#is this perspective called something
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read-write-thrive · 2 months ago
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platonic and romantic are not some sort of binary that relationships have to be divided into. they’re not even two ends of a linear spectrum. they’re fully just abstract concepts made up of culturally-dependant social behaviour and expectations that are continually forced upon people to reinforce religious, legal, and broader societal/cultural norms, often and repeatedly to the detriment of non-normative groups including, but not limited to, the queer community. and I am sick and tired of those norms being replicated in fucking fandom discourse, of all places
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spiritsong · 5 months ago
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After seeing @felassan's post about there being two different versions of Neve and Taash's cards, I needed to sate my curiosity and went digging to see if I could different versions of the other companions as well.
Lo and behold, there are! I found them for every companion except for Emmrich. There's no way to say with absolute certainty which is the old version and which is the new; hopefully we can get some confirmation on this.
For the time being, I went ahead and marked the differences for those who have trouble spotting this sort of thing. Hopefully it's not too overwhelming for the ones that are very marked up, but I wanted to include some of the more mundane changes as well.
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Neve — The biggest changes are the crossed leg (making her prosthetic more visible) as well as the metal rivet detailing on her outfit (see: the collar, the shoulder pads, the sleeves, the skirt portion). Some of what I'm calling the more "mundane" technical changes include the lighting and shadows on her staff, her nose, and her chest.
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Taash — The most notable difference here is the coins (I didn't circle all the individual coins but you get the point) and the dragon in the background. In one version, the eye is more distinct, and a bottom row of teeth have been added to the dragon's jaw. There have also been changes made in the shading of her face. Her body shape (namely, the torso and her arms) have also been changed, as well as the general shape of the "spikes" on her hips and her shoulders.
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Harding — Just a couple changes here. Her eye is more white/ghostly looking in one version, and the shading on her face and neck have changed.
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Lucanis — LOTS of differences. They're pretty inconsequential, by which I mean there hasn't been any added/removed/changed symbolism in his card. The shading on his nose has changed, as well as the shading on his collar, hand, forearm, armpit (didn't circle this one oops), hips, and hip dagger. The purple "wisps" have changed in shape here and there. One of the orbs in the upper left have moved, and there is another orb above that one which has been removed/added.
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Davrin — Just a few changes with Davrin, though they are big ones. His face/head has been changed, and the vallaslin has been redrawn. The scar on his eyebrow has also moved slightly.
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Bellara — Bellara's head has shifted and her neck elongated/shortened. There are stars in the background and around her arm in one version.
As for Emmrich, I mentioned I could only find one version. I did compare the image we currently have with what I believe is the earliest Emmrich art that was shared with us (a cropped version of his card) by overlaying the two on Photoshop and didn't see any differences.
And that's it! You might have also noticed that some of the versions on the right hand side have a white line at the top of the image. Make of that what you will.
(People viewing this post on PC will have an easier time quickly clicking back and forth between the images to spot the difference. If you're on the mobile app and care enough to do so, you might have an easier time saving the images and flipping through them in your photo album. At least I know it's easier if you have an iPhone, I don't know about other models.)
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communistkenobi · 2 years ago
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not sure if this was intentional or not but nemik saying in his manifesto “Remember this: Try.” is an interesting sentiment given that “do or do not, there is no try” is like one of the more famous lines from the original trilogy
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rebellum · 1 year ago
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The whole transandrophobia discussion thing is weird bc it feels like it's a bunch of poc and jewish trans people being like "here are my experiences of how specifically being MASCULINE had affected me, and the discrimination and violence I experienced based on that. And here is how that relates to me being a racial/ethnic minority"
And then a few loud white trans people going "ohhh you wanna be oppressed so bad you *slur*. This is why there aren't any poc in your movement it's because REAL poc understand intersectionality"
#hot take white culturally christian or athiest leftests do not properly interpret white jewish ppl#like as a poc i and other poc understand that white jewish ppl often get racial privilege#but a) not always b) they experience oppression based off of their ethnicity#idk from my perspective it seems like white goyim either see jewish ppl as 'the disgusting exotic enemy' or 'basically WASPS but they#wanna feel special'#with no nuance. no recognition#look maybe this next part is bc i didnt grow up with jewish ppl and therefore didnt know until I was 18/19 that jewish ppl can count as#white. but like. idk how to say this. i dont wanna speak over white jewish ppl. but like.#jewish ppl that have obvious jewish features (whether Ashkenazi facial features OR they dont have those but wear eg kippahs)#arent like. white. idk pls correct me if this is antisemitic or incorrect or something.#but like. light skinned =/= white obviously.#i just struggle to see how my bestfriend with her lovely dark eyes and curls and nice nose counts as 'white' when ppl call her the k slur#across the street. ykwim?#like white doesnt mean light skinned. it means 'part of the in-group of white ppl'#like my ex who is white and jewish? yeah hes white. if he didnt wear his necklace then goyim wouldnt know. you know#like obvs he still experiences ethnic oppression but he doesnt experience racial oppression#but other ppl with more prominent eg ashkenazi (im singling them out bc most jewish ppl here are ash.) like i dont GET how they have racial#privilege.
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stellar-jay · 2 months ago
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keeping tryst
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yi3248 · 4 months ago
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cw: major character death
pinned
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bigskydreaming · 3 months ago
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Imagine if you were a gay or bi man who tried a certain firefighter show because of all the attention it was getting for one of its mains having a later in life bi awakening.....and between seasons you ventured into its fandom in search of material to tide you over til the next one. And you're greeted by a deluge of posts and fics that are just cheerfully homophobic towards one half of the newly out bi character's canon relationship on the basis of 'well he's not the RIGHT gay guy' and pushing the idea that actually its fine to cheat on him because Reasons and he's sexually predacious based on......behind the scenes implications people have divined like they're reading fucking tea leaves.
But don't get it twisted....this fandom, like all fandoms, really cares about representation!
Sorry not sorry, but we really need to kill this idea that fandoms are welcoming and inviting and inherently progressive when they're frequently insular and reductive as fuck. Every single fandom I've been in has had major trends of people doubling down on their own headcanons and fanon interpretations of the characters and willfully enacting trends aimed at running off people who like the 'wrong' characters (usually characters marginalized along one or multiple axes), like the characters in the 'wrong ways' or other bullshit.
Scott is a Bad Friend fics overtaking Teen Wolf fandom was not incidental, it was a FEATURE of the fandom, because the vast majority of that fandom did not want to share its space with anyone who had the nerve to like its main character. Survivors complaining about or criticizing the prevalance of rape fics in a certain fandom has in my experience always led to a reactionary UPTICK in those fics, with gems like 'this character can, will, must be raped' in the tags making it crystal clear that some of these fics exist because how fucking DARE anyone try and push forth a narrative not agreed upon by Fandom Main.
I could cite examples for so many other fandoms, with the commonalities always being that vast majorities in these fandoms are explicitly reacting defensively to being asked to be more mindful of fandom trends revolving around or exacerbating racism, homophobia, transphobia, rape or abuse apologia, ableism, etc....
With the most prolific fucking rallying cry across countless fandoms being "No the fuck we will NOT be doing that," because lolololol.....
Fandom is an inherently progressive space, didn't you hear?
#anyway this has been on my mind in general for a few weeks now#and its more about fandoms just being fandoms#and like....what if they werent though#these patterns migrate from one to another as fans migrate from fandom to fandom bringing their bullshit with them#like do people never get tired of just trying to call DIBS and claim fandoms for themselves while shutting out anyone else#who might have a lot to fucking offer if you werent being so gd intent on staking a claim instead of sharing perspectives#and exploring new possibilities?#and I know not everyone links certain problems with racist homophobic and other behaviors to my own issues with dark fic and rape and#abuse apologia but I do inherently see it as sharing large portions of venn diagrams even though I do not consider being a survivor to be#something that demarcates privilege in the way that axes of identity do#as its situationally based rather than inherently identity based#but the way it can affect and shape large parts of peoples' identities begets commonalities#but my point is just.....a big part of why I so often lump it in is specifically because of how people react to these things or#defend against criticism across the board#like most people know my stance on censorship and how my blood boils when its people who are throwing accusations of#censorship at those raising criticisms....#but the point is just.....think about what censorship actually IS in all practical senses of the word#its about shutting down conversations. limiting the flow of information the sharing of perspectives and experiences#THATS WHAT MAKES IT BAD#now......what about criticism inherently lends itself to any of those things if you DONT accept as a foregone conclusion that criticism#is only ever offered up in bad faith and meant as a silencing tactic#instead of just a request or offered avenue of ways for things to be done better rather than not at all?#who is ACTUALLY out here trying to shut down convos and limit possibilities?#is it really the people being critical of fandom behaviors and trends?#or the ones doubling down at the first hint of any criticism and aggressively ramping up how frequently and visibly they engage in#the criticized behaviors in efforts to drive people away or as a silencing tactic of their own?#just saying
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i-dreamed-i-had-a-son · 2 months ago
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Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet
Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)
Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked
#these just sum up my personal takes at the years in question and also what i'm seeing on tumblr/other social media#bbc sherlock#sherlock holmes#and i actually have a lot more thoughts to share on this series#specifically relating to the cultural impact#there is SO much about the show that goes unappreciated in hindsight because of how public perception of it has soured#and i totally fell into this as well--i still regularly rewatch hbomberguy's video absolutely dismantling the series and he isn't wrong!!#but what i'm saying is that i think it's easy for us to look at a piece of media (especially one so massively popular) like sherlock...#with very black-and-white lenses. it wouldn't have become so popular if there wasn't something inherent in it that resonated with people#and that's being buried (and i totally forgot it) because 'sherlock is cringe and problematic. can't believe i liked that'#which again it IS full of issues and those are well-documented as they should be. future portrayals should not repeat those mistakes#BUT being able to impact so many people is a merit in itself. and that's only possible because of other genuinely good things about the show#yes the way they handled the relationship between john and sherlock was riddled with problems YES it was often queerbaiting#AND the way they portrayed that relationship had a deep effect on me. i saw a lot of myself in sherlock and the complex way he loved john#the nuanced feelings he had about john's marriage to mary. the part (in s4!) where john calls him inhuman for not feeling romantic love#there was genuine intention and care put into some parts of this show and it comes through in scenes like those. they impact people.#and because of this realization i'm going to (eventually) do a rewatch of the show. i'm much older and i want to see how i'll view it now#but i want to go into it--and i want everyone who engages with it still--to have an open mind and evaluate it for what it is#not what we expected it to be (secret episode anyone?) or what the cultural drift has turned it into (the tiktok of sherlock's mind palace)#but the messy problematic somewhat-heartfelt massively significant and ultimately meaningful piece of media it actually was#anyway that's my thoughts would love to hear y'all's perspectives#funny how after all this time making a sherlock post still feels like i'm poking a bees' nest lol please be kind!#kay can i just catch my breath for a second#kay has a party in the tags
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lockandkeyhyena · 1 year ago
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“oh you respect trans people? would you let your child identify as an ANIMAL?” yes actually but you’re clearly not ready for that conversation
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bananonbinary · 2 years ago
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nothing will make you wonder who's ontological experience is correct like 2 autistic people debating the same sensory input
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toffeebrew · 7 months ago
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i also find ink sans perception of others sooo interesting. cause I don't see it as like evil or anything. he views others in a very similar way we creators do. Its not like impassionate or uncaring. He gets giddy and excited like we do. I think an "au fangirl" is the best way to describe it. (i swore comyet described him as that once but I can't remember). hes like... a interdimensional cheerleader.
He just connects with others like you would your favorite character. Sure, you like them, maybe you like them alot! but you probably don't see them as like...as human as you right? I don't think he gets enjoyment or likes their suffering. But them their suffering is the equivalent of what we see on tv show. So yeah he probably will care more for the fact that he literally ceases to have a personality without them. he doesn't like... care about them on the deep level or sees them as human (or skeletons? in this case).
I mean, why would he it view if differently? if you knew there's hundreds of versions of pretty much the same guy existed, would you? If you knew they were just a bunch of code, would you? That's not evil, its understandable im my opinion. How are you supposed to connect with others when you literally have always been an outcode? He's about as evil as we are, in that regard.
this is not to say other sanes perspectives are bad, just ink's is just as understandable as others? understandable doesn't mean good, im just saying it's a reasonable thought process given his life experiences.
honestly this yappage is sorta for me to understand his character as well. they say write what you know right?
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paranormaljones · 3 months ago
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Carmen Berzatto ranking extremely high on the list of characters that I adore and relate to does not affect the fact that I LOVE every single time Sydney tells him off for literally anything. Yeah girl get his ass.
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bruhstation · 1 year ago
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Now that the co-workers have all spilled tea, what does Captain Zero think about his gaggle of idiots they call the Z stacks?
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as zebedee puts it; could've been worse!
