#it was amazing working with you

[starsandspace]

Art piece for this amazing fic

For the @hermitshippingbigbang event! It was an honor to work with everyone on this team. You all are amazing<3

[egophiliac]

we were fucking ROBBED

[squinkoblinko]

hes thinking real hard about eating a yummy sandwich

one with no crazy filters cause why not zzzz

[raziraphale]

Tag your age if you wanna bc I was just thinking about how I have used floppy disks before (I'm 25 and used them in elementary computer lab) but my 22 y.o. brother hasn't which is so weird to me like 3 years isn't a long time at all to me

[parisoonic]

The Teufort Grandmaster (Archimedes) remains undefeated. I shared [this] with a pal and knew what I needed to do.

[soosoosoup]

Chord Striker Au by @thatbennybee

[reasonsforhope]

People ask me sometimes how I'm so confident that we can beat climate change.

There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.

Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.

Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.

And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:

"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022

If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.

What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.

But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.

And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.

So, we're going to survive climate change, as a species.

What matters now is making sure that every possible individual human survives climate change as well.

What matters now is cutting emissions and reinventing the world as quickly as we possibly can.

What matters now is saving every life and livelihood and way of life that we possibly can.

[koszmarnybudyn]

This was made because I read a fic "Proximity" by rosesofenvy and now i'm yearning.

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[alwaysmoncheri]

hello! I hope you’re doing good! I would like to request a fic with tasm!peter parker or james potter if you prefer, but something where they’re making out and the reader ends up breaking his glasses? If that makes sense🫣

hi, my darling, i’m am doing very well! thank you for requesting, that makes complete sense! I’m totally watching tasm again after writing this <3

cw: fem!reader, making out, slightly suggestive (but not really), aunt may walking in, established relationship, fluff, 1.2k

<3

Peter’s mouth is on your neck while the bridge of his glasses rubs against the skin just an inch higher than his mouth. His hands stay firmly planted on your hips as you sit in his lap on his swivel chair. Your textbook and computer lay abandoned next to his on his desk in front of you.

“Peter, I have to study,” you mumble, but the sigh that escapes your lips makes your excuse less believable, “We have to study.” you add, trying you best to get yourself and peter back on track for a big exam tomorrow. Crazy for Peter or not, this test is important and you need to get a little studying in, but you can’t get Peter to keep his hands off you.

“No, we don’t.” Peter replies quickly, before biting your neck, causing you to let out squeak.

“Peter,” you practically whine, and the chuckle that falls from Peter’s mouth vibrates onto your neck, causing you to squirm in his lap. When Peter lifts his head from your neck, you’re pouting. Lips jutted out and eyebrows pinched together with pleading eyes. Oh, Peter could die right here with you in his arms. He pulls you closer, biceps and hands pressed into your sides and forearms into your stomach.

“You’re going to be fine,” Peter offers gently, pressing a much softer kiss to your cheek, allowing you to release the tension from your face, “You’ve studied plenty already.”

“But–”

“No, buts,” Peter shuts you down, gently rubbing your sides in an attempt to silence your worries. He wants to kiss you so bad, but he would never do it without your permission. And if you want to study, he’ll let you, but he doesn’t think you really do, “Kiss me?”

Peter hears you release a long, dramatic, sigh before shifting yourself in his lap so that you’re straddling him, his hands now stabilizing you by your waist. For a moment your face is expressionless and Peter can’t read you. He worries that you’re unhappy with him but when he sees a giddy smile creep onto your face, he instantly reciprocates and his worries melt away.

You lock your hands around Peter’s neck before leaning in to kiss him. At first, you kiss him softly, tenderly just because you love him. But when you lightly tug on Peter’s hair at the nape of his neck, he takes it as a sign to tug on your hips, pulling you flush against his chest and deepen the kiss. But when the bridge of you nose knocks into Peter’s glasses, you groan in momentary pain, causing his eyes to widen, hand reaching up to gently hold your cheek, the action asking if you’re okay. When you nod your head and meet his gaze, you notice his concern before it’s quickly replaced with frustration. Peter quickly tears his glasses on his face and tosses them towards his bed without sparing a glance in that direction. But when a soft crack echos from across the room, you snap your gaze towards the glasses that now lay broken at the bridge on the floor.

“Peter!” You gasp, shifting your gaze between him and the broken glasses, but no concern seems to be etched on his face.

