#its 10:56 :0

[yourfavoritehouseplant]

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character. 

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along. 

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

[bkaulitzz]

𝐓𝐰𝐨 𝐍𝐞𝐠𝐚𝐭𝐢𝐯𝐞𝐬 𝐃𝐨𝐧’𝐭 𝐌𝐚𝐤𝐞 𝐏𝐨𝐬𝐢𝐭𝐢𝐯𝐞

check out more of my stuff on wattpad >0< b_kaulitzz

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info: ANGST, fem!reader x bill, usage of Y/n, 3.1k words

synopsis: you and bill cool off at a club!

more after cut :0

your dialogue

bill’s dialogue

I gripped the bed sheets as I sniffled, the room was dark, and I could barely see him yet I knew the look that he was giving me. My chest heaved up and down, eyes were blurry as I fluttered the tears away. His hair was disheveled, eyes wide with pursed lips. "You couldn't just fucking tell me that?"

"Tell you what? That I was at fucking work?! Do I have to text you every second now?!" Bill bellowed, clenching his fists that laid by his sides.

"That's not the point, Bill, " I hoarsed through sobs. "I was worried, okay? What if you got into a car crash or something?"

"You're doing it again, no I didn't get into some fucking car crash or whatever you're worried about, " He took steps closer to the bed, looking down at me. "It's almost as if you want it to happen."

"No, I don't! I would never wish that on you, Bill, " I brokenly sobbed and he let out a heavy sigh, pacing around the room.

"That's your problem, " He stopped by our dresser, slamming his fist onto it, causing the loose screws to shake and let out a noise as they hit against the wooden holes they sat in. I flinched, watching him turn his gaze towards me over his shoulder. "You're always fucking worried, I can take care of myself. Do you know how annoying it is-"

"I just care, Bill! I just want to know that you're okay and that you'll be okay. That's all I fucking ask for, " I sniffled, the skin under my eyes burned as I wiped the tears away from my puffy eyes with the sleeve of my sweatshirt. The light from the hallway lit into our room, revealing Bill's face a bit with a beam. His mascara and eyeliner were runny from sweat or tears.

"Well, it's fucking annoying. Every second you text me to see where I am, or what I'm fucking doing-" He was cut off.

"Because I fucking care-"

"No, you're fucking insane! None of my exes have ever acted this way!-"

"Don't you dare compare me to them as if they've never done you wrong!" I snarled, pointing a finger at him as I clenched my jaw. He grit his teeth, furrowing his brows. His nostrils flared as he breathed heavily, we kept eye contact in silence for a few minutes before he parted his lips.

"I rather be with them than you, at least they knew when to leave me the fuck alone, " Bill spoke through clenched teeth. I felt my heart drop as I looked at him, my lips parted as my jaw hung low. My stomach turned as he looked at me with narrowed eyes and a frown, reaching into his back pocket. The sound of cigarettes shuffled as he pulled out the red-detailed 'Marlboro' box. "I'm gonna go smoke, I hope it lights on fire and burns the house down, " He scoffed before walking towards the bedroom door, not giving me another glance as the wood under him creaked. I bit my lip, feeling my face heat up as tears began to well up. I whimpered, falling back onto the bed, and reaching over for my phone on the bedside table. My face was lit up by the phone screen as I flipped it open.

— (these are text messages under)

AMBER (sorry if ur name is amber)

Me - 10:56 PM

"Amber answer pls."

Amber - 10:59 PM

"im here, what happened?"

Me - 10:59 PM

"he got home and the first thing we did was argue."

Amber - 11:01 PM

"again?? this is like the 7th time or somrthibg"

Me - 11:01 PM

"ik, i dont know what to do"

Amber - 11:01 PM

"well if he keeps doing this then u should dump his ass"

Me - 11:02 PM

"ik but i love him :("

Amber - 11:02 PM

"yea ik but hes toxic for u, theres sm better guys"

Me - 11:02 PM

"ig :( but hes so sweet"

Amber - 11:03 PM

"but is it worth it? for all the arguments?"

Me - 11:03 PM

"maybe its bc we r just out the honeymoon phase rn :("

Amber - 11:03 PM

"idk Y/n, ig."

Me - 11:04 PM

"we just have to see"

Amber - 11:04 PM

"okk wtv u say. also off topic but should i do pink or blue streaks?"

Me - 11:04 PM

"oh, pink, r u dying ur hair rn?"

Amber - 11:04 PM

"yea i just got it bleached. anyways, i just hope it works out"

Me - 11:05 PM

"i hope so too, im gonna go sleep now"

Amber - 11:05 PM

"sleep well, ily"

Me - 11:05 PM

"ily too"

—

I closed my phone, tossing it onto the table before pulling the blanket over me. I sniffled as I snuggled into the bed, fluttering my eyes close before drifting off.

***

My feet stood against the cold tile of the kitchen floors as I diced the potatoes. The ventilation hood let out a low hum as I boiled water on the stove, making stew for one. It's been days since we spoke, I couldn't even remember his voice by now. We barely met eye-to-eye anyway since he left early and came home late. I slid the bad piece of the potato to the side of the cutting board, continuing to cut the rest. I froze, seeing the familiar painted nails and each silver ring that fitted on each finger, snake around my waist. I bit my lip, continuing to cut the potatoes as I felt his chin rest on my shoulder.

"Love..." Bill spoke softly into my ear before placing gentle kisses on my ear lobe. "I missed you, " He continued, placing more kisses on my ear as he held me close. I stayed silent, focusing as I placed the pieces into a bowl. "I'm sorry for yelling at you...and saying all those things, " He kissed down to my neck, moving his hands onto my sides. He massaged my sides, placing long opened mouth kisses on the right side of my neck. "I didn't mean it, any of it. You're the sweetest and one of a kind...nothing can excuse what I said, " He hummed, continuing to kiss my neck. I felt my face heat up, my eyes welling up as my lip quivered. "You have to speak at some point, please?" He frowned against my skin, slowly moving his hands up my shirt. I shivered at the cold touch as he held my waist from under.

"How could you say those things to my face?" I wept, a tear falling down my cheek. He clicked his tongue, turning me around. The knife fell out of my hand and into the sink. Bill frowned as he looked down at me, his focus being on the teardrop on my cheek. He lifted my face by my chin with his finger, pecking the salty tear away. He wrapped his arms around my waist again, leaning back to look at me.

"My baby...I was having a bad day and I shouldn't have taken it out on you, " He pecked my lips, and I sniffled as I allowed him.

"You were so mean, " I whimpered, looking down at the neckline of his t-shirt.

"I know, I know, " He cupped my cheek, moving my gaze back up at him. "I'm sorry. I know you were just looking out for me, I was just so stressed, " He leaned in, placing his lips on mine again yet not pulling away this time. I reciprocated after a few seconds, closing my eyes before throwing my arms around his neck. His lips were soft and plump as I remembered each line that made up his lips. He moved his hands down and under my shirt to hold my waist again. He smiled against my lips, his hands wandering my body. I let out a pleased sigh, pushing myself against him. Bill let out a grunt, our lips moving against each other. He pulled away after a while, giving me a few pecks before his lips left. "Do you wanna go out tonight?"

"Go out? Where?" I tilted my head, moving my hands down and back against the counter I was leaning against.

"The club, since I know you love to dance...and drink, " He wiggled his eyebrows, smirking. I scoffed, rolling my eyes.

"You know I love the drinks, " I hummed, standing up. "I guess we can."

"We can go...only if you forgive me, " He bit his lip with a smile.

"Fine...I forgive you, " I rolled my eyes. He grinned, pulling me back for another kiss. I let out a huff as I widened my eyes before kissing back.

"Go get ready, " He pecked my nose, reaching back to turn off the gas stove. "I want everyone to see how beautiful you are, " He hummed and massaged my sides. I nodded with a grin, pulling away to rush to our bathroom.

***

I licked the sweet taste from the corners of my lips, sitting on a stool by the bar. Bill's hand rested on my bare thigh as he sipped his glass of whiskey. DJ announcements roared into my ears as he announced the next song, scratching playing after that. Red lights hit Bill as I turned my attention to him, his eyes already on mine as he caressed my thigh with his thumb. He stayed close as people passed by dancing or dragging their feet.

"You having fun?" He asked, tilting his head as he placed his empty glass down on the counter, that was fogged with condensation.

"I guess, we haven't danced yet, " I shrugged. He hopped off his seat, taking my hand in his to pull me out of my seat. I let go of the glass in my hand, following along as he pulled me through people.

Bill grinned as he turned to me, stepping into an empty spot. There was enough room for us but people continued to hug us in. He took my hand to his lips, kissing my knuckles before spinning me around. The music pounded into my chest as I pushed myself against him. He held my arm above my head, his jeans tickling the back of my thighs. I bit my lip as my feet stayed stagnant, and my ankles flowed with me as I moved my body against Bill. My body heated up as I did. He followed my rhythm, mirroring each body roll I did. He grinned, wrapping an arm around my waist as we continued. I laid my head back on his chest, continuing to roll my body with him. His hand snaked down to my thigh, caressing it as I grinded against him. People continue to dance around us. I reached back with my free hand, my fingers tangling with his hair as my hand held his nape. He grinned down at me and I looked up at him with a lazy smile. My hand slid from his nape to his cheek, pulling him in for a kiss. His lips pressed against mine and I closed my eyes, my gloss, and his chapstick mixing. I gasped softly, feeling his soft grasp move to my waist. Bill pulled away, turning me to face him.

"I'll be back, I need to go to the restroom, " He pecked my lips again.

"Stay safe, " I let out. He nodded in response, kissing my nose before pulling away. He pushed the people, making his way to the restroom. I lost sight of him, making my way back to the bar. I sighed, taking my seat again, and turning my whole body onto the counter. I laid my handbag in my lap, motioning the bartender over. "Get me something sweet, please, " I grinned, watching them get to work. I rested my hand as my elbow rested on the table. I frowned, looking around as the dark-haired male wasn't back or anywhere nearby. I looked down at my lap, popping my handbag open to pull out my flip phone.

—

BILL <3

Me - 12:37 AM

"bill u ok??"

—

I furrowed my brows, staring at my phone for five minutes. My palms grew slick from sweat, and I closed my phone with no response. I nibbled on my lip, watching as the drink was placed in front of me. "Thank you, " I mumbled, taking a sip as my thumb fidgeted with the fingers on my free hand. I flinched, seeing a tall figure enter my vision, but it wasn't my Bill. I kept my focus on my drink, shaking my left leg up and down against the shiny floor.

"Hey, " The low voice spoke behind me, leaning onto the counter to face me. He snapped his fingers in my face, furrowing his eyebrows. "I said hey, lady. Gosh, do girls just ignore good-looking men these days?" He scoffed. I turned my head slowly to him with an eye roll. His hair was curly, ginger. Skin pale with sharp, green eyes as they stared right into my eyes.

"What do you want?" I covered my drink with my palm. He grinned as he stared over my features, his gaze slowly going down to my cleavage. I placed my free hand over my chest, scoffing. His face was stubbled with the same hair color that sat on his head.

"What do I want? Is that how you flirt? I'm just trying to be nice here. I see a nice woman alone at the bar and I approach her, " He spoke, even though he was inches away and the air was stale, I could smell his beer breath from where I was sitting.

"No, I'm not alone. I'm here with my boyfriend, " I scoffed, sitting up straight and tightening my core.

"Well I don't see him, don't lie to me, " He snickered, a hand reaching out for my shoulder. I widened my eyes, instinctively picking up my drink and throwing it in his face. He clenched his eyes shut, covering his eyes with a hiss. "You fucking bitch!" He growled. I slammed the glass down, sliding off my seat before running to the restroom. I pushed past people, the music growing distinct as I made it to the long hallway. My heels clacking and echoing through them.

"Bill! Bill!" I called out with a cry. I froze in my steps, hearing loud kissing noises and small groans. I took a turn, the kisses only becoming louder. I felt my heart sink, seeing familiar brunette hair with pink streaks tangled into his polished fingernails. Bill's eyes were shut closed as his lips moved against Amber's. His hands on her in a way that he would never touch me the same. I covered my mouth, feeling my face heat up, my eyes blurry as my stomach turned. Her hands were on him, places where I knew he was weak. I felt my knees shake, the pain in my feet from the heels where I once felt like I floated.

"Fuck...I love you, Amber, " He breathed against her lips. She smirked against his lips, moving her kisses down to his neck. He groaned, throwing his head back, his eyebrows knitting as her hand trailed down. I bit on my lip harshly, clenching my fists as they moved down to my sides. I dug my nails into the vegan leather that made my hand bag, turning around. I breathed heavily, my chest heaving as I stormed away. My face was damp by now, and I looked down as I moved past people, making my way out. Once the cold air hit me as I made it past the bouncer, I let out sobs, my chest heavy as I wiped away my tears. I looked at my hand, it was covered by the runny mascara and foundation I had on.

"God, how could they?" My throat was sore already from breathing uneasily, taking out my phone for a taxi.

***

I couldn't eat or sleep, staying in bed all day. The makeup from three days ago was still on my face with small residue as I laid in sweats. I held my pillow, hoping that the next sound from downstairs would be Bill opening the door with flowers in hand. Yet, I was disappointed after each small creak, having nothing come in return. I sat up, the sheets shuffling against me as I leaned against the headboard. I reached for my phone, gritting my teeth as I dialed her.

"What?" The feminine voice answered.

"I thought you fucking cared about me, " My breath was going at a familiar pattern from days ago, my nostrils flaring as my nails dug into my palm.

"I mean...why did you think I was trying to get you to break up with him?" Amber yawned.

"He's gonna do the same to you, " I snarled. She sighed, rustling could be heard from the other end.

"I don't think so...I mean. Why do you think he always comes home late?" She responded. I could feel the smirk on her face and scoffed, wiping the tear that rolled down my cheek.

"I don't even know you anymore, Amber, " I sniffled.

"When did you ever?" She breathed. Small kissing noises could be heard with more rustling.

"Who's on the phone, babe?" A masculine voice groggily spoke.

"No one, Bill, go back to sleep, " She giggled softly as kisses noises followed. "Stop, babe, " She whined softly as more kisses followed.

"How can I? You're so beautiful, " He murmured. I felt my throat form a lump, my stomach turning as if I could vomit right there and then. I clenched my jaw, putting my lips to the speaker.

"Fuck you both, " I snarled through bared teeth, closing the phone shut, tossing it aside. I sniffled, wiping my eyes one last time, before heading to the shower.

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WRITTEN BY MEEE

bill, bill kaulitz, angst, sad, kaulitz

[maddogofshimano]

Hello! Seeing this blog was an insta-follow. JW, did u do a translation somewhere of…whatever this is? https://youtu.be/tfAqq15hv5s?si=xXzvWG1ImZ_qGGGb

I’d love to know what she’s saying, I’m scraping and scrounging for more Goromi content. There *is* a translation in the comments section, but it’s worded strangely…

hey thanks!! I am waaaaaaaaay less confident in translating spoken stuff, especially with Goromi's wildly fluctuating accent and general screeching but at one point I did go through and do some of the easier ones. however!! a kind soul has transcribed everything in the comments since the last time I checked so I'm doing this proper now. under a cut because it got long lol

italics is Goromi dropping into the masc Majima-style voice

0:00 どーもー ゴロ美でーす。真島? あ? 誰やそれ つべこべ言わんと はよドンペリ入れんかい! Hiii I'm Goromi. Majima? Huh? Don't talk about whoever that is, hurry up and bring out the Dom Perignon! 0:13 はぁあん 仕事もできる女 それがゴ・ロ・美 またモテてまうわぁ はぁ 参るなぁ Haaa~ A woman can do work too. That's Go - ro - mi. She'll be popular again. Haa~ Give me a call~ 0:28 めっちゃジロジロ見られたわぁ 嫌やわぁ セクハラちゃうー? I'm gettin' stared at so much. I don't like it. Is this sexual harassment? 0:35 よっしゃー! 暴れるでぇお前らー! All right! I'm gonna go ballistic on you all! 0:39 あ? パンツ見えてる? だからなんやねん Huh? Ya can see my panties? Watch where you're lookin'! 0:46 あーあ 早う桐生ちゃん来んかのぉー Ahhhh… won't Kiryu-chan hurry up~? 0:53 なんや 俺は安い女とちゃうで　 What is it? I ain't a cheap gal. 0:59 あ? パンツ見えてる? いやーんこのドスケベー 目ん玉くり抜いたろかぁ! Ya can see my panties? Ooooh ya perv~! I'll gouge out your fuckin' eyes!* 1:08 いやーん ええ飲みっぷりやないかぁ ちょっと見直したでぇ Oooh, you seem like ya can hold your drink~ I'm startin' to come around on ya~ 1:16 うち 強い奴が好きやねん うちを その気にさせたいんならぁ 殺す気で来いやぁ! Me, I like strong guys. If ya want me to like you… then ya better come at me like ya want me dead!* 1:27 やだ ゴロ美ったらドキドキしてる 気に入ったでぇ おぉ! ドス持ってこいやぁ! いっちょやり合おうやないかー! No way, ya got Goromi's heart all flutterin'. Oh! This is perfect for my dagger! Time to fight!" 1:39 うちも一杯もらってええか? 今日はなんだか飲みたい気分やねん Is it alright if I get one too? Today I'm in the mood to drink. 1:48 はい どーぞっ! ゴロ美特性 ゲロマズカクテルやでぇ なぁ 飲めや Here you go! Goromi's special super yucky cocktail! …Hey, drink it. 1:57 桐生ちゃん 驚くやろなぁ Kiryu-chan's a surprisin' guy~ 2:01 ゴロ美 ドキドキしちゃう You're gonna make Goromi's heart flutter.* 2:04 うちが ナンバーワンキャバ嬢 ゴロ美や 覚えときー I'm the number one cabaret girl Goromi, ya better remember that. 2:12 ヒーヒッヒヒヒー 惚れても知らんでぇ Hehehehee not my fault if you're fallin' for me~* 2:16 ますますべ���ぴんになってくでぇ I'm becoming more and more beautiful~ 2:20 奇麗なバラには トゲがあるんやでぇ A beautiful rose still has its thorns. 2:26 魔性の女 それがゴロ美やでぇ Goromi, a woman with a devilish nature~ 2:31 ゴロ美の新たな魅力 感じてやぁ Experience Goromi's fresh new glamor. 2:36 ふぉーん なかなか見どころあるやないかぁ ま、けどアフターはお預けや There's a lot of good things to see, aren't there? Well, that will have to wait for the after hours date. 2:45 やるやないかぁ へえぇ ゴロ美アフター権 進呈したるわ このボケがぁ! Well it can't be helped. I'm presentin' ya with the rights to an after hours date with Goromi. Ya dumb ass! 2:56 ご指名 おおきに Thank ya for requestin' me.* 2:59 男女がやる事いうたらー 喧嘩しかないやろがぁ! There's a thing that men and women do together… They fight each other! 3:06 か弱いレディーに 何するんじゃボケェ! This weak lady, what the hell are ya doin' to her, idiot! 3:10 あかーん そんなんじゃゴロ美は濡れへんでぇ! Siiiilly, that kind of thing won't get Goromi wet! (tl note: I……………………. I feel like there's something I'm misreading here. but. turns out I'm not!!) 3:14 当店はお触り禁止じゃぁ! We don't allow touching in this establishment!!! 3:17 野暮な男は嫌いやでぇ! I hate men with no manners!!

