#its not. I get uncomfortable because we are not about me

[anumberofhobbies]

Have a reference,

By Nina Metz | Chicago Tribune UPDATED: June 9, 2018 at 1:42 AM CST

The following is an edited conversation with Matzen about Stewart and “It’s a Wonderful Life,” which will also screen at Symphony Hall on Dec. 9-11 accompanied live by the Chicago Symphony Orchestra with the Chicago Symphony Chorus. ... Q: What was it like on set, since it sounds like Stewart was a reluctant participant? A: Capra had supreme confidence in this story. Stewart not so much, but he got on board with it. It was this sense of, “This is our last shot. Hollywood went on without us, we’re not getting any younger, and if this bombs after we’ve both been away for five years …” But if you watch that performance by Stewart, there was a lot of rage in it and it’s an on-the-edge performance because that’s what those guys were feeling — they were scared that this wasn’t going to work. That the audience wasn’t going to buy it. Donna Reed (playing Stewart’s wife in the film) is one of the eyewitnesses who said, “This was not a happy set.” These guys were very tense. They would go off and huddle say, “Should we try this? Should we try that?” And it proceeded that way for months. They started shooting at the beginning of ’46 and it was a long shoot, it went into June. It was a very expensive, exhaustive production. It cost $3 million to make the thing. Q: Was Stewart also on edge because he was still working through some of his PTSD? A: Oh, absolutely. At this point, he had just started to eat again. He always had a high metabolism and always had trouble digesting food, and during the war it got worse and worse. He himself said that the only thing he subsisted on was peanut butter and ice cream. He just hadn’t been able keep food down. Now he’s starting to gain weight. But he’s still having nightmares and the shakes and the sweats. He’s got some hearing loss now, from the sound of the bombers on those seven-, eight-hour missions. So now you have an actor who, it’s not easy for him to hear his cues. Q: He wasn’t of the Method actor generation, but it sounds like he was, intentionally or not, drawing from his life in that performance, especially those scenes that reveal how untethered or frantic George Bailey is feeling. A: It was a personal and professional risk, playing that role. While he was making that film, he was questioning the superficiality of Hollywood and acting in general, and Lionel Barrymore (who plays Mr. Potter) said to him, “So, are you saying it’s more worthwhile to drop bombs on people than to entertain them?” And that really hit Stewart and was one of the things that turned him around and made him think, “OK, I do have an important role and there are things to be done.” There’s a scene in the movie where he questions his sanity and he’s got this wild look about him. That’s one scene that really struck me, watching it on the big screen. And the other scene that always made me uncomfortable, but now means so much more to me, is when he’s in his living room and he’s throwing things and screaming at his kids — and his wife and children look at him like, “Who is this man? Who is this monster?” And that is so reflective of what millions of families faced, looking at these strangers who came back from the war with this rage. Stewart played it beautifully. He just lets it out.

Jimmy Stewart & Post-Traumatic Stress: Months after winning his 1941 Academy Award for best actor in “The Philadelphia Story,” Jimmy Stewart, left Hollywood and joined the US Army. He was the first big-name movie star to enlist in World War II. An accomplished private pilot, the 33-year-old Hollywood icon became a US Army Air Force aviator, earning his 2nd Lieutenant commission in early 1942. With his celebrity status, he was assigned to attending rallies and training younger pilots. Stewart, however, wasn’t satisfied. He wanted to fly combat missions. By 1944, frustrated and feeling the war was passing him by, he asked his commanding officer to transfer him to a unit deploying to Europe. His request was reluctantly granted. Stewart, now a Captain, was sent to England, where he spent the next 18 months flying B-24 Liberator bombers over Germany. Top brass tried to keep the popular movie star from flying over enemy territory. But Stewart would hear nothing of it. Determined to lead by example, he assigned himself to every combat mission he could. By the end of the war he was one of the most respected and decorated pilots in his unit. But his wartime service came at a high personal price. In the final months of WWII he was grounded for being “flak happy,” today called Post Traumatic Stress (PTS). When he returned to the US in August 1945, Stewart was a changed man. He had lost so much weight that he looked sickly. He rarely slept, and when he did he had nightmares of planes exploding and men falling through the air screaming (in one mission alone his unit had lost 13 planes and 130 men, most of whom he knew personally). He was depressed, couldn’t focus, and refused to talk to anyone about his war experiences. His acting career was all but over. As one of Stewart’s biographers put it, “Every decision he made [during the war] was going to preserve life or cost lives. He took back to Hollywood all the stress that he had built up.” In 1946 he got his break. He took the role of George Bailey, the suicidal father in “It’s a Wonderful Life.” Actors and crew of the set realized that in many of the disturbing scenes of George Bailey unraveling in front of his family, Stewart wasn’t acting. His PTSD was being captured on film for millions to see. But despite Stewart’s inner turmoil, making the movie was therapeutic for the combat veteran. He would go on to become one of the most accomplished and loved actors in American history. When asked in 1941 why he wanted to leave his acting career to fly combat missions over Nazi Germany, he said, “This country’s conscience is bigger than all the studios in Hollywood put together, and the time will come when we’ll have to fight.” This holiday season, as many of us watch the classic Christmas film, “It’s A Wonderful Life,” it’s also a fitting time to remember the sacrifices of those who gave up so much to serve their country during wartime.

[hedgehog-moss]

Pls give recommendations for Odd books 🙏

Here we go, a list of literary oddity :) This post contains majestic spheres, alien taxonomies, cruel subway polytheism, a fourth-dimensional cat, disturbing earthworms, infinite space football, existential mussel terror, a Parisian absurdist time loop, and a picture of a telegraph-pole-man-cheetah. I'm not exactly recommending these books, in the sense that I won't take any complaints if you find them more odd than good, and some of them transcend the concepts of good and bad anyway.

• The Other City, Michal Ajvaz. It's all like this:

• Contes du demi-sommeil, Marcel Béalu ('Half-asleep tales') —is the book that prompted my post about stories that have no ambition or justification beyond being odd. I'm sad that it hasn't been translated :( One of the tales is about a strange opaline sphere that rolls on the road. It doesn't accelerate when the road becomes a steep slope but continues rolling majestically. At one point it floats away towards the sky. Someone wonders if it was the moon. Someone else says authoritatively "It was an angel's egg." Everyone is reassured by this explanation. The whole thing feels exactly like remembering a dream you had. There is also a man who reads too much and whose body atrophies so only his head is left and his wife puts it in an egg cup for better stability.

• Leonora Carrington— The Skeleton's Holiday, or maybe the Hearing Trumpet. I've read them so long ago but I think the latter is the one with the old ladies and nuns? There's also a guy who was murdered in his bath by a still-life painter because he said there was a carrot in one of his paintings, but it might not have been a carrot? It's hard to remember details from this book without feeling like I might be making them up. Bonus Leonora Carrington painting which kind of feels like a short story:

• The Codex Seraphinianus, of course. I wish there were more bizarre encyclopaedias out there.

Also I love this review:

• Sleep Has His House, Anna Kavan —I really liked the way this book used language; making life feel like a fever dream even more than in Samanta Schweblin's Fever Dream (which I really liked too.)

The eye is checking a record of silence, space; a nightmare, every horror of this world in its frigid and blank neutrality. The actual scope of its orbit depends on the individual concept of desolation, but approximate symbols are suggested in long roving perspectives of ocean, black swelled, in slow undulation, each whaleback swell plated in armour-hard brilliance with the moonlight clanking along it . . .

• The second half of Michael Ende's Neverending Story, where things get stranger! I remember the hand-shaped castle with eyes and the city of amnesiac former emperors and the miserable ugly worms who cry all the time out of shame then create beautiful architecture with their tears...

