#its just a general pattern i notice

[faulix]

i can't even be surprised anymore by the several psa's i've seen telling people "hey maybe you shouldn't ship with characters that are rapists" bc i've seen many selfshippers be blatantly misogynistic to begin with. i already see many who ship with characters that outright treat women like trash, the fact that they would need to be told "hey maybe you shouldn't draw yourself kissing a rapist" is not surprising nor would i expect them to care. i really do get disappointed with the amount of shippers who seem genuinely unable to practice critical thinking in how they engage with media involving these things, especially because i feel like the misogyny of these characters is deliberately ignored in favor of loving on a "conventionally attractive" man who looks like he ~serves cunt~, but again, it gets lost bc it's such a trend in selfship circles. misogyny is just a small detail to selfshippers in the grand scheme of things

[butch-bakugo]

Its not a shock to me that most "transandrophobia doesn't exist" people are trans women, mostly white trans women. They have a very specific image of what a trans man looks like and it's only two categories: the hyper fem, tits out, make up, twink trans man who doesn't pass nor try to and the hyper masculine, bearded, t'd up, all the surgeries, big buff trans man who you could never clock. They genuinely think every "transandrophobia truther" is lieing about not getting privileges they don't fucking have.

They genuinely believe every trans man passes and therefore we get male privilege and they get backed up by trans men who do pass and think a cis man making rape jokes with them and asking about their lift set is male privilege. Lemme shatter the illusion because as much as you like to scream about some wide spread privilege that doesn't exist, most trans people, in general, do not pass. This is especially true for trans men due to the hyperfocus society puts on feminine features. I have never met a fully passing trans man and I've met over a hundred personally irl. never. I know they exist but the fact y'all think we, en masse, get male privilege is factually just fucking wrong.

Trans men are not more acceptable or palatable to transphobes. Trans men are not more likely to pass. Trans men in mass do not get male privilege by virtue of our lack of passing and our medical history. Most trans men are still affected by the gender pay gap and thus can not afford surgeries.

You do not acknowledge the existence of non-passing trans men, only uphold the voices of trans men who pass and have the money for surgeries (a small percentage) then wonder why trans men laugh in your face when you make claims about male privilege we do not experience.

We are more likely to be conversionally raped than you. We are more like to be forcibly detransioned than you. We are more likely to experience domestic violence than you. We are more likely to experience hate crimes than you.

Trans men's hyper visibility in online spaces dose not transfer to real life visibility. You are more likely to see white cis gay men and white trans women in any media or ever mentioned than even white cis lesbians or white trans men. Your rhetoric is the origin of the "theyfab" myth. Our issues are invisible to you cause you do not care about other trans people besides yourself and other transfems. Everyone and their trans mother knows about transmysogny and the issues you personally face yet you expect trans men to be silent about their issues and feel like they should be silent because they are men. Trans men are more likely to experience litterally all forms of violence over trans women in every single avenue of violence that exists; religious, sexual, domestic, familial, etc. We are more likely to be stopped and abused before we socially transtion than anyone else due to hyper vigilance of society over afabs. You can scream all you'd like about how we only bring up our sex/the gender we are often raised as when it's convenient but you always ignore those often traumatizing experiences when it's convenient for you.

Many Transmascs and trans men had a traumatizing upbringing because society views us as "bad women" and " bad women" get treated so much worse and by many more angles than "bad men" specifically because we were forcibly assigned as women. You take advantage of a lack of nuance in the community by trying to group us with cis men specifically because you group yourself with cis women. News flash, neither of us and our experiences should be grouped with ANY cis group because we do not have cisgendered experiences.

I seriously think you think you are the most oppressed group in the trans community and you are not, not by a long shot. You are not the most oppressed group in the transgender community and that's a statistical fact. The most oppressed group, by far, are two spirits and cultural genders by virtue of them being inherently indigenous and indigenous people being the most oppressed race of people in the community regardless of the location they are indigenous to.

