#its about SO MANY characters
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Y'all ever love a character too much to draw them???
Like oml I adore them but... I get the art scaries so bad with them that it usually doesn't even occur to me that I could XD
#ltbd rambles#this is about#maki zenin#if anyone was wondering lmao#i mean#its about SO MANY characters#but rn its about maki haha#literally working on a whole-ass mechamiwa art series#but I havent drawn one of the queens of the jujutsu world???#idk how that happened lmao#its kind of like character voices#some of them I can HEAR so easy#other ppls voices just don't ~stick~ no matter how much I love them#same thing but with art bro maki come home i miss you#(its my own fault I haven't drawn her haha)#favorite characters#jjk#jujutsu kaisen#jjk maki#at least I've drawn yuta nobara and suguru lmao#artist struggles#fanart stuff#anyway i love hot girls who fight#queens for real love them#well - really any gender of hot person that fights lmao#pretty much explains my media taste oops XD
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the restrained sniffer
#a doodley#anthro#furry#this 100% works more with their human forms but i am not immune to funny kitty#though i guess ''to wear'' doubles as like wearing.... it as a blanket...#sorry its so awkwardly broken up...tumblr allows so many pics so i get to make sure all the nice details are front and center#anyway im an overexplainer and in the past ive gotten so nervous about Action in my little comics#like. how will people know a character did [thing] if i dont show them doing it!!!!!#so this was also a mini exercise in omitting action...like i didnt waste panels drawing talon pulling the shirt on#or al putting on his horn toppers#finally; i had another related doodle idea i never drew out but might now if i remember to....#but wrt smunker's pillowcase and a resulting incident#point being Talon is a smell enjoyer...
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Cooking up an older Clervie outfit design so I don't have to keep drawing her looking like her child self but Long
#genshin impact#clervie#ngl i have so many thoughts about an older clrv's design but at the same time artistically im not that creative </3#mostly tried to make her look more like a direct contrast to arlecchino's design (which was already present but we ignore that)#cause arle's design is mostly very sharp and angular while i'd imagine clervie's being much more rounded out and softer#like they are the round vs pointy cat meme in human form#the hair was really tricky cause on one hand much like everyone else we dont really keep the same hairstyle our entire lives#butttttt at the same time idk i feel like her long hair flowing down (and her headband) are very recognizable parts of her#so i decided to not change much (also cause i dont trust myself making multiple drastic changes without changing their identity too much)#also halfways through coloring I realized she's kinda giving crucabena outfit wise but we ignore that </3#anyways clervie would def be a support/healer character if actually playable (leaning more towards buffer support imo)#ITS A MASSIVE 50/50 IF SHE WOULD BE A HYDRO OR ANEMO USER but i decided hydro for the time being cause it compliments HOTH's dpses more#aka Arlecchino Lyney and partially Freminet since if i remember correctly he's more physical based but cryo nonetheless#i just really like the idea of Clervie's passive being along the lines of boosting stats/dmg if there's HOTH members present in a team#anyways sorry for the text wall I just really need to be kicked out of the kitchen#i am UNDERCOOKING the food#character design is not my passion </3
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i like how leverage throws in random details that are never elaborated on. hardison gets himself a front row seat at the oscars each year, but we only see that in a single throwaway flashback. parker broke a guy's fingers for touching her and it wasn't even a plot point, it was just one in a series of memories of stabbings and so forth. eliot continually knows extremely specific information which implies some extremely specific scenarios he's been in. the more we find out about sophie's backstory, the more questions it raises about what the hell is wrong with her. and the more we find out about nate's backstory, the more questions it raises about what the hell is wrong with him.
#leverageposting#leverage#parker leverage#sophie devereaux#alec hardison#eliot spencer#nathan ford#parker#i say all of this with affection btw. i love these silly characters and think its great that many things are left open-ended for us to fill#in or wonder about or just find really funny. their ambiguities and quirks make them feel so much more real and three dimensional.
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Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.
Bonus points that their final chapter was released on yaoi day.
