#it's just so easy to make designs out of them and they always look so soft

[choslut]

# PUSSY TALK !! (vi x reader)

$YNOPSIS. you’ve been feelin’ a little insecure about yourself lately. good thing you have a girlfriend who’s head over heels for you, no matter what! // wc. 2.4k

warnings. insecure!reader, talk of body image + weight, face sitting, spanking (ass + clit), praise, dirty talk, stripping, oral sex, size kink (?), teasing, fingering, begging, squirting, overstimulation, mirrors, awkward aftercare, spooning, pet names

NSFW below the cut. minors, stay away. enjoy your read!

Dresses aren’t your favourite piece of clothing. They never have been and they never will be, and even as you stare at yourself in the floor length mirror of your bedroom, you absolutely hate how this dress looks on you.

When you asked for something flared that would hide your curves, you didn’t expect your tailor to make you look like an overstuffed cream puff. The flared sleeves hang off of your arms like misplaced scraps of fabric, and the material pools at your feet, surrounding you in an unceremonious circle. You look frumpy, you feel frumpy, and nothing in the world could have convinced you that this is the dress you were going to wear to the annual Councillor’s Gala.

“What the fuck…” You turn around to inspect the back, and it’s even worse than you thought. It seems as if the tailor has attempted a daring backless design, but to you, it just looks like a gaping hole, the fabric tight and loose in all the wrong places before messily accumulating just above the apple of your ass. It looks horrible, and if you weren’t insecure enough, this dress makes you feel like a laughing stock. 

And that’s when the dreaded words come out of your mouth. “I seriously need to lose weight.”

Someone doesn’t like that, because out of nowhere, you feel a strong pair of arms wrap around your waist and a sharp chin on your shoulder. “And why’s that? I think it looks perfect.” 

Vi loves seeing you in dresses. She thinks they make you look so graceful, no matter what shape you choose. It solidifies the fact that you are her perfect princess, and she will never understand why you hate them when they make you look so pretty. 

She also doesn’t understand this whole weight thing you have going on. If anything, one of the things that first had her on her knees for you was your body, and like now, she always feels a need to be touching it, whether it be stroking your thighs or kissing your collarbone or, like now, wrapping her arms around your perfect waist and pulling you into her chest. 

“‘M not perfect though, Vi,” you grumble, hands running along the sides of your chest and resting over where her hands cradle your tummy. “I look like a creampuff.” 

“Creampuffs are sweet. I like creampuffs,” she says, her eyes making contact with yours in the mirror as she noses your neck. “I like you.”

You roll your eyes and whine. “I know you like me, Vi. But that’s not gonna change the fact that I hate this dress.” 

“Take it off then.” She says it like it’s the simplest thing in the world, like you’re not going to be stuck in it for three whole hours, playing the part of a member of high society whilst trying your hardest to ignore the obvious stares at the atrocity which is your outfit. You want to tell Vi that it seriously isn’t as easy as that, but you’re distracted by her hands slipping into the open back of your dress. 

“I can help you,” she whispers in your ear, and you can feel the cold metal of her nose piercing against your heated skin. “Take it off, I mean. Relax.” 

“Vi…”

“Can we try something?” She begins to kiss your neck slowly, and you whimper when you feel the rough scar on her lip brush against your heated flesh. “I know you’ve been feeling some way about your body lately, and to be honest, I have no idea why because your body is already so fucking perfect…” Her hands slide up the insides of your dress, and you lift your shoulders automatically as she slips those god awful sleeves off of your shoulders. “There’s something I want you to do for me.”

After all this time, she hasn’t broken eye contact once, and you notice her eyes go dark when she shoves the front of your dress down, only to find your perky nipples staring right back at her. “What is it?” 

“Sit on my face,” she states simply, hands coming round to rub at your tits. “I want all of it, baby. Your whole body. I want you to fuckin’ suffocate me.”

You probably will. You stare at your girlfriend in the mirror incredulously, because there’s no way in the universe that you’re going to sit on her face. Not in a million years, and certainly not today. “No.”

“Give me one good reason why not.” She has a point, because it’s getting increasingly hard to refute her when her hands are making their way underneath the front material of your dress, letting it drop to the floor and revealing your regulation panties. “Go on, give me one good reason why you shouldn’t sit on my face.” Before you can open your mouth to protest, Vi smiles and bites your shoulder. “And your weight is not a valid answer.” 

You raise your eyebrows. “Violet.”

“Yes, baby?” She acts like nothing is wrong, like asking you to crush her skull in between your legs a couple hours before the most important event of the year is a completely normal request. And she continues to act this way, even when she slips her hand into your panties, fingers eagerly in search of your clit. “So what I’m hearing is you don’t want to sit on my face, and you don’t want me to make you feel so good that you forget all about this stupid dress and that stupid gala?” 

Your back arches into her chest when she starts rubbing your clit in small circles, lips widening into a smile as she watches you unravel against her. “That’s not what I said.” 

“So why are you acting like you don’t want it?” She’s taunting you now, fingers halting all movement on your clit and sliding down lower, tips starting to tease your quivering hole. “Because I know you want it, baby. She’s telling me you want it.” 

You hate how Vi can read you like a book. You do want this, but you’re worried, and she makes sure to eliminate of all of that worry by slipping her fingers into your cunt, mouth dropping open in wonder when you begin to crumple against her.

“Vi, please.” 

“No.” Stubborn. “You’re not cumming unless you’re where you're supposed to be, princess. My game, my rules, and no amount of that pretty begging is gonna change that.” 

You bite your lip as you feel her palm grind against your clit, fingers speeding up and continually assaulting your sweet spot. It’s so hard not to beg her to let you cum, especially with the way she’s holding eye contact with you so intensely. 

“Say the words, and that orgasm’s yours,” she mumbles, smile ever present as her fingers alternate speeds. “Come on baby, I know you can.”

You can, you will, and you do. Your pleas to cum are replaced with nonsensical begging and whimpering, your hands futilely clawing at her biceps as you try to rip her fingers away from your weeping hole. “I’ll do it, I’ll do it, just let me cum, Vi, please-”

All of a sudden, the pressure building up inside of you dissipates, and you notice Vi licking her fingers clean as she backs towards the bed. “That’s what I like to hear,” she laughs, sitting down on the bed in a way that has you weak in the knees. “Come take a seat, princess.” 

Embarrassingly enough, that’s all it takes to have you stepping out of the pool of fabric on the floor and crawling onto the bed towards her, legs planted on either side of her hips as you bend over and catch her lips in a heated kiss. It’s loud and it’s messy, her hands sliding up your thighs and onto your covered ass as you grind down onto her knee, tongue intertwining with hers in a clash of passion and need. 

“Good fucking girl,” she groans, squeezing the flesh of your ass before slapping it hard, drawing a quiet gasp from your lips. “Come on, baby, c’mere, come sit.” 

Your hands splay the surface of her chest as you push her back onto the bed lightly, chest heaving gently with every heated breath you take. Vi looks up at you like you’re the most beautiful girl in the world, because to her, you are, and she wouldn’t want to be underneath anyone else. 

“There she is,” she whispers as you situate yourself comfortably on her chest. “My pretty girl, huh?” 

“I’m nervous,” you mumble, hips beginning to move slowly as you plant your hands on either side of her head. “I… don’t wanna hurt you.”

“Trust me, you won’t.” She captures your hips in her strong hands and pulls you further up her body, letting you hover just above her collarbone. “I’ve lifted this perfect body with my own two hands before. What makes you think a little face sitting will hurt me?” 

In a way, she’s right. Vi is strong, more so than most people. If it got too much, she would be able to move you effortlessly, and-

You’re pulled out of your train of thought by the feeling of Vi’s nose nestling in between your legs, rubbing up against your pulsing clit under your panties. “Vi…”

“You’re thinkin’ too much, baby,” she groans, voice muffled in between your thighs. “Just do it.” This time, she doesn’t leave you any time to think, because she’s now mouthing at your cunt through your panties, strong arms wrapping around your thighs and pulling you ever closer. You gasp in surprise, one hand coming up to grip onto the headboard as you fight not to lose balance. 

Another thing about Vi: she’s impatient. And when you hesitate to begin moving your hips, she does it for you, fingers pulling the seat of your underwear to one side and arms pushing you down hard. 

“She’s so wet, baby, I don’t know how you can say you don’t want this.” Her tongue darts out to lick your throbbing clit and you whine, hips stuttering as you stare hazily at the mess of pink hair in between your legs. Vi is staring up at you with lust swirling in her eyes, and you can feel her smile on your cunt as her tongue slides downwards to your entrance. “I mean, she is practically begging me to eat her out. Is that what you want?”

Before you can answer her, you’re caught off guard by her hand slapping at your clit playfully, sending pleasured shockwaves throughout your system. “ ‘M not talking to you anymore, silly,” she laughs, thumbs rubbing at the area she just assaulted. “I’m talking to her, since my girl doesn’t seem to know what she wants anymore.”

“Stop it,” you grumble, but Vi pays no notice, resuming her languid licks on your pussy. Your protests are quickly turned into prolonged whines and whimpers of her name, the pressure once taken from you beginning to build in your core with each shallow thrust of her tongue into your hole. 

“Not until she’s satisfied, angel.” And she means it, because the grip she has on your thighs is nothing next to lethal, and you feel yourself begin to shake as the pressure builds more and more. “And she’s getting close, don’t you think?”

She is. Your head begins to swim and you tangle your fingers in Vi’s hair in an attempt to stabilise yourself but it proves futile, mouth dropping open as you beg her to let you finish. “Vi, please, please, I’m sorry, I-”

“Nothin’ to apologise for, angel, you’re doing a great job.” You have no idea how she still manages to speak when she’s being all but crushed in the trap that is your quivering thighs, but her voice drives you ever closer, your hips grinding down onto her happily awaiting tongue as you chase your orgasm desperately. You want it- no, you need it, and when she begins to massage your ass sensually, you think you might just squirt.

“Vi...”

“Yeah, baby? Is she telling you something?” She loves playing this game, delaying your orgasm as long as possible whilst making it impossible to hold yourself back. It feels like her hands are everywhere because suddenly her thumb is massaging your clit, and you’re begging her like there’s no tomorrow.

She seems satisfied by your begging, because she takes one arm off of your thigh to use her fingers to fuck your needy cunt. “Cum for me baby, c,mon. Give it to me.”

And give it to her, do you, and in gracious abundance at that. Your juices drench her face unceremoniously as you twitch above her, spine shaking as you hold on to her hair for dear life. You’re all but riding her tongue, and she’s moaning profusely into your cunt, the vibrations only heightening your sensitivity. And try as you might, you can’t pull her away, her mouth a suction as she pushes you unforgivingly into overstimulation.

When you’re all but ready to surrender your stability to her relentless assault in between your legs, you feel a strong pair of hands lifting you off of her mouth gently, and light kisses being littered all over the expanse of your thighs. Vi’s mouth travels along your skin lazily, her powdery blue eyes looking up at your shaky form with nothing but love etched into her irises. You barely begin to register the sweet praises she gives you, instead basking in the afterglow of your intense climax mixed with the feeling of her hands stroking your back.

Moments later and you’re laying down on the bed next to her, curled in a foetal position as you fight the army of sleep threatening to overthrow you. “Are you tired?”

“Mhm.”

“Why don’t you… skip the gala? Stay here with me, I’ll cook, and…”

You think the difference between the Vi laying next to you now and the Vi who made you climax to the brink of passing out is a cute one. She’s never been too good with aftercare, instead trying to make awkward conversation in an attempt to divert from the fact that she just rocked your world in more ways than one. “We can stay home. I’ll tell the organisers I wasn’t feeling too well.” That, and the fact that god awful dress made you want to bust a nerve.

Vi smiles at you gently, and you wish you could stay like this with her forever. “Sounds good. I’m looking forward to it.”

© this work belongs to choslut. do not copy, translate, repost or feed my work into any regenerative ai system.

main masterlist

[emrikae]

aot cast modern au jobs in my head:

eren: cybersecurity specialist. i feel like erens one of those kids that suck in subjects like lang-lit or fucking geography but have an impressive talent in anything techi. i think growing up eren was a competitive gamer and i imagine him being pretty rich in the sense where doctor daddy grisha and also big bro zeke are always spoiling his brat ass with the latest technology. he gets so good, he initially goes into uni wanting to become a game designer but after a brief fallout with his dad when he dropped out and eventually had his allowance cut (a period where i think eren dips into underground hacking and also modelling?) he falls upon the sexy salary in cybersecurity (and saw how thrilling- and damn easy !for him! - the job is) he changed course. i think eren eventually builds his own successful company and becomes one of those rich folks who say that school aint shit.

mikasa: president of a major sports team. mikasa takes over pretty young (like early 30s) after old uncle kenny was involved in some ‘reiss scandal’. initially mikasa was labelled ‘princess’ (derogatory) by dumb angry hooligans who thought a woman would curse their current standing, jokes on them cus that same season the club broke their 20 year curse by reaching the championships. i also think old pictures of gothkasa gets leaked on the internet but it only brought her more praise. but i actually dont think mikasa stays in this job for very long, shes always wanted a quiet simple form of income anyway so when her baby brother comes of right age and maturity she passes the baton to him and lays back as just a shareholder before shes even 40. i also believe mikasa in another universe wouldve loved to be an archivist.

armin: celebrity marine biologist/activist that went viral online during lockdown. he gets his own fanbase and is termed ‘biologist bae’ cus of his cute looks. a tv producer who fell into his corner pretty much fell in love with him after seeing armin deliver a spiel about endangered dugongs. invites him to a bunch of talk shows and the viewership goes so high (a large portion of it being teenage fangirls who want to ‘save the ocean’ too!) he manages to score his own show where he eventually meets his future wife.

annie: senior tv writer who got with armin after working with him on his show. she usually works on sporty reality shows and competitions even though shes a big time introvert. known for her sharp dont fuck with me work ethic, annie gags at how easily she fell into ‘biologist baes’ charm, hates how shes just like the 14 year old fangirls who try to sneak into their shoots. but anyways, annies the ace at her job been going hard for about 15 years but ultimately decides to retire early after having her second child and really liking how ‘biologist bae’ was making enough dough for the whole family.

sasha: influencer cus shes so pretty and fun. was a design major so all her vids have a ‘aesthetic’. now she prettily promotes lifestyle hacks for all the girlies. she also has a set of vids called “what my chef husband cooked for me today” . i think also further on she ends up being one of those moms who shoots vlogs and reviews with their kids.

jean: jeans a classy guy with artistic talents so i imagine him being a successful automotive designer for a luxurious car company. a mommas boy, he used his first fat pay-check to buy his mom a sleek ride thats a little too fast for someone her age. dudes insta page is what you’d expect from a posh car enthusiast with flashy posts of either him, his car, his mom or all 3.

connie: real estate party man. he really climbed his way up and becomes a man of many stories, friends with everyone and plenty of connections. the old hustle got him familiar with the best locations in the city, and now with his excellent salesmanship dude manages to sell at least 3 huge properties a week. i also feel like connies one of those dudes to finally settle down in his 40s -50s (with someone half his age).

historia: i believe queenbee was made for wedding planning. she has her own company before her first job ever but damn is she good at it. being brought up filthy rich, historia is familiar with the highest quality of things, knows whats on the market that only the small percentage of rich people know and will get clients their dream wedding to a t. moreover, she also loves to play cupid (canon!) and is always up to planning her friends weddings (and baby showers, and birthdays parties, and…)

ymir: i imagine ymir being on the board of directors for a bunch of ngos. she had a tough upbringing, was probably moved around from one home to another and could see how hard life is for anyone working at minimum wage. she grew up to be a little spitfire in school, hadnt taken it seriously until she reached senior year and bonded with a school staff named Ms Ymir Fritz. With the wisdom and kindness she learnt from her old teacher, ymir wanted to pay it forward and decided to make a living helping those in need.

reiner: idk why, but i feel like reiners a softie at heart and i imagine him having a nice cozy candy shop. probably fighting old childhood demons and the parental neglect he faced, his cute little shop comes as part of his healing journey to compensate what he missed out on in his youth. its sweet (but a little heartbreaking) that reiners favourite part about his job is getting to witness and be a part of the joy that emerges between families when they enter his shop.

bertholdt: a nurse just cus i think bertholdt would know how to be gentle with the patients. hes got a soft way of speaking that makes vulnerable people feel safe and comfortable. hes also wildly knowledgeable in flexibility and keeping your muscles in good shape that he conducts morning stretches and sometimes yoga in one of their recreational halls.

[lukedanger]

As you wish, @adorascake

WARNING: Spoilers for Arcane Season 2 Act III below and in the link.

Healing was never easy, nor was it always possible. And certain careers carried with it the risk of permanent harm.

Caitlyn had thought she had known that when she had enlisted as an Enforcer, even after having seem some of the injuries that had been picked up in the line of duty. A missing finger with a clockwork replacement here, scarred bodies and faces there, the occasional eyepatch. In hindsight it was clear how little she had actually understood, believing herself to either be untouchable or that she would just cope if it came.

In the grand scheme of things, Caitlyn had settled to simply mourn her lost eye and try to move on. Try to let it be a reminder to not allow herself to be blinded by vengeance. To take on the new challenge and rise to the occasion. And she had tried to put it into effect in the following years, striving to fix what had been broken - by herself, by her ancestors, or by her city.

A knock came at the door and Catilyn sighed, pulling the patch over her face. "Come in," she said as she turned to the door.

"Just me," Vi said as she opened the door and came into the study, a box in hand with a bow around it. "Got something to show you."

Caitlyn was intrigued, but had to stop herself from pulling up the relevant information in her mind. It was her obsession, one that had served them all so well but also meant that she always tried to figure out a surprise. She didn't want to ruin this for Vi, not with how proud of herself she looked.

Yet despite herself, the information creeping to the surface. Vi learning artifice and engineering at the Academy, to be more than the welcome pair of fists when someone threatened the fragile peace. Recent grants that Vi had ardently argued in favor of. Time she had insisted on being alone in her workshop, even giving up time together for it.

"Whatever you're working on, it's an obsession," Caitlyn had told her over dinner at Jericho's one night.

"Learned from the best," Vi had cheekily answered, and just in time Ekko had come by before the conversation could continue.

"So," Vi said in the present, setting down the box, "I know you keep telling me to think about myself, to stop hurting myself for others."

Caitlyn just nodded.

"And I know you don't like it when people fuss over you, and hate it when people suggest you use all this wealth for yourself."

That warranted a quirked eyebrow from her good eye.

"So, the reason I pushed for that eyetech grant was because..." Vi almost trailed off there, whatever she had rehearsed faltering as her knee started bouncing. "Ah, screw it. Open it, Cait."

Caitlyn obeyed as she undid the bow and lifted the cover, but she already had a strong feeling of what was in there that was confirmed a moment later.

A mechanical eye, master crafted by a skilled artificer. A blue crystalline lenses with a natural white sclera made up the visible front, while the back had a single chemtech adapter with a faint tint of electric green barely visible to the naked eye. It would require a surgeon to insert and connect, but if successful?

"You made this?" Caitlyn asked.

"I-" Vi hesitated. "Yes. Kinda. I did a lot of the drafting, helped make the body and designed the clockwork, but a lot of the tech..."

"Vi, was this why you've been running around Piltover and Zaun these past few months?"

"Past year, really. Cait, you've got all this wealth, and you've been trying to spend it to help everyone. I couldn't let you not spend at least a bit on yourself."

"Violet..."

"Shh," Vi's knee stopped shaking. "I know you don't want people to pity you for the eye. That you keep offering cogs to make sure everyone has a reason to beat you in shooting competitions. You keep telling me that I need to take care of myself too. Well, the same goes for you, doesn't it?"

It was all coming together now. "That was why you pushed so hard for Doctor Zeigler's ocular project. You wanted me to benefit from it."

"Yep. And it isn't just for you, Cait. We've made less fancy ones that can help people blinded by accidents in the fissures."

"So why not give me one of those, then?"

Vi grinned. "Two reasons: first, we've got those fancy galas to attend. Second? Well, let's just say this one may have a few special features that I think you'd like to have."

Caitlyn was about to ask, but decided against it. Vi knew she enjoyed a good mystery, and Caitlyn spent a good portion of the night thinking about it even as Vi was fast asleep knowing that soon her wife would be able to see her with both eyes again.

"It's a zoom function, isn't it?" Caitlyn had asked the next morning.

Violet simply grinned and put her hands in the air in mock surrender, even as she flexed her muscles. "You got me, Sherrif."

[thethoriumreactor]

Forgot to post this whoops

Part 2 of my TMAxHazbin au (tentatively named the Hazbin Archives for now) character info posts (part 1)

Genuinely proud of my design for Spiral!Angel

Additional character notes:

— Angel is a former mobster, then a part-time porn actor, now somewhat of a wandering Avatar who regularly visits Charlie’s rehabilitation centre. He likes to trick people, show them illusions of things that never were and never will be, that they desire deeply and want to escape desperately — he knows how to seduce men, how to confuse them, lead them into his waiting hands as they are lost irreversibly to everything they do not know or understand. He makes an effort to reduce the suffering he causes for Charlie’s sake — but messing around with people is so fun, don’t you see? At some point, somehow, the grumpy bartender who hangs around the rehab centre became his anchor.

— Charlie works at a cheap hotel, and runs a small rehab centre on the side. She looks for addicts, alcoholics and mentally ill people to bring them to her centre to help them — but why are they always so scared of her? She’s only trying to be nice, she’s not trying to harm them — just because she’s an Avatar doesn’t mean she wants to cause fear in others. Though it seems hopeless at times, she persists in her efforts to become a kind, philanthropist Avatar. Everyone has a good side to them — if only she can bring it out… Genuinely wants to be friends with everyone she comes across despite Vaggie and Lucifer’s best efforts — and the rejections she receives for being an apostle of Fear by nature.

— Vaggie helps Charlie with her rehabilitation efforts after leaving the Exorcists. Killing — massacring — enticing people to violence was always so easy — it was always her job, her role, her duty as a servant of her God — but she wants to be better now, she wants to try something better, to do something good — and Charlie is so, so good, and she cannot help her desire to follow another who isn’t her God. She wishes people would stop making a mess of the rehab centre — especially the annoying Spiral guy, who keeps creating doors and mazes and places-that-don’t-exist all over the centre. Would stab Alastor into oblivion if she didn’t value Charlie’s opinion so highly.

— Niffty is… probably the rehab centre’s maid. She craves the hunt, the pursuit of prey — the capture of a victim, their struggle and he end of their fight — the way they twitch like a bug when they’re caught, and whine like dogs when stabbed, and choke like frogs when they die— (Niffty is a bit… weird. Only Alastor really knows where she even came from. Most don’t bother even thinking about it.)

[all-pacas]

OK, follow-up to this post about Cameron's apartment's, let's look at Chase's. Because set design is fun!

We never see Chase at home in early seasons: the closest we get is in Human Error, the end of S3, where Cameron is visiting his place. We never actually see inside, and it's not even clear if this is like, his front porch or just the entrance to the building; he's a former rich kid so it could be either, but I assume the latter, because he's a trust fund brat but not own an entire townhouse rich.

The next time we hear anything about it is in The Itch:

CHASE: What time you done? We could try that new sushi place next to my house. CAMERON: Why don't we stay at my house tonight? CHASE: We always stay at mine. CAMERON: That's what I mean. We used to split it. What happened? CHASE: I don't know. Closer to work. CAMERON: By five minutes. And my house doesn't look like it was decorated by a drunk rugby player.

(I am fascinated by this line and all its implications. It is not decorated by a rugby fan but a drunk rugby player. What does that look like besides probably atrocious.)

Sadly, we never see this apartment. The next time we see him at home it is in the last episodes of S5. He appears to have moved in with Cameron; since this apartment doesn't match her old one and isn't plastered in sports posters, she either gutted and redecorated the apartment or, I think more likely, they got a place together (we first see them "at home" once they're already engaged). We first see it in Under My Skin:

And then we get several good looks at it (including the bedroom) in S6:

(the last two photos are a bit awkward but useful for layout: cameron exits the bedroom and is directly opposite the front door, meaning the bedroom is to the right of the hallway arch; meanwhile the front door is behind chase and you can just see the TV to his left, making it the final wall of the living room in the s5 set.)

Finally, at the end of Teamwork, we get a nice view of the living room/kitchen from the windows: it appears the kitchen might have an alcove to the left for a dining set (although when we've seen them eating, it was on the couch — relatable).

Chase stays in this apartment — same layout and architectural details — through S8, although once Cameron moves out he completely redecorates, which is fair. This is also interesting, because it shows he has a completely different style than she does; Cameron's apartments are all decorated the same (beige Pottery Barn-core), but Chase has a more… well, masculine aesthetic, he likes darker colors and more color in general.

We very, very briefly see his apartment in After Hours, when 13 calls him:

It appears Chase is lowkey a nerd: he's reading a book on the Crusades, he has a stack of books on his nightstand, and the top one appears to be a goddamn diary. Incredible.

We next see it in Chase: from the first shot we can see it is the same apartment as before; from the second we see the ensuite connected to the bedroom (and that he's gotten rid of the bookcase that used to be against the wall).

Finally, Park briefly stays with him in Gut Check, and we find out that a) the apartment has at least two bedrooms (and likely two baths, given the en-suite), and b) the redecoration did continue:

(why the hell does he have four TV remotes on his coffee table????) I actually like the orange couches (and the implication that Chase threw out every single one of Cameron's decorative tchotchkes), but it's a different vibe for sure.

Because we actually get so many different looks at the place, it's pretty easy to make a map of the layout; the apartment looks something like this:

This post is so pointless. However, I do not apologize.

[adobe-outdesign]

Pokemon shiny review of shiny h! Samurott line?

Oshawott: Shiny Oshawott is okay, but nothing to write home about. It does change out most of the colors in the design—white to cream, brown to pink, blue to teal, and cyan to a true blue. However, because most of these hue shifts are similar to the original colors, it doesn't stand out a ton. Like, you could pick it out as the shiny in a crowd of other Oshawott, but if you saw it in isolation and thought this was the regular palette, I wouldn't blame you.

In terms of improving it, any hue shift outside of just shades of blue/teal would be much more noticeable. There are a bunch of viable colors here, like purple is always a good choice for water-types, but I kind of like the idea of making it brown to lean into the otter inspiration.

Dewott: Dewott's a bit better than Oshawott, mostly because the dark blue accents have changed to purple—a much more drastic hue shift that makes it easier to pick out as a shiny. However, even if you ignore that it's not very consistent with shiny Oshawott, the overall body shift from cyan to more of a aquamarine still isn't that noticeable. Also, the dark blue originally complimented the body, whereas here the purple and aquamarine feel like they're competing, almost to the point of clashing.

Outside of potentially doing something like a brown shiny here too, I think an easy change would just be making the body a light shade of purple. Another option could be to make the body white to match Oshawott's coloration.

Samurott: Even if you once again ignore consistency, Samurott's shiny is still just okay. I do like the peachy rose-gold armor and the darker blue body; it looks nice visually. However, similar to Oshawott, it's a bit too minor of a hue shift to really stand out drastically, even if you can still tell the difference in a crowd; it's not bad but doesn't feel like that drastic of a change either. In terms of improvements, any of the changes I suggested above could be applied here and it would probably look fine.

Hisuian Samurott: H. Samurott is probably the best of the line because it has a drastic, very noticeable color change—taking all the black and red shades from the original armor and making them white and gray. It's a nice nod to Oshawott and makes for a very distinct shiny.

However, I do wish they had gone a bit further and tweaked the rest of the colors as well. Changing only accent colors works well when the base is a neutral (see: Umbreon), but in this case, there's not real reason to not go even further. The eyes and nose no longer are complimented by red in the armor, so they could've easily been yellow or orange instead; something a little more adjacent to the white. Meanwhile, the body could've been a darker navy blue to match original shiny Samurott, or even black to match the non-shiny armor. It's still good as-is; it just could've been pushed a bit more.

Overall: Oshawott and Samurott's shinies are okay; you can tell the difference but they're still fairly similar to the originals in terms of hue. Dewott's shiny stands out more but also has a somewhat clashy palette and the body is still pretty similar. Finally, H. Samurott has a good distinct shiny, but one that could've been changed even more. Basically, nothing bad here—but nothing spectacular either.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[sysig]

Promises promises (Patreon)

[seilon]

not to be That Guy but as someone who’s been to Art School as an entertainment design major I just gotta say. as much as I think I get the point op’s trying to make and there is a case to be made for today’s environment corporatizing art to such an extent that people aren’t as inclined to create fully original work– generally this is a pretty bad take.

when you go to art school, especially if you take a character design class, illustration class, entertainment design class, etc- you will literally be required to draw in the styles of other people/various franchises. you will have to do countless studies of other people’s styles, and you’ll have to do master studies where the entire point of the assignment is to copy a “master”’s work as closely to the original as possible in order to break down what they would’ve had to do to create that work. the reason for this being: learning to draw, and learning how to develop a unique art style is pointlessly difficult without any guidelines or a repository of styles and techniques from others to go off of. it’s not an efficient way to learn, and it’s not fulfilling on a more personal level to bar yourself from what inspires you to draw.

you can ask so many full-fledged artists how they learned to draw the way they do, how they developed their own style over time, and many, if not most of them will say that they grew up drawing like crazy trying to imitate the style of their favorite disney movie, or favorite animated show, favorite manga, etc. artwork from other artists/franchises motivates you to create, to practice– even if you’re straight up copying something on tracing paper you’re still absorbing information and recognizing patterns and so on by doing so and it will help you build up the skills and confidence to develop something more recognizably your own (though- nothing is ever 100% original, every art style is an amalgamation of other art styles that influenced the artist– but that’s neither here nor there).

on top of everything, unless you intend on going into art as a career and publicizing your work to a sizable audience, there’s no need to even think about developing your own style or standing out amongst a crowd– the point of art as a hobby is enjoyment. you can draw the same character in the same style a million times and there’s no reason not to, so long as you get enjoyment out of it. if you wanna talk about corporatizing artwork, frankly, it’s more in line with what the capitalist monstrosity that is the entertainment industry wants to look at art as solely something that needs to be constantly improved or approved of by an audience to be worth doing. do whatever you want. who cares

learning to draw trees like hayao miyazaki (objectively a fantastic artist to learn from) of studio ghibli is completely unironically a fantastic thing to do. basically any art professor or industry professional would tell you the same thing.

"How to draw ghibli style trees" "How to draw like disney" How to invent something new. How to try something else.

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]

[ruthytwoshakes]

team furries twoooo. And scalies. And whatever birds are.

please share and donate to this family of four, the youngest being only 2 1/2 years old. They need funds to safely cross to Egypt. If you donate something, send me a message with proof and I’ll draw you something nice as a thank you :)

Species and concept art under cut!

Sniper: so for some reason I was under the impression that Crocs were native to new zealand. They are not. Uh. Well. yup. 👍 it fits his personality. snappy n dangerous but real easy to get around if you just zig-zag. Why the long fa

Spy: Grey Fox. I was gonna go with a wolf because of his fursona but fox fits better wahhhh. Also means that scout is half fox! I’ll show that in more detail one day. Probably.

Medic: just like his Doves! The tail coat is actual his real tail. Featherrrrrs. Why are his nasty claws out? I don’t know he’s kinda weird like that.

Demo: TIGER!!!!! He’s always kinda reminded me of Hobbes from Calvin and Hobbes :) why did I draw him so cute. Somebody stop me before I draw them all adorable ough.

Engineer: the bulllllerrrrrrrrr. Sorry. He’s a bull, with a nose ring. Epic. Hooves for hands, gunslinger would look like a hoof too, gotta design that later.

Heavy: big badass brown bear. Love him. Instead of bullet he has honey sticks. It costs four hundred thousand dollars to harvest honey… for 12 seconds.

Pyro: fucking dragon. hell yeah. In pyroland they see themselves as a unicorn. Baller.

Scout: Bunny scout truther over here. You can thank @/teamfurtress for that. Please check them out, commissions are open! In my version he’s a hare but that is significantly less fun to say lol. Jackrabbit kinda guy.

Soldier: regular ole dog. ouppy to da max. He’s the most dog of the alol time and I’m tired of pretending he’s not. THE STRAPS ON HIS HELEMT ARE HIS EARS. HIS BIG TEETH AND OPEN MOUTHED SMILE. THE WAY HE MOVES. DO YOU UNDERSTAND ME?!???!??????! That’s a grown man with dick n balls what am I doing

Some designs for the side characters that I couldn’t be arsed to finish. Saxton is kangaroo because of corse he is. Admin is a bat because she never leaves her room, Pauling is mouse because is cute, Zhanna is bear like big brother, Merasmus is praying mantis, and Gray Mann + Olivia Mann are vultures! She’s so fluffy oh my god

Concept time. I fell in love with wrinkly floppy dog sniper. Adorable. Unfortunately I already had a dog so he had to go </3 kangaroo sniper was also axed. rip girl. Lots of diff designs for admin! Curtesy of @stangeranfanficion (thank u for the ideass) eagle soldier because it’s funny. Also zebra Pauling! I really like this one. If I make a horse au she’s going to be a zebra.

[icewindandboringhorror]

Other Misc. Rambling Thoughts on the topic:

(~ !!!!!!!!! if you're just reblogging this post for the Poll section, please reblog the original post without this addition* lol. ~)

(*not that there's anything super personal or weird about the addition, just that it's meant to be kind of casual Side Commentary, not really part of the Main Point Of The Poll, so it would feel kind of weird for it to be emphasized by being included in reblogs unless the reblogs were explicitly about the side commentary, etc..... if that makes sense.. ANYWAY!)

It's neat to read the written descriptions that people are mentioning in the tags, since it's almost like I can see or conceptualize the idea as well, but it's just.. I'm not SEEING it.

Like for example: I can imagine a vase, it's a muted mint green and slightly translucent, elaborate golden birds sprawled down the side in streaks of thin rough watery paint, the base material shimmers gently in the light, there's a small chip where it's cracked on the handle, etc, etc. .. But as I'm thinking about this I see literally nothing.

It seems like perhaps some people can visualize an object first, and THEN describe what they see. But I sort of work backwards. I am building the object in my mind, I can never see it, but it's a collection of concepts. Rather than visualizing all details as a whole at once, I am adding each detail one by one, building onto the IDEA of the thing.

The vase doesn't have a crack on the handle because I just automatically visualized a vase with a crack. It was more that I cognitively understand the concept of a vase, what they tend to be made out of, how they tend to look and feel, the properties they have. So based purely on that knowledge, I can imagine "a chip is something that a vase could have, it would look this way and behave this way" - more like... I'm constructing a bullet point Fact List about the object rather than seeing it.

So if you tell me to imagine an object, I can, in a way, imagine that object in great detail, but it's just.. I'm not SEEING those details, more just knowing it's qualities in a purely conceptual way. Sometimes in the tags when people are like "yeah I can see the skin of the apple, texture, little dots on the surface" it's like… I can imagine that too, I can know it's there, but just with no visual attached.

I guess rather than SEEING something and going ''ah. I know what this looks like because I have seen it''. I more just skip that visual step entirely and go ''I know what this looks like, I just randomly have a list of information about the concept in my mind.'' etc. Maybe similar to how sometimes in dreams, even though a house may look completely different and be in an entirely fake 'dreamlike' environment, you just somehow KNOW intuitively that it's meant to be your childhood home or something. Even when it looks nothing like it in reality. There's a built-in base knowledge of the properties or information of some things within a dreaming mind, etc.

--

This also makes me wonder about like.. how storytelling and myth is so important to cultures all across time. Or how this could tie also into concepts of religion.. etc. etc. If so many people really can kind of conjure these vivid images in their mind, then maybe that's part of why certain things are so meaningful to them? Like a "religious experience" being something you can actually really SEE/feel/lingering with you in your head, rather than just abstract words on a page, detached purely theoretical ideas, etc... hmmm

.

Plus also just for average emotional stuff too, even outside of broader cultural conceptual attachments..

Like, I don't think there's a direct 1 to 1 link (obviously not all people with mental illnesses that significantly reduce their emotional or expressive capacity also MUST have aphantasia or vice versa), but it's interesting as someone who DOES also have a much more lessened emotional range/pretty flat affect/etc. etc. to think like.. Maybe I WOULD be more emotional, in a way, if I could have these vivid experiences..?

Perhaps memories would hold deeper significance if they could really stay with me vividly. Or storytelling would evoke more of a deep emotional reaction to me if I could really picture and feel the things that are going on. If things were more TANGIBLE in my brain, rather than always merely conceptual highly abstracted ideas.

Kind of like, it's probably easier to get over the death of a pet or something, if after not seeing them for an hour you already don't remember what they looked like (beyond just a vague fact list of traits), and you have no vivid memories or mental reminders of them (beyond just factual information stores). COGNTIVIELY you can appreciate the idea of their absence, of course, you still miss them, but there's just no remaining visceral sensory ties. A very "out of sight, out of mind" sort of thing in terms of attachments, memories, emotions, etc. Maybe certain things are easier to "get over", when you're not having constant mental sensory reminders that occasionally rekindle your feelings about the event or etc.??

(like for example, maybe someone could remain angry about an argument longer if they could vividly replay it in their head over and over again. VS just like.. 'Yes I can factually recall the fact I had an argument, and I do have knowledge stored about what precisely was said, but any sort of sensory data such as sights/smells/feelings, etc. from the actual moment of the event are long gone and can never be conjured again in my mind." etc.)

Which again, I think lessened emotional permanence and image permanence in the mind are NOT inherently linked, can all be caused by different things for different people. And, since I can't visualize anything in my head, maybe I'm misunderstanding how it happens and the effect it may have on stuff like remembering things you miss or replaying arguments, etc. etc. But it's still a little interesting to think about, if they could influence each other to some degree.... :0c --

Lastly, It's also weird because I'm actually pretty good at estimating distance and spaces? I can quickly assemble furniture without an instruction manual, pretty easily have a concept of how much space a chair may take up in a room, how two mechanical parts might fit together - BUT, I am literally not actually visualizing anything. I cannot see 3D objects in my mind at ALL. It's like.. just based on the pure List Of Facts About Things Which I Have Observed.. I can intuitively go "oh this works like this/this is this size" just because.. I know it's that size. I don't have to see anything to know..?

But then on the other hand, I'm terrible at directions without a map (I guess because a 3d outdoor environment has WAY more complexity than like.. "Will this square fit into another square?"etc. lol ).

BUT, I also draw/sculpt/etc. entirely without references, and seem to do mostly okay at that..? Like.. I can't even remember the last time I actually used a reference or looked at anything whilst drawing. It's all muscle memory, and me just adjusting as I go until something "looks right" on paper, I never have a set image in my head (or external reference) before hand.. Hrmm....

AND.. I used to say that I had a photographic memory when I was younger, which I know NOW is not true (I always thought it was just an expression, not that people could literally see things in a photographic way). But what I was describing is, I do often associate information with imagery, just... without imagery....

Like "Oh, I know that I took my medicine earlier today because I have a distinct memory, a snapshot of a moment in time, of me rattling the pill bottle in my hands as I looked up at a stop sign while in the back seat of a car". When I say this, I can't ACTUALLY see/feel/hear a pill bottle, or vividly picture a stop sign, but it's more just a factual recall, of. Even though I don't see these things, I know they happened, the information of them happening (me hearing a sound and also looking at a stop sign at the same time) has been stored in my brain as a memory, a collection of linked facts. --

As for other senses, I cannot taste or feel anything in my head AT ALL.. wild that some people mention that. I mean, again, I can have a purely factual recall as if reading a textbook, knowing the information of 'X item typically has X texture, therefore I can imagine what it may be like to feel it' or 'X usually has this taste' etc. - but I can never actually experience those senses in any capacity in my mind alone. I would say audio is my strongest mental sense (maybe a 2.5 or 3 (if it were translated onto the above scale where 1 is most vivid and 5 is nothing)), then visual (4.5 at most, usually 5), and then taste and smell and such are just complete 5, absolutely nothing, I didn't even know people could experience taste or feeling just in their mind alone.. lol...

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[kawaiianimeredhead]

.

[savanir]

DP x DC prompt [6]

Weapon design always came easy to Jack Fenton. He grew up with it, all the way back in Atlantis, when he was just a little guppy.

What he wasn’t aware of at the time was that his parents were from a long and prestigious line of scientists and weapon manufacturers in Atlantean society. But things had been getting dangerous. 

The King at the time cast them out when they refused his demands of greater, stronger, deadlier weapons. The kind of weapons they knew would not only destroy their enemies, but themselves as well.

They fled and went where they thought they would never be found, the surface.

Jack had the easiest time adapting, being as young as he was getting used to breathing air was a lot less of a struggle. 

He adopted one of the most generic male names he could, and adapted the family name of Fenestratus into Fenton. And then it was just living as a human, as humanly as possible, nothing to see here.

By now Jack basically doesn’t know any better. but this piece of heritage is coming back now all these years later, when his son is looking to him for help from the government.

But first he holds his boy close and apologizes, because he sees the fear, and he understands a little too well, and he doesn’t like the picture he’s seeing now that all the puzzle pieces are falling into place.

“I almost became the thing I hate the most. I’m so sorry Danny, I’m sorry I made you feel unsafe in your own home”

The hug is long and warm and tight and Danny isn’t ashamed to admit he might have clung a little bit.

Then Jack holds Danny tightly by his shoulders and gives him a big grin, “Good news though, you’re only half ghost, the other half is not only human but also Atlantean, and there are laws protecting us now” Jack mutters to himself, “I wonder if the whole ghost stuff would actually be put under the meta protection thing… hmm”

Danny blinks for a moment, Jazz gapes, Maddie is suddenly no longer spiraling about how her baby boy got in a terrible accident in their lab and she didn’t know.

“I’m also what?”

“Dad!?”

“oh did I forget to mention that? I thought I did, I know for certain that I had been meaning to”

“Jack sweetie, are you-”

“oh yes, and I remember now, I decided to tell you after our big breakthrough because I didn’t want to distract you, and-” Jack looks sheepish, “I hope you aren’t too mad at me Maddiecakes”

“mad? oh I would never be mad at you about this but we could have- I don’t know, accommodated- Atlanteans are aquatic, well I guess that explains how you could always put away so much water, and when you gave me your umbrella and I thought you were just making an excuse when you told me you didn’t mind and in fact loved getting pelted by the rain-”

Maddie goes on, and Jack thinks to himself that this is exactly the reason why he kept it to himself at the time, Maddie never half asses anything, he’s sure a lot of things are going to change in the house now, it honestly only makes him fall in love with her even more.

Meanwhile Jazz had filled up a bucket of water and then dunked her head in, then came back out not even slightly gasping for breath, just saying “oh my god” over and over.

Danny timed it, “yeah okay, I guess that proves it. now I’m starting to wonder if my weird relationship with air is ghost related at all”

[amirasainz]

What about reader is a team principal of a team and every driver and there girlfriend are obsessed with her?

Hahaha, omg this is so funny.

Enjoy reading and send some requests!!!

-xoxo

Obvious

The world of Formula 1 was unforgiving, relentless, and absolutely cutthroat. But there was one anomaly in the paddock that no one could quite figure out: Y/N, the 22-year-old team principal of McLaren. Her rapid rise to the top was a story everyone whispered about, but no one dared to challenge.

She was brilliant, tenacious, and had an air of authority that made her presence impossible to ignore. But what truly set her apart was the way she unknowingly had every driver—and their girlfriends—wrapped around her finger. They were utterly, hopelessly obsessed with her, and Y/N remained blissfully unaware, thinking it was just the normal way people treated their boss.

Exhibit 1: Dinner with George and Carmen

It was a rare off-day between races, and Y/N found herself in London at George’s request. The Mercedes driver had insisted on taking her out to dinner with his girlfriend Carmen joining them.

“I’m glad you agreed to come, Y/N,” George smiled as he pulled out a chair for her. “You’ve been working way too hard.”

Carmen leaned in, her eyes sparkling with admiration. “Yes, you need to relax sometimes. You’re always so busy.”

Y/N chuckled, feeling a bit flustered by their attention. “Thanks, guys, but it’s all part of the job, right? I mean, this season has been crazy.”

George leaned closer, casually placing his hand on the back of her chair, his fingers brushing against her shoulder. “You’re the youngest team principal in F1 history, Y/N. You’re allowed to take a break now and then. Let us take care of you tonight.”

Carmen nodded in agreement, her hand gently squeezing Y/N’s arm. “We wouldn’t want you burning out, would we?”

Y/N smiled, feeling a warmth that she couldn’t quite place. “You guys are too sweet. I’m just trying to keep up, you know?”

The dinner passed with easy laughter and conversation, and Y/N was too busy enjoying herself to notice how both George and Carmen kept finding excuses to touch her—a hand on her arm here, a brush of fingers there. It was as if they couldn’t bear to be too far away from her.

---

Exhibit 2: A Mallorcan Escape with Carlos and Rebecca

The invitation had been impossible to refuse. Carlos had insisted on whisking Y/N away to Mallorca for a weekend of sun, relaxation, and good company. Rebecca was there too, constantly checking in to make sure Y/N was enjoying herself.

“This place is incredible,” Y/N said as she stepped out onto the balcony of their luxury villa, the Mediterranean Sea sparkling in the distance.

Carlos grinned, his hand resting comfortably on her lower back as he guided her to the sun lounger. “You deserve a break, Y/N. You’re always taking care of everyone else.”

Rebecca handed Y/N a cold drink, her smile warm and sincere. “Exactly. It’s our turn to look after you.”

Y/N blushed, sipping the drink as she looked out at the waves. “You guys are too nice. Honestly, I’m fine.”

Carlos laughed, sitting down beside her and casually resting his arm across the back of her chair, his fingers lightly grazing her shoulder. “Nice has nothing to do with it, Y/N. We just really enjoy spending time with you.”

Rebecca nodded, her hand resting on Y/N’s knee in a gesture that was both comforting and possessive. “We wouldn’t have it any other way.”

Y/N just smiled, thinking how lucky she was to have friends like them, completely missing the way both Carlos and Rebecca watched her every move with an intensity that went far beyond simple friendship.

---

Exhibit 3: Shopping Spree with Pierre and Kika

Y/N had never been a big shopper, but when Pierre and Kika insisted on a shopping trip in Milan, she couldn’t say no. The day was a blur of designer stores, laughter, and playful teasing.

“You’d look amazing in this,” Kika said, holding up a sleek black dress against Y/N.

Pierre nodded in agreement, his hand resting comfortably on Y/N’s waist as he leaned in to inspect the dress. “Try it on. We’re not leaving until you do.”

Y/N rolled her eyes playfully. “You guys are relentless. I’m supposed to be the boss, remember?”

Pierre smirked, giving her a light nudge toward the dressing room. “Not today, Y/N. Today, you’re our princess.”

Kika giggled, grabbing Y/N’s hand and dragging her along. “Exactly. And our princess needs a new wardrobe.”

Y/N couldn’t help but laugh as she tried on outfit after outfit, completely unaware of the way Pierre’s eyes lingered on her every time she emerged from the dressing room, or how Kika’s hand never left hers for long.

---

Exhibit 4: Movie Night with Max and Kelly

It was a cozy night in Monaco, and Max had convinced Y/N to come over for a low-key movie night. Kelly had made popcorn, and the three of them were snuggled up on the couch.

“You’ve been working too hard again,” Kelly said, her voice soft as she adjusted the blanket around Y/N’s shoulders. “You need to relax.”

Max nodded, his arm stretched along the back of the couch, his fingers gently playing with the ends of Y/N’s hair. “Yeah, you need to slow down sometimes. You’re making us all look bad.”

Y/N laughed, pulling the blanket tighter around herself. “Oh, please. You guys are the ones driving the cars at insane speeds every weekend.”

Max grinned, his hand dropping to rest on her shoulder, squeezing lightly. “And you’re the one making all the tough calls. That’s way more stressful.”

Kelly leaned in closer, her head resting lightly against Y/N’s. “We’re just glad you’re here. We love spending time with you.”

Y/N smiled, thinking how comforting it was to have Max and Kelly around. She missed the way Max’s thumb traced circles on her shoulder and the way Kelly’s fingers intertwined with hers under the blanket, as if they were afraid to let her go.

---

Exhibit 5: Yacht Day with Charles and Alexandra

When Charles invited Y/N out on his yacht, she thought it would be a casual day in the sun. But from the moment she stepped on board, she realized she was in for something far more luxurious.

“This is… wow,” Y/N breathed, taking in the sight of the pristine white yacht against the crystal blue waters of the French Riviera.

Charles smiled, his hand lingering on the small of her back as he guided her to a sunbed. “Only the best for our favorite team principal.”

Alexandra appeared with drinks, offering one to Y/N with a bright smile. “You deserve this, Y/N. You never take time for yourself.”

Y/N settled onto the sunbed, feeling the warmth of the sun and the company of her friends. “You guys are always spoiling me. I’m really not that special.”

Charles chuckled, leaning back beside her, his leg brushing against hers. “Oh, but you are, Y/N. You’re the heart of the paddock.”

Alexandra nodded in agreement, her hand resting comfortably on Y/N’s as they basked in the sun. “And we all adore you.”

Y/N blushed, not quite understanding why they were always so kind, but grateful all the same.

---

Exhibit 6: Golfing with Alex and Lily

Golf wasn’t Y/N’s sport, but when Alex and Lily insisted on a day out on the greens, she couldn’t say no. The trio laughed their way through the course, with Alex playfully showing Y/N how to swing properly, his hands guiding hers.

“You’ve got this, Y/N,” Alex said, his chest pressed against her back as he adjusted her stance. “Just focus.”

Y/N laughed, her cheeks flushed from the proximity. “You make it look so easy.”

Lily watched them with a knowing smile, resting her hand on Y/N’s shoulder. “You’ll get the hang of it. You’re already a pro at everything else.”

Y/N shook her head, trying to concentrate as Alex’s touch sent an unexpected thrill through her. “You guys are way too nice to me.”

Alex and Lily exchanged a look, one that Y/N missed entirely as she tried to focus on her swing. They were both addicted to her presence, to the way she brightened every room she walked into.

---

As the season went on, Y/N continued to be the center of attention in ways she never quite understood. Every driver and their partners found excuses to spend time with her, to touch her, to keep her close. And though she often felt overwhelmed by their affection, she chalked it up to just having great friends in the paddock.

But to everyone else, it was clear: Y/N wasn’t just a team principal. She was the object of an unspoken obsession, the one person they all couldn’t bear to be without. And whether she realized it or not, they were all just a little bit in love with her.

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY