#its not. I get uncomfortable because we are not about me

[minnies-puppydoll]

hi!! i really really REALLY love your works so far like USHDNSKSKJZZBNS THEY ARE SO GOOD AND FIT THEM AND JUST THANK YOU SO MUCH FOR YOUR HARD WORK

uhm, so uh, i would like to order a skz reaction when they are needy, please. like when they are so desperate and just yearn to fuck or be fucked i dont mind. thank you so much!! 🫶

OT8 HCS:

*~When they’re needy~*

pairing: ot8 x reader

tags: cum, toys, anal, sounding, begging, degredation, praise :3

thank you for ordering!! do you need a recipt?🐶

smut below the cut<3

Chris:

• gets so flirty.

• like he’s usually flirtatious, but when he actually wants it to go somewhere he so extremely smooth with it.

• but it also turns into dirty talk real fast. he’ll spill filthy things into your ears or messages.

• or he’ll send you quick little texts like:

you should come over ha ha..not unless u want too <3

• dick pic sender!! his big, leaky cock twitches under the exposure of his camera, he bites his lip as he snaps the picture. he giggles despite feeling dirty, because a part of him likes being teased.

• he ends up getting himself more worked up on accident. he doesn’t want to jerk off or anything because he wants to save his cum for you. but, he can’t resist touching himself, so he’ll just tease his cock so bad.

• you may come home and see your sexy boyfriend laid out on the couch red-faced and breathing heavy with the bottom of his shirt between his teeth. he’ll run his fingers along his red, dripping cock lightly, whining and squirming his hips at the torture.

• he thinks you’re cute, so he likes to touch you up and tease you.

• honestly is a bit shy to say outright the he “wants to have sex” so he’ll play with you until you’re begging to fuck. (depends on his mood)

• or sometimes he’ll let his actions speak louder, by kissing you as soon as you walk through the door, pressing his hard cock onto your thigh so you can feel how much he thought of you.

“mmh..yeah, feel that? feel me? been like this all day, teasing my cock just for you. its my turn to feel you, hm?”

Minho:

• can’t focus on shit.

• he sees horniness as an annoying ache. he’s so distracted easily, he’s daydreaming about sex, and he’s uncomfortable, he just wants to relieve the desire burning his core.

• so sensitive too, especially when he’s daydreaming. someone touches his shoulder and he’s flinching, if someone whispers something in his ear he’s shuddering.

• he used to be too proud to say he’s horny. but you could see through his curt, sarcastic attitude by how clingy he would get around YOU. the only one that could fix it.

• so because of his attitude, he used to just spam text you a bunch of things for attention. it’s like as soon as he’s horny, he’s laying himself over you like a cat.

• but now, he’s way more comfortable, maybe even too comfortable.

• he’ll just send you a selfie with a dumbass filter and text:

come to the bathroom and suck me off🐰

• like bro what💀 it always works though..

• doesn’t send dick pics. even if he’s away he’ll just facetime you if you wanna see his dick so bad. he’ll pour lube down his cock and jerk himself off so slowly, always shows his blissed out face too.

• when he’s finally got his hands on you, he’s too focused on getting himself off to say anything to you really. but, if you keep him waiting long enough, you’ll hear his frustration.

“can we fuck? like right now? ….please. ill eat you out. i know you can’t say no to something like that.”

Changbin:

• if he’s at the studio, you won’t even notice. you can only tell by the impatient bouncing of his leg and his nervous lip bites.

• once he has you alone, he’s placing a soft hold on your waist, nuzzling your noses and whispering such cute things that equally make you giggle and want to bite on his lips.

• his foreplay consists of soft grabs and sweet kisses that get deeper and deeper until he’s got you straddling him, not breaking the intimate makeout session you’re sharing.

• very comfortable telling you when he’s horny, even if pink still hues his cheeks a little.

• very cute about dick pics. he doesn’t send them unless you tell him to, and the first time he did, he was so excited and aroused. he looked around from his phone, seeing if anyone noticed the flushed expression he had in his face.

• he snuck to the bathroom and sprung his thick cock out of his boxers, he fumbled with the camera for a while, not really knowing how to take a picture of it?

• he snaps a cute picture of his short cock leaking a thin string of precum on his finger. the picture and situation turned him on so much he was begging you to let him jerk off.

• when you aren’t home, he’s usually patient, but you can’t ignore things forever..

• you guys own a few toys, so he’ll pick a few from the drawer that he hasn’t tried yet and play with his cock until you get home.

• it’ll be a pretty picture when you do too. he’ll be on his hands and knees, lightly fucking a small, pink buttplug in and out of his ass, begging for you too finish him off.

“ahn- welcome home, sweet girl… mphh..need your soft pussy on my cock. please please- fuck me with this in?”

Hyunjin:

• stares at you alot.

• he’ll look up at you with such a sweet, loving gaze, analyzing every part of you like a nostalgic toy.

• he loooves frotting. he’ll show you how needy he is for you by rubbing his sweet hard-on along your clothed tummy till his precum stains his pants. its like he’s magnetically drawn to you when he’s hard.

• comfortable telling you when he’s horny. he’ll tell you when you guys are alone/able to, so you don’t feel pressured to make time for his desires, especially when you’re busy or having fun.

• sends way more bulge pics than dick pics. some of his long, hard cock in his sweatpants, maybe his pretty hand gripping the length of it.

• sends vids too, he’ll send you one of him teasing his cockhead with a thick paintbrush of his, begging you to come home and do it instead.

• when you aren’t home, he’ll jerk himself through the silk of his pajama pants, stopping when he’s close to cumming. or he’ll roll his hips into mattress, pretending it’s your wet pussy.

• and when you do get home, he’s meeting you at the door. his hair is messy and he’s somewhat panting. he’ll step closer to you till his lips rest in your hair, and his hips are the only part of him you can promenantly see.

• he’ll pull his sensitive cock out from his cozy pants, jerking himself off right in front of your eyes, his tip pressing onto your shirt. his breath will hitch and he’ll hide his face in your hair, moaning in realization that he’s finally gonna cum.

• it squirts onto your sweatshirt, pumping out of his cock with small, audible thuds. his cum seeps messily into clothes, as he wraps his arms around you, burying his face into your neck.

“mm- fuck…so fucking turned on right now..you see what you do to me? oh god..g’nna cum- gonna fucking cum..”

Han:

• act suprised, he’s pathetic.

• literally dissasociated. he wants you so bad he doesn’t even care about whats happening if it isn’t related to you.

• if you aren’t home, he’ll lay in bed, gripping the sheets around him and even stripping down because of how hot his body gets when he thinks about you.

• no indescribable force could keep this man from jerking off. babe as soon as he gets home and shuts the door behind him, he’s leaning on that shit and quickly unzipping his cock free.

• he’ll be still setting down his bag while he’s twitching and jerking from stroking his cock. as soon as he’s done, he plops down on the bed and continues to jerk himself off till he cums for the first time that day.

• oh he sends dick pics. but weirdly only when he’s in public or at work, never at home. you can’t count how many pictures of his hard cock he’s sent from bathrooms, practice rooms, dressing rooms and even in this hoe’s car.

• when you are home, he’s holding your hands and begging for you to have some type of sex with him. he doesn’t card if your pegging, he’s fucking, he’s domming, or he’s subbing or whatever, he just needs to feel you on him.

• if you say anything other than yes immediately, he’s dropping to his knees and looking up at you, saying such useless, pathetic words in hopes to get himself fucked.

“please! please please- i’ll be such a good boy…just need it. need it so bad it hurts. i’ll take whatever you give me..”

Felix:

• so clingy and desperate.

• but, he’s so happy he has someone to fuck so he doesn’t have to suffer alone.

• biggest pleaser. he’ll pull you into a deep hug, reaching a hand down to toy with your clothed clit, eating up every noise you make.

• he likes clear communication so he’ll just text you and ask when you are returning home.

• his dick pics are usually tame. pictures of him pulling up his sweater so you can see his freckled abs and leaky cock. or he sends videos of his long cock squirting in the company bathrooms, you can only hear the cute splashing sounds and his whiny little gasps, trying to stay quiet.

• but, when he feels really turned on, he might even send little slutty videos of his cute cock humping his pillow till he shoots cum all over the fabric, or maybe one of him sounding his cock slit till his eyes roll back from a dry prostate orgasm.

• felix is a WHORE. so u guys do in fact have large toy drawer☺️

• when you aren’t home he either fucks his ass with one of your old dildos, or humps some other object of yours. though it’s softer than it sounds, he just loves you!

• coming home is the best. on the bed, he’ll be sat up on his knees, holding your shoulders and kissing you messily. his back is arched toward you as you tug on his cock to completion. he may not have the energy left to pound you, but it’s the best suprise ever.

“mmph..ffuck- can’t hold it anymore..mm- ah! your hands- ah..faster faster please..i can take it.”

Seungmin:

• you would think he’s in pain or something.

• it starts off with him just scrolling on his phone, and when he starts getting horny he may just reach a hand down there to softly rub his cock through his pants.

• then, he’ll look away from his phone, feeling it get more intense. his cock starts getting antsy, so he’ll text you when you’re coming home.

• finally, his phone is discarded. he decided to take a cold shower before he got sweat on his bed. but, it didn’t help much. the water hitting his cock made him hiss through his teeth.

• before he knew it, he had the showerhead in his hand, turning the water pressure up and letting it hit his cock. eyes rolling back and trembling before his cock squirts all over the shower wall.

• he doesn’t send pictures like at all. he’ll just explain through words how he’s feeling. he finds it awkward and strange.

• but he’ll send the prettiest voice messages of him groaning your name and the sloppy sounds of his cock.

• when he does get his hands on you, its desperate, not like jisung desperate but like he’s kissing you quickly and deeper, holding the side of your face.

• will pound you like he hasn’t cum in years, unintentionally holding you down and forcing his cock deeper.

“needed this. fucking needed this..nothing’s better. hm? slutty pussy’s all mine right? tightest fucking hole.”

Jeongin:

• being horny is his favorite.

• he’ll position himself in front of his mirror, smiling and spreading precum on his tip.

• he doesn’t usually wait for you, because he likes teasing you anyway, he likes it when you beg him to fuck you instead of his hand or his fleshlight. but he may wait for a little while.

• he’ll walk around in his grey sweatpants, making dinner and washing dishes while his hard cock bulges and twitches excitedly when he frots against the counter.

• genuinely the king of dick pics. he knows his cock is pretty, so every time he’s hard he’s having a full photoshoot before he jerks off. has folders in his camera roll full of just his dick.

• prefers taking pictures when you are there. so he can have a pretty pic of you mouthing and nuzzling into his bulge. his good girl.

• excited for you to come home and beg for him to fuck you again. he’ll pull his fleshlight from his closet, steadily moving it up and down on his cock, waiting for you to find him like this.

“wish this was your slutty cunt i was fucking? mm..sorry. i don’t think i can stop now. gonna cry? go ahead. ah..she’s tight too. ill waste my cum in this toy if you don’t start begging.”

[dduane]

As a former psychiatric nurse, I am here to tell you in utter seriousness that OUR ENTIRE DAMN JOB is to listen carefully enough to you that we can feed you the lines that will get you to this place: where you HEAR the thing that just actually fell out of your face while you were so busy trying to hold your act in place that you couldn't keep it from doing that.

The human mind—that exquisitely complex thing—is ALL about maintaining its current smooth operational status. EVEN when that status is wildly dysfunctional and/or destructive. I mean, the brain says, hardly ever hearing its own desperation, everything's working pretty well right now, isn't it? And it can't hear the (internal laugh track) audience's painful response.

Our job is to startle you into hearing the internal laugh track: and yeah, the pain. There is no other way to get out of the pain than to acknowledge that you're in it, and at least to begin acknowledging the sources of it.

...All those light bulb jokes? About really having to want to change? They're bullshit. Believe me when I tell you that no one really wants to change. The one thing everyone I ever worked with in therapy wanted was to to stay just the way they were... just (somehow, magically) less uncomfortable. And surprise!—that's not how getting better works.

Meanwhile: this is one reason I'm lucky as a writer... because having helped actual human beings walk through this process is one of the best possible forms of preparation for walking fictional characters through it.

And if having done it with real people sometimes makes it come across in the fiction as perilously close to comedy in the timing of how it unfolds? Well, sometimes it comes across that way with the real people too. And the laughter associated with your client realizing who the joke's been on may sometimes be painful, but (when it's genuine) has a uniquely joyous sound through the pain that can't be matched by any other human experience. It's a privilege to be part of that when it happens.

All you can do is keep feeding the person you're working the straight lines they've been telling you they need... and then wait for them to give up and bite.

Therapy is risky because sometimes they'll just ask you their standard "why can't you, though", and you think you're making some good point by saying something like "well if I don't do anything with my life then what's the point of being alive in the first place" and your therapist gets that look on their face and you immediately realise that your dumb ass just got caught, pinned to the ground with your stupid-ass neck between the spikes of a pitchfork, and you are not going to wiggle out of there before you two unpack what the fuck you just said.

[ladyloveandjustice]

so idk something that kind of bothers the "we must save men from the alt right pipeline" because "we're hating for their immutable traits"

why

why specifically are men the ones who we need to always do this for.

I think it would sound ridic to say this about terfs. Terfs are turning to terfism because they don't feel welcome, we need to be gentler and more loving and more of a community and they'll see the light. Terfs as a class are so oppressed by an unloving society :(

Or hey imagine saying this about white women. You don't have to imagine it it's been done and its bad. I think we've all agreed that posting a manifesto on how white women should be treated nicer by POC and its leftism's job to save white women from going conservative always sucks.

So why is it up to women now. Why is it up to us.

I agree leftism needs to be a more welcoming place that doesn't crucify people for mistakes, or react with hostility to questions. I personally want that. But it's weird to frame this as something we need to do for (mostly white) men specifically, but like, not like conservative white women, conservative woc, conservative trans women??? There's a lot out there.

I dunno. it rubs me to frame the message of this. I don't want to actively go around saving white men and boys from themselves/other white men, I've been asked to do that all my life.

I don't think we should be hostile, I'm not a person that would ever say kill all men (tbh even ignoring the fact there are marginalized men...language like that in general...kill all (enemy) has always been uncomfortable for me. Some people can change) I don't react to them with hostility, you know, men are just fine as long as they're fine with me. I'm happy to have them as allies, happy to get behind trans men, gay men, men of color when they need help.

But I do know some women just give a dni because they're traumatized. And idk, maybe they deserve to be treated gently. Maybe everyone does.

I think leftists need to be kinder and more welcoming sure. I think we need to focus on change and banding together But framing the convo around saving men. That men are special and alienated and we're specifically failing them somehow. It doesn't sit well.

I do thing putting stuff into a binary of good or evil and just kind of reinventing conservatism in that way is a huge probem,...I don't know...Can't we just be nicer and in-fight less for the sake of being welcoming in general? For everyone? Can't we come together and be more accepting of people because a community is stronger together? Can't we have unity and nuance because of that?

I don't want to do it to save men from their own decisions, I don't feel inclined to engage with hostile guys, I just want to be nice and open and we all have less of a feeling people might turn against you over any little thing.

[the-blue-fairie]

Hot take but Elsa the Disney character isn't a sociopath.

I made a post recently venting about (what I felt to be) a deeply odd comment someone made to me in the past, and that got making me thinking about an accumulation of posts over the years that have made me uncomfortable:

This post calls Elsa “a bit of a sociopath.” Its use of the term “sociopath” is both frivolous and ableist.

A while ago, @greatqueenanna and I were discussing this mentality (because it had emerged in more people than the individual I am currently citing) regarding Elsa and she reached out to a friend who, for the sake of his privacy, I shall call BG. He’s diagnosed ASPD (Sociopathy) and works as Clinical Psychologist, specifically with patients who have severe divergences (ASPD, Narcissistic Personality, Histrionic, Bipolar, Schizophrenia, etc.)

I will now share portions of his email response:

"I want to point something out that is very important to the idea of Elsa being a sociopath. Elsa’s entire persona revolves around her guilt. Elsa feels responsible for the accident that happened to Anna. She is burdened with guilt for her parents’ efforts to accommodate her powers, and then their deaths. The eternal winter and the spirit invasion left her with a heavy load of guilt. Elsa feels guilty that she wants to follow the voice and discover more about her powers.

Guilt, guilt, guilt. If you’re tired of the word guilt by this point, then I’ve made my point. Elsa is not a sociopath, foremost, because she feels guilt. This is important because empathy is the key between sociopaths and empaths, and that’s why I wanted to focus on this first. Sociopaths don’t feel guilt.

Next, Elsa’s key problem is her lack of self-worth; the complete disassociation from her own needs and desires. This is not an issue with sociopaths. With this in mind, Elsa shows a bit of recklessness in Frozen 2, but it’s not from a place of boredom or a need for power. It is from a place of trying to defend those she cares about. There was a fire, she tried to stop it from hurting others. She needed to find answers about the forest to save everyone, so she jumped into the hole. Elsa gets no real benefit from these actions; meaning it doesn’t qualify as the same recklessness a sociopath would do. Her lack of self-worth makes her able to just throw herself in danger and push others away from it. Her recklessness comes from a place of martyrdom.

So, we’ve ruled out three key features of ASPD – no empathy or guilt, a grandiose sense of self, and recklessness out of boredom or desire for power. Now let’s talk manipulation; especially since it seems like no one understands what that means. From good ole’ WedMD, we see that Manipulation in the clinical sense is the - ‘exercise of harmful influence over others. People who manipulate others attack their mental and emotional sides to get what they want. The person doing the manipulating, called the manipulator, seeks to create an imbalance of power.’

Does Elsa ever try to make someone feel inferior, try to induce self-hatred, reinforce self-damaging behaviors, or get them to mistrust others? No, Elsa does none of this. She does it to herself."

Outside of F2, the claim that "Elsa doesn't care about anyone other than Elsa" is nonsense. In F1, Elsa isolates herself because she wants to protect others. She wants to protect her family, the sister whom she loves. She wants to protect the people around her. Many of Elsa’s worst traits actually emerge from caring for others at the expense of caring for herself - and those traits are only present because of her trauma and because of the way she was raised. In Frozen Fever, Elsa devotes herself to Anna because she loves her and wants to give her a perfect birthday, even though Elsa herself is sick. She puts Anna first. In OFA, she reaches out to apologize to Anna after closing the door again, she is shown to be a loving sister, a loving queen, protective of Olaf, etc.

The statement that “nobody [was] ever thinking of her (except for Kristoff in the last 3 years of her life)” is misguided because it disregards not only Elsa but Olaf. I’m all for loving Anna’s and Kristoff’s connection (I’m a Kristanna shipper myself, after all) but to say she had no one else is untrue.

This person also made statements like this:

And this:

Even hotter take from me, but Elsa the Disney character is not reflective of real-life cases of domestic abuse and incestuous violence. I realize you dislike her, but she's just not. She is a character in an animated film for children.

This mentality wasn't just her either. There was another blog that described itself thusly...

...which openly admitted that:

If your Anna fanblog never was much of an Anna fanblog but instead an Elsa hateblog, that says something about you and how negatively you approach the media you consume.

You cared more about hating Elsa than loving Anna - so much so that you put your original intent of loving Anna to the wayside. There’s something sad about that.

If you had a whole blog dedicated to screaming that you wished a fictional cartoon character had died, that isn’t healthy.

And it wasn't just those two blogs:

I saw various posts like these over the years, but held my tongue because I didn't want to be branded an "Elsa stan" or get yelled at. I did get yelled at by verannaca in 2023, however, because she rudely came onto one of my posts about Elsa to say that "Elsa was the villain." I replied with the definition of villain from the Oxford English Dictionary and told her to chill, then she got angry at me for writing an "unnecessary essay" when like... SHE came onto MY post. If she hated Elsa so much, why did she seek out MY Elsa-centric post?

It was just... an ugly miasma of negativity and I hope that, when Frozen 3 and 4 come out, blatant misreadings of the text don't become popular again. I understand Anna fans' frustrations with Elsa's popularity and I myself have expressed issues with the writing of especially Frozen 2, but...

I really don't think I'm an "Elsa stan" for saying statements like "Elsa isn't a sociopath" and "Elsa isn't reflective of incestuous violence."

Still, I love Elsa just as much as I love Anna, just as much as I love Kristoff, just as much as I love Kristanna and Frohana and the Northuldra and everything else. We're united by love, first and foremost.

[jjmaybankssurfergf]

It wasn’t Rudy or Madison. It was his gf that had a problem and has apparently caused scenes on set and made people uncomfortable because SHE is uncomfortable. To be fair it would probably suck having your bf being shopped with another girl constantly but to cause problems in his acting career is the bigger problem because this will follow him to every job he where he has a love interest. Rudy and Madison follow each other on socials. Elaine and Madison don’t but Elaine follows all the other cast members.

Look anon we can talk but if your gonna start stuff take off anon, first off madison bailey is a bully. She really is and when jj died she showed her true colors. Her acting sucks, her attitude sucks, her movie sucks, and her whole personality sucks. Sorry but its true, the reason why i didnt throw in elaine is because thats a whole other story, if want clarification on that just ask and i will gladly give it to you or anyone. Mariah is a jerk too sorry but thats true she was the one who started the unfollowing social media bullshit. Yes his gf played a part in the drama but you cant also say madison and mariah are innocent, because there not. Madison bullied rudy behind set, and he was super uncomfortable and upset. He was being hurt to the point where hes like "Ok this is going way to far". Madison bailey is what you would call a mean highschool girl bully, because thats the person she is. The reason why no one noticed it is because of her body and looks, which is soooo true. Just because rudy follows her on social media does not mean anything, he just doing it so he doesnt get hate and constant dms of fans giving him shit about it. Im not saying Elaine is innocent but shes not the only drama queen, there are two others who like to start shit too. And how are you going to tell me it will follow him in every job when he literally had a play call Romeo and Juliet where he had to kiss and hug another women for a month straight every night? See how that doesnt make sense which now it concludes to bailey being unprofessional and a major bitch. You can believe its all elaine fault, but its not just her its madison bailey and mariah no one ever caught onto it until now, when rudy is officially done with outer banks and jj is dead. The reason why people caught onto it so late is because they were just focused on rudy and jj in the show and now because hes gone theyre focusing on madison and putting the puzzle pieces together and what really happened. Like i always say karmas a bitch it was coming for her either way and it bit her in the ass. Im not afan of what she did and rudy didnt deserve the hate and the constant pettiness from her, or her girlfriend but what can i say that just another self centered bitch for you 🤷🏼‍♀️

[traceytonight]

Tracey rambles about Tron Ares again

Tron Ares fills me with so much dread, each passing day is like a countdown to the death of a franchise I care so much about.

The producer, title & main character, is literally Joker Morbius alleged pedophile since the early 2000s himself Jared Leto. That alone ruins the movie for me, and yet every following bullet point makes everything about and around it so much worse.

-Premise is explicitly "What if the Grid came to the real world".

NO, the interesting part of the series is THE GRID, where all of the deeply meditative commentary about our world and visually interesting splendor is supposed to be! Yes we had the lingering plot thread of Quorra coming to our world, however;

-Nothing directly tied to Tron Legacy is specifically being followed up

So no seeing where Sam Flynn could have taken Encom, no Quorra adjusting to our world, No Edward Dillinger Jr scheming with the resurrected MCP; But most disrespectfully of all, they didn't even bother to get Bruce Boxleitnter back, THE GUY WHO PLAYS TRON (and Alan Bradly & Rinzler). The one guy who actively loved this series and campaigned for a Third Tron film for over a decade, and previously Tron Legacy for even longer. But you know who they are bringing back?

-Kevin Flynn is back

THE GUY WHO FUCKING DIED IN THE LAST MOVIE. Undermining the noble sacrifice that was integral to the core themes of the film.

And just today we got this:

This is so far from an advancement design wise of the Light Cycle from either film. None of the simple shape language of the original. None of the sleek visual melding of human & technology of Legacy. While the light cycle was always cool for being a futuristic video game-ass motorcycle, its was just one of the multitude of visual elements that served the thematic purposes of Tron flawlessly.

Meanwhile, this not only physically separates the driver from the cycle, they further emphasize it through all the little gaps where there were none on either prior design. They so easily could've had the red line on Ares connect into the obviously aligned part of the bike.

Even if this is meant to show the separation of the programs from the grid for some thematic element we're unaware of at the moment, we're already going to be getting a lot of that considering the movie takes place in an average ass city.

Also, to be truly nitpicky, it looks really uncomfortable to sit in & I don't like all the added greebles.

To circle back around, what I really hate about the cast, besides the obvious one, is that there are a lot of actors who I think will work extremely well in the world of Tron. Greta Lee, Gillian Anderson, Evan Peters? Inspired casting choices.

Meanwhile production wise we're literally taking David Fincher's collaborator trifecta. Jeff Cronenweth (Cinematographer), Tyler Nelson (Editor), and Trent Reznor (Composer, backed up by Nine Inch Nails) all worked on The Social Network, another one of my favorite films. Jeff is literally the son of Blade Runner's cinematographer, Nelson was co-editor on The Batman, a film with incredible pacing thanks to their hardwork, and while I'm not the most familiar with Reznor's full body of work, I've sincerely liked everything I've heard and think in conjunction with Jeff & Tyler he will make something fantastic and fitting for the tone of this film.

However, the screenplay is done by the writer of Harry Potter & the Cursed Child, and is being handled by the director of Pirates of the Caribbean 5. Choices that feel at odds with the prestige praise I was just handing out a paragraph ago.

Theres so many good elements that are eclipsed by its central glaring protagonist, seeming lack of the interesting setting/designs or integral thematic elements that I look for in Tron, and lack of expectation regarding the choice of director & writers.

Because my two greatest fears are not about if the movie is awful and destroys the franchise as I'm expecting it could, it's either:

What if the movie is genuinely good? Well acted and performed, somehow actually has the same level of philosophical inquiry that Legacy & Identity have? How am I gonna face that reality with the enormous horrific issue starring in it?

What if the movie is bad in everyway that I think it will be, but does financially and/or critically better than the first two? The franchise is not killed again, but revives and bases everything going forward around this awful outlier in the series?

Unless this movie fails so horrifically that Disney wants to scrub it from existence, as they tend to do, the future of any Tron media will undeniably be forced to cohere itself to the existence of Ares.

If you want something that actually expands on the musings and universe of Tron, play Tron Identity. A game so lovingly crafted for fans of those elements of Tron as a connected series. And I know this factually, as the writer of the game itself (who also created Thomas Was Alone) watched my twitch stream of it and confirmed my ramblings about the deep seeded lore and intent of design of the TREES that appear in the game. Only one example of the incredible attention to detail the game delivers on. Plus its also getting a sequel that unlike Ares, I'm awaiting with bated breath.

[littlereddream]

Of Whiskey and Venom

A/n: gunslinger Jason Todd x Reader, f!reader, there will be multiple parts to this because I can’t help myself.

Owing debts to outlaws means playing dangerous games. You know that, well and true. When Carmine Falcone finds out that you don’t have the money to pay him back, he offers you one final method of payment. Your debt would be forgiven in its entirety, so long as you walk yourself to the notorious Red Hood’s camp and surrender yourself with the claim that you’re part of the Falcone’s.

In Gotham, big of a town as it is, word gets around to people fast. Whether it was through gossip or the newspaper boys hard at work, most things never stayed secret.

Usually, it was annoying. Last year, some nosy neighbor had discovered that you’d managed to get your hands on some quality eggs, courtesy of a friend of yours down South. Within the week, almost half of your neighbors had collected at your door at some point or another to ask for some. Would be a shame not to share, they’d said.

Usually, the knowledge of any of your personal business getting out would set you on edge. It’s never been any good to you, only ever causing trouble.

Today, you find cause to be grateful for the quickly spread word. If not for Gotham’s tendency to whisper in each other’s ears, your neighbor would never have come to knock on your front door that morning, all out of breath with urgency all over her.

“You’ve gotta get out of here,” she’d panted. “Run. Run and don’t come back!”

You’d quickly invited her inside, checking outside left and right before shutting the door.

“Mary, the hell’s gotten into you?”

But all she’d done is deliver a soft smack across your shoulder.

“Take this seriously! Darlin, it’s Falcone.” You still remember the ice that had trailed its way down your spine. “My husband, Rupert, told me that he’d overheard some of his boys talking about it. He’s lookin for you.”

You forced yourself to shake your head, pushing back the instinct to freeze up entirely.

“Mary, it just ain’t possible. Falcone and I, we- all of my business with him has been settled.”

“Yes, well, he doesn’t seem to agree. Now, go on! Pack your things. I’ve taken a horse from the stable for you. She’s a fast girl, just old. Won’t nobody come looking for either of you.”

In the end, you’d had enough sense to listen to her, but there was no packing your bags fast enough to escape Falcone. Midway through packing food for your trip, long after Mary had left, you’d heard a different kind of knock at your door. Demanding. Angry.

