#its one of my absolute favourite episodes

[hexados-on-a-string]

okay ik that they needed to do like character redemption on gus by making him go from "power >>>>>> friendship" to "okay actually friendship is power or something" and ik gus isnt a good person, however did they have to make nv episode 39 so brutal. christ alive that episode fucks me up every time i watch it.

[sysig]

Anime good :) (Patreon)

[cptnghoulowl]

My thoughts on Buddy Daddies episode 7:

I love them all so much I would die for them

Karin was NOT what I thought she was going to be.

This EPISODE was not what I thought it was going to be.

Rei sleeping next to Miri when she was sick melted my heart.

And Kazuki. Oh my god Kazuki. I just. I love him. So much. I want to write a whole thing about how I felt about him this episode, but let me stop crying first.

And Miri's little song at the beginning and end were adorable I would DIE for her I just. I CAN'T.

[dukeofriven]

[jadeactuallysucks]

Idc what people say I loved seeing him a terrorist. He’s exactly how I would’ve imagined someone outside of his perspective seeing him

Also doing research on Azrael Angel of Death I can’t tell if he’s supposed to be a fallen Angel or just an Angel but I don’t know religion that well

More stuff I wanna say

With all of you chosen defenders out there saying it was dark who killed mitsi, nahhh we need A train Chosen, I’m calling him over during valentines. Ruin some relationships. Including yours. How is it not a surprise he kills people?He’s quite literally made to be a weapon with all the powers and violent tendencies.

And he was absolutely at fault for making dark a terrorist too no complaint about it. Very hedonistic ideology in which the two of them could do whatever they wanted. In which the world was their sandbox. Up to interpretation

Obviously I view chosen, especially my version of him, different than others. Some of you sickos are treating him nicely!!!!

Low-key mitsi didn’t need to be in the story at all. Just tweak a bit, and also the box would’ve been a lot more callous, instead of agent and victim hating chosen for killing their fridged gf, I would’ve loved the more controversial morals of victim hurting chosen for whatever justification he wanted to come up with. And like there’s too much of a pattern with killing off characters for the sake of plot. I think dark is a good exception cause he was a rabid dog and needed to be put down sorry dark lovers also not sorry cry

I liked that ambiguity, I know most people like stuff spelled out for them with backstories but I like mysteries cause that’s how fanart and fics can be made. Some stuff does need to be explained like how victim escaped and founded rocketcorp which I get.

Oh yeah agent 😛😛😛😛 smash smash smash I see why victim is on the bisexual dance floor he’s amazing. And I don’t need merc backstories, I can just guess he recruited work buddies or just buddies

First part and terrorism parts my favourite scenes, can’t wait for Ava 12 to make or break my interest haha. The box will forever remain my favourite episode the glaze is real

Oh my god victim getting tortured during the first scene. By far the best part (except chosen and dark) in the episode. Kicking and giggling seeing him get revived after being unsaved. I feel like it kinda one ups Chosen’s trauma so I definitely hope that stupid shit gets it worse than victim. Honestly this is the stuff I want left out. I want to imagine the pain he went through rather than see it. Cause even after that he still forgives his tormentor like a dog crawling back to its owner

Uhhh also I have a big complaint about women (sorry women) I don’t like the stereotypes. I don’t need to know they’re a women by the colour pink or long hair. But this is me screaming at a wall cause I watch the same thing kids watch and the main audience is children. I need more characters like blue. Where you can’t tell if they’re a girl or not and you don’t need to care cause they’ll be taking performance enhancing drugs either way

These were all made in the moment so yk agree to disagree. I can’t get myself to hate the episode like how other people manage to do. I guess it’s just cause I stuck around for a year to see this. And I’m sticking around 3 MORE SEASONS BABY

Also like this is a good day for multi fandom me. Al of the stuff I watch is getting new stuff. Like omg Ava, then walten files, then interloper and digital circus and prolly more but I can’t count as you can tell I can only count to four

[h4m1lt0ns]

HEARTBREAK SYNDROME.

episode eight :: GOOD DAYS

꒰꒰◌‧₊ ⬪˙⋆ pairing ︴max verstappen x ex!y/n (barely), multiple x y/n

꒰꒰◌‧₊ ⬪˙⋆ genre ︴social media au

꒰꒰◌‧₊ ⬪˙⋆ summary ﹔it’s a good day to be y/n, to be a y/n stan and a red bull hater.

꒰꒰◌‧₊ ⬪˙⋆ face claim ﹔ wonyoung jang (28)

꒰꒰◌‧₊ ⬪˙⋆ warnings ﹕ hot dilfs, none.

y/n

♡ liked by alexandrasaintmleux, lewishamilton and 6,204,305 others.

y/n singapore gp ft. george stealing my phone and queen alexandra doing god’s work 😮‍💨

tagged: georgerussell63, alexandrasaintmleux, carmenmdundt, pierregasly, charles_leclerc, danielricciardo, landonorris, carlossainz55, mercedesamgf1

comments on this post have been disabled.

y/n

♡ liked by lewishamilton, charles_leclerc and 9,294,293 more.

y/n ‘is there someone else/starry eyes’ 🎬 mv & behind the scenes are both out now 💐 had the absolute pleasure and honour of working with my closest best friends and literal soulmates on this one and they looked like princesses ⭐️💗 can’t be happier than this 🫧 love u to death!!! directed by me btw >:)

tagged: francisca.cgomes, carmenmmundt, alexandrasaintmleux, lilymhe.

5,394,294 comments.

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francisca.cgomes genuinely still can’t believe this happened

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georgerussell63 my roman empire

lilymhe I WAS IN A Y/N MUSIC VIDEO!!!! IM A PART OF THE LORE.

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alexandrasaintmleux still violently sobbing

carmenmmundt i love you beyond words

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[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[ohnoitstbskyen]

The Beautiful Animation Touches of Arcane, act 2

It's not exactly a hot take to say that Arcane is one of the most striking and visually compelling animated series of the last few years, the animators and directors at studio Fortiche threw everything but the kitchen sink at this show, creating something intensely dense, layered and absolutely soaking in little animation touches, clever bits of cinematography and just straight up good direction and filmmaking.

It is impossible to discuss everything compelling about Arcane and its animation in one video, but I'm at least going to do my level best to talk about some of my favourite scenes from the second act (episode 3-6), and oh god oh god oh f*** my video about the animation is longer than all three episodes it discusses combined.

In this video we'll focus particularly on Jinx's custom animation rig that lets her swap between the Jinx and Powder personalities, how Silco visually asserts power over Marcus when they argue, how Viktor's entire character arc is contained within a single scene from his childhood, how Vi and Caitlyn speedrun an enemies-to-lovers trope via body language, and the seduction of Jayce Talis and his unfaithfulness to Viktor.

