#it isn’t even past

[fshoulders]

Hate to be the odd cis woman who can’t stop thinking about Ancient Rome, but…if you think misogyny cannot affect people who aren’t female, I invite you to take a Roman history class. Or just read Plutarch’s Lives.

There are two sticks* that are used to beat men with and try to make them conform to a largely unattainable (and under Empire, increasingly unrewarding) ideal of Roman Manhood. One is “Eastern/Greek/effete”. The other is “womanly”. They are absolutely cut from the same tree, and you can see how one amplifies into the other. Look at the widespread story that Julius Caesar bottomed for King Nicomedes (the Romans differentiated a man penetrating another man — not approved of, but just pervy and outré — and being penetrated and thus totally disgraced, debased, and ruined), shorthanded in the epithet ‘Queen of Bithynia’. You might also look at the elaborate stories where Cleopatra (an Eastern, ethnically Greek, sexually aggressive woman in power, the nightmare!) not only made Mark Anthony abandon Rome and Romanness, but unmanned him through cross-dressing, et cetera. These stories are probably made up, but they’re made up to demonstrate values, and lack thereof: this is what a man shouldn’t be. This is why Catullus responded to ‘kinda girly of you to write poetry’…the way he did. (Content note on Catullus 16 for rape threats!)

The worst thing a man can be, according to Roman culture, is a woman. Rome is in the DNA of the modern (imperial!) world. And misogyny still works this way.

The idea that misogyny, ‘the hatred of women’ — the poisoned tree around which patriarchy’s house is built, its family lineage, its root and foundation — can only be used against women, or against people you recognize as women by your own criteria, is astonishingly blinkered. It assures you will continue living in the ashes of the master’s hearth forever. This doesn’t mean that misogyny stops hurting women for a moment. We’re still the stick. When the blow lands, the ‘woman’ stick and the beaten target both feel the impact!

But it does mean that if we want to uproot the tree of patriarchy and stop living in its noisome shadow, cis and trans women need to ally with trans men, with men who have sex with men, with gender-non-conforming men, with men with girly hobbies, with people who are men maybe twice a week, with people who default to ‘woman’ or ‘man’ but don’t really feel it strongly, with non-binary people, with every erased gender, with none-of-the-aboves. With everyone who’s willing to acknowledge the bruises of patriarchy on their flesh and say ‘no more’. It’s going to take, not a village; but the scum, underclass, rebels, dreamers, and discontents of an entire world-empire.

If that makes you feel less SPECIAL? That misogyny permeates a system of oppression that hurts basically everyone? Then maybe you only wanted to feel special, and didn’t want to attack the root at all. That doesn’t sound very radical.

[noxcheshire]

I think I’d be really funny, if Bruce was a reincarnated Vlad.

This is going to be based off of a prompt I saw (I will find you) where Bruce suddenly remembered his past life as Vlad.

HOWEVER, my take on that is the de-aged Ellie and Dan because the amount of ANGST and self hate that Bruce will go through thinking his past self was not only a villain, but also that sort of person?

It will eat him alive.

It will eat that man alive every time he goes to sleep and another burst of memories pass underneath his eyelids.

It burns him when he wakes up with the phantom touch of a body underneath his hands, of a boy just as young as Damian and thinner too, struggling to escape a grip of a man whose hold was too possessive, and too cruel.

It feels like acid swishing down his throat when he wakes with the taste of oily words filled with threat and something more whispered over the form of a boy. A young boy whose blue eyes blazed furiously back and yet tried to hide the quiet bursts of fear underneath.

It feels like Bruce cannot scrub the man he had been right out of him, even when his skin blisters red until it bleeds. Vladimir Masters had woken spitting and screaming, burrowed like a cold sore underneath everything that is Bruce.

Bruce hates it.

Hates the monster he had once been and still is — because despite the fact Vlad is now Bruce, living and breathing and existing here in Gotham — Vladimir Masters still exists.

He is out there right now in a little place called Amity Park, pulling weight and blood just to get what he wants.

A man who has used and abused for far too long…

Perhaps it was time to see to it, that however and whatever way that Bruce came to be, that it began with Vlad’s unfortunate circumstances back into the Ghost Zone.