That whole interaction felt like ages ago to you now, including the conversation you’d had with the man. He’d explained it to you simply, tone so light you’d hardly believe the weight of the words he cracked into your skin, like a cane to a horse.

Apparently, all that time ago when you’d paid back your debt to the man who’d come to collect it from you, there had been a breach in loyalty within Falcone’s gang. Your debt collector had taken the liberty of deciding his own pay, stealing nearly half of the money you’d paid for himself rather than handing over the full amount.

Despite it being an error within his own system, Falcone refused to hear your bargaining. You’d even gone so far as to promise him that money again, all you’d need was a month.

He’d shut you down quicker than you could finish making the offer.

Instead, Falcone offered you a counter proposal.

It’s that counter proposal that has you currently making the solo hike to the Red Hood camp, handcuffs digging uncomfortably into your wrists set in front of you.

What Falcone offered to you went as such: After one of Falcone’s newer men went out and shot a man from the Red Hoods, Hood demanded to be delivered one of Falcone’s own as a leveling of justice and show of goodwill. A gesture to calm the waters between them, since the last thing anybody in town wanted was for the two most dangerous gangs to have it out for each other.

Your job is to be that token of goodwill, to march your way into that camp and declare yourself as a surrender member of the Falcone’s to fulfill their demands.

Do so, and he’d make the kind decision not to take the life of the neighbors that tried to aid in your attempted escape.

The camp is far into the woods, well outside Gotham itself, causing your dress to catch in every grown out bush and twig. Your feet ache from walking so long in the wrong shoes, while your hands haven’t stopped shaking since you were forced to leave home.

There is no getting out of this, you know that. If you run away now, if Falcone finds out that you didn’t settle this debt for him, there would be no corner of the earth far enough for you to hide. It’s either he kills you, or you take your chances with a gang so successfully underground, not even law enforcement knows the real name of its leader. Doesn’t mean they’re any less brutal, though.

You’re going to die, all because Falcone’s men can’t do their jobs, whether that be collecting debts or not shooting the wrong damn people.

There’s a point where the path you walk narrows out, becomes thin and difficult to follow. At some point, you can hardly tell which direction you’re supposed to head, saved only by the spots of recent horseshoe markings in the dirt.

It feels like any second, you’ll be surrounded by people with rifles pointed right at your head. With each step, your breathing further shallows into something unintentionally quieter. A bush rustles to your right, and you feel like an idiot for flinching back when a rabbit runs right out and past you.

After so long walking, you’re starting to think that Falcone could’ve been wrong about the location of the camp. After all, this part of the woods look completely wild, utterly untouched if not for the occasional broken twig or trail marking.

“Who’s there?” A voice shouts out.

Then there’s a gun being pointed to the side of your head. Well, at least you know that if there’s ever an award for jinxing yourself, you’d win it. Or maybe not, considering you’re very likely to be killed within the next few minutes.

“Carmine Falcone’s debt,” you say simply, proud that you’d managed to keep the waiver out of your voice.

There’s a pause in the air, before you can see the man’s mouth pull into a grimace out of the corner of your eye. “That so?” He mutters. “Right. Well, you’re going the wrong way. Come on.”

The redhead, whoever he is, takes great care not to spook you. His rifle, attached to a belt over his shoulder, is exchanged for a single handgun, one just within reach tucked into a holster. The hold he has on your forearm is surprisingly careful, less there to keep you from running and more to guide you through the confusing twists and turns of the woods.

“Watch your step,” he warns. “Hood is gonna be pissed.”

“Why?” You risk asking.

So long as the debt is settled, it seems to you that Hood would be getting everything he specified in his deal. You’re the one being screwed over here.

“Cause, it looks to me like Falcone sent over somebody he doesn’t mind losing instead of an honorable trade.”

You raise a brow. “Who says I ain’t a high value exchange?”

The redhead snorts. “Are you kiddin? You don’t got a single gun-wielding callus on you. We lost one of our best that day, and Falcone sent us you.”

A pause.

“No offense.”

“None taken,” you grumble, bitter for reasons you don’t even know yourself. Maybe it’s because you’re being completely screwed over here, but who’s to say?

It’s not long before the overgrown woods level out into a large clearing, the man weaving you past hitched horses to reveal a large camp. It’s nothing like what you’d expected, hearing what you have about the Red Hoods. Vile, vicious, and mean.

Come to find out their camp looks like an isolated meadow, sun shining down on their colorful tents. From where you’re standing, you can see a young child playing with an even younger puppy. Just past that, there’s a table of people gathered around two women who look to be playing five finger fillet.

The redhead calls out to an older woman to your left who you hadn’t even noticed, sitting quietly as she polished a hunting knife on her pants. What you’d do to be wearing pants instead of a dress right now.

“Ma Gunn,” he greets. “Got a moment?”

“Depends, Roy. More of your trouble?” She says pointedly, but Roy only laughs.

“Not this time. Just got some business to discuss with Hood. Mind keeping the young lady here some company?”

Ma Gunn waves Roy off with a free hand, sheathing the knife and standing.

“Go.”

And then you’re alone with her. Ma Gunn’s eyes are fixed on the metal binding your hands together.

“In some trouble with the law, dear?” She raises a brow. You’re not quite sure what to say to deny it, but some part of your face must look panicked because she breaks out into a quiet laugh. “Relax. We’re hardly the kind of people to judge you for having lawmen after you, not that we’d have any right to.”

Right. Outlaws.

“Besides, you don’t seem like the gunslinging type.”

“Roy said the same,” you tell her.

She snorts. “Course he did. How’d you end up here anyway? Tell me you’re not thinking of joining in. I’m telling you, it might seem nice at first, but it’s nothin worth putting up with Bizarro’s cooking.”

“No, not joining in. I’ve got a debt to settle between Mr. Falcone and Hood.”

It’s within an instant that the woman’s face changes, much more grim than just a moment ago. She looks at you like you’ve already been damned, no shot at survival left to you.

Roy’s back already, tipping his hat in thanks towards Ma Gunn, whose eyes still haven’t left your cuffed wrists.

“Hood wants to see you. Come on, I’ll take you over.” Roy doesn’t touch you this time, just hovers his hand over his lower back like he can force you to move telepathically. You do.

Together, you’re approaching one of the biggest tents in the camp, far in the back. Entirely red, though what else did you expect?

You stop in front of the fabric curtains.

“I think it’s best if you head in alone. Good luck.”

Right. With a final deep breath, you duck into the tent. It feels like stepping into your own casket.

You find that the inside looks bigger than the outside, complete with a large cot, a table surrounded by chairs, and a small bookshelf. At the table sits a man you can only assume is Hood himself, feet resting on the wood as he leans back in his seat. He’s got his arms crossed over his chest, gambler hat set on the edge of the table just by his boots.

You step forward into the tent, and the wood beneath your feet creaks. Quick as gunfire, narrowed green eyes level with yours. There’s a hint of disbelief in them, like he can’t quite believe his eyes.

“By Gotham, that fool was telling the truth.” You hear him say, gruff and mumbled.

It takes more effort than you’d ever admit to speak without breaking down right there. You’re practically speaking to your executioner right now.

“Hood, right? Carmine Falcone sent me to-“

“Yeah, yeah, I know why he sent you.” Hood drags a hand down his face. “Well, isn’t this just a mess.”

With a tired sigh, Hood calls you forward with a beck of his fingers. Once you’re at the other end of the table, he motions for you to take a seat. You do, albeit on unstable legs. It’s a miracle your knees don’t just buckle when you move to sit.

“So, tell me. This Carmine’s idea of a joke?”

“No, I-“

“He think it’s funny to send me a girl he picked up from who knows where? Send her to her death just to get off clean?”

“If you’d just-“

“Come on, doll. I wanna know. Why the hell is Falcone sending me you instead of what I asked for?”

Hood’s eyes are cold as steel, but you’ve got the strange feeling that his anger isn’t entirely directed at you. Still, better not to assume.

“I am what you asked for. You weren’t cheated.”

Hood snorts, entirely humorless. “You? Now, forgive me for my doubts, but I’m having a hard time-“

This time, you’re cutting him off. “I am,” you insist.

Hood pauses to look at you. Really look at you. There’s an amusement settling in his posture that you don’t like, one that promises nothing good for you.

“Right. Well, who am I to tell you what you are or aren’t? Far be it from me.”

He’s reaching for his hip, unholstering the revolver strapped there and setting it down on the table. You watch the motion as he does it, staring down the weapon between the two of you like it could shoot you without its handler ever touching it.

“This gun here? This is one of my most prized possessions. If this whole tent were to catch fire right now, everything I hold dear tucked inside, this gun would be the only thing I’d bother savin.”

He’s watching your reactions carefully, so you're just as careful to keep your expression back. You’re not sure what he’s looking for, so better he not find anything at all.

“Now, I personally believe actions speak much louder than words. I won’t sit here and call you a liar for telling me you’re a gunslinging outlaw straight from Falcone’s best, but I will tell you to prove it to me.”

Hood nudges the gun closer to where you’re sitting. “So go on and prove it. Take my own gun and shoot me. Eliminate any threat I pose to you within seconds, selfish and brutal.”

You can do nothing but sit there in stunned silence, hands tightly gripping the fabric over your lap. “Hood, I don’t-“

“I insist.”

Your hands shake when you bring them up with a sheepish grin. “Can’t exactly do that with cuffed hands, mister.”

Hood waves you off. “I’ve done worse things than shoot a man with my hands cuffed. Come on, Miss, prove it to me. Unless you can’t.” He tilts his head at the end.

To kill a man, to take a life. You can’t just do that. As is sensing your inner turmoil, Hood offers you a sarcastic pout.

“Weighing on your conscience, is it? Well, if it helps you any, it wouldn’t be a good man you’re killing. I’ve committed too many crimes to be clean of anything. All you’ve gotta do is put a bullet between the eyes of a man who might just kill you unless you do. Not so much of a choice, is there. I sure know what I’d do, if I was you.”

Hood is egging you on, pushing you to prove him wrong. He wants you to do this, wants you to pick up that gun and send a bullet straight through him. He wants you to because he knows you won’t.

The worst part is that he’s right.

You turn your head away from the gun, away from him. It’s answer enough.

You see Hood nod slowly out of the corner of your eye, reaching for his gun to holster it with a rustle and a click. He sets his feet back down to the ground, crossing his arms over the table to lean forward.

“Alright. So tell me again now. Why did Falcone send you?”

The change in tone has you thrown for a loop. Within seconds, the pressing intimidation from before is gone, now much softer in comparison.

So you tell him everything. From your neighbor at your door, from your debt to Falcone, the threats he’d made, all the way to the present moment. This time, Hood doesn’t interrupt you once. He listens carefully, nodding at all of the right places to each relevant point. When you finish, he simply asks you if there’s anything else worth mentioning. At the shake of your head, Hood stands.

“I’ll have someone let Falcone know that his exchange has been well received. So long as he thinks you’re with us now, no one you know will be bothered. As for you, you’ll be free to do whatever you want with your days, just as long as you’re here during the nights. How’s that work for you?”

For a moment, all you can do is stare. Then, ever so cautiously, you dare to ask, “you’re not gonna kill me?”

Hood shrugs. “I have no reason to. This way, you’ll be safe and I won't be bothered by Falcone trying to buy back my truce.”

“But what about your whole…you know.”

Hood raises a brow at you, urging you to continue.

“You know. The whole ‘eye for an eye, tooth for a tooth’ thing.”

Hood grins, toothy and predatory. “Trust me, doll, I’ll still be getting something back from Falcone. I tend not to forgive easy. Hands out for me.”

Quicker than you can process his intentions past putting out your hands, Jason is drawing out his revolver and shooting the chain between your cuffs quicker than you can flinch. He ignores your stunned expression, clipping his weapon back to himself.

“I’ll ask the girls to get you some decent clothes and set you up a tent. Pleasure meeting you.”

Without another word, he’s exiting the tent and leaving you to stare at the chain that used to link your wrists, now scattered into tiny pieces of metal across wood.

[noisytenant]

sometimes posts about various erotic tropes dont say it outright but you just KNOWWW op was raised catholic and i simply do not vibe with it

[tanddiscord]

I dunno.

I absolutely do think we need to make leftist spaces more friendly towards cishet men in general. It can be tough, in a lot of circles, to not become hostile towards people I generally agree with, because they always make me the boogie man.

For people less reflected, I can absolutely see that pushing people away. It's pushed me away from several spaces, and there are still spaces I frequent where I often feel excluded and uncomfortable.

There are absolute problems, and they need to be addressed, but the angle can't just be "some white cishet men are fascists, therefore saying 'kill all men' is okay" which is what happens a lot in some spaces.

But it also can't be "Not all men are bad, so let's do nothing".

We need to approach things with a mindset of "how can we stop and work against the social changes we see happening?"

And some of that boils down to giving people what they find in dangerous rhetorics and systems, without them. Community, a sense of belonging, a sense of safety, and understanding.

I am not saying that individuals need to, when face to face with a fascist, be nice to them.

But I am saying that, if, at the first sign of fascist rhetoric in someone, everyone shuns them, it could be that the result of that is that they'll quickly become more like those that still talk to them: Fascists.

And that holds doubly true when they didn't show those things in the first place.

Ofc it is a balancing act. Its tough, and its never on the individuals on the left to fight the institutions on the right.

But we can't just deal with it with hostility.

Also, it's clearly not just a "white men" problem.

45% of women voted for Trump.

That is less than half, and less than the percentage of men that voted for him.

But 45% is still a lot. A huge amount.

If it had been 0%, like some people online seem to pretend, he would never have won.

We need to hold those woman just as accountable as we hold the men. We need conversations to be balanced, and better than that of our opponents.

Leftism is a humanitarian project, and to work for that, we need to include all of humanity. We're trying to make a better world for everyone here, not inflict vengeance upon the sons for the sins of the fathers. At least that is my approach and goal.

Being nicer to men in a leftist, online setting, IS important. We can't afford to, and should not want to, alienate half the population.

But being nicer to men does not mean "be nice to the specific men that have done you personally wrong" it means "Be nice to the men that haven't done you wrong, do not allow yourself to assume they will hurt you if given a chance" (though ofc, everyone, men, women and otherwise, should take appropriate precautions to keep themselves safe, when meeting men, women, and otherwise. Going on first dates in a public area, while having a friend that has promised to check in on you at 10pm, is not not being nice. It's just being safe, and that is always allowed).

It doesn't mean to not say "My ex was a pig". It does mean to not say "all men are pigs, just look at my ex".

We have to hold ourselves to high standards. Not just because that is the path to victory, though it is, but more importantly, because it's the path to a victory that means anything.

If we do not hold ourselves to high standards, what does a victory mean? If we just replace one harmful society with another, what was won?

Being mindful of language and word choice does not just mean using 'they' when we don't know someone's pronouns. It also means using 'that man' instead of 'men' when talking about a pig.

I get it can be frustrating to cater to the people that make your life hell. But you're not catering to them. You're catering to the rest of them. The men that already hate women, that are already fascists, that are already the enemy, do not care that you do not like them. If anything, they wear it like a badge of honour.

But the others, the ones that want to, strongly, or just barely, to be your ally, or for really, anyone but the worst, to let them know that there is a place for them where they can get love and respect(as human beings), without having to hate and disrespect others.

It's a bit like that comic on body-shaming I can't find right now. Where the person you're trying to be mean to doesn't care, but the people who happen to share that feature get sad.

(but yes, of course, its not like being nice to men will solve everything, there's other work to do too, but we can't ignore it just because its not a magical solve it all)

I get the good intentions behind it, but something feels off about responding to the observation that white cishet men are becoming radicalized towards racism and misogyny with "maybe you should have been nicer to the men"

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[dreadfuldevotee]

"The Vampire Chronicles characters are exercises in the cycle of trauma and abuse and how they are capable of complex emotions and receiving and giving love and empathy alongside all the horrible shit they do to one another" and "Anne Rice herself was a bigot and had some shitty personal beliefs and just because the genre is Gothic Horror doesn't mean you ignore the way those ideas bleed into the writing. Not all commentary is good commentary" are two sentiments that can and SHOULD co-exist, what the fuck are we doing.

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[ratatatastic]

He looks so different with glasses 😂 did not recognize him at first

terribly funny how much more generic he can get with a thick frame of raybans like ive always believed the whole glasses as a disguise would never work irl but i got punked so hard that when i first saw him in glasses i was like "oh another man" glossed over him then felt the same sensation as when i forget to buy milk at the store, swiped back, scrutinised this for far longer than im comfortable admitting publicly and went "oh my god THATS MY MAN GIRL WHAT ARE YOU DOING"

[hanzajesthanza]

this looks like a long time but initially it said 1 MONTH 15 days

[hybbat]

I do think a good chunk of the 'cringey atheist' stereotype did come from the fact that, especially americans, regardless of their actual religious status are just casually christian and refer to things through a religious filter and that isn't seen for how overwhelming/obnoxious/frustrating it is. Its absense, such as when writing a story and things like "oh god" or other casual references are remove or replaced, is seen as notable the same way people find the cast being all women or queer being 'abnormal'.

And I think more people, especially here on tumblr, should take a moment from ragging on some kid being "cringey" saying god doesn't exist or making atheist jump around like dancing monkeys to establish they're one of the good respectful ones before they ever even begin to talk about their own thoughts, and examine why so much content just inserts god into a conversation that had nothing to do with religion like it's the expected norm, the same way they examine the invasiveness of casual heteronormativity.