• The Gray House, Mariam Petrosyan. This is the one I had in mind when I talked about a 'museum of the strange, but one you wouldn't want to be trapped in after closing time'. Another book that made me feel uncomfortable in a similar (good) way was Edward Carey's Observatory Mansions, the protagonist of which is a man who curates an odd private museum and can't stand the sight of his own hands.

• Oh, speaking of uncomfortable, and hands—He Digs A Hole, by Danger Slater. To me this book was in the more-odd-than-good category but I liked its refusal to have a coherent philosophical meaning. It's about a man who can't sleep so he goes to his garden shed and saws off his hands and replaces them with gardening tools. Then he starts digging a hole. And then it gets weird. (Read at your own discretion if you have a worm phobia; there's some body horror featuring sexually aggressive earthworms. And then it gets disturbing.)

• 17776 — Someone sent me an ask a few years back to recommend this online multimedia narrative to me and I really enjoyed it! Here's the summary, borrowed from the wiki page: Set in the distant future in which all humans have become immortal and infertile, the series follows three sapient space probes that watch humanity play an evolved form of American football in which games can be played for millennia over distances of thousands of miles. The work explores themes of consciousness, hope, despair, and why humans play sports.

• Saint-Glinglin, Raymond Queneau —the author admitted that this book presents some "internal discontinuities." I didn't like it much but I respect the talent it takes to write a novel where everything feels like a random digression, including the key suspenseful scene that matters to the plot. The one digression I loved had to do with the way the narrator is existentially horrified by various sea creatures. It's like he dreads them so much he can't help but think about them when he should be telling a story.

The oyster... This gob of phlegm, this brutal way of refusing the outside world, this absolute isolation, and this disease: the pearl... If I conceptualise them even a little, my terror starts anew. The mussel is even more significant than the oyster and even more immediately admissible in the domain of terror. Let us indeed consider that this little sticky mass whose collective stupidity haunts our piers, consider that it is alive in the same way as a cow. Because there are no degrees in life. There is no more or less. The whole of life is present in every animal. To think that the mussel, that the mussel has, not a conscience, but a certain way of transcending itself: here I am once again plunged into abysses of anxiety and insecurity.

Near the beginning he philosophises about what would happen if a man and a lobster were the only two survivors of the apocalypse. The lobster would break the man's toe and the man would say, "We are the only beings that remain on this devastated Earth, lobster! The only living beings in the universe, struggling alone against the universal disaster, don't you want to be allies?" But the lobster would disdainfully walk away towards the ocean, and "the sight of the inflexible and imperturbable lobster pierces the sky of humanity with its unintelligible claws." (I can't overstate how little this has to do with the rest of the book.)

• Autumn in Beijing, Boris Vian —needless to say the story does not take place in autumn nor in Beijing.* To the extent that it can be said to be "about" something, it's about people trying to build a train station in a desert with tracks that lead nowhere. (I just went on goodreads to check the title, and it's actually called Autumn in Peking in English. I also discovered that it was featured in a list of Books I Regret Reading. I liked this book, but I understand.)

(* French writers love doing this—like when Alphonse Allais said about his 1893 book The Squadron's Umbrella "I chose this title because there aren't any umbrellas of any sort in this volume, and the important notion of the squadron, as a unit of the armed forces, is never brought up at all; in these conditions, hesitating would have been pure madness.")

• The Library at Mount Char, Scott Hawkins—I fear this one makes a little too much sense for this list, but you can't say it isn't weird; and I loved it and recommend it any chance I get.

• The Eleven Million Mile High Dancer, Carol Hill —this book was so wacky and made me laugh. I've not yet managed to successfully recommend it to someone; its brand of odd didn't resonate with the people I know who've read it but that's okay. You could say it's about a woman astronaut whose weird cat disappears into the fourth dimension (or the quantum realm?) and she goes to space to save him—but that makes the book sound more straightforward and less messy than it is. Her cat leaves her a note before he disappears:

• The Bald Soprano, Ionesco —fun fact, there's a tiny theatre in the Latin Quarter in Paris where this absurdist play has been staged every night for nearly 70 years, with the exact same set design and costumes and everything, like the actors are stuck in a time loop. They celebrated the 20,000th performance this year! There's an actress who has been playing her character for 40 years and said joining this theatre was like joining a religion. I've been going to see this play as a New Year tradition with my best friend since we were 14, so I love it madly, though I wouldn't say it's good, necessarily—the author said it was about "absolutely nothing, but a superior nothing."

• Statuary Gardens; or Les Mers perdues (apparently not translated) by Jacques Abeille. This man is obsessed with weird statues. Unfortunately I find his writing style rather dull—I feel like he takes strange ideas and makes them feel mundane in a bad way...! But his books still have a nice, quiet, oneiric atmosphere, and images that stayed with me, like a solitary gardener trying to grow stone statues in the depleted soil of a walled garden. Here are some illustrations from the second one:

I'll look into some of the books recommended on my previous post! (and I agree with the people who brought up Cortázar, Borges, and Junji Ito. <3) Some potentially-odd books I have on my to-read list: Clive Barker's Abarat, Goran Petrović's An Atlas Traced by the Sky, Salvador Plascencia's The People of Paper, Jean Ray's Malpertuis; Jan Weiss's The House of a Thousand Floors; Brice Tarvel's Pierre-Fendre.

[sadesluvr]

TEETH.

Sergei Kravinoff might be a villian, and you a hero; but at the end of the day you're both animals.

A/N: First fic in a while so my bad if it sucks. You already know this movie was basically ass but we only watched it for ATJ anyway - I'm changing some of Kraven's character so he's similar to the comics/Spider-Man 2 game, so be sure to read the tags bc he’s a lil dark…

Word count: 2.3K

Tags: SMUT / DUB-CON / Spiderwoman! Reader / Breeding / Unprotected + rough sex

Kraven feared nothing. 

It simply wasn’t in his blood; not his staunchly machismo upbringing, nor in his DNA, quite literally having that of a lion. Fear made one weak. Fear made you less of a man. Fear was what killed his mother. 

If anything, fear was just another animal; ready to be captured, killed and conquered, ultimately destined to be draped across his chiselled body or mounted on a wall.  

You were simply no different. 

He never really understood why people were afraid of spiders, but he knew that they were a nuisance, having haunted him since he was a boy. Spiders weren’t savages like lions or bears, but they were sneaky; crawling around in the dark and waiting to strike, with a face so obscured that you’d never really know what you were looking at...what they were thinking.  

But now, with your mask off, he could see you clearly. Fear; clouding your eyes and consuming your lungs as you heaved, choking on the intensity of the emotion itself as your pupils darted between the beige, bloodied teeth on his necklace and a crossbow pointed right at your heart. 

“So, you’re the insect causing me all this trouble?” the man mused; legs crossed upon a desk as he eyed you. “I should’ve known.” 

“Should’ve known what? You know nothing about me.”  

“You’re a girl.” 

“Sexist, much.” 

He chuckled. 

“Far from it. My father, however, was quite the traditionalist. He would’ve done much worse by now.” 

There was a heavy silence as you swiped at your bottom lip. Much to your dismay, blood had begun to dry, and you were left with a salty, scratchy throat. Liquid, some of any kind, would’ve been appreciated, but you knew all too well that Kraven wasn’t one for showing mercy. Like all the villains you’d encountered, you’d had a push-pull relationship with the Hunter since the very beginning. He created a plan; you foiled it, sometimes you’d get your ass beat but the ending was almost always the same – with you safe from harm's way, and a bloodthirsty ego chipped away, but momentarily put to rest. 

On this occasion you’d slipped up, your Spidey-senses failing you and placing you right into harm's way, shipped into the back of a van and somehow escorted to a somewhat uncharacteristically lavish mansion.  

You'd always found Kraven to be a man of contradictions; whether he realised it or not. He was the best and worst of both worlds, a hunter with all the grit of someone who’d been fighting their entire life as a poverty-stricken rogue, and yet you’d come to learn that he was a Russian aristocrat, hence his rather extensive knowledge and unrelenting desire for control. Still, nothing took away from the fact that he was a brute, not even his strikingly good looks. 

“Just shoot me and be over it,” You continued, watching as he lowered his feet from atop the desk and strolled over to you.  “You didn’t need to drag me all the way here.” 

He looked even bigger than usual, but perhaps it was because you were perched uncomfortably on a chair, arms bound behind you as you craned your neck to look up at him. Your mind couldn’t - no, didn’t - want to fathom what he was thinking of you from this angle. 

“Don’t get me wrong, I care nothing about your secret. I just wanted to look you in the eye.” He mused, rummaging through his back pockets. Your breath hitched in your throat as he slid a knife from its sheath, finely carved and sharpened and lowered it to his side before pacing around you, stopping as his firm torso pressed up against the tip of your neck. Squeezing your eyes shut, you braced for your neck to be split open, only to be released from your bounds.  

Instinctively, you went to shoot some webs, hoping you could at least catapult yourself across the room, but he tightly grasped your wrists, steadying your arms in place.  

“I wouldn’t try anything if I were you,” he sneered. “These are antiques.” 

You rolled your eyes. 

“Fuck you.” 

“Get up,” he announced suddenly, almost dragging you to your feet. Hesitantly, you began to shuffle out of the room, overwhelmed by the seemingly endless walls and corridors, all framed in ivory and the finest mahogany. “Keep walking until I tell you to stop.” 

You continued down the hall, opting for a straight line. It seemed to be the correct way as once you passed into the threshold of a room that had a velvet chaise lounges and a dresser, he dropped his hands from their grip on your own, closing the door behind you. Oddly enough, you never heard the click of a latch. 

Without a word, he walked past you to open the drawer, rummaging through the contents. It utterly baffled you why you didn’t feel the urge to protest, or even fight. The entire ordeal was feeling more like a glorified house tour with a side of intimidation rather than a future crime scene. 

Was it because he was handsome? Wild? Filthy rich? Whatever happened to your values? Perhaps Jameson was right.  

Your thoughts were interrupted by the man placing something in the desk, curling his finger to beckon you towards him.  

“See this? This is what keeps me going,”he said, rolling a vial of florescent liquid in his fingertips.  “You and I are more alike than you think.” 

You scoffed, trying to ignore how close he was to you. He had an earthly musk that invaded your senses, sending tingles down your spine… and to your core. 

“I don’t need a drug to do what I do.” 

“Never mind the drug. It’s our blood that makes us strong.” 

You cocked a brow and he ignored your confused look. 

“You know, I’ve always hated spiders…” he began, rubbing his beard in contemplation.  “Too itchy; unpredictable. You never really know where they’re going to show up. If I ever saw one, I used to pop them like a zit.” 

There was a clear disgust in his words and vacant look in his eye that sunk you into a pit of fear for perhaps the first time since regaining your consciousness. You knew that it was just about you (surely), but perhaps a weird extension of your being; something bigger, far more innate than a girl in a spandex spider suit. 

“But then I realised that for their size, they’re deadly. Powerful, even. Recently I’ve wondered what it would look like if I harnessed it myself.” 

You swallowed, suddenly conscious of your dry throat once more. 

“A drop of blood usually does the trick.” 

He tutted. Perhaps you were being too fickle. 

“No, любимец [darling], not that way. I crave something more.” 

Your eyes darted to the lounge. Since when did Spider-Woman lack composure? Kraven’s impenetrable gaze followed your own, and he chuckled knowingly. 

“With your arachnid abilities and my strength, we could create something truly unique. Nature has its ways, you know.” 

“You’re sick,” you replied, your chin held high but your bottom lip wobbled. “I’ll never join you. What you do is immoral.” 

Kraven furrowed his brows. 

“You killed a man, and you talk about morality?” 

“He was a bad man.” 

“He was my brother.” 

The word humanised him a bit. The Chameleon wasn’t your most imposing foe, but he was still a challenge you’d been rather glad to conquer. It was all too often that you’d fallen into the trap of thinking that the world was black and white; good and bad, when occasionally it was grey. Kraven was allowed to grieve his brother, but at the end of the day they were both bad guys. 

Then why did he turn you on so much? 

“You don’t have to resist,” the man grinned, strolling towards you. He stopped, glancing down and reaching a hand up to cup the sides of your face, caressing your cheekbones and sides of your lip with his thumb, threatening to penetrate your mouth. “I’ve never been this close to you before…I can smell you.” 

You were both superhuman, but he had the thirst of a predator. Quite literally. Breath hitched in your throat as he angled his lips to your ear, whispering a few fatal words. 

“Give in, маленький паучок [little spider]. Your body yearns for me.” 

One large hand was wrapped around your neck as he kissed you, his wild beard scratching against your face as his other hand snaked down your suit, down to between your thighs. The latex did nothing to offer you safety, his callouses prodding at your wet slit and beginning to rub in small circles, oh-so internationally slow, making sure he pressed against the hood of your clit. 

He had you as soon as a small moan escaped your lips. It’d been a while since you’d been touched, let a alone by someone who was as well-travelled as The Hunter himself, and every kiss, nibble and squeeze was sending you into a deeper spiral of lust and guilt that you could barely fathom that you’d already made your way to the lounge. 

You pulled away as your calves collided with the frame, lips wet and parted as you glanced up at him – wholly helplessly. His hand remained firm on your face, angling his head as he smirked at your shielded demeanour, a far cry from the flashy superhero you’d been but an hour ago.  

“Kra—“ 

“Don’t call me that,” he said through gritted teeth. “Call me Sergei. I need to hear you say it.” 

The name rolled from your lips as a cry as he bunched the sides of your suit in his hands and tearing it apart, exposing your bare pussy and ass, with strands of fabric shaping your legs like a makeshift garter. He grinned, large hands frantically groping at your thighs and ass, spreading your cheeks apart and exposing your hot core to the cool air. 

“прекрасный.” [Gorgeous] he moaned, swatting at your ass before dipping his fingers inside you, rubbing your folds between his fingers as you coated him in your juices. Grasping your hands around his thick neck, you clung onto what you could as he explored your body, lowering you down onto the smooth velvet. 

It wasn’t long before he straddled you, holding your body down with his pelvis as he removed his jacket, giving you an eyeful of his crafted torso. Unsurprisingly, he had the body of a God, with a prominent v-line and happy trail pointing down to between his legs. Even through his heavy trousers you could make out his bulge, mounded and ready for you. 

You gasped in anticipation, watching as the man withdrew his cock from his briefs; red and girthy, with precum spilling from his tip. Skilfully, he spread your thighs, making sure they were safely by your sides (he’d seen how flexible you were, your ankles touching your ears was nothing) and lifting your lower back slightly off the cushions, pushing into you with a deep sigh. 

At first, his intrusion was a dull ache, but as he began to move his hips against your own you felt utterly fulfilled, moaning and writhing as he wasted no time in daggering your wanting pussy, making sure you felt every inch.  

“Sergei...” you cried, eyes fluttering shut as you flung your head back in pleasure. “Please...” 

“Say it again.” 

Words evaded you. 

The man grinned, flashing his canines as he tightened his grip, compelling him to fuck you harder. The whole ordeal was obscene; New York’s most treasured hero being bent into submission by the villain of the week, a scene so heinous that it was all the more endearing, and with every thrust you knew you wanted him more. Sergei didn’t care whether his combat boots scuffed the fine upholstery, or if his grip on your waist would leave a few bruises – he just wanted to own you. 

He huffed as his heavy balls slammed repeatedly against your crack, beginning to bottom out in you with every hit, so much so that it looked like you were conjoined.

Even through the strain in your legs you could tell you were close, knots in your stomach slowly beginning to unravel as your walls clenched around him, earning a delighted rumble from deep within his chest. 

