#its such a unique and wonderful experience

[aliceoseman]

s3 dealt with some more mature themes than s1&2 did, did you struggle with that in any way or did it feel like a natural development for the characters? especially since heartstopper has been praised specifically for being a "wholesome" show basically from the start, did you find it in any way daunting to write (more) sex and alcohol into the show?

(Upon reading this back, I have only talked about sex, not alcohol, very sorry!! Also this gets really off topic but this was the only question I received about sex in the show and I have a lot to say that I just didn't get asked about at all in any promo interviews, so... Here I shall word vomit!!)

Short answer: Yes, I struggled, but not with the writing of the story - just with the general discourse about sex/no sex in Heartstopper, since the beginning of the show.

Long answer:

It wasn't something I struggled with when writing the comic. I always knew that Heartstopper would get to that point - that it would grow up alongside the characters - but the general cultural view of the show as 'wholesome' vs. the criticism of it for being 'puritanical' and 'sexless' has definitely made me feel quite anxious about how these maturer elements would be interpreted by people in the show.

I never saw Heartstopper as 'wholesome' when I started creating the comic. The first chapter of the comic leads to a scene featuring assault, and the story deals heavily with mental health and bullying. The comic has swearing throughout. Whether the story was 'wholesome' was simply not a topic of discourse before the TV show released - I knew it was uplifting and optimistic, of course, but only in the same way that most YA romance stories are. So the public declaration of the Heartstopper show as 'wholesome' - as its defining characteristic and unique selling point - did take me by surprise. I'd had to remove the swearing from the story, but aside from that, I couldn't really understand what was different with the show compared to the comic, and why this was its defining feature. And then of course some of the conversation shifted to the fact that in S1 and S2, there's no sex.

This too confused me. I always felt the sexual attraction between N&C was obvious from the start, and sex itself was introduced into the story at the time I felt was right for the characters, with no real thought as to whether the audience would agree with me. People hardly ever pointed out the lack of sex in the comic - it's very, very normal for YA fiction romances to not feature sex, and in fact, it's actually pretty common for teen movies and shows to not feature sex, certainly when they skew towards younger teens as Heartstopper did in S1 and S2. But for some reason, when the Heartstopper show came around, people really, really noticed the lack of sex, and I was very surprised by that reaction. I wonder if it was because people weren't accustomed to that in queer TV, or if it was because people liked N&C so much as a couple and desperately wanted to see them take that step, or just because people felt it was broadly unrealistic for a teen couple to wait a little while before feeling ready to have sex. Perhaps it was all. But whatever it was, it caused some... outcry!

(I could go into arguments as to whether it is morally correct or generally realistic for N&C to wait before having sex in the story, but ultimately I think people's opinion on that varies heavily depending on their worldview and personal experience, and there's no right answer - people can like it or not like it and that's completely fine, not every tv show is for everyone - but the one thing I would say is that I think it shows young readers/viewers that it's OKAY to not be ready, and how to have that conversation with your partner, and I think that's a really, really good and helpful thing for young people)

Fortunately for those who were distressed by the lack of sex in the show, and for me who was anxious about all of that criticism, I'd been planning for the story to reach that stage pretty soon anyway. It honestly made me relieved that it was going to be introduced, if only to reassure people that I wasn't pretending sex doesn't exist or that I, as an asexual, was spreading some sort of anti-sex agenda (seemed to be a common refrain among those who find it particularly annoying that I'm ace). But mainly - I'd always known this would be a really important step in N&C's journey, and I wanted to do it justice, and I felt I had done so in the comic, but with the TV show came all of those opinions and discourse, so I was much more nervous about it and spent a lot of time during the writing process trying to figure out how people would feel about it. An impossible task, and before S3 released, I had no idea what the reaction would be.

In the end it was pretty anti-climactic - it got hyped up a bit too much in the early promo for S3, and then the general consensus was that the sex in the show was shown with a very light touch, and some people thought that was a good thing and others did not. And people still call the show sexless and puritanical, so it didn't really solve that issue. (I'm just not sure what those people really expected to happen - obviously they are not going to suddenly start fucking on screen in a show that's been previously marketed for the 12-16 age bracket, guys, let's use our brains here) Personally, I'm really proud of how that element of the story turned out. I think the scenes are really beautiful and feel totally right for the tone of the story, and have let the show mature without suddenly becoming an entirely different show.

This has been a long answer but I think what I'm trying to say is this: the 'mature' vs 'wholesome' scale of Heartstopper is something that has never been a topic of discourse for the comic. But it has been front and centre for the show, and certainly is something that has caught me off guard and caused me some anxiety, because I do see the criticism and it does hurt, and at times feels incredibly personal. But at the end of the day, I'm just telling a story, and the things that happen will happen at the time I feel is right for the characters. I just want to tell the story that I've set out to tell, and I intend to keep doing so until it is done.

If we get a S4, and indeed now that I am working on Vol 6, I am thinking much less about how the audience might react to the sex in the story, and am simply just writing/drawing what feels emotionally and dramatically right for the story and characters. And that feels much more creatively freeing!

[drdemonprince]

do you consider exorsexism to be an accurate/coherent concept in terms of describing structural discrimination against nonbinary people?

when i first encountered the term i thought it made sense, but now i’m wondering how it potential could tie into the ways transmisogynists use “binary trans woman” as a kind of dogwhistle. i have certainly encountered interpersonal bigotry from fellow trans people over my being nonbinary… but none of them had any structural power over me, so i tend to not feel particularly threatened by whatever “binary” trans people may feel about me. on the other hand, i do face a lot of structural barriers in a cis-binary world; but is that experience actually distinct enough from transphobia or cissexism to warrant its own term?

There is definitely a structural oppression of nonbinary people that exists and we need better tools to talk about. To this day a nonbinary identity is not legible to basically ANY government ID office, insurance provider, employer, school, hospital, or other large institution, that gender neutral or unisex restrooms and locker rooms seldom exist, and so many other public spaces & institutions are so rigidly gendered, such that nonbinary people are not allowed to functionally exist in society.

And speaking as someone who has inhabited both nonbinary and more binary trans identities, people absolutely do comprehend and honor the familiar binary options more, gender you correctly more often if you are binary, include you more often in social spaces and events, and are flat out more comfortable around you if you are easier for them to parse. It infuriates me when trans people shit on nonbinary folks as being self-centered and fake oppressed. This stuff is so clear.

And none of that erases the fact that TME nonbinary people often harbor deeply transmisogynistic views -- we live in a transmisogynistic society! all people are inculturated into those views and anyone who is not a trans woman does not get targeted by systems of transmisogyny. trans men are just as bad or worse wrt to all of this, so if anything the singling out of nonbinary people as fake, entitled not-really-oppressed trans people who are somehow uniquely bad to trans femmes is itself a manifestation of anti-nonbinary prejudice. theres nothing the "theyfabs" are doing thats any worse or an different from what you see from just about every trans man and cis woman.

Trans men often DO hold power over our nonbinary siblings, because we are men, often with many of the privileges attendant -- but also a group does not need to be positioned below another group on some straightforward hierarchy in order to experience a genuine and distinct loci of oppression. (see for example the differing experiences of bisexuals and gay and lesbian people). Lateral aggression is a thing, cissexism and coercive gender assignment at birth is to blame for virtually ALL of this, and of course, a lot of nonbinary people do in fact transition in some way (not just medically) and so moves to exclude them from discussions of trans oppression are a bad move.

[emiko-matsui]

to any teenagers on this app who speaks english as a second language im BEGGING you to fall back in love with your native language

[simikae]

four hundred and ninety yen

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[mitamicah]

confession time: After sleeping on it, I actually think I miss the Joker Out guys a bit more than I miss Jere and crew atm. That might be because it has been longer since I've watched them live comparred to Käärijä ...

