#it’s like keeping away actual magic powers.

[just-your-average-shiz-student]

There’s probably a discussion to be had on how much Madame Morrible, respected as she may be, can effectively groom two young adults, but regardless, I am delighted by how the movie highlighted how manipulative she is from the moment Elphaba steps into Shiz.

I keep thinking back on that brief moment during What Is This Feeling when Glinda stops and Elphie is jumping from excitement (an openness of emotion she can scarcely express in front of other people) before Madame Morrible reaches out and holds her.

She actually trusted that woman, someone who saw her potential and believed in her from the get-go, who (at least outwardly) barely even took notice of her green skin. And all that newfound validation gave a boost to Elphaba’s confidence that was probably crucial for her sanity as a social pariah in Shiz. Madame Morrible did that for her!

Really, the only flaw in Morrible’s and the the Wizard’s evil scheme was that Elphaba’s principles and desire for justice were stronger than her need for anyone’s approval.

And that is so crazy to me, because if there’s a person who by all accounts should be subjectable to doing things in exchange for validation, it would be Elphaba. There’s so very few people in the world who have her back. Really, there’s only Glinda, Fiyero, Dulcibear, and Dr. Dillamond, who has been arrested and can’t help anyway. It’s amazing (read: depressing) how small her support system is.

And still, AND STILL, she managed to walk away from an opportunity of belonging somewhere, doing something she is good at (magic), with people who could grant her everything she ever wanted!

But as she herself said in Defying Gravity, she “can’t want it anymore”. So it’s not even a case of her not wanting that validation and acceptance anymore, it is her deliberately choosing to let that go in favour of something greater. And I know this addition was mainly about Morrible, but truth is, I’m not sure if she would be able to have the strength to refuse her and the Wizard’s offer if it wasn’t for Glinda.

Glinda, who could not have made a less favorable first impression on Elphaba. Glinda, who had the social power to make the whole student body accept Elphaba, but chose not to due to her own desire to be seen as a martyr for tolerating Elphaba’s presence (even if she seeks her out during times she really doesn’t need to for some reason). Glinda, who desperately wanted Morrible’s attention, the one thing Elphaba had that she did not.

But once their friendship blossomed, Glinda really became Elphie’s biggest defender.

She didn’t change a single thing about her appearance during Popular; when Elphaba’s invitation to go to Emerald City came, she was there right at her heels, supporting her, being proud of her, not really trying to shift the crowd’s attention to herself at all.

When the train comes, even though she is happy for her, there’s a part of her that’s morose about the prospect of being away from her best friend (“How will I manage without you?”), even if for such a short time.

While they’re going through the Wizard’s palace, Elphaba is anxious the whole time, and so is Glinda, but she is the one who pushes her forward with motivational words (“You can do anything.”).

And finally, during Defying Gravity, Glinda takes the first step back in their relationship since Ozdust, refusing to go with her. But even then, she doesn’t belittle Elphaba’s decision.

She initially resents the fact that Elphaba’s reaction “hurt her cause forever”, but once she sees what the other girl’s planning to do and that there’s no convincing her to give up, Glinda’s still supportive.

She gives Elphie a cloak so she won’t feel cold during her flight, she smiles at her even though it’s obvious she’s doing everything in her power to not fall over in a sobbing mess. Even her simple “I hope you’re happy” shows how she’ll always stand for Elphaba herself, even if she can’t stand with her cause.

And for as much as we like to make fun of how Madame Morrible clearly couldn’t stand Glinda from the very beginning and was always throwing really unnecessary jabs at her, I think deep down she saw the danger that could come from a friendship between the girls, how more difficult it would be to get Elphaba to be so reliant on her validation if she could get it from another source.

That’s why she seemed specially dissatisfied seeing that Glinda had gone with her to Emerald City, that’s why the Wizard himself felt the need to extend his offer of a permanent stay to Glinda too: because they both could see the influence she has on Elphaba.

And contrary to them, there’s no ulterior motive there. Glinda believes in Elphaba for who she is, and regardless of how strained their relationship becomes in the future, that never once stops being true.

you noticed how Glinda doesn't really let go of Elphaba basically from the Ozdust scene on and she's basically always holding Elphaba's hand or hanging onto her arm, even when its physically awkward to be doing so. and even during Defying Gravity after its clear that Glinda isn't going with Elphaba, they're still holding hands right up until the point where Glinda is grabbed by a guard and forcible pulled away from Elphaba

[oliversrarebooks]

The Rare Bookseller Part 78: Oliver's Awakening

Previous > Masterlist

tw: aftermath of mind control, discussion of abuse

October 1925

Oliver writhed on the ground, his chest as tight as a drum and tears squeezing from his eyes, as all the fear and pain and shame that had been suppressed the past few months flooded him.

He'd been content, so content to give up his own life to become the servant of a vampire, hardly even struggling as he was taken and confined and ensorcelled. He'd enjoyed the vile feedings, looking forward to the vampire drinking away his blood, pleased to slump over in the vampire's arms as his life was drained, satisfied with the twin scars on his neck. He'd cheerfully allowed the vampire to pass him around like a party favor to his lover, to curl up around him as he slept, to dress him up in ball gowns and take him to vampire dens to show off…

But truly, it wasn't the shame that hurt the most -- that was just the easiest of his emotions to understand. No, the worst of it was the profound sense of emptiness. It was if Alexander's music had filled something within him he hadn't known was empty. It had given him a purpose, even if it was to follow the selfish whims of a monster, and now he was devoid. Knowing intellectually that it had never been a real purpose, just enslavement, didn't ease the sting of his heart.

Vivian crouched down and placed a hand on his shoulder. "It's okay, Oliver, I know it's a lot to process. It might take days or weeks --"

"You don't know!" Oliver wrenched backwards to get away from her, furious. "You don't know what you just took. You can't!"

"I know it must hurt --"

"If you knew it would hurt like this, then why did you do it against my wishes?" Oliver demanded.

"Oliver!" Emily was standing nearby. "She was just trying to help. It's not fair to yell at her like that."

"It's not fair that I feel like this!"

"Leave him alone," said Vivian. "Let him scream at me if he wants. He's coming out of a much deeper enthrallment than you were in, Emily. It won't be easy."

"That's not true," she said indignantly. "I could barely talk, couldn't remember my past, wasn't even literate any more."

"Yes, and that's relatively easy for a vampire to do. What's been done to Oliver is far more precise and insidious, to keep him so intact on the surface while bending his desires and loyalties completely."

"Do you mind talking about me as though I'm not even here?" Oliver hated how angry he was, how he couldn't control the harshness of his voice. He was never angry, never so much as raised his voice at a difficult customer, not before he was captured. Even then, his anger had been weak, easily plucked out of his head by that damned Miss Lily. He felt sick to think of himself drowsing in her company, letting her rummage through his very mind, throw out anything she didn't like, and replacing his truth with a pretty painted facade.

"I'm sorry," said Vivian. "I know you're upset with me, but this is important. Can you still feel the connection with your former master?"

"No. It's been severed. I can't hear him anymore."

"That's good. With a vampire that powerful, it's likely that your connection is actually only weakened, not entirely destroyed. He may try to enter your head again, draw you under his sway."

