#its got me in the feels for sure

[hinamie]

mentor

[bacchuschucklefuck]

typical tavern scene

[bunnieswithknives]

Thanks.

Prev

[choccy-milky]

omg i woke up to see that my clora bonking her head on the headboard comic blew up on twitter and im scared so im hiding here...i like the HL community bc its small and low pressure but omg i feel like patrick rn... WHO ARE YOU PEOPLE?????

edit: when i made this post it was 30k AND NOW ITS AT FUCKING 100K LMAOOO WHAT RHE FUCK

me rn....what a useless achievement...mom i made it

edit #2: it’s at 220k now and i gained over 8k followers which is more than i originally started with and im so overwhelmed bc that means most of my followers on twitter now probably don’t even know about hogwarts legacy??? AND THAT DEPRESSES ME LOOL😭😭 im so conflicted on this

[elysiae]

do you think operator & drifter treat their warframes wildly differently?

somewhat insufficient TLDR: i think the operator and drifter are emotionally attached but in vastly, strikingly different ways, and it manifested very, very differently too.

in operator's case, it isn't that they dont *care*, but they know how durable a warframe is. they know they can take one hell of a hit, and they'll be okay because that warframe takes the brunt of it (albeit with some phantom pain if the damage is bad enough). theyre less comfortable outside the confines of those large, bulky war machines because they know they're ultimately safe. those warframes can take hits. they cannot. the operator knows they were people, but they never met those people before the tragedy. besides... a lot of them really are just empty shells. they're hardly the people they once were, especially since they recreated those warframes from blueprints. don't get me wrong, they do remember the anguish of the originals - they were there, they lived it, and they still have empathy for them... but the operator knows the limits of every warframe like the back of their hand - they can maneuver however they want, they can take hits, they can run into armies and not be too afraid because they (as in the operator and the warframe this time) be fine. even if the warframe is damaged, they can fix the damage, so no harm done.

but drifter on the other hand? at first i think they never really realised the power they had. in their mind they were still them, just running, rolling on the occasion, it took them ages to maneuver those things *properly*, and probably only ever really learned with the operator's guidance. they would not let a warframe take a hit, not because they felt empathy for it (at least not a lot, last i checked you kind of need at least *some* to have effective transference?) but because they were so used to walking around vulnerable. yknow, not inside a killing machine. but what would've really solidified the difference was after they went to 1999. sure, hearing that these things used to be people is one thing, but at the end of the day, to drifter, they're still just machines. drifter never got to experience what the tenno did, they never had to deal with reaching into their freshly scarred minds to ease their anger, sorrow, fear, rein them in like the terrified animals they were turning into and hush their cries with understanding - they only knew the dead inside remnants... but it's an entirely other thing when you go to the past and see the people who were hurt. you meet them and you get to know them, become their best friends - maybe even date one of them - and it hit drifter like a fuckin' freight train. they have this entirely different view on warframes from that cold perspective they had at first. they weren't just war machines. those are people. every time they go into the head of those machines, they're looking through the eyes of *people.* people who had families and desires and hobbies, things they looked forward to, entire futures ahead of them that were snuffed out. people who were scared, people who didn't know what was happening. people who knew what was happening, who lived in fear knowing they weren't able to stop it... people who lived in fear of losing themselves. and i think it hit drifter a lot harder than they'd ever admit.

but thats not to say one of them is more attached than the other - both of them care deeply about their warframes. it's just that, they have different ways of looking at them. after all their experiences were so vastly different, it'd be impossible to look at them the same way.

(too lazy to type it out all over, but i have an example in the tags i think kinda helps pull it together more)

[baalzebufo]

miscellaneous gideon related doodles ive been doing over the past few days bc my brainrot has set in and its unfortunately terminal. some things:

so ghost-eyes sticks around in gideons life, as do the other prison buddies of his. theyre actually a shockingly good influence. despite being willing to commit crimes whenever, they bring a sort of temperance to gideons more. insane thought processes that stops him from doing anything TOO horrible these days. ghost-eyes especially is his hench-uncle. hes a good egg

also some older gids doodles... he wasnt sure if the pines would ever want to hang out w him after the events of that summer but time smooths over some things. hes capable of being normal around her now but he'd be lying if he said he didnt still have a little flame in his heart when it came to mabel

also do you think he ever just remembers something he did as a kid and is like Hey What The Hell Was That About. because thats the funniest mental image to me. sitting up in bed and going 'ten years ago I made a giant robot'

what a life you live

[planetvries]

Reading Sansûkh . . .

having . . . f e e l i n g s . .

[faggottonystark]

look at me im so awesome. Og is from 2020

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[ricky-mortis]

Have some Ted doodles- as a treat.

[justaz]

like i’ve said time and time again, i haven’t watched bbc merlin in years but i was just wondering when the first time merlin called arthur by his name to his face and im scrolling thru the transcripts on the fandom wiki (supposedly it was s1ep4 btw) and im skimming the script for all these episodes and getting angrier and angrier. gaius was wrong for all that. morgana deserved so much better. edwin muirden was valid as hell (for targeting uther AND gaius. yeah. i said it.). also kilgharrah ate with that one lil line “then turn a blind eye. that is, after all, your talent” okay lizard brain pop offff.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[puppppppppy]

doodles of my fav sillies

anton belongs to @poicyss

[bluehairedspidey]

Scout: I'm too fast to shoot. Sniper: I've hit a hummingbird at 50 yards. Scout: That's... actually impressive.

[thesupernaturalhouse]

Vaggie: Alastor can you watch the eggs their being....eggs and I have to- just take them off my hands

Alastor: ooo i certainly will....

Vaggie:.....in a peaceful manner. Alastor.

Alastor: mmm well that's less fun, also why should I watch them?

Vaggie: well you're going to some meeting and I have to help charlie-

Alastor: didn't she excuse you from your duties for today?

Vaggie:...why would she- why would I ask for that??

Alastor: why, you have to come to this meeting to my dear!

Vaggie: no I dont?? It's an overlord meeting I'm not an overlord-

Alastor: but you are!

Vaggie: if anything charlie should probably be going with you rather then me- what what??

Alastor: I'll explain on the way! *just fucking leaves*

Vaggie: wha- alastor! Alastor I swear to the lord you better explain!

Alastor: hmmm, well you're an overlord my dear I don't think there's anything else TO explain

Vaggie: right...but I'm NOT an overlord??

Alastor: I beg to differ, I knew there was something off about you but couldn't place it until Charlie said something

Vaggie: Charlie- what does- okay you know what? You're insane. I'm going to go talk to Charlie myself!

Alastor grabs her shirt collar like a kitten: ah-ah-ah you have a meeting to attend my dear! It's be bad manners if you skipped it, whoch I suppose you've been skipping them for the past 5 or so years?

Vaggie: No, I haven't! and let go of my you asshole!

Alastor: hmmm no I don't think I will~ come on now! We're already half way there!

Vaggie: ugh, at least tell me how you and xharlie think I'm an overlord- which I'm NOT by the way!

Alastor: well...do you remember that sinner you saved? The one you had a slat with and ended uo teaching self defense?

Vaggie: how do you-....ah, charlie- what does that have to do with anything??

Alastor radio noise of displeasure: well, APPARENTLY they told more demons, you DO remember the large influx of demons who came to you right?

Vaggie: I.....I um....yeah....

Alastor: well they said they owed you 'favors' correct?

Vaggie:....fuck.

Alastor: they gave you their souls until said favor is called upon! You not using it has apparently given you the reputation of a very lenient overlord, a defensive and protective one at that! So more people cane to you, you trianed them in defense and most gave you their souls so you could call upon them for a favor at a time of your choosing!

Vaggie: going through the 5 stages of grief trying to process it all

Alastor: On top of that, the other overlords seem to be threatened by the fact you have so many souls and demons going to you WILLINGLY, you not showing up to meetings and beong little morningstars girlfriend doesnt help that either!So this will be a fun first meeting~

Vaggie: no no no no no nope! Alastor, you let me go right this second! I am not- no! Alastor! Alastor!!!

Zestial: Alastor and...oh the defensive Overlord nice to meet you again nd to finally meet you

Vaggie: ¿¡Quién diablos es esta araña joder!? (Who the hell is this spider fuck!?)

Part 1 | Part 2(here!!) | Part 3

[werewolfsmile]

Just watched The Big Bang Job again today and I rambled about this in an earlier post reblog but it deserves its own post..

The way Eliot dresses makes so much more sense after meeting Moreau and his goons. He rejects all notions of being anything like those well dressed men in their suits again. So blank and uniform, just another soldier in Moreau's private army.

That's why his shirt is always untucked, sleeves rolled up, collar unbuttoned. Not to mention the hair - the biggest rebellion is his hair. A constant reminder of who he is now that stays the same, no matter what he wears.

And it just makes me think how this is such a good representation of the identity crisis he went through (and let's be real, is still going through).

Eliot used to be one of those men. He had his hair short, wore the tailored suits and carried the guns. He didn't accessorise. He suppressed every aspect of an individual personality in order to fit the role that Moreau had for him.

Sure, we're not blatantly told all of those things in the show, but we can infer, simply from looking at Moreau's goons and how they're presented.

Seeing Eliot surrounded by those goons in the pool scene is more than just showing us the threat to Eliot and Hardison - and also the threat that Eliot and his reputation present. It's about showing us the demons of his past, the nightmare that he doesn't want to go back to. Eliot had alluded to his past before but it's been nebulous. Now, we finally see that past take shape and it's hideous.

But Eliot didn't stay like that. He got out - he got free - and he has been reclaiming pieces of himself ever since. Until, finally, he's the evolving Eliot that we know and love. He prefers to dress casual and relaxed, with strong reminders of his roots throughout. He keeps his hair long and loose - not military regulation, not 'professional' as far as male standards go, not even convenient for fighting. It's all a way of stealing himself back, and making sure the differences between who he was then and now are stark and vivid.

I could keep rambling but this is already twice as long as I intended. Just ... Eliot Spencer. He still doesn't view himself as a better man, never mind a redeemable man, but he is. When compared to those goons, his transformation is clear as day.