... but because of this I'm actually tempted to do something very scandalous *gasp - I know; how nonkääryle of me* and only go for Hamburg tomorrow in hopes that Joker Out will get some Europe dates this fall as well :'D

(and if they don't then I hope the Käärijä shows in germany won't sell out too quickly :'D)

[istherewifiinhell]

Okay okay. last one..... for now .... 😈 trans robot also trans in a human way. remember?

[VD:  A clip of transformers: Earthspark of Nightshade Malto, a young terran transformer, speaking with a human on a roof top at night. Now with their owl alt mode, dark green plating, lighter coloured limbs, very large green eyes, swooping pointed shapes on their shoulders and helm.

Full transcribe below

Full moon in the sky, owl hooting. Nightshade bursts into frame with a screech, holding the human in their talons.

They fly down to a roof top, the human making noises and saying "OH! Put me down, put me down!". Nightshade transforms into bot mode, parts of their helm folded inwards, and covering their lower face with a mask like plating. They lean into the light and unfurl their plating.

The human has a bob with bangs and a blue streak, and wears glasses, and is hiding behind a held up bag, afraid. The bag has rainbow handles, and several ennamel pins, including one that says "She/they". 

Nightshade tilts their head: Oooh! I like your pins! [The human looks confused, Nightshade smiles] I am Nightshade, my pronouns are they/them!

She smiles cautiously and lowers their bag: Thanks, I'm Sam. [They approach Nightshade] I'm... She/they... but you already know that. [Laughs awkwardly]

She walks to the edge rooftop, looking over the city. Nightshade leaps ontop of the water tower. Eyes big with awe, camera rotating around them as they take in sight: Wow, what an amazing city.

They leap down the half wall Sam stands infront of, balacing and walking across it. Sam watches this: I'm sorry for how I reacted, its just. [They lean again the wall, looking down to the city] Sometimes the world can be... a scary place. It's hard to know who's dangerous or not.

Nightshade sits, legs dangling of the roof, humms: That's true, though disapointing. [Looks down sadly]

Sam, encouragingly: Hey... its okay! I know I'm safe when I'm with my friends... or other non binary people [She gestures to Nightshade]

Nightshade, looking interest: Non binary?

Sam: People who aren't female or male. [Nightshade looks away. Sam off screen] Awww I'm sorry... I shouldn't have assumed.

Nightshade smiles, joy in their voice: I always knew my pronouns felt right but. [Flicks eyes ups, looks down. Cut to wide] What a wonderful word, for a wonderful experience.

END

[voluptuarian]

Why the fuck would anyone want a remake for Final Fantasy VIII or IX? And I don't mean a slightly cleaned up port, I'm talking about what they did to FF VII. No I don't want voices added-- I've had years to determine what those characters sound like, I don't want some patently incorrect voice foisted on them now. Nor do I want new scenes, new mini games, "realistic" makeovers for the characters or any other unnecessary changes that will turn a beloved gaming experience into some uncanny-valley-ed version of itself. If you actually enjoyed these games originally I have no idea why you would want that to happen.

[butchladymaria]

genuine question because i really would like to know more: what is the difference between allonormativity and amanormativity vs. heteronormativity?

[perilegs]

I would love to get into more new farm sim and visual novel games, but I feel like a lot of them not only fail to create their own unique games, but present a very sanitized story and characters.

For the uniqueness aspect - it's not enough to create "stardew valley but 3d and in space" or something. It's still a stardew valley copy. Taking inspiration is one thing, but what new are you bringing to the table if your only source of inspiration is one game? I've already spent hundreds of hours with these exact mechanics on another game, why should I do that on something that is basically just a reskin of that?

And I feel like when it comes to characters and story, a lot of creators are afraid of negative feedback or doing something wrong, so they keep all of their characters very "morally good" and pure and sanitized so there's no real character development. Characters may have a troubled past or struggle with something, but god forbid if it affects them as a character in any negative way.

Idk something about marketability ruining creativity.

