#it's that people keep labelling her as one

[wheels-of-despair]

It's a Wonderful Life (Even in Hawkins) Pairing: Eddie Munson x Evil Woman Summary: What would the lives of Eddie Munson's loved ones look like if he didn't exist? Contains: A bad night for all, a violent outburst, regrets, a bitchy ghost, a peek into another life, a Christmas party, a happy ending. Words: 5k

(This is inspired by It's a Wonderful Life. There are mentions of suicide and visions of a dark world without Eddie Munson. Takes place sometime after graduation.)

Eddie Munson can't wait for the worst night of his life to be over.

He screeches to a stop in front of the garage Corroded Coffin "practices" in and leaps out of the driver's seat, ready to get the band and all their shit out of his van and out of his sight.

"Well that was fucking embarrassing," Gareth grumbles, rolling out the back doors with an armload of equipment.

"We might as well have played kazoos," Jeff adds, yanking out his guitar case.

"Never showing my face in public again," Grant whines, joining the unloading parade.

Eddie fumes and slams the back doors shut. Well, he tries. Instead of latching, they bounce and fly back at him. He gets it on the second, slightly-less-violent, try.

Corroded Coffin just opened for a band from two towns over that people actually show up for. Someone from a record label was in the building. This was supposed to be their shot at getting noticed by someone who mattered. They were supposed to rock everyone's socks off. But no. They played the worst show of their stupid little lives. Even Wayne, who hardly ever got to see them play, looked horrified at the shit-tastic show they put on.

His girl leans against the side of the van, next to the busted taillight that earned him a ticket from that asshole Callahan on the way to the show. Not even she can pretend Corroded Coffin didn't suck a fat one tonight. There's pity in her eyes, and it makes Eddie even madder. He turns and directs his rage at the band, not wanting to crack under her annoying gaze.

"See you dicks around," Eddie snaps. "Since there's no point in ever fucking practicing again."

"C'mon, man," whines Gareth.

"What about the Henderson's Christmas party?" asks Grant.

"At least we can go drown our sorrows in cocoa," Jeff sighs.

They just bombed so hard, they'll probably never be allowed to perform in the tri-county area ever again. Their careers are over before they even started. And they're worried about a shitty little Christmas party thrown by Dustin's mom?

Eddie Munson is mad at himself for being a failure. Mad at his woman for feeling sorry for him. Mad at his dumb band for sucking ass. Mad at the Hendersons for scheduling a party and being a distraction on a night this important. Mad at Wayne for not coming on one of the nights they actually sounded good. Mad at the world for giving him a sliver of hope and snatching it away just when he thought he had a chance of making it big and getting out of Hawkins Fucking Indiana.

He needs to get out of here. Right now. He turns with the intention of stomping to the driver's side door and driving off like a bat out of hell, but she's blocking his way.

"Baby, it's not the end of the world," she says calmly, putting a hand on his chest. The act breaks a barrier and unleashes his barely-contained rage. He smacks her hand away, maybe a little harder than he meant to, and her eyes widen in shock.

"What would you fucking know about it?" Eddie seethes. He can feel the blood boiling and the vein pulsating in his neck. He can't stop. The words keep coming, and Eddie closes in on her. She shrinks. "You've never had a fucking dream! You've never wanted something more than this shitty little life in this shitty little town! I'm sick of you fucking holding me back!"

"Shut the fuck up, man!" Gareth yells, stepping between them and giving Eddie a shove backwards.

"Oh, now you react to something on time?" Eddie laughs cruelly.

There's a blinding flash of pain, and Eddie's suddenly staring to the side. He slowly swivels his head back to Gareth, standing in front of him with balled fists and a red face. Eddie's jaw throbs. Did his own drummer just punch him in the face?

He attacks.

Grant and Jeff are on them in an instant, trying to get Eddie and Gareth apart. Everything becomes a blur of grunts and blows until Jeff gets Eddie's arms behind him and drags him out of the open garage door.

"Cool off, man!"

This isn't how tonight was supposed to go. He was supposed to be signing a contract and sipping spiked cocoa and eating cookies. Kissing his girl under the mistletoe and promising her a mansion in Beverly Hills. Celebrating his talent and good fortune with everyone he loves. Instead, he's standing outside a cold garage, staring at the disappointed faces of all the people he let down.

A sniffle draws his eyes to his girl. His Evil Woman. The love of his fucking life. The look in her teary eyes makes his insides turn to ice. He hit her. He yelled at her, and he fucking hit her. He takes a step closer, wanting to hug her and tell her that he didn't mean it.

She flinches.

She's scared of him.

He's just like his old man.

Eddie climbs in the van without another word. He doesn't know where he's going, but he knows he can't stay here.

He speeds and spirals and re-lives the worst night of his life over and over. It takes him several miles of squinting into the dark to realize his headlights aren't even on. When the van finally comes to a stop, he's at the quarry. He doesn't know why he came here. But by the time he turns off the ignition, he's exhausted from beating himself up.

He slides down from the driver's seat and walks to the edge of the cliff, kicking rocks as he goes. Each breath sends out so much fog, it looks like he's smoking. A smoke would be nice. That'd take the edge off. He pats his pocket for his pack and pulls it out. Empty. Of course.

He tosses the empty pack over the edge and leans over just a little bit, hoping to see it fall. The darkness swallows the little white box almost immediately. It's a long way down. The only light comes from the moon, and it reflects on the still water below like glass. It's both beautiful and unsettling.

The cold starts to seep into his bones, but he welcomes the ache. He deserves it. Eddie sits near the edge, sighing and looking up at the starry sky, wondering how the fuck his friends are ever going to forgive him for this.

Maybe they weren't really that bad. Maybe they tried their best. Maybe he put too much pressure on the younger guys. Maybe the person from the record company didn't even come. Maybe the band that they opened for sucked too, and they could all chalk this horrible evening up to bad acoustics.

Maybe Eddie hadn't just ruined all of the most important things in his life in the course of one night.

His heart hurts at the thought of what he said to his girl, whose only crime was caring about him. Holding him back? Where the fuck did that come from? It's all a little fuzzy, now that he thinks about it.

Eddie touches his swollen jaw and winces. Little Drummer Boy packs a hell of a punch.

He fucking deserves this pain.

Eddie pulls his knees to his chest and hunches over, curling into a ball near the edge of the quarry cliff.

He wishes he hadn't blown up and said those awful things to the person he loves most. He wishes he hadn't forced his friends to practice until their fingers bled. He wishes he'd never begged (and traded a considerable amount of weed) for the chance to play a three-song opener for some douchebag band from the city. He wishes he hadn't turned into a total cunt the second he saw a chance to live out his stupid teenage dream of becoming a rock star.

Hell, why stop there?

Eddie Munson wishes he'd never even been born.

"Don't even think about it, asshole," a voice rumbles from behind him.

Eddie turns, surprised that he let someone sneak up on him. A guy really lets his guard down when he's got nothing left to lose.

An ass thumps against a rock nearby and Eddie squints at the silhouette in the moonlight. That curly hair looks familiar, but he doesn't know for sure who it is until the stranger takes a drag off a cigarette and his face is illuminated by the burning cherry.

"Hargrove?"

"Knew you couldn't be as stupid as everyone said you were." Eddie can't see the smirk, but he can hear it.

"Not a good time, Hargrove," Eddie sighs. "Don't have anything on me."

"I'm not here for drugs, dumbass," Billy says, taking another drag. "I'm here to save your eternal soul or some shit."

"Sounds like you've already been into the good stuff tonight," Eddie deadpans.

"Nobody ever fuckin' believes me," Billy groans, staring upward and blowing a long stream of smoke into the air before turning his intense gaze to Eddie. "Listen up, dickhead. You fucked up, you hurt people, you wished you were never born, et cetera. I was sent here to show you the error of your ways or whatever. Let's take a little trip."

"What is this, like a Christmas Carol thing?" Eddie snorts. "What are you on, man? I want some."

Billy sighs and flicks his cigarette out over the water. He stands and stares at Eddie, his eyes glinting in the moonlight.

"Let's go, fuckface," Billy orders.

"I'm not going anywhere with your stoned ass," Eddie laughs, trying to pretend he's not a tiny bit afraid.

Billy stomps over and grabs Eddie's jacket and hauls him to his feet with surprising strength. Maybe he was right to be scared.

"Woah, calm down, Ghost of Christmas PCP," Eddie snarks, sounding braver than he feels.

"I said, let's go," Billy repeats, dragging Eddie backward. Eddie tries to dig in his heels and resist, but his sneakers slip and slide on the loose gravel.

"Where are we going?" Eddie asks, his ears beginning to ring.

A blinding flash of light makes him cover his eyes, and when he lowers his arm and opens them, he's standing in front of Wayne's trailer. The glow of a street lamp shows more of Billy's face than Eddie has seen tonight. He stares at Eddie through unblinking, half-lidded eyes. Eddie doesn't like it. Not one bit.

"Kay, thanks for bringing me home, I owe you one," Eddie mumbles, trying to side-step him and get away. Billy blocks his path.

"This isn't your home."

"Yeah, it is," Eddie argues. "Since I was eight."

"You wished you'd never been born, remember?" Billy asks pointedly. "Now you get to see what that's like."

"Isn't the first ghost supposed to be the nice one?" Eddie asks. "I thought the third one was the mean one."

"You only get one ghost," Billy says. "Only gonna need one stop, too. Made a bet that I could break you quick."

"Good fuckin' luck," Eddie scoffs.

"C'mere," Billy orders, reaching for him.

Eddie feels the urge to bolt, but before he can act on it, Billy grabs him by the collar and drags him up the steps and through the door.

Like, through the door.

"Did we just--? Did you just--? What the hell?!" Eddie splutters, looking around him for answers. The door is still closed. And then he begins to notice other things. This isn't that ugly brown carpet that's been here since the 50s, when this hunk of junk came off the lot. Those aren't the right curtains. Where are Wayne's mugs? And his hats? And his chair?

There's a small Christmas tree on a table by the window and a few wrapped gifts beneath it. There are plastic toys and wooden blocks on the new-ish rug, which is an odd green color. Photos of prettier places than Hawkins adorn the walls. Carefully arranged pillows line a yellow couch that doesn't belong here. Aside from the toys on the floor, it's neater than he's ever seen it. This isn't his house.

"What is this?" he asks, turning to Billy. "Why are we here?"

Billy nods his head toward Eddie's room, and Eddie follows his gaze to a body stepping out of it. A woman. She lingers in the doorway for a moment, then reaches in to flip the light off and close the door.

Eddie's heart drops into his stomach when he sees her face.

His one and only.

His Evil Woman.

She looks tired. The dark circles around her eyes remind him of the time they experimented with zombie makeup. Something is different with her hair. Has she lost weight? He inwardly cringes at his own question, knowing she'd give him a smack for it. But she can't read his mind. She doesn't even acknowledge his presence.

She tiptoes down the hallway and takes a left in the kitchen, pulling out stuff to make a sandwich. Four. Four sandwiches. She assembles four peanut butter and jelly sandwiches, packs them in crinkled brown lunch bags that have seen better days, then folds down the tops. There's one bread heel left. She stares at it for a moment, then wraps it up and puts it back in the bag.

She looks around, as if she can feel someone watching her. Eddie shifts uncomfortably, almost wishing she'd make eye contact and laugh because he fell for whatever sick joke this is. But she looks right through him with her dull eyes. Where's that wicked twinkle he loves so much? Why does she look so sad? What's she looking at? Eddie glances behind him. Is she waiting for someone to come in the door? Looking at the tree, maybe?

Just when Eddie thinks he can't possibly stand that blank stare for one more second, her face crumples. She sinks to the floor, grabbing a kitchen towel on the way down and holding it to her mouth to stifle her sobs. Eddie wishes he could look away and save her this indignity, but he can't. He can't take his eyes off of her.

"What happened to her?" Eddie whispers, afraid she'll hear.

"It's more of a what didn't happen to her," Billy answers somberly. "She never met you."

"Is that all you got?" Eddie scoffs, turning to his companion with annoyance. "She never met me, so she cries sometimes? Get fucked, Hargrove."

"No, asshole," Billy seethes, taking his attention from the crying girl on the floor to the metalhead at his side. "She never met you and became a social pariah, so she actually made friends with the popular kids. Became quite the party animal. Hooked up with some older guy one weekend, who happened to possess some illicit substances that needed to be distributed to the desperate students of Hawkins High. Sound familiar?"

Eddie thinks for a moment, and when he understands, his jaw drops.

"Rick?" Eddie asks. "My girl was selling for Reefer Rick?"

"She's not your girl," Billy growls. "You don't exist, remember? Anyway, she was doin' a lot more than selling for him."

"No fuckin' way," Eddie protests.

"Yes fuckin' way," Billy argues. "They were together for almost a year before she realized he was stickin' his dick in anything that would let him. By that time, it was too late."

"Too late?" Eddie asks hesitantly.

"She'd already had the baby."

Eddie feels the blood drain from his face. Wait, does he even have blood in whatever this freaky little fever dream is?

"While her classmates were dancing to Cyndi Lauper or some shit at prom, she was in the hospital having a baby," Billy continues. "She never got to graduate. Got into a real bad fight with her mom. When her dad found out that his unwed teenage daughter got knocked up by the town drug dealer, he took her mom to court and won full custody of the little brother. After the kid got shipped to his dad, her mom sold the house and went back to live closer to the rest of her family. And then when she found out Rick was fucking around, it was just her and the baby…"

Eddie tenses, sensing an "until".

"Until me."

"You?" Eddie asks with an accusatory tone.

"Me." The corner of Billy's mouth twitches, like he's remembering something nice. "I liked her in school, but she was Rick's… until she wasn't. Then I moved in. Then came the triplets. They're absolute hellions, but she loves 'em," Billy sighs. "And me. Nobody ever loved me like she did. I wish to Hell,"

Thunder booms, and Billy winces.

"I wish to Heaven," he says, looking up at the ceiling apprehensively, "that I hadn't tried to drive that night. It was hard sometimes, but we were happy, y'know? I didn't mean to leave them all alone like this."

Eddie focuses on the longing in Billy's eyes, rather than the broken woman he's staring at.

"She didn't deserve this," Billy whispers. His face hardens, and he turns to Eddie. "She didn't deserve that shit you said to her either, asshole."

Eddie feels almost as bad as he did the second those words left his mouth.

"So you're dead?" Eddie asks, desperate for something else to think about.

"Yes, I'm fucking dead," Billy rolls his eyes. "You don't exist at all in this world, and I got drunk and drove my car into a tree just before Christmas last year. What a fuckin' pair we make, huh?"

Eddie sighs and turns his attention back to the girl who's now staring blankly at the floor, silent tears still streaming down her cheeks.

"Why's she in Wayne's house?" Eddie asks suddenly.

"Thought you'd never ask," Billy says, lighting another cigarette. "Only place she could afford. Guy cut her a real good deal, after what happened to your uncle."

Billy pauses and makes Eddie ask: "What happened to my uncle?"

