#it means so much you have no idea lol

[lucienarcheron]

Rereading smtb as you post each chapter again has been an amazing experience, but with each post, I get further and further into breakdown territory. We're so close reaching where we got to before, which means new, unread content.

These are unchartered waters. Undiscovered lands, if you will. Fear of the unknown is rearing its head. Pardon me while I hyperventilate..

AWWW 'nonnie!! Come here, let me hug you real quick 🫂

first of all, thank you for being on this journey with me and I'm honestly always so flattered and humbled that you're still enjoying it with the reread and still excited for more! I am SO excited for you all to get to the new chapters. Granted, I will be slowing down to one a week updates instead of twice though 🫣

I look forward to all your feelings with each chapter HEHE. Don't hyperventilate too much. Things will get worse but also...well, where's the fun in saying anything else! You'll see what is to come 👀

[puppyeared]

littlest furth shop

@laikascomet

[captainmaxatx]

Late Mermay idea!

Orca mer Ghost in an aquarium but he is almost always hiding and quite depressed so the aquarium decide to give him a little more enrichment.

With humans lack of mer knowledge they come to the conclusion that because orcas eat seals then surely an orca mer would eat a seal mer. They decide that during closing hours (to avoid guests seeing the blood bath that will surely follow) they will drop a live seal mer into ghosts tank so he has the natural experience of hunting instead of just being fed slabs of meet.

But mer’s don’t eat other mers, regardless of secondary species.

So when seal mer soap is dropped into his tank, ghost just thinks he’s being given a very energetic handsome roommate.

And the humans are confused as to why ghost hasn’t eaten the seal mer yet

[randomalistic]

Cool awesome reminder that you don’t need amazing technical skill to be a good artist/storyteller

[lunarharp]

played dragon age 2...just simple scribbles

[somedayslater]

i didnt read the last chapters since i discovered it was the end (but i was spoiled by tumblr lol)... i didnt want to believe it... i want to still look forward to new chapters of No Home :(

For the last few years eunyung and haejoon have been my companions. I healed a little while following the story of eunyung, feeling like its ok to be angry and wanting revenge on your family and the society that continues to want to keep you in a "house" where you are mistreated. How the world isnt made for children at all, the absolute unfairness of it all. That you can choose to keep going, and if you do so its ok to keep your distance with what hurts you.

I healed too with haejoon, who came to terms with the fact that he will always be overcome with sadness and grief from time to time, and when that happens he can only let himself feel and wait for it to pass, and try to look forward to the next day.

Honestly this manwha was the best ever. I couldnt read this manhwa as a form of escapism because it was too real. It pulled strings in my heart i didnt know i had, made me question a lot of things about myself, about others, about my relationship with others. It made me have painful discussion with a few people. Following this manhwa, most of the time, was really unpleasant lol. I hated then loved eunyoung, I liked and then disliked haejoon (yeah sorry haejoon, i think you can be really cruel and stupid and i wanted to strangle you a few times in the last arcs (i would NOT be friend with that guy lol) -thats why this character is so amazing). But i felt so much while reading it i wouldnt trade it for anything. It was funny, it was dumb, it was deep, it was enraging and healing, but most of all it was sincere. The most sincere depiction of what being a person in a deeply flawed society is, and how there's happiness even while surviving.

It was so frustrating to see the manhwa go in a direction i didnt want it to go ! I wanted it to become my cozy refuge, where every problems are magically solved, where haejoon and eunyung ends up understanding and loving each other in a cliché way, where theres a new home with my *fave charas* and its a series of feel-good interactions. Instead the problems kept pilling up, most of them didnt have a satisfactory conclusion, eunyung and haejoon kept hurting each other and distancing themselves. Haejoon just cut contact with his father without knowing what were his nefarious motives or without this guy facing any consequences, we dont know if eunyung's parents will keep bothering eunyung unchecked, we dont know if they're going to be happy and rich, or if, realistically, as orphans without generational wealth and deep traumas, they're going to end up in a shitty life situation.