“Don’t worry, I can get new ones,” Peter assures you, kissing the corners of your lips while his nose delicately brushes the apples of your cheeks, “I just wanna kiss you.” Peter whispers and you feel a rush of warmth spread across your face at his tone.

“Aunt May isn’t going to be happy.” You state, nervously glancing towards the door that Peter probably forgot to lock again.

“Shush, less talking, baby,” Oh god, you melt completely at the way his says baby and presses his finger to your mouth, before replacing it with his lips, “More kissing.” He adds in between a few quick, hard, presses of his lips on yours.

“Oh whatev—hmph!”

Peter kisses you long and hard, successfully getting you to stop talking. You feel hot all over when he kisses you again and again. And when you rank your fingers through his hair, lightly tugging on the ends, while simultaneously gently biting his bottom lip, Peter makes a sound between a gasp and a groan that makes you want to do it again just so you can hear the sound once more. There’s a kiss, another, and another, you’re so caught up in the feeling of his mouth against yours, carefully sliding your hands up and down his chest before lightly gripping a fist full of his shirt to keep him near you.

The way Peter touches you is like muscle memory, he knows how to make you gasp and what makes you shiver. When, his hands slip under the material of your shirt and caress your skin, your body reacts exactly how he knows it always does. Then, he lifts you up, your legs wrap around his waist, and with his lips still on yours, he gently lowers the both of you onto his bed. He seems so far away now and you can’t handle it. Before he even has the chance to lower himself further down onto the bed, you grab his biceps, which are tensed from holding himself up, and tug him towards you. Peter practically falls and suddenly the weight of his whole body is on top of you, Peter worries for a moment, breaking the kiss, but you make a noise, reminiscent to a childish whine before grabbing his jaw with both of you hands and pulling him back. With his lips on yours, his tongue slides into your mouth while your thumbs trace the outline of his jaw and his hand slides behind you back and into your shirt.

“Hey, do you two know where—Oh my goodness!” You and Peter are quickly pulled apart, turning your heads in the direction of Aunt May’s loud gasp. She stands just outside the bedroom with one hand still on the doorknob, her expression loudly displaying her shock. Peter stays on top of you for a split second, before May’s gaze shifts between his hand in your shirt and both of your disheveled appearances, “Peter Benjamin Parker!”

With that, Peter immediately jumps up from on top of you, quickly grabbing your hand to stand next to him. Both of your faces are flushed red from being caught, even if all you were doing was kissing. Aunt May stands by the door, both of her hands placed firmly on her hips, presumably awaiting a reasonable response while you and Peter glance at each other in search of something to say. When Peter’s gaze returns to his aunt, he finally opens his mouth to speak.

“Aunt May—We were just—” Peter pauses as he stumbles over his words, feeling pathetic under the eyes of both you and his aunt.

“Studying.” You finish with a somewhat convincing smile and when Aunt May turns to you, her gaze softens, but when she notices the broken glasses laying forgotten on the floor behind you, her questioning expression returns.

“And what happened to your glasses?” Aunt May asks, a triumphant smile crossing her face as she knows she’s caught the two of you red-handed in your obvious lie, “Were you studying when that happened?”

You and Peter hesitate, he sends you a nervous smile and the both of you bite your tongues, not trusting yourselves to speak. After a moment, the two of you nod, heads hanging low.

“Mhm, right,” May hums before sending Peter a look that says, ‘we’ll talk later.’ Then, she takes a few steps into the room, causing you and Peter’s eyes to widen, but May only steps around you to pick up the broken glasses before walking back towards the door, “Well, dinner is almost ready, you two better behave.”

“Okay, yeah, thank you, May.” Peter says, and you can tell he’s beyond flustered by the situation as he runs a hand through his hair, then brushes a finger along his bottom lip, “We’ll be down soon.”

May nods before sending the both of you one final look, this one a little more playful than the rest. She exits the bedroom and closes the door behind her, leaving you and Peter alone once again.

The both of you share a glance before breaking out in a fit of laughter. Peter falls back onto the bed, tugging you down with his so that you’re laying on his chest.

“I told you she’d be mad.” You tease, running your hand up his chest, eventually reaching the back of his neck, while leaving a gentle kiss on his jaw.

