2, act 3 form?
Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?
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Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.
"Choice is false."
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But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:
Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.
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Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.
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Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.
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Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.
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Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.
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Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.
All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.
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I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!
This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.
PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.
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sugarcubetikki · 2 days ago
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If you didn’t know, Christian Linke recently said that they weren’t intending to make Jayce and Viktor romantic but just to show a really close relationship between men which they believe is underrepresented in media.
Of course, as expected, antis have taken this as a way to shut down gay interpretations and bring up how “romanticising a relationship that is meant to be brotherly demeans it”. It is definitely important to have relationships that depict multiple forms of love and yes at its core we can all agree that Jayce and Viktor are two men who love each other.
I believe that despite what Christian Linke says, the way one chooses to interpret that love ultimately falls on the viewer, as their relationship/love can resonate with people in many different ways.
I personally view Jayvik to be partners, friends and lovers because it resonates with me as a queer fan. I personally see a lot of queercoding in the way they were written and that makes it hard for me to perceive them as not having a romantic love.
For example:
Viktor being shown to take Mel’s place in many scenes like Jayce hallucinating him with after Mel and he’s wearing her black eyeshadow.
Mel x Jayce sex scene overlaps with the scene of Viktor becoming entwined with the Hexcore in a way that it makes it difficult for you to even focus on Mel and Jayce.
Amanda mentioning that Viktor was projecting his relationship with Jayce onto Sky this season - the whole science-y bond.
Viktor making the “this is not the bedroom” joke when Mel catches him and Jayce trying to sneak into the lab.
This all resonates with me as queer comphet and their love for each other being superior to that of their romantic interests also feels very queer for me.
And I have the right to interpret them in that way. I respect the way Christian Link interprets them and has shown to depict them but I personally do not see their relationship in the same way and I believe characters are just as much as the audience’s as they are the creators so my interpretation is also valid.
(Also, creators genuinely don’t always agree with each other and they differ in opinions when it comes to interpretations of characters/relations whilst Christian Linke may not see their love as romantic. I believe there might be other creators who do which could explain some of the ambiguity in their scenes).
Also, to the antis, queer love is also a valid form of love, it can exist with/without physical intimacy and still be queer.
Perceiving Jayvik as queer does not demean their love for each other at all. Perceiving them as having a platonic or brotherly bond isn’t wrong either. All forms of love are pure. Queer or not. Jayce and Viktor’s love for each other is pure and can be seen no matter how you interpret it.
The beauty of a story or a piece of art is enabling the perceived to interpret it in a way it resonates with them and it may not be what the creator intended and it may not be what resonates with you but it is still a valid interpretation.
That is to say I also respect platonic readings of their relationship despite not personally seeing it because you have the right to interpret them in the way you want to. And I am asking you to do the same for me and give me the right to interpret them in the way I want to.
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bawmbo · 1 day ago
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hi, thank you. youve opened a can of worms that cannot be closed
killer is such an interesting character to me. i realized that im not actually too sure where to start but ill start with his timeline;
the idea of a character whose home was slowly destroyed for reasons outside of their control and beyond what they couldve ever thought was real is an incredibly interesting concept to me. i also love psychological horror and reality breaking type of things in relation to it.
to be transformed into something outside of the bounds of definition, and live with the consequences of that, of your loss of autonomy is terrifying. to be named under that total loss is horrifying. to know that everybody will only know your name and never what you went through to get there, that no one would even really care. not that you could get yourself to. theres so much potential with the idea of someone who wants to drain your world of everything for entertainment, and they can forcefully recode it, and they do not care about you because you are just a game character to them. and you are the only one aware of this. and when youre taken out of the timeline by a strange man who can also forcefully shift your control of your situation, everyone will only know you as just as bad as him. as a murderer with no reason. and every time you look at this man (nightmare) all you can feel is the same hatred you feel for yourself. you cant help but feel like youre the same. but this isnt about nightmare as much as i really do love him and writing his character (also super passionate about him)
i have a lot of problems in general with his fandom portrayal and the fact that we either see him as portrayed as either incredibly childish, dumb, very sexualized, etc. and its okay to want to write him how you want to write him, have fun, just not our cup of tea
to us, hes incredibly agile, quiet. hes eerie and incredibly smart and much more aware of whats going on than he lets on. he has lost all respect for anyone who claims theyre more powerful than him, and the way he taunts is by bringing them back to his level (or just doing things he knows pisses them off but not enough to get him killed for it. massive staring problem and wont elaborate on it). and while he can be flirty, where i understand the sexualization comes from.