[laesas]

As someone who definitely doesn't count as an A/B/O enjoyer it's still super interesting to me just how much influence it has over wider fandom and fanfiction. Like as soon as you're "in the know" it's just absolutely everywhere.

[waywardsalt]

tag rant but man i fuckin hate the new direction for loz

[drchucktingle]

three point tether

the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer

i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be

art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.

you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story

so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour

in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’

so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living

if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo

[snekdood]

i knew ppl who were more dedicated to being counter culture than having any real morals or convictions would end up being nazis lmao

[nightingale-prompts]

Nightwing gets a sidekick introducing: "Batboy"

Continuation of this post: "Danny has Bat wings"

|Next|

Dick tries to tell himself that he's better then Bruce. He's not going around taking young orphaned boys with unique abilities willy-nilly. No, he very careful. Besides this is first- well second sidekick.

He's doing a public service anyways. You can't have a kid with giant bat wings just falling from buildings. If Nightwing hadn't stepped in to stop those goons trying to catch the kid and sell him then who knows what would have happened. What if they tried to cut off his wings and turn the boy into a bloody trophy for the Bats?

There are many villains in Bludhaven who'd take the boy out or take him in. Dick already had a sinking feeling that Heartless would try his hand at killing the kid after all he targets the weak and helpless like a coward.

It was easy enough to convince the boy to be his friend. Dick did have natural charm and charisma after all. All it took was a meal from batburger and a fruit cup to get the kid to open up.

Danny (apparently his family gave him a normal name) didn't live with his family anymore due to ideological differences. That difference was that they thought he shouldn't exist anymore and wanted to turn him into an experiment. Poor kid didn't even get to finish his freshman year of school before he had to leave. He was a small town vigilante for a few months before the incident.

Dick saw an opportunity but was subtle about it. He invited the kid to live with him until he got his education. Its also totally ethical because the kid was a vigilante already.

Everything kind of went by quickly. Dick had done everything possible to hide Danny until he could come up with a plan of how to tell everyone.

True Dick didn't "need" a sidekick but come on, look at him! He's a boy with bat wings! Dick could put a little cowl on him and dress him up like Batman. I mean he's not a dog but it would be funny. The irony there, the bird-themed hero now had a bat-themed sidekick. That is the universe's way of sending a message.

After training Danny Dick learned that the kid had an endless supply of energy and ADHD that rivaled his own at that age. The kid also couldn't fly, it was actually closer to gliding which was still useful but he kind of looked like a flying squirrel when he jumped off ledges.

The term issue with taking Danny in was that Dick was still a Wayne and while he could hide the kid while he was swinging through Bludhaven, Dick Grayson could not.

Danny could hide his wings like they weren't even there whenever he wanted to look human. Which was a start, next he needed a new identity. One that wouldn't tip anyone off.

Dick needed to pull some strings without alerting Barbara or Tim. A new name was forged: "Daniel Nightingale" (Dick patted himself on the back for that one).

With that Dick was ready to let Danny out in the field. For the most part, Danny was as reliable as any Robin if not a bit crazy. Danny was way too charming for his own good but also completely feral. The public adored the domino-masked kid in his green and black costume. Danny didn't wear a cape because of his wings so he used them as a cloak.

When citizens saw them in public they'd offer the kid fruit cups and candies just to get close enough to see his wings. The people of Bludhaven were also excited to have their own version of Robin since Gotham had so many. Also, the kid was so marketable. Look at the way his wings flapped when he was excited.

Danny's or more specifically "Batboy's" presence would not go unnoticed.

Well, this can't end well.

Welp. Dick should have expected this. He couldn't even be upset. He doesn't regret anything that he's done.

Danny was still in bed, actually it was a hammock which was more comfortable for a bat. Dick wondered if he could sleep upside down. The kid was comfortable here and probably better off here than in Gotham. Once the adoption goes public however things will get complicated. Danny may end up Bludhaven's sweetheart or outcast. He'll probably end up fine...probably.

[sound-symmetry]

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