Oliver nodded, ashamed that a part of him hoped he would, that Alexander's music would dull the pain. No, he would have to resist somehow. He couldn't go through all of this heartache for no reason, to go merrily skipping back into the arms of a vampire. Vivian's magic had stripped away the illusion, revealed the monster behind the handsome face.

"I'll try to resist," said Oliver shakily.

"Good, that's good. If you hear his voice, you need to tell me immediately, all right? I can help protect you, or wash out his influence again if we need to," she said. "It's my fault for not killing him when I had the chance. I was a coward. And now I'll have to plan to go after him again, before he hunts me down."

"Don't kill him!" Oliver's fervor surprised even him.

"Oliver, you'll never be safe until I do."

"I know that, but -- I don't want him to die. Maybe I should want him to die, maybe I'm still under his spell, but I can't bring myself to want him to die," he said, not understanding why he felt so strongly about this when he knew Alexander's true nature.

"He took you from your bookshop, remember?" said Emily. "The whole time we were in those cages -- at least, before Lily warped our minds -- that's all you could talk about, was your bookshop and how you had to return there. Don't you want to?"

His bookshop, and the tiny apartment above. His little safe haven, where he'd spent his entire life. The antique books locked behind the counter, the sagging shelves of the history section, the ratty armchair with the throw blankets that might still be waiting for him.

"I can't go back there," he said. "Alexander was one of my customers. He'd find me easily."

"That's why I have to kill him," said Vivian.

Mounting horror dawned on Oliver. "But even if you did kill him, it wouldn't do any good, because his sire would find out and hunt us both down. I'm sure of it."

"His sire? A vampire that powerful, and he's still beholden to his sire?"

"He's a terrifying vampire." The fear, which had been acute before, was now so much more sharp without Alexander's soothing influence. He could remember the feel of harsh fangs in his neck all too well, the panic of being unable to open his eyes. "Far more terrifying than Alexander could ever be. Alexander once told me that if we ever tried to escape him, he'd hunt us both down and make sport of it, and I believe him."

"It can't be…" Vivian muttered. "Tell me more about him, your former master's sire."

As much as Oliver didn't care to recall those memories, Vivian might actually be able to help. "I'll tell you whatever information I have. I'd be happy to see him die, and Alexander would, too. I don't know his real name, but they all call him the Maestro --"

"You've met him?" She gripped his shoulders like a madwoman. "You've actually met the Maestro?"

"Unfortunately, yes. You've heard of him?"

"He took my mother. He's the vampire I need to kill more than any other. You must tell me everything you know about him."

"I'm sorry about your mother," he said. "I can tell you everything I've learned about him, if you agree that you won't kill Alexander."

"Even if I were convinced you truly meant that and it wasn't just residual conditioning, I couldn't agree to that. Alexander is likely to come after me for taking you, and if he does, I need to be able to defend myself."

"I suppose that's true," said Oliver reluctantly. He didn't want to admit to himself that it would be ideal if Vivian were to kill the Maestro but spare Alexander, so that he would have the option of returning to the vampire without the threat of his sire hanging over their heads.

No, he must still be under the spell. He shouldn't return to Alexander under any circumstances, not if he wanted to keep a free thought in his head.

"You need to tell me," Vivian insisted. "Revenge on the Maestro is one of the main reasons I became a hunter in the first place. It wasn't just my mother who suffered. He's killed at least twenty hunters, and he's believed to have kidnapped a number of musicians and stage performers. He needs to be stopped."

"He does." Oliver sighed, feeling that tiny bit of leverage slip. "All right. I'll tell you what I know."

He tried to recall everything he could for Vivian's sake -- everything Lex had told him, and especially recounting his own experiences with the cruel vampire. Emily sat nearby, her eyes going wide with horror as Oliver described his blinding and the painful feeding. Vivian, on the other hand, was absorbing all of Oliver's words carefully.

"So when he controlled you -- was there any sort of induction he had to perform? Any conditions he had to meet?"

"I don't think so, or at least I don't remember any. Alexander didn't mention any either. He was able to puppet my body as easily as if I were a toy, and there didn't seem to be any way to resist it."

"Hm. That's going to be trouble," said Vivian, deep in thought. "And when he stopped you from opening your eyes again -- how long did it take for that enthrallment to wear off?"

"It didn't. The next day, Alexander took me to Miss -- to another vampire's home, one that specializes in hypnotizing humans, and she reversed the Maestro's command."

"A specialist in hypnotizing humans? Lily?"

"You know her too?"

"Yes, I'm aware of her."

"Are you going to kill her, too?"

"I really should, considering how many people's minds she's destroyed -- or are you going to defend her as well?"

"…No." Truthfully, he felt more conflicted about it than he should, given that Vivian was objectively correct. How many human minds had she stolen? How many lives had she cut short, selling innocent people off to vampires with nothing more than glee about her profits? She was the one who had twisted his mind, and all those feelings of comfort and warmth as he slept in her chair were nothing more than lies to keep him docile.

"So do have any idea where the Maestro lives?"

"No, I'm sorry. Those are the only two times I encountered him, and Alexander never mentioned where he lives, from what I can recall."

Vivian sighed. "It's a pity. But even so, you've given me far more information than I had yesterday, and I'm grateful for it."

"You know… both you and Alexander want the Maestro dead. Could you ever consider working together?" asked Oliver.

"Working with a vampire?"

"Only this one specific time, only to kill an even worse vampire!"

"I can't do that," said Vivian. "Even if we do have the same goal. Fighting a vampire as formidable as the Maestro would leave me vulnerable, and I can't trust that this Alexander wouldn't simply enthrall me afterwards. In fact, he'd be stupid not to, lest I kill him."

Oliver wanted to protest that Alexander wouldn't do that… except that Alexander might actually do that. After all, he had no qualms at all about buying a human at auction, even a human he previously knew as an equal. Why would he hesitate to enthrall a hunter?

"Come on," said Vivian, helping him off the floor. "We can talk more about this later. You've been through a lot tonight, and need more time to shake off the spell you've been under. We have a room that you can use, but I'm going to have to lock you in, and keep you under surveillance for now, at least until we're sure that your vampire isn't going to try and push himself into your head again."

"Fine," he said, accepting that Vivian didn't trust him. He didn't even trust himself. "Why can he still do that, if you've undone the enthrallment?"

"There's a psychic connection established when a vampire drinks your blood. It's not quite the same thing as enthrallment, and it can be very strong. It fades in days or weeks, but until then, you'll still be vulnerable to the vampire's influence."

"I see." He wondered if that applied to any vampire which had fed from him. If it did, that meant -- "But the Maestro, he…"

"Yes," she said grimly. "Has he ever entered your mind before, when he's not there in person?"

"I don't think so. I hope not."

"I hope not either. I'm not prepared to fight him just yet. If you sense anything, you need to tell me right away."

"Yes, of course."

Vivian led Oliver out of the attic and into a room little bigger than a closet, with a cot and a small chest of drawers. "You should get some rest," she said, herding Oliver inside. "You'll feel better once you have. Is there anything you need?"

"A glass of water, please?" asked Oliver, sitting on the edge of the cot. "And if you have any interesting books…"

"Certainly. I'll see what I can do."