[goldensunset]

i’ve been thinking about the pokémon memes where it’s like playing off of that one quote that’s like ‘truly strong trainers should try to win using their favorites’ and it’s like ‘ok well my favorite is [something blatantly overpowered]’ and it’s got me curious. how many people genuinely love pokémon that also happen to be really strong competitively?

so if you will. pick a favorite pokémon (for any reason! whether it’s cuteness or strength or nostalgia etc. no judgment) then go here https://www.smogon.com/dex/sv/pokemon/ and look it up

(you’ll see something that looks like this. see where it says tier and has some gibberish afterwards? don’t worry if you don’t know what that means but tell me what the letters/words are)

also if there are multiple forms and the distinction matters to you make sure you get the right one lol cuz the tiering can be different

edit: forgot to mention i mean specifically in SV! which is what comes up by default. rip every pokémon that either isn’t in SV (it’ll say ‘national dex’) or used to be better but has since fallen off relative to new pokémon

[keferon]

Howdy!

I think your Monster Hunter AU is really cool and I wanted to know if you’d be cool if I tried to write something in the universe? (Specifically about Prowl haha, I saw him once and thought 👀 “man i wonder if tarantulas was in this au how spooky he’d be given he’s spooky enough in canon”)

Would also love to know your thoughts/if you had any of what Prowl could be up to, I know the au is Lost Light focused so I totally get it if you don’t have any/etc.

Hope you have a good day! Love your art!

Hoooo boy okay okay. Prowl.

He's a Golem created by Orion.

In mythology, Golems are essentially living statues made of clay mixed with blood and animated by magic. They are stupid and exist for primitive manual labor.

In my universe, a Golem is basically the same thing, but made of metal.

Orion assembled his golem from empty armor, parts stolen from the medbay, and his own energon. And then he went and got a Wisdom artifact and put it in the golem's head, because the rules strictly forbid giving golems internal organs like sparks or processors.

As a result, the golem was very light because it was essentially empty inside, so even when it moved it did so very quietly for a mech its size. Orion had been startled the first fifteen times the golem would appear completely silent beside him. On the sixteenth time, he called the golem Prowl.

Prowl is basically not a real mech. He has no spark, he has no need to eat or sleep. His only and primary task is to serve Orion. Thanks to the artifact, he is freakishly intelligent, not only compared to normal golems, but to normal mechs as well.

Orion keeps his origin a secret from everyone except Ratchet and Shockwave (because Shockwave was the one who taught him how to create golems), so all the mechs in the Order are convinced that Prowl is just Orion's very tedious assistant, not...you know...a walking puppet who has incredible intellectual abilities, but almost no emotions or conscience:)

[mistletouchunderthetree]

sorry but Being A Hater for no fucking reason isn’t cute or funny. you’re literally just being mean. it costs zero dollars to Not Be An Asshole. to people outside of your little bubble you kind of just sound miserable

[flowercrowngods]

yearning hours (hidden track)

🤍 also on ao3

The city is quiet tonight, dormant long before midnight; weary at its very core, just allowing November’s cold to settle without much of a fight.

Steve should be asleep, too, but he doesn’t want to break the spell he’s under, doesn’t want the heaviness of his eyelids to become something deeper, something stronger, something that will bring an end to this feeling that’s come over him.

Sprawled on his bed, staring up at the ceiling, he just breathes. A steady in and out that‘s been effortless for a few hours now.

The breathes in the gentle dimness of his bedside lamp, inhales the sound of electro pop playing from beside him, playing from another lifetime altogether. He exhales the present, lets go of the thoughts of sleep, of leaving this moment, of moving anytime soon.

I saw your eyes. And you made me smile.

It’s been forever since he listened to this tape. So long, in fact, that he didn’t even know he still had it. Lifetimes passed since last he heard these songs, the synthesisers and guitars, the beat of his heart in tune with the drum of the snare.

Four years. It’s a lifetime. Everything’s a lifetime when the world ends, and ends, and ends. Everything’s a lifetime if you leave parts of yourself behind, unreachable for yourself, but far from untouchable for others.

Everything’s a lifetime if you live in Hawkins, Indiana.

And though it took a while, I was falling in love.

The song washes over him the same way it did four years ago, and yet it settles inside his chest, his gut, his lungs in a way it never did before. It fills him with each inhale, as if daring him to forget again. As if daring him to try.