“It was so worth it.” Peter smirks before flipping you over and kissing your face

<3

masterlist . tasm!peter parker masterlist . taglist

thank you for reading, my darling! remember to like! reblog! and comment! i’ll give you a smooch if you do, ily! send requests to my inbox!

tags: @googie-jeon, @Kevia1000, @annoyingmidgetwhowrites, @averyhotchner, @marauderswhxre, @vixparker

alwaysmoncheri © ─ all rights reserved. please do not repost/translate/copy any of my work.

[mimimar]

i've been completely charmed by witch hat atelier♡

(art prints)

[shokujin-art]

That man gave me a brainrot a year ago when I discovered Obscura demo from @rottenraccoons His and Keir's chapter 2 is officialy out and my Cirrus brainrot is back at full speed I totally recommend this visual novel 💖💖

[mxmarsbars]

my piece for the @hermitseasonzine 🎉✨

I absolutely LOVED the dare stick arc and had so much fun bringing it to life!! :D

[endomentendo]

Ko-fi 🍭

Princess loolilau is now retiring from her pepper chef role, now becoming THE DUCHESS!! And her child, The fudge baby.

And her personal chef who literally has no nose to smell how much pepper they’re spraying.

[seafoamsol]

The best years of my life...

... what I wouldn't give to have them back.

I had the great pleasure of working with @spiderscribe on a DeadCeptor work for the @tf-bigbang, which you can (and should!) read [ HERE ]!

Details and artist commentary under the cut!

Okay, first off, I just wanna say, thank you so much to @spiderscribe for picking up my very loose scribble and taking the jump. She's an absolute champ, and I IMPLORE you to read her writing. She did a knockout job on the fic, and guaranteed, these two pieces wouldn't have been so elaborate without her. If you're a fan of deadceptor, parallels, lovers to enemies to apocalyptic teammates to ???s, I'm sure you'll find that and more in there.

[ HERE ] is the link to that, if you missed it the first time around.

The background for the supermarket was a MASSIVE undertaking. I ended up blurring it in the final to keep the dream-like quality, but there is a lot happening there! Most of the time I spent on the background was (jokingly) complaining though.

Anyone who works retail will know the agony of customer-misplaced stock. The little canisters of energon additives seem like prime candidates to be placed willy-nilly.

The little warning sign... My favorite soda, apple sidra, has a carcinogen warning, so I'm familiar with it. It was slightly surprising to me that those warnings are not countrywide, despite the fact that they very clearly say "California Proposition 65", and well. Not something else, like "Federal" or whatever.

The bags of nuts and bolts below, I asked several people what flavor they would be, and I suppose I failed in my job, because I wanted the purple to be the "regular" flavor, and the green to be the "sour". But grape and lemon-lime work as well!

The tub is full of rust-sticks. I have no idea if that came across. My friends kept calling the individually wrapped ones slim jims, which I mean, I guess!

The car batteries... My idea was that they were similar to shots, in a way? So that's how I ended up with a battery with enough terminals to rival an international airport. It's also sunset-coloured, because, I don't know, that's what Party Flavor is to me.

Okay. The second illustration. This one was a headache, mostly due to my own lack of planning, and the fact that I lost the file for... basically everything I did, including the above illustration. So it was a bit of a rush job.

The background bots started off as these very vague silhouettes, which I'm a little proud of. Look at how nice and somewhat readable they are! Okay, now what if I ruined it? What? You don't like that? That's rather unfortunate, because that's what I proceeded to do. In fact, if I take off all.. 10 or something adjustment layers, they look like this:

My process went: Shadow block> Fill rest of form> Color randomiser> Copy and skew (to populate background)> Hue adjustment> Gradient map> Fill Light> Chromatic aberration> Vignette> Levels> Curves.

The.... Magenta cube is there because due to the nature of the color randomiser, the foot had a high value, and stuck out like nobody's business in the end.

Here's what it would look like without the cube. Begone, distracting white blob! (I didn't have to worry about the lava arm because Percy happened to cover it up. What a save! But if he didn't then... there would have been a second cube.)

Basically, it was a mess. But... at least it came out fine in the end! I hope!

I'd love to have speedpaints on hand, but I was switching between CSP and PS for a good majority of the work.

I'd say that's it for these two pieces! I actually have more, but those demand more time. I'm much slower at doing inks than I am at painting, but I hope you'll get to see them soon.

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.