Oliver waited patiently for Vivian to return with the water and a couple of old magazines. As soon as she left the room and he heard the lock click shut, he fell back onto the bed, knowing that he wouldn't even be able to concentrate on reading, not with all the thoughts crowding his head.

He was free.

Wasn't he?

It was terribly hard to feel free when he was locked into a small room, the threat of his vampiric master and his sire still hanging over his head like an executioner's axe. The confinement was for his own safety, and he understood the reasons, but he wouldn't actually be free until both Alexander and the Maestro had ceased to walk the earth.

He was frustrated with himself. He shouldn't care so much about the well-being of a vampire who had literally purchased him at auction. And yet…

Now that the initial shock and fear had worn off, he was finding himself gripped by a deep and profound sadness. The cot he lay on was hard and cold, and he couldn't suppress his longing for his bed at home -- no, Alexander's bed. It wasn't ever his. He'd been hypnotized to share it, to cuddle up with a monster.

He'd been hypnotized into affection.

And it was really the only affection he'd had since he was a child, wasn't it? He'd lived such a solitary and quiet life, spending almost every night alone in his small apartment with books for company. Even the simple pleasure of curling up to read next to someone else had been foreign to him until he came into Alexander's possession.

And it had all been a fabrication meant to keep him compliant, hadn't it? He shouldn't miss it. He should be glad to be rid of it.

But the thought of returning to his solitary life, of never experiencing actual tenderness, was crushing him inside. He'd been starving for so many years, but it had been bearable when he didn't know what he was missing. Now that he knew that his choice was between actual loneliness and false companionship, he could only be ashamed at the parts of himself which preferred the lie.

No, he had to press on somehow. He couldn't return himself to a monster, no matter how charming. He should be happy to be freed. He could have his own life back. He could sleep during the night and wake during the day, and walk in the sunshine, and choose to go wherever he pleased.

He could take what little money he had stashed in his bookshop and take a train out of town, or a boat overseas, see the new places that he dreamed about but never got around to visiting. He could start his life over, do something else with it. Live a fuller life in the here and now rather than wait in his lonely little bookshop, wait for something to happen to him. Something had happened to him, and it should have taught him a lesson about choosing what he wants before it's chosen for him.

It was exhilarating. But…

For all his newly gained freedom, he still had no idea what he actually wanted. The desire for fangs in his neck was fake, but at least it was a clear desire. What did he want before, apart from books and safety? And who was he now, now that he knew the dangerous world of the supernatural lurked just behind every streetlamp, just waiting to pull him into it?

Previous > Masterlist

Next week: Oliver is not as free as he might have hoped.

I'll also have a Christmas-adjacent self-indulgent vampire story up tomorrow, so please keep an eye out! And vote in the holiday edition of Sedation Vending Machine!

Thanks for reading this story another year, and happy holidays!

@d-cs @latenightcupsofcoffee @thecyrulik @dismemberment-on-a-tuesday-night @wanderinggoblin

@whumpyourdamnpears @only-shadows-dwell-where-we-are @pressedpenn @pigeonwhumps @amusedmuralist

@vampiresprite @irregular-book @whumpsoda @und3ad-mutt

@sowhumpshaped @whumpsday @morning-star-whump @silly-scroimblo-skrunkl

@steh-lar-uh-nuhs @pirefyrelight @theauthorintraining @whump-me-all-night-long @anonfromcanada

@typewrittenfangs @tessellated-sunl1ght @cleverinsidejoke @abirbable @ichorousambrosia

@a-formless-entity @gobbo-king @writinggremlin @the-agency-archives @just-a-whumping-racoon-with-wifi

@enigmawriteswhump @bottlecapreader @whump-on-a-string @whumpinthepot

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@whump-me-harder @whump-till-ya-jump @the-monarch-whumperfly @ium1naryy @wumpbean

[goddessinnerglow]

Become Your Best Version Before 2025 - Day 21

Overcoming Fear & Self-Doubt

Hello Goddesses! After exploring confidence-building yesterday, it feels natural to talk about something we all face but often keep hidden, those annoying fears and self-doubts that can hold us back. You know those moments when you really want to do something, but that inner voice starts listing all the reasons why you shouldn't?

Let's get real about this, everyone, even the people who seem to have it all figured out, deals with fear and self-doubt. The difference isn't in not having these feelings; it's in how we work with them.

Think of fear and self-doubt like clouds passing through the sky. They might block the sun temporarily, but they're not permanent. The sun: your potential, your dreams, your capabilities, is always there behind them.

Here's how to start moving forward, even when those doubts feel heavy:

The "Name It to Tame It" approach is incredibly powerful. When you catch yourself in a spiral of doubt, pause and name exactly what you're afraid of. Sometimes just saying "I'm afraid of failing" or "I'm doubting my abilities" can take away some of its power. It's like turning on the light and realizing the shadow wasn't as scary as it seemed.

Try this simple but effective technique: When self-doubt creeps in, ask yourself, "What would I tell my best friend if they were in this situation?" We're often much kinder and wiser when advising others than when talking to ourselves.

Remember the confidence-building steps we discussed yesterday? Here's where they become your secret weapon. Each small win, each tiny step forward, becomes evidence that you can handle more than your fears suggest.

A game-changing practice is keeping a "Fear vs. Reality" journal. When you're worried about something, write down what you think might happen. Then, after the event, write down what actually happened. Over time, you'll notice that our fears often paint a much scarier picture than reality.

Here's something not many people talk about: You don't need to eliminate fear or self-doubt completely. Sometimes they're trying to tell you something important. The goal is to acknowledge them while not letting them make your decisions for you.

When you're faced with self-doubt, try this: Take one tiny action. Just one. Maybe you're doubting your creative abilities, draw one simple sketch. Worried about starting that project? Write one sentence. Scared to start exercising? Put on your workout clothes and walk for five minutes.

The beautiful thing about working through fear and self-doubt is that each small step makes the next one a little easier. You're not just moving forward; you're building resilience and self-trust along the way.

The magic happens when we learn to take action WHILE being scared, instead of waiting for the fear to go away first. It's like walking in the rain instead of waiting for the perfect sunny day!

Did you think I was going to let you leave without homework? For today, notice one fear that's been bugging you lately. Don't try to fix it or fight it, just notice it with kindness. Sometimes just acknowledging our fears with compassion makes them feel less powerful.

See you tomorrow for Day 22!

♡ ☆:.｡ Keep glowing, babes! ♡ ☆:.｡ With love, Goddess Inner Glow.

[completeoveranalysis]

[7]

I- 

APPARENTLY THERE IS ANOTHER THING. Now Clow Reed has traded his life as a price to pay for Syaoran’s. 

WHICH IS ALL VERY WELL AND GOOD BUT MY GOD HE IS SKATING BY ON A TECHNICALITY THERE. More Cardcaptor Sakura spoilers in this post.

Like YES ok he isn’t alive but he didn’t ‘die’ in the traditional sense, and there are two half Clow Reeds walking around alive right this very moment, BUT apparently that is still enough of a price! HE, the original, the Full Clow Reed Experience, is still "current status: not alive", so that looks like it’s enough of a price. 

I suppose his magic itself is also listed as a very significant part of the exchange here too, which neatly ties back into Cardcaptor Sakura yet again. There it was Running Out and this would add another reason why that's the situation they're dealing with (beyond him being dead, which is apparently not enough); he had traded the rest of it away, for Tsubasa Syaoran, so there was none left to keep everything going. Or like, there's something about Eriol in that as well, I can't remember. Eriol inherited the REST of Clow's power, but not as much of it by far, on purpose, so I guess all the missing magic was traded away.

But EVEN SO it feels like an entire universe shift inside my mind here, where we are rewriting the entire reasoning behind Clow Reed’s death into the very fabric of Tsubasa as if it was that way all along. Like, goodness, when was Cardcaptor Sakura? When did that air for my country - the year 2000? That’s over twenty years of a fact living inside my brain before redesigning the entire truth behind it now in 2024. 

Though let’s be real part of that is my fault for reading this so slowly. But still.

I was about to move on but I just also want to go back to Yuuko and add that Yuuko is paving the way for Sakura on two fronts - or switching herself out for two different Sakuras. Her spot in Existence, in the Revived-From-The-Verge-Of-Death-and-In-Between-Reality Zone was given to Super Sakura, which was originally framed as if that was the end of Yuuko already. But now we find out that WHILE that space went to Super Sakura, Yuuko kind of still exists in the world of dreams - but now she’s formally trading her life away for our clone Sakura’s life, so she can continue living once again. 

Oh and the romance of it all. Yuuko and Clow Reed being a tragic couple who couldn’t have the life together that they had in mind, passing their spots in life on to another doomed couple who now CAN have a life together. Yuuko and Clow being hyper powerful beings, willingly trading places with broken clones who didn’t naturally exist in the first place, so that they can be together and fix everything else in their stead. 

Yuuko and Clow (mostly just Clow) breaking the universe, and then passing the torch onto the couple who will fix it instead. 

And add in how involved they were in the process too! Knowing that they would trade their lives away to help these two, and then doing everything they could to help them actually get here in the end. Clow giving up his entire life to go and raise Sakura as long as he could, and Yuuko watching over and helping Syaoran and Sakura on their journey as much as possible, let alone - OH. WAIT. Clow Reed in the Clow Kingdom raising Sakura and Syaoran, while Yuuko helps raise Watanuki, yet another accidental clone person who only came into being because of mistakes they made.

The symmetry of that is wonderful. 

And even like, the framing of Yuuko’s position as the audience understands it. At the start of the story it seems like Yuuko is mostly neutral, if sympathetic, and over time it seems like she’s working towards a greater goal of saving the universe and so it suits her to watch over them. But SURPRISE she and Clow have been deeply involved in raising and supporting these two (or three) from the very beginning of their lives, working heavily behind the scenes to make deals and push people in directions that would eventually spiral around and help them get here - so that Clow and Yuuko could trade their lives away to give Sakura and Syaoran both another chance at life. 

Like OH the secret parents who stepped up and guided these kids when they had no-one else. These kids who weren’t technically born and weren’t originally meant to exist, and Clow and Yuuko stepping in and becoming the parental figures who give up absolutely everything to make sure it turns out ok for them in the end. I just really enjoy that.

[lilanette]

My designs for Reverse!Lilanette, drawn by the wonderful vercilla!

While I get what they were going for, the whole emo aesthetic just felt a bit too on-the-nose, so I repurposed the skirt and striped socks design from Marietta instead. I did keep the thorn design from OG Reverse!Marinette's jacket, but I ended up adding it to Marinette's usual flower motif.

Redesigning Lila is always a bit of a challenge, mostly because I actually really like her original design and colour palette. In the end I went for an opposite colour palette for her, green instead of red, and dressed her down so she looked a bit more casual instead of "cool".

Lore rambles under the cut :D

Marinette's characterisation doesn't change much from canon, I like to headcanon that her family is a lot more successful (ofc, canon already states they're renowned in Paris, but in this case it's more akin to the Agreste family's success), and unlike for our Marinette, Tom and Sabine were not as loving of parents and think Marinette's fashion aspirations aren't worth pursuing, so she dresses a lot more boldly to defy their demands of a respectable daughter, especially after the Supreme chose her.

I think, in this AU, Marinette isn't very sociable and doesn't have any friends, though it's mostly through her own choice. Initially, Chloe isolated her, but after Marinette gained the Ladybug Miraculous, she fought back, and due to the Supreme's favour and connections, got away with it. As a result, people are mostly scared of crossing her, and she has a lot more arrogance than our Marinette, because she thinks the power she wields and her favour with the Supreme means she's above everyone else. She's initially very loyal to the Supreme for giving her power, magical and mundane, but will eventually realise the cost of abusing her Miraculous.

Lila in this world I think was already exposed for her lies before coming to Paris, so she's a lot more humble and just trying to stay on everyone's good side. I think she'd be a lot more like the fanon Lila people thought about during the S2 hiatus. She hides a lot of herself in order to be liked and avoid getting into trouble, but a part of her still wants attention and to be accepted, so she doesn't have much of her own opinions on anything.

Lila admires Marinette for being so fearless, and initially tries to cozy up to her in order to win her over as a friend. Marinette isn't having any of this though, but eventually recognises the facade Lila is putting on in order to be liked and feels a tiny bit of kinship for someone who's also putting on a front, and that eventually spirals into something bigger.

I'm still working out exactly how Toxinelle and Griffe Noire operate in their world, so I haven't thought too much about the identity dynamics at play here. I do see Lila eventually joining the Resistance though. Maybe I could make a kamikotised design for her.

[changingplumbob]

CW: Low level sim spice, language - Guide to content warnings

Sun poured in the windows and on to the bed. Glenn loved being outside but a nice sun ray inside could be good to. While he was playing absentmindedly with a tennis ball Silver lay beside him scribbling away.

They had officially been courting for a year and while Glenn thought asking Silver to get a place of their own would result in a great woohoo session it had instead resulted in the werewolf deciding to make a pros and cons list about every single neighbourhood he'd ever visited.

That left Glenn horny and bored, not a great combo.

Glenn: Are you done yet

Silver: If by done you mean all the places that start with A then yes

Glenn: You can't have actually been to that many places

Silver: I'm ancient remember, I've been lots of places

Glenn: True. It must be a lot when you're 207

Silver: I wouldn't know because I'm not 207

Glenn: *sighs* But I want to fuck

Silver: And I want to make sure we don't move somewhere in hunter territory. Which of those things is more important

Glenn: Definitely my pixel parts

Silver: I thought you were practicing making the ball hover

Glenn: I was like... three hours ago

Silver: *smirking* Dramatic much Babycakes

Glenn: You know you like me dramatic

Silver: I do but I'm trying to focus on our future

Glenn: All I need is you, four walls, a roof and a dragon

Silver: Excuse me?

Glenn: I could be argued down to three walls

Silver: I meant the dragon

Glenn: Oh. Would you not want a dragon

Silver: Can't say I've ever seen a dragon. Kind of thought they were a myth

Glenn: Says the werewolf who is in love with a spellcaster

Silver: If they are real something tells me they don't make great house pets

Glenn: I mean yeah, the bigger ones couldn't even get inside a house

Silver: See

Glenn: But there are smaller ones

Silver: How does one get a dragon? They're not trafficked are they

Glenn: I mean magical creatures sometimes are but there are legitimate channels for the domesticated ones

Silver: If you tell me there's a dragon rescue down the road-

Glenn: Not down the road but- Would you let me have a dragon

Silver: Not in our bedroom

Glenn: So that's a maybe for in the house

Silver: I don't know. How are they with kids

Glenn: Some breeds are great, super protective of them

Silver: Okay well what I don't need is one breathing fire at me if I tell a kid off for making a mess

Glenn: No I know, I wouldn't let you get burned Beefcake

Silver: I can't get burned

Glenn: That's what I'm saying

Silver: Yes and I'm saying werewolves can't get burned. My clothes could get incinerated but not me

Glenn: Wait really

Silver: I mean technically I could get burned with wolfsbane but I couldn't be set on fire or anything

Glenn: Damn, wish that was the case for spellcasters

Silver: You are rather delicate

Glenn: Just like my flowers. Are you done now?

Silver: Is it Brind- e- l - ton or Brind -l - e - ton?

Glenn: We are not moving there are we

Silver: Don't know, haven't done the pros and cons list yet because someone keeps distracting me

Glenn: With my good looks

Silver: With your big mouth

Glenn: Hey! My big mouth happens to be of great use to you

Silver: Only when you've spent the day being a brat

Glenn: Well we need to be somewhere where we can adopt a kid

Silver: You say that as if I don't know

Glenn: Do you want a spellcaster or a werewolf

Silver: I don't know. I mean I do miss seeing the young wolves in the pack

Glenn: Do baby werewolves like chew on the furniture

Silver: What are you doing to my hair

Glenn: Nothing, just hold still. Going to answer my question?

Silver: Don't all kids destroy furniture in one way or another

Glenn: True but I mean there's accidentally starting fires then there's teeth marks

Silver: Baby spellcasters start fires?

Glenn: I mean when we're young we kind of have access to a bunch of powers we don't know how to use so stuff can happen that we don't know how to undo

Silver: Don't know how to undo? Such as?

Glenn: Well my trademark green hair? Not intentional

Silver: Bullshit, you're trying to mess with me

Glenn: Because I want your attention

Silver: But wouldn't my attention be so much better in a house of our own

Glenn: Fair. Okay hold still I'm going to get a picture

Silver sighed and tipped his head forward so the ball fell off and rolled away on the floor.

Glenn: Aww, you looked cute

Silver: Don't I always

Glenn: Nah. You're the hot rugged sexy one and I'm the squishy cute one. Well, squishy cute with abs

Previous ... Next

[polydamnory]

Oh it's gonna be BAD.

TW for obsessive, unhealthy and controlling relationships, stockholm syndrome, power abuse, mental/verbal abuse, all that fun stuff

Let's ignore everything in Cataclysm for now (minus Angel being dead RIP)

Damien is pulling everything he did with Angel and more with Freelancer and Vin, especially Vin. And by more I mean worse. He's keeping him and Freelancer close by, and probably has their magic muted pretty much around the clock. Definitely has Huxley guarding/keeping an eye on them, even if that's the last thing he wants to be doing (at least at first). He's not letting what happened with his last consort happen again. Of the two of them only Freelancer is allowed the "freedom" to leave, but only if they're with Lasko, and even that's rare because of how distracted he gets at work with them near. It can't be known to the public that the King Imperial has allowed a demon to live, let alone share his bed. Huxley and Lasko have more freedom because basically their whole lives have been dedicated to the Imperium, they have nothing to prove.

Lasko is weird about Damien in a similar way he is to Freelancer, but to a lesser degree. His mother was human born and that's not nothing to him, but him being the King of the giant cult that he views as basically saving his life definitely helps. I'm flip flopping on whether or not he would basically worship Damien for it or if they'd have a sort of rivalry dynamic due to them both being in positions of power, even if Damien outranks him. Maybe both. He probably still doesn't hold the highest opinion of Huxley though. Based on the established dynamic he has with him, I think the most I can see for those two is like they love each other but they also really hate each other. Lasko probably treats him in a very condescending manner, thinking his supposed stupidity and lack of power over him in anything other than physical strength is cute in a weird way, and belittles him in a very saccharine manner. Huxley knows this and it infuriates him, but what can he do? He's nothing but an Enforcer, and as much as he hates him, he can't stay away from him, even outside the context of his job. The moments when he is being kind to him, even when they are mocking, always seem to outweigh the times where he isn't, when he's talking down to him and making their power imbalance clear in the most hurtful ways possible. We already know how he feels about FL, and I think it's through his weird obsession with them that he starts to "like" Vin. Maybe he realized isolating them wasn't working and figured the best way to keep their relationship from progressing while also getting closer to FL was through personally supervised visits. Spending more time with both of them made him grow to tolerate him, then more. That being said he has a very similar viewpoint of him that he does of Huxley - he likes having power over him which has in turn endeared him to him, but it's still not healthy. In some big ways it's actually worse than with Huxley on account of Vin being a demon, and at that an incubus. But I don't have the mind to totally delve into that dumpster fire right now.

Vin and Freelancer are the last of the group to "come around", and only do so because of stockholm syndrome. It was bad enough when Lasko was just creepy towards FL, but now he's weird towards both of them and they can no longer get any alone time. They had plans of trying to escape, but somehow they've caught the attention of both an Enforcer and the King Imperium?! Worst yet, said King has now taken them into his home and hardly ever lets them interact with anyone other than himself and eventually Lasko and Huxley, sometimes even separating the two of them too when they act out too much. And Huxley, despite initially being cruel and rude to them (albeit he is no longer allowed to physically hurt them like before) even as their guard, has also seemed to come around to them in his own twisted way. There's no chance of escape now. So their brains do the only thing it thinks can make this better - trick them into thinking they're okay with this. That these people holding them hostage genuinely love and care about them, and that they love and care about them back. Better than rotting away in misery.

"poly damn this, poly damn that"

poly IMP damn

how would that work yall

[angstics]

thinking about how from 2016 to 2021 (5 years), gerard only performed twice. once at an unfilmed charity event and once at shrine. i feel ill

[spotaus]

Eyy, King Reaper and his beloved Mage Geno designs <3

[fisheito]

My favourite fantasy lately is Kuya kidnapping Eiden and bringing him to a house in the woods to punish him for endangering himself during some adventure. Kuya keeps Eiden in bondage and constantly on edge, teasing and denying him. And Eiden just takes it without asking to be let out, allowing Kuya to vent his fear and frustration, because he's nice like that.

But, at some point, even the strongest little soldiers break, and just when Eiden is about to shatter from all the stress and Kuya's oppressive anxiety, Quincy comes for the rescue. He's the only one who managed to find that little wooden shack in the middle of nowhere (you know, because Kuya's allowed him to), and he comes in and persuades Kuya to relent.

Kuya hasn't even given Eiden any dick in all the (three? four?) days they've been at it, so serious he was about the discipline aspect!

Eiden cries when Kuya finally fucks him, and Quincy makes him spill

this just reminds me of Billowing Wildfire Kuya R2 where eiden saID sO HImself

i would not be surprised if kuya went full speed into an evil edging hostage situation because he doesn't know how to process eiden's mortality

[writingsfromspace]

Hannelore: What do you have there?

Athanasios: A bomb!

Hannelore: NO

[bunbunlovestowrite]

How the Hashira men react to your neighbor asking you to be quiet

Characters: Tengen, Sanemi, Rengoku, Obanai, Gyomei, Giyuu,

Additional shit: Swearing, Sanemi fighting said neighbor, Rengoku being blunt, mentions of sex, ooc mot likely :p

Tengen

He couldn't care less

His whole thing is being flashy and loud so he wants you to be loud

Like it's not his fault that dick is magical

After he shoos your neighbor away he makes sure to be as loud as possible that night

He's pounding into your cunt and you swear your gonna break when he whispers "okay now scream exactly how big my dick is. Don't forget the tip color-"

He gets cut off by you hitting him with the pillow

Way to ruin the mood

But that doesn't stop him and instead he goes harder, making sure the bed creaks loud ASF for your neighbor

"Not my fault he doesn't know how to please a woman." Is his main reason for doing so

He really wants you to scream his name so it's imbedded in your neighbors head

"Morning N/N!" Him to your neighbor from the balcony while your trying to get out of bed and failing

"Actually die." Both you and your neighbor to Tengen

Sanemi

Cares alot

Why the fuck is that limp dick biscuit talking to you and him? Who does he think he is?

You were the one who broke the news to him thankfully cause if Sanemi was the one who opened the door then you'd have to see your husband through glass in a prison

Just kidding. The Slayer corp would get him out of trouble if he didn't do it himself.

Anyways

Sanemi made it his goal to piss your neighbor off as much as possible

Your under him, practically creaming on his cock, and he's slamming the wall yelling "This loud enough yet?! Huh!?"

Not kidding I can see him doing that

He quite literally had you against a window where your neighbors could see him destroying you just to make them mad or uncomfortable, hopefully both.

But then he'd get pissed someone else would see you all naked and fucked out so he settled for the wall next to the window

One day your neighbor, finally having enough, bangs on your door yelling and guess who opens it...Sanemi!!

Good Lord was he waiting for this

It took one punch and the guy was out

Kinda what happens when you put a normal dude against a guy who kills demons for a living

Rengoku

He's a good neutral between caring and not caring

Like he doesn't wanna make your neighbors mad but he also loves hearing your screams

So he tries to keep you quiet during sex but fails since he gets to into it to give a fuck

The next days his loud ass voice wakes you up

"IM SORRY FOR MAKING INCREDIBLE LOVE TO MY WIFE!" He's not being sarcastic thats his genuine apology

Your facepalming and you want to die when you see your neighbor and she can't look at you

"PERHAPS SHES MAD BECAUSE HER HUSBAND CANNOT PLEASE HER!" Rengoku says casually and you know she can hear you from outside in her garden

"Inside voices!" You place your hands over his mouth to try and shut him up.

It works for a bit before he's yelling again

You love your husband but holy shit you wish he would speak normally sometimes

He's actually quiet in bed though

So your the problem (real)

Obanai

I'm not an Obanai fan so forgive me for how bad his section will be

Obanai is a quiet mf, and you're not even that loud

It's your neighbor who was the problem

A little old man whose hearing aids apparently had the power of 67 suns

You and Obanai found this out when he was outside training and your neighbor came over

He was so sweet and polite and even chuckled at Obanai's redness

Obanai cared at first but got over it

You? You make sure to not make a PEEP in bed

Okay that pisses Obanai off but he understands your reasons

At least make a gasp or sum cause he's over here like "Wait does this feel good? Can she feel it? Did I forget where the clit is?"

Brother is STRESSING

Then you cum and he's like "ah"

Then he's like "Did you take it?"

You have to keep yourself from murdering him cause how tf would you fake squirting

Gyomei

Babe I'm not gonna lie, you're a screamer

Gyomei is built like a house and your telling me your just gonna whine and whimper?

NO

Your over here crying and screaming into his chest, neck, the pillow, anything.

And Gyomei loves it!

He can't see your reactions so hearing and feeling them let's him know he's doing good

Gyomei isn't loud but he's not quiet

He'll grunt and moan and praise you, but he's not gonna cry out.

Well he'll cry but you can never tell from what

When the pussy so good you start crying 😭🙏

When your neighbor politely asked you to be a tad bit quieter Gyomei actually laughed

Not in a 'nah we'll keep being loud' way but more of a 'sorry we'll be quiet' way. He also found it hilarious how you actually died of embarrassment.

Don't worry he thinks its endearing

Yet it was kinda hard for him since he enjoyed hearing you

But your touches and now quieter moans made that better

And then there's also you literally drawing blood from his back you were scratching so hard

Giyuu

Holy shit you have never seen him so embarrassed

Like you could shade match his Haori to him and get the exact same color

He was the one your neighbor told and he stopped working when 'loud' and 'moaning' left their lips

If a demon doesn't kill him then his own actions will

Giyuu isn't loud, and he loves that he can make you feel so good that your loud for him.

But he didn't want your neighbor back over at your house so he tried to keep you quiet

You were super confused when he held his hand over your mouth in bed and he just pointed to your neighbors house. Then you got it.

So you nod and try to keep quiet.

You know in school when the teacher tells you and a friend to shut up but they look at you funny and you break?

Yeah that was you

You were riding Giyuu one night and you were loud so he was like "holy shit I love you but please- I can't look our neighbor in the eyes anymore."

And you couldn't help but laugh

Like howling

You calmed down obviously but sex was very giggle filled after that

You've never seen Giyuu so panicked

But give him a week and he'll stop caring

[gallusrostromegalus]

The Van Has Officially Declared It Spooky Season

---

I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.

...I might need to back up a bit.

My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.

They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.

Truly, the height of Camping Luxury.

My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.

Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.

It's a Great Van. Very easy and comfortable to drive. Stunningly good MPG for it's size. The best cruise control I've ever had in a car.

It's just also. Quirky. Mischievous, even.

---

If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.

It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.

My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.

On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.

Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.

---

As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.

The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along. Sometimes, they fight for Dominance. The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.

Firthermore, The Van has a favorite song.

I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song- The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors -is The Liberty Bell March by John Phillip Sousa.

You all know this song already.

...but in case you've forgotten the tune:

Yeah.

The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.

It does not play this song at a normal volume.

Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.

Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.

...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.

---

So last Friday the 13th, I get a call from my friend and housemate, at said airport.

It's roughly 11PM at night, and I have already retired for the evening. I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window. My feet are up. There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv. -But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage, including, among other valuable possessions, the keys to her car. ...So she cannot just drive home as originally planned.

There are, as luck would have it, her spare set of keys not eight feet from me.

Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.

Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.

I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.

The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.

It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.

I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic. It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.

While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.

Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.

I wave my friend off and turn to enter the 7-11.

I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.

Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.

It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.

I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.

The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.

We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.

I go up to pay and realize something is amiss.

The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.

I look down at myself.

In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:

Flip Flops. Not matching. It's below freezing outside. That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.

Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time. It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.

The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.

A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal. It is also Bright Red. with black accents.

The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.

The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.

My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge. It is ALSO bright red.

A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.

The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.

I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:

The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.

This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes. So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.

The Creature has such a High and Naive Opinion of humanity.

I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.

"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"

The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.

$6.66

"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.

I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.

It also turns on the music player.

I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.

Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.

---

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[auroracalisto]

with all the power in oz

movie!fiyero x gn!reader, 2.2k words summary: the reader, rather anxious and studious, finds their self head-over-heels with none other than fiyero, supposed boyfriend to galinda upland. to placate this, they somewhat agree to meet him at the ozdust ballroom. a/n: YOU pronouns are used to address the reader, but there is no usage of y/n. just watched the movie today. tried to find a fic, couldn't. here I am writing one instead. reader worries a lot. so me. you're welcome. also, I'm going into this blind. I have unfortunately never seen the actual musical (downsides to living in the middle of nowhere) so I'm only going off based on wikis and the movie. it should be gn as I read through it like... five different times, but please let me know if I missed something!

Breathtaking. That's what he was. But could you truly refer to a man like him as breathtaking?

The very features that graced his face were absolutely mesmerizing, and you felt like a fool watching him at times. How could you not? He seemed so full of life, so full of... well, not a care in the world, really. It was as if he brushed everything off of his shoulders without hesitation.

You could only wished you were the same way.

No cares, no worries. How lovely that would have been.

No, you hold onto the things that happen to you as if you have no other way to live. You hold grudges, you think over things that happened years ago that no one could possibly remember.

For someone who wished to be a sorcerer, you had a hard time simply letting things go. Your emotions often got the better of you, even when you knew better. Even when you wished it could be the opposite. But perhaps that was the way of the world.

Not a man in Oz could tell you otherwise.

Books in hands, you crossed the path to your dormitory, brows cinched together in mild concentration.

You had a project in your history class, and an extensive paper to complete on the study of mathematics—of all the things you could have had, a paper in mathematics. You'd rather perform magic in front of the entire student body, but you couldn't.

As you walked, you heard your name come from behind you. Eyes flicker back, a soft frown on your lips. You see him—Fiyero. The one fool you meant to avoid with all the gumption within you.

You'd melt just being near him.

"Fiyero," you softly greet.

He gave you a charming smile, coming up to walk with you. "Heading back already?" he asked.

"I am."

"Working on the project, hm? We could work on it together if you'd like. I'm sure our minds could do wonders," he said, a playful wink coming from him.

"I'm fine," you simply said.

He blinked slowly, but his smile never wavered. "Come now," he said, your name leaving his lips rather sweetly. "Surely you're not going to spend the rest of your evening alone. Why don't you come to Ozdust tonight?"

You looked back at him, frowning. "Ozdust. Me. I don't think so, Fiyero."

"And why not? I'm sure you'd be as dashing as ever."

You stopped in your steps, eyes searching his for but a moment. "Dashing. Are you in earnest, Fiyero?"

"Yes," he said, smiling.

"And what of Galinda? You'll be with her. Why invite me?"

"She doesn't need to know. It's not her business," he said. "Besides, she will be busy with Elphaba. I'd much rather spend time with you."

"And I think you're just pulling my leg," you said defensively. You crossed your arms over your chest, careful to keep your books close.

"Pulling your leg? I haven't even touched you," he said, a cheeky grin on his lips. "Come now, don't play coy. You should come."

"And if I do?"

"Then I'll be quite happy."

You rolled your eyes and went to walk away.

A hand wrapped around your bicep, and you paused, glancing over your shoulder at him.

His eyes widened a bit and he dropped his hand, albeit hesitantly. Perhaps he didn't think he would actually reach out to you. He cleared his throat.

"I really would like you to be there. You'll have the time of your life."

"The time of my life," you repeated. "I don't think you realize how much I dread parties."

"Have you ever been to one?"

"No."

"Then how do you know you dread them?"

"I just know," you said. "I feel it in my bones. I know going will just get on my nerves."

He scoffed, placing his hands on his hips. "I think you're foolish for that," he said. "Come on. What are you losing? A couple hours to work on a project that you know you could finish in a morning session? You'll be fine. Come to the Ozdust tonight. I'll show you a good time."

You clenched your jaw. "I don't want—"

"—I would like you to be there. That is all. I won't ask again." He gave you another small smile before he looked away. "I'll see you around. Perhaps tonight?"

You stared him down. He would like to see you there? Was he being honest? And what of Galinda? Would he be going behind her back? Wasn't he madly in love with her, or something? Or was it the other way around?

He said your name once more, and you looked up at him, letting out a soft sigh.

"Right. Perhaps tonight," you softly said.

The smile on his lips was rather... hopeful than anything else. There wasn't anything smarmy by it. He seemed as genuine as the glint in his eye—the one he used when he spoke with anyone he trusted. At least, you hoped so.

The night came quickly as you finished up your outfit—one you would hope you didn't look completely foolish in. The color you chose seemed to fit well with almost anything, but you still worried. You always worried about something.

Time was of the essence. You weren't even supposed to leave Shiz University's campus, but here you were, sneaking like some scoundrel.

Well, perhaps you were, listening to the requests of a man who already had a girlfriend—a fantastically beautiful one at that.

But you paid no mind. You did what you could, and soon, you found yourself walking down the steps of the Ozdust Ballroom.

Never had you been in a place like this. It was almost... breathtaking, had it not been for the overpowering smells of perfume and some kind of drink wafting from the bar. Your eyes flitted from patron to patron until you finally spotted him—Fiyero.

He looked just as handsome as ever.

Good Oz, what in the world were you doing? This was foolish.

You took a step back, staring at Fiyero for a moment as he spoke with another man, drink in hand. You needed to leave. This was ridiculous. You were ridiculous! Never in a thousand years would you ever imagine yourself to do such a thing—

"You made it!"

Fiyero's voice rang out above the music.

You look to him, eyebrows furrowed in frustration. Because of course he saw you as soon as you had decided to leave.

Fiyero smiled and made his way to you, taking your hands in his, drink left with the confused man behind him. Surely he didn't just up and leave in the middle of his conversation.

You part your lips and go to speak, but to your dismay, Fiyero is instant.

"I was afraid you had changed your mind," he said. "You look ravishing, darling."

Your eyes widened. Ravishing? You'd been called many things in your life, but never ravishing.

"Galinda couldn't make it?" you asked.

"Wha—no, she couldn't. But what of it? I didn't ask her to the Ozdust, I asked you. I'm glad to see your face."

Warmth blossomed in your cheeks as you watched him. "Fiyero, please... I shouldn't be here."

"Oh, nonsense," he said, grinning all the while. "Come. Dance with me."

"But I don't—"

"—do not say you don't dance. I can teach you."

"Teach me?"

"It's as easy as breathing," he said.

"For you, maybe, but not for—"

"—humor me," he said, smiling.

You pursed your lips. Of course he had to give you that charming smile and the sweet bat of his eyelashes.

"I do not dance," you repeated.

"I think I will be the judge of that."

He grabbed your hands once more and pulled you out into the ballroom floor, smiling all the while.

"You'll be a natural. I can just see it."

"I feel like if I were a natural, you wouldn't have to teach me," you said, gasping as he pulled you close to his chest. His face was dangerously close to yours, his eyes flickering from your eyes to your lips.

"You know," he began, eyes flickering back to your eyes. "We all start somewhere, do we not? You should know that better than anyone."

"What? What does that—"

He interrupted you by spinning you by your arm, back into his embrace. The music was rather ambient, not quite one for dancing so enthusiastically, but Fiyero embraced it. Hand to your hand, face close to your face.

"See? A natural."

"You merely spun me around, Fiyero. Do not be foolish."

"You could have fell flat on your face," he said, a boyish grin evident on his lips.

"Stop looking at me like that," you defiantly said. "You are far too close to me for my liking."

"Oh, feisty, are we?" he asked, moving his body along to the music and forcing you to go along, too. You nearly stepped on his toes several times. "I do not think there is anything wrong with the way I'm looking at you. You're rather breathtaking, if I may."

Breathtaking. The same way you had described him only hours before. He wasn't a mind reader, was he?

No.

Of course not. That was foolish. He was merely a man. Nothing of great importance—no power within him other than the power he held in every single eyelash as they batted down at you, making you melt over and over again.

"What of Galinda?" you repeated.

"What of her?"

"You shouldn't be calling someone who isn't yours breathtaking. It's quite..."

"There is nothing wrong with admiring the beauty in front of me," he said, your name playfully leaving his tongue. "Look at me. Galinda and I are only friends."

You rolled your eyes. "Do not lie to me."

His eyes widened a bit. "Lie? I do not lie. We are friends and nothing more. Though I do believe she thinks differently..."

"She must," you said, huffing softly.

"But that does not make it true. I have eyes for someone else."

"Eyes for someone else?"

He tilted his head once more. He was rather endearing when he did that.

"Who did I ask to their very first party?" he asked, smiling. "It's quite a feat, isn't it? Afraid you wouldn't show, and then you do, questioning me and everything I stand for, hm?"

Warmth found its way to your cheeks once more. You looked away from him. With the crescendo of the music, Fiyero pulled you closer, fingers lacing with yours. His lips hover dangerously close to yours.

"You know, if you would just give it a chance, perhaps you and I could make some magic of our own."

You let out a curt laugh. "You—oh, good Oz, I hope you never use that line on anyone! Has that worked for you before?"

He gave a cheeky smile. "It seems like it's working on you."

"Absolutely not!"

"Not even a little!"

"No!"

His smile only seemed to grow. "Truly?"

You looked away, swallowing thickly. "I mean... no. Not even a little. Not at all."

"You're lying," he said.

"I am not."

"I do think I know what I'm talking about," he said, leaning forward and pressing a soft kiss to the soft skin of your cheek. "Come now," he said. "Stop with the lies."

You looked up at him, a soft huff escaping you.

"Fine. I lied. It may or may not be working. But it's not just because of what you said."

"Oh? Are you saying you like me for more than my suave words?"

"Suave words? Who in Oz said they were suave?"

He just smiled, his eyes flickering to your lips once more. "Do you think instead of just a dance, I could try something more?"

"Try what?"

"I think you know."

You blinked slowly at him, your fingers gently gripping onto his tunic. Your lips part in mild surprise, but you realize that you shouldn't have been. He'd been eyeing you the entire evening.

"Very well," you softly said.

"Wonderful," he replied, and in a swift motion, he pressed his lips to yours. It was short as he pulled back almost as soon as he had kissed you, but it was enough to keep you wanting more.

"Fiyero, that wasn't—"

"—come with me," he softly said, lacing his fingers with yours once more. "Somewhere without so many prying eyes, yes?"

Your answer was almost instant: "Yes."

Fiyero led you back up the staircase, and he didn't look back once at the ballroom.

"Where are we going?" you asked.

"Somewhere where I can see you and only you," he said. "If that's alright."

"Oh," you softly said. "Yes. That's alright."

"Then follow me," he said. "Do you trust me?"

You smiled sincerely for one of the first times in the evening. Did you trust him? What kind of foolish question was that? If you had the chance, you'd do whatever he'd ask of you. You found your answer rather quickly, knowing within yourself that it was far truer than any other statement you had ever uttered.

"With all the power in Oz."

[innerfare]

You’re Jealous

 Summary: You get jealous of someone else in his life.

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Slight Angst // Fluff

CW: None // SFW

——— 

Luffy:

He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

Zoro:

He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 

Sanji:

Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 

Ace:

He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 

Sabo:

Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

Law:

Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 

Kid:

He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[toxinoire]

Okay okay so the scene where Glinda and Elphaba were about to escape the palace via hot air balloon, they failed because the roof closed.

But imagine what would have happened if it hadn't.

The balloon would fly, and they would escape.

Where do the winds take them?

Kansas.

Specifically, to where Dorothy is.

Dorothy, who's still around like 6 or 7.

So by some miracle, Dorothy's family lets them stay since someone needs to watch the young child while they're all away. So they basically become nannies/older sisters/substitute parents to this child.

Elphaba loves using her magic to make the little one laugh. And Glinda loves helping Dorothy dress up. The magic is a well kept secret.

Elphaba teaches Glinda some magic. While Glinda is not as powerful nor can she do as much, there are little things she can do. Such as make small objects float towards her, make flowers bloom, and control bits and pieces of light (I personally think magic is connected to not only emotion but personality).

As time passes by, Gelphie finally dates because 10 year old Dorothy one day asks Elphaba "where's your girlfriend?" while Glinda was just in the other room. Leading to an inevitable talk.

Gelphie's relationship is a well guarded secret by them and Dorothy, it took a while to explain to Dorothy why it's not so safe to tell others yet (remember the year this was made y'all), but she eventually got it.

When Toto was given to Dorothy, he did nawt like Glinda at first. He did eventually warm up to her, but Glinda still pouts about it sometimes.

Now the storm--well, tornado.

So, the house finally lands. Elphaba and Glinda step out first to make sure it's safe for teenage Dorothy to be outside.

And then the dawning realization that they're back at Oz strikes them.

And from the posters they see, it's clear that Elphaba is still wanted. Though this time, so is Fiyero. Because Fiyero lost Elphaba, the girl he's in love with but hadn't told, and Glinda (whether or not you personally believe he and Glinda had truly been in love may vary, but he cared about her, that's his bestie), he decided to take a stand as well. But of course, he had been painted as the wicked vigilante. Now, as for Glinda, she had been used to make Elphaba seem more of a villain--Morrible had been saying that Elphaba kidnapped her.

Dorothy is wondering why their names are all over this place Dorothy never heard of. Glinda and Elphaba are just like "sit down for this"

Dorothy is just "...I love that, actually."

And so now, they have to find a way home, then Elphaba fucking sees who's under the house.

And that night is spent through Elphaba crying in Glinda's arms, Glinda trying her best to comfort her, and Dorothy is also trying her best to be there.

Elphaba gets to keep the shoes this time.

Now their main question is how the fuck do they get home (they don't know of the shoes, how could they when they've been away from Oz for too long), find Fiyero, and maybe Boq, and maybe take the wizard down if they have time. How do they do all that when Elphaba is still blacklisted and Glinda is seen as some victim?

(Then maybe Glinda thinks out loud, what if there was a universe she hadn't been able to be there for Elphaba? And then the Dragon clock answers "Every other universe, you weren't there. Every other, you could never reunite. This is the only one you do." And upon hearing those words, Glinda becomes even more determined to stand by Elphaba's side because since his the only universe she stood with her, as an apology on behalf of her other selves, she'll make up to all the other Elphie's as much as she can here where she has this privilege to be with her)