There are three tapes spread out on the bed beside him, just within reach of his hand that’s hovering over the rewind button of his little radio that’s seen better days but still hasn’t ripped a tape in months.

Once the song begins to fade, he presses the button, the dim light now accompanied by the familiar clicking and whirring and the thoughts of seven, eight, nine, ten, as Steve is counting the seconds before he has to press play again to listen to Space Age Love Song again.

He exhales a drawn-out breath as, with another definitive click, the song starts over. Gentle snares fill his room. And Steve breathes.

I saw your eyes.

And he smiles.

And you made me smile.

Because somehow.

For a little while

He’s thinking about Eddie.

I was falling in love.

And for a moment, while he breathes and stares and listens, that’s okay. For a moment, for the duration of this song, for the lifetimes it survived and the ones yet to come, that’s okay. The waves of the music carry him through time and space, carry him to a world where it’s safe. Where the safest thing to do about your heart’s desires is not lying in bed and staring at the ceiling.

The phone rings. It’s midnight and the phone rings. Steve is floating, anchored and weighed down by his skin and bones, breathing himself back into reality, because the phone rings.

He looks up and reaches for the landline phone on his bedside table, the movement sluggish to his heavy limbs.

The words take a while to form, but he’s aware that the other person can hear the music playing, they’ll know he’s here, they’ll know he listens. They’ll know, hopefully, that he’ll talk soon. He just… He just needs a second.

But then it’s only silence that meets him, and Steve frowns. Just as he’s about to open his mouth and ask, he can hear a breathy little, “Oh. Shit.”

And he blinks. Swallows. Leans up on one arm to fight the floating.

“Eddie?”

“Uhh. Hi, Stevie.”

There’s a tremor to Eddie’s voice that Steve can make out even through the music he’s reaching out to turn down the volume now. Alarm shoots through him, accompanied by protectiveness and the readiness to take ok the world. For Eddie. Again.

“What’s wrong? Are you okay?”

“Yeah!” Too fast. Too breathy. Too frantic, and Steve can hear the clinking of his rings against the plastic of Wayne’s landline phone. He can see Eddie wrapping the cord around his fingers, can picture him chewing on it, too. “I just— uh, I… I cleaned my room? Rearranged it, too. I really like how… Look, ignore this, okay? I realised that this was kinda dumb the moment you picked up the phone.”

Steve leans back again, his head hitting the pillow as he lets Eddie’s voice wash over him. He sounds nice against the low music still coming from beside Steve. Eddie always sounds nice. Steve kinda wants to listen to him forever most days.

“What’s dumb, Ed?”

A snort, and Steve wants to feel that breath tingling his cheek, or neck, or throat. He wants to touch that smile of self-deprecation he knows spreads Eddie’s lips now, and wants to turn it into something more genuine. More vulnerable. More his.

“Calling you at midnight and telling you that i cleaned my room.”

“And rearranged it,” Steve adds, helpless against the gentleness of his voice as he says it.

“Yeah. That.”

He smiles, his eyes finding their spot on the ceiling again as he reaches for the radio again, pressing rewind, because his heart is a fluttery little thing tonight, and he wants to bask in it for a moment. Wants to be allowed to pretend.

Something old washing into something new. The feeling fits well with the others, a tenderness inside his chest where Eddie lives, surrounded now by the song, wave after wave, and with the memory and possibility and chance of different lifetimes, different phone calls, different Steves.

“I don’t think that’s dumb, Ed,” he says after a while. “I like it when you tell me things, midnight or not.���

“I… That’s cool.” Silence. But an Eddie kind of silence that it’s always only a prelude. Always. For bigger things the longer it is. And Steve’s counted all the way to seven before Eddie, quietly, secretly, says, “I like telling you things. Midnight or not.”

The smile that splits Steve’s face is almost one that needs to be hidden in the pillows, with the way the world sees it as a challenge when he smiles. But he doesn’t hide it. Midnight smiles don’t need hiding.

“So tell me about your room.”

Another silence, only five beats this time, but it leaves Steve yearning for Eddie to fill it nonetheless.

“Do…“ One, two, three, four, f— “Do you wanna come over and see?”