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comikadraws · 6 months ago
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Was the curse of hatred actually a real thing? or did danzo just demonize the uchiha;s anger? idk, being murderously angry or just angry in general is a reasonable and human response to oppression and genocide.
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The "Curse of Hatred" Analysis
An interesting question. The Curse of Hatred looks dumb at first glance but there are also many misconceptions surrounding it.
Since it is such a hot mess to begin with, I will try to focus mostly on the in-universe canon and lore rather than making it even more complicated by bringing in too much real-world logic and criticizing Kishimoto.
There's a bunch of rambling in the tags though.
Kishimoto's Intentions
Whenever we talk about the "Curse of Hatred" the fandom will usually apply terms such as "racism", "bigotry" and "pseudoscience" - particularly in reference to Tobirama.
Again, I don't want to bring too much irl logic into this but I feel like we need to make a clear distinction between intention and interpretation over here. "[insert character] was a racist" and "the Uchiha were justified" is a valid interpretation of the story. But at the same time, I doubt that this was ever intended by Kishimoto.
I have talked about this at length in another post of mine, in which I analyzed Kishimoto's most likely intent and how exactly this information is relevant to us with a look at authorial intent in fiction. But the TL;DR version is that Japan is not exactly very sensitized to themes of racism and the "Curse of Hatred" is never framed as racist propaganda but exposition only. The lore also lines up with Kishimoto's personal views on how grudges are responsible for war (instead of corruption or racism) and the Uchiha's curse might be a metaphor for that.
In other words, the Curse of Hatred is real in canon. Even if it's a massive red flag and deserves to be criticized.
What Is The "Curse of Hatred" Even?
I have to admit, it's been a while since the last time I watched Naruto from start to finish, so I had to use the sources listed by the wiki rather than relying on my own findings and I might be biased. Because of that, I'd prefer everybody to regard my findings as headcanon or interpretation (especially further toward the end) rather than undisputed fact.
As far as I remember, the exact wording "Curse of Hatred" is only ever used by Obito. While not using the same wording, the curse is also referenced by Itachi, Hagoromo, and Tobirama who each have their own understanding of it. Unfortunately, we have no idea where exactly this wording or concept originated and we have no idea what exactly causes the Curse of Hatred that Obito refers to.
Hiruzen, Koharu, Homura, and even Danzo, while potentially influenced by Tobirama's teachings, do not reference the Curse of Hatred at all, at least not in relation to the Uchiha Clan itself.
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Now here's the first one of my findings: The Curse of Hatred is supposed to be some sort of involuntary biological or cultural inclination causing Uchihas to become consumed by hatred but it is also something voluntary - a Nindo. While the former could be considered a "curse" in the traditional sense, the latter is definitely not.
For the Nindo, it is supposed to be some sort of antithesis to the Will of Fire. Because of that, it is not limited to the Uchiha but, according to Tobirama and Obito, closely associated. As explained later on in this post, most Uchihas do not follow this Nindo.
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Core aspects of the Curse of Hatred as a Nindo:
Valuing a precious few above the many
Directing your hatred at those who took away your precious few
Growing stronger from those feelings of hatred (for the Uchiha, reflected in the form of the Sharingan)
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A Biological Inclination?
Now back to Tobirama's theory, due to the narrative framing, we will assume his words to be truthful for the sake of this analysis. However, I will provide links to other people's posts delving into the fantasy racism discussion.
Tobirama is racist and his theories cannot be trusted.
Tobirama is not racist and there is validity to his theories.
I myself do not completely agree with either of these, but they might be interesting reads for you. If you do not agree with either of them, please keep it to yourself and do not bother the original creators.
Tobirama's theory goes as follows:
The Uchiha feel love and hate more strongly than other individuals
The strength of the Sharingan and the Uchihas' hatred are correlated
In a fit of hatred, odds are an Uchiha will commit evil
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It is nowhere mentioned that the Uchiha are more likely to feel hate - only that their hatred is worse than the average person's and puts them at risk of being swayed by hateful ideologies.
A Cultural Inclination?
Aside from Tobirama's theory, multiple characters comment on the historical origin behind the Curse of Hatred.
We are talking, of course, about Indra. Obito explains that Indra's values and his hatred (particularly what later became the Nindo of the Curse of Hatred) were passed down to his descendants - the Uchiha clan. Tobirama's exposition implies the same thing.
Tobirama states that there "used to be a thought that [...] the basis of the Uchiha clan's strength was the power of their jutsu". It is very similar to Hagorormo's description of his son.
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If this is correct, that would mean that the importance placed on powerful jutsu by the Uchiha Clan does inadvertently promote hatred due to the close correlation between hatred and the Sharingan.
But then again, in the story, it is shown that many Uchiha were not particularly fond of perpetuating hate and it is also implied that to avoid hatred, they sealed their emotions away. My interpretation is that they recognized the pain that hate could cause and then took steps to avoid it.
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The Reincarnation Cycle
Sticking with Indra, another explanation that is frequently brought up is Indra's and Ashura's reincarnation cycle, which has also been described as curse-like or haunting and neverending. A fate seemingly set in stone.
There is not much more to say, other than that this theory suggests that Indra's reincarnates are just naturally inclined towards lusting for power.
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The True Origin
Now, here's another thing that's constantly being overlooked. Aside from Obito's exposition in chapter 462 on the Curse of Hatred Nindo, Tobirama's exposition in chapter 619 on the Uchiha's tendency to follow said Nindo, and even Hagoromo's exposition on the reincarnation cycle in chapter 670, we get a vital piece of exposition in chapter 681.
Ladies, gentlemen, and anything in between. May I introduce to you...
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...the real Curse of Hatred.
Or at the very least what I believe is the real reason why the "Curse of Hatred" exists in the world of Naruto.
From the very beginning, Zetsu approached Indra to take advantage of his hatred and turn it into a tool for his own purposes. He then did that again and again. He focused on the Uchiha in particular - Either because of the previously mentioned reasons (i.e. the Uchiha / incarnates have a tendency to become obsessed with hatred and power) or because the Uchiha were otherwise easy to take advantage of / manipulate (through Hagoromo's stone tablet that was left in the Uchihas' possession, an ill reputation thanks to Indra's / their ancestors' actions, etc).
In order to achieve his goal (awakening a Rinnegan), he had to somehow combine both Indra's and Ashura's power. It is implied that for this purpose, he instigated, perpetuated, and escalated wars and conflicts between Senju and Uchiha by pitting their reincarnates against each other. But unlike the wars he caused, Zetsu went unnoticed by the history books. Basically, he kept haunting the clans like a curse.
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And without a doubt, had Zetsu never been there, 99% of the Uchihas' problems would not exist - regardless of what ideals, genes, or history the Uchiha hold. Indra's declaration of war, centuries of conflict, Madara's defection, Obito losing Rin, the Kyubi attack, the Uchiha massacre, Sasuke's defection, the 4th Great Shinobi War. All of these were directly caused by Zetsu or set off by a resulting chain reaction.
You could even think this further. Assuming the Uchiha clan really came across as "cursed", perhaps Tobirama's, Obito's, Hagoromo's and everybody else's explanations were just desperate attempts to make sense of anything. They didn't know that Zetsu was pulling the strings, so perhaps they tried to explain the Uchiha Clan's history in some other way. One that made sense without that missing variable.
What is actually going on here is, of course, uncertain. There are basically no definitive explanations on the matter and right now it looks like all of the above could be true and at the same time none.
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waitineedaname · 5 months ago
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i love the bingge extra because it's like
the horror of realizing you're the dark universe version of yourself. the injustice of seeing this other version of yourself be happy and loved, seeing him be treated with such gentle tenderness from a person who only ever treated you with cruelty
bad sex.
#svsss#julianno#the little glimpses into bingge's perspective when he's watching them are so rough!!#the sqq he knew was cruel and cold and abused him#and so he got his revenge and became powerful and should have everything he wanted#and then he goes into this other universe#and he sees himself being fussed over by an sqq that is gentle and kind and worries about his wellbeing#an sqq that drains himself of his spiritual energy just to tend his wounds#an sqq that brushes his hair and answers with an indulgent hm? whenever he calls out to him#and how unfair is that? he has everything#but this other version of him is loved#and maybe that's all he wanted this whole time#augh.#and then binghe coming back from pidw's universe and saying he looked everywhere but couldn't find shizun#he had so many people at his side but he didn't have the person who mattered most#GOD. anyway. I have so many thoughts on this extra and I haven't even gotten into the bad sex!#i love how sqq is like FUCK HE'S HUGE. NO WAY I'M TAKING THAT.#and binghe is like maybe shizun should top 🥺 <- definitely something he has fantasized for a long time#and sqq is like wait no what if i hurt him i wouldn't be able to bear it. so he ends up bottoming anyway#also the fact that he's so tired by the end lskdjflksd old man.#he claims it was awful and yet he came twice. you are a liar ❤#reading these books after reading mdzs is very funny#going from wangxian fucking like rabbits and having very enthusiastic kinky sex#to binghe crying in the middle of sex and sqq being like If He Puts That Thing In Me I Think I'll Die.
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teruthecreator · 1 year ago
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(tw for racism, pedophilia, transphobia, child impregnation mention)
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yeah idk why y'all read this
i was originally going to just post this and have some tags with my reasonings, but i realized that opens me up to too much bullshit from people who may think i'm being unnecessarily mean or whatever. so i'm going to explain exactly why the screenshots above are something i hold issue with.
firstly, and i just want to get this out of the way, this post is not intended to be a hit piece against the creator. i've seen how she reacts to any mild-mannered or slightly joking criticism, so i know this post is probably going to not land well. but it isn't my intention to make her mad or anything--she's writing a piece of content for the internet, which means she is just as open to criticism as any other poster. and what i intend to go into in this post is criticism. i'm allowed to do this, as that is the nature of the internet. people are allowed to critique whatever they please, and if you don't want critique then you shouldn't post. simple as!
i am also making no attempts to posit myself as better than the creator. i'm not doing this for clout or moral superiority or any of that dumb shit. i simply want to discuss something that's been bothering me for a bit, while simultaneously warning people who haven't read this yet (who may be sensitive to the issues above) to steer clear. if things like casual racism or transphobia aren't properly tagged, then readers who are affected by such things run a risk reading this! same goes with people who are triggered by lewd content involving minors. i wanna make sure people are getting a more critical scope of this work than what has been hoisted up by others.
okay, now that i've gotten that out of the way, i'm going to get into my points.
firstly, the subtle and not-so-subtle racism throughout this fic, especially in relation to serizawa. i'm white, so there is only so much i can speak on without trampling over the words of other fans of color, but some of this feels so blatant it's odd it hasn't been noted earlier. it's important to note before i go into it that serizawa is specifically written as half-black half-japanese for this fic, in case the screenshots don't make it abundantly clear. but there are just too many moments of casual racism in this fic. i'm not talking about the plot point of serizawa being bullied as a kid for being mixed; i'm not mixed, so i can't speak on the accuracy there but it is well-known that black people face a lot of racism in japan. i'm talking about how it seems everyone else has these racist moments that aren't acknowledged by serizawa or the narration as being bad.
reigen hypothesizing over serizawa's exact ethnic background is just strange. yes he's a fairly observant guy (he has to be, with his job), but there is no canonical evidence to suggest he would immediately jump to theorizing whether serizawa is american or not. and the way it's posed in that first quote--"he has darker skin and the kind of hair texture that would likely indicate African ancestry"--is not great. that's an extremely inappropriate way to bring up someone's race. i don't think most people would stare at someone and be like "hmmm well your nose shape and hair texture would suggest you're of this race". it's racial essentialization that is only slightly covered up by the excuse of "oh he tweets in english". there are some other smaller moments of questionable wording, like calling serizawa's afro "sloppy" when it isnt (which btw there's another issue with the creator only referring to an afro as a "fro". it's a hairstyle; you're allowed to use the actual name of it). even if reigen cuts his hair in canon, he never states it's because serizawa's afro looks sloppy. (also there's something to be said about the casual racism baked into making your employee cut his natural hairstyle for a job, as that is a very real issue many black people face when wearing their natural hair or even protective styles in the workplace.)
i'm especially bothered by toichiro's very casual racist remarks. toichiro in this fic is a general bother of mine (most of which can be boiled down to "he would not fucking say that"), but the way she chooses to characterize him in relation to serizawa feels gross. calling a black man a slave should be a very obvious red flag, but also saying serizawa (again, as a black man) has a "brutal masculine appeal" is also extremely stereotypical and racist. and really there is just no need for it; toichiro's actions in canon prove how shitty of a guy he is without the need for him to be racist (along with other things i'll get to in a bit). as my girlfriend put it: he doesn't need to be a member of the fucking kkk to show he's a bad guy.
there's also, again, the very casual racist remark of calling serizawa a "dog". i don't care if that isn't the intent; when you are writing a character of color you need to be aware of your wording, even in insults (unless she intended to make tsuchiya racist, which i don't think she did).
secondly, the eugenics/child pregnancy bit. it is surreal to even have to write this, but i seriously do not understand the purpose of either of these bits in the story. they are so minor yet so jarring you can't help but wonder why they're there. once again, i do not think you need to have toichiro doing esper eugenics just to prove he is an evil guy. he has nuance, and by making him casually reference child pregnancy (like that isn't an INSANE thing to say) reduces that nuance to nothing. that's the only reason i could see why that bit was included: to make toichiro look worse. but, even still, the author is running the risk of potentially triggering victims of csa or people who don't want to see that by not properly tagging the mention of it (or, at the very least, warning readers in the intro notes). the only other explanation for it would maybe be shock factor??? but that's a pretty shitty thing to use for shock factor, if i'm honest. also the fact that the esper eugenics was referenced again in a more recent chapter just has me very disturbed and confused. there isn't a canonical explanation for why we see less espers who are women than espers who are men, but that doesn't mean we need to jump to fucking Eugenics. it's weird!
thirdly (and this is probably one of my biggest problems and the main reason i wanted to make this post), the weirdly lewd/sexual language shou uses constantly, along with referring to reigen as a pedo or a creep at several points. frankly, i think it's pretty fucking gross for someone in their near-40's to be writing a 12-year-old talking so casually about sex like that's normal. which, i'm sorry, but it's not. yes, teens know about sex and like to joke about lewd shit. but a 12-year-old is not about to make references to a grown man's virginity. 12-year-olds draw dicks on their desk bc they think it's funny. 12-year-olds say the word "buttfuck" because it has the words "butt" and "fuck" in it, and those are the two funniest words on earth to a kid that age. i literally do not understand the purpose of having shou be so lewd all the time. for one, it doesn't make sense for his character. shou is shown time and time again to be extremely mature for his age, but that maturity extends to shit like assembling a counter-terrorism unit and extending a hand to his father to allow him to try again. and even then he's still just as naive as any other kid his age! the omake where he's telling his guys to go to the "far right corner" based on ritsu’s advice proves that he still has plenty of blindspots that are indicative of his age. leaning into this raunchy, lewd version of shou is just weird. and, again, i think it is made a bit weirder given the author's age!!! not ageshaming or whatever--i'm 23 and i write fanfic, clearly i cannot judge there--but it is just extremely inappropriate in my opinion. also having shou be more versed in sextalk than serizawa is odd too and speaks to a larger issue of serizawa's infantilzation throughout this fic, but that's something i can get into in another post if people want an explanation.
also, the way she constantly calls reigen a creep and even has him being accused of being a pedophile during the twitter cancellation is extremely inappropriate when, again, there is NO CANONICAL BASIS FOR THIS! everyone just calls him a fraud and a scammer during separation arc; there is never a reference to reigen being seen as a pedophile in that arc. and, yes, while there are versions of mob psycho where reigen is very clearly written as a creep (looking very specifically at the netflix adaptation), that doesn't mean it's good. honestly, the creep mentions all just feel like really poor jokes that do not land in the slightest.
finally, the transphobia (aka WHY IS SHIMAZAKI A CHASER). i literally do not know what else to say other than: why? why is this a thing? why is he a chaser? what is the purpose of this? is it a joke? i feel like it's supposed to be, but seeing as the author is cis i don't think that's a joke she should really be making. it not only comes out of left field, but it's just kind of a weird thing to ascribe to a character for no reason. not to mention, it's uncomfortable! trans women deal with enough creepy antics from cis men in real life--why must they be accosted by this guy too? it's just weird and uncomfortable.
i wanna round out this post by saying, once again, that i'm not trying to attack anyone with this post. but i do hope people come away from this with a new perspective on this work, and maybe think twice before recommending it uncritically to someone. to the author specifically, i hope you can read my post without rage or indignance blinding you. i might be a little blunt or rude in parts, but it's only because i'm passionate and i don't mince my words when it comes to things i'm passionate about. to the readers, understand i am not judging you for reading this fic without noticing these things. your own life experiences will give you certain blindspots and there's nothing wrong with that. i have plenty of blindspots of my own! it's what makes us human.
there is more i could say, but this post is long enough. i ask that if you come to me in my inbox or in dms about this that you treat me with respect, as i will do that for you. writing something like this took a lot out of me, as i'm usually not so open about my opinion on shit like this.
have a good day :-)
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