"He blew his brains out," Billy says matter-of-factly, pointing to the spot where Wayne's chair should be with his cigarette. "Right there."

"Bullshit."

"Why do you think a trailer this old has a new carpet and wallpaper?" Billy asks.

Eddie surveys the place. The kitchen is mostly the same; same sink, same stove, same fridge, even some of the same ancient magnets he used to play with as a kid. But the living room…

"Why?" he breathes.

"Hmmm," Billy hums, pretending to flip through the pages of an imaginary book and pointing to some imaginary answer. "It seems that dear old Uncle Wayne had a little bit of a drinking problem."

"Wayne never drank anything but beer," Eddie argues.

"Well, funny thing," Billy says, taking a drag of his cigarette and blowing his smoke in Eddie's face. "Seems he gave up hard liquor when his punk-ass nephew came to live with him. And since in this universe, he didn't have a nephew… he just kept on drinking. Even though he was already depressed, and the liquor just made it worse… and worse… until one day, he'd had enough."

"No," Eddie breathes.

"Yeah," Billy nods, not looking very sympathetic. "Wanna hear about your little sheepies at school?"

"No."

"Tough shit," Billy scoffs. "Little Drummer Boy, before he got shipped back to Daddy-O's, was in the marching band. Wedgie City, man. The big guy with the curly hair got bullied so bad, his mom decided to home-school him. He's so scared of everything, he hasn't left the house in months. Brace-Face joined the fucking Mathletes, thus ensuring him a lifetime of virginity. And the rest of those little weirdos just try to lay low and survive. Your little club that brought them all together and made them proud to be freaks? Doesn't exist. Never will. Most of 'em don't even know each other."

"Stop," Eddie says weakly.

"You want more?" Billy asks. '''Cause I can keep going. Wanna know about the worst thing your girl's ever done to make rent? Or how she'll never be able to fix the relationship with her mom? That her own brother won't bother to invite her to his wedding, when he finally finds some four-eyed geek who will have him?"

"Stop," Eddie begs.

"Maybe you want to hear about your parents? How they only had you as an attempt to save their marriage, and how they fared with another miscarriage instead? It wasn't pretty, man."

"Stop," Eddie begs.

"Wanna circle back to the uncle? And how all he ever did was work and drink and had no friends and no reason to live? About how the first time he'd smiled in years was the night he loaded that pistol?"

"Stop!" Eddie shouts.

"YOU STOP!" Billy shouts back. "You've got a good life on the other side of this shit, and you're wishing it away like a fucking loser! Oh, boo-hoo, you're not gonna be a rock star. You've got a fucking family and friends and people that love your stupid ass! You know what, I don't think you even deserve to go back. I should tell the man upstairs to make this reality the real one, and as payment for erasing your sorry ass from existence, I should get another shot at this life!"

Billy and Eddie stare at each other for a moment, both breathing hard and wondering who's going to break first. Then, the clock in the living room chimes, and Billy looks at in a panic.

"She needs you, man," Billy says quickly. "She needs you to pull your head out of your ass and think about why she's with you. Holding you back? She's the only reason you made it this far, dipshit. She's the reason you graduated, the reason you're not in jail, probably the reason you're still alive. She could've gone anywhere, done anything she wanted. But she stayed in the shittiest town on the planet, and she was happy about it, because you were there together. Never had a dream? What a crock of shit. You were her dream, asshole."

Eddie feels tears prickling at his eyes.

"Now, you get your stupid ass back to your reality and you tell that girl and those nerds how fucking sorry you are," Billy yells, his voice getting louder and barely overpowering the ringing increasing in Eddie's ears. "And you better fucking mean it!"

Eddie nods. Billy grabs the collar of his jacket and gives it a tug. The light flashes white, and Eddie hides his face in his sleeve.

"HEY!"

Eddie opens his eyes and raises his head, but the light hasn't gone out yet. He lowers his head again and hears a scrape. A shower of gravel hits his side. He looks up in surprise. The light moves.

"What are you doing out here, you little shit?"

Eddie squints and makes out a flashlight pointed to the ground… and a pair of boots… and tan pants…

"Hopper?"

"You hurt?"

"No?"

"Then why aren't you at Mrs. Henderson's Christmas party?"

"Uh…" Eddie racks his brain, trying to think of something to say that wouldn't make Hop beat his ass.

"Only a Munson would choose to freeze his balls off alone at the quarry instead of being at a Christmas party with all his friends," the chief sighs. "Get goin', kid. People are worried about you."

"Doubt it," Eddie mutters without thinking.

"Oh yeah?" Hop asks, lighting a cigarette. "Then why am I out here looking for some dumbass when I could be riding out the last of my shift at the station with Flo's fruitcake?"

Eddie doesn't know what to say to that. Someone really sent Hop looking for him? After all that?

"I'm off in thirty, and I'm coming by for the cookies Dustin promised me. If you're not in there having a good time with all your dumb little buddies, we're gonna have a problem. Got it?"

"Got it, Hop," Eddie confirms. He can't help but smile.

"Move your ass, then!" Hop orders.

Eddie scrambles away from the edge of the cliff, heading for the van.

Hop follows him down the quarry road, saying goodbye with a honk when they part ways. Eddie smiles when he sees Hopper's lights turn in his rearview mirror, almost missing the chief's company after his crazy night.

He doesn't have to feel alone for long; he can see the glow of the Henderson house from almost a mile away.

Dustin's mom loves Christmas more than anyone else Eddie's ever met. She's hosted a Christmas party for Dustin and his friends every year since they moved to Hawkins, and other moms may try to compete, but they simply can't. Claudia Henderson bakes the best cookies in the world. She decorates the house like she was trained at the North Pole. She has never once run out of hot chocolate or snacks, or let a guest leave empty-handed.

Eddie hopes his friends are having too good a time to stay mad at him.

The turnoff is easy to find. He's never seen so many lights in his life. The mailbox is covered. Every tree in their yard has a string of lights on it. The driveway is lined with lights and filled with cars Eddie knows, including Uncle Wayne's truck and Jeff's car. There's a light-up Santa on the roof. There are plastic reindeer in the yard.

And there's a black shape smoking on an otherwise well-lit carport that looks very familiar.

Eddie eases out of the van and jams his hands in his pockets, approaching the figure cautiously. His Evil Woman meets his eye but doesn't say anything. When he gets close, but not too close, he stops. He stands. He stares. She stares back. He doesn't know where to start. Begging? Groveling? Punching himself in the nuts until she tells him he can stop?

And then she offers him the lit cigarette she'd holding.

The simple gesture floods Eddie with warmth.

Overwhelming warmth.

The kind that makes a person's eyes water.

Eddie rushes forward to wrap his arms around her. He feels her shift, like maybe she's dropped the butt and stamped it out. She hugs him back, and he melts into her.

"I'm sorry," he whispers.

"I know," she whispers back.

"I didn't mean it."

"I know," she repeats.

"You're the best thing that's ever happened to me."

"I know," she says again.

"I love you."

"I know."

"You're saying 'I know' a lot," Eddie notices.

"I know."

"We should definitely have tons of sex tonight," he says, holding his breath while waiting for a response. Too soon?

"Dream on, dickweed."

He snorts and pulls back, and she looks up at him with the smallest of smiles. He'll take it. She reaches for his hands, and Eddie takes her freezing fingers in his. How long has she been out here?

"Do you still love me?" he asks, almost afraid of the answer.

She hesitates. Eddie's blood runs cold.

"Do you really think I'm holding you back?" she asks quietly.

"God, no," Eddie sighs, fighting the urge to drop to his knees and hug her around the middle while he grovels. "I don't know where the fuck that came from. You're everything to me. You're probably the only reason I'm still alive."

She considers it. Makes him squirm. Eddie bites his lip, preparing for the worst.

"The night is young, Munson."

She smirks. Eddie lets out a sigh of relief, head swimming at the comfort of a familiar threat. She reaches up to touch his swollen cheek. Did she just wipe away a tear? Fucking traitorous eyes! Eddie wipes angrily at his face, just in case.

"I'm sorry tonight didn't turn out the way you hoped," she says softly.

"It did," Eddie cuts in quickly. He doesn't want to think about that. He doesn't want to think about anything but making things right with the people he wronged. "I'm at the best Christmas party in Hawkins, with all my favorite people. If… if you think they'll let me in?"

He glances uneasily at the front door, decorated by a massive wreath with Santa's jolly face at its center.

"You think those boys, who've been playing D&D with you for years, have never witnessed an Eddie Munson Tantrum?" she teases, with that beautiful, amazing, wicked sparkle in her eyes.

Eddie's face burns with embarrassment.

"Oh!" she remembers suddenly, digging in her jacket pocket. She extracts a folded napkin and opens it to reveal a pile of cookies. Eddie's favorites.

"I snatched the last of the double chocolate chip. Apparently they're Mike's favorites too. I know he's a skinny brat and all, but damn that boy can stuff his face."

Eddie looks from the cookies to the girl, his eyes tearing up again. She did that for him? After he did that?

"C'mere," she orders, shoving the cookies back in her pocket and pulling him in for another hug. Eddie closes his eyes and buries his face in her neck, not ever wanting to imagine a world where they don't have each other.

"I love you," he croaks.

"I love you too," she responds. She squeezes him as tightly as he's squeezing her. He's never, ever letting go.

She seems to read his mind, since her hands soon find their way under his shirt. Eddie jumps out of his skin and lets out an honest-to-God squawk when those icy fingers make contact with his warm back, and she laughs at him. It's the most beautiful thing Eddie's heard all night.

Is she really like this because of him? Fun and happy and everything a person should be?

A car door slams, and both of them turn to the driveway to see Chief Hopper approaching.

"Munson, you got a taillight out."

"Yeah, I know," Eddie sighs.

The trio stands there awkwardly for a few seconds, before Hopper asks, "Wheeler eat all the cookies yet?"

"Just about," she grins. "If we hurry, we might be able to grab a few crumbs before he licks the plate."

Hopper chuckles and walks toward the front door. She takes Eddie's arm, tilts her head to Hopper, and waggles her eyebrows suggestively. Eddie shoots her a fake glare, and she laughs again before leading him inside for the party of the year.

What started out as the worst night of Eddie Munson's life ended up being one of the best. The band had softened under the influence of sugar, and did not murder him when he reappeared. Eddie spent a great evening surrounded by the people who matter most, in a place they all call home, with hundreds of cookies and gallons of cocoa. Eddie had so much fun, he didn't even groan when all the moms started singing Christmas carols at the piano.

Although he did nearly have a heart attack when Billy Hargrove, who'd been dragged to the party by his step-sister Max, tapped him on the shoulder and asked to bum a smoke.

[linddzz]

While yes, Viktor is confident too, but...

This man isn't shy? He's hyperventilating and nervous-tapping over the idea of giving a speech!

This man?

I guess Im not getting across like, the Vibe that I always see that bothers me? Viktor's got the social anxiety for sure, and it's VERY fair to assume that his condition makes him even more self conscious to be up in front of a crowd full of topsiders. He's pretty clear in episode 1 that he's aware of how topsiders see him and his cane use, and that's before his disability is even more visible.

But ALSO very few people ARE good on a stage in front of tons of people. And also there's a very specific connotation to "shy" that is beyond social anxiety.

Shyness to me, is its own flavor of social anxiety plus timidness. The actual definition is a bashful, timid nervousness. It has connotations of the wilting flower personality. Viktor, even when he's quiet around other people doesn't come across as nervous or timid in the slightest. His first introduction has him VERY confident and collected surrounded by enforcers and not taking Jayce being snappy and angry at him. As a kid there's more of an argument to be made because what awkward socially isolated kid isn't going to be shy. But at the same time he doesn't try to shrink away from Sky's attention, he still looks right back up at her, he just keeps on doing his own thing. Mostly he comes across as someone who does not know how to casually interact with people so he doesn't. He's got tunnels in his eyes lmao.

Viktor is complicated. Viktor is nuanced. It's why he's Ultimate Blorbo. He's withdrawn and awkward and not very good at interacting with people, but he's not timid about it. He is very self assured in himself.

But when I say fandom makes him shy it IS much more of the wilting flower timid woobie that I kept seeing in Season1 fics. There was SO MUCH of Viktor being the nervous soft spoken anxious thing who was just so happy Jayce was even giving him the time of day as if Viktor didn't sass Jayce about his notes right after he stopped the man from jumping lmaoooo

And idk not to be TOO OBVIOUS with my projecting but it's the part of Viktor I can relate to the most. I consider myself a quiet person who gets annoyed when people think that me being quiet = shy. I'm able to speak up well on zoom calls with colleagues and I also would rather drop dead than have to go up on a stage in front of a bunch of normal people who I know were expecting someone very different. I get nervous and shaky speaking up in front of a crowd of colleagues even! but afterwards I can go right up to people like "your presentation was insane tell me more right now." I am often quiet and uncomfortable in large social situations because I know that most people there are operating under a different wavelength than I am, I do not know what the right responses to things are, or I full on do not know how to not accidentally come across as a huge asshole and I don't want to be an asshole. And when I was younger I would have so many people come up and act like I was a little wallflower (bc oh boy can I also relate to being quiet while physically small meaning being constantly infantalized) who "didn't need to be so shy" and every time I was like "I'm not shy. I just don't feel any engagement with this conversation and I don't want to be a dick and tell you that, but if you gently tell me it's ok to talk one more time I'm gonna start biting."

(It got better as I got older bc I learned that if you're quiet but making active eye contact instead of staring off into other directions - not to avoid attention but because you're just thinking of other shit - people will stop labeling you as shy and instead say "intimidating" or "mysterious" which is also hilarious when what you're thinking about is "machine herald big naturals lmao" but it's better than being labeled "shy")

[aettuddae]

business matter — chapter 131.

a christmas special.

↳ synopsis: two of the most important kpop companies covet a partnership with a huge global brand, only to be surprised when the deal is extended to both labels. fearing potential sabotage and cynical strategies to secure exclusivity for just one of them, both CEOs resort to desperate measures. in a bid to maintain trust and prevent betrayal before the signing, they come up with a pact: forcing a fake relationship between the leaders of their star girlgroups. if one side attempted to fail the other, they threaten to expose it all to the conservative south korea.

masterlist | prev | next

[written chapter]

december 25, christmas had arrived.

for many ordinary families it was a special holiday spent together, where they ate delicious things and showered each other with attention and gifts, for other ordinary families it was perhaps a day like any other. but if there was one certainty it was that if your job is to be an idol and during the year you released even minimally relevant music, then december 25 was just another workday, and a very exhaustive one at that.

all the groups that played on the radios during the year today were at the sbs stations recording the christmas special. a compilation of pre-recorded performances of the same songs they had sung over and over again the past twelve months, and some special ones among the most relevant celebrities.

karina had arrived earlier than the rest of the members that day as she had a collaboration with other groups to film, and then wandered around the station waiting for her bandmates and her turn to take the stage as a group. every year she would have liked to spend that date with her family, but instead she had to be cooped up for hours in that building surrounded by people she hardly knew who were in her same situation, bored and uncomfortable with her wardrobe, waiting for the time when everyone would come out on stage at the end of the event to greet their fans.

after trying to kill time walking around the venue interacting with her industry friends, making content together, playing games on her phone and anything else interesting she could find, it was finally time to go up to say goodbye and she headed her members excited as it meant she would soon be going home. so quickly she reached to the entrance to the set that aespa ended up among the first in line, ahead of everyone, and while waiting to be signaled to enter, the girl got distracted looking around the room they were in.

she was confronted with many familiar faces, even making eye contact with some and having to greet them, while many others she didn't recognize from anywhere. as she moved her eyes through the crowd, she ended up bumping into a figure she identified.

trying to keep herself entertained and with all the work she had to do, she had forgotten that HeAVEN would also be showing up there.

she met chaeyoung's back and couldn't help but stare as if the girl, who clearly couldn't stand her, was going to feel her attention on her and turn around to greet her. but it wasn't the taller one she wanted, it was the presence of the group that captivated her because it made serim, even though she wasn't there because of her hiatus, feel closer.

ningning followed her gaze back to what had her so transfixed, meeting the people with whom she had already formed a bond of friendship and raised her hand to greet minnie who was the only one standing there facing her side. the older one noticed the movement on the girl's part and when she realized it was yizhuo, she returned the greeting cheerfully, tapping yves' shoulder, giving her a strange look and causing her to wave back too, though more shyly. yujin and chaeyoung joined in last as they saw their companions, turning to see who they had met to also say hello. out of nowhere, chaeyoung, just looking at ningning, pointed to the side, telling her to look, and both she and jimin, who was witnessing the entire interaction, turned their heads in that direction, finding serim leaning against a wall with her manager, eyes lost in the screen of her phone.

the girl was so bored that she had gone to support her teammates to at least spend christmas with them instead of at home alone with her porcupine, and now she had to wait for the others to come back from the closing.

when jimin saw her, she became anxious. they had been talking through chat these days, but as it happened lately, they didn't have time to meet because of the younger girl's busy schedule. serim was surprisingly more friendly and that made jimin not hesitate to interact with her. when she knew they were in the same place, she wanted to run out to be with her, but as she started moving people out of her way to get to her, yizhuo stopped her.

"they are about to tell us to come up." she warned her.

"but namu..." a small pout formed on her lips, she really wanted to go talk to her.

"namu will still be there when we go down." she reaffirmed.

and as if they had heard her, a group of staff appeared to order them, putting the groups in line and making them pass slowly in an organized way. aespa passed among the first ones, staying in the front row.

other than posing for the fans' cameras and waiting for the conductors in charge to say the last words, there wasn't much more to that part of the show. they would also receive christmas, although it really only consisted of a confetti explosion and, actually, the day was almost over. it was all performative, but for a part, if anything, they had something special to do during the holidays and they could spend time with their fans.

one of the mcs started to speak, reading his letters full of formal words and superficial questions to ask some of the guest acts, while the idols greeted the audience as they had been trained to do. but karina's head wasn't there, as much as she loved interacting with her fandom and wanted to show respect for the hard work of the narrators, her mind kept going back to the backstage.

she was trying to be patient, but it seemed like every word they said came out slower. she just wanted to go be with her who was sure lonely and bored on christmas eve. just wanted to spend all the christmases that followed with her.

her senses came back to work when she noticed that they were saying the final words, the last words of the speech they had prepared, welcoming christmas and allowing all the groups to start wandering around the stage for a while before letting them go.

but jimin wouldn't stay for that,

jimin wanted to spend christmas with serim.

at least she could say she thought twice about it and both times thought it was a great idea to run off the stage, passing through a bunch of colleagues who, if they didn't clear a path for her, tried to hold her back to ask if she was okay.

and she was fine, almost, just losing her head a little over a woman.

when she got to the stairs leading to the staff area, her own team rushed towards her to help her with whatever she needed, but jimin pushed them away, passing them and running to where the aisles were, reading the names on all the doors looking for the one that read HeAVEN.

hell, there were an eternity of groups present.

she walked past so many doors, bumping into a world of people, her managers chasing her with intentions of finding a reason for all the chaos as she frantically ran the sbs dressing rooms. until she found it, she found herself face to face with the sign indicating what she was looking for and knocked desperately on the door, but didn't wait for anyone to open it, she opened it herself, almost falling inside where serim, sitting on a chair, looked at her dumbfounded, as well as the whole team of the group who didn't expect a member of aespa to throw herself towards the leader of the group they managed, landing on her lap, taking her face in her hands and pulling her to look her in the eyes.

"merry christmas." spoke jimin while from the monitor showing the transmission the exact same words could be heard from the conductor. "merry christmas, my namu." she repeated, leaning over her, who was now holding her waist to help her keep her balance. "i love you."

she dared to admit it and also to kiss her. drawing her face up to hers, shortening the distance, joining in a desperate, but somewhat shy kiss charged with tenderness and need. it had been so long since they kissed that it was like rediscovering something you knew you were addicted to, falling back into the vice. they were looking for more closeness, contact, for their bodies to intertwine like roots of a tree that grow without direction and belong to the same system. karina's arms clung to the older girl's neck, while she stood up, pushing the chair a little out of the way, so she could occupy the space her legs took up with the girl's presence, without letting her lips come loose even by accident.

"are you sure?" serim broke contact for a moment, opening her eyes to show desperation and illusion in these. "do you love me?"

"i love you." she left a short kiss on her lips. "i love you, i love you." she gave a peck each time she said it. "i love you." the girl kissed again. "and i'm sorry for not saying it sooner." she leaned her forehead against hers. "but after your birthday and seeing you sick, thinking about the possibility of something happening to you and the need i had to be me and no one else to take care of you..." the sentences came like waterfalls from her mouth, intraquilly trying to express her emotions. "i was afraid of being wrong, but nothing was ever so certain in my life."

serim wrapped her arms around karina's torso. "do you love me?" she asked once again.

"i love you." she confirmed, a flirtatious smile on her face.

the older one lifted her into the air taking advantage of the hold she had established on her, causing her to bend her knees, lifting her legs, and hold tighter to her. "i love you too!" she reciprocated in an exclamation, making them spin, looking genuinely joyful for the first time in months. "and merry christmas." she set her down again, accompanied with a chaste brush of their lips. "please, don't ruin this." she pleaded, a little jokingly, but you could see the sincerity in her eyes.

"i'll be good." she caressed her cheeks. "we'll be fine." she assured.

"oh my god, how beautiful." a gangly voice filled the room making everyone turn to look at aespa's manager who was choking back tears admiring the whole scene as he futilely wiped his tears with a handkerchief.

"slut!" appeared chaeyoung from the hallway.

"my manhwa lives!" celebrated ryujin with her head poking out from the door frame.

ningning was also among the accumulation of people, at the front of it all, next to the members of the staff who had tried to stop jimin, leaning against the doorframe, she said nothing, but gave them a genuine smile.

(!)

— taglist [CLOSED]: @yoontoonwhs @cwpiqwon @aliceiwk @xen248 @gtfoiydlyj @rinapomu @aeriuchinarga @multiliker @somedaydream @impossiblesharkcashrebel @yjiminswallet @nwjnsloona @yerimbrit @73vyn @dni-unavailable @yizhuobberi @sewiouslyz @yeetaberry127 @masuowo @yallatalla @aerithykly @chaenniefirst @minfolio @starrynini05 @hotluvlet @wmnrhot @mineige @lisaswifey @brocoliisscared @fae-the-wanderer

[exhelluvafan]

That YouTuber ayylmaotv (who defends Vivz with his life sometimes) pointed out that Belphegor has symptoms akin to narcolepsy, a condition characterised by an overwhelming urge to sleep, as we see her exhibit in Mastermind. Belphegor is the Sin of Sloth. Labelling symptoms of narcolepsy, a condition that is an uncontrollable disability, to sloth, which is laziness and a choice, and also associating it with sin… classic Vivz L I had to point out (as someone with the same symptoms)

Once again, the Viv fandom and Viv herself show blatant disregard for any tact about real life medical conditions, being ableist in some ways by consequence, and water is wet.

And hey, Anon, remember that she also unironically excused Stolas' shitty behaviors with depression canonically speaking, so she already has a history of doing this just to make it a "quirky" trait of them while not actually addressing it like it actually is: a medical situation, and as a depressed individual myself, I find the portrayal of depression through Stolas as downright offensive and tone deaf, since he ISN'T depressed in the slightest, he's only sad that consequences are catching up to him and the fact that his rape victim doesn't reciprocate the imaginary love he created on his head.

< TW: self-harm and depressive symptoms under the cut >

If Stolas was TRULY depressed and not undergoing some temporary sadness, then he would:

Do bed rotting

Not have enough energy to even move from bed.

Overfeed or underfeed himself, resulting in a changing body weight.

Practice self-harm (can be any, from cuts, burns or such, down to drug abuse)

Have constant intrusive thoughts.

Have depressive episodes.

Self-isolate himself quite often.

And the list keeps going on, and there may be even more symptoms that I myself haven't experienced yet or forgot about, but you get the point, and also, reminder, depression is different to all people, but one denominator is constant: your mind is actively attacking YOU no matter what, and with that, I can safely say that Stolas isn't really depressed, he's "depressed" whenever it's convenient for him and the plot.

[itsallmouthwashing]

Band AU bullet points / slight timeline of events

This IS an AU, and they’re MY barbies I can make them kiss when I WANT /silly

Here are general bullet points for the Band AU with a slight timeline of events. Reblogs are so appreciated :)

If I write out a scene that's here I'll link the post and reblog this post as a sort of master list? Maybe? I'll figure it out. Also here's the playlist for the AU :)

Cw: mentions of parent death, implied neglect, drug abuse, assault, ooc characters

A little context---

Band Name: Tulpar

Record Label: Pony Express Records

Genre: Rock and Metal 

Canon divergence note: Anya does get assaulted, but by her boyfriend instead of Jimmy. I don’t really have a character set up for the boyfriend yet, but I wanted to keep that as an element of her story 

Curly on guitar and vocals, Jimmy on guitar and scream vocals, Anya on bass and fills for drums, Daisuke on drums and synth/keyboard, fills for bass sometimes when he’s feeling confident and Anya wants to switch it up

Swansea is their manager right before they go pro and remains their manager when they sign with P.E Records! He is the one the band has to impress with their new songs. If he doesn’t like it, it doesn't get used 

Curly and Jimmy formed Tulpar in their junior year of high school. Originally it was going to remain the two of them(Curly was learning drums), but the two clicked with Anya and Daisuke almost immediately during senior year (they were both transfer students). 

It for sure took convincing for Jimmy to let them join the band. He made them ‘prove’ they were ‘worthy of finding a place in their art’

They totally fucking blew him away (Curly was a little smug about it after Jimmy conceded.)

Jimmy does bond with Dai and Anya over the years

Dai is the one to propose they go pro. His parents have lots of connections in Hollywood and production, so it’d be easy to find someone willing to listen to them and give them a chance on the billboards

Jimmy gets a little pissy about this (he’s huge into actually working for things in life and hates the idea of using connections to get his success) and storms off without saying anything (normally he’d be dragged out of the room screaming. He’s been working on his temper since senior year. Curly literally slapped it into him that the world isn't highschool and he needs to change the way he acts around people if he wants to retain friendships)

But Jimmy’s mom dies. His dad can't take the grief and follows her into the afterlife. Jimmy breaks down and he’s lashing out at every turn

The rest of the crew take it for months and months, with Curly explaining that Jimmy's really going through a lot and should be patient. He would talk to him later if he hasn't calmed down in a few days

But it just gets worse over the days 

Jimmy is constantly putting down the rest of his bandmates but mostly targets Anya as she is the most insecure of the group and finds it easier to spit poison at

One day she visits Curly to discuss this (Salt and Mouthwash scene here)

Jimmy ends up apologizing but it takes time for things to return to normal for all of them

Dai brings in Swansea, a music critic for them to workshop songs with

He goes full manager mode, disapproving of songs the crew thought for sure he’d love and approving ones they were really on the fence about

Insert training montage here

Swansea eventually brings them in front of P.E Records execs

After a brutal five week waiting period, Tulpar officially signs with Pony Express records

To celebrate, the crew goes out clubbing. Anya hooks up with a girl for the first time. Lesbain shenanigans ensue in the bathroom. Jimmy and Curly get a little too drunk. Daisuke pukes outside of the car (and tries really hard to not puke inside the car. He fails.) 

Sleepover at Curly’s house (they all forgot they had exams in the morning and Curly’s house is right next to the campus.) Jimmy gets flirty and lonely when he’s drunk and through the heightened emotional states of it all, he goes in for a kiss

Daisuke stumbles into Curly’s room thinking it’s the bathroom. Almost pukes on the carpet like an ill cat. 

They startle apart and when Curly comes back from leading Dai to the bathroom Jimmy is already asleep (he’s a little faker- he’s just embarrassed)

Exams go like shit the next morning and everyone is too stressed to go back out and get their cars so it’s a week-long study session at Curly’s while everyone crams

Song writing breaks that become too frequent. Swansea suddenly appears to oversee the studying (Dai’s parents sent him over to check on him, but he finds a reason to stay and supervise. Writing breaks become nonexistent) and he actually helps everyone with studying. He’s the one to propose flash cards and Anya hs to scream into a pillow because why didn't she think of that sooner? Then again when she realizes She did, but her flashcards were in her car. Which was at the bar. Which was an hour away because they’re all idiots. 

Swansea and Curly get her car for her and convince her to take a break from her own material while they’re out (Dai just asks her to help him with studying.)

Jimmy like a fucking DOG keeps himself from begging to go with them, but Swansea says “I’ve known how to drive longer than your daddy’s been shooting into socks. Anya’s car will be safe with me, kiddo,” and pushes Curly out the door lmao

On the way, Swans and Curly have a little heart-to-heart and Swans reveals he’s been family friends with Dai’s parents for years and they’re actually large shareholders of the record company. 

Curly doesn't care, not really, but he feels his stomach drop and his heart drown in fire. Jimmy could never find out about this. He can hardly keep the radio on during his solo drive back

When they arrive back at Curly’s, Dai and Anya are passed out on the couch while Jimmy sits wide awake at the dining-room table. Swansea sees no reason to stick around (“I went to the club for the first time in twenty years, Grant. I need to get home and sleep it off.”) and dips. 

Exams go a little better, but on the last day Anya gets pulled over on her shame-stop to Burger King. She has a panic attack during the stop and it gives her the idea to write HAMMS IN A GLASS. She’s caught humming it and tapping on the coffee table one day while Swansea is over discussing logistics or whatever with Curly. He full stops their conversation, tells Anya to polish it and have it to him by the end of the week (“Motherfucker I might not have a degree if I think about anything other than my tests and where the fucking rotator cuffs are, PLEASE”), and then LEAVES (“Guess I’ll find what our budget will be after you’re finished…”)

She tries to workshop it with Dai between classes (he’s in an engineering course, but their buildings are pretty close together)(Ive only taken online college classes please) but Dai is becoming increasingly unavailable. She turns to her boyfriend. The night they work on it, he gives her a drink to help her relax from all the stress she’s been under

But he takes advantage of her that night. When she realizes what he’s done she flees to Curly’s house. Her boyfriend follows her, accusing her of cheating when she gets to the door and Curly is there to catch her. 

Curly tries hard to deescalate the situation, but when Jimmy catches wind of what’s happening at the door he makes his appearance (anya had no idea why he was there (gay reasons) but grateful for the surprise help). Jimmy punches his FUCKING lights out (“I didnt do it for you, Anya. That guy was pissing me off. So I took care of it… Now he won’t mess with either of us, alright?”). Everyone thinks it’s a little hot, even the guy getting punched (hey, everyones having a gay awakening this evening, huh?)

Anya stays the night, thwarting Jimmy’s plans to dick Curly down sexual style at last. 

[balanceoflightanddark]

ABC interviewer: "What do you think are the biggest misunderstandings postpartum depression?"

Hayden Panettiere: "The biggest misunderstanding that I found that there were a lot of people who didn't believe it. They just thought that I was being 'crazy woman,' an overly emotional female, and it was my choice whether or not to be depressed. And it was so out of my control."

This is Azula's situation to a T.

I actually just watched that interview for a little bit of context and...yeah. Completely agree 100%. There is a certain lack of empathy when it comes to women who do suffer some kind of trauma or mental disorder or etc. Granted almost anybody with some kind of problem can certainly face ableism or a lack of compassion (trust me, I'm speaking as a guy with autism). But a greater amount of accountability is usually placed on women. That if it happens to them, it's a greater sin than if it happens to a guy.

Azula is practically a good example of this. A lot of fans assume that she has a greater degree of autonomy and control than she actually does. That ultimately her breakdown was her own doing, and that (as well as her treatment in the aftermath) was a form of "karma". Now, I'm not gonna argue that Azula did bad things and needed to be given a swift wake up call to that reality. Obviously. And at the end of the day, she was an antagonist that needed to be stopped.

But blaming her for her own breakdown? I'm sorry, but I don't buy it. The girl quickly and rapidly lost everything, having her entire world view be shattered, and reduced to a sobbing mess. That's not just a wake up call. That's a tragedy right there. And what's worse was that her world view had been conditioned since birth by a toxic and overly militant and authoritarian Fire Nation with no other world view. How exactly does she have any autonomy over her own breakdown if she wasn't even faced with a viable alternative? Hell, the girl even says it right here:

Azula: But what choice do I have? Trust is for fools. Fear is the only reliable way.

She wouldn't say that if she knew supposedly "knew better". Hell, it's a hint that she does know of alternatives...it's just the Fire Nation was so damn brutal that anything outside of cruelty was going to have you eaten alive. Especially when growing up under Ozai's shadow.

Yet time and again, she gets blamed for her own breakdown. Doesn't matter the circumstances of her upbringing. She's a girl. She dared to be better than Zuko. So therefore, she brought upon her downfall. Obviously. Doesn't matter if other characters like...oh I don't know...Aang, don't get nearly as much bile thrown their way for experiencing similar issues when under stress. Azula should've known better, and that's the end of the story in their book.

No empathy for a 14-year-old girl in a series apparently built on compassion, understanding, and ending an era of hate and violence. What. A. Load.

[butch-bakugo]

Its not a shock to me that most "transandrophobia doesn't exist" people are trans women, mostly white trans women. They have a very specific image of what a trans man looks like and it's only two categories: the hyper fem, tits out, make up, twink trans man who doesn't pass nor try to and the hyper masculine, bearded, t'd up, all the surgeries, big buff trans man who you could never clock. They genuinely think every "transandrophobia truther" is lieing about not getting privileges they don't fucking have.

They genuinely believe every trans man passes and therefore we get male privilege and they get backed up by trans men who do pass and think a cis man making rape jokes with them and asking about their lift set is male privilege. Lemme shatter the illusion because as much as you like to scream about some wide spread privilege that doesn't exist, most trans people, in general, do not pass. This is especially true for trans men due to the hyperfocus society puts on feminine features. I have never met a fully passing trans man and I've met over a hundred personally irl. never. I know they exist but the fact y'all think we, en masse, get male privilege is factually just fucking wrong.

Trans men are not more acceptable or palatable to transphobes. Trans men are not more likely to pass. Trans men in mass do not get male privilege by virtue of our lack of passing and our medical history. Most trans men are still affected by the gender pay gap and thus can not afford surgeries.

You do not acknowledge the existence of non-passing trans men, only uphold the voices of trans men who pass and have the money for surgeries (a small percentage) then wonder why trans men laugh in your face when you make claims about male privilege we do not experience.

We are more likely to be conversionally raped than you. We are more like to be forcibly detransioned than you. We are more likely to experience domestic violence than you. We are more likely to experience hate crimes than you.

Trans men's hyper visibility in online spaces dose not transfer to real life visibility. You are more likely to see white cis gay men and white trans women in any media or ever mentioned than even white cis lesbians or white trans men. Your rhetoric is the origin of the "theyfab" myth. Our issues are invisible to you cause you do not care about other trans people besides yourself and other transfems. Everyone and their trans mother knows about transmysogny and the issues you personally face yet you expect trans men to be silent about their issues and feel like they should be silent because they are men. Trans men are more likely to experience litterally all forms of violence over trans women in every single avenue of violence that exists; religious, sexual, domestic, familial, etc. We are more likely to be stopped and abused before we socially transtion than anyone else due to hyper vigilance of society over afabs. You can scream all you'd like about how we only bring up our sex/the gender we are often raised as when it's convenient but you always ignore those often traumatizing experiences when it's convenient for you.

Many Transmascs and trans men had a traumatizing upbringing because society views us as "bad women" and " bad women" get treated so much worse and by many more angles than "bad men" specifically because we were forcibly assigned as women. You take advantage of a lack of nuance in the community by trying to group us with cis men specifically because you group yourself with cis women. News flash, neither of us and our experiences should be grouped with ANY cis group because we do not have cisgendered experiences.

I seriously think you think you are the most oppressed group in the trans community and you are not, not by a long shot. You are not the most oppressed group in the transgender community and that's a statistical fact. The most oppressed group, by far, are two spirits and cultural genders by virtue of them being inherently indigenous and indigenous people being the most oppressed race of people in the community regardless of the location they are indigenous to.

You are literally taking advantage of the things that were drilled into transmascs at a young age to be seen and not heard and to be quiet and let others talk, that they are lesser than everyone. Everyday there's a new story in the community of a cis man or a trans woman getting a trans man/masc pregnant to hurt them or force them off t or to detransion, this is not a fucking accident. You are not men, no one ever said you were, but you sure love to silence them like they do.

I'm not quiet, you do not intimately know our issues the same way we do not intimately know yours, You don't get to tell us what we do and don't experience and the fact you'd rather cry wolf and suspiciously call us "bitches" than hear us out, tells me everything i need to know. That alt right to trans woman pipeline you said you escaped? Yeah, you didn't. Ur just an alt right trans woman, Try Again.

[yuripira4e]

Before otasune week ends I just want to take a moment to plug my playlist

[chocolate-cream-soldier]

-.-

[july-19th-club]

me age seven being sat down in front of the school’s district child psych lady and being given strange, simple spatial puzzles to solve and then long, complicated worksheets and hammering my way through them at the speed of light while having zero comprehension what their purpose was or why i was here: this is urgent! i have to get a good grade in Weird Puzzles, Or Else, something that is both normal to want and possible to achieve,

[harbingerofwhump]

I love you SoC artists and writers who don't feel the need to make Kaz "ugly" in their work

I love you SoC artists and writers who let Kaz be seen as attractive by characters other than just his close friends in their work

I love you SoC fans who don't just brush off and dismiss the idea of Kaz being considered Hot with regard to his physical appearance

I love you people who let the visibly disabled character be seen as attractive and desirable (without fetishizing or objectifying or having it be "in spite of xyz" or "attractive.... for someone who's xyz")

[grinchwrapsupreme]

i'm not saying this to make any sort of point but as someone who works in canadian theatre, the wga strike is going to have an interesting effect on live entertainment too, like i know multiple people who have lost their jobs or will lose their jobs soon because so much american television is produced here and obviously the iatse union is standing with the wga which it should and i also know that when film crew are out of work like this they often turn to theatre because it's a different local of the same union (and a lot of them started in theatre) and they wind up pushing permits out of work because film crew are usually members which means they get first dibs on all calls even if they don't have much live entertainment experience and even though attitudes in theatre and film are VERY different. And i really really hope the wga gets everything they want, they deserve that and more, but i also hope it happens quickly before young iatse permits get priced out of this city and we get into into another situation like the one right after the pandemic

[rustinged]

when your friends unknowingly reaffirm your gender presentation 🤾🏽

[thethief1996]

I can't stop thinking about the news out of Palestine. Israel is sieging al Shifa hospital. Videos of people's limbs being severed off are haunting (graphic video tw). The hospital has ran out of fuel and 39 babies in incubators are fending for their lives by themselves, because Israel has stationed snipers around the hospital and is shooting all medical crew that walks into their sight.

First, the narrative was Israel would never bomb hospitals. Now, the hospitals are Hamas bases. Then, we respect journalists. Now, we have a fucking kill list of journalists because they are Hamas collaborators. First, we are not letting fuel in until the hostages are released. Now, we are not accepting the hostages back because that would stop our ground invasion and let Hamas win. And I could go on about every single lie they're making up. If you look up "Hamas rape" on google, the first link leads to Times of Israel saying Israel has found no forensic evidence of sexual violence, and only one eyewitness testimony out of 3.5k people attending the rave. If you Google "Hamas beheaded babies" the top links say they have no evidence for the claim besides word of mouth from extremist soldiers. Israeli extremists think about the ugliest goriest scene they can make out in their sick heads, tell that to a international journalist and they run away with it like it's gospel.

And children are being killed in the name of these lies. Thousands are being displaced in images that remind me of the pictures of Tantura 75 years ago, with their hands up so the tanks don't shoot them. Amputees are leaving the hospitals in wheelchairs hours after their surgeries because they are being shot at. Elders who survived the Nakba on 48 are having to walk towards Southern Gaza on foot (imagine walking from one end of your city to the other on foot), displaced again. People are cheering for the haunting images of white phosphorus bombs being dropped over Gaza. Gazan workers who were arrested in the West Bank are being thrust back into the bombings wearing numbered labels.

This is not normal. We are seeing the early stages of the settler colonial genocide of an indigenous population. Native leaders who have visited Gaza say its refugee camps look eerily like reservations. We can stop this. For the first time we are able to see wide scale accounts from the hands of the people suffering the genocide, and Israel is so scared of it they have cut all communications in Gaza.

This is our litmus test. I think we have never seen more clearly, with Palestine, Armenia, Congo and Sudan how colonialism has made our world a rotten place to live in.

The South African apartheid collapsed due to boycotts. We have to do everything in our power to stop Israel's hegemony. Even talking to a group of friends about Palestine changes the status quo. There's no world where we can live peacefully if Israel accomplishes their goals.

Keep yourself updated and share Palestinian voices. Muna El-Kurd said every tweet is like a treasure to them, because their voices are repressed on social media and even on this very app. Make it your action item to share something about the Palestinian plight everyday. Here are some resources:

Al Jazeera, Anadolu Agency, Mondoweiss

Boycott Divest Sanction Movement

Palestinian Youth Movement is organizing protests and direct action against weapons factories across the US

Mohammed El-Kurd (twitter / instagram)

Muhammad Shehada (twitter)

Motaz Azaiza (instagram) - reporting directly from Gaza.

Hind Khudary - reporting directly from Gaza. Her husband and daughter moved South to run from the tanks but she stayed behind to record the genocide. The least we can do is not let her calls fall on deaf ears.

You can participate in boycotts wherever you are in the world, through BDS guidelines. Don't be overwhelmed by gigantic boycott lists. BDS explicitly targets only a few brands which have bigger impact. You can stop consuming from as many brands as you want, though, and by all means feel free to give a 1 star review to McDonalds, Papa John, Pizza Hut, Burger King and Starbucks. Right now, they are focusing on boycotting the following:

Carrefour, HP, Puma, Sabra, Sodastream, Ahava cosmetics, Israeli fruits and vegetables

Push for a cultural boycott - pressure your favorite artist to speak out on Palestine and cancel any upcoming performances on occupied territory (Lorde cancelled her gig in Israel because of this. It works.)

If you can, participate in direct action or donate.

Palestine Action works to shut down Israeli weapons factories in the UK and USA, and have successfully shut down one of their firms in London.Some of the activists are going on trial and are calling for mobilizing on court.

Palestinian Youth Movement is organizing direct actions to stop the shipping of wars to Israel. Follow them.

Educate yourself. Read into Palestinian history and the occupation. You can't common sense people out of decades of propaganda. If your arguments crumble when a zionist brings up the "disengagement of Gaza", you have to learn more.

Read Decolonize Palestine. They have 15 minute reads that concisely explain the occupation (and its colonial roots) and debunk popular myths, including pinkwashing.

Read on Palestine. Here's an amazing masterpost.

Verso Book Club is giving out free books on Palestine (I personally downloaded Ten Myths about Israel by Ilan Pappe. If you still believe in the two states solution, this book by an Israeli professor debunks it).

Call your representatives. The Labour Party in the UK had an emergency meeting after several councilors threatened to resign if they didn't condemn Israeli war crimes. Calling to show your complaints works, even more if you live in a country that funds genocide.

FOR PEOPLE IN THE USA: USCPR has developed this toolkit for calls, here's a document that autosends emails to your representatives and here's a toolkit by Ceasefire in Gaza NOW!

FOR PEOPLE IN EUROPE: Here's a toolkit by Voices in Europe for Peace targeting the European Parliament and one specific for almost all countries in Europe, including Germany, Ireland, Poland, Denmark, Sweden, Netherlands, Greece, Norway, Italy, Portugal, Spain, Finland, Austria, Belgium Romania and Ukraine

FOR PEOPLE IN THE UK: Friends of Al-Aqsa UK and Palestine Solidarity UK have made toolkits for calls and emails

FOR PEOPLE IN AUSTRALIA: Here's a toolkit by Stand With Palestine

FOR PEOPLE IN CANADA: Here's a toolkit by Indepent Jewish Voices for Canada

Join a protest. Here's a constantly updating list of protests:

Global calendar

Another global calendar (go to the instragram of the organizers to confirm your protest)

USA calendar

Australia calendar

Feel free to add more.

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[libraryleopard]

Young adult paranormal/horror novel

When foster kid Jaime runs away from his newest home and ends up trapped in a haunted house in the nearby woods, it's up to a would-be witch and local boy to save him

Biracial Mexican American/white, gay main character; biracial Puerto Rican/white main character; questioning queer/mlm character; M/M romance