And now it’s Steve who’s silent. Steve whose heart is beating so loud he forgets to count the seconds, forgets to fill the silence, forgets just for a while that he’s still only pretending, he’s still only longing, not reaching.

And still, still still, he asks, “Right now?”

Eddie’s answer is no more than a breath. “Yeah?”

“Okay.”

“Okay.”

Okay. He wants to stay in bed longer, wants to cradle the phone to his ear and listen to Eddie. To his breathy little voice, like he knows about midnight smiles, and even more about midnight whispers.

He’s still floating in the car, having grabbed one of the tapes from his bed, letting the more synthetic snares and guitars fill the air he breathes that’s beginning to smell vaguely of leather and tobacco and soil and Eddie.

The more you live, the more you love. Or so they say.

It settles in his arms the same way the car’s gentle thrumming does; this certainty. The longing. The love.

He’s not even sure when it happened, only that he can’t get rid of it now. Doesn’t want to get rid of it, most days. Not yet. He’ll spend the rest of his life letting it go, but he wants to keep it for a while yet.

Especially with Eddie calling him at midnight just… Just to tell him something that makes him happy. Obviously, obviously makes him happy. So happy he wants to tell Steve about it. Like Steve is worthy of that, like he is the obvious choice.

It makes him giddy. Makes him float. Makes him turn up the volume, letting it almost ruin the moment, fragile as it is — but only almost.

He makes it to the trailer park in no time, finding Eddie already outside. Waiting for him.

No amount of inhaling and exhaling is enough to save Steve now, not with Eddie approaching his car before he even comes to a stop. Not with Eddie reaching out to open his door, looking at him, face painted in the light and shadow of the little overhead light of the Beemer.

“Hi,” Eddie says. “I cleaned my room.”

“And rearranged it,” Steve adds, an echo of earlier, the same smile on his lips, but Eddie doesn’t smile. Eddie just nods, frantic.

“That, yeah. But… I cleaned my room. And you’re here. Because I told you. Because I cleaned my room.”

Steve blinks, loosening his seatbelt and slowly, so as not to spook Eddie, he gets out of the car. Comes to a stop in front of Eddie, the door still open behind him.

“Eddie, what—“

“You’re here,” Eddie says again. “You like it when I tell you things.”

Steve nods, the cold November air not enough to save him; he still inhales Eddie, still exhales a longing so deep his lungs feel like they’ll never fill again.

“And you like telling me things,” he says, because Eddie’s gone silent, his wide eyes still frantic, and Steve wants to help.

“You’re here,” Eddie repeats again, like it has a meaning that Steve’s not catching.

He nods, then, heart and mind racing alike. “Because you asked.”

But Eddie shakes his head, still rooted to the spot, still keeping his eyes on Steve like he’s afraid he might disappear if he so much as blinks. Steve wouldn’t think of it. Will stay as long as Eddie wants to look at him.

“Because you want to. Because you like it. Because… Because I cleaned my room. And the first thing I wanted to do was tell you. And you listened. And you told me it’s not dumb, because you like it when I tell you things, and— Steve. Steve.”

He can’t look at those wide eyes anymore, not when he’s been found out, not when the heaviness is returning, weighing on his limbs and his heart, telling him to panic and to run and—

“Steve.” A whisper. A hand on his cheek. Not to tip his head up. Just to rest there. Just to stay. “I wanna tell you things all the time. The stupidest, littlest things. I wanna tell you because you’ll listen and because you’ll— you’ll make me feel like… Like this. Because you’re here! You’re here when all I did was clean my room. At midnight. Way past midnight, actually. I’m… I… God, I just.” An exhale, and it sounds a lot like Steve’s. “I love you.”

Steve’s head snaps up, his eyes meeting Eddie’s again. Searching for the lie, searching for the dream, searching for one of those lifetimes that aren’t meant for him. But he finds none. He finds sincerity; scared, vulnerable sincerity, like Eddie is a little bit insane with it.

Like he’s faring no better than Steve.

“You… You do?” Eddie nods, frantic again, the hand falling from Steve’s cheek so he can pick and bite at his nails. Unthinkingly, Steve reaches for his hands to hold them in his own. “I— I’m…”

“It’s okay, you don’t— uh, you don’t have to say anything. Really. Please don’t, actually, I’m just… You’re here. I can’t believe you’re here. I can’t believe you—“

“Ed,” Steve whispers. “Eddie.” They sallow in unison, the air charged between them but clearing in Steve’s vision now, carrying him no longer like someone floating along the tides yearning.

He’s not floating, he’s not lifetimes away. He’s here. He’s here.

“Can I… Can I try something? Can I kiss you? Please?” he adds in a whisper.

And it is with that same whisper, with that same shared breath, that Eddie says, “Please.”

The kiss is chaste, but it’s enough. Enough to survive the night, enough to be not the beginning and not the end, but something comfortably settled in the in-between.

When they break apart, Steve doesn’t let Eddie go far as he pulls him into his arms rather immediately. Just to hold him there. To let his mind catch up. To bask.

And it’s only after a while of breathing each other in, their hands roaming over the other boy’s back in ways more gentle than they were ever allowed to before, that Eddie breaks the silence.

“I really do wanna show you my room, though, that wasn’t a ruse.” He mumbles the words against the side of Steve’s throat, and Steve — still unsure of his footing — laughs and brushes a careful kiss against Eddie’s temple that leaves him with goosebumps.

“Ready when you are,” he says, though it’s almost a sigh. An exhale. Exhaling Eddie, and inhaling his warm smile and the smell of his hair. Steve leans in for another kiss to Eddie’s forehead, lingering this time.

In and out. It’s all Eddie.

Ring-clad fingers find their ways in between his own, and then Eddie tugs him — gently, like he’s afraid Steve will break if he moves too quickly; or maybe it’s Eddie’s who’ll break — toward the trailer.

Inside it’s warm, the lights are low, and the only thing illuminating Eddie’s room down the hall is a black string of warm white lights wandering along his walls and in between photos and pictures and drawings and posters that litter his wall.

And in the middle of it all, there’s Eddie. Smiling at him, giddy and gentle and genuine and so, so pretty. And Steve knows, then. Eddie’s room has never looked better.

(the songs are space age love song, and the more you live, the more you love by a flock of seagulls)

[adhdandcomics]

every pharmacy is out of all adhd meds they won’t tell me where i can get some bc it’s a controlled substance so i just can’t get any my doctor wouldn’t answer my call my state ballot office told me the post office has my absentee ballot and they haven’t sent it back so i go to the post office and the post office told me they sent it back. 🕺🏼🕺🏼🕺🏼🕺🏼🕺🏼🕺🏼🕺🏼 i think i’m done being alive but i almost have a reward on my local coffee punch card 🕺🏼🕺🏼🕺🏼🕺🏼 so i guess we’ll keep on going 🕺🏼🕺🏼🕺🏼🕺🏼🕺🏼🕺🏼 ✨

[the-ferocious-kittyrose]

That “controversially young girlfriend” tiktok has done irreparable damage to x reader fics.

[swiggity-swexual-i-am-asexual]

DPxDC media story prompt

Okay first off, this sort of thing has been done before, but here’s a different version involving Jazz Fenton.

Popular in DPxDC fanfic is that the GIW have a media blackouts—or whiteouts, there’s kind of a difference, where whiteouts work more like… there is a file, but you can’t edit it or it may be locked out for certain users, or an edited version of events where things are ‘whited out’ like with correction paste, among other definitions.

Point is!

The GIW have a media restriction, and among these is social media, probably with certain words or phrases pinging to location restrict the post. There was probably a phase for a while where the A-Listers tried to get around it, but ultimately failed, and since they could only get information IN rather than information OUT, and possibly still a limited amount of outside information in the first place, social media didn’t take off as much in Amity Park than in other places in the world. There’s still a small local presence, but at this point it’s almost like a city wide chat room than actual social media.

Enter in, Jazz Fenton. She’s chronically behind on trends, so by the time she decides to get on social media, the GIW aren’t being as militant on it. And she has that habit of calling the ghosts by code names instead of their actual names, such as Crate Creep instead of The Box Ghost, or Ghost X instead of Skulker. By pure coincidence of her personal language use and Tucker messing with all of Team Phantom’s phone locaters for easier excuse giving, Jazz manages to dodge all the word censors.

She accidentally creates a whole online story community convinced it’s some kind of altered reality game or role playing game, what have you. Meanwhile, Jazz is letting off steam by ranting online with, of course, made up names of all the people involved. She doesn’t even notice the numbers, and that’s assuming the GIW didn’t just—region lock the ability to see them for whatever reason. The few Amity Parkers on social medias see Jazz, maybe look at a complaint post or two, then move on because this isn’t even an unusual video inside Amity Park’s social media sphere.

Heck, PHANTOM has a social media presence and he’s done several rant videos too! One particularly famous one is him complaining about keeping his boots and gloves white while being chased and one of the GIW agents actually stops and gives him advice before shooting at him again.

Those outside Amity Park, of course, only see Jazz’s videos. And she has no idea that she has an entire online presence and mild amounts of online fame. And again, almost everyone thinks the whole thing is just a fun little game, if oddly detailed.

Until, that is, a certain young man by the name of Bernard comes in. One of the few who are totally convinced this is real, he tries to also convince his boyfriend—Timothy Drake-Wayne. Who, in turn, finds it incredibly suspicious that it’s this hard to get news and posts from one random town in the Midwest.

[springsketches]

He’s very tired, TLQ has more decisions to make… Oh hey, the pristine cut comes out tomorrow! Have a last minute picture I did! This was surprisingly difficult ha ha ha, I don’t know how many times I’m gonna draw the shifting mound again... Congratulations Abby and Tony for their time and efforts! I look forward to playin it tomorrow!

It’s exciting!! I’ve been waiting a while for this one! I hope people have been as excited as I’ve been! Maybe sometime I’ll create a more detailed/flushed out drawing, but for now I’m happy with this drawing given the short amount of time I gave myself.

Being loosely a part of this fandom has definitely helped me in my art journey and inspired me to become a better creator.

Also, if I may be a little self-indulgent, I’m gonna show my oc clapping for them! She’s excited too

[hijinxinprogress]

Coffee addict Never sleeps Tim drake ❌ 

Solving cases in his sleep off 87 energy drinks Tim Drake ✅

The coffee addict never sleeps perpetually tired Tim Drake thing is a widely accepted headcanon however that was elementary school tim but after he stayed up for a week straight subsisting entirely on coffee to decipher the bat weekly patrol schedule and how it aligns with rogue attacks/Arkham breakouts, he crashed then when he woke up it was fucking wednesday so he missed his chance to commemorate his discovery with pictures of Robin and he decided that shit would never happen again and made himself an ‘efficient’ sleep schedule so he could run around doing fuck shit, add to his robin shrine, and stay on honor roll bc he was even more pissed to see the gotham gazette had pictures of Robin with an on site interview credited to Vicki Vale (listen bowl cut tim had a one sided beef with vicki vale that included tim judging who gets better pics of the bats but she isn’t even aware that she’s competing with a whole ass child 😭 he’s sitting at the table with a mug of orange juice and looks at the newspaper snorts and goes ‘fucking amateur I could do better’) 

Regularly unsupervised tiny businessman in training Tim ‘Ten hours of uninterrupted sleep?? That’s so inefficient not to mention fucking stupid’ Drake is so pissed he missed getting shots of Robin dropkicking a rogue from 6 six stories up (for absolutely no reason dick just thinks it’s fun) that he just takes at least 3 hour naps every eight hours 😭 he refuses to spend almost half a day sleeping ‘for no reason when he could be doing something productive’ 

And he still does this as a bat but it’s just easier to tell if he didn’t take his nap bc he has less than zero impulse control and he’s just fucking done with everything like the gcpd is terrified bc tim’s saying shit like ‘This guys a fucking moron, I could’ve done this in half the time without killing anyone fucking loser doesn’t he know if you keep them alive you can prolong the torture?’ and ‘you’re like all hysterical and for what 🤨 ‘you blew up 83% of Bristol waah’ stfu and fucking rebuild it?? It’s only rich mfs that live there, it’s just a matter of them opening their fucking wallets’ once a new recruit made the mistake of asking if robin had adult supervision regularly and Tim responded with ‘well if you’re gonna snitch to cps like a little bitch then yeah’ and that cop did snitch so tim fucking doxxed him

Yj has just accepted that sometimes they will find tim in an air vent, on the roof, in one of their closets, or something just fucking knocked out then an alarm will go off and he’ll just get up like nothing happened but for the first couple of months they were probably concerned bc ‘I’ve never seen you sleep?? wtf are you on man’ and Tim’s confused bc ‘I slept next to you this morning wdym??’ and that’s how yj discovers tim sleeps with his eyes open

But one of the worst things about Tim’s ‘time efficient sleep schedule’ nonsense is that it fucking works he’s one of the most well rested and coherent bats even after back to back Arkham breakouts however the absolute worst thing about his sleep schedule is the likelihood of going into the cave and seeing tim staring in a daze but wide eyed yet somehow never blinking at the batcomputer with 57 tabs open on top of being unresponsive and thinking he has a fucking concussion or he’s been replaced but he’s just doing case work while muttering nonsense in his fucking sleep for some reason

[zinniapetals]

my fave chengxian reconciliation scenario is wei wuxian slowly realizing that the life of a wanderer isn’t actually what he wants and lotus pier is his home and more clearly, living in a world with jiang cheng but not actually being something to jiang cheng isn’t what he wants either

[gayestcowboy]

one of the reasons i hate generative AI is that i have a chronic injury that makes me unable to write by hand for longer than a few sentences and therefore i need a keyboard in order to write essays for classes, and i’m a bit worried that professors won’t allow me to type essays as a result of potential AI use, even though i have a perfectly valid medical reason to need a keyboard. i’ve seen a few posts online saying that the only way to prevent students from relying on AI is to make them write by hand, and while i understand the sentiment and don’t even necessarily disagree with the general point, the matter of accessibility still needs to be addressed somehow, and it’s just a bit frustrating on a personal level as someone who has had to fight with teachers and professors in order for my needs to be met even before the era of chatgpt

[twentyfivemiceinatrenchcoat]

me when i remember that gojo isn’t even really afraid of intimacy in the true sense of the word, but rather entirely resigned to the universal truth that it’s something he will never have

[spittyfishy]

Thoughts on the Typhlosion allegations/pokemon teraleaks?

Okay, here’s what I’ll say about that. (And fair warning, it is nothing positive)

I think the fandoms reaction to these “leaks” has been absolutely ridiculous. They are not canon, they do not change pre-existing information present in the games and anime. Concept art is interesting, but things that were scrapped and did not appear in the actual media should not be regarded as fact.

Especially the Typhlosion thing, it’s like if jk Rowling said ‘oh yeah at one point in the writing process I thought Harry Potter would be a girl, but I changed my mind’ and the fandom went ‘oh my god Harry’s been a girl this whole time!’ Like no, a lot of work and ideas go into the concept and development of works like these, and then creators pick and choose the best of their ideas and use that, but I think it’s very problematic to judge them on the concepts that they themselves already decided weren’t good enough to use.

I have very strict opinions about what counts as canon, and that very simply is ‘what is in the work itself’. Unused concepts, things a creator said years later online, and really popular headcanons don’t count. They’ll never count, sorry but that’s not how language works, you can’t just redefine canon to encompass anything that maybe could have been a part of the project. It can be super neat to look at what changes could have been made, but it needs to be understood that that does not impact what the actual game is like.

This Typhlosion thing especially, it *could* be neat if people just took the scrapped stories to go “oh yeah the Pokémon world could have had myths and legends similar to our own! That will be interesting to explore in fan works!” But that’s not what the majority of people did. Instead, people took it to mean that somehow all Typhlosion are secretly evil and shouldn’t be left alone with children and anyone who has one or likes that Pokémon should be ridiculed based on nothing.

Because the stuff that in those leaks (baring things about unreleased games) are nothing. Looking at them in the sense of seeing ‘How It’s Made’ is interesting, fine go for it yeah sure, but they have absolutely no bearing on the actual franchise itself. And I have no patience for the people taking them as gospel and insisting they be considered more true over the actual canon.

[read-write-thrive]

platonic and romantic are not some sort of binary that relationships have to be divided into. they’re not even two ends of a linear spectrum. they’re fully just abstract concepts made up of culturally-dependant social behaviour and expectations that are continually forced upon people to reinforce religious, legal, and broader societal/cultural norms, often and repeatedly to the detriment of non-normative groups including, but not limited to, the queer community. and I am sick and tired of those norms being replicated in fucking fandom discourse, of all places