(tl note: the rest of these are various battle callouts) 3:24 ボトル入りまーす! Bottle comin' through! 3:26 これ うちの名刺! Here's… my business card! 3:30 ゴロ美に惚れたら 火傷するでぇ! If ya fall for Goromi… You're gonna get burned! 3:35 お客様は神様 なわけあるかボケェ! The customer is king… what a stupid idea! 3:41 イーヒッヒヒヒー 太客認定したるわぁ! Eeehehehehee, I just bagged a big spender! 3:46 シャンパン入りまーす! Champagne comin' through! 3:49 花は いつか散るんやでぇ Flowers will… always scatter… 3:54 終わりがあるから 美しいんやでぇ Because they must end… They are beautiful… 4:01 またのご来店 お待ちしてまーす! We look forward to seeing you agaaaaiiiin! 4:05 はぁ うちをもっと燃えさす奴はおらんのかいなぁ Haaa… is there no one left who can get me fired up? 4:11 ゴロ美の「み」は 皆殺しの「み」じゃぁ! The "mi" in "Goromi" is… from the "mi" in "minagoroshi"! (tl note: wholesale slaughter) 4:16 稼ぎ時を逃さん女 それがゴロ美じゃボケェ! Goromi, a woman who's never let a chance to make a profit escape her! 4:23 ヒヒッ ゴロ美 ほてってきたでぇ Hehe, Goromi's burnin' hot! 4:29 ヒヒッ 延長やぁ 当たり前やろ! Hehe, an extension. Obviously! (tl note: for using a continue in a fight) 4:36 ごっついのぉ Real strong, huh… (tl note: for losing)

whew! as usual if I fucked something else please tell me some of this stuff gets real in the weeds. all I can do is my best

thanks again for the follow and for suggesting this! I'm real glad I took another look, that minagoroshi line really made me laugh. unrelated to Goromi but I'll have a new event up in a week or so because the one going on right now is so incredibly funny to me. it's a Saejima event. look forward to it * Edit: a couple of line corrections thanks to @imustbenuts Thank you again!!!

[midnight1nk]

y̶͙̍o̶̳̚ṵ̶́r̵͓͗ ̵͚̔m̷͖̋o̴̳͆v̵̧̓e̴̦̒ ̴͕́S̵̭̎M̵͙̓G̶̖͘4̷̬̆

IGBP REFERENCES & CONNECTIONS IN "THE MARIO PC VIRUS" EPISODE

[spoilers ahead]

✧

✧

✧

✧

✧

Ambition

the project SMG4 is working on and motive

[The Mario PC Virus // timestamp 0:10]

[It's Gotta Be Perfect movie // timestamp 0:56]

"Say the line, SMG4!"

[The Mario PC Virus // timestamp 0:10]

[It's Gotta Be Perfect movie // timestamp 0:20]

Need Some Editing Help?

Computer buddy

[The Mario PC Virus // timestamp 2:04 to 2:25]

[It's Gotta Be Perfect movie // timestamp 4:02 to 4:19]

Leave A Note

oh hey, Windows Notepad

[The Mario PC Virus // timestamp 2:28 to 2:43]

[It's Gotta Be Perfect movie // timestamp 4:02 to 4:19]

(and the fact that SMG4 uses a Windows PC ~Ink)

Every Mario's Worried for SMG4

[The Mario PC Virus // timestamp 3:28]

[SMG4: Mario Steals The Constitution // timestamp 2:50]

A Loss of Work and Patience

An event cuts off Four from his progress and noise being what ultimately pushes him to take action

Plus, Mario Buddy plays "relaxing" music for SMG4, which 4 is not a fan

[The Mario PC Virus // timestamp 3:30 to 3:50]

SMG4: "SHUT UP!! CAN YOU ALL SHUT UP?!?! LOOK AT WHAT YOU'VE DONE!!!"

[It's Gotta Be Perfect movie // timestamp 3:25 to 3:55]

They're Always Watching

File Names (as much as I could decipher) from left to right, top to bottom:

[Default]

Blue Screen

Green Screen

Pure Red Screen

Pure Green Screen

Pure Blue Screen

Green 1

Green 2

purple 1

purple 1\puzzle

[The Mario PC Virus // timestamp 6:11]

Left to right, top to bottom:

[Default]

Blue Screen

Pure Red Screen

Pure Green Screen

Pure Blue Screen

green screen

purple screen

vn

vnooom(??)

name(??)

[It's Gotta Be Perfect movie // timestamp 1:07 to 1:09, 2:44]

(Gonna do a whole theory dedicated to Goop!4 and bring back my analysis of the eye designs ~Ink, again)

[It's Gotta Be Perfect movie]

PC Takeover Through Mother Board and Mind

Four's PC controlling its system vs the PC controlling Four

[The Mario PC Virus // timestamp 0:05 to 0:10, 8:03 to 8:16]

[It's Gotta Be Perfect Movie Countdown stream]

Did Somebody Call For (Military) Backup?

[The Mario PC Virus // timestamp 9:30 to 13:53]

[It's Gotta Be Perfect movie // timestamp 13:39 to 13:53]

A Sacrifice

Time, sweat, and tears went into his work but he was forced to left behind (the virus, to save 3)

[The Mario PC Virus // timestamp 11:58]

[It's Gotta Be Perfect movie // timestamp 1:07 to 1:09, 2:44]

Your End of the Deal

a deal offered through the computer buddy to aid Four's work but they demand something in return (star of Four's videos vs. control over Four)

[The Mario PC Virus // timestamp 12:06 to 12:40]

[It's Gotta Be Perfect movie // timestamp 30:58 to 31:11]

The Choice

knowing his self-worth :)

[The Mario PC Virus // timestamp 12:44 to 12:50]

[It's Gotta Be Perfect movie // timestamp 34:00 to 35:00]

.・-: ✧ :--: ✧ :-・.

Ink here! That's all the ones I could find, but if I missed one, let me know, and I'll add it to the list. Four has really come a long way, and, believe it or not, he learned his lesson from IGBP.

Of course, he accidentally installed Mario Buddy, not a suspicious keyboard offered by Mr Puzzles. But once he realized what he had done, he tried everything he could to get rid of the program (after some fun).

By the end, when Bonzi offered to give Four's files back while in turn allowing the PC buddy to be the star of his video, Four had a choice. Past Four wouldn't have hesitated because that literally was his work. I've been in a situation like this and golly, I would've done anything to get it all back. Instead, Four gave his PC up, similar to how Four gave up the USB with the perfect video (one he has worked on for WEEKS nonstop) to save SMG3.

(...should I even count all the scenes where SMG4 and SMG3 caring for one another?)

AND despite everything, he is still SMG4, a content creator with the wish to make people happy. Well, of course he wants his videos to be higher quality. It's his job as a YT creator and meme guardian, you can't just ask him to NOT make videos. The whole reason IGBP happened in the first place is because he felt that he wasn't good enough for his friends, driving himself to be perfect to prove that he deserves the Crew. But lesson learned, through Three's speech: he doesn't need to be perfect, his friends will always be there for him regardless. They care for him and it was worth risking their lives to save him from the possession.

He can always make another video but they can't have another SMG4.

Whatever his next big project is (the Castle, Meme Factory, videos in general), he'll do it with passion but never alone. Just as Four said at the end of IGBP: "...it may be different, but as long as we're all together, I'm sure it's gonna be perfect!"

So, he made his choice, giving up his PC because there is nothing to prove to anyone.

so.... SMG4 Team....

WHAT'S WITH THE IGBP CALLBACKS—

[ask-serendipity-sky]

10 Jikook Moments That Make Me Say "There is no way Jikook is not real"

You know how sometimes when you are watching some Jikook content you get the random thought that says "How in the world is this even real?!?" For reals. A lot of Jikook moments are just...magical. They are something else. Real "I am you, you are me" (I really like that phrase, can you tell?).

Some moments legit have no explanation other than it's 2 people who are in love and are together. Together? Forever. Forever?

So here is my list (In no particular order, except number 1 and 2. Those moments are just the top moments for me):

10. Jungkook melting

This particular scene left a huge impression on me. Jimin caresses Jungkook's face and Jk closes his eyes and let's the touch take him. Its romantic.

There is no way on Earth that 2 people can touch each other like this and not feel anything remotely similar to love. No way.

Sure, friends with benefits can do it, or just friends can do it, but to get to this point where your face is caressed and you MELT, that's undeniable love. Touch with love elicits this sort of response. And we don't only see this in this scene, there are tons of others where the same thing happens!

(Like in yesterday's Jikook hug. Jk melted into Jimin.)

9. Mma 2018

A classic, right?

Have you ever seen any 2 other idols do this? It's like they forgot the cameras and all the people existed and poor Hyunjae next to them raising his eyesbrows left and right lol The guy seemed traumatized lol

They let their romantic thoughts win. Jk couldn't get his eyes off of Jimin. He even wanted to help him sit lol The way he looked at him. Like he wanted to kiss every inch of his face. His eyes spilling love.

I've watched this so many times and I stare at my screen in disbelief everytime. But I get it. Sometimes the moment is then and Jungkook and Jimin lived it.

8. You are my Park Filter 🥰

We are only supposed to watch unedited content, right everyone? So if you want to watch the whole live, go to weverse. This is a nice summary lol

Every respected Jikooker needs to have watched this, in my opinion lol

Jk is being the best boyfriend he can be and comes running the moment Jimin calls. There is lots of hand holding, soft tones in their voices, and very boyfriendy vocabulary being exchanged according to k-army, smiles, laughs, an appearance by their best man Mr. Hobi.

I watch this and it's like omg, they are happy together. And it makes me feel all happy to 3rd wheel along lol

If that doesn't convince you, maybe Jimin's shy shy shy face will!!!

7. Finger heartu 💕

It's not the finger heart that makes me think Jikook is real...but Jimin's reaction. Like no Jungkook, we are supposed to be chill in this concert...

And then Nam in the back tying his shoelace, that is already tied, but serves as an anti anxiety technique when dealing with Jikook.

It caught Jimin by surprise, like all these grand gestures Jungkook likes to surprise him with.

6. Jikook in their wedding suits...just kidding. Jimin losing himself when looking at Jungkook

First of all, omg. They looked handsome that day. There was a lot of Jikookery going on in these awards.

And then I see this scene. I feel like it's rare when Jimin lets his guard down and allows us to see him melt like this over Jk. I think Jimin just forgot about the cameras. His sweet smile and soft gaze for Jungkook only got softer when Jk looked at him too.

Then reality hit and back to business casual.

My point is that you don't forget that all eyes are on you unless more important eyes are on you. So many people were watching, but to Jimin, the ones that are the most important are Jungkook's eyes. And the same can be said about Jungkook.

5. 2315 in PTD Seoul

2315.

But that's not all.

In that same concert, Jk also referenced the numbers:

BUT that is not all...

After that concert, Jk had a quick live on Instagram and he referenced the numbers in his own way:

0:56 seconds: "Finally, in Korea, in 2.5 years, feels like 23 years, we finally had a concert in Korea. We got to do it..."