And i couldnt thank wanan enough for this. They didnt take the easy way, the feel-good way, the way that would have given them a probably bigger fandom so a bigger source of money. I'm amazed by how they managed to hold this whole story so perfectly. Not a single misstep. Everything they draw was where it should have been, every action from the characters were understandable (and frustrating lol), the fucking subtlety of the developing relationships, no deus ex machina and no miserabilism. I didnt always agree with wanan's ethic or what i perceived of it (i think stealing or being violent is ok depending on the context, i dont think working hard to earn money is a virtue) but i respect how they choose to present it. I didnt talk about the other characters because honestly they didnt move me as much (except marie), but i love them so much too. I felt sad that eunyung and haejoon didnt become best friend 5ever (or even lovers hehe) but honestly, understandable lol. If i was one of them i WOULDNT become close with the other at all, so its kinda amazing they could still find this level of mutual understanding.

In short, wanan is an amazing story teller.

And an amazing image-composist (have no idea how to say this in english). The artstyle doesnt look like much, but this gave wanan a wide graphic range to convey emotions that wouldnt have been possible with a more sophisticated style i think -how will i forget the red swirlings mixing with eunyung skin ? The expressions, the choice of colors, the choice in showing something in particular without giving a clear explanation on why (often haejoon's surprised or contemplative face, which made me re-read chapters a few times to try to understand what was happening in his big head). It didnt feel like wanan thought their readers were stupid, nor did they play the fake-deep style. It was perfectly balanced.

And so even if i didnt read it, i have no doubt the end will be the same. Im so sad they decided to end this manhwa, but i know prolonging it would have been greedy and that ultimately, the manhwa would have suffer for it. Some authors do that : they have a popular series going on, and for whatever reason they keep writing new chapters without a clear goal and so the story becomes diluted, messy, useless. I love when they do this, because i can say goodbye to a story progressively as my interest in it wans, without feeling sadness or loss. But it makes me not think of the story at all in the future, since everything that was good about it became buried in new shitty chapters. Because wanan didnt do that, i know that i would think of no home for a long while, maybe forever,

,like i really lost companions when no home ended actually. Because it really, really hurts, knowing i wont be seeing new faces of the no home characters anymore. I know it sounds probably stupid ; i feel genuine grief here lol. I want to know what will happen to them, if they are alright, if they found a place in the world... if there is something to look forward after all, and i really dread not having answers every monday anymore. and the fandom is so small i cant comfort myself by re-entering the no home world every week or whatever... does anyone else feel this way ToT ? maybe i should participate myself but well,, i wouldnt know where to begin...

And saying that ! I'm almost never on this blog, i dont really have socmed accounts, i dont participate in fandoms at all. But I spent a looot of time reading and watching people who does -without being connected or interacting with posts or fanfics at all. AND i really want to thank you all for giving me so much material to chew, posts that made me think, fics that made me smile, drawings that inspired me, witnessing interactions that made me laugh. I was and i probably will continue to be a ghost on socmed, but i really want you to know that you had an impact on me and i was looking forward to your new posts (and will continue to!).

the "every no home chapter is a test of my willingness to Not blow my own brains out" and explosion eunhae monday of @skiptoyuri

the regular nohome posters which makes me happy to check tumblr regularly @shimamitsulover @lesbianpegbar @luckyswamps @tomoyoo @cloudbends @t0a2ter @solcarow @dragon-of-timeless-blue

the awesome artists who keep producing bangers nohome art @gohaejoon @maxsolosur @jjd5426 @bnnuycafe @ct-bunny @lentl-soup @fartaycat @jjd5426 @prokkoli @moxymaxing @ginangtan

the nohome posters that i enjoyed running into @pleuvoire @homolobotomized @podoro-vines @fmet @welpuu @revertrate @obstinaterixatrix @kulluto

the artists that made me interested in checking no home @cienfll @craysmo @ant-eaters @idledee @fruiitlins @froqpi-art @201918b @tinfishmeal @ohrsoh @30mingirlfriend

thanks @ditherslam for the awesome fanfics, obviously i read them all and they're some of my favourites. youre an amazing writer and i cant wait for the next chap of "your atoms"!!