You are literally taking advantage of the things that were drilled into transmascs at a young age to be seen and not heard and to be quiet and let others talk, that they are lesser than everyone. Everyday there's a new story in the community of a cis man or a trans woman getting a trans man/masc pregnant to hurt them or force them off t or to detransion, this is not a fucking accident. You are not men, no one ever said you were, but you sure love to silence them like they do.

I'm not quiet, you do not intimately know our issues the same way we do not intimately know yours, You don't get to tell us what we do and don't experience and the fact you'd rather cry wolf and suspiciously call us "bitches" than hear us out, tells me everything i need to know. That alt right to trans woman pipeline you said you escaped? Yeah, you didn't. Ur just an alt right trans woman, Try Again.

[todayisafridaynight]

Religiously i think about one of my twitter mutuals pointing out how aoki's design is subtly asymmetrical while ichiban is more symmetrical

when i think of it, masato's design is fairly symmetrical as well isnt it.....

[hazamacore]

something something white usamericans who assume any criticism of a us must be coming from a european they can clap back at vs white europeans who assume any criticism of particularly a western european country must be coming from an american they can clap back at .. 😭 uscentrism + eurocentrism feeding each other basically

[ghost-bard]

Theres gotta be something in my water bc why i am i, like a good two years post tma brainrot, writing a genloss/tma fic statement style

[sundial-bee-scribbles]

In case it's hard to read/understand: "If I had a nickel for every time I had a story with a blonde girl named after a plant, who has a German father and a French mother but absolutely hates said mom, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice."

weird, extremely-specific tropes in my stories: pt 1

[crescentmp3]

my god. help my soul

[artifacts-and-arthropods]

Yellowjacket-Mimicking Moth: this is just a harmless moth that mimics the appearance and behavior of a yellowjacket/wasp; its disguise is so convincing that it can even fool actual wasps

This species (Myrmecopsis polistes) may be one of the most impressive wasp-mimics in the world. The moth's narrow waist, teardrop-shaped abdomen, black-and-yellow patterning, transparent wings, smooth appearance, and folded wing position all mimic the features of a wasp. Unlike an actual wasp, however, it does not have any mandibles or biting/chewing mouthparts, because it's equipped with a proboscis instead, and it has noticeably "feathery" antennae.

There are many moths that use hymenopteran mimicry (the mimicry of bees, wasps, yellowjackets, hornets, and/or bumblebees, in particular) as a way to deter predators, and those mimics are often incredibly convincing. Myrmecopsis polistes is one of the best examples, but there are several other moths that have also mastered this form of mimicry.

Above: Pseudosphex laticincta, another moth species that mimics a yellowjacket

These disguises often involve more than just a physical resemblance; in many cases, the moths also engage in behavioral and/or acoustic mimicry, meaning that they can mimic the sounds and behaviors of their hymenopteran models. In some cases, the resemblance is so convincing that it even fools actual wasps/yellowjackets.

Above: Pseudosphex laticincta

Such a detailed and intricate disguise is unusual even among mimics. Researchers believe that it developed partly as a way for the moth to trick actual wasps into treating it like one of their own. Wasps frequently prey upon moths, but they are innately non-aggressive toward their own fellow nest-mates, which are identified by sight -- so if the moth can convincingly impersonate one of those nest-mates, then it can avoid being eaten by wasps.

Above: Pseudosphex laticincta

I gave an overview of the moths that mimic bees, wasps, yellowjackets, hornets, and bumblebees in one of my previous posts, but I felt that these two species (Myrmecopsis polistes and Pseudosphex laticincta) deserved to have their own dedicated post, because these are two of the most convincing mimics I have ever seen.

Above: Pseudosphex sp.

I think that moths in general are probably the most talented mimics in the natural world. They have so many intricate, unique disguises, and they often combine visual, behavioral, and acoustic forms of mimicry in order to produce an uncanny resemblance.

Several of these incredible mimics have already been featured on my blog: moths that mimic jumping spiders, a moth that mimics a broken birch twig, a moth caterpillar that can mimic a snake, a moth that disguises itself as two flies feeding on a pile of bird droppings, a moth that mimics a dried-up leaf, a moth that can mimic a cuckoo bee, and a moth that mimics the leaves of a poplar tree.

Moths are just so much more interesting than people generally realize.

Sources & More Info:

Journal of Ecology and Evolution: A Hypothesis to Explain Accuracy of Wasp Resemblances

Entomology Today: In Enemy Garb: A New Explanation for Wasp Mimicry

iNaturalist: Myrmecopsis polistes and Pseudosphex laticincta

Transactions of the Entomological Society of London: A Few Observations on Mimicry

[drchucktingle]

a moment to check the gears and cogs

feel like i want to talk a little on the message of a recent post because i think it is an important point. when i say that you do not need to QUALIFY OR DEFEND your love of tinglers or my work in general, i am pointing out an interesting social anomaly that happens with my art and with queer art.

as an autistic buckaroo i notice patterns, and on social media i see them a lot. little phrases that come up again and again with my art. ‘yes THAT chuck tingle’ ‘its ACTUALLY good’ ’my favorite author i have never read’ ‘so bad its good’. these are always added after a POSITIVE comment about me

they also all have something in common. they are trying to distance the posters SINCERE JOY and give them an out socially. it is very very very subtle, but they are all saying ‘yes i like this but here is a sliver of acknowledgment that it is also weird or bad or ironic. in not REALLY fully in'

essentially these are added because it means the poster can escape their very real joy if needed. try applying these phrases to any other popular author. its much more subtle with the first two: ‘i liked all fours by miranda july, yes THAT miranda july. its ACTUALLY good’. what does this imply?

the other examples are a little more blatant but lets try them with other authors anyway. imagine saying ‘youre my favorite author i have never read’ to stephen king. would you EVER say that to someone? what does that imply? how about 'i love your books theyre so bad theyre good'. horrifyingly rude

lets dive into saying 'CHUCK TINGLE is my favorite author i have never read’ sounds unusual when substituting other authors because theyre usually not queer or autistic or making outsider art. to be blunt, why CHUCK gets it all the time is because it really means 'i like chuck tingle but im not gay’

while we have mostly culturally evolved past the idea that saying ‘no homo’ is some kind of joke, that FEELING is still around. it has just burrowed a little deeper. honestly it might never go away, or at least take centuries. remember these people GENUINELY LIKE MY BOOKS but feel they MUST qualify

should also be pointed out that LEFT and LIBERAL people are the ones who say this stuff to chuck. they do not MEAN to harm, and if you ask them directly how they feel about queer or neurodivergent people they would not express the same opinion as their subliminal comments might imply

the final elephant trotting by is while some of this is homophobia and fear of a neurodivergent other, it is also just plain old IRONY POISONING. its conditioning from being raised on an internet where sincerity was ‘cringe' and loving something was a weakness or joke. these problems work in tandem

so whats the point? what can we do? first of all, just recognizing these patterns is a start. i didnt HAVE to write all of this today but i think its important to be aware and to look inward and think about the gears and cogs that churn behind the things we say. NEXT step is trying to push past it

if you have done these things in the past, i want you to know i am NOT AT ALL UPSET. i am not mad or hurt and i do not think any less of you. you can trot by my side any day and you are trying your best to prove love. we are ALL just tryin our best, just consider this a friendly chat between buds

proving love can happen in BIG WAYS and it can happen in SMALL WAYS that we barely see. just take a moment and think ‘WHY am i saying this? WHY am i in this pattern to distance myself from outsider or queer art?’ a little moment of consideration goes a LONG way buckaroos. LOVE IS REAL

[parasprite]

Random- but the op of “new guy just dropped” post with the sound scapes actually made the post to share his beautiful experience of the world.Wasn’t made to be mean. Just so you can enjoy the post knowing it was made in recognition of something great and not made to be cruel

yeah you're right it's still a nice post and i dont have a problem with op it was just something that was on my mind

[vincentbriggs]

so i am newly in a wheelchair which has been a Massive gain in my ability to go out and about. but i realized that i have aprox 0 clothes that look Good while seated. its a completely different silhouette and i am at a loss as to what to do for it. do you have any suggestions for what could look good seated? preferably no skirts or dresses.