23. I was trying to figure out what the 23 meant since he referenced it twice. And one twitter discussion said that the was referring to 2300 days. That made sense to me. Has anyone heard anything about this number?

But going back to the 2315....

So k-army did the math for us and found that 2315 from March 10, 2022 (PTD concert) is...

November 08, 2015, which many believe might be the start of Jikook or a date that seems to be very important to them.

There is just too much persistence from both Jk and Jimin to show us what 11/8 means to them. It's like the are silently screaming it for us to understand.

4. GCF Tokyo

If Jungkook still mentions it, then so do we!

Everything about this date captured on video is literally that...a date. The video doesn't even show Tokyo...just Jungkook's Jimin and he decided to share that with us. Not for fan service or because he was forced...but maybe because "I'll be loud for you, but you gotta be there for me too..."

Jk, the hopeless romantic, organized this whole trip and focused only on Jimin, another hopeless romantic.

Whenever I hear of people saying this video doesn't have romantic tones, I leaves me baffled.

After I played this video for my partner, before they knew anything about Jikook, they were like "So are these guys getting married?" Lol

The Jikooker anthem! Let's all watch it together and cry of happiness!

Boy, I'm holdin' onto something

Won't let go of you for nothing

I'm runnin', runnin' just to keep my hands on you

There was a time that I was so blue

What I got to do to show you?

I'm runnin', runnin' just to keep my hands on you

Runnin', runnin' just to keep my hands on you

Runnin', runnin' just to keep my hands on you

Said, I'm runnin', runnin' just to keep my hands on you

But you gotta be there for me too

3. Rose Bowl Ear Nomming

Friends don't do this. Friends just don't. No one does other than a significant other or someone who is interested in you romantically or sexually. Friends don't do this. I cant think of anything else to say lol just...Friends don't do this.

And then the aftermath photo doesn't lie either:

2. Euphoria

So I saw this observation in another blog but haven't seen anyone mention it. During this live, Jimin was playing everyone's song while doing Legos. He listened to Euphoria and afterwards, kept humming the melody and smiling. And after a while he says:

Why would listening to Jungkook sing remind him of being at home? It's not like Jk sings all day and night. It's not like Jimin has told us before that he listens to Jk sing about 8 hours per day...wait.

So yes, this moment is up there because Jimin's subconscious is telling us everything.

1. J-hope's Album Release Party

Ok, hear me out. In the bangtan bomb, we saw this for a total of 5 seconds max.

But this moment is LOUD. This right here should have been the end of any speculation. For reals, when I think about Jikook moments this is the biggest moment of them all. Why?

Well, because Jimin and Jk were just minding their own business in a little corner of the entire place. A little dark and cozy corner. From what we can see, their hands touching and being close enough. No one was around them. Just 2 people wanting to be close to each other.

And we've all seen this or lived this. At a party, when 2 people are hitting it off, they seclude themselves and people give them space and let be them be in their own bubble. Except that in this case, the camera caught them. Seriously, camera man? What was the reason!?!?!?

And we get Jk's face of "are you freakin kidding me?" Jimin getting shy and looking at Jk for reassurance. There wasn't supposed to be a camera or anyone around bothering. This was Jikook in their most natural state.

We also have to remember that this is during Jimin's time when he was living in the studio making FACE so Jikook wasn't spending as much time together. Jimin was taking a day off here and one thing led to another...and they are holding hands lol

And I love this moment because people don't get to say "you only have moment from 2018" "they are doing it for the cameras" "jikook jikooked when they were young but they got it out of their system" "so and so should have been there too so it wasn't a jikook thing" blah blah.

For me, this moment is it.

Watch the entire bangtan bomb and check out how Jk kept tabs on Jimin in the scenes where we see them together. And the same with Jm keeping tabs on Jk. Also, this photograph:

There is a better version of this photo but it's so edited that you can hardly see Jk.

Anyway, this is my number 1 because there is no way that this is not real.

Phew. It was hard picking...

I might need a part 2.

[michaelrotonal]

i can feel the personalities of numbers

i'll randomly generate some numbers from 1 to 100

23 - prime boi. not even tryin to hide it.

28 - how dare you be divisible by both 4 and 7. it just doesn't feel right

13 - definitely prime. sorta reminds me of 91. we'll get to that later

5 - 5 is just 5. too small to actually feel like a prime

21 - blackjack boi. divisible by 7

77 - why doesn't he feel divisible by 7

85 - haha eighty and five? you just can't make this up. doesn't look divisible by any number other than five

67 - this prime keeps visiting me when i play DIVE. can it stop

51 - composite wearing a paper-thin prime mask. like bro i can see that you're divisible by 3

27 - cube bois unite

70 - weird

27 - again? wh- i just did this one

77 - definitely divisible by 11. sorta feels divisible by 7

16 - is that 16 from hit game 2048?

98 - bro is two times seven squared. just needs two more.

77 - this is the third time i've gotten 77

90 - divisible by so many things

69 - nice. clearly divisible by 3 though

99 - clearly 9 times 11

19 - prime sandwiched between very composite numbers (18 and 20)

91 - composite wearing a cardboard-thin prime mask. only way you can tell he isn't prime is noticing that 91 = 100-9 = 10^2-3^2 = (10-3)(10+3) = 7*13

88 - hmm, eh, no? you can't do that

75 - a real threeven over here. with its five's divisibility it can go anywhere

24 - feels so good. so many factors

56 - 7 by 8. how could anyone ever confuse him with 54

69 - nice 2

99 - friends with %. try to keep him away

48 - woah that's a lot of factors. that's like. ten factors

20 - very practical.

46 - bro is clearly just double a prime

56 - hey wait you're the number of partitions of 11

24 - pretty factorizable. sure do love having factors.

34 - clearly double 17

78 - i can feel the 13-ness and the evenness but not really the 3-ness but definitely the 6-ness

25 - 24's neighbor. nice big square

93 - 3 times 31, not even trying to hide it

10 - why does he get to have the 0 symbol. he isn't divisible like 0 is

98 - i already did this one

36 - definitely triangular. definitely square. definitely not triangular and square

44 - ooh an elevener. haven't had one of those in a while

42 - 8 factors, but just took the idea from 30. literally just 2 by 3 by 7 instead of 2 by 3 by 5

29 - nice prime

89 - nice big prime

26 - feels definitely 13-y

28 - supposedly perfect. how can you be perfect when you're a multiple of 7. you gotta be smooth

50 - smoother than 28. 5-smooth rather than 7-smooth

8 - twocubed is 8 and has 8 letters. that's all i can really think of 8 as

8 - got the 2-ness and the 4-ness with a hint of 3

65 - fibonacci product (5 by 13), next-door neighbor to 64 (8 by 8)

33 - no. you can't do that. one more than 32? you can't take a power of two and add just one to it

41 - prime made of two squares. what is he hiding

71 - one-upping 70, isn't even weird

30 - the true classic 8-factor. 8 being 2 by 2 by 2, the 2 choices each for picking to include 2, 3, or 5

62 - just needs 2 more. definitely divisible by 31

50 - woa-oah. we're half way theere. woa-oah. one more than a square.

10 - too low to really feel like anything

8 - lives a double life as both a power of 2 and a fibonacci number

49 - 7 by 7. do not ever call him "one too few"

30 - 2 by 3 by 5. nice primorial

62 - okay this is enough repetition. i'm expanding the range to 1 to 150

140 - he should not be divisible by 4. he's 14 by 10 and those are both double prime, neither are divisible by 4

143 - nice little big prime collab between 11 and 13. good job

127 - mersenne prime. right after a super big prime gap, hits you like 2 bricks

114 - hmmm, no. you can't be even and then do this. what are you even double of anyway- double 57? you're divisible by 19? unbelievable

115 - now this is what i'm talking about. divisible by only 5 unless you divide it by 5

43 - also doesn't feel prime? like

110 - slips past the cracks. hides as 77 + 33. got 100 arrested using that strategy

72 - that is the second number with 12 factors (first being 60), and it definitely feels factory

61 - the whiplash of going from 12 factors to 2 is just too much

13 - itty bitty prime

101 - big boy prime. does not like the connotation that things like "physics 101" gives it

110 - gets overshadowed by 100.

101 - okay this has got to be a prank. who switch my rng with a binary rng

5 - mission impossible time signature. dun dun dn dn

68 - ough so close. definitely divisible by 4 but not by anything else

93 - hang on i already did this one

74 - 2 by 37? definitely feels like a double prime.

30 - okay i've gotten this number enough times.

83 - he is prime. he does not belong with cat face emoticons like uwu and owo

50 - yeah that's enough. this is my last number

[personwithatophat]

posting proof for cutscene theory because im no coward

TIMESTAMPS TSE - 38:10 Ep.2 when the cast is paused

TSE - 1:14:13 Ep.2 for the laser room scene

TSE - 32:36 Ep.3 for the start of the prerecorded hetch interaction (you can see charlies frying pan switch hands and camera work shift) Door Saga: play side to side and see that TFC removes any struggle to open the door even if its only half a second. also note TFC adds a 'door open noise' to the cutscenes

D-Door 1 Forest : TSE Ep.1 - 1:09 TFC - 0:56 D-Door 2 Beach : TSE Ep.1 - 5:28 TFC - 3:58 D-Door 3 Hell : TSE Ep.1 - 10:23 TFC - 5:27 D-Door 4 Slime : TSE Ep.1 - 38:30 TFC - 16:38

Ranboo tweet that prompted things happening off camera

Showfall mall layout provided by @blotomical and you better go check out their cool art. please they're in my walls

normalize posting your proof because even if the theory is wrong there's still useful information -Tophat

[mapsontheweb]

Cities by Impressiveness of Mountain Backdrop / Rut

by u/Gigitoe

After seeing the recent posts Cities with a better mountain backdrop than LA? ( u/odi3luck ) and This is a response to the LA mountain backdrop ( u/sam_woke ), I realized that I had the exact tools to answer a particularly niche but interesting question:

How do we quantify how impressive a city's mountain backdrop is?

To answer this question, we use rut, an indicator I developed back in the days to quantify how sharply or impressively the surroundings of a location rise above the location. (my research paper if you're interested)

Roughly speaking, rut works as follows:

The higher the mountains rise above a city, the more impressive they are, and the higher the rut.

The steeper the mountains rise above a city, the more impressive they are, and the higher the rut.

In the map shown, I measured the rut of every city with a population of over 100,000. Here's some cities in each tier and their corresponding rut values:

S tier - rut > 500 m (world-class, would visit for mountain views alone) -

Pokhara, Nepal (1358 m) | Chamonix, France (1336 m) [not on map; population too low] | Zermatt, Switzerland (904 m) [not on map] | Yosemite Valley, CA (617 m) [not on map] | Innsbruck, Austria (584 m)

A tier - rut between 200 to 500 m (impressive, but probably wouldn't visit just for mountain views)

Kathmandu, Nepal (482 m) | Almaty, Kazakhstan (478 m) | Santiago, Chile (469 m) | Provo, UT (429 m) | Tehran, Iran (349 m) | Lhasa, Tibet (325 m) | Monterrey, Mexico (268 m) | Tacoma, WA (245 m) | Kabul, Afghanistan (232 m)

B tier - rut between 100 and 200 m (mountains in close proximity, or big mountains further away)

Salt Lake City, UT (180 m) | Reno, NV (151 m) | Tucson, AZ (141 m) | Seattle, WA (137 m) | Vancouver, Canada (136 m) | Los Angeles, CA (117 m) | Milan, Italy (100 m)

C tier (glorified hills nearby, or distant mountains, or very distant big mountains) - rut between 25 and 100 m

Denver, CO (99 m; if only it had one more meter) | Tokyo, Japan (94 m) | Hong Kong (75 m) | Seoul, Korea (56 m) | Rome, Italy (48 m) | Knoxville, TN (39 m) | Beijing, China (37 m) | Sacramento, CA (30 m)

D tier (hills nearby, or glorified hills in the distance, or very distant mountains) - rut between 10 and 25 m

Istanbul, Turkey (24 m) | Jeddah, Saudi Arabia (23 m) | San Francisco, CA (22 m) | Quebec, Canada (17 m) | Mumbai, India (15 m) | Brisbane, Australia (12 m) | Pittsburgh, PA (10 m)

F tier (flat tier) - rut between 0 and 10 m

Syracuse, NY (7.4 m) | Birmingham, AL (5.2 m) | Dubai, UAE (5.0 m) | Columbus, OH (3.2 m) | Washington, DC (2.6 m) | Shanghai, China (2.4) | Paris, France (2.1 m) | London, UK (1.6 m) | New York City (0.7 m) | Chicago, IL (0.4 m)

So to answer the question, what cities have a better mountain backdrop than Los Angeles? Quite a lot... quite a lot.

Here's the data spreadsheet that was used to generate this map!

Edits: switched Vancouver to downtown measurement, added more cities, switched to steepness explanation instead of proximity explanation.

----------------

Note: rut measurements only consider rise above surroundings (relative height differences and steepness). They do not consider absolute elevation, nor the "aesthetics" of a mountain, nor visibility (or lack thereof) due to weather or smog.

This visualization was made possible with Google Earth Engine, MERIT DEM, and GeoNames.

If you like rut, you'll probably like its older brother jut even more. Jut is an indicator of  how impressive, spectacular, or badass a mountain is—considering both its height above surroundings and steepness. If you want to find the most impressive mountains near you or worldwide, you may find the link above to be useful.

Let us know if you have any questions or comments—I'm happy to address them!

[ms-m-astrologer]

Cosmic Events: September 2024

Executive Summary: the shadow of the eclipse begins on Saturday, September 7, and ends on Saturday, October 5. Also, probably due to this, we get only two Opportunity Periods all month!

Lunar Phases

Tuesday, September 3, 01:56 UT - New Moon, 11°04’ Virgo

“Think globally, act locally;” “Do what you can, with what you have, right where you are;”“I cannot do all the good that the world needs. But the world needs all the good that I can do.”

Saturday, September 7, 05:30 UT - Crescent Moon, 0°06’ Scorpio

Wednesday, September 11, 06:06 UT - First Quarter Moon, 19°00’ Sagittarius

Saturday, September 14, 20:39 UT - Gibbous Moon, 7°32’ Aquarius

Wednesday, September 18, 02:34 UT - Full Moon/Eclipse, 25°41’ Pisces

We are able to tune in to the Greater Cosmos - which we may not enjoy very much. There’s a tendency to let our imaginations run away with us.

Saturday, September 21, 07:26 UT - Disseminating Moon, 13°48’ Taurus

Tuesday, September 24, 18:50 UT - Last Quarter Moon, 2°12’ Cancer

Saturday, September 28, 16:47 UT - Balsamic Moon, 21°01’ Leo

Void of Course Moon

Monday, September 2, 00:25 UT (Leo) - 03:48 UT (Virgo)

Wednesday, September 4, 16:06 UT (Virgo) - 16:12 UT (Libra)

At six minutes, this is the shortest void Moon in September.

Saturday, September 7, 05:08 UT (Libra) - 05:18 UT (Scorpio)

Monday, September 9, 17:11 UT (Scorpio) - 17:26 UT (Sagittarius)

Thursday, September 12, 00:21 UT (Sagittarius) - 02:38 UT (Capricorn)

Saturday, September 14, 07:35 UT (Capricorn) - 07:53 UT (Aquarius)

Monday, September 16, 06:55 UT (Aquarius) - 09:39 UT (Pisces)

Wednesday, September 18, 09:02 UT (Pisces) - 09:24 UT (Aries)

Friday, September 20, 08:39 UT (Aries) - 09:03 UT (Taurus)

Sunday, September 22, 10:14 UT (Taurus) - 10:24 UT (Gemini)

Tuesday, September 24, 11:59 UT (Gemini) - 14:50 UT (Cancer)

Thursday, September 26, 22:12 UT (Cancer) - 22:47 UT (Leo)

Sunday, September 29, 03:36 UT (Leo) - 09:42 UT (Virgo)

At six hours, six minutes, this is the longest void Moon in September.

(Now that Pluto is back in the late degrees of Capricorn - and Neptune still in late Pisces, and Uranus in late Taurus - we won’t have any of those long slog void Moons for a while.)

Retrograde/Direct/Etc.

Transiting Mercury starts September direct, but still in its Storm. It exits the Storm on Wednesday, September 4; has its greatest western elongation on Thursday, September 5; and exits its post-retrograde shadow on Wednesday, September 11.

Transiting Ceres is in her post-retrograde shadow all month.

Transiting Pallas is in her post-retrograde shadow all month.

Transiting Jupiter is in its pre-retrograde shadow all month.

Transiting Saturn is retrograde all month.

Transiting Chiron is retrograde all month.

Transiting Uranus stations retrograde on Sunday, September 1.

Transiting Neptune is retrograde all month.

Transiting Pluto is retrograde all month.

Transiting Eris is retrograde all month.

Ingresses

Sunday, September 1 - transiting Pluto retrogrades back into Capricorn

Wednesday, September 4 - transiting Mars enters Cancer

Sunday, September 8 - transiting Pallas re-enters Sagittarius

Sunday, September 8 - transiting Mercury re-enters Virgo

Sunday, September 22 - transiting Sun enters Libra

(Aka the Libra Equinox)

Sunday, September 22 - transiting Venus enters Scorpio

Thursday, September 26 - transiting Mercury enters Libra

Opportunity Period

Monday, September 9, 15:07 UT - 17:11 UT. “This is a good, fluid time when emotions run deep and imagination is fertile.””

Sunday, September 22, 07:50 UT - 10:24 UT. “Productive time. Keep it practical since we are between eclipses.”

Et Cetera

The Libra Equinox is Sunday, September 22, 12:44 UT.

The “shadow of the eclipse” is a time period beginning 10 days before the first eclipse, and lasting until three days after the final eclipse. This time, that time period is September 7 - October 5.

———————————

Venmo Mary_Brack

PayPal MaryVBrack

Thank you!

[httpiastri]

this took way longer than expected but im back!

quick warning: this ask is really really long so putting that separation banner thing might help but if not, i hope this doesn’t bother anyone who has this pop up on their dash 😞🙏 (and please don’t hate me if it does)

important timestamps in pepe’s stream:

0:33 — pepe smiles and waves

1:21 — idk what this is but it’s so cute

3:54 — he got embarrassed 😭😭

9:03 — this is just attractive tbh

12:38 — 😊😊 (but really though why is he so casually attractive this is so unfair)

16:03 — his laugh…

12:33 — praising his mum

18:13 — from “i’m so sad” (x3) to “just get good mate”

18:37 — chitter chatter

19:32 — laugh

20:15 — quick flex 🤭😋

30:25 — his inner dork shows up and starts rating pokémon for us

42:19 — quick drop of the f-word

43:05 — bro idk this is just so cute he looks like that one specific picture of an otter begging for food with its paws together 😭😭

51:55 — quick mention of an incident (or backstory?) regarding his name that he proceeds to not tell us about

53:09 — this isn’t really pepe but christian has such a stupid sense of humour and icl i laughed

1:00:40 — christian’s stupid humour shows up again and this si the exact kind of joke i’d laugh so hard at and make under very specific circumstances and PEPE’S laugh is just so endearing here i love him so much

1:02:38 — pepe is good at chess, according to christian. don’t know if this is true— i used to play too but i forgot the rules and my family exclusively plays checkers (everyone’s insanely good at it) so i currently have zero knowledge about chess.

1:04:32 — “too tall 😞😞” (again, not for me, because my head would be right at chest level, as you so perfectly put into perspective for me😋😋)

1:05:55 — “kimi was always perfect” talk by christian and pepe

1:07:07 — pepe’s upset, christian says exactly what i’d say to him (this is just sweet tbh)

1:09:40 — quick stretch 🥰🥰

1:10:58 — i might be biased but i just think he’s so good at explaining and putting into perspective what exactly happens/happened during the race for us non-drivers

1:11:20 — ^^

1:11:37 — also so endearing

1:12:50 — sportsmanship or whatever but i love that he’s so respectful towards everyone

1:13:38 — kendall jenner mention by christian, also don’t knowwhat it is about this moment but it made me feel something about their friendship with sebastian (i don’t know how to put this feeling into words but i think they are mostly positive feelings)

1:24:33 — quick little dance to gata only (why’s he literally doing my default dance though 😭😭) but it’s okay i just think it’s so adorable

1:25:25 — CORRECTION: he can bench 138kg… which is insane to me but also he can do 150 on leg press?? that’s like three of me bro that’s so scary (🥰🤭😍😊) to think about

1:27:10 — christian reacts to pepe’s fitness the way i would (insanely)

1:38:56 — driving driving 🏎️🏎️ (really long section where i wanted to stare at him but was also enchanted and captivated by the smooth driving)

1:50:16 — “that’s what they said” joke 🤨📸

1:54:55 — quick thumbs up and a smile (what a lovable sweetheart)

2:12:00 — quick 🫶 followed by him crossing his arms

i’m sure there are more significant moments than this (like when he accidentally launched a tomato at christian in their game ((this is significant to me because again, i have a really stupid sense of humour and laughed really hard at that too)) but this is all i recorded and they’re mainly significant because they made me feel things (🤥🤥)

okay that’s it, bye bye!! some of the timestamps at the start (ish) might be a little off and you might’ve already watched the entire video but i hope this was helpful for you and anyone who may come across this (tbh this wasn’t an entirely selfless endeavour but anyway)— until next time (if and when new pepe content is dropped)!

p.s. i hope you also have a lovely lovely day ahead jackie!!

- 🪷

i'm very late but omFG i love you so much? you're crazy good ????? this was such a pleasure to read and watch, thank u sm 😭💗

(ppl cant hate since its about pepe <3<3 sorry not sorry guys)

0:33 and 1:21 – such a gorgeous boy :(( i love him so much :(((( i also don't really understand what's happening at 1:21 but his smile and laughter after makes me melt

3:54 – HE'S SO EMBARRASSED LMAO WHAT A CUTIE ?? he just doesn't stop laughing, and the little blush on his cheeks... the way his voice changes and 😭

9:03 – he's SO attractive and for what? he's not even doing anything?? but the arms around the chair..... and like i'm a knuckle cracker and hand/finger stretcher as well so whenever he does it i just melt bcs i find it so hot :( also him when chris goes "ÖÖÖÖÖÖ" into the mic and then complaining about the music being so loud idK HES JUST SO CUTE DOING PRETTY MUCH NOTHING BYE–

12:38 – casually attractive is a very fitting term for him... how is it possible ???

16:03 – I WANNA SCREAM AND CRY ?????? no his smile is the most adorable thing ever. i rlly wanna make a pepe laughter compilation but then i would never do anything productive ever again....

16:33 – mum mention <3<3 boys who are appreciative of their mothers <3<3<3<3

18:13 – the switchup 😭 and also him emphasizing "so", like "i'm SO sad"....... and also also his laughter after it 😭 and when he does that kind of like chortle thing? like at the back of his mouth thing? idk what it's called in english, someone help????? idk it's adorable anyway

18:37 – my bestie translated for me but i still understood nothing 💔 HE SOUNDS SO CUTE THO like him speaking spanish is always so 💗

19:32 – BABYYYYYYY!!!!! he is the most adorable person ever, im not even kidding

20:15 – oh i'm totally okay, no worries 👍

30:25 – I LOVE THIS i have no knowledge of pokemons (that was an overstatement, i know stuff but i haven't played since i was like 10) but i love that sm, dorky boys >>>>> the way he speaks about them is so cute idc. also him saying that pokemon is a very important thing to him is so 😭

42:19 – i definitely did not clip this the second i first read through this ask.... no but like why was that so attractive 🫠🫠 not fair (also him apologizing for it?? b a b y)

43:05 – IM CRYING I KNOW JUST WHAT U MEAN BUT I CANT FIND IT 😭😭

adorable tho ^^

51:55 – why does he not say more about this?? wth??? can someone fill me in ??????????? (fits very well with something i've written for the college!pepe fic tho 🤭)

53:09 & 1:00:40 – i love chris :(( i love both of their senses of humor omg, and pepe's laugh yet again..... my heart is going crazy

1:02:38 – okay i actually know NO chess, like i know the rules but nothing else. i don't even like it usually, but pepe playing chess........ why is that attractive 🫠🫠 and being able to talk while doing it also? he looks so smart? and even doing speed chess???? waaaaaaah 😭 and chris praising him 🙃 (checkers is so cool tho, i do not know the rules but anytime i watch anyone play it im very impressed)

1:04:32 – not too tall for you 🥰 that makes me very happy 🥰 i used to have a thing for boys the same height as me but not anymore so pepe bby you're definitely not too tall <3<3

1:05:55 – i forget sometimes that drivers like them are around the same age as kimi and would've driven against him in karting lol, like i forget that even pepe and kimi are in the same category rn ?? idk life is just 😵‍💫😵‍💫

1:07:07 – "i'm always going to think you're doing a good job" 🥺 so relatable 🥺 also pepe's grin when he's being praised.......

1:09:40 – oh im alright, thanks for asking 🫡🫡 no issues, my heart definitely isn't going crazy

1:10:58 – oh yes definitely !! as someone who can't even drive a regular car, i still understand very well? and all of the details are so interesting, i love hearing them talk about it. being nerdy about the stuff you like is soooo attractive ??? idk maybe that's just me tho

1:11:37 – nyeoooommmm 🥺 baby

1:12:50 – love love love that, i feel like the two of them are quite often very honest in interviews and such? like when they went on the feeder series pod together, they had no issues criticizing stuff they don't like. and so like the same here, they aren't just saying this because they're friends with gabri i feel, it's just honesty and 🥺 it's very endearing

1:13:38 – that was so random 😭 also funny how he mentioned seb but didn't then think about the fact that seb was there and probs could've ran into her ?? 😭 but yea idk their trio friendship is so endearing idk

1:24:33 – more spanish making me weak in my knees even as im sitting down 😶 aND CUTIE DANCE!!!!!! god he rlly got my thoughts running... like listening to songs in spanish with him and dancing and him singing along and just ??? no i cant take it (ALSO PLS THATS SO CUTE KSDHFFK DANCE W HIM!!!)

1:25:25 – okay so like two days ago when i went to the gym, i was like "ain't no way pepe is gonna beat me in leg press" so i went and did 160kg just out of pure stubbornness 😶 i've never done over like 110 or 120kg but i was determined. however, i did *not* attempt to beat him in bench because i can only do max like 60kg LMAO so nope. but yeah it's definitely insane...... scary in a good way 🥰

1:27:10 – chris is very relatableeeeeeeeeeee 🫠🫠🫠🫠🫠🫠🫠🫠 gosh

1:38:56 – him driving is so...... also idk why i love the sight of him wearing gloves for the sim AAAAAAA like i know it's not an uncommon thing but still like... idk it's just attractive 😶 and him driving that smoothly and easily while also chatting???? stop it pepe im blushing-

1:50:16 – ......no comment

1:54:55 – prettiest baby boy in the world, i kid you not

2:12:00 – who allowed him to first be the cutest cutie ever and then cross his arms like that, eye-

again tysm!! this stream gave me new hope in life 😭 whenever i feel bad i just go and watch it and...... well yeah 🥺 hope you have a lovely lovely weekend darling!!!! <3<3

[gunsandspaceships]

“I've got red in my ledger”

Or All the times Natasha apologized, said she was wrong, or thanked:

Iron Man 2:

0:26:42 – “Thank you”

The Avengers:

1:34:58 – “My fault”

Captain America: The Winter Soldier:

0:13:20 – “My fault”

1:10:38 – “Thank you”, sort of

Avengers: Age of Ultron:

0:05:37 – “Thank you”

1:22:35 – “Sorry”

Captain America: Civil War:

0:11:07 – “Thank you”

0:35:29 – “Thank you”

0:36:09 – “Sorry”

0:39:44 – “Sorry”

0:40:44 – “Thank you”

Avengers: Endgame:

0:31:41 – “Sorry”

0:57:20 – “Sorry”

Black Widow:

0:11:00 – “Sorry”

0:24:38 – “Sorry”

0:46:35 – “My fault”

1:25:47 – “Sorry”

1:56:58 – “Sorry”

1:58:01 – “Sorry”

1:58:08 – “My fault”

Total: 10 “Sorry”, 4 “I was wrong/It was my fault” and 6 “Thank you”.

P.S: purely formal, sarcastic ones and deleted scenes are not included.

P.S. 2: “Black Widow” is included because it is a part of The Infinity Saga by its timeline and logic. I don’t care about release dates of the movies/shows.

[cruciatusforeplay]

Hello I have Good Omens Brainrot like the rest of us, and I had a spare afternoon, so here is

Crowley and Aziraphale's Canonical Chronological History

(watching-guide with media timestamps so you can watch it all develop in order)

It's long so it's going under the cut. Let me know if there are errors beyond being out by a second or so. Also speedrunning two series of this show in an afternoon made me So Unwell (emotionally). I would absolutely recommend it.

I've broadly only included only clips that featured either one or both them as a focal point, or where the events would have informed their relationship, plus the option of the S2 finale in its entirety.

**Before the beginning, nebula** S2E1 0:00- 6:20 (up to opening credits)

**Just after the beginning, Garden of Eden, 4004BC** S1E1 1:55 (or 3:25 to skip Adam and Eve)-6:04 (opening credits)

**Noah's Ark, mesopotamia 3004BC** S1E3 0:00-2:47

**Job, 2500BC** S2E2 0:00-5:35, 22:30-40:01, 44:10-46:49 (end of episode)

**Crucifixion of Jesus, Golgotha, 33AD** S1E3 2:47-4:28 (continues directly to)

**Rome 41AD** S1E3 4:28-5:31 (continues directly to)

**Knights, kingdom of Wessex, 537AD** S1E3 5:31-7:56 (continues directly to)

**Bastille, Paris, 1793** S1E3 11:53-15:31

**The Globe Theatre London, 1601** S1E3 7:56-11:53 (continues directly to)

**Edinburgh, 1827** S2E3 8:34(post credits)-12:56, 17:38-22:10, 24:28-33:59

**St James' Park London, 1862** S1E3 15:31-17:29 (continues directly to)

**The Blitz, London, 1941** S1E3 17:29-24:07, recap can be skipped that can be skipped: S2E4 5:10(post credits)-6:14, 8:24-37:59

**Soho, London, 1967** S1E3 24:07-28:38 (opening credits)

**The M25 meeting, Hell, 1970s** S1E5 21:21-22:27

**The Antichrist, near Tadfield airbase, "11 years ago" ~2008** S1E1 7:32(post credits)-14:24, (optional baby drop off with Crowley) 19:24-20:14, 25:59-29:59, 30:14-32:24, 33:35-35:04 (continues directly to)

**Antichrist upbringing, "5 years later" ~2013** S1E1 35:04-39:30

**6 days before the end of the world, Monday, 2019** S1E1 40:45-43:19 (continues directly to)

**3 days before the end of the world, Wednesday, 2019** S1E1 43:19-44:08, 44:38-45:52, 48:01-49:11(to end credits)

**2 days before the end of the world, Thursday, 2019** S1E2 0:00-3:56, 21:16-23:33, 26:24-27:54, 31:04-32:10, 34:14-44:40, 45:36-46:21, 48:05-54:01 (to end credits)

**1 day before the end of the world, Friday, 2019** S1E3 30:07-31:14, 35:27-36:49, 38:48-41:30, 43:39-45:51, 49:41-49:53, 50:39-53:11

**The last day of the world, Saturday, 2019** S1E4 4:01-5:42, 8:15-9:28, 29:06-29:48, 33:29-42:00, 48:47-54:06 (to end credits)

**5 Hours and 48 Minutes to the End of the World, 2019** S1E5 0:00-1:32, 3:17(after credits)-4:17, 6:11-8:49, 11:01-13:25, 17:47(or 20:18 to skip the spirit of Ron)-21:00

**1 Hour and 43 Minutes to the End of the World, 2019** S1E5 21:00-21:21, 22:28-25:07, 26:49-31:43, 36:59-37:31

**17 minutes to the end of the world (and the rest ofbthat day), 2019** S1E5 46:24-49:25 (end credits), S1E6 1:53(2:35 to skip repeat section)-4:39, 8:19-9:49, 10:44-12:49, 14:02-27:10

**The very last day of the rest of their lives, 2019** S1E6 27:10- 28:07, 31:02-32:58, 0:00-1:46, 32:58-36:26, 42:33-45:45, 48:40-52:17

**London, present day (S2E1), ~2023** S2E1 7:48-13:15, 13:47-29:59, 33:00-36:13, 37:39-38:00, 38:19-42:41

**London, present day (S2E2), ~2023** S2E2 5:35-8:53 (to opening credits), 10:21-22:30, 40:04-43:28

**London/Edinburgh present day (S2E3), ~2023** S2E3 1:14-6:35, 6:47-7:07 (to opening credits), 12:57-14:36, 16:09-17:38, 22:11-24:27, 33:59-42:05(to end credits)

**London, present day (S2E4), ~2023** S2E4 0:00-3:42 (opening credits), 41:08-41:46, 42:02-43:09(end credits)

**London, present day (S2E5), ~2023** S2E5 0:48-2:57, 3:43-5:24, 7:07-8:04, 8:31-10:12, 12:29-13:32, 13:57-17:57, 19:33-29:52, 30:24-40:38

**London, present day (S2E6), ~2023** S2E6 0:00-4:52(to opening credits), 6:20-(optional 21:06-27:31 for Gabe and Muriel memories, otherwise continue to)end of ep

[the-vivi-section]

Headcannoning dates for when the pmmm series episodes took place

some info:

this is assuming the year is 2011

this wont include the pre-intro scenes except if the date in that scene is the same as the episode

i will add timestamps if there are multiple dates in 1 episode

basically episode 3, 4, and 5 are back-to-back

episode 6, 7, 8, and 9 are back-to-back too

this is gonna have spoilers

Episode 1: 25 march, 28 march

25 march [04:27-14:38]

(based on Homura’s calendar in the hospital, which says that's when she transfers to school)

28 march [14:39-23:54]

(I know its meant to be implied that episode 1 is 1 day but i have an explanation i prommy)

Episode 2: 28 march, 29 march

28 march during the flashbacks of Mami explaining stuff at her house

29 march during everything else

[no timestamps because it switches from flashback to current time and it just.]

(28&29 because since 25march is on a friday and hitomi says words like yesterday to refer to when she left early in episode 1)

Episode 3: April 5, April 6

April 5 [0:00-9:57]

(since it is kinda implied that atleast a few days have passed since episode 2. And by implied i mean i have a hunch just trust me bro + they wear school uniform the next day)

April 6 [9:58-22:25]

Episode 4: April 7

(its implied that its a day after Mami died. again, by implied I mean I have a hunch. Just trust me)

Episode 5: April 8

(since hitomi says she stayed up all night the night before dealing with the events of episode 4)

Episode 6: April 15, April 18

April 15 [3:54-14:54]

(since Homura says “2 weeks from now walpurgisnacht will descend upon this city” when she meets up with Kyoko and thats pretty close to two weeks from april 30)

April 18 [14:55-22:25]

Episode 7: April 19, April 20

April 19 [4:07-14:40]

(its implied that its a day after ep 6, and i think yk this is basically just a hunch)

April 20 [14:41-22:25]

(because Hitomi says “where were you yesterday?)

Episode 8: April 20, April 21

April 20 when [2:56-7:59]

April 21 when [8:00-22:25]

Episode 9: April 21, April 22

April 21 when [3:27-11:42]

April 22 when [11:43-23:54]

Episode 10: ????, March 28

these are just straight up other timelines. I dont wanna figure allat out. [0:00-21:27]

March 28 (current timeline) when [21:28-22:25]

Episode 11: April 29, April 30

April 29 [3:32-14:27]

April 30 when they have to evacuate [14:28-23:54]

(because walpurgisnacht is like. A real thing and has a real date + the only explanation i have for madoka is wearing school uniform on a saturday because she was too upset to bother changing and they had to evacuate early in the morning. Im talking like 3am. Ignore how walpugis nacht means walpurgis NIGHT plz)

Episode 12: April 30, and then just date whatever once madoka just straight up becomes a concept

[violant-apologia]

The Airs of Pilgrim's Dawn

a randomiser quality: 38 little snippets from life in my silver city

0-4: A gust of smog from the East.

5-9: A jade figurine is thrown from a window, smashing into fragments onto the cobbles.

10-14: A preacher and a tracklayer stand at a street corner, chatting about the lack of weather.

15-19: A tracklayer walks down the street with a pushchair, laughing at her infant’s babbling.

20-24: The most recent Hour of Dance lasted all night. Limbs are still sore, but there is a sense of solidarity in the city.

25-29: The Burrow-Church is bright and looming.

30-33: A ginger tom slinks into a nearby alley.

34-37: Urchins run through the street, flicking pigments at one another. Their graffiti is left half-complete on a high wall.

38-41: A mechanical failure: this street’s red night lamps haven’t turned off. The buildings are illuminated in a sleepy orange-pink.

42-45: The whistle of a locomotive. A tracklayer reacts with a grumble — her partner with a nostalgic sigh.

46-49: A couple of gendarmes patrol a street, chatting amicably as they go. Pilgrim’s Dawn may have fewer laws than London, but what is sacred must still be protected.

50-52: A particularly forceful drum beat startles a group of pigeons from their roost. They mingle with bats in the cavern air.

53-55: A spirifer (is that the right term, where spirifage is not a crime?) bows to a passerby, trenchcoat clinking as he does so.

56-58: A stall offers ‘REAL HADDOCK PIES’ – though they smell like Evenlode angler.

59-61: The smell of roses and sulphur is thick today.

62-64: Yet another frieze is carefully carried up to the Burrow-Church. Theology, it seems, is an active process.

65-67: A young bohemian reads poetry on a street corner. The imagery is beautiful, but his delivery could use work.

68-70: An effort is made to align phonograph music with the earthen drum beats. ‘Close enough’ is achieved, and a small dance floor forms on the street corner.

71-73: A tracklayer’s hanging garden falls as he tends it. Porcelain, roses and soil scatter over the cobbles.

74-76: A fire breaks out – the accompanying screams are only of tourists.

77: There are no door knockers in Pilgrim’s Dawn.

78-79: A Starved Man lumbers through the streets. Dancers swerve to avoid him, snatches of suspicion visible from within their pirouettes.

80-81: ‘The Bun: A hairstyle for the working man!’ a poster proclaims.

82-83: A green-eyed devil sighs as he watches a couple dance. One tries to spin away from her partner but stumbles – she falls into his arms, laughing.

84-85: A pair of Clay Men tango slowly in a crowd; their quavers are the others’ semibreves.

86-87: A rat lingers by a carving of your face. It scratches its back using your nose.

88-89: A rose-scholar looks over a balcony at the dancers below, jots down notes of their movements.

90: Morning prayers: north, east, south, up, down.

91: The sound of the sea – not the zee, the real thing – seems to emanate from the south.

92: A young deacon tries to explain what a ‘Judgement’ is to a curious Clay Man. It’s clear that she doesn't entirely understand the concept herself.

93: A fox? No, just your imagination.

94: ‘My daughter!’ cries a tracklayer, eyes wild and regretful. ‘No, I—’ And then he snaps back to himself.

95: An Infernal Tourist protests – the Rose Giveth Its Verses to Devils – but the tracklayers dance on, heedless.

96: A black, shuttered palanquin is borne through the streets by two weathered Clay Men. There are whispers – surely not the Empress? … Another royal? – but nobody impedes their progress.

97: A dolorous devil stalks the streets. He tries to keep to the sparse shadows and startles at dancers of the Terpsichore.

98: Trumpets at the gates; a regiment of devils pass through on their way to the Burrow-Church.

99: A bulky figure in a glittering cloak sweeps through the streets. Insults are hurled in its wake.

100: The ever-present drumming has a lazy, contented quality to it today. Is the Drummer… happy?

[ecliptiz]

MARAUDERS╰► PINTEREST BOARD’S

Including ➛ James Potter, Regulus Black, Remus Lupin, Sirius Black, Severus Snape & Peter Pettigrew 

James Potter ➛

( ʟᴏᴠᴇʀ ʙᴏʏ - Qᴜᴇᴇɴ )

0:56 ━❍──────── -3:07

↻ ⊲ Ⅱ ⊳ ↺

ᴠᴏʟᴜᴍᴇ: ▁▂▃▄▅▆▇ 100%

— The haunting notes of the music filled the room, an ethereal melody that seemed to emerge from the depths of another world. The scent of coffee hung in the air, intertwining with an enigmatic fragrance, as if an ancient secret was concealed within it. A gentle breeze whispered through the slightly ajar window, causing the crimson curtains to dance mysteriously, hinting at unseen forces at play.

The music player, seemingly of its own accord, played the song at a tempo that defied time, as if tapping into a forgotten rhythm from an age long gone. The lyrics, soft and almost whispered. In the midst of the room stood a figure wrapped in an red sweater – tufts of curly brown hair framed a face adorned with round glasses and a sly, enigmatic smile that seemed to hold untold secrets.

˗ˏˋ ★ ˎˊ˗

Remus Lupin ➛

( ꜱᴛᴀʀᴍᴀɴ - ᴅᴀᴠɪᴅ ʙᴏᴡɪᴇ )

0:58 ━❍──────── -4:17

↻ ⊲ Ⅱ ⊳ ↺

ᴠᴏʟᴜᴍᴇ: ▁▂▃▄▅▆▇ 100%

— Crickets ceased their chirping as the haunting hoots of owls pierced the night sky. The eerie symphony of nocturnal creatures echoed through the air, enveloping the Hogwarts courtyard in an otherworldly ambiance. Bathed in the ethereal glow of a half-crescent moon, the once shrouded grassy expanse now revealed its mystical charm.

Amidst the nocturnal enchantment stood a figure shrouded in a tattered brown sweater, the sleeves rolled up to reveal weathered forearms. In his scarred hands, he clutched an ancient book whose pages seemed to whisper forgotten secrets.

A music player, seemingly out of place in this magical setting, perched silently on the ledge of a fountain. From its depths, a haunting melody filled the air, its soft voice cutting through the night like a siren's call.

˗ˏˋ ★ ˎˊ˗

Sirius Black ➛

( Qᴜᴇᴇɴ - ʙᴏʜᴇᴍɪᴀɴ ʀʜᴀᴘꜱᴏᴅʏ )

1:12 ━❍──────── -6:00

↻ ⊲ Ⅱ ⊳ ↺

ᴠᴏʟᴜᴍᴇ: ▁▂▃▄▅▆▇ 100%

— The vast common room lay deserted, imbued with an eerie stillness, the only sound a faint echo of a music box's calm but rushed melody that seemed to linger in the air like a ghostly presence.

As the fire crackled in the hearth, the rain outside gently tapped against the windowpanes, adding to the ambiance of mystery that enveloped the room. The night moon cast a dim glow, its faint light seeping through the large window, casting elusive shadows upon the floor.

Party streamers sprawled haphazardly, their once vibrant colors now a faded, chaotic mess. Red solo cups lay strewn on the ground and tables, some still bearing traces of spilled alcohol, while others stood empty, their revelry long spent.

Amidst this post-celebratory scene, a solitary figure reclined on the crimson couch, his body sprawled in a relaxed manner. A black leather jacket hung nonchalantly from his shoulders, accentuating his striking collarbones. With eyes closed and mouth slightly ajar, pulled into a peaceful slumber.

˗ˏˋ ★ ˎˊ˗

Peter Pettigrew ➛

( ʜᴇʀᴇ ᴄᴏᴍᴇꜱ ᴛʜᴇ ꜱᴜɴ - ᴛʜᴇ ʙᴇᴀᴛʟᴇꜱ )

1:34 ━❍──────── -3:10

↻ ⊲ Ⅱ ⊳ ↺

ᴠᴏʟᴜᴍᴇ: ▁▂▃▄▅▆▇ 100%

— In the heart of a breathtaking flower field, a gentle breeze danced among the vibrant wildflowers, painting the landscape with a kaleidoscope of colors. Amidst this floral splendor, a boy found his place, nestled in a flattened haven surrounded by the bloom's delicate embrace. His blonde hair swayed like strands of golden silk, mirroring the playful rhythm of the wind.

Beside him, a music player spun gracefully, emanating an enchanting melody that blended soft lyrics and ethereal instruments. The music seemed to weave a spell, harmonizing with the serenity of the scene. As the sun neared the peak of its descent, its warm rays enveloped the boy, casting a golden glow that illuminated the blossoms and breathed life into the entire field.

˗ˏˋ ★ ˎˊ˗

Regulus Black ➛

( ꜰᴀᴍɪʟʏ ʟɪɴᴇ - ᴄᴏɴᴀɴ ɢʀᴀʏ )

2:28 ━❍──────── -3:37

↻ ⊲ Ⅱ ⊳ ↺

ᴠᴏʟᴜᴍᴇ: ▁▂▃▄▅▆▇ 100%

— In the dimly lit room, the soft caress of a breeze rustled the dark green curtains, hinting at a world beyond the shadows. A crumpled black blanket adorned the bed, while pillows lay scattered, bearing witness to an unknown turmoil that had unfolded within these walls.

Amidst the enigmatic ambiance, a haunting melody played softly, its origin concealed like a whisper in the wind. The figure of a young boy, his hair as dark and curly as the night, sat perched at the edge of the bed. His slim, pale fingers tangled together, a mystery in their own right, as they gripped his head, shielding it from prying eyes. His shoulders hunched, and subtle tremors ran through his body, like the echoes of secrets yearning to break free.

˗ˏˋ ★ ˎˊ˗

Severus Snape ➛

( ᴛʜᴇ ɴɪɢʜᴛ ᴡᴇ ᴍᴇᴛ - ʟᴏʀᴅ ʜᴜʀᴏɴ )

2:28 ━❍──────── -3:37

↻ ⊲ Ⅱ ⊳ ↺

ᴠᴏʟᴜᴍᴇ: ▁▂▃▄▅▆▇ 100%

— Within the hushed confines of the classroom, a symphony of subtle sounds played in harmony. The occasional scratch of quills, the gentle creaking of chairs, the soft bubbling of cauldrons, and hushed whispers created an atmosphere of focused concentration.

In one corner, a boy stood, a mysterious figure obscured by long, greasy black hair that veiled his face like a curtain. His dark, intense eyes remained fixed on the bubbling potion before him, a cauldron filled with secrets waiting to be unlocked. Methodically, he stirred the concoction, his movements deliberate and purposeful as he added ingredients with quiet precision.

Amidst the ambiance of academia, a soft song played discreetly in the background, the student having sought permission from the professor. The melody floated through the air, its gentle rhythm blending seamlessly with the subdued sounds of the classroom. Soft lyrics whispered in the boy's ears.

——

PROBABLY WILL Add as I go on, just things that remind me of these characters, there story’s and things.

Ps. The links are to the Pinterest board, not the song.

[koreannook]

SINO KOREAN NUMBERS PT.1

2024년 8월 7일

안녕하세요 여러분!

Today, i’m going to share how you use sino-korean numbers. You use this numbers to say:

Telephone numbers (05860791834)

Metro/Bus lines (Line 8 / Bus 576)

Height/Weight (150cm and 50kg)

Years old (45yo)

Minutes and seconds (45min and 20 seconds)

Prices (5,000 wons)

Directions (Sherman, 42 Wallaby Way, Sydney)

Then, after you know this, let get into what we want to know: sino-korean numbers.

0 = 영/공

1 = 일

2 = 이

3 = 삼

4 = 사

5 = 오

6 = 육

7 = 칠

8 = 팔

9 = 구

10 = 십

100 = 백

1.000 = 천

10.000 = 만

100.000 = 십만

1.000.000 = 백만

Now, how do you form numbers like 56, 184, 7.694, 15.696, 294.586 or 6.746.329?

Take you time, please, to read this. If you don’t understand, send me an ask / open the chat and i’ll explain it writting it in a paper <3

These numbers form multiplying and adding numbers. I’ll explain it with the numbers above.

56 = 5 x 10 (50) + 6 = 오 (5) x 십 (10) + 육 (6) = 오십육 (56)

184 = 100 + 8x10 (80) + 4 = 백 (100) + 팔 (8) x 십 (10) + 사 (4) = 백팔십사 (184)

7.694 = 7x1000 (7.000) + 6x100 (600) + 9x10 (90) + 4 = 칠 (7) + 천 (1000) + 육 (6) x 백 (100) + 구 (9) x 십 (10) + 사 (4) = 칠천육백구십사 (7.694)

Lets stop here. Why? Okay, so, you know, we always separate numbers by 3 figures/numbers (9.999.999 for example), but koreans do separate them by 4 figures/numbers. It sounds complicated, i know (my brain freeze the first time i hear it lol).

If the number have more than 4 figures, please, separate them like this:

15.696 = 10.000 // 5.696

1 (10.000) + 5x1000 (5.000) + 6x100 (600) + 9x10 (90) + 6 =

만 (10.000) + 오 (5) x 천 (1.000) + 육 (6) x 백 (100) + 구 (9) x 십 (10) + 육 (6) = 만오천육백구십육 (15.696)

294.586 = 290.000 // 4.586

Tip: 100.000 is 십만, right? okay, and here, you have two numbers: 29 so it will be 2십9만. The first number (2) goes before 십, and the second number (9) goes between 십 and 만.

29 (290.000) + 4x1000 (4.000) + 5x100 (500) + 8x10 (80) + 6 =

이십구만사천오백팔십육

6.746.329 = 6.740.000 / 6.329

Tip: 1.000.000 is 백만. So, here, you have three numbers: 674 and it will be 6백74만. The first number (6) goes before 백, and the second and third number goes between 백 and 만, those two numbers have to be said as a pair, which means, you have to say 74 (7x10+4), not 7 + 4.

6.746.329 = 6x100 (600) + 7x10 (70) + 4 (4) // 6x1000 (6000) + 3x100 (300) + 2x10 (20) + 9 =

육백칠십사만육천삼백이십구.

I know its scary at first, but now, you are going to be able to say from 0 to 9.999.999 in korean! With practice, it will be more easy with the time!

For part two i’ll share how to say korean telephone numbers, what termination you have to use for years, kg, cm, etc.