thanks @homeless202 for being an insatiable nohome poster for a while (and @grannykombucha !)

im forgetting a lot of others but i really wanted to thank you all for your time, energy, work. i never interacted with your posts or with you but i really want to convey how cool it is that you all contribute to make no home a more well-known manhwa and the fandom alive

thank youuuu (hope the @ are ok tell me if its bothersome ill delete it)

and really, really, thank you wanan ! waaaa i want to cry

[mohntilyet]

i’m having illario dellamorte thoughts. what if instead of knowingly betraying lucanis he did it like, unknowingly. idk how this would work but i’m intrigued by what it gives us. illario ‘i accidentally caused my cousin’s death & can never tell anyone’ dellamorte. genuinely grieving. blaming himself. does he take advantage of the year before lucanis comes back?? does caterina still ignore him the whole time?? how different is the canon plotline once rook shows up with lucanis post-rescue…..

anyways i would love your thoughts!!

95% of what i do with illario operates on the idea that he is frighteningly competent so you can see why the way the crows plotline plays out in the game might frustrate me. it’s also this reason why i don’t actually think too much about “illario got lucanis killed, but didn’t mean to do it”, because i like the idea that everything illario does in his life is planned to the second and that he’s too well trained to mess up this badly, if that makes sense. with that being said. 5% of my brain power does sometimes go towards “and what if he just sucked actually” and it was a theory i enjoyed before the game even released. so i have in fact been thinking about this anyway LOL . maybe he tries to honeypot zara, accidentally actually reveals lucanis’ next assassination job, and zara gets rid of him as a ‘gift’. illario is horrified and that gets even worse when lucanis’ body shows up, and he assumes this must be because he spurned zara by leaving her and not having the guts to seize power.

i think we could make his inferiority complex worse. illario’s worst fear confirmed: he is as worthless as his grandmother believes he is, botching something so badly that he accidentally sentences his cousin to death when what he wanted was lucanis just… out of the way for a bit (maybe while he kills caterina. LOL. i still think his resentment of caterina trumps his jealousy for lucanis though those two things are very intertwined its hard for him to differentiate them). so incapable that he got the only person who actually supports him killed, and now he’s dreading the idea of becoming first talon. he doesn’t want first talon without lucanis backing him, and now the only person left is caterina which is suffocating and makes him even unhappier. at least he hadn’t lived through her alone, and now through consequences of his own decisions, illario has no choice but to.

i think that would affect his plans for talon because of how horribly he’d fucked up, and tries to mask it because if he suddenly actually doesn’t want to be talon that would be a red flag for everyone. lucanis coming back would delight him (talon is within his sights again if lucanis comes back!) and freak him out. i think the plotline would actually be pretty similar because of this freak out, so he still shows up to zara’s fight to cover his tracks. lucanis can never know, caterina can never know, because what little faith they have in him will be lost. like he committed fratricide and didn’t even MEAN to😭 ...corpse whispering still happens, and zara is like “ohhh that coward. he can never finish what he started, can he?” + “elaborate.” + “i gave him what he most wanted in the world and instead of being grateful, he ran away.” so lucanis finds out about what happened but feels a mix of “illario, you idiot” + pity because turns out he didn’t even mean for it to happen, and keeps his secret for now, otherwise he’d probably have to kill him.