Edit: Check the notes for more people's input, including actual wheelchair users who know much more about what works than I could!

Congrats on chair acquisition!!

Since you're sending this to me specifically I am working under the assumption that you mean to do some amount of sewing.

A high waisted silhouette definitely works best for sitting. I make all my pants with the waistband at my natural waist, and a bit of pleating or gathering at the back just like they did on 18th century breeches, and I've never noticed any particular discomfort from sitting in them. (I think high waisted pants are more comfortable in general, and that low rise jeans are evil.)

It's something I've never really thought about before, but sitting is a very legs-forward position, so perhaps a colourful or fancy stripe down the side would work well.

(I made this pair 10 years ago and they didn't fit well and are long gone, but I should do a better version someday...)

Or some other form of side seam decoration, like these fabulous button tabs.

(I don't know what the source for this mid 19th century fashion plate is.)

Cropped jackets would also be good. The first thing that comes to mind for me is the Carmagnole, which was a style worn by French revolutionaries. It's got a pretty similar cut to a regular 1790's coat, just shorter.

(Source)

(Source)

And there are other styles of short jacket, like this one from a few decades later.

I think it might be possible to get a similar effect from cutting down a thrifted corduroy jacket, depending on the pocket placement? It's not something I've done myself though.

A fancy little bolero could be a lot of fun too! I quite like these ones made by Marlowe Lune. Super easy to sew, and could be patterned by cutting down a bigger pattern that fits the torso.

They'd be a good thing to try if you have a smallish piece of fancy fabric, or a small bit trim to use, or want to try a small amount of embroidery.

There are lots of historical styles with sleeves too, and all sorts of decorations.

(Dunno the source for this one either, unfortunately, but the pin says 1880s reception dress. I think a little jacket like that would look good with a puffy shirt and pants.)

Short capes might be practical too, and the late 19th and early 20th century have tons of fancy capelets for inspiration, like this one.

Or this one.

I hope this is somehow helpful! I don't know if you're looking to sew things from scratch or to buy and alter stuff or what, and I have no personal experience using a wheelchair, but these are the best things I can think of for a suitable silhouette. Dramatic sleeve/shoulder puffs would also be shown off to great effect, if that's something you'd like to wear.

[aventurineswife]

Could I request Jing Yuan, Dan Heng, Aventurine and Ratio with a very generous and doting partner who makes them an abundance of gifts?

New weapons, a couple plushies, and many more

Gifts of the Heart

Tags: Jing Yuan x Reader, Dan Heng x Reader, Aventurine x Reader, Ratio x Reader, Fluff, Gifts, Tender Moments, Soft Romance, Lighthearted, Emotional Vulnerability, Comfort, Slice of Life, Found Family.

A/N: why was I listening to cure while writing this? 💀

Jing Yuan's office was a sanctuary of calm amidst the chaos of the Xianzhou Luofu. However, today it was anything but calm. Piled high on his usually immaculate desk were an assortment of meticulously crafted gifts: a new weapon stand made of polished silver, embroidered cushions for his chair, and a plush lion that looked suspiciously like Mimi.

You walked in with another package, your cheeks flushed with effort and excitement. "I thought you might like these," you said, setting down the final bundle—a lightweight, beautifully designed cape lined with reinforced threads, perfect for both combat and ceremony.

Jing Yuan leaned back in his chair, his eyes glimmering with amusement. “Dozing General or not, I fear I might soon become the spoiled General if this continues.”

You smiled, brushing off his teasing. “It’s not spoiling if you deserve it.”

He reached for the plush lion and held it up, a rare chuckle escaping his lips. “Even Mimi has a twin now. Truly, you leave no detail overlooked.” His tone softened, and he leaned closer, his expression uncharacteristically tender. “You’ve made my world a much brighter place. Thank you, truly.”

Dan Heng was used to silence. It was his comfort zone, a shield against the chaos of the universe. But lately, the quiet in the archives had been punctuated by the rustling of gift-wrapped packages.