i think i just crave more in depth characterization from him. how terrifying he is during battles, how he knows the knives he fights with better than the air he breathes and the placement of his feet just as much. how he could be using his magic but its difficult to fight him even without it. the absence of what he could be doing and the presence of how difficult what he is doing showing through. his disconnection from the world around him and how hard it is to realize that everything around you is just codes. that everything is malleable in the wrong hands and everyone lives their lives blissfully unaware of how quickly things can change. and how he could be deeply angry by this but never actually feel it well in his chest like he sees with others. he isnt indifferent, and at some point, somewhere he might express that care. but he cant. and this is it. and he doesnt know how to move on from that.
maybe when he gets close to people his relationships end up showing slow signs of trust. when he does trust people is he surprised if they leave? how scared is he to depend on anyone when no one was ever there to? maybe one day he finally learns to sleep with his chest or back exposed and around people. and his version of hanging out is going "hey i know a spot" and its a 50 minute walk through a closed off forest but its beautiful. and youll probably get some diseases, just gotta hope you dont. the next place is probably a feral cat colony hiding in the sewers hes been feeding and slowly gaining the trust of. hes weird.
in general i really do love complex characters and think about them a lot. and i love seeing how complex characters can be written. i love exploring the possibilities with him and i find that when we either write him or collab stories where we write characters interacting with him, we have a lot of fun and end up thinking about him a lot.
my friend @nullandvalid is a big killer enthusiast too and if you send him an ask you could probably get a big rant too. (also @thaltro. both him and null write killer super well imo. been incredibly fun to listen to them talk about how they write him and engage in writing stories with them) thank you for giving me time to yap about it, ill probably be thinking of more in the meantime but this is all i have atm fhahaha
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another one for fun, pretty experimental. this one was one of those "draw regardless of whether or not you think it looks good" things. swore to myself the next utmv character i drew and posted was gonna be fell but here we are. gonna try to get used to posting things that i dont consider my best work. hi killer love you dude
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pinkanonhopes · 1 year ago
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:/
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huginsmemory · 8 months ago
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Everytime someone draws laios with the usual anime chiseled abs an angel dies
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ryssbelle · 9 months ago
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Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.
But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.
Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.
Bonus
Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree
Namely Queen Protea who I designed as Poppys grandmother
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Named after the Protea flower which part of her design is based off :D
In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death
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sepiamestus · 9 months ago
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It always rubs me the wrong way when people characterize atsushi as too much of a sweetheart. Like he IS a sweetheart but he's also snarky and sarcastic and most importantly he's very very angry. Do not forget this.
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lilidawnonthemoon · 5 months ago
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#The Atypical Family#I haven’t enjoyed/ been so moved by a drama in a very long time ❤️#just finished it I cried so much & SO hard haha#I was completely immersed and engaged from beginning to end which is rare (12 eps is a good length too)#I didn’t expect it to have so much depth and be so touching going into it I just wanted something different#mental illnesses complex interesting characters complicated -toxic- family relationships fantasy fated lovers found family...#well written and WONDERFULLY acted!!#the whole cast was amazing but the two leads were just outstanding wow#never saw either of them in big roles and now I’m a huge fan of both#Chun Woo Hee I’m so in love with you#I’m usually more touched by the female lead (actress/character) but the male lead actor was acting his ass off and made me SOB many times#his scenes with his daughter Ina oh I was a MESS and of course the lead couple scenes together <3#I also haven’t been that impressed by romance lately in shows but theirs was truly beautiful (and again: really well acted)#I could relate to parts of most characters: Dahae Donghee Gwiju Ina..#a poetic emotional rollercoaster and my favorite drama this year so far (by far)#now I want to carry on watching Queen of Tears (mainly for my Queen Kim Jiwon I’m her number one fan) and watch Lovely Runner too#but it will be hard to beat this one and I highly recommend it!!#deserved more love & attention#my mom loved it too it standed out to her and she watches ALL the kdramas lol#forgot to mention the magical OST I see you by the oh so great Lee Sora and her bewitching voice <3#I also haven’t been so moved by an ost in a long time it added so much to the atmosphere of the drama & really transported me into its worl#korean drama#2024#shots#cinematography#jang ki yong#cheon wo hee#Claudia Kim#park soyi
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senseiwu · 10 months ago
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I feel like a lot of criticism of the good doctor comes from people who've never actually watched it
"My parents now think autistic people can't live by themselves". Well... I'm sorry to hear that, but Shaun does just fine on his own? A big part of season one is him not wanting a stranger to help him with things when his mentor/father figure tries finding him an aid or something. He only gets a roommate, his best friend and now wife, after she crashed at his place.
"He's such a jerk" he's... literally very sweet? The only person I can think of who he was purposefully rude to was his abusive jerk of a father, which... was deserved lmao
He usually tries to connect with his patients, and there are some very sweet moments.
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sollucets · 5 months ago
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as tagged by @thitiponqs : tell me who i'm most like of my favorites. vibes only we are all internet personas to each other
stuck to drama characters i relate to. here's visual aids:
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i'm quite late to this. please go ahead and play if you want !
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alchemiclee · 8 months ago
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been trying to figure out what exactly it is about aventurine that feels perhaps relatable, or what it is that makes me want to study him like a bug...
and camr to the thought that he's pretty pessimistic for am optimist...but also ob the other side of the same coin, he's optimiaric for a pessimist. kinda both at the same time,.or depending on the day or how you look at him maybe.
he's an optimist becuase he knows he's going to win. he always wins. he has always won his gambles. he knows it will happen again and again. his luck, or gift, or blessing, or whatever you want to call it ensures that. but he's also a pessimist becuase he knows that "win" also always comes with some kind of suffering for him. he wins all his gambles, but at what cost? a lot, actually. so is it really a win? he knows he will win, but he also knows he will be used, abused, sacrificed, broken, or in pain. he expects those to be a consequence of his winning luck, to the point of making sure it happens and becomes self-destructive because of it. he acts calmly like it's ok and is the outcome he wants and calls that a win because it's what he plans and expects. he bets on it and it happens.
but at the same time, he's slowly breaking and seems to want it to end. he tests the limits of his luck to see if it's a real "gift" or if it is all a coincidence and has an end. he probably wants to meet the end to end the pain and suffering, but knows his "luck" won't allow it. he wants to be against the luck and see if he can win. a whole contradiction it itself. his luck kept him alive so many times and continues to do so. it will always do so, unless perhaps his end is the goal. what if he bets on losing this time? bets in meeting his end? he needs to get lucky enough to achieve that goal. flip his lucky fate by turning his luck around, make his end the final lucky win.
but it seems like he either lost for once and didn't meet his end....maybe his luck truly does intend on keeping him alive...or he changed his mind in the end and got lucky enough to get out of meeting his end once again...
he's still a bit of an enigma to me and i'm not sure exactly what happened. but he's for sure a complex and amusing character (even if I still want to put him into a snow globe and shake it as hard as I can) and this whole penacony story is too complex for my soggy trashcan brain lmao but i'm enjoying the ride
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sharpsuite · 5 months ago
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hi guys i'm alive, i survived my drive.