#first of all absolutely no hate to izuocha#i actually really like them together romantically or not. i love their dynamic so much#but you must know just how hilarious and absurd it is#that this series started with them crushing on each other#and then ochako's attraction to deku became an important part of her character#BUT they completely turn it around and made it about#deku's meaning as a hero and being saved#and ochakos expression of love and understanding others#like. that is legit very compelling and a beautiful relationship#but they did not become A Couple. at least- nothing confirms nor denies it#just like how a queerbait relationship would be#absolutely hilarious. i honestly love how it ended like this#doesnt mean i love the ending tho. oh boy its weird and legit bad in many areas#But this? My god I am so fucking sold.#God bless izuocha bakudeku and togachako i love you all#evelynpr bnha#bnha#mha#my hero academia#mha 430#mha spoilers#bnha spoilers#bakudeku#bkdk#tgck#togachako#i dont think I'll tag izuocha cus...im scared#i really dont hate it guys I promise I dont#izuku midoriya#ochako uraraka
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he loves those dumb twins sm, the found family aspect of this show makes me go crazy!!!!!!!
(1st pic is referencing this post lol)
#venture bros#brock samson#hank venture#dean venture#doc venture#bloodtw#so........... i just watched this show for the first time! caught it on yt when it was airing live and. the rest is herstory#it's the camp. its the humor. it's the animation. its the passion the creators have for their own project. its the CHARACTERS!!#sad about them getting cancelled but they stuck around for a LONG time for adult swim and the movie was fun!#UGH THE ANIMATION. this show has my heart for so many reasons idk how ive never watched it before#*edited the swears out cause tumblr is a good Christian app that likes to hide my stuff from the tags
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
#zukka#zukka fanart#sokka#sokka fanart#zuko#zuko fanart#atla#atla fanart#avatar the last airbender#zukka fic rec#myart#yall. yall. dani. this FIC#first off it made me cry twice. not like 'oh im crying' internet speak no. like. eyes are too blurry to read let me stop this for a sec#it is SO GOOD#your prose? amazing#your insights on grief? life changing#THEM??? THEM their relationship and trust#'zuko looked at him and his world shifted on its axis'#ive been thinking about that line for WEEKS STRAIGHT#i can't tell you how many passages i screenshot just because of how beautiful or cute they were#the moment of seeing the painting of sokka's mom? how did you manage to make it so telling character wise--so sweet so PAINful AND so#cute with their relationship?!!?!#'oh so you think i'm beautiful too'#GOD#i had so many scenes i wanted to draw it was crazy#also#'Our loved ones leave impressions on us that can still impact our decisions and feelings even after they're gone'#fuck. had me crying AGAIN#seriously this fic is so wonderful and not just through a zukka lens. truly life changing you're an AMAZING writer#the fandom is so lucky to have you and i can't Believe it took me so long to get around to reading this masterpiece
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~ Extremely Unwilling Magical Protagonists Attempt To Outrun The Plot And Not Fucking Die ~
(@takofukkatsumi this tag is from a while ago but it hasn't left my brain -- L-Space got very weird all of a sudden)
#discworld#rincewind#the luggage#svsss#shen qingqiu#sqq#takofukkatsumi honestly thank you for this tag i've been chuckling on and off about the luggage overtaking sqq for a while now#something about it feels Right. no one expects the luggage until it's on you#honestly my main goal out of this picture is to force svsss fans to witness The Luggage and its horrible legs#shen yuan and rincewind hit that awkward point where you're keeping pace with a stranger#you can't quite manage to speed up or slow down at the right point to break contact#so they end up having a VERY weird conversation#at least anything sqq says is not the weirdest thing rincewind has heard#got sucked into a book? let him introduce you to the librarian#actually now i want the librarian to meet the system#if anyone could figure out a way to beat the system's head in it'd be an orangutan offended on behalf of literary characters everywhere#conversely both sqq and sqh are capable of ''speaking'' with pratchett style footnotes ARE are capable of seeing each other's footnotes#they weaponize this against each other immediately#honestly intrigued to see how many notes this gets - what's the general overlap between discworld fans and mxtx fans?#or is it literally the two of us here in this venn diagram?#i feel like it should exist though - are both not simply fantasy parodies in one variety or another??#my art
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Ideology of Exceptionalism and Gravity Falls; meta and character analysis
I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.
Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships.
The Ideology of Exceptionalism
First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional.
For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given.
This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.
Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people.
However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.
This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.
Ideology of Exceptionalism and Gravity Falls
The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism.
Ford and Exceptionalism
Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously;
“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”
Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.
Image id: Stand and Ford when they were children, both clearly enjoying each other's company.
Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised.
Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.
Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.
In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.
Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'
Ford and Bill
All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?
And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life?
And then it's better than that.
A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.
Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all.
Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.
So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.
All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.
Ford’s Exceptionalism and Wider Relationships
Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.
For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself.