At first, he had been perplexed. Who needed a custom-crafted spear attachment inlaid with celestial patterns? Or a weighted blanket embroidered with stars and constellations that mirrored his room’s nightlight setting? And the plushies—one resembled Cloud-Piercer, another was an adorable caricature of his own stoic self.

You stood behind him, watching as he carefully examined a new spear stand. “Do you like it?” you asked hesitantly.

Dan Heng turned, his expression unreadable but his eyes softer than usual. “You don’t have to go to such lengths for me.”

“I want to,” you said simply. “You deserve to feel cared for.”

He hesitated, then reached for the plush Cloud-Piercer and placed it on his desk. “Thank you. I… appreciate everything.” His voice was quiet, but the sincerity in it spoke volumes. For the first time in a long while, Dan Heng felt that his solitude wasn’t a burden he had to bear alone.

Aventurine’s office was a chaotic display of opulence and extravagance, but now it had taken on a more personal touch. Golden dice-shaped ornaments dangled from the corners, a new set of playing cards lay on his desk, and a plush peacock sat proudly atop his chair.

“Another gift?” he asked, his signature smile playing on his lips as you entered with a set of intricately designed cufflinks shaped like roulette wheels.

“Only the best for you,” you replied, setting the box down. “I noticed your old ones were scratched.”

Aventurine picked up one of the cufflinks, holding it up to the light. “These are exquisite. You truly outdo yourself every time.”

You shrugged, grinning. “I just want to see you happy.”

His expression flickered, the mask slipping for a brief moment as he regarded you with something raw and unspoken. “You know, most people give me things expecting something in return. But you… you just give.”

“That’s because I care about you,” you said gently. “No strings attached.”

Aventurine chuckled, sliding the cufflinks into place. “You’re a dangerous one, you know that? Making me feel things I thought I’d buried long ago.”

Ratio’s lab was a temple of precision and order. Each piece of equipment had its place, every book meticulously cataloged. And yet, amidst the sterility of science, there was now a peculiar warmth: a plush owl perched on his desk, custom bookmarks tucked into his volumes, and a set of tools engraved with his initials.

“Another package?” he asked, raising an eyebrow as you entered with a sleek case.

You opened it to reveal a new set of instruments, polished to perfection and designed with ergonomic grips. “I thought these might help with your work.”

He inspected them with a critical eye, his expression unreadable. Finally, he set them down and turned to you. “You have an uncanny ability to surprise me.”

“I just want to make your life a little easier,” you said, smiling. “You work so hard; you deserve it.”

Ratio’s gaze softened, the sharp edges of his intellect giving way to something more human. “It’s rare for someone to see beyond the intellect and treat me as a person. You’ve done more than that—you’ve made me feel valued in ways I didn’t think possible.”

He reached for the plush owl, holding it up as a small smile tugged at his lips. “Even this has its charm. Thank you, truly.”

[keferon]

Please do explain the process I'm curious

Okay okay oka

So!

First of all, I carefully went through all the designs and noticed that many elements are repeated from character to character. Many of the characters share the same arms, legs, heads, and everything. Which led me to the idea that I don't need to imagine for myself what every element of Prowl's design looked like after getting the t-cog. I just need to see how the transformation changes the components Prowl is made of.

And what do you think - almost all of the parts Prowl is made of are found in other characters>:D

Next, all I need to do is look at how the transformation changed these pieces. And build Prowl's basic pieces out of them like a construction kit.

Now coloring is a tricky part.

It doesn't follow a clear system, but there are some vague patterns too.

The designs lean heavily on g1, so I took g1 Prowl as a basis. At the same time, those blue pieces remind me a lot of Earthspark Prowl, so he was taken as a reference too. (Transformers media always uses its own different generations as references. I figured I would better use the already existing official concept instead of my headcanons)

As a result. Yaaay he has doorwings~

Also ahaha yeah his chevron is still pretty small but let's face it. Tf one artstyle doesn't really allow it's characters heads to be sharp and pointy, they all are kind of rounded? I believe tf one Prowl's chevron wouldn't be big enough to change his silhouette.

So. Yeah this is it. I can assure you I tried my absolute best to avoid implementing my own vision on him and focused on matching the movie style instead. (And let me tell you haha if I designed him to look like I personality want he would look waaaay different)

[kawaiianimeredhead]

Being at my parents house has reminded me that I really kinda like their lil roaming vacuum

It really sucks there's a lot of shady things related to them

[yuamin]

ORORUN REDRAW GUIDE !

i think we’ve all seen the atrocity that is genshin’s unreleased character, ororun. the entirety of natlan is a mess really, but as a yoruba person myself i CANNOT keep quiet about ororun specifically.

outside yoruba mythology, in yoruba, ‘Olorun’ (the name ororun is based on, pronounced o-law-roon , with o pronounced as in orange and the ‘roon’ pronounced shortly, not dragged on at all) is actually the same word we often use to refer to God in Christianity. Christianity is the primary religion among us yorubas so honestly, i was kinda glad they misspelled his name. it would feel SO disrespectful referring to whatever that thing is with the same word we use to refer to God who we actually worship. religion aside, genshin’s depiction of Olorun (cultural god, not Christian one) is downright disgusting. i’d never paid too much attention to genshin and its poor representation, but now that my culture has fallen victim to it, i completely understand all the outrage.

edit: please note that while we use ‘Olorun’ to refer to the Christian God, Olorun is just a general word for ‘god’ itself ! for example if i say “God in heaven” and “god of thunder” we know i’m referring to two different beings, in yoruba it’s the kind of the same—the same word is used to refer to both the Christian and other gods, but we know it’s different, even though olorun can be capitalized regardless of what god we’re talking about (unlike english where the Christian God is capitalized and other gods aren’t) at the end of the day though, when we say “olorun” even without context, we are usually referring to the christian God !

1. PLEASE DO NOT DRAW HIM WITH ANIMAL EARS !

i’ve noticed that hoyoverse has this nasty habit of portraying every dark skinned character as wild or animal-esque. kaeya seems to be the only exception to this. even xinyan, though lacking any animal features, has this wild energy to her. some might call it a stretch, but i feel like her features are pretty feline in comparison to other liyue characters.

Olorun in our culture is the supreme god of the heavens. In my opinion, it is disrespectful to liken him to something akin to an animal. normally i wouldn’t even mind that much, but with how hoyo makes its few dark characters more and more like animals, i can’t help but feel weird about it. its really off putting.

2. HIS HAIR WOULD NOT BE CURLY !

majority of nigerians have 4C HAIR. not wavy hair or loose curls. some have 4B, but 4C is the usual here, that is, kinky or coily hair. Olorun is often portrayed as bald in traditional art, but trust me if he had hair his hair would resemble his people’s, not Tyla’s.

DREADLOCKS ARE A YES ! outside nigeria, locking hair is pretty common, but in nigeria a lot of people have locks naturally. our hair sometimes just grows out that way, no treatment no nothing. dreads are 100% an appropriate style, they look good asf too.

3. PLEASE USE CULTURAL FABRICS IN YOUR DESIGNS !

when i saw ororun’s outfit, i almost started crying. they couldn’t even bother to dress him up a little. they really dressed my brother in a scarf and cape and called it a day 😭 upon how fashionable we nigerians are know to be, hoyoverse still made it their mission to embarrass us stylistically. God knows my people have suffered man 😭

ankara is a traditional nigerian fabric that features bright colors and lots of patterned designs. see below:

here in 9ja, we love our ankara. it’s a big part of our fashion here and trust me it would look excellent in your designs. it’s perfectly fine to draw ororun in normal fabrics since he’s a deity and it’s not like ankara existed back then, but if you really want to represent nigeria, ankara is a must 🙏

i’m going to address another fashion piece because if you search up nigerian fashion you’ll see it a lot: beads.

these orange beads are igbo (another tribe here in nigeria) NOT yoruba. does this mean you can’t use it in olorun’s design ? no ! let me explain. tbh, here in nigeria there’s a bit of...tension between clans. it’s not that common, but older people are definitely a lot more tribalist. as a yoruba i love my igbo brothers and sisters, i truly believe they’re the most fashionable clan and i adore their festivities, they always go over the top. please, just look at them:

(only one image because of image caps, ugh)

anyway, we yorubas wear beads too. but the specific way the beads are worn around the head and in multiple layers round the neck is igbo, not yoruba. though i personally wouldn’t care too much if i saw olorun with igbo beads since all i want is for him to at least look nigerian, at the end of the day he is a yoruba deity. it might be disrespectful to dress the god of one clan as if he belongs to another, especially since there is so much historical ( and very slight but uncommon present ) day tension between both clans.

here’s a more yoruba outfit. sorry yall, it might be hard for you to distinguish if you’re not yoruba or igbo, but a lot of nigerians can tell the difference at a glance. ( actually nowadays, there is so much overlap between yoruba and igbo fashion, but there are many specific styles that may be associated with one tribe and not the other, for example how beads are worn in the above paragraph ) please do your research, he’s not only a nigerian god, but a yoruba one.

one more thing, because i know it will start discourse : skin tone.

nigerians have a very diverse range of skin tones. some of us are so pale, if not for our afrocentric features we could maybe pass for another race. however, ororun is yoruba.

light skinned nigerians are usually igbo. not to say that yorubas can’t be light skin, but here in nigeria if you saw a light skinned person, we’d automatically assume they were igbo. igbo people usually have lighter skin tones. majority of yorubas fall on the more milk to dark chocolate end of the skin tone spectrum. i’m saying this now because i know a lot of people are going to start arguments over ororun being redrawn as ‘too light’ or ‘too dark.’ i don’t really care about complexion, but i thought i’d help you all get your facts right.

that’s it ! if you read all this i’m super thankful. i don’t usually post about this kind of stuff but i honestly love my country and could go on about it for days. nigeria is such a beautiful place with a diverse range of cultures— from hausas to fulanis to so many more. natlan was supposed to be Africa’s time to shine, as well as latin americans, but hoyoverse said fuck you and your people. they did this to an extent with sumeru but natlan was done straight up dirty—not a single melanated character in sight, and the only one who does have melanin, iansan, looks so desaturated you might as well call her grey. i saw someone on tiktok call mualani a dark skinned character—it was at that point that i knew genshin was done for.

please REBLOG this post so it reaches more people and artists in the fandom !! this is literally the third time i’m making this post because tumblr refuses to show it in the tags for some reason 😭 i encourage other cultures who feel misrepresented to make posts like this too. it’s a perfect opportunity to educate and inform people about the diverse cultures genshin has once again failed to represent properly.

Hoyo has never been one to make customer satisfaction their top priority, but we’ve been able to call them out before and i truly believe we can do it again. Natlan is not poor design choice. it is blatant racism, a nation based on POC ethnicities with not a single colored character insight. Hoyoverse has been able to escape racism accusations for as long as i can remember, but natlan is the icing on the cake. we CANNOT allow hoyo to proceed as planned without giving them the appropriate backlash.

Also, if you redraw ororun using this guide, make sure to tag me here or on my main blog, @heartkaji !! i’d love to see all your redesigns. once again, thank you all for reading and have an amazing day !!

[team-frightfur]

Boy.

I like how his knife sharp and ruler straight hair both fits dgrp (ibuki mioda vibes) and adds to his punky vibes (especially the dramatic spikes at the back). Finally, the soft pink sunset lighting and hint of a dgrp school setting (with the school desk) sets the scene/mood rly well.

TLDR: Good work. Honestly im kinda curious about the rp at this point bc I want to know his story. This design says a lot but Im probs horribly off base. I want to know what it means. Is he even human? What is his ultimate? Is this the kind of Au where you try to translate his whole character arc or are you doing new, funky things with him? Its so intriguing to me.

Anyway, hope you enjoy the rp! And highkey that the RP is with a person 😐.

Love it when RPs lead to my best artwork