You knew that he wasn’t one for talk, but you would’ve appreciated the warning that he was about to come. Every guy you’d been with tended to get sloppier, but he grew stronger, the literal animal in him taking over as he began to ramble and curse through gritted teeth in Russian.  

Sergei threw his head back as he held you down, hands pawing your breasts and strands of hair sprawled in a beautiful mess across his face as he came, ropes of hot white cum spilling into your pussy just as you dressed his cock in a silky sheen. Your chests heaved as you desperately tried to come down from your high, glancing down at your messy nether regions as his seed began to seep out of you.  

There was no going back. Nine months began now. 

Would it really be all that bad? 

It all went back to fear, really. In the back of his mind the thought of a spider still troubled Sergei, but at least he’d conquered it. Even if it was temporary. 

FIN. 

[the-sappho-of-lesbos]

Lesbian Pulp Breakdown #2

Here for another pulp breakdown ! (Finally 🙈)

This one will also have spoilers and lots of triggering content. Please be warned.

This pulp fiction breakdown is for Lesbian Love by SV Miller. 100%, absolutely written by a straight man. This book is WILD, and significantly worse than the last one I posted about Alone At Last, which I didn’t think was possible. Because that one was a train wreck.

So in this one we have our protagonist Aggie; now Aggie is married to a man called Jim but she also sleeps around and has affairs a lot. The first three chapters, if I recall, were literally just her having affairs with other men and then getting mad at her husband for accusing her of having affairs. Her and Jim have a very toxic and volatile relationship, as well as being very inconsistent in the way they approach each other, the way the approach themselves and their marriage. It’s wild.

Anyway, she gets to the point where she’s like: I don’t want to be in this marriage anymore. I don’t like him. I don’t like what we’re doing. We’re always fighting, throwing things at each other and then we end up being intimate. She hated it. Then she found an advertisement for a sanctuary away from men that was supposed to heal her, heal the relationship and get her away from there; BUT to get there she had to have a lot of money so she ended up having even more of an affair and putting herself in very dangerous situations to get the money. Though when she did, phew, off she went - she was there. It was all secret and she was given these very weird and ominous directions to get there, she wasn’t allowed to bring certain things with her etc.

When Aggie is there, it becomes very clear to us, the reader, she has just entered a massive cult. It’s also when this book just dives head first into all of its problems.

This isn’t to say Alone At Last was a good book by any stretch of the imagination, however, it did hold little nuggets of positivity, mainly in the areas of acknowledging homosexuality was natural and not having the main lesbian character end up dead or in an institution. This book can’t even say it has that going for it.

This pulp genuinely felt like a homophobic pamphlet fever dream.

There was so much sexual assault in this book committed by a lesbian, but sometimes the author would jump around on if it was assault or not in a very uncomfortable way that felt like it was rooted in a fetish.

So we have our lead lady, Aggie, introduced to this lesbian commune that is run by the lesbian dictator Helen. A rich woman set on assaulting women, keeping them trapped in this isolated location, and “turning” them gay - or as this book likes to paint it, corrupting women to sin.

There is a massive emphasis all throughout the book about how broken, unnatural and wrong lesbians are, ( the very last line is “I feel … normal!”) while simultaneously sexualising them for male titillation. With big strong men to come in towards the end and save them all.

It tries to entice us into the plot with this evil lesbian cult commune plot , where women are forced to pair up with one anther in this instance Aggie is forced to be with both Helen and a woman called Grace ; Grace is also the character Aggie ends up snot being attracted to, but only because she is in a “perverse” place). These women are locked up in torcher chambers if they don’t comply to the Evil Lesbians or try to run away.

In the end this pulp is probably a textbook example of what people think of nowadays when they think of old school lesbian pulp. With terrible writing on top! It was genuinely a slog to get through. Even though it’s relatively small it took me 4 months to finish reading it because it was just so terrible and had no redeeming qualities about it. Just a terrible mess of assault, homophobia and horrible writing.

Let’s hope the next one is better.

[fandom-lover2]

So This Is Christmas

Miko brings Christmas to the base

Word Count - 2395

AN: Merry Christmas!

“Miko, what is that?”

I glanced over lazily to the Groundbridge. Bulkhead and his charge had just stepped through the swirling green marvel of science, and said Cybertronian was, for reasons I was sure we were about to discover, holding a tree.

It was comically small, held by two of his digits like a bushy toothpick. The pine, it appeared to be, still had its roots attached and was losing soil with every step the green titan took.

“A Christmas tree, duh.” Miko answered Jack, like he was an idiot.

To be fair, he often times was. But I also wouldn’t have guessed that either so.

I pulled the lolly pop from my mouth. “Why the hell did you bring it here?”

“Dudes!” Miko exclaimed, spreading her hands out and looking at us like we were the bane of her existence. “It’s Christmas! We have to get into the spirit.”

“Halloween was yesterday.” Raf answered, not looking away from the TV, he and Bumblebee deep into a new video game he got for his birthday.

“And we don’t have anything to decorate it with.” Jack added.

“It’ll be dead by Christmas.” I ended, putting the candy ball back in my mouth.

“You all suck.” Despite that, she still continued up the stairs towards us.

Bulkhead was still holding the tree, looking extremely uncomfortable as he tried to not jostle it too much.

“You can put it down Bulk.” I gestured to a spot in the corner of the base, getting comfortable in my seat again.

“What is wrong with you?” Miko started, marching over to us humans. “It’s gonna be Christmas soon. We gotta get this place ready.”

“For who, Santa?” Jack teased, and Raf snickered. I rolled my eyes at them, looking down at my book again.

“Miko, Raf is flying to Mexico for Christmas, Jack’s mom has the day off and I’m going to Texas. No one is gonna be here to celebrate with-”

I cut myself off, the realization slapping me in the face.

Miko was alone for Christmas. Yes, sure she had her host parents, but they weren’t family. I didn’t even know if they celebrated the holiday. They definitely wouldn’t let her pull a 10 foot tree from Canada and stick it in the living room.

I didn’t know what the Japanese traditions for Christmas were, but I understood the seasonal depression that came with this time of year, especially when you were away from family for it. Even in sunny Nevada, it had nothing to do with the weather bringing down people’s moods.

We were her family. And Primus help us all, we would support her.

Snapping my book shut, I stood up with an unnecessary grunt and placed my half sucked lolly pop back in it’s wrapper. “Alright Meeks, you’re right. It’s gonna be Christmas soon and this place is huge. We gotta get started somewhere.”

I wouldn’t trade anything for the memory of how her eyes lit up.

“Why are you on board?” Jack questioned, side eyeing me as if I’d grown a second head.

“Because I’m not The Grinch.” I shot back, beginning down the stairs behind Miko.

It took about an hour and back-up from Bulkhead but we finally had the tree somewhat standing off to the side of the base, its roots messily sawn off and balancing inside an old empty energon cube, desert sand keeping it lopsidedly upright.

“We’ll have to get some ornaments.” I said, taking a couple steps back to size up the challenge.

“Can I make some?” Miko pleaded.

I shrugged, “Do whatever you want.”

“I don’t think I have enough at my house to cover the whole tree.” Jack chimed in, coming to stand beside us.

“Nice of you to join us after the work is done.” I mumbled to him. “I can bring some from my place to. We don’t decorate anymore.”

“I’m sure I can find some too.” Raf spoke up, having walked with Jack.

The four of us stood, admiring our bare tree when Optimus and Ratchet walked into the main area, both deep in conversation as they read over the data pads in their servos.

“What is that?” Ratchet quired, stopping abruptly.

“Christmas tree.” Raf answered.

“Naked Christmas tree.” Jack added.

“And why is in here?” The medic asked, the disgust dripping from his tone. I could imagine the lecture incoming.

“These humans have no respect, turning this base into a junk yard with all their scrap and human nonsense!”

