#its one of my absolute favourite episodes

[witchthewriter]

is GoT or HotD good?

First and foremost - everyone has their own opinion on these series and books and it can get very heated in the fandom.

Do not let that deter you from anything! I think you should definitely watch both shows and form your own opinion! Nothing has to be so black and white.

However, for me, it's very nuanced ˚⊱🪷⊰˚

𝑰 𝒘𝒐𝒏'𝒕 𝒔𝒑𝒐𝒊𝒍 𝒂𝒏𝒚𝒕𝒉𝒊𝒏𝒈 𝒃𝒕𝒘!

Okay my friend let us begin 🌸˚˖𓍢ִ໋🌷͙֒✧🩷˚⋆

George RR Martin, the author of the Song of Ice and Fire world, is a brilliant writer. Amazing at worldbuilding, at expressing so many different points of view and so on. It was no wonder why/how the GoT show became so popular (George was apart of its creation on screen until the showrunners went a different way and ... 👎)

With the Game of Thrones show, I think the first 3 seasons are peak and then it just goes down hill from there. The dialogue was amazing, the physical camera work, the way you never know who could die next.

Dany, THE DRAGONS, Sansa, Margaery, the Hound, the magical aspects - that's what carried the show for me.

So then with House of the Dragon - we get to see SO MANY dragons and ... oh god, that was the best part for me. I'm sorry that I'm being predictable and a lil repetitive but I just love them! Also, watching Emma's face, they are just so gorgeous and I could watch them all day. Seriously.

Character-wise my favourites are Rhaenyra (both young and older), Helaena, Harwin Strong, Baela & Rhaena, Rhaenys, and Alys Rivers.

Plot-wise my favourite is that at times it feels Shakespearean. Especially in season two. I think season 2 is better; the pace feels better, I like a lot of the new characters but some parts are ... disappointing?

I do love the dynamic Rhaenyra has with so many ... people - that's something very interesting that I do not want to spoil.

And the costumes! Oh my god, I do think they're absolutely divine. Especially Rhaenyra's one in the first episode in the ending scene.

Also, the one thing I LOVE is the bond between dragon and their bonded rider. I could talk about it for DAYS.

If you ever need someone to talk to about this stuff, I would love to! Also, I would be so happy to be your ... guide through the shows per-say, if you didn't understand anything or maybe you want to vent etc. This goes for everyone!

[hexados-on-a-string]

okay ik that they needed to do like character redemption on gus by making him go from "power >>>>>> friendship" to "okay actually friendship is power or something" and ik gus isnt a good person, however did they have to make nv episode 39 so brutal. christ alive that episode fucks me up every time i watch it.

[sysig]

Anime good :) (Patreon)

[cptnghoulowl]

My thoughts on Buddy Daddies episode 7:

I love them all so much I would die for them

Karin was NOT what I thought she was going to be.

This EPISODE was not what I thought it was going to be.

Rei sleeping next to Miri when she was sick melted my heart.

And Kazuki. Oh my god Kazuki. I just. I love him. So much. I want to write a whole thing about how I felt about him this episode, but let me stop crying first.

And Miri's little song at the beginning and end were adorable I would DIE for her I just. I CAN'T.

[dukeofriven]

[h4m1lt0ns]

HEARTBREAK SYNDROME.

episode eight :: GOOD DAYS

꒰꒰◌‧₊ ⬪˙⋆ pairing ︴max verstappen x ex!y/n (barely), multiple x y/n

꒰꒰◌‧₊ ⬪˙⋆ genre ︴social media au

꒰꒰◌‧₊ ⬪˙⋆ summary ﹔it’s a good day to be y/n, to be a y/n stan and a red bull hater.

꒰꒰◌‧₊ ⬪˙⋆ face claim ﹔ wonyoung jang (28)

꒰꒰◌‧₊ ⬪˙⋆ warnings ﹕ hot dilfs, none.

y/n

♡ liked by alexandrasaintmleux, lewishamilton and 6,204,305 others.

y/n singapore gp ft. george stealing my phone and queen alexandra doing god’s work 😮‍💨

tagged: georgerussell63, alexandrasaintmleux, carmenmdundt, pierregasly, charles_leclerc, danielricciardo, landonorris, carlossainz55, mercedesamgf1

comments on this post have been disabled.

y/n

♡ liked by lewishamilton, charles_leclerc and 9,294,293 more.

y/n ‘is there someone else/starry eyes’ 🎬 mv & behind the scenes are both out now 💐 had the absolute pleasure and honour of working with my closest best friends and literal soulmates on this one and they looked like princesses ⭐️💗 can’t be happier than this 🫧 love u to death!!! directed by me btw >:)

tagged: francisca.cgomes, carmenmmundt, alexandrasaintmleux, lilymhe.

5,394,294 comments.

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francisca.cgomes genuinely still can’t believe this happened

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georgerussell63 my roman empire

lilymhe I WAS IN A Y/N MUSIC VIDEO!!!! IM A PART OF THE LORE.

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alexandrasaintmleux still violently sobbing

carmenmmundt i love you beyond words

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username I DONT KNOW IF I SHOULD BE HERE, ON TWT, OR YOUTUBE I LITERALLY CANT RN

username I CANT.

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[ohnoitstbskyen]

The Beautiful Animation Touches of Arcane, act 2

It's not exactly a hot take to say that Arcane is one of the most striking and visually compelling animated series of the last few years, the animators and directors at studio Fortiche threw everything but the kitchen sink at this show, creating something intensely dense, layered and absolutely soaking in little animation touches, clever bits of cinematography and just straight up good direction and filmmaking.

It is impossible to discuss everything compelling about Arcane and its animation in one video, but I'm at least going to do my level best to talk about some of my favourite scenes from the second act (episode 3-6), and oh god oh god oh f*** my video about the animation is longer than all three episodes it discusses combined.

In this video we'll focus particularly on Jinx's custom animation rig that lets her swap between the Jinx and Powder personalities, how Silco visually asserts power over Marcus when they argue, how Viktor's entire character arc is contained within a single scene from his childhood, how Vi and Caitlyn speedrun an enemies-to-lovers trope via body language, and the seduction of Jayce Talis and his unfaithfulness to Viktor.

You have no idea how many Netflix copyright blocks I had to edit my way around to get this online.

[etherealspacejelly]

i fucking love RTgame hes one of my favourite youtubers of all time. i recently got a craving to rewatch his persona 5 playthrough, here are some of my favourite running jokes from it:

*gets a new confidant* "Sae slaps the table, you must have had a [blank] on your team!" (e.g. for mishima it was a redditor, for futaba it was a gamer)

"its ok gang, we're gonna kill him at Least 5 times" (when one of the bad guys does something Really bad, each time it happens the counter goes up)

"hes bald! and he drives a car! he must be evil!" (he has predicted several of the games twists this way. all of the villains drive cars and/or are bald for some reason)

"we've got no time to waste! we've got to get a lot done today! lets hurry gang" *proceeds to stand still on the escalator all the way up* (this happens at least once an episode. he makes sure the editor keeps it in every time lmao)

"NO RYUJI. WHYYY" (every time ryuji talks about the phantom theives really loudly in public)

"damn cat! ill sue!!" (every time morgana doesnt let him go out at night)

and last but by no means least

"YOU'VE HEE'D YOUR LAST HO" (every time he uses black frost to Absolutely Decimate a shadow, because he maxxed him out at level 99 for every single stat)

[nastasya--filippovna]

So I finally finished Rivals

so here's my review followed by my episode-by-episode, PowerPoint presentation, Danny Motta style reaction (which no one asked for)

⚠️so massive spoilers heads-up⚠️

WHAT A WATCH! for the first time in, well, forever I did not binge the show immediately after it came out. I gave it time. Watched one episode each day and I think I liked the experience! I remembered a lot more stuff that I do when I binge things. But that's not what I'm here to talk about. Pfft let'g get into it huh!

So I read the book like ages ago when the show was first announced and though I remembered some stuff from the plot, I mostly let myself be shocked by it. Would I have watched it if David Tennant wasn't in it. Hmmmm? Probably not!

I mean this show....ugh... man there's no one word to describe it, is there! It's not all romp and pomp although it may seem like it. The strangest part is that for a show that's dealing with some really dark matter it (for some darn reason) refuses to take itself seriously (as @davidtennantgenderenvy wonderfully put it). I mean one minute we're dealing with woman rights, the other Matador Ole is playing while Rupert and Cameron stare each other like that.

I think it's unfair that the media constantly limited the premise of the show to its sexual aspects. The story is a clear socio-political critique of the power politics, sexual politics, and elite culture of the time and it's still quite reflective of the same things in our time too. In fact, the very fact that it disguises itself as a period piece makes it all the more applicable to our time. While watching the show I felt as if each character represents a different segment of the upper class; like Antonio Gramsci said the capitalist class is not a unified group. We have Rupert who represent the political elite, the ones that come from powerful families and then we have Declan who's the intellectual elite, Tony who's one of those new-money business elite people who will never really fit into this cult, Fred the technology millionaires, and Monica who represents that fading, waning part of old British aristocracy that was all about decorum and honour and values and virtue, something that is no longer valued in all the new kinds of elites that are springing up.

It's a very turbulent time. We're on the brisk of turning the world into the way we have it now, pulling it out of another era that is now fading away.

Rupert.... um man! Alex Hassell should be banned from playing this character because he injects more charisma in it that he deserves. I almost started liking him. And it's weird to me that his character development is fine, it's great it's wonderful, he goes from a careless heartless scoundrel to a nice caring person. The only problem I have here is what he did to Taggie in the beginning. How can someone ever possibly expect a woman to forgive a man for s3xual abuse or harassment. That's like major rizz-killer. But his friendship with Lizzie was one of the things I really liked. Made him seem so much more human.

Talking of Lizzie. My girl. My favourite character. Although if I'm being honest EVERY single woman in the show was impeccable. Every one of them ten thousand times more complicated than any male character. We need more women written by women. Sarah looks like a dumb blonde but she's not. She's just a woman who's trying to make something of her life in this male dominated world. Cameron Cook. Absolute goddess. She's powerful. She knows what she wants and how to get it. We just don't have enough ambitious women in media portrayed as "good". Ambitious women are always shown as bitches. And she's not passive in regard to her sexuality. It's her weapon and she uses it with her full agency. Monica, what can I even say about her. Perfectly embodies the crumbling grace of old aristocratic families. Beautiful performance, beyond words. Maud. Oh boy. I lowkey hated her for a bit but her last scene was so amazing.

Aaaaaaand Tony. Tell you what they should NOT let David Tennant play bad people. 'Cause he's gonna do it so good it will give you nightmares for ages. I love that he is always in command of the kind of response he wants to elicit from the audience in regard to his character especially when playing an antagonist. I mean if we compare them, Des makes you feel like you're gaping at the fucking abyss, Tom Kendrick is just awful and scary like a bad father, Kilgrave is (like the character's personality) the kind of performance where you want to hate this person bcs you know they're awful but something about them is sucking you in and you hate that feeling but you can't stop it somehow (cz that's what Kilgarve does!). For Tony he knew what he was doing. He knows how to turn on maximum rizz and then turn it off. He reels in the viewer, making them think oh this is the most charismatic human being I have ever seen (just like Tony does to other characters) and then he strikes when you're in deep.

Another interesting bit about this character was how (esp in eps 7 and 8) there's bits where you think that maybe he's not altogether bad, that maybe there's a bit of kindness and love hiding there somewhere. But then you realise there isn't. All that tenderness is deliberate. He does it on purpose because it draws people in. He cannot love because he doesn't have it in him. Everything is, for him, about social status and winning. He doesn't love his wife. He doesn't love Cameron. He just wants to have them because she feels like he didn't have the things he deserved at some point so now he's gotta have everything. Like he says "just let me have this one"; it's all about winning. Heard someone call him a cartoon villain. Nope guys he's very real. Also the only time you feel like he's being genuine is when he's being a sopping wet pathetic mess in the end.

And he's also very relatable to some extent. I get that what he goes through. His insecurities and whatever complex he has. I do. I go to a university with rich kids from filthy rich families. My parent's parents weren't rich. They just made their fortunes in the last generation and even though I get to be in the same circles as these rich pricks, I feel always (or they make me feel) left out. Like I'm an imposter. Like I could never really have any real class. And that itches a very particular itch in my brain.

As an afterthought, I think you can measure men's personalities and worthiness in terms of DT characters: On a scale of Alec Hardy to Tony Baddingham what kind of man are You!"🫵

On the whole it was a great show. Lovely music. Loved the introduction of each character and how it just lets you know what kind of person this guy/gal/person is! Wonderful cinematography and visuals. Gripping sub-plots. An what an ending! Perfect cliffhanger. And tbh I'd really like it if they left it here. To me a good story doesn't always need to be resolved. There's something to be said for those little ambiguities and uncertainties in life and all the thigs left unsaid. [and if someone is really anxious they can go read the book] Remarkable watch. ★★★★★ (5/5)

And now the reaction!

(Tap for full picture and better quality)

Anyways, here's some memes I made while watching Rivals

Episode 5 Live Reaction:

[repressionmd]

a selection of housefics i love!

i will make a part 2 when i reach character limit :D currently there is just 11 fics here but i WILL be updating!

Playtime's Over or The One Where Cuddy Forces House to See a Child Psychologist - mskullgirl

author summary: Following the events of "Skin Deep" (season 2, episode 13) House spirals out of control and stops eating and sleeping. Cuddy eventually offers him a deal; five sessions with Dr. Addams, the hospital's resident child psychologist, in exchange for three months off of clinic duty. What could go wrong? word count: 48k my notes: SO GOOD!! such a fun analysis of house and it has potentially my favourite accidental child acquisition of all time

Everything He Wants - the_northwind

author summary: House discovers that Wilson is a better coping mechanism than Vicodin. There's no way this could go wrong. A rewrite of the season six finale and beyond where instead of Cuddy, Wilson goes to House's apartment after the crane collapse. word count: 11k my notes: has one of my favourite hilson fic argument scenes. they're dysfunctional and messy and SO in character i couldn't recommend enough

Hypothesis - IreneSpring

author summary: At the beginning of the month, James Wilson decides to break out of his depressive spiral by having an affair with the first woman who is not needy. By the end of the month, he is facing an existential crisis decades in the making. word count: 15k my notes: haha wilson you are gay (jokes aside this fic is actually so fun and silly and made me LAUGH at the hoops our wilson jumps through to eventually realise he didn't get anywhere anyway)

Under My Skin - rhythmofsnow

author summary: Thirteen has a meltdown. House is there to ground her through it. (Post 5x05 "Lucky Thirteen") word count: 1.4k my notes: caring house my beloved... autistic solidarity my even more beloved <3

Composed - ferretwhomst

author summary: compose verb /kəmˈpəʊz/ 1. calm or settle (oneself or one's features or thoughts). 2. write or create (a work of art, especially music or poetry). or: a sick, restless Wilson finds himself in need of House’s company late at night. House indulges him. word count: 2.2k my notes: SO BEAUTIFUL.... wilson is so gay and so melodramatic and house matches his freak so well and WRITES HIM A PIANO PIECE....... they're so soft with each other idk its just beautiful. please read this

Soothe me now, soothe me, old friend (eng) - culturenana

author summary: Wilson would love to – Wilson would like to do so many things, make the most of countless wasted opportunities, erase every mistake, since his time has shortened without any warning, cruelly consuming itself under every cough. / House holds him close as if he is about to slip from his arms, and neither of them has the courage to discern what this thing between them is. There is no excuse or rational diagnosis that could cover it up. word count: 7.2k my notes: oh my god this fic made me want to bawl its so beautifully written and i have been shying away from post-finale fics purely to save myself the heartbreak but im SO glad i didn't do that with this one. they mean everything to me ;-;

'Samson's Mistress Cut His Hair, Thus Removing His Strength' - Sparklesinthewater

author summary: Set in season 3. Stacy doesn't come back. Tritter doesn't interfere. But the drugs and the infarction keep getting House into trouble anyway. Wilson is trying his best (but his best may not be what's best for House). / Or, House gets himself a girlfriend. Life goes downhill from there. word count: a beautiful 129k my notes: hello? hello!!!! can anyone hear me!! fic of all time!!!! a novel in its own right, and i did in fact stay up till 3.30am finishing it. impossible to put down and did make me want to cry in places. absolutely stunning. would recommend to everyone

a thousand teeth (and yours among them) - itooaminthisepisode (anarchy_opossum)

author summary: Sometimes, when House gets too overwhelmed by his emotions, he gets a little bitey. This is five times House bites Wilson, and one time Wilson finally bites him back. word count: 10k my notes: GORGEOUS STUFF!! amazing characterisation with lovely internal voices <3 they're so them and it makes me so happy

i let you win, i love to lose - sesamie

author summary: a short thing inspired by the thought, "what if amber and wilson's sex tape was ***for house***?" it seems like exactly the kind of toxic manipulative thing amber would pull and bring wilson along for. so here it is! set after the finale of season 4, and wilson and house haven't spoken about everything yet. things are bad between them and that's where the angst in this comes from! word count: 4.6k my notes: this fic did irreparable things to my psyche i mean ACTUALLY i do find myself thinking about it as im going about my day. genuinely was blown away by the sheer power of the prose i'll be honest 😭

we peeled the freckles from our shoulders - flowersinapril

author summary: Greg is twenty-three and James is nineteen when they first meet as counsellors at a sleepaway camp in the Adirondacks. word count: 2.1k my notes: GOD THIS WAS SO BEAUTIFUL... AAAHHHHHH i dont even have any words. please read this. crops watered joy delivered will to live restored etc. oh my god.

I'd Make a Deal With God (I'd Get Him to Swap Our Places) - TheFandomLesbian

author summary: When Wilson receives his terminal diagnosis, House flees to the hospital chapel. He doesn't know how to pray, but he strikes a deal: his soul for Wilson's life. When Wilson goes into remission, he has no choice but to uphold his end of the bargain. / In which House learns nothing about God, but everything about worship, in the arms of his husband. word count: 11.3k my notes: HOLY FUCK.. obsessed and i mean Obsessed with love as religious Especially when it comes to gregory 'religion is meaningless' house like this was so... good. it was so good. house is so desperate and so in love and its the most delicious thing ever

[violent-viscera]

my true (respectful) thoughts of arcane s2

so much of the promotional material promised so much in the way of vi and jinx/powder and their sisterly relationship, but i feel like with the amount of storylines/plotlines they did in this season, it was just too busy to focus on anyone–let alone the two supposed protagonists of the show. i think the best way for me to articulate how i feel about the writing of this show is that it fell flat, lost its heart, and emotional impact of the first season.

i would have been okay with them straying from my personal favourite focus if:

the storylines had been fleshed out better

the decisions the characters made actually made sense

main characters didn't become plot devices (vi)

new additions of the show weren't just plot devices (isha, loris, maddie, etc.)

motivations of characters made sense

characters had even small lines/dialogue to articulate their intentions/ideas

less time spent on off-screen development

and the thing is with the amount of plot lines they were ambitiously aiming to see out to fruition, its really hard to also set up all these new facets or opposing characteristics in former characters–plus adding new ones too. for example:

caitlyn's facist arc that didn't really have much meaning or attention

jinx's s1 mental collapse which changed abruptly into her redemption arc via isha (plot device)

jinx's revolutionist arc (first, reluctantly and then, willingly w ekko)

vi's pitfighter/brawler arc which was literally just one clip (which ended up being a teaser that showed everything)

im almost grateful to the minimal screen time ekko got bc they didn't try to change the core and essence of who he was in s1: he stayed true to himself. he's just a boy with a huge heart and love for his people that chose to leave his happy ending in an alternate timeline to return to the ppl who needed him where he is almost guaranteed heartbreak in some way or another.

i think the main reason so many ppl loved the first season was bc the characters were relatable in one way or another and they became so multidimensional when you explored how their environment/circumstances shaped them. but this season bc it was so purely focused on the endgame instead of HOW everyone got there, the characters fell flatter, they lost a soul and heart, and i felt the show lost its charm.

i know we all have our favourite characters and storylines we want the show to focus on and i would have been okay if i didn't get my way. if the show didn't focus on jinx and vi, i would've lived (although the promotional material was unfairly misleading) if the storylines, characters, and everything else made sense to me.

of course, the animation was lovely and the music was catchy/heartbreaking. i dont regret watching the show out to its final episode. it was one of the most beautiful visual experiences of my entire life. i still love the characters and will never regret staying on board until the final moments.

but i cant lie and say im not a little sad at how it ended too.

edited add-on:

also, the voice actors did phenomenally. ella purnell just absolutely nails the delivery for every line and reed shannon also hurt me with how he portrayed ekko. so on and so forth.

but that being said, i also felt the dialogue and lines of each character felt much less impactful this season (again, writing.)

i liked viktor’s monologue at the end of act 2. that was compellingly well written

but the lines this season weren’t the same quality as silco’s monologue about drowning, jinx’s speech at the beginning of the doomed tea party, etc. everything just felt so flat and shallow this season overall.

[drdemonprince]

Do you have any favourite scary movies?

I love the ambiguity and grief of The Orphanage, and the main character's emotional journey is absolutely gutting.

The Strangers has some of the most subtle, dread-inducing scares of any horror film of its era; if you liked the hidden ghosts in Mike Flanagan's Haunting of Hill House, it owes some inspiration to this film, I think. It truly gave me nightmares.

The newer Suspiria has really stayed with me, and I loved Flawed Peacock's analysis of the film on Youtube as well. I watched both this and the original back-to-back a few months ago, and they're both great in different ways, but nothing tops the haunting, sickening beauty of the end of this one.

28 Days Later is the only zombie movie for me, and yes part of that is because Cillian Murphy was so fuckable in it. I'll never forget the quiet, contemplative air of this movie, which is rivaled only by The Last of Us games. The zombie genre is bloated with derivative crap, but this movie rang in a whole new generation, and did it so well you don't need most of the rest.

The original Saw is a hell of a stage-play-slash-bottle-episode, and it's far more sophisticated in its writing than any of the rest in the series. It really holds up in my opinion.

The Cell isn't really that scary, to me, but it's fucking cunty as hell with incredible costumes and set pieces, and I enjoyed every minute of it. Bonus points for having a minor corruption/hypnosis aspect really tickled my imagination. I just wish that element had lasted for longer.

Speaking of movies that are actually plays -- there's no better Stephen King adaptation than Misery. Kathy Bates absolutely crushes in a nauseating, confining performance here, and the hobbling scene is one you just never forget. To me it's a perfectly paced film, and it holds up shockingly well in the era of stans and superfandoms.

Ghost Ship is my favorite bad stupid horror movie. The opening scene is enough creative nonsense carnage to justify its existence, but stick around through the end for a very weird trip-hop montage.

Dead Silence is another goofy one that gets really inventive with its gore. I love horror movies that do just downright disrespectful, creepy shit with corpses, and that's what this one is all about.

The Boy is a fucking laugh riot to me. The entire premise is so transparent from the very beginning and the thrills are so awkward and tame that it's a great Halloween party movie. If you're anything like me, you and your friends will walk around the house talking about the Boy for days afterward. Brahms is an age regressor king

Some people find Aronofsky's movies to be too over-the-top to connect with, but I think he nailed the internal horror of perfectionism, codependency, sexual repression, and eating disorders with Black Swan. Barbara Hershey's character is so perfectly unsettling that it sets all my people-pleasing, abandonment-fearing issues alight every time. Everything about this movie is confining and distorting, which is exactly how it feels inside when you narrow your entire life to a singular pursuit and are governed by impossible rules.

The Others has exactly what I need for a horror movie to have good replay value: just like The Orphanage, it's final reveal is more depressing and unsettling than it is pure scary, which makes it cut deeper, and it recontexualizes the whole rest of the film. The interiors and aesthetics are great.

Possession is easily the most disturbing movie on this list. This one cuts deep in a confusing, unmooring way -- it makes you feel sick in your soul, hopeless, and put off from relationships. Filming it reportedly ruined Sam Neil & Isabelle Adjani's lives for a good while, and you can see why. This film is the psychological reality of divorce in its unabashed form. To really leave behind a life you once committed yourself to, you have to become almost unrecognizable to yourself, and do great violence to both your former self, and the ones you love. This film gets that, and it's painful. It makes you feel disgusting for wanting things or for staying in a place where you're unhappy.

Happy watching!

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[tenpintsof-sundrop]

My Top 10 Fics Of 2023

So, because it is the 'wrapped' time of year where everyone looks back on their year through playlists and other types of stats - I thought that I would look back on my year through something completely nonobjective and based on exactly 0 data - my favourite fics I have written this year that are based completely on my personal enjoyment of them.

Last year, I did something similar to this where I counted down the top ten fics based completely on data - how many notes each fic had gotten on tumblr. But most of the posts were shorter fics that I hadn't spent a lot of time working on that I wasn't very proud of. (Like the fact that my current most popular fanfic on my sideblog for fanfiction is the shortest in word count.) So I have decided to go over the fics that are the most popular in my heart - countdown style.

This year I have written 39 different fics and I have written over 395,000 words, and these are my favourite fics that I have written.

Honorable Mentions:

Black Suit - Emily Prentiss x Fem!Reader (2,900 words). One of the most well-rounded fics I have written in such a short word count. And just - look at her.

My Bleeding Heart - Draco Malfoy x Fem!Reader (3,400 words). I have never used Death Eaters as the basis for angst in a fic and I had so much fun with it. Plus the kidfic fluff at the end was really fun too.

IFHY (I Fucking Hate You) - Abby Anderson x Fem!Reader (8,100 words). So @holy-minseok made a post about how there isn't enough fics with reader characters that aren't nice and sweet and I haven't stopped thinking about it since. Because I have so many fics with rude, toxic readers and this is absolutely one of them. This reader is a Grade A Bitch and that's a huge reason why I had so much fun writing it.

Better Than Sleeping - Jason Todd x Fem!Reader (5,300 words). This is some of the best quality smut I have written this year, hands down.

The Patron Saint of Liars and Fakes - Spencer Reid x Fem!Reader (8,200 words). I love writing fics based on specific episodes of a show, and this definitely helped to fulfil my whump quota for the year.

Sweet Revenge - Ellie Williams x Fem!Reader (16,200 words). This is a fic that definitely converted me from a hardcore Abby girl into an Ellie girl. I am very proud of it. (And eventually I became an EllAbs girl, as god intended.)

Free Use Day - Poly!OG!Titans x Fem!Reader (14,300 words). This is probably my most epic and honorable of the honorable mentions. This is the first time in years that I have written such a long pwp, and it's written about some of my ult favs. So I fucking love it. (It came so, so close to making the top ten.)

(Now, onto the top ten.)

The Top Ten:

10. Dreaming Of You - Gar Logan x Fem!Mute!Reader (31,300 words)

You and Gar have been best friends for a long time. Nothing could disrupt the harmony of such a perfect friendship. Nothing except maybe… your usually predictable powers going haywire and somehow showing you all of his heated daydreams about you. But he couldn’t possibly have romantic feelings for you. He couldn’t possibly want anything more than your close platonic friendship and the occasional steamy fantasy. Right? Gar Logan x Fem!Mute!Powered!Reader. Best Friends to Lovers. Smut and (Slight) Angst. Set during Season 2.

At first I wasn't even sure if I should put this one on the list, because it's technically a re-post, but I was like fuck it, I make the rules here. And the reason it's at 10 is because technically I wrote most of this in 2021 originally (though it feels like longer ago than that omg), but this year I heavily updated the fic, including writing some new scenes for it that flesh it out very nicely. To me, this is everything a good re-post should be. It cleans up what was already there and amazing about the fic and it enhances it so much.

I loved the concept of this fic from its core, and now I get to be so, so proud of the way I have enhanced it years later. To me, this will always be my core Gar fic (as much as I will always write more for him) - and it is something I am truly, genuinely proud of. If you love Gar and you love smutty fantasies involving him, I highly recommend checking this fic out.

9. No Brainer - Derek Cho x Fem!Reader x Melanie Cross (Mayhem (2017)) (7,100 words)

When the ID-7 Virus, aka the Red Eye Virus hits Towers and Smythe Consulting, it throws the entire office building into chaos. With a mandatory quarantine from the CDC in action, that chaos builds in on itself, and somehow, you, Derek, and Melanie get everything that you want. aka You have something Derek and Melanie need. Derek and Melanie have something you want. You all agree to make an exchange, and everyone ends up more than happy. Derek Cho (Steven Yeun) x Fem!Reader x Melanie Cross (Samara Weaving). Co-Works to Lovers. Smut. Based on the film Mayhem from 2017.

This is one of my personal favourite fics of mine that I believe very few people following me have ever read. I absolutely love writing fics based on random one-off horror movies - I have way more in my drafts, and one of my goals for 2024 is to complete and post more of them. But one night I was laying in bed and I randomly watched this film because I knew Steven Yeun was in it. I had seen a lot of clips of him covered in blood and yelling, and I found him really hot in those clips, so I knew that I would enjoy the film. And I absolutely fucking did. Not just based on his hotness, but just - the entire film was so, so enjoyable.

Also, the ID-7 Virus, a fictional sickness that lowers your inhibitions (something that is shown in the film to work like sex pollen) is the perfect basis for a fic. So I literally started writing this on my phone before I had even finished watching the film. And I posted it a few days later. I think it's just pure fun. One of my favourite things to write about is a healthy combination of horror and sex, and this is definitely toeing the line perfectly in my opinion. If you haven't seen the film, I highly recommend it - watch it, and then come back and read this fic.

8. My Heart Is The Worst Kind Of Weapon - Ellie Williams x Fem!Reader (9,600 words)

Ellie confronts your abuser, and after years of torment, you finally feel free. Ellie Williams x Fem!Reader. Strangers to Lovers. Hurt and Comfort.

This is a fic that is very close to my heart. Not only is named after a tragically underrated Fall Out Boy B-Side, one of my favourite songs ever, but it is a fic about conquering the abuse of a family member - and when I wrote this, it was coming from a place of the utmost sincerity.

I am someone who has experienced abuse from a family member, and it felt so entirely empowering to write this - to write about someone coming to your rescue so honestly. Someone rescuing you out of pure want, not because it's an obligation or a burden. But because they are compelled by their own morals and they feel that your abuse is a cruel injustice against the world. This and the companion fic I wrote for Abby with a similar storyline are two of the most important fics that I have written this year.

7. Ghosting - Mike Schmidt x Fem!Reader (3,700 words)

Mike has been in love with you for as long as he can remember. For about as long as the two of you have been best friends. He always thought he would have more time to work up to confessing those big, dangerous feelings for you - until something more dangerous swooped in and stole any time he had left with you. Mike Schmidt x Fem!Reader. Star-Crossed Lovers. Pure Angst. Set during the events of the movie (and features spoilers for the plot).

I feel like this list would be incomplete if I didn't pick at least one of the FNAF fics that I wrote (and two of them ended up on here). With how much it was delayed, it was actually wild to see the FNAF Movie actually come to life before our very eyes, and it was amazing to actually write some fics about it. This is the first time (in a very long time) that I have written pure angst with no sense of fluff at the ending, and it was actually so much fun - it's fun to give into the darker side of a fic, and to write about the most torturous human emotions with absolutely no relief.

Also, I think dying in someone's arms (especially holding your lover or your would-be lover) is such a compelling trope and I loved writing about it. This was so much fun for me to write, and it was something so interesting to explore aside from the usual smut that I write.

6. From Your Lips - Jennifer Jareau x GN!Reader (3,000 words)

After JJ is attacked by dogs on the Hankle farm, everyone is busy worrying about Reid’s missing status, but you take the time to check on JJ and try your best to calm her flustered mind. Jennifer Jareau x Gender Neutral Reader. Friends with Benefits. Smut and Angst. Set during Season 2, Episode 15.

This year, I had another large foray into the Criminal Minds fandom, and I wrote a JJ fic for the first time. And just in general, I am so proud of this fic. I think even for a short fic, it has such a great essence - again, I love setting fics during specific episodes, and I found it so fun to play around with the religious imagery and the religious themes already in this episode, as well as the imagery of rabid dogs.

To me, this is what truly makes fanfiction great - taking details of the canon, chewing them up like bubblegum and then adding something else in to make them your own. I had so much fun writing this fic, 10/10.

5. Love From The Other Side (aka The Golf Club Fic) - Abby Anderson x Fem!Reader (5,600 words)

Abby kills the man that has been haunting your nightmares for years. You find it only fitting to give her a proper reward. Abby Anderson x Fem!Reader. Established Relationship. Smut. Set during The Last of Us Part II. (aka - the fic where Abby fucks the reader's pussy with the golf club that she used to kill Joel.)

So, as you will notice with this fic and the next one, 2023 was the year I truly said fuck it. There used to be a time when I was afraid to admit my weirder kinks and fantasies (like, I used to be afraid to even say that I read A/B/O), but then I realized that this is the freak-nasty website. And way too many people are shy. So I must be the one to provide the freak-nasty fics.

This is a fic I had in mind since the very first time I watched TLOU2 gameplay. And originally, it was going to be a simple, purely pornopraphic fic about Abby fucking the reader with the golf club - but as I was writing it, it turned into something that I find oddly beautiful. And (again, just like with the next fic) I find that writing about kinks in long-term relationships, especially the kind of relationships that have come to be co-dependent - it's like writing this toxic, cathartic poetry.

It's writing about two people who need each other but can be so horrible for each other - and it is one of my favourite things to write about because it's so damn interesting. This was a slay, and generally awesome because it was getting out an idea that's been in my head for years.

4. Damn The Man, Save The Empire - Vanessa Shelly x GN!Reader (6,100 words)

Vanessa has always taken care of you. Since the two of you were kids, she has put her neck on the line for you, and you rarely knew how to return that epic kindness. One night, while both of you are raw and on-edge, the dark cloud of your strange past looming over both of you nearly swallows both of you whole - and once again, Vanessa is right there, taking care of you. (Dark)Dom!Vanessa Shelly x Sub!Gender Neutral Reader. Toxic Co-Dependent Relationship. Smut and Angst. Takes place before the main timeline of the film (features spoilers for the movie).

Again, like I said with the previous fic - this was one of my favourite fics to write because it is so delightfully unhinged. I really enjoy exploring toxic relationships through fiction because - for one, writing healthy, functioning relationships is not always interesting. And there is something so beautifully dark and poetic about writing two people who have grown into each other like twisted tree branches and need each other, but are so bad for each other.

And this year I have been exploring gender neutral smut a lot more. I used to always write fem reader smut as my default, but I have been having a lot of fun with the creativity of writing smut without describing the reader's body in detail. I love coming up with metaphors and describing around the body parts. I find it to be a fun creative challenge. Anyway - this was a lot of fun to write, and I highly recommend it if you enjoy reading darker fics.

3. Lessons For A Genius (Lesson One) - Spencer Reid x Fem!Reader (17,200 words)

What could a certified genius possibly have to learn from someone like you? Turns out - a hell of a lot.  And the real ‘teaching’ started when your graphic explanations of slang toward Spencer for the sheer shock value of it turned into something a lot more… hands on.  Sub!Spencer Reid x (BAU)Dom!Fem!Reader. Co-Workers to Friends with Benefits. Smut. Set during early Season 2.

I feel like it would be a miss to make this list without mentioning a fic that I obsessed over for two weeks straight - a fic that drove me insane in the best way. Of course, there is also the sequel, but I personally prefer the first lesson. This fic has been brewing in my mind for a very long time, because it is painfully obvious to me that Spencer (in the early seasons) is an awkward virgin, and I have always wanted to ruin him.

This fic is a lot of my fantasies brought to life, and I feel like it's a really masterful painting of those fantasies - for once, without overly focusing on the murder mystery aspect of Criminal Minds fanfiction (which I have a tendency to get distracted by). I am really, really proud of this fic, and I know you guys enjoyed it. It is definitely a highlight of my writing this year.

2. Emergency Contact - Jason Todd x GN!Reader (10,500 words)

After Jason miraculously comes home from his brush with Deathstroke, you’re both feeling it in very different ways. You have an unexpected physical wound from the battle, and he has many (very expected) emotional wounds. You help each other heal. Even if it’s very stubborn on both your parts. Jason Todd x GN!Powered!Reader. Enemies/FWB to Lovers. Angst and Hurt/Comfort. (Slight Smut). Set during Season 2, Episode 5.

This is a fic I have talked about a lot recently, because I have been working on the sequel. (I was hoping to get the sequel finished and posted before the end of December, but it's gonna be a longer fic, so it's looking like it's gonna be one of the first fics of January instead.) Anyway - to me, this is by far one of my best fics and one of my most important fics of 2023. This was battling for the top spot.

But even if it's second place, I am so incredibly proud of this fic. I think it's beautifully written, I am incredibly proud of the literary references I worked in with The Great Gatsby - especially because I feel like Jason would be the type to read Gatsby and compare himself to someone tragic and doomed like Gatsby (he would soo compare himself to Gatsby, especially because he was also a poor kid who was randomly sponsored by a rich man who saw potential in him). Overall, I just had a very distinct vision when writing the fic, and that vision came to life. And I really, really hope that my vision comes to life in the sequel too.

1. King For A Day - Poly!Golden Trio x Fem!Reader (22,400 words) 

You have always had a special relationship with Ron Weasley, Hermione Granger, and the one and only Harry Potter. When you set out to help them find and destroy Lord Voldemort’s Horcruxes, it seems that your intimate knowledge of them is the one thing keeping them together - until the unique dynamic shifts, thanks to one of those pesky pieces of dark magic. Angry voices carry, and it turns out - moans of pleasure do too. Poly!Golden Trio x Fem!Reader (Fem!Reader x Harry Potter x Ron Weasley x Hermione Granger). FWB to Poly Lovers. Smut (with a slight bit of Angst). Set during Deathly Hallows.

And finally, we get to my favourite fic of the year!!

So, I'm gonna be honest, a huge reason that this fic gets the top slot is because of my nostalgia for Harry Potter. This year was the first time in a long time that I have written Harry Potter fanfiction, and it felt like a reawakening of my soul. I was genuinely happy, and I was spending time enjoying concepts and characters that I have not thought about for a long time.

This fic in particular, I feel like I have been working on it for years in my mind. This fic is a culmination of all my thoughts about these characters, all my time in the Harry Potter fandom, and generally, I am so, so proud of it. I am proud that my love for Harry Potter has come to fruition in this form - a poly smut fic, something that is just so me.

Overall - I had such a great year chasing fic ideas that make me happy, despite the popularity of the characters or the fandoms, and I encourage you guys to spend 2024 doing the same. Cheers!

[jasmines-library]

I think I visit your blog an unhealthy number of times bc it's just my go-to for some good old fashioned hurt/comfort and it's just. You are such an incredible writer 😭❤️!! could I request a batfam fic where the reader undergoes a depressive (or numb) episode/the vibe that comes with a character just falling down wordlessly on the couch and the other character saying "bad day?" and the character nodding and giving them a blanket // if this is too specific absolutely no worries, either :D! any and all characters are alright, thank you so much!! please take your time with the requests and I hope you have an awesome rest of ur day :]!!

Aww anon! That’s so cute! I hope you enjoy and I hope you’re doing okay! :)

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WHUMPTOBER DAY TWENTY :Prompt: necrosis/wound cleaning.

Warnings: numbness and a depressive episode described.

Word count: 1k

MASTERLIST ⛤ WHUMPTOBER 2024

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You had fallen into that pattern again. That dreadful, hateful pattern. It comes and goes in waves; Numbness followed by dark sadness that weighed heavily in the middle of your chest. Suffocating. 

You couldn’t help it. You never could. The feeling would just wash over you all of a sudden. Hit you like a ton of bricks. And usually you felt like there was nothing you could do about it except let it play out its course. So, you spent much of your time alone. It didn’t help much. Being alone made you feel worse in many ways. You yearned for normality; Dick’s laughter and Damian’s small unamused grunts as he pretended to be interested in what was going on. You would have given anything to not feel this way again. But right now it was all too much. Even just moving felt like too much of an effort. So you remained numb up in your room, staring blankly at the ceiling. 

You were sure you had traced the patterns in the ceiling at least a hundred times in the last day or so. It was that or overthinking. You couldn’t stop the influx of thoughts. They would come all at once all angry and disappointed. And you would ponder on them for far too long before they vanished just as quickly as they arrived, leaving you once again alone.

Your family had noticed your withdrawal. They had seen you in this state before and it broke their hearts to see  you in it again, but they weren’t sure what to do. The Waynes aren’t exactly known for their emotional intelligence. They thought the next best thing to do was to give you some space, but to extend a hand if you asked for it. You never asked for it. You didn’t know how. And you didn’t want to be a burden to the rest of your family. So you remained silent.

One night, you had decided to venture out of your room. It was a quiet evening. Late autumn so the sun was already beginning to set despite the early hours of the afternoon. It had taken you a long while to decide that you wanted to move, but nevertheless you stood and moved towards your favourite spot; a place that you often found solace in. The armchair was large and plush and positioned by the window so that it caught the last slivers of golden light as they streamed through the window. You curled up on the plush leather, watching the trees shed their leaves and the sky turn a deep blue. It was a few hours later, when the stars had appeared in the sky, when the door cracked open.  The figure was silent, save for their bare feet padding against the wooden flooring. 

It was Jason who approached.  He had a blanket slung over his shoulder and two steaming mugs of hot cocoa in his hands. He paused, studding you for a moment as you stared numbly out the window. He had seen you here before. It brought him a sense of deja vu that he’d rather not feel again. Taking a step forward, he let out a gentle sigh. 

“Hey kiddo….” he started. You glanced up at him. Jason smiled sadly. It was a start. “Brought you your favourite. Thought you might be thirsty.”

He extended a mug towards you. It was topped with cream and marshmallows which were slightly melted. It was just how you liked it. Goddamnit. You took the mug from him and took a sip. The sweet liquid melted on your tongue. 

“Thank you…” You said quietly before the two of you fell into silence. Jason watched you as you went back to staring out of the window, trying to gather the words to say. It was clear that he was worried; they all were. He just didn’t know how to make you feel better. If he could even make you feel better at all. He hated seeing you like this; so lost in the darkness of your own mind. He hated it not only because you were hurting, but also because he knew that feeling all too well. He knew how much it hurt. How difficult it was to feel anything but numb and self hatred. 

“Bad week again?” he asked gently.

You just nodded. Jason always seemed to understand without pressing you. 

“Here…” he handed you the blanket, draping it over your shoulders.You hugged it tight around you, immediately overcome with the sense of familiar comfort. 

Jason didn’t say much more after that and you even less. But he took a seat on the armchair across from you before curling up with his book. It was a simple but effective gesture to show that he was there for you without overwhelming you. You glanced at him, taking a sip of your drink. And for the first time in what felt like forever you began to feel again.

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<- DAY NINETEEN⛧ DAY TWENTY ONE->

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