You have no idea how many Netflix copyright blocks I had to edit my way around to get this online.

[etherealspacejelly]

i fucking love RTgame hes one of my favourite youtubers of all time. i recently got a craving to rewatch his persona 5 playthrough, here are some of my favourite running jokes from it:

*gets a new confidant* "Sae slaps the table, you must have had a [blank] on your team!" (e.g. for mishima it was a redditor, for futaba it was a gamer)

"its ok gang, we're gonna kill him at Least 5 times" (when one of the bad guys does something Really bad, each time it happens the counter goes up)

"hes bald! and he drives a car! he must be evil!" (he has predicted several of the games twists this way. all of the villains drive cars and/or are bald for some reason)

"we've got no time to waste! we've got to get a lot done today! lets hurry gang" *proceeds to stand still on the escalator all the way up* (this happens at least once an episode. he makes sure the editor keeps it in every time lmao)

"NO RYUJI. WHYYY" (every time ryuji talks about the phantom theives really loudly in public)

"damn cat! ill sue!!" (every time morgana doesnt let him go out at night)

and last but by no means least

"YOU'VE HEE'D YOUR LAST HO" (every time he uses black frost to Absolutely Decimate a shadow, because he maxxed him out at level 99 for every single stat)

[twig-tea]

GL odds and ends 29 December 2024

The end of the year kicked my ass, but I wanted to get one last one of these out for 2024! The last one before this was 10 November. If you're interested in GL older than that, check out my GL rec list through Feb 2024 and my #gl recs tag for the other odds and ends posts. New series marked with an asterisk*.

Currently airing (with thoughts up to 29 Dec):

The Fragrance You inherit 5/8 (Japanese, Friday/Saturday-ish, no official distribution but fansub on @isaksbestpillow's blog [thank you Siiri!] I have been really enjoying this show and have been writing when I have time (last post was for ep4). At its core this is a gentle show about kind people who love each other doing their best, which is always my favourite thing. Subs are on pause for the moment so you have time to catch up before the finale!

Pluto ep 11/12 (Thai, Saturdays 9:30 AM ET, YouTube) This plot continues to be absolutely wild. There's a lot of discourse around Oom this week, to which I'll just say: Setting a test to see if the people you love will hurt themselves in order to make you feel better is not loving or healthy behaviour, even if your motivations are understandable and sympathetic. Namtan is doing a great job making these twins feel like different people, and she and Film are still gorgeous together. And I have no idea what's up with the messy lesbian sides, but I'm on the side of all of them need a time out! I've been pretty dialed out of this show because it's not my thing, so I'm not that invested in any of the relationships going into the finale, but it's been a wild ride and it seems to be holding together for those who enjoy the high drama of this plot.

*Petrichor ep 5/10 (Thai, Saturdays, 10:00 AM ET, iQIYI) The procedural aspects of this show are unfortunately not well executed, but Engfa and Charlotte have fantastic chemistry. I'm also really loving seeing Na and Max again even though I am very worried about getting too attached to their characters. It's always hard for me when a show is about a police officer trying to do good work in a corrupt system because the only takeaway I can accept is that that is not possible lol but I'm enjoying seeing these two on my screen every week (except this week, because we sadly did not get a new episode today).

*Mate, 6/12 (Thai, Tuesdays, WeTV (uncut version)) This one is hard to describe. It seems to be trying to do for trauma in a GL what Love in the Air and Bed Friend did in BL--show a realistic depiction of trauma in one of their characters and have them fall in love, and be taken care of and healed that way. But that also makes it extremely hard to watch. The trauma flashbacks and trauma responses is rough. The main character is not very likeable but that's kinda the point, I'm not minding that part of it so much. There are a lot of things I like about this show, so I don't want to discourage views. Just go into this one informed, and make the decision that's right for you.

*INTP 1/? (Korean, Fridays (?), YouTube) This is the latest short series from RedQ, who produced some of my favourite GL short series including More than or equal to 75 degrees C, and To the Ex who Hated Me. No info on how long it will be or if it will be weekly, so that Fridays release schedule is a total guess. The setup of this one reminded me of Semantic Error if SangWoo realized he was attracted to JaeYoung at their first group assignment meeting.

Recently Completed:

Apple My Love 6.5 50-min eps (Thai, Oct 12-Nov 16, GagaOOLala and YouTube) I ended up feeling like this one bit off a bit more than it could chew, as much fun as I had with it, it was a wobbly landing. I was ok with the ending at the end but I spent a lot of time watching the finale uncertain about how I felt about all of it. There's a 30 min "episode 5.1" that is an important bridge between episodes 5 and 6 (and also includes a 10-min fingering scene, thank you show) that I think resulted from either poor pacing or realizing they needed to set up the episode better? It was odd but something to make sure not to skip. The show does a lot of what I love about Kongthup's latest BLs: it avoids the worst drama pitfalls and calls them out in the show itself when it uses them, and it is largely about being kind to its characters who are figuring themselves out. Warning for extremely hard to watch secondhand embarrassment in the first couple of episodes lol Kris is such a cringefail lesbian I love her. With the caveats above, if you don't mind secondhand embarrassment and want a comedy GL and are willing to be a little patient with the ending, give this one a try!

The Loyal Pin 16 65-min eps (Thai, Aug 4-Dec 1, YouTube) Anin was the bravest right through to the end. I really liked a lot of this show, but I found the pacing a bit uneven and the finale a little rough. It's hard, because I actually am happy with the way the show ended--it makes perfect sense and was where I was hoping they would get to the entire show. What I didn't like was how we got there. It seemed wild that Pin and Anin didn't at least talk about this possibility before we got there; and didn't feel like we ever resolved the disparity between the two leads, though the show was aware of it the whole time which I did like. And you may have seen the shouting about the prank in the finale, it was in really poor taste. In the end, this show was beautiful, gave a platform for promoting Thai culture (food, clothing, history), and had excellent intimacy. I really enjoyed the slow burn between Anin and Pin, and I loved that every character had and used the agency they had, but that the show was realistic about what was in and outside of their control. If you want a slow-burn and high-heat romance and are willing to be a little frustrated for the sake of the drama, and/or you really like a pigtail-pulling romantic dynamic, you should watch this show.

Red Whisper 8 10-min eps (Korea, Oct 2-Nov 11, YouTube) Honestly this show never got better after what I wrote about it a month ago about how its portrayal of bisexuality and nonmonogamy was upsetting. For the record one last time: Not all bisexuals are nonmonogamous, and entering a monogamous relationship under false pretenses and then acting like your partner is being unreasonable by not wanting an open relationship is shitty behaviour. This one is sadly not recommended.

The Nipple Talk 10 30-min eps (Taiwanese, Nov 8-22, GagaOOLala) I highly recommended the first half, and so I am so sad to say that I can't say the same for the second half of the show. I was really enjoying how much the show seemed to support a mix of monogamy and nonmonogamy, but the second half of the show leaned heavily into 'everyone wants a monogamous relationship when they meet the right person', which disappointed me. The show also tried to introduce some themes that felt very dated in terms of how they handled them (e.g. HIV) and I ended up just not really liking the Pony character as a person by the end. The lesbian relationship was super messy in a way that I did not find fun too. Mama was the best part of this show, and I hope we get more characters like them in future (better) shows!

*Soul Sisters 24 12-min eps (Chinese, iQIYI) This entire show dropped this week so I binged it in one go. The basic setup is a GL version of Meet You At the Blossom, except the gender fuckery lasts for most of the series and they don't actually ever get to kiss. I loved this little show; it is a frenetic, very silly and censored comedy, so calibrate your expectations accordingly. But it walks the line in a way that is palatable (or was for me, anyway). Without giving too much away, it is an open happy ending. The caveats for this one are that there is no wasted tape, so the pacing is rollercoaster fast, and the cuts are sometimes jarring. But it's a surprisingly beautiful show for the budget, and I really appreciated all of the ways they came up with to give these women shippy moments. Also, good lord this main character is so competent, which is a major weakness of mine. I had a great time!

*Whisper Me a Love Song 12 25-min eps (Japanese anime, Apr-27 Dec, HiDive) This started airing in April but there was a delay and the last episode didn't air until yesterday. High school lesbians in a band having embarrassing confused and misunderstood feelings all over the place (with good endings including a kiss for at least one of our couples). I appreciate that this anime is not playing with the 'are they friends who joke about wanting to touch each other's boobs or are they more' line, they outright say they want to be more than friends and then kiss. The music is good too! Recommended if you are feeling like a high school dramedy with good tunes that stays pretty light and is in the 'bubble'.

Recent One-offs, Side Couples, etc.:

My Hot Butch Roommate (actually a 2-parter) aired on bilibili 1, 2) and was subtitled by @douqi7s on YouTube (1, 2) These two are very cute, and this little short does a ton with the very tiny 5 minutes of total runtime it uses. Give the original bilibili uploads a stream so they get views, even if you watch the YT subbed version!

Fufuknows put out a new lesbian short titled The Choices of Two Lesbian Couples in Love on YouTube This was a great short (11 min) film featuring the story of two couples at different stages in their relationship, and the different choices they make about their futures. I really enjoy Fufuknows as queer short filmmakers, and I appreciate that they regularly include lesbian and wlw content in their bi-weekly (as in, every other week) fictional shorts that they produce and release. This one is recommended!

Aim's Lesbian plotline in the new Love Sick 2024 remake concluded (this was not a plotline in the 2014 version and it's one of the changes I really like and that I think works really well) Spoiler: she doesn't get a romance happy ending but her story ends with acceptance from her friends about who she is, which was lovely to watch

There was a brief of-the-week lesbian couple who wanted to marry in Spare Me Your Mercy Spoiler: their story is tragic, which is par for the course in a murder mystery

I am suspecting wlw sides in See Your Love I may end up eating these words but I was getting vibes, and so I'm putting this out in the universe now in hopes I'm right lol

There is a new Korean shorts production company on YouTube called Lovememory (Their first BL ep is out and the GL, First Love, has a trailer)

Mom Ped Sawan started airing but I don't have a source so I can't give any info or links unfortunately. If anyone knows of a subtitled source for this show, please let me know!

My Ex's Wedding came out in Thai theatres waiting for an international source for this too

Korean short film What's In my Bag was uploaded to Matchbox I haven't seen it yet but the trailer is on YouTube if anyone is curious! The film is available now for a small fee on Vimeo (runtime 12 mins).

Sastra film app YouTube channel has several short Cambodian GL series that come out weekly Honestly they are not to my taste but I don't like gatekeeping GL especially from smaller markets. I check in on these time to time and if there are any that I think are great I'll give them a shout-out

Ditto above with JPC media YouTube channel for Thai GL shorts if there are any that stand out to me I'll say so; that being said I haven't had time recently so if I've missed anything good let me know!

Starting soon:

Us the series, Thai, 18 January 2025, most likely YouTube (as this is a GMMTV show) Caveat that this date is a rumour, see comments

Fragrance of the First Flower s2, Taiwanese, 18 February 2025, GagaOOLala ok this isn't that soon but I'm just so excited we're getting this second season after all!

It is so, so nice that we have this much GL to keep track of, I can't complain! This covers a whole month of content and it was a month I was very distracted from my QL consumption so while I always welcome anyone pointing out stuff I missed, I would particularly appreciate it this round.

[nastasya--filippovna]

So I finally finished Rivals

so here's my review followed by my episode-by-episode, PowerPoint presentation, Danny Motta style reaction (which no one asked for)

⚠️so massive spoilers heads-up⚠️

WHAT A WATCH! for the first time in, well, forever I did not binge the show immediately after it came out. I gave it time. Watched one episode each day and I think I liked the experience! I remembered a lot more stuff that I do when I binge things. But that's not what I'm here to talk about. Pfft let'g get into it huh!

So I read the book like ages ago when the show was first announced and though I remembered some stuff from the plot, I mostly let myself be shocked by it. Would I have watched it if David Tennant wasn't in it. Hmmmm? Probably not!

I mean this show....ugh... man there's no one word to describe it, is there! It's not all romp and pomp although it may seem like it. The strangest part is that for a show that's dealing with some really dark matter it (for some darn reason) refuses to take itself seriously (as @davidtennantgenderenvy wonderfully put it). I mean one minute we're dealing with woman rights, the other Matador Ole is playing while Rupert and Cameron stare each other like that.

I think it's unfair that the media constantly limited the premise of the show to its sexual aspects. The story is a clear socio-political critique of the power politics, sexual politics, and elite culture of the time and it's still quite reflective of the same things in our time too. In fact, the very fact that it disguises itself as a period piece makes it all the more applicable to our time. While watching the show I felt as if each character represents a different segment of the upper class; like Antonio Gramsci said the capitalist class is not a unified group. We have Rupert who represent the political elite, the ones that come from powerful families and then we have Declan who's the intellectual elite, Tony who's one of those new-money business elite people who will never really fit into this cult, Fred the technology millionaires, and Monica who represents that fading, waning part of old British aristocracy that was all about decorum and honour and values and virtue, something that is no longer valued in all the new kinds of elites that are springing up.