Had to hand it to Optimus, he did a pretty good job of handling the grumpy bot most days. But once this tree started losing pine needles everywhere, not even he would be able to get Ratchet to chill.

“We’re trying to get into the Christmas spirit.” I supplied.

“What’s Christmas?” Arcee asked, having just emerged from the tunnels as well, having been on inventory duty this morning.

“An old fat guy dressed in red breaks into your house and leaves presents or coal, depending on if you’ve been good or bad.” Jack helpfully explained.

The look of horror on each bot’s face was pure comedy and I was sad I didn’t been filming it.

“And that tree allows him to break in?” Bulkhead questioned.

“Kinda. It tells him we want him to.” Raf pushed his glasses on his nose up again.

“Why would you want him to break in?” We’d finally done it. We had Ratchet questioning our sanity for real.

“Duh! Presents!” Miko smirked at the medic, and I briefly wondered if I’d need to warn her to duck.

I glanced over to Optimus and he was visibly going through a crisis. I guess confessing that we were trying to get someone to break into his super secure base would do that to a team leader.

“We’re just kidding.” I decided to finally intercept. “It’s not real. Those are just stories based on an old legend. Really, we decorate a tree and then exchange gifts. It’s just a time to spend with family and friends, to prepare for winter and bring some joy before the hard months ahead.”

This seemed to relax the bots a bit.

Bumblebee spoke, though I did not understand him.

“Right Bee, it’s just a story. Santa won’t actually break in.” Raf answered the scout.

“Why would you have such a story then?” Ratchet snapped, moving to his work station.

“Human nonsense” was pissing him off again. He should expect this stuff from us by now. Just trying to get through Halloween last week had been a mission. You’d think for his own sanity he’d just accept humans were weird.

“Tradition. Legends. Something to keep the magic alive and keep kids full of wonder and innocence.”

To humans, those notions made sense. To him, it was just a cruel trick of sugarcoating the hard truths because the adults didn’t have the guts to tell it how it was.

“It’s a waste of time.” he grumbled, turning his focus onto his consol.

“We haven’t even begun…”

Jack’s warning had him turning back to us with a raised brow.

------

“Y/n.”

I hummed in reply to Optimus, continuing to look out his passenger side window at the desert night rolling past. Optimus was decided he’d drive me home tonight, rather than me catching a ride with one of the others like usual.

“Are you certain that this… tree will not invite anyone to attempt to enter the base?” The Autobot leader questioned, sounding unsure of himself as he asked this.

I fought the smile, turning in my seat to look at his rearview mirror, which he turned towards me as his way of ‘looking’ at me in this form.

“I promise you Optimus. The tree is just a tradition. Nothing and no one is going to be invited by a lit up tree and try to get in.”

“If you are sure.” The Prime replied.

It was silent for a few more minutes, but I could feel Optimus burning to question me on it.

“Many cultures have different origins of Christmas, how it started, what it means. For the most part nowadays it’s just a holiday where people eat good food with friends and family and exchange gifts as a form of expressing gratitude for the love and support shown during the year. The decorating is just part of the deal, getting everyone in the mood to celebrate.”

I could feel Optimus thinking over what I’d said, making it make sense in his mind as he turned what I’d said into Cybertronian terms and trying to match it to any customs he’d had on his home planet. Apparently he came up empty because he didn’t mention any.

“So, Christmas is a time of leisure?” he questioned finally, summarizing what I’d said.

“Yes. A time to relax and look back at the year passed. One final big holiday to give us a push to make it to the end of year before we begin the new one in January.”

Optimus was quiet for a while, only the steady rumble of his engine and his tires rolling across the road to let me know he was still awake.

“Can you describe more about Christmas?” he finally asked.

Still a data clerk at heart, I smiled.

I began telling Optimus all I knew, what traditions from different cultures I could remember, how my family did the holiday as opposed to other families I’d heard of. I chose to not comment when I noticed Optimus was taking the long long way to my house, wanting me to keep talking as long as possible. I would have stayed up all night talking to him if that’s what he wanted.

Finally, after he’d spent an hour aimlessly driving through town, he pulled to a stop at my house.

“And that’s Christmas.” I ended, taking a deep breath.

Optimus remained quiet for a few moments, then released a deep hum, as if I’d dropped some deep wisdom on him. “Thank you.”

“Don’t worry too much about it.” I leaned over and opened his door, preparing to jump down. “It’s still almost two months away.”

“Plenty of time for Miko to cause all kinds of trouble.”

My laughter echoed down the street as my feet hit the side walk. “Goodnight, Optimus.”

“Goodnight, Little One.”

------

“Merry Christmas!” the four of us cheered, all pulling at the same time.

Four snaps, and four Christmas crackers popped open. We all laughed, opening up our obnoxiously colored cardboard cylinders. We put on the tacky crowns, Raf removing his Santa hat and Miko taking off her antler headband. Jack was wearing tacky plastic glasses with little Santa hats on them. I had an elf’s hat on, and took it off in favor of the crown.

We each wore knitted Christmas sweaters, hand made as a gift from Raf’s mom for ‘his good friends’.

All around us, the base looked like Rudolph threw up. Lights, streamers, tinsel and garland. Who knew Agent Fowler was such a Christmas fanatic?

After he found out about the tree, he’d dropped off crates of supplies. It’d taken hours, and I thought at one point Ratchet might actually act on his threats of violence, but in the end the base was nicely illuminated for the holiday.

Our tree was, to my surprise, still alive and now on the catwalks, lit up and with a crudely drawn (curtesy of Miko) Starscream as the tree topper.

Four different households, plus the military contribution, made up the ornaments. It looked good, if you liked complete and utter chaos. But it had been a fun day decorating it. Optimus had even helped hang a ball or two, lifting Miko so she could place her Star(scream).

Now, the last weekend we had together before Raf and I were set to fly Tuesday, we were having a sleepover and having an early Christmas.

We each took a turn to read the bad jokes, trying not to laugh at how bad they were. Then, we moved on to the games that came with them. And then, dinner.

Mrs. Esquivel and Nurse Darby had provided most of the meal, both happy to contribute to our good time. Agent Fowler had stopped by earlier today to play Santa (yes, he wore the red suit and fake beard and everything. Bulkhead almost swung at the poor guy. Apparently, he’d been having nightmares about Santa coming into the base and leaving coal at his berthroom door) and dropped off enough desserts and treats to last us a lifetime.

The meal was accompanied by laughter, and shared stories of previous failed Christmas stories from different families. The bots stood around, some actually paying attention and asking questions, one pretending he wasn’t.

And finally, to the gift exchange. Somehow, all four of us had gotten stuff for the bots, without actually discussing whether or not we would. Most of them were impractical, and useless (why would Ratchet even want an air freshener Miko?) but they nonetheless showed appreciation, and actually seemed to really enjoy the gifts. Optimus in particular seemed pleased with the mythology and holiday traditions book I got him, questioning when we could begin reading it together.

Miko had gotten Bulk a new CD for their favorite band so they could rock out together. Jack got new, better helmet, so he and Arcee could “go faster”, like they didn’t already. Raf got Bee a poster of a video game they both played often.

The gifts us humans got for each other were stupid, nothing of value or anything we could actually use, but it was fun and they became prized possessions.

After hours of screwing around with our new gifts and playing some Christmas games, I made the popcorn while Jack got the lights and we all cuddled under the blankets, settling in for Home Alone with all the bots seated behind us and invested in the movie.

Slowly, one by one, everyone began to drift off or sneak away to their berthrooms. I could feel the pull of sleep and shifted slightly, trying to get comfortable with Jack on my left shoulder and Raf’s head in my lap.

Then, a gentle servo reached over and caressed my forehead. “Sleep, Little One.”

I looked over to my guardian, a dopey grin on my face. “Goodnight Optimus. Merry Christmas.”

“Merry Christmas.”  