As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.
Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.
It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it.
And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.
Bill and Exceptionalism
Now of course, that's only on the Pines; what about Bill?
While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'.
This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone.
Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.
Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).
Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.
In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows.
And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism.
Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.
Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.
They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.
Stanley Pines, and the Refuting of Exceptionalism
Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.
But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back.
And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.
In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.
And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.
Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.
TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.
Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me
If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)
#gravity falls#ford pines#stanford pines#bill cipher#stanley pines#stan pines#hugin rambles#hugin rambles gf#journal 3#the book of bill#thisisnotawebsitedotcom#billford#fordsquared#gravity falls analysis#gravity falls meta#book of bill#tbob#christ its so long whyyyy#also oh nooo i wanna do another thing but SPECIFICALLY on trust. gravity falls is ultimately about strength in community and hnnnghhhhh#that makes me wanna cry#also i had so many thoughts. also on the denial part of exceptionalism??? oh baby Bill fucking LISTS it in his book#like sir. please#anyways i love media analysis and im totally normal about all these characters#also like Fiddleford is. like. yikes man.#anyways uhm. does dropping a 6k essay post make me sexy? please say yes (i HIGHLY doubt it#sheesh who's got time to read all this... psssspsspspp theres PHOTOS that TOTALLY dont have more reading in rhem nawwww#i totally dont know what ur talking about mhmmm#if youre like is this about gifted kids- yes. yeah. i just didnt name it. its also about wider things but. yeah#also. unofficial title? Gravity Falls and Gifted Kid Issues an analysis#oh boy sure hope my post about gifted kid issues is a hit on the gifted kid issues site
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Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)
#double bonus can you identify the 2 or 3 fe3h characters that AREN'T in the scene?#i say 2 or 3 but i probably forgot more :( im using you people to check my work#fe3h#carrying over my posts from twitter choo chooooo#fireemblem#im not going to tag everyone but you're welcome too! good luck!!#instead let me tell you about the mini narratives i came up with while drawing this#soren is waiting for Ike to get back with food#seteth just noticed flayn dancing WITH A BOY from afar#rhea was supposed to sing but got superseded (she's okay with it actually)#monica and ferdinand are trying to start a dance off with edelgard and hubert (its not working)#Ashe stepped on Annette's toes and is freaking out. Lorenz is trying to give pointers but it's only sort of helping#balthus absolutely stole some of the betting pool money. i think i forgot to ink the coins falling out of his hands! dang#metody and shahid are going to become great friends and have a wirlwind romance before one betrays the other in a cutthroat fashion#Lysithea left a single cake slice on the table and Miklan is just happy to have gotten his before she showed up#ike and leopold had a flex off#Gilbert is stuck between young lovers this isn't a narrative i just think it's funny#oh and of course Sylvain managing to piss off Sera Charlotte and Maribelle while Felix ignored him and Ingrid looks on#that's supposed to be roy not eliwood btw i forgot to color his headband so it's basically eliwood#that's all i can think of rn but if you played#thank you!!! i hope you had fun#this was SO much fun to make thank you to the mods for facilitating me#haha this post has been up for 20 minutes and people are already pointing out so many characters I forgot. ur keeping me humble
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
#humans are space orcs#humans in space#earth is a deathworld#earth is space australia#tagging this so that ppl can find it even though the space shit i write about always feels like its in direct opposition to all the pop tag#also my biggest pet peeve in all of writing - all writing. everywhere. not just in fanfic but books and tv and movies too - is when people#write off an injury by saying something like 'oh nothing bad just a couple of scratches some bruising and a minor concussion' like girl WHA#MiNOr ConCuSSioN is such an oxymoron and I hate it so fucking much. like i dont care how minor it was thats still brain damage.#especially when the same character does this more than once. like im sorry ms. but uh. you can no longer read. or talk eloquently. sorry#evidence: my brother has had two 'minor' concussions and now cannot read write or speak without tremendous effort. And like its totally#ruined my ability to watch action shows/movies because now i just sit there and count how many concussions there characters are getting#after a certain point it becomes totally impossible to believe that these guys are able to function. (still fun to watch tho im not a hater
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hey so this is your permission not to improve at your hobbies. you dont gotta do more or try new things with it. you arent obligated. are you happy drawing the same 3/4 profile headshot of your blorbo??? do that. enjoy walking but dont wanna go further than your usual route at your usual pace? dont. enjoy collecting trading cards but dont actually like playing the game? never play the game. like learning the names of birds but dont care about their calls? just learn those names babeeeyyyy.
do what you want as you want and as many times as you want in the ways you want to. i am actually asking you to do this. you dont even need to get better. crush that weird feeling that you need to be doing 'more'. the goal doesnt have to be improvement. it might happen incidentally but like, thats whatever. you can set the goalposts and then just sit by them and enjoy the scenery. if you decide to move them or get up and sit somewhere else thats cool, but you dont gotta. doing things that make you happy is enough
#can Improvment be fulfilling? yes. but this aint about that.#being stationary can be fulfilling too. being content can be fulfilling. its okay not to try and optimize your hobbies#i spent a year not Trying To Be Better at drawing and just making my characters in little comics with noodle arms a big round heads#and it was so much fucking fun#i never got better at them. so many of them looked the same. didn't care it was fun to draw them#i enjoyed them. i enjoyed sharing them#and then i decided okay time for something different and moved along#you're allowed to rest on your laurels no matter what#you absolutely should be resting on your laurels
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I need to chew both of them like a stress toy
#senart#solarballs#i hate them i hate earth (proceeds to draw only them for the rest of the day)#ANYWAY HC#earth changes his clothes a lot but he usually wears tshirts. Or he would just wear same thing until it felt uncomf to be wearing it#its either new outfit every earth day or the same fit for a whole week theres no in between#i have so many thoughts about him man why does my brain always pick these kinds of characters#AND LUNA IM SO SORRY YOUR DESIGN IS SO BLAND 😭😭 ILL DO YOU BETTER NEXT TIME#sigh i totally dont have favorites#i ll write more later man im so hungry rn i cant thinkmn
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seb vs. clora's Childhood Friend™️ 😇🥰 ((from my new chap! ao3/wattpad))
#omg theyre such besties just dont turn around clora😍#also i lied. NOW theres 2 chapters left LMAOO. i forgot im a yapper but this time FOR REAL#hogwarts legacy#sebastian sallow#sebastian sallow x mc#sebastian x mc#choccyart#also if you like the dynamic between seb&clora youll like the manga that i used as a ref for this chapters pic#ITS SO GOOD go read firefly wedding#its about an unhinged but sweet yandere dude who just wants to keep his girlie safe and marry her and kill anyone who gets between that🥰#i found it recently via pinterest cuz ppl posted some manga panels and i immediately binged the entire thing LOL#i wanna do manga panel redraws but make it seb and clora bc its basically already in character anyway LMFAO#i took down the link to the exact panel i used as ref just so that the post isnt read as spammy with too many links#but if u want the exact panel dm me or its on my twitter
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He was just being a silly little guy!
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#jin guangyao#wen ruohan#nie mingjue#lan xichen#JGY's character is the zigging and zagging guy of all time#We love a little meow meow that can bite and scratch and kill you.#We also love a little meow meow that can mewl pathetically!#'He's evil now and torturing his former friend?" ZAG TIME: He's a spy and feels soooo awful about it!!#ZIG TIME: He (probably) didn't need to go that deep into the role and kill as many people as he did.#Something I really love about the sworn brother trio is how they reflect how our feelings distort our perception of others.#Lan Xichen represents how when we love/care about someone -anything they do can be endearing. They aren't manipulative: they are clever.#Its less about rose tinted glasses and more about reframing every look you get of them. The constant justifications you make for them.#They just need a space to be loved! “They care for me so I will stand by them no matter what to show them I'm there for them!”#While NMJ represents how when you dislike someone - Everything they do is an affront or proof of their foul character.#Everything is a sign. Everything is 'proof' they are just as awful as you want them to be. Every 'good trait' is twisted.#The problem is that most people are just human. They are flawed and they are capable of good and bad things.#Meng Yao's motivations are very complex. Yet he's extremely human all the same. He isn't the saint nor the monster of the story.
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yknow sometimes i see art of haurchefant and like. by all accounts its good art. but for some reason they fuck up his nose. and im like. its a simple nose you just gotta not invert it
like does this guy look like he has a little button nose to you
its weirdly common i think some of yall are just allergic to drawing cool facial features
#SO many artists get it wrong it makes me saddddd#stop giiving hima nose job. please#this happens with a lot of ff14 characters actually#which is unfortunate because something i like about ff14 is that its got like. slightly better face diversity than a#lot of other anime style games#like its not GREAT but its a lot better than a lot of other things#haurchefant greystone#ffxiv
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