i also think not meaning to kill lucanis would sour his feelings towards the venatori, who are a reminder of how badly he failed, so the alliance wouldn’t happen. this does mean if the story goes on as it does in canon, he has to take desperate measures another way and kidnap caterina for some other reason but i can’t think of why….. maybe a thing where illario is like “ok. lucanis is distracted by the elven gods. this time i just have to kill nonna for real and then nothing is in my way” and recruits disgraced houses or houses that don’t like caterina to do so? not sure tbh but i don’t believe caterina made it so far without making enemies lol. this would happen post bloodbath + corpse whispering— lucanis leaves his cousin unchecked because while he knows illario didn’t mean for him to die, he has no idea how far he would go to have caterina dead. teia could find out about this and send word to foil the kidnapping and assassination attempt

so ‘murder of crows’ is still about saving caterina, the illario-lucanis fight still happens, but it’s a little more hesitant and lots of “why won’t you just let me kill her? i’m doing this for the both of us”. he’s had to live with being the un-favorite, but never would have thought lucanis would actually pick caterina if it came down to it. with all of his missteps here, i think the final decision (and i think it should be like this in canon anyway) would be to imprison illario or kill him. imprisoning him is just a lot of “i can’t kill illario as much as he couldn’t kill me”, vs killing him as is expected from him as talon, and what he knew he would have to do after finding out about illario's failures. unlike canon, where illario is actually meaning to kill him and can be seen as a 'good crow' despite the sloppiness, here he's like. just bad at everything. the allied traitor houses that went against caterina would also have to be imprisoned or killed. no happy ending at all here, and lucanis still becomes first talon. now that i’ve written it out this is actually probably the worst ending LOL

the above sticks a lot to what is canon to the game (plot points, choices, etc) and i didn’t go very far away from it so it's like canon 3 inches to the left. tho my thoughts on this are not fleshed out* because i think illario works better as an antagonist character that sets things in motion !! not necessarily the villain in a cain-abel story, but a character who opposes lucanis while still not wanting to hurt him. that kind of discipline where he finds a way to get what he wants (first talon) without compromising what he also cares for (family) is so much more fun for me than a man who apparently just loses it and decides to enact a bad plan to get rid of his cousin. if he waited 20+ years to become talon i think he’d be more careful when it came down to it. if i had my way illario would be playing insane 5d chess to rival solas (insert black sails “i once thought that to lead, to be liked was just as good as feared. and that may very well be true. but to be both liked and feared all at once, is an entirely different state of being.”)

[crybaby-bkg]

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

[spittyfishy]

Thoughts on the Typhlosion allegations/pokemon teraleaks?

Okay, here’s what I’ll say about that. (And fair warning, it is nothing positive)

I think the fandoms reaction to these “leaks” has been absolutely ridiculous. They are not canon, they do not change pre-existing information present in the games and anime. Concept art is interesting, but things that were scrapped and did not appear in the actual media should not be regarded as fact.

Especially the Typhlosion thing, it’s like if jk Rowling said ‘oh yeah at one point in the writing process I thought Harry Potter would be a girl, but I changed my mind’ and the fandom went ‘oh my god Harry’s been a girl this whole time!’ Like no, a lot of work and ideas go into the concept and development of works like these, and then creators pick and choose the best of their ideas and use that, but I think it’s very problematic to judge them on the concepts that they themselves already decided weren’t good enough to use.

I have very strict opinions about what counts as canon, and that very simply is ‘what is in the work itself’. Unused concepts, things a creator said years later online, and really popular headcanons don’t count. They’ll never count, sorry but that’s not how language works, you can’t just redefine canon to encompass anything that maybe could have been a part of the project. It can be super neat to look at what changes could have been made, but it needs to be understood that that does not impact what the actual game is like.

This Typhlosion thing especially, it *could* be neat if people just took the scrapped stories to go “oh yeah the Pokémon world could have had myths and legends similar to our own! That will be interesting to explore in fan works!” But that’s not what the majority of people did. Instead, people took it to mean that somehow all Typhlosion are secretly evil and shouldn’t be left alone with children and anyone who has one or likes that Pokémon should be ridiculed based on nothing.

Because the stuff that in those leaks (baring things about unreleased games) are nothing. Looking at them in the sense of seeing ‘How It’s Made’ is interesting, fine go for it yeah sure, but they have absolutely no bearing on the actual franchise itself. And I have no patience for the people taking them as gospel and insisting they be considered more true over the actual canon.

[ardentpoop]

you know.

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[pleasedontcareaboutme]

It's missing my father hours rn so imma just dump a bunch of pictures here and cry

( sorry i don't know the source of anything I just had them on my phone)

(also dont read the tags i just need to let it out lol)

[hauntingofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[googleeyes]

I would have been soo invested in Ezri and Julian's relationship if Ezri just liked him and they didn't try to convince us it was Jadzia all along. Dax joins Ezri and is so excited to see their good friend Julian again and Oh God No he's Hot

[sysig]

A lot of early concept stuff was expression/pose brainstorming - there’s the classic six Webkinz emotions (which, I learned have been largely pared down to just four after a point! Since they got rid of Dr. Quack’s role, there’s no more “sick” expression and most ‘Kinz’ tired and sad expressions are the same! >:0 What’s the point of having an easily editable puppet with the spaghetti code intact that you have to put an image there AnyWay and not make a slightly different expression!! H’f) as well as the main Sakura poses - so if I’m already making up expressions, why no go a little further! :D

One of the expressions I definitely needed up top was Mischievous - working with a cat, that’s the only logical conclusion really. I think it’s funny that she swerves the compliment only to pay it right back as well lol

The ticklish expression is one I’m still going back and forth on! I’m half tempted to have it be somewhere between happy and angry - maybe a mood gradient, starting out just positive and slowly moving into “Hey stop! >:0″ if it’s too many times in a row? It’s a thought haha

Similarly so, messing with her ears - bothering your pets is a very important element of socialization (lol)

As seen above, I’d reallyyy like to figure a way to have a dual-visual mood system - both the ‘Kinz body language/expression/emotion and a more exact stat bar. I’m still chewing on this idea a bit, no pun intended lol. That and click-and-drag with an actual image you can drag around your screen, hm and hm! Much to think about. Her face here turned out cute and funny haha, helped me push the expression more comedic

Much better :) Webkinz already has some well-known food dialogue, my favourite is probably “Mmm to the mmmax!” haha

Each low-mood would have their own emotion tied to it, but what about somewhere in the middle? I like the idea of the ‘Kinz getting bored if they’re left alone for too long! And little paw taps, showing off her embroidered paw pad haha ♪

[shidoukanae]

Hello to the Buddyfight fandom it's been a hot minute but god do i miss this show and have been making fanart for it in the background so i thought i'd post to tumblr too ^^

I swear every year I end up coming back to this show and wishing that it kept going, that it got rebooted, that i could just erase my memories of this show and just watch it all over again from the beginning to enjoy everything once again from Tasuku's own sense of justice twisting against him to Gao's suffering of PTSD and how heartfelt it was handled.

There's something very special about this show that I haven't been able to find replicated elsewhere. It has the most perfect world to exist (so much so that i'd love to be isekai'd into it if i could!!!) and while i have my own gripes with it (hi S3+) i honestly sometimes wish i could go back to my high school years of watching this show just to relive it all again :'D

Anyways!!! I hope there's still people out there who enjoy this show even ten years later who'll like seeing new funny artwork for it!

I wanna add too that i'm hoping to create a rewrite of FCBF (ft. seasons 1-3 + Ace) or at least create more artwork for my interpretation of it and its world!

Because, sincerely, this show is one of the few that, for all its flaws, hasn't disappointed me in the years that've followed unlike many other things i've seen and i wanna try to keep the spirit of it alive while I can thanks to that. And if there are any fans still in existence who love it, i wanna provide some food while its once again in my orbit because damn do i adore this show <3 <3 <#