[allthecanadianpolitics]

Hey, I know this isn't your normal content so feel free to not respond, but what's your opinion on the "socialization" issue (as in trans men are socialized as woman and trans woman are socialized as men before transitioning and it effects their personality) ? Recently I've seen a bunch of posts saying it's a bad thing to acknowledge. Like trans men and woman saying people who bring it up are trans misogynists. But personally, as a trans man with many trans fem friends I feel it's an important thing to see. In my view of things it's a larger part of sexism and what children are taught. By saying a trans woman was "socialized" as a man when she was a child I don't mean she was raised with a bunch of privileges. I'm often referring to what could be very traumatic and is a brand of trauma I probably can't relate to. Most trans woman I know where forcibly excluded from learning how to cook or clean even if they wanted to because those aren't "manly chores" and where not taught how to keep themselves safe the same way cis woman are. Or in the experience of my friends even beaten for wanting to do feminine things, not just by parents but also by peers. Where as most of the trans men I know can cook and clean like no ones business but no one taught them how to fix a sink or their car or how basic financing worked and they got hit for asking about it because "that's not a woman's place". And although I fully believe all children should be taught how to do all these things so they can take care of themselves, I am also aware that's not the society we currently live in and most trans men need help learning how to navigate things like not talking over woman (they're so used to having to scream to be heard) and how to fix a financial or household issue while alot of trans woman need their girlfriends to explain to them that they can't walk down a dimly lit street with their headphones covering both their ears. Idk maybe I'm just misunderstanding the whole thing but I think acknowledging socialization Is simply a step in learning how to take care of yourself and keep yourself safe in a world that didn't think you needed that info

I think there's some value as a way to understand the way that each gender was raised and the way gender roles are reinforced, but even so you can say I was 'socialized as a man' as I am a Trans Woman, but at the same time, I never really acted much like a man because the more I was socialized to act like a man, the more I gravitated towards feminine things that didn't cause me dysphoria.

I have a completely different lived experience growing up compared to a Cis man, even when I wasn't aware I was Trans.

I did have to do a lot of unlearning toxic masculine things and needing to learn essential feminine things as I came out and started living for myself and my gender expression, but a lot of the things that people say I was socialized as a man to, I just never did because they made me extremely uncomfortable. Its because I was never a man.

You can try to socialize a Trans person to act against their gender identity but a lot of the time, those gender roles just do not get enforced, because they're so toxic to your sense of self.

[helen-lucilfer]

ranking the phantom troupe based on how good of parents they would be

1. chrollo. the way that this isn’t even because i have favoritism towards chrollo, its because he’s so responsible🥹🥹🥹 like do you see the way that he basically takes care of the troupe? fathered so hard he mothered tbh. chrollo is literally so girl dad coded🥺 prolly cried when his held his child for the first time. he’d be the sweetest, brushing his daughter’s hair and taking her shopping.

2. pakunoda. she’s so respectful and self sacrificial and responsible im crying🥺 she makes me cry real skibidi tears like togashi look at what you took away from us. she’d be the literal sweetest mama ever. she’s soooo girl mom coded it’s insane. can you imagine her painting her daughter’s nails pink?🥹💕 she would 100% take her daughter on mall trips all the time.

3. phinks. controversial opinion but this guy would lowkey but SUCH A GOOD DAD. remember during the chimera ant arc when he gave shizuku his clothes because she lost hers? i just KNOW that he would play video games with his son and once begrudgingly wore a tiara for his daughter.

4. franklin. i don’t think he’d ever have kids (or want them for that matter), but if ever were to babysit kids, just know that he’ll be great. since we all know that he’s literally just a chill guy, he’ll just let the kids play video games and eat food the whole time.

5. nobunaga. okay okay HEAR ME OUT HE WOULD BE SO CUTE. like okay he wouldn’t be a “good” parent, but can you imagine him running around with his kid wreaking havoc and letting them play with his hair? like come on that’s literally like my dream dad😭❤️

6. shizuku. now she definitely is NOT responsible, but she doesn’t even need to be because she’ll lowkey be so chill and nice with her kids. there’s a saying that kids like pretty girls, and shizuku is definitely that. she’ll probably let her kids play on her phone or something, and i lowkey don’t think she’ll care if they take her glasses or smth.

7. machi. she’s responsible, don’t get me wrong, but i think she’ll be a bit too strict on her kid because she has trouble expressing any positive emotions. but when her kid runs away crying, she’ll instantly feel SO BAD and try her best to comfort the kid. she might make them a doll or some clothes or something.

8. bonolenov. we don’t really know too much about him, but he seems to care a lot about the troupe, so then it’s probably natural to assume that he’ll be the same with his children, if he ever has any, of course. he’ll probably teach them about their clan and what the holes in his clan’s body symbolizes.

9. shalnark. now, he’s a friendly and “sweet” guy, but i have a strong feeling that he wouldn’t like kids very much. they’re probably too dumb and pure for his liking, and he probably feels sort of uncomfortable when it comes to kids. if he finds out that someone is going to have his kids, then 90% of the time, shalnark will pull a ging freecss. the other 10% of the time, he’ll try his best.

10. uvogin. he’s the type of guy to want his child to learn how to fight and learn Nen as soon as possible, even if he has to initiate them to unlock their aura nodes. he’d lowkey drink beer one day and offer his kids some beer too, forgetting that they’re underage. but he loves his kids dearly though and would do anything for them, so that’s good enough.

11. feitan. oh this guy HATES KIDS. he finds them annoying and loud and stupid, and he gets the ick even when he LOOKS at a kid. if he ever had a kid, (which he probably wouldn’t but just hypothetically speaking) he’d have less of a reaction considering how that kid literally comes from inside of him, but he’d begrudgingly raise them as best he can…if it’s a son. if it’s a daughter, then i feel like he’ll be much softer and (try to be) more gentle.

12. illumi. pretty self explanatory tbh. he’ll love his kids dearly, but he’ll express it in toxic and unhealthy ways (he’ll also put them through terrible Zoldyck training)

13. hisoka. do NOT let this man near kids, even his own.

———

kalluto, kortopi - how do you expect them to have children when they’re literally children themselves?

[bestlilithian]

My experiences with synastry

8th house synastry

By far, my favorite. Intense, transcendal, deep. It goes beyond the physical and mental, reaches straight into your soul. The sexual tension is palpable, and at the same time it feels like home.

( do note that i have pluto influencing my ic and moon so your and my idea of 'home' might be a bit different ♡ lmao )

Moon in 8th house:

- absolute favorite. the connection runs deep, if you let it. when you meet this person you will know pretty early on that the potentional for intense bonding is immense. for every person i met with this, after a while i look in their eyes and think 'we could absolutely ruin eachother in the best way possible'.

- the sexual tension breaches the physical and turns almost emotional. like, 'i want to fuck you so hard that you cry' type shit. of course, every 8th house connection has some kind of sexual electricity constantly present, but i've found that w this placement, it's .. profound.

- so far , i've only been the house person, and i've found that the way the moon person looks at me is like nothing i've seen before. i mean, the eye contact being intense is a given w any 8th overlay but w this one it's ... wow. it's a simultaneous pleading to 'come closer, enter my world, feel my essence' and a threat to 'stay away, you see to far into me, you know too much'.

- it's obsessive. on my side (house) at least. by obsessive i mean ... obsessive. one of them is a crush that i haven't been able to put out for a fucking year, even with no contact. in fact, funnily enough, when i thought i was totally over it, all it took was to see her again and make eye contact - immediately, i was thrown for a loop. we didn't even exchange words directly, it was a group setting .. but the eye contact was absolutely enough. crazy.

- as the house person, i feel like the moon person can feel that i see straight through them. another thing i've noticed is that the moon person usually seems a little intimidated/nervous around me, especially at first.