It's a very turbulent time. We're on the brisk of turning the world into the way we have it now, pulling it out of another era that is now fading away.

Rupert.... um man! Alex Hassell should be banned from playing this character because he injects more charisma in it that he deserves. I almost started liking him. And it's weird to me that his character development is fine, it's great it's wonderful, he goes from a careless heartless scoundrel to a nice caring person. The only problem I have here is what he did to Taggie in the beginning. How can someone ever possibly expect a woman to forgive a man for s3xual abuse or harassment. That's like major rizz-killer. But his friendship with Lizzie was one of the things I really liked. Made him seem so much more human.

Talking of Lizzie. My girl. My favourite character. Although if I'm being honest EVERY single woman in the show was impeccable. Every one of them ten thousand times more complicated than any male character. We need more women written by women. Sarah looks like a dumb blonde but she's not. She's just a woman who's trying to make something of her life in this male dominated world. Cameron Cook. Absolute goddess. She's powerful. She knows what she wants and how to get it. We just don't have enough ambitious women in media portrayed as "good". Ambitious women are always shown as bitches. And she's not passive in regard to her sexuality. It's her weapon and she uses it with her full agency. Monica, what can I even say about her. Perfectly embodies the crumbling grace of old aristocratic families. Beautiful performance, beyond words. Maud. Oh boy. I lowkey hated her for a bit but her last scene was so amazing.

Aaaaaaand Tony. Tell you what they should NOT let David Tennant play bad people. 'Cause he's gonna do it so good it will give you nightmares for ages. I love that he is always in command of the kind of response he wants to elicit from the audience in regard to his character especially when playing an antagonist. I mean if we compare them, Des makes you feel like you're gaping at the fucking abyss, Tom Kendrick is just awful and scary like a bad father, Kilgrave is (like the character's personality) the kind of performance where you want to hate this person bcs you know they're awful but something about them is sucking you in and you hate that feeling but you can't stop it somehow (cz that's what Kilgarve does!). For Tony he knew what he was doing. He knows how to turn on maximum rizz and then turn it off. He reels in the viewer, making them think oh this is the most charismatic human being I have ever seen (just like Tony does to other characters) and then he strikes when you're in deep.

Another interesting bit about this character was how (esp in eps 7 and 8) there's bits where you think that maybe he's not altogether bad, that maybe there's a bit of kindness and love hiding there somewhere. But then you realise there isn't. All that tenderness is deliberate. He does it on purpose because it draws people in. He cannot love because he doesn't have it in him. Everything is, for him, about social status and winning. He doesn't love his wife. He doesn't love Cameron. He just wants to have them because she feels like he didn't have the things he deserved at some point so now he's gotta have everything. Like he says "just let me have this one"; it's all about winning. Heard someone call him a cartoon villain. Nope guys he's very real. Also the only time you feel like he's being genuine is when he's being a sopping wet pathetic mess in the end.

And he's also very relatable to some extent. I get that what he goes through. His insecurities and whatever complex he has. I do. I go to a university with rich kids from filthy rich families. My parent's parents weren't rich. They just made their fortunes in the last generation and even though I get to be in the same circles as these rich pricks, I feel always (or they make me feel) left out. Like I'm an imposter. Like I could never really have any real class. And that itches a very particular itch in my brain.

As an afterthought, I think you can measure men's personalities and worthiness in terms of DT characters: On a scale of Alec Hardy to Tony Baddingham what kind of man are You!"🫵

On the whole it was a great show. Lovely music. Loved the introduction of each character and how it just lets you know what kind of person this guy/gal/person is! Wonderful cinematography and visuals. Gripping sub-plots. An what an ending! Perfect cliffhanger. And tbh I'd really like it if they left it here. To me a good story doesn't always need to be resolved. There's something to be said for those little ambiguities and uncertainties in life and all the thigs left unsaid. [and if someone is really anxious they can go read the book] Remarkable watch. ★★★★★ (5/5)

And now the reaction!

(Tap for full picture and better quality)

Anyways, here's some memes I made while watching Rivals

Episode 5 Live Reaction:

[repressionmd]

a selection of housefics i love!

i will make a part 2 when i reach character limit :D currently there is just 11 fics here but i WILL be updating!

Playtime's Over or The One Where Cuddy Forces House to See a Child Psychologist - mskullgirl

author summary: Following the events of "Skin Deep" (season 2, episode 13) House spirals out of control and stops eating and sleeping. Cuddy eventually offers him a deal; five sessions with Dr. Addams, the hospital's resident child psychologist, in exchange for three months off of clinic duty. What could go wrong? word count: 48k my notes: SO GOOD!! such a fun analysis of house and it has potentially my favourite accidental child acquisition of all time

Everything He Wants - the_northwind

author summary: House discovers that Wilson is a better coping mechanism than Vicodin. There's no way this could go wrong. A rewrite of the season six finale and beyond where instead of Cuddy, Wilson goes to House's apartment after the crane collapse. word count: 11k my notes: has one of my favourite hilson fic argument scenes. they're dysfunctional and messy and SO in character i couldn't recommend enough

Hypothesis - IreneSpring

author summary: At the beginning of the month, James Wilson decides to break out of his depressive spiral by having an affair with the first woman who is not needy. By the end of the month, he is facing an existential crisis decades in the making. word count: 15k my notes: haha wilson you are gay (jokes aside this fic is actually so fun and silly and made me LAUGH at the hoops our wilson jumps through to eventually realise he didn't get anywhere anyway)

Under My Skin - rhythmofsnow

author summary: Thirteen has a meltdown. House is there to ground her through it. (Post 5x05 "Lucky Thirteen") word count: 1.4k my notes: caring house my beloved... autistic solidarity my even more beloved <3

Composed - ferretwhomst

author summary: compose verb /kəmˈpəʊz/ 1. calm or settle (oneself or one's features or thoughts). 2. write or create (a work of art, especially music or poetry). or: a sick, restless Wilson finds himself in need of House’s company late at night. House indulges him. word count: 2.2k my notes: SO BEAUTIFUL.... wilson is so gay and so melodramatic and house matches his freak so well and WRITES HIM A PIANO PIECE....... they're so soft with each other idk its just beautiful. please read this

Soothe me now, soothe me, old friend (eng) - culturenana

author summary: Wilson would love to – Wilson would like to do so many things, make the most of countless wasted opportunities, erase every mistake, since his time has shortened without any warning, cruelly consuming itself under every cough. / House holds him close as if he is about to slip from his arms, and neither of them has the courage to discern what this thing between them is. There is no excuse or rational diagnosis that could cover it up. word count: 7.2k my notes: oh my god this fic made me want to bawl its so beautifully written and i have been shying away from post-finale fics purely to save myself the heartbreak but im SO glad i didn't do that with this one. they mean everything to me ;-;

'Samson's Mistress Cut His Hair, Thus Removing His Strength' - Sparklesinthewater

author summary: Set in season 3. Stacy doesn't come back. Tritter doesn't interfere. But the drugs and the infarction keep getting House into trouble anyway. Wilson is trying his best (but his best may not be what's best for House). / Or, House gets himself a girlfriend. Life goes downhill from there. word count: a beautiful 129k my notes: hello? hello!!!! can anyone hear me!! fic of all time!!!! a novel in its own right, and i did in fact stay up till 3.30am finishing it. impossible to put down and did make me want to cry in places. absolutely stunning. would recommend to everyone

a thousand teeth (and yours among them) - itooaminthisepisode (anarchy_opossum)

author summary: Sometimes, when House gets too overwhelmed by his emotions, he gets a little bitey. This is five times House bites Wilson, and one time Wilson finally bites him back. word count: 10k my notes: GORGEOUS STUFF!! amazing characterisation with lovely internal voices <3 they're so them and it makes me so happy

i let you win, i love to lose - sesamie

author summary: a short thing inspired by the thought, "what if amber and wilson's sex tape was ***for house***?" it seems like exactly the kind of toxic manipulative thing amber would pull and bring wilson along for. so here it is! set after the finale of season 4, and wilson and house haven't spoken about everything yet. things are bad between them and that's where the angst in this comes from! word count: 4.6k my notes: this fic did irreparable things to my psyche i mean ACTUALLY i do find myself thinking about it as im going about my day. genuinely was blown away by the sheer power of the prose i'll be honest 😭

we peeled the freckles from our shoulders - flowersinapril

author summary: Greg is twenty-three and James is nineteen when they first meet as counsellors at a sleepaway camp in the Adirondacks. word count: 2.1k my notes: GOD THIS WAS SO BEAUTIFUL... AAAHHHHHH i dont even have any words. please read this. crops watered joy delivered will to live restored etc. oh my god.

I'd Make a Deal With God (I'd Get Him to Swap Our Places) - TheFandomLesbian

author summary: When Wilson receives his terminal diagnosis, House flees to the hospital chapel. He doesn't know how to pray, but he strikes a deal: his soul for Wilson's life. When Wilson goes into remission, he has no choice but to uphold his end of the bargain. / In which House learns nothing about God, but everything about worship, in the arms of his husband. word count: 11.3k my notes: HOLY FUCK.. obsessed and i mean Obsessed with love as religious Especially when it comes to gregory 'religion is meaningless' house like this was so... good. it was so good. house is so desperate and so in love and its the most delicious thing ever

[violent-viscera]

my true (respectful) thoughts of arcane s2

so much of the promotional material promised so much in the way of vi and jinx/powder and their sisterly relationship, but i feel like with the amount of storylines/plotlines they did in this season, it was just too busy to focus on anyone–let alone the two supposed protagonists of the show. i think the best way for me to articulate how i feel about the writing of this show is that it fell flat, lost its heart, and emotional impact of the first season.

i would have been okay with them straying from my personal favourite focus if:

the storylines had been fleshed out better

the decisions the characters made actually made sense

main characters didn't become plot devices (vi)

new additions of the show weren't just plot devices (isha, loris, maddie, etc.)

motivations of characters made sense

characters had even small lines/dialogue to articulate their intentions/ideas

less time spent on off-screen development

and the thing is with the amount of plot lines they were ambitiously aiming to see out to fruition, its really hard to also set up all these new facets or opposing characteristics in former characters–plus adding new ones too. for example:

caitlyn's facist arc that didn't really have much meaning or attention

jinx's s1 mental collapse which changed abruptly into her redemption arc via isha (plot device)

jinx's revolutionist arc (first, reluctantly and then, willingly w ekko)

vi's pitfighter/brawler arc which was literally just one clip (which ended up being a teaser that showed everything)

im almost grateful to the minimal screen time ekko got bc they didn't try to change the core and essence of who he was in s1: he stayed true to himself. he's just a boy with a huge heart and love for his people that chose to leave his happy ending in an alternate timeline to return to the ppl who needed him where he is almost guaranteed heartbreak in some way or another.

i think the main reason so many ppl loved the first season was bc the characters were relatable in one way or another and they became so multidimensional when you explored how their environment/circumstances shaped them. but this season bc it was so purely focused on the endgame instead of HOW everyone got there, the characters fell flatter, they lost a soul and heart, and i felt the show lost its charm.

i know we all have our favourite characters and storylines we want the show to focus on and i would have been okay if i didn't get my way. if the show didn't focus on jinx and vi, i would've lived (although the promotional material was unfairly misleading) if the storylines, characters, and everything else made sense to me.

of course, the animation was lovely and the music was catchy/heartbreaking. i dont regret watching the show out to its final episode. it was one of the most beautiful visual experiences of my entire life. i still love the characters and will never regret staying on board until the final moments.

but i cant lie and say im not a little sad at how it ended too.

edited add-on:

also, the voice actors did phenomenally. ella purnell just absolutely nails the delivery for every line and reed shannon also hurt me with how he portrayed ekko. so on and so forth.

but that being said, i also felt the dialogue and lines of each character felt much less impactful this season (again, writing.)

i liked viktor’s monologue at the end of act 2. that was compellingly well written

but the lines this season weren’t the same quality as silco’s monologue about drowning, jinx’s speech at the beginning of the doomed tea party, etc. everything just felt so flat and shallow this season overall.

[imkazz]

saiki k season 2 lore is insane

cant believe some of my moots said there was barely any lore or character development until the last 2 episodes because what the fuck is thissss (huge spoilers)

making this more organised than my last post about season 1 and the finale

teruhashi at first i really really hated her- of course, i loved and adored her as a character but as a person? no. she is a play on the anime trope of 'perfect mary sue girl' and its so fuckin weird becuase its both exactly that and exactly the opposite. she is perfect and looks beautiful and nobody can compare and basically everyone is falling in love with her or completely and utterly jealous of her- exactly like one of those stereotypical girls in those kinds of animes. but then at the same time shes not. teruhashi is intelligent, cunning, calculating, and puts up a delicate facade practically 24/7. she knows her abilities and utilises them to her absolute fullest, and i completely respect her for that. teruhashi recognises that she is 'gods favourite' and she is not shy in the slightest to manipulate that to ensure she gets the advantage. however, this knowledge of everyone else completely obliterates her own self-perception: she believes that she herself is the very role she is acting. teruhashi is determined that she is absolutely kind and perfect and is in no way wrong with anything she does. and with her lack of experience involving rejection and plainness, she completely overlooks saiki and is utterly confused with him as a whole. and at first, teruhashis obsession with saiki is about getting him to just become another guy- get him to say 'offu' to her. she bugs him, follows him, comes up with ploys, manipulates the world around her to try and get it to happen, uses all of her skills to her advantage, only for nothing. i didnt like her as a high school student to another because she painfully reminds me of a lot of girls i was friends with.

but then as the series goes on...... teruhashi changes. i think it was a gradual thing (such as teruhashi becoming friends with yumehara, even- i dont think she actually had female friends up until yumehara because of the amount of guys around her +the fact that all other girls near her would get overshadowed), but it really showed up for me in episode 17 of season 2. where teruhashi got jealous of aiura (fuuck i gotta talk about this diva). yeahhh it was not pretty. teruhashi began changing herself so that saiki could notice her (and i notice that before, teruhashi had only tried to use her own personal skills to get him to say 'oh wow' so this is the first time shes tried changing herself) and i found saikis attempts to dissuade her interesting too. typically, with all of his attempts, saiki would go into her mind and use his powers to try and turn her off, but this time, he actually told aiura to do it.

i think it was also very interesting that aiura was also changing around her appearance, as it really helped set things in for teruhashi. as they both changed what they were like (teruhashi for a boy (saiki), aiura for a girl (teruhashi)) so teruhashi was only getting more and more confused with that bit. 'if im getting more gyaru and aiura more kawaii then why isnt he reacting to either of us?'. and then saiki gets aiura to talk to teruhashi, and i also found what aiura said to teruhashi interesting. it was all that stuff about saiki and what kind of girl he liked. and i really think that she was telling the truth. i really feel that aiura was just saying things about saiki about a whole for all his relationships, romantic or platonic. he likes people who stay true to themselves. kaido is unafraid to feed his delusions/imagination (whichever you please), toritsuka is always honest with saiki (even if nobody wants to hear that pervy stuff), aiura is unafraid to be boisterous and stylish (even if she is a little bit freaky), kuboyasu is genuinely trying to become a better person (even if it sometimes doesnt work), akechi is determined and didnt let saiki sway him (despite all the obstacles that saiki put in his way), nendo is undoubtedly stupid but he is still kind (saiki watched him jump in front of a truck to save a kid thousands of times), on and on and on.

not only that, it is painfully clear to us the viewers that changing appearances doesnt matter in the slightest to saiki- he only sees it for like 3 seconds (i think he said) before it becomes muscle. curling hair or applying makeup or having more meat on the titties doesnt matter to him at all. what matters is what happens in their head, because while he doesnt get an extensive idea about their outside, he gets overly surrounded by everything on the inside. and thats probably why aiura saw that and said that to teruhashi (even if she cant explain the full reason). so teruhashi returns to normal and says that she will make saiki gasp with her own abilities.

but the strange thing is that shes already given that speech before. i cant say exact episodes from the top of my head but she has totally already said that she would use her charms and looks and sweetness to make him say 'offu' and he has always tried to dissuade her using his powers. but it was this one that made him gasp. and like. i was not expecting it in the slightest ok. but i think it makes sense- she has discovered that she can be confident in herself as a person rather than just her natural looks and is determined nonetheless. i think that saiki recognised around this area that she genuinely liked him as he was, even if she had thought he was 'gloomy and hard to read' (i believe she thought that when with his perv grandpa?) she still wanted to be around him and still had that crush. i love how when teruhashi is talking with other girls (kuriko too, but in this specific case im thinking about is rifuta) about her crush on saiki kusuo, that she would mention that at first, it was pure spite and disbelief that anyone could ignore her like that. and then, teruhashi wouldnt fail to continue and say that she grew to have a genuine crush on saiki that wasnt built upon annoyance at the fact he walked past her. and he discovers that he doesnt particularly mind being the object of her affection (unless her fanbase gets in the way oof) so i think that the offu from was a sort of embarrassed yet begruging acceptance towards this parasite of a girl who has attached herself to him lol

aiura shes sososo cool. i love the freshness(?) of her personality for the rest of the cast. finally a female psychic and i am in love with herr. at first i was a bit skeptical with the whole 'finding my soulmate' thing and i was cackling when saiki was just like 'ah yes she is legit but i am Just Better'. and then she continued to show up more and i love her. shes so quirky and very different from the other girls, who we see as much more feminine and in tune with romance anime tropes than anything, and then she comes in with the gyaru style and i love that so much. not only that, her slang and way of speech compared to the other girls (teruhashi, yumehara, mera) is also very interesting.

not only that, i really loved seeing the anime through her eyes and the auras of other characters including the shock-comedy of saikis. then, as she finds out about his powers and all i really loved how they worked together. i know a lot of other characters also saw that, seeing through teruhashi who commented that they were like the 'opposites attract' trope with 'boring' and 'flamboyant'. but then i also really liked how they worked even without any of the other characters opinions. aiura is still not giving up about the whole soulmates thing and saiki just lets it happen. because his ulterior motives is that she would ward off teruhashi so he begrudgingly accepts her to be near him as she pesters him to date/bang.

and then adding toritsuka into the paragraph, the pk psychic kids are golden. i love love love their dynamics. saiki has more respect for aiura only because he holds none for toritsuka. toritsuka sees saiki as superior and saw aiura as a pair of boobs in the beginning. aiura wants to be with saiki and just hates toritsuka because he tries to flirt. and for every mission they try to do together it always ends up in comedy. when saiki turned kaido and nendo to stone? holy fucking shit that really summed up what they were like. the psychic kids really are a weird band of teenagers with powers and it really showed their personalities in that meeting because. aiura stripping in saikis bed and toritsuka peeking through the door and saiki only sees a pile of muscles on his bed and a perv watching through his door. like cmon

i also want to dig deeper into her powers. she is completely ok with people knowing about her powers (like toritsuka but unlike saiki). she uses them to help people out (unlike toritsuka but like saiki). she uses her powers to her own benefit (like toritsuka but unlike saiki). she doesnt want to burden people with her powers (unlike toritsuka but like saiki). i find them soso interesting too because she questions why saiki doesnt use his powers more openly esp because he just has so many at his disposal. and then he sort of shows her why its a bad idea to so openly help people out by the result of mera and her father and i feel like she toned it down a bit after that too (at least publicly).

childhood lore this was insane. the buildup and everything and how it was presented. it first started with akechi being introduced as a new student and it was already unsettling to see saiki be actually a bit nervous about this guy. and then even more of a shock to see this guy blatantly ask saiki if he was a psychic because what- how the hell would this guy suspect, much less know?! and we learn that they were classmates in elementary school and we see a barely-there flashback to saiki standing in a classroom with childrens bodies scattered around him. so the suspense has started. and then we continue to get pestered by akechi but we know what he wants, but not why and thats the whole deal of it. he is the embodiment of those anime characters who are scarily good at deducing things and has a perfect memory too which makes it all the scarier because we know hes not an idiot unlike the rest of saikis friends.

and then to actually know what happens while saiki is going back in time to change it? masterpiece. we learn more about why akechi is pursuing this answer along with what actually happened to make that happen, along with why saiki cant change it without some sort of grave consequence. and the new knowledge that saiki as a kid without limiters is stronger than teenage saiki with limiters is even scarier because of course saiki wouldnt be able to stop himself.. truly an op main character. i also found it interesting how saiki k (the anime) manages to reuse powers over and over too and in such creative ways and in strange comebacks. he went back in time for his parents, he rewound the earth to one year prior because of the volcano, relived the same moment of nendo dying like thousands of times.. they really only ever hinder him.

and then to know what happens? i thought akechi was a creep for following/knowing everything about saiki but.. knowing everything that he knew at the moment? makes sense. definitely creepy, but much better understood. i feel like it was a good decision from saiki to tell him about his powers. if this isnt the first time theyve been like this, then it really does make sense. they were kids. they still are kids. and omfg saiki saying "i decided not to tell anyone about my abilities after that" because all it did was get akechi into more trouble from bullies. but they are now teenagers and have better cognitive understanding than when they were elementary kids so i feel it was justified for saiki to tell akechi because, after all of that trying with time travel, saiki couldnt stop the series of events unless he was making the world suffer. and akechi deserved at least a bit of closure about what actually happened and why saiki left.

and i feel like this series of events is also what makes saiki who he is in the beginning of the anime. he doesnt want friends at all because if they found out about his power they would be curious and want to know more and blab about it to others. and saiki knows the result from having lived it. because if he gets attached, people he loves get hurt. trying to make friends only causes suffering as akechi got bullied for claiming all those things and saiki hurt other kids using his powers because his emotions got out of control (rightfully!! he was like 8 and his best friend was getting bullied!!! of course he wouldnt be able to control any outbursts).

shipwrekced shipwrecked. i cant forget about this one but i was saving this. i realise i didnt write any notes for this one because i was wayy too focused on the actual happenings to comment. because what the fuck. 

yeah that about sums up what i thought at first.

the tropes. holy shit. they added so so many tropes into this one it was. the teenagers on a ship get shipwrecked on an island. all they have are the clothes theyre wearing and miraculously the pantry which washed ashore along with some supplies to build a raft. like all the typical anime things. and even when they suggest to build a raft, saiki agrees with them because its a good cover up. and i really loved the stereotypes that were put upon them: the loner (saiko), the cannibal (mera), pretty woman (teruhashi), leader (kuboyasu), idiot with good ideas (nendo), then saiki and kaido as the ‘followers’ or ‘helpers’.

then i found how saiki got them out genius, despite the fact he was panicking in the beginning about how to fix it. like of course he should be panicking because you cant see any rational way to get out of the situation without telling the rest of them about his powers. and so he tries to keep them alive for a little bit (going home and sleeping, buying food :sob holy shit bruhh), and then when he finally finds a way out (the raft) they play it off as stupid despite being such a stereotype of any shipwrecked movies. and even teruhashi realised that something was off, right? how his clothes were perfectly clean and all, but when he ‘went to work’ (i totally thought he was off to kill something with the saw helpp), he came back dirty. and of course! only saiki would make a whole new island near japan as a way of keeping his powers secret..

i honestly have no idea how to feel about this because.. how did they move on so quickly?! your students/classmates got trapped on an island for a couple of days. shouldnt this be a bigger deal- shouldnt saiki be known as ‘the kid who got trapped on an island’? like bro…. anime logic (if anyone else could. tell me what the hell was up with the shipwrecked episodes other than being satire towards other shipwrecked medias and being a bit of a comedy along with character development towards some characters like saiko)

friends+classmates so like. kuboyasu is a previous gangster and trying to become better/normal (anime trope). and kaido has middle schooler syndrome and thinks hes so cool (/affectionate). they are the two people you would least expect to become besties right. and yet they fit together so well. kuboyasu wants to become normal while kaido wants anything but. kuboyasu is actually strong and able to protect people while kaido can only dream. and it really shows during that mugging episode where kaido knows about kuboyasus past and yet still tells him to run. kaido is so weak and delusional that he probably gives kuboyasu a reason to remain calm and to 'protect his innocence' while kaido wants to be jet black wings and protect everyone no matter their pasts or abilities despite constantly failing and getting into danger and needing that saving himself. and even after that, they continue to hang out with or without others (such as building that fort or taking motorbike classes together??? or even may i mention when kaido trapped himself inside the coffin and kuboyasu was trying to coax him out). so then imagine my shock and delight when they started calling each other shun and aren like OMFGG?? calling people by their first names in japanese culture is a sign of being close with each other (such as chiyo and kokomi). theyre always in close proximity to each other and i adore themm

okok then saiki. and his friendssss. these episodes as a whole just show how much hes grown to care for themm. he follows yumehara and her boyfriend-sworn friend(?) to ensure that neither gets hurt from their misunderstanding. he warms up the classroom for all his classmates because he caress. he foils the plans of the news team to make teruhashi look bad. he stops hairo from getting killed during a robbery. he makes kaidos prank actually happen. he tries to throw akechi off in order to protect both of them from his power. he fucking saved yumehara from falling to her death. he gets beaten up by some fourth graders to help out yuuta. he gets everyone to return their gifts to mera on her birthday. he uses hypnosis to get his class to look better while they perform that play. he catches teruhashi before she falls and carries her to the nurse. he probably wouldnt have done half those things in the first part of season 1. so many of those require him to genuinely care for the people hes helping and not only that, some of those things draw attention to him and he would only let that happen if he truly cares for who he is aiding.

then to add to more about relationships between characters that arent saiki. kuboyasu and saiko. it definitly started as a hate-hate relationship. but then we see saiko crying in the bathroom because mean things were written on his desk and then we also see kuboyasu had tried to clean it off before saiko got there. my heartttt. not only that, but saiko who didnt care about peasants who went out of his way to redo his mansion to fit their tastes? and at first it was for his own ego (so similar to teruhashi omfgg) but then just like her, saiko began to actually care and didnt even understand it himself about why he was so focused on getting them to like him. and ofc he is an ass. he rolls down the window only to close it and drive away because its cold. he withdraws funding from the play just because the class was going behind his back. but its barely his fault. everything is handed to him on a silver platter and he doesnt know better. while kuboyasu had to work for everything. before he was working as a gang leader but now he is working towards being better. and aughh

world lore first off i need to say that the foreshadowing for this was INSANE. do you hear me. i am shaking you by the shoulders while i say that i am still utterly speechless by the implications and impact of episode.

the fucking volcano. holy shit. holy shit. there is so much i have to talk about considering the anime +worldbuilding +foreshadowing +buildup. this is a comedy anime. this is an anime that makes fun of anime tropes constantly. girl running to school with bread in her mouth. background characters. siblings who are a lil too freaky with their siblings. mary sue anime girls. the idiot friends. and then this???? the fact that saiki has been in a time loop for the same year for four years straight is. its literally mentioned by saiki himself when he says 'you might notice something off about this anime' and its poking fun at the fact that high school animes always loop around in order to continue publishing (like how its meant to represent just one year for the main character but theyve had seven winter episodes/chapters and three birthdays for a character). its poking fun at that bit and it uses saiki himself to do it.

the worldbuilding and foreshadowing come hand in hand. in the episode where kuboyasu was first introduced, toritsuka began talking to him about being a transfer student. when kuboyasu asked when toritsuka had entered he said 'second term of second year' so the same as kuboyasu. and we brushed it off as toritsuka being a dumbass. because of course we would, of course kuboyasu would too. but fuckk. we have four transfer students in one year all in second term?? we thought it was just a fucking anime trope thing again. but no. it was all purposeful. and then to add to that, we already knew that saiki had time travel powers. he could control time, we know from his restoration along with (later on from this episode) how he travels back through time for his parents. it was all deliberately set up in that way and so just holy shit.

and now i have to actually talk about that segment itself. the earthquake in the beginning was seemingly comedy and then we see saiki training. cool but not too big of a deal. and then he starts telling us about what the fuck is up just as he tries to stop the volcano. like excuse me?? i found it so very interesting that he continues rewinding time in order to build up his powers daily yet keep the volcano from exploding and intertwining both the time powers and mind control in order to achieve it. and hes gone through second year of high school four times, yet his parents know. it was crazy how nonchalant they were about it too, saying 'oh he can always do it again right' like he is saving the world. how much longer would he do it? how much would he be willing to do? i find saiki so very interesting because he could always just. let the volcano explode but it is in his core to be kind and to help the ones he loves (including the rest of japan). he tries and he knows his limits and yet he is still ready to try again with a new set of abilities.

final thoughts before reawakened too hyperfixated. OOF. anyways im so sad the anime is almost over (for me loll). its sucked me into its grasp because it has everything im looking for. as a high schooler i love all the shenanigans but then as an anime lover i enjoy the satire tropes and as a theatre kid i love the gags and commentary and as a person who looks wayy too deeply into things i love the implications and dark undertones of the series.

[drdemonprince]

Do you have any favourite scary movies?

I love the ambiguity and grief of The Orphanage, and the main character's emotional journey is absolutely gutting.

The Strangers has some of the most subtle, dread-inducing scares of any horror film of its era; if you liked the hidden ghosts in Mike Flanagan's Haunting of Hill House, it owes some inspiration to this film, I think. It truly gave me nightmares.

The newer Suspiria has really stayed with me, and I loved Flawed Peacock's analysis of the film on Youtube as well. I watched both this and the original back-to-back a few months ago, and they're both great in different ways, but nothing tops the haunting, sickening beauty of the end of this one.

28 Days Later is the only zombie movie for me, and yes part of that is because Cillian Murphy was so fuckable in it. I'll never forget the quiet, contemplative air of this movie, which is rivaled only by The Last of Us games. The zombie genre is bloated with derivative crap, but this movie rang in a whole new generation, and did it so well you don't need most of the rest.

The original Saw is a hell of a stage-play-slash-bottle-episode, and it's far more sophisticated in its writing than any of the rest in the series. It really holds up in my opinion.

The Cell isn't really that scary, to me, but it's fucking cunty as hell with incredible costumes and set pieces, and I enjoyed every minute of it. Bonus points for having a minor corruption/hypnosis aspect really tickled my imagination. I just wish that element had lasted for longer.

Speaking of movies that are actually plays -- there's no better Stephen King adaptation than Misery. Kathy Bates absolutely crushes in a nauseating, confining performance here, and the hobbling scene is one you just never forget. To me it's a perfectly paced film, and it holds up shockingly well in the era of stans and superfandoms.

Ghost Ship is my favorite bad stupid horror movie. The opening scene is enough creative nonsense carnage to justify its existence, but stick around through the end for a very weird trip-hop montage.

Dead Silence is another goofy one that gets really inventive with its gore. I love horror movies that do just downright disrespectful, creepy shit with corpses, and that's what this one is all about.

The Boy is a fucking laugh riot to me. The entire premise is so transparent from the very beginning and the thrills are so awkward and tame that it's a great Halloween party movie. If you're anything like me, you and your friends will walk around the house talking about the Boy for days afterward. Brahms is an age regressor king

Some people find Aronofsky's movies to be too over-the-top to connect with, but I think he nailed the internal horror of perfectionism, codependency, sexual repression, and eating disorders with Black Swan. Barbara Hershey's character is so perfectly unsettling that it sets all my people-pleasing, abandonment-fearing issues alight every time. Everything about this movie is confining and distorting, which is exactly how it feels inside when you narrow your entire life to a singular pursuit and are governed by impossible rules.

The Others has exactly what I need for a horror movie to have good replay value: just like The Orphanage, it's final reveal is more depressing and unsettling than it is pure scary, which makes it cut deeper, and it recontexualizes the whole rest of the film. The interiors and aesthetics are great.

Possession is easily the most disturbing movie on this list. This one cuts deep in a confusing, unmooring way -- it makes you feel sick in your soul, hopeless, and put off from relationships. Filming it reportedly ruined Sam Neil & Isabelle Adjani's lives for a good while, and you can see why. This film is the psychological reality of divorce in its unabashed form. To really leave behind a life you once committed yourself to, you have to become almost unrecognizable to yourself, and do great violence to both your former self, and the ones you love. This film gets that, and it's painful. It makes you feel disgusting for wanting things or for staying in a place where you're unhappy.

Happy watching!

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.