also look at this keychain shaker i ordered 🥺 the artist was kind enough to check their supplies and had one more so soon it shall be shipped to me and i'm so excited
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hollow-vok · 24 days ago
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Ohh im obssesed
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#uprooted#uprooted naomi novik#solya#marek#my main playlists dedicated to them :]#idk why they cought my attention in 2018 and since that year they have had a special place in my heart. sometimes throughout my day-#i realise im obssesed with them and they're not just some random characters i like. ive dedicated a lot of time on them#i wonder how my interest in them will be when i get older. i certainly know that i will miss them if i stop thinking about them#you could say they have seen me grow. i knew them BEFORE quarantine. they were with me DURING. and AFTER#they have been through so many phases of my life. its so strange.#they changed so much too...except Marek. he still looks the same I imagined him in 2018. solya is definitely different tho#but i do think i have a different more in depth understanding of both characters#even if the words i read in 2018 are still the same now that i look back at the book. they were so many things unsaid but if u looked-#closely you could understand them. solya and marek as individual characters have so much depth...even if its not explicitly said#or maybe its just me reading between the lines too much. i wish i just knew more about them. this is getting so long-#but I got a bit nostalgic. is crazy how i was just a child and somehow even tho solya was just the total opposite of the type of characters-#i like there was something in him. something that made me look at him. and i think thats actually so in character of him#i think that in the book even if someone didnt like him. it was still hard to look away because he stood out from the rest.#there was definitely something about him that attracted people. or else how would have he gotten so far in his schemes?#I may be overanalyzing it. but i love the Falcon so much. and i do like marek a lot as a character. i find him very interesting. i know he-#did bad. terrible. things i like him as a character. not as a person.#i wish i could have seen what was going on in that damaged mind of his...#analyzing his behavior its so entertaining to me. i love making up scenarios where he is at his worst. im not gonna lie#marek suffering and then finding comfort in not comforting things is one of my favorite headcanons.#his obssesion with his mother is also a very important part of his character (ofc) and i love imagine him doing things related to that#thinking about the ways their personalities connect and make them have a very toxic bond keeps me up at night..they made each other worst#and we actually never see that in depth in the book. everything is so subtle but my crazy brain can find the signs in any part#i will stop this rant here. i feel its so long and if i made any spelling mistake i apologise to my future self (probably my self from-#tomorrow) because i know i won't be able to fix the misspelling and that will stress me SO MUCH.#future self please dont stress about it. just be happy. and enjoy thinking about these insane characters
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dragon-deez-ballz · 1 month ago
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graaaa being weird in public sorry (on my own blog) teehee
#vent#RAAAAAA does anybodybelse like . Hate a lot of mundane shit in fiction . like just characters being friends or like going to a cafe or like#idk like. going to clothing stores. because i literally cannot do any of that#not even disabled.i just dont have the social skills or confidence or energy every day to do anyrhing outside of my room besides going to#classes. anyway im think about this rlly hard because i read a really normal dbz fic and felt very Othered#LIKE in fiction you dont often see ppl doing everyday stuff. you only see major plot points or fightihg or training or romance or whatever.#its already Out There types of things that ppl dont really do unless they are a main protagonist#as soon as thta character becomes Yeah this is Jessica from my ENG101 class i suddenly feel totally wholly ostracized#imo one of the biggest important things about lit is reading experiences you cant relate to in order to learn and expand your horizons but#but fic isNot lit & i only see 'normal' portrayed in fic because its self indulgent for the author & therefore i see 'normal' as a fic#trope that solely exists to make me feel like a caged animal#i cant even relate to queer experiences because of how deeply closted i am and how ive never ever irl been in a community like that#Rrraaaaaaaaaaaaaaaaaaaaaaaa#its not like i even WANT to see fic that verbatim recounts my edgy loner isolated lifestyle. Just stop with the starbucks or quaint#breakfast scenes PLEASE#It hurtsowww Nobody tells you this but pain actually really hurts. and everytime you write 'normal' another bunny/kitty is turned intosyrup
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ashtreelane · 2 months ago
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I'M SO GLAD MY MUTUALS FUCKIN RULE LMFAO
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