- the thing with this overlay is that it can get hard to take real action on the connection because it's anything but lighthearted. you can clearly tell that if you pursue it, it's gonna get deep and that can range from inconvenient to uncomfortable, or even scary for someone who's not used to 8th house/pluto/scorpio energy.

Lilith in 8th house

- the sexual tension. is. insane. i'm talking .. concerning. i've had this w a friend, a guy who's not my type in the slightest (and i dont really like guys in general, mind you), but there's this kind of ... sexual energy in the air. like, we're not gonna do anything about it, but it's there. and it's not even physical, for me at least - i dont find him attractive physically its just .. a compulsive feeling.

- now, when i have it w someone i actually find attractive, even a little bit, it gets scaled up to the extreme. the moment i see this person, i'm immediately attracted to them. instant. they don't even have to be my type, but if they are - my god, if they are ...

- i am usually lilith in this overlay, and i often find myself wanting to corrupt the house person, to pull them into my dark erotic world. this synastry really brings out my lilith energy even more.

- as lilith i love teasing the house person & i want to see them squirm. i wanna dominate them & see them fall apart beneath me (in the best way possible)

- this is very much a 'i can ruin them' type connection (not in a malicious way)

- i automatically feel confident around this person, no matter if i felt insecure the rest of the day; its like the house person awakens my dark feminine energy just w their presence (and thats a damn good feeling)

Sun & Mercury in 8th house

- honestly this ones interesting; if your connection is platonic, it wont add weird undertones, if its not , it will heighten the attraction significantly.

- it will be really easy and satisfying to talk about your secrets, your past, your traumas, your pain, as well as your kinks, sexual preferences & sexual experiences w this person.

- you will be able to tell this person the naked, blunt truth about them to their face, and vice versa, esp eith mercury in 8th overlay

sun conjunct lilith

- i was lilith and its .. fun. sun brings out my 'bad' side. the fun one.

- as lilith, i find sun really cute, and i try to figure them out, cause i feel like they arent really as naive & innocent as they seem to be.

- sun may be a little scared of lilith here. :)

pluto conjunct lilith

- i have yet to experience this but from what i've heard i love, love, love .

- think bonnie n clyde, mr and mrs smith. they can appreciate eachothers shadow and its very exciting

- hearsay says the sex is mindblowing but i cant confirm or deny

pluto conjunct ascendant

- my mothers pluto is conjunct my ascendant and she literally fucked me up royally soo be careful w this one yall

- pluto will try to control the ascendant and have power over them

- pluto tries to control ascendants behavior, appearance, mannerisms, social etiquett, even food intake sometimes

- i have never seen this be a healthy dynamic but i would love to be proven wrong

lilith square ascendant

every time a man's lilith squares my ascendant, an angel dies. i swear to fucking god, this synastry is a hot, headache-inducing mess.

now, ive only ever had this with men so take it w a grain of salt.

whenever a mans lilith squared my ascendant, the situation was the same:

he had a crush, and then there was .. me. he loved one girl, truly, but had an intense, weird, sexual obsession with me (that often scared him).

he was extremely attracted to me, but reluctant to admit it directly. wanted to 'tame' me, make me 'well-behaved'. we argued at least once within 24h of knowing eachother.

heavy sexual tension, but in a irritating, conflicting way. reallyy intense eye contact, but almost forbidden.

they all, at some point, iced me out in one way or another, deliberately avoided me, seemingly for no reason.

lilith in 7th house

this ones weird.

- we kinda have beef, but not really

- we either completely agree with eachother or utterly disagree

- mixed feelings

- switching between liking and disliking eachother

- sexual tension, but in an annoying way

[genderqueerdykes]

i dont know why, but your butch post got me thinking about about yet another problem the lgbtqia+ community has: prelabeling people as tops/bottoms. and even being disgusted with/erasing switches, which I've seen a lot. I'm a lesbian. i don't consider myself butch or fem because I'm not comfortable with those labels, but to the outside eye I do seem a little butch. i remember when I was in highschool I had a friend who always said I was "top-coded" and always called me a top. as a bottom and now a questioning aro/ace spec that shit made me so uncomfortable. and I told her that many times, but she just used the shitty "its just a joke" excuse. like omfg shut up

holy shit thank you because i literally wanted to talk about this in that post but wasn't sure if it would make it too long. you messaged me at exactly the right time, thank you so much because this bugs the hell out of me too

that's soooooo gross, i'm sorry that person was saying that to you. first of all that's literally none of their business, you really shouldn't just say that to someone. what the fuck does "top coded" even mean? not all tops are the same, there's literally all kinds of different top dynamics. also i think people get top/bottom and dom/sub mixed up, too, which is even more frustrating. they're not mutually exclusive, they don't mean the same thing. you can be a dominant bottom, or a submissive top. power bottoms are a thing. service tops are a thing.

i literally hate that people inherently assume that butches are tops and femmes are bottoms. like it's just kinda written in stone that femmes have to be submissive pillow princesses and butches have to be tops that take care of all of their needs and barely have theirs addressed at all. like, what about the butches who are bottoms? what about the femmes who are tops? also like you mentioned, do people literally not realize switches exist...? like that's literally also an option.

"butch" does not mean "top". "femme" does not mean "bottom". it's soooo gender essentialist and binarist to go. masc partner = top fem partner = bottom. you just recreated the cishet binary *again*. i can't get over how this is NOT progressive. i do NOT get why white cis lesbians think it's progressive to force butch lesbians to behave exactly like we expect cis men to behave, and force femme lesbians to behave exactly like we expect cis women to behave, but it's NOT PROGRESSIVE!

also, great point, which is that a lot of lesbians are ace. it's so shitty for someone to sit there and try to guess if you're a top or bottom when you're not even interested in sex. honestly is' gross as hell to analyze your friends' and prospective partners behaviors and categorize them into top or bottom. what the hell is wrong with people. that's not a joke, that's invasive, and creepy.

[le-fruit-de-la-passion]

Your comment and tags on my little blurb made my whole week I adore you so much thank you!! As a fellow disabled girly he just means a lot to me and I’m so glad the community is loving on this. Also your fics are scrumptious ok bye💖💖

Asfdfff OMG I just saw your ask hi 💕💕💕!! I was literally SO happy when I saw your post, because I legit didn't know if a lot of other people felt the way I did. A good chunk of what happened with season 2 really stung ("you shouldn't have tried to cure your deadly degenerative decease Viktor, it made you who you were as a person"🤡), especially because of just how much I've looked up to Viktor in my personal health journey.

Like, if Viktor, sexiest and smartest man on goddamn planet earth, could still study and dedicate himself to his passion, even at his worst... I could do it. If he could keep going, not knowing whether or not he would make it a couple more weeks or a couple more months, with his perfect head held high, I could do it. And, really importantly, if he could still be so insanely sexy with a disability and visible signs of illness... then so could I!

THAT'S why representation matters so much. We need characters like Viktor, who are affected by their disability and illness in a realistic way, but without it taking away from their ability to be attractive, charming, seductive, and, everyone repeat after me, SEXUALLY ACTIVE 📢📢📢 !!!

There are literally SO few disabled/chronically ill characters who are presented as sexual beings in media because it makes a very vocal crowd """uncomfortable""" and its much less easily marketable. That's why only a single of his LoL skins features his leg brace, despite there being no reason for it to be absent from AUs like High Noon or Death Sworn. That's why he's suddenly fit, muscular and able bodied. Oh and his back brace ? Just fully gone. The one skin that's supposed to be linked directly to Arcane even erases all the scars we've canonically seen on his skin.

WHO EVEN IS THIS??????

THIS is Viktor's body. It has scars, medical braces, pedical screws, a bony frame and visible signs of illness. If you don't like that, get off my blog and never look at me or my fucking husband ever again.

The truth is just that for a video game company like Riot, sex sells, but visible disability and signs of chronic illness don't. So...✨️poof✨️, Viktor now has a conventionally attractive body and a six pack so we can be sure the majority of people will be attracted to him! I actually CANNOT believe there isn't a single person at the company who sees the hypocrisy of that, after they tried to sell the whole "your imperfections made you you" ending. I'm just... mad, dissapointed, and tired of all of that.

So, I've made the executive decision to throw all that shit in the garbage, because fuck you, Viktor is disabled, and chronically-ill, and he FUCKS. I literally do not care. You SEEN the way this man walks around in Act 1 ?? The passion in his eyes, the smirk on his lips, the sensuality of his hands??? Only a man who's sucked dick and eaten pussy around the Academy would have that kind of swag, bro has comfortably been around.

A N Y W A Y I'm sorry about the long rant I had to let that all out,,,

TLDR Viktor belongs to the disabled/chronically ill community and his cock is huge.

((Also omg thank you so much for reading my work💞💞💞!!!))

[yuurivoice]

Welcome to the YuuriVoice Tumblr!

A relic of a time long past, with echoes that remain ever present, you stand on the precipice of ground zero. This is where it all began. What was once a Yuri on Ice audio blog evolved into this wild thing we find ourselves strapped to.

Welcome! I'm Yuuri, a voice actor, writer, director, and maker of questionable noises. I'm part ASMRtist, part storyteller, part Vtuber, part smut peddler. I wear many hats, and to my shock they're not as ill fitting as I expected.

This blog is a wasteland of uncategorized shenanigans and information. I have not had the spoons to organize and maintain it in any other way than a vehicle for promotion and answering questions from the community that makes its home here on Tumblr.

You can find me and my work here:

YouTube for all narrative & SFW audios.

Patreon for behind the scenes updates + NSFW audios.

Twitter for more consistent nonsense updates.

Merch and other goodies here.

And basically every other platform you can think of @ yuurivoice.

How The YV Tumblr Functions

In general, you can send me questions through the Ask Box, and you'll spot me posting in the #yuurivoice tag plus additional tags for specific characters and series. That's about the most organization you're gonna get because my brain is capable of just about that much before I'll forget something and miscategorize things.

That also being said, be wary of various triggers. For anything big and obvious, I'll try and tag, but I won't be getting super granular in that regard. This also relates to my brain, because if someone asks "hey can you tag (specific thing)" I promise you I will end up forgetting then the person I said I'd look out for gets smacked in the face. So it's less about "idgaf" and more that in cases where I feel I cannot personally protect an individual, I'd rather them protect themselves and just know my big dumb ass will fail them.

Some general notes, boundaries, etc:

I'm literally just a guy checking his app at 3am on the shitter, there will be typos, I will forget things, if someone makes me uncomfortable I'll tell them

My tone may not always be clear, no I will not consistently use indicators, the best you're getting out of me is a lol or an emoji

My humor is dry, and my tolerance for nonsense is thin

Despite the above, I have had 99.9% positive experiences around here, most folks find me palatable, you may not and that's okay

Do NOT come to me slandering my peers, I have a zero tolerance policy for this

Do NOT press me for content of your specific blorbo

The list goes on, but genuinely if you are just chill there's never gonna be any issue, I am just a guy and you can treat me as such

Frequently Asked Questions

Q: Who is your favorite character to voice? A: Depends at the time you ask me, in general I enjoy them all a great deal because I wouldn't do it if I didn't enjoy it. But in truth, Alphonse (and Charlie) are probably the easiest for me to slide right into and that makes doing the work easy. Not sure if that's a "favorite" but ease of work matters significantly to me because ADHD.

Q: When will you do a (insert character) audio? A: Bold of you to assume I know when I'm doing anything at all. I am always contemplating when the next audio for a character will be, but my interests come and go in waves. If you ask me kindly on any given day, I'll probably give you a genuine answer. If you ask this in relation to content getting posted that wasn't that character, I will tell you to go fuck yourself. It's all about time and place. lol

Q: When will the next (insert series) video be out? A: Again, bold of you to assume I know, but also the answer is always changing for every series. BitterSweet and its associated projects are the most committed and consistent I've been with any artist pursuit in my entire life. Again, if you just ask me how a project is going on any given day, I'll likely give you an update. Just know that I heap an immense amount of pressure onto myself, so ask gently otherwise I'll feel guilty and cry about it. Not really, but also, don't test me.

Q: Are you taking commissions? A: Nope, haven't taken commissions in a loooooong time, and don't foresee it happening again, with a few exceptions for fundraisers and giveaways.

Q: I have this headcanon that (insert character fact). A: Don't ask me to confirm your headcanons, I will forget what anonymous message a Tumblr user asked me one day out of the blue and what my answer was. I avoid giving factoids, granular details, etc. because I'll just absolutely forget it the moment I hit post. I encourage you to use your imagination and don't bother seeking me for validation, you should just have fun playing pretend because that's exactly what got us here in the first place! <3

Q: Did (insert character) do this because (insert idea)? A: Any question like this that specifically asks for deliberate information that would lead to a spoiler, character revelation, etc. is not worth asking. While I appreciate that you might be asking the correct question, the whole reason I wrote the plot to make you ask that question is that you'd get that answer in the content itself, not from some asshole on the internet on a Tumblr blog (aka me).

Q: Why did you start making audios/YT videos/etc? A: In 2016, the anime Yuri!!! on Ice was a phenomenon that took the internet, and my life, by storm. I started this blog to make audios for the protagonist Yuuri Katsuki, as a hobby and way to participate in the fandom. Eventually, people wanted to commission me. Then, other characters and voices, specifically Guzma (Pokemon), Sidon (LoZ Breath of the Wild), and Aizawa (My Hero Academia) exploded in popularity and increased my following. When the Tumblr apocalypse happened and NSFW content was getting nuked, I pivoted to YouTube. I began to create original characters to fulfill standard Boyfriend Experience and Erotic audios, and slowly a connective narrative started to take shape, eventually becoming BitterSweet.

Q: What inspired you to make BitterSweet? A: Alphonse was originally inspired by my Stardew Valley character, which also inspired the setting of his audios. Seth was created to be a rival to Alphonse, with a visual novel style branching path for listeners to enjoy if they wanted Seth. However, as I began to write, I discovered a much deeper story between the two characters and I chose to follow that thread over the standard moment to moment experience style scenario. Several episodes later, it became clear that this was a narrative series that wasn't quite like my past work. The themes and ideas largely spawn from my own lived experiences, wrapped up in two pretty boys and their listener as they experience the healing magic of love in all of its forms!

Q: Is the BitterSweet Trio polyamorous? A: During the course of BitterSweet, Alphonse and Boo share their unconditional love with Seth, hoping to nurture the parts of him that have weathered away with time and trauma. This love is explicitly undefined, so that listeners can interpret the relationship dynamic as best suits them, as the trio represents no one specific type of love, but rather the healing of unconditional love. For some that may be best experienced romantically, and others may prefer it to be platonically, or even familially.

The beauty of it is that there is no incorrect interpretation, and every possibility is equally valid. This medium of self insert audio content allows for a collaborative fantasy between creator and listener, and is a strength unto itself.

Q: I need clarity on this specific plot point/lore thing! A: I'm typically happy to answer non-spoilery questions, but also I am actively working on a Wiki that should help folks who need a quick reference for any particular character or story!

[noisytenant]

sometimes posts about various erotic tropes dont say it outright but you just KNOWWW op was raised catholic and i simply do not vibe with it

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[dreadfuldevotee]

"The Vampire Chronicles characters are exercises in the cycle of trauma and abuse and how they are capable of complex emotions and receiving and giving love and empathy alongside all the horrible shit they do to one another" and "Anne Rice herself was a bigot and had some shitty personal beliefs and just because the genre is Gothic Horror doesn't mean you ignore the way those ideas bleed into the writing. Not all commentary is good commentary" are two sentiments that can and SHOULD co-exist, what the fuck are we doing.

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship