#it is a really interesting theme but i also think it's one she's explored so deeply in so many ways

[buckets-and-trees]

Stella!

Your generous comments/commentary have me totally blushing and googly-eyed! Thank you for taking time to share them. 💕

I vehemently believe that had Endgame not been this "end of an era" thing in for the MCU, Steve would have stayed. What he would have done afterwards? That depends and ranges, and that's where I think post-Endgame Steve can be fun to play with, but I totally get you in that it can be hit or miss on wanting to engage with fanfic after Endgame. I always try and approach a story with at least some unshakable piece of believability - characterization, reactions, logistical structures, etc - because I need it as a reader, but I NNNNNNEEEEEEEEEED it as a writer. It's really hard for me to write something where the reasoning is "because plot". There's a mild "because plot" moment that I let happen in chapter three of this very WIP, and it's still eating at me... I'm gonna have to work it out in chapter 4 or 5 because it's bugging me! 🤣

Anyway...

The lines you pulled out - these I loved. This relationship between Pepper and Steve was really special for me to conceptualize. I think it would be a really viable and wonderful possibility that could have developed in a post-Endgame reality. Two people who knew and cared about Tony but/and also knew the frustrations of disagreeing with him on a fundamental level. And I think also some similar themes in personality - lots of responsibility, care for others, etc.

As we get further into the tory, one of the things I'm really interested in exploring is Steve feeling ike he's in the bonds tour machine again but realizing he CAN be the true captain of the ship if he takes the reigns - and it's here in the prologue, but Pepper approached him because she knows the person he is and sees leadership potential. I'm excited for the romantic plot, but the personal and political plot for me is also why I'm excited about and loving writing this story.

Thank you for supporting with your comments. You so aptly dissected exactly the what and why that I had behind each of those moments! Special story, and special to know when you and others connect back with me and are on board for this journey, too! 🩵

Red, White & True - Prologue

Characters/Pairings: Steve Rogers (future x curvy Millennial Female!Reader), Pepper Potts Word Count: 1.3k Summary: "There was an idea..." Words at the heart of what brought the Avengers together. Steve Rogers is no longer an Avenger, having retired after The Snap and passed his shield along to Sam Wilson, but Pepper Potts has a new idea to bring Steve back out of retirement - but in a totally different arena.

Content/Warnings: none

Notes: This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

PROLOGUE

[MAY 1 - Upstate New York]

“You know I’m always happy to come out to the farm,” Steve says, rinsing the last plate and handing it to the strawberry blonde woman so she can dry and put it back on the shelf. “I love to see you and Morgan. But what do you want to talk to me about, Pepper?”

Pepper gives him a tight-lipped smile. “Let’s go to the study,” she answers, and leads the way to the back of the modern but rustic home. She takes a seat on the couch and motions for Steve to sit on the other end.

“I was sitting right here when Tony stood over there,” she nods her head toward a spot in front of Steve, “and told me he figured out the science of time travel.”

Steve’s chest aches at her words. “Pepper…”

She holds up a hand to stop him. “No, don’t apologize. I told him that was amazing and terrifying. Then we sat here together and really talked. He told me he could stop, put a pin in it, that part of him wanted to bury the idea in a lock box at the bottom of the lake. But I reminded him that we were lucky not to have lost each other in the Blip and so many others weren’t.”

She pauses for a moment and looks to the mantle where there’s a small, retired arc reactor on display. Steve waits for her to continue.

“When I started working for him, I had no idea where it would all lead. I certainly didn’t have aspirations to date my boss or become the CEO of Stark Industries. Tony will always be the love of my life, and each day that goes by, each month, each year, I miss him, but the missing hurts less. What’s left is the whisper, the urge of the legacy of everything that’s still here and what I can do with it. I haven’t been idle, but I’ve been trying to ignore my own time travel issue, if you will.”

Steve can hardly hold himself back from scoffing. “The medical research, the humanitarian initiatives, the scientific advances you’re still spearheading, it’s just not really enough if you can’t solve for world peace,” he jokes.

Pepper cocks her head slightly. “The thing is, I have an idea of where I could start on that last one.”

Steve’s eyebrows knit together, and he studies her face. “Okay…” he knew his voice was conveying his curiosity but also his trepidation.

“Stark Industries helps a lot of people, but there are things I can’t help no matter how hard I try there. The world is in a bigger mess than science can help, only so much can be done with humanitarian work, and there’s an area that’s haunting me because I’ve tried to stay out of it for as long as I could, and I just don’t think I can any more, not and still sleep at night.”

“Well, then let’s talk about it. You know I’m here for you, whatever you need. I don’t know how you think I can help, but clearly you’ve got an idea.”

“I know you retired one suit, but I’d like you to think about another.”

“Pep-”

“Not that kind of suit,” she interrupts. “There are still some good, decent people in politics, but money has poisoned so much of what goes on - lobbyists, special interests, politicians needing to fundraise. But I’ve got money. I could fund a campaign.”

Steve frowns. “What exactly are you proposing?”

“I need a candidate, and there’s no one I would trust more than you. I want to finance your campaign to run for President of the United States.”

Steve's eyes widen, and he feels as if the air has been sucked out of the room. His mouth opens and closes, but he can’t think of any initial words to come out. He stands abruptly, his legs carrying him to the large window overlooking the serene lake outside. The late afternoon sun casts a golden glow across the water, creating a stark contrast to the turmoil in his mind.

"President?" he finally manages to croak out, his voice barely above a whisper. He turns back to face Pepper, his brow furrowed deeply. "Pepper, I... I don't know the first thing about running a country. I've been a soldier, an Avenger, but never a politician."

Pepper leans forward, her eyes bright with determination. "That's exactly why you'd be perfect, Steve. You're not entrenched in the political machine. You have a moral compass that's unwavering, and a desire to help those who need it, no matter what.”

“And sometimes I failed.”

“It made you wiser every time.”

Steve plants his hands on his hips and sighs. “Pep, I’m just a kid from Brooklyn who wanted to serve his country.”

Pepper leans forward, her eyes intense and earnest. "And you've done that, Steve. You've served this country in ways most people can't even imagine. Think about what you could do as President. The impact you could have, the changes you could make. You've always fought for what's right, even when it wasn't easy or popular. That's exactly what this country needs right now."

Steve turns back to the window, his mind racing. He thinks of all the battles he's fought, the sacrifices he's made. Could he really make a difference from the Oval Office? Or would the political machine chew him up and spit him out?

"What about my past?" he asks, still facing the lake. "The Accords, going rogue, all of it. It would all come out in a campaign."

He hears Pepper stand and approach him. She places a gentle hand on his shoulder. "Your past is part of what makes you the right person for this, Steve. You've shown that you're willing to stand up for what you believe in, even when it costs you everything.”

He can feel Pepper's eyes on him, waiting for a response. He takes a deep breath, trying to organize his thoughts.

"I appreciate your faith in me, Pepper. I really do," he begins, still facing the lake. "But this isn't like leading a team into battle. The complexities of running a country, the constant scrutiny, the compromises you have to make... I'm not sure I'm cut out for that."

"Steve, that's exactly why you'd be perfect for this. You understand the weight of responsibility. You've made tough decisions under pressure. And most importantly, you have a clear vision of what's right and what's wrong."

Steve turns to face her, his expression conflicted.

“I won’t lie to you,” she continues, “the public scrutiny will be worse, but it’s not something you’re unfamiliar with. Just like before, you’ll have people singing your praise and people ready to crucify you just for sport. But we’ll face it head-on. You won’t do any of it alone. We’ll put together a team of friends, people we trust, experts and strategists. We’ll find people outside our camp who will challenge us to make the campaign stronger. And when we get you in the White House, no president leads alone. You have a history of seeing the value in the people around you and bringing teams together. It’ll just be fighting a different fight.”

Steve thinks over her words. “In a different suit.”

She smiles. “You’ll do it?”

“Answer one more question for me.”

Pepper nods. “Anything.”

“Why do this?”

Steve sees the conviction settle in her entire demeanor, and that shift alone convinces him the rest of the way, but her words cement his resolve down to his core.

“Tony and Natasha didn’t sacrifice just to leave something broken behind. It’s time to help put things back together and try to leave a legacy of something better.”

go to chapter one: MANHATTAN & BROOKLYN

This is an idea that sparked in during the huge sleepover I hosted in July 2023, and it's been tantalizing me for a long time, but now the muse is finally ready to play with it! gee, I wonder why...

I can't wait to bring you along for the ride! This story will have 3-4 chapters, depending on where I split up the narrative. I anticipate about a chapter a week.

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!

[venussaidso]

This is the Ketu effect I've been talking about.

Especially with the nakshatra Magha.

He is Mula Sun, Magha ASC!

Magha Sun Michael Jackson had fans fainting at just the sight of him. Ketu will literally cause mass psychosis. Once again, connecting the natives back to cult leaders.

It literally reminds me of the movie "The Menu". Mula Sun Ralph Fiennes plays a chef who wields absolute command over his staff. The power he has over them is so extreme that they're ready to commit acts of violence on themselves at his command. They’re all bound by a shared obsession with him and his vision.

And again, Ketu is not good for fame as it is literally too intense and wild, it commands too much energy which is automatically exhausting for its natives in the grand scheme of things. I briefly explored the Ketu archetype of them being powerful forces who crave more power and it all just fits here too, as they can be aware of the power they wield over the irrational mind and the unconscious. It makes sense that Ketu at its best is in Jyestha, the fame nakshatra (Jyestha also having themes of obsession). That's where Ketu can function its extremities through a well suited placement, as Jyestha is constantly pouring out heat that Ketu absorbs. Ketu in Jyestha is a fame placement, after all.

Anok Yai is Mula Sun, Magha Moon. I've noticed the way she's been growing amongst the people lately and her effortless magnetism has been getting her viral moments every year unplanned. Literally how she got scouted.

A more negative manifestation of this is Selena Gomez and Hailey Baldwin, and people's obsession over them, causing cycles of mass hate and hysteria. Claire Nakti did say Ketu people tend to rattle people's subconscious causing them uncontrollable reactions, it's honestly interesting. Unfortunately, for this example, it comes in the extreme form of people's deep-seated misogyny coming out in the most beast-like, unhinged ways. The same way there was a mass psychosis surrounding Ashwini Sun Amber Heard. The amount of energy expenditure on her specifically was out of control and animalistic. Literally the same thing with Magha Moon Megan Thee Stallion, being the object of obsession and irrational hate by the large sum of celebrities and people. All too senseless, all very irrational and animalistic. Misogyny is what keeps the world spinning, yes, but because of the effect Ketu has over some collectives, it exposes people's deep insecurities and hideousness, and ticks them off, making one go totally apeshit exposing them as whatever kind of evil or beast they already were. All goes back to Claire's brilliant Mula series which one can study to understand Ketu overall. But Ketu really exposes people's core weaknesses and I think Ketu-natives can have that effect on people, which is why they're so energetically sensitive, possibly leading them to introversion.

[merlinmerlot]

I could play one of the most beautiful well crafted video games on the planet and it will never be as appealing to me as one that kind of sucks shit but has soooo much potential

[dunadaan]

I’ve been feeling Créa creep up on me as of late and today I went back and reread my little document where I type up random ideas for scenes/fics and I was like. Wow who wrote this. This is really good. Why isn’t there more of this damn. But also wow I really put miss créa through the blender and she is a fine red mist a lot. But that is the life of a ranger��and even when she’s not a ranger anymore I press blend on high and she is sadly used to that

[enavant]

j'isu is absolutely not above murder. she wasn't a very good person for a long time && still struggles with it at times especially when her emotions become high, she can have a tendency to lean toward acts of vengeance, certainly when those she cares for closely are at stake. she can have a strong sense of justice, wanting to make things right at any cost at points. she also tends to lean into a lot of vices because coping isn't exactly her strongest ability, she takes everything she's ever gone through && shoves it deep down && hides everything from everyone, even who she really is or was before.

she's terrified of anyone finding out about her past, because she doesn't think anyone will truly accept her for who she is or was before && would shun her immediately.

though it's also exactly why she has a strong belief in the fact anyone can change && become better; 'what we make of a new path in life can live on despite the pain we wrought before; though our pasts are ingrained in us && should be carried as a stain && reminder of who we were && who we should strive to never become again in the future'.

[wewontbesleeping]

damn we really truly are done with the songs about secrets and hiding for now

[bloomeng]

This is my official Batfam Magical Girl AU Masterpost (everyone clapped)

(image updated: 9/21/24)

I’m going to do a brief overview and then go into more details for those interested.

Bruce being from old money (and apparently being connected to Camelot) inherited a mysterious mineral with unknown properties. In its raw form it’s very unassuming, but when cut like gemstones and added to accessories it can be harnessed into a tool. By altering the mineral into a wearable item it allows the magic within to be channeled. The magic of the mineral connects with its wielder to create an outfit and (typically) a weapon. These outfits do not grant the wearer special abilities outside of the transformation and the weapon, but when worn the wearer is granted (what is basically) hammerspace and a nearly impenetrable outfit. The uniform granted is not something they can alter the appearance of but will change gradually overtime to reflect how the wielder has grown.

This mineral will henceforth be known as Arcanium. It operates on Kryptonite logic in that it’s— allegedly— super rare but also shows up whenever the plot needs it. (I’m aware it shares a name with a card game, but I wanted my Kryptonite spoof)

Martha Wayne unknowingly started the cycle by turning— what she thought was a rare gemstone— into a brooch. She died shortly after having it made and Alfred held onto it in her memory. Like canon Bruce goes on his journey of self-exploration to train. When he comes back he enacts his plan the way he does in Batman: Year One, where he goes out in basically just make-up, and it goes poorly. He wanders his manor trying to formulate a strategy and is drawn to his parent’s room and finds his mother’s brooch. Cue the first magical girl transformation. From there he alters the brooch to fit his bat aesthetic and the Batman Brooch is born.

Dick comes into his life the same way as canon. Bruce takes him in as a ward, Dick tries to track down Zucco on his own, etc. Bruce decides to use the other raw sample of Arcanium to turn into a second magical artifact. He lets Dick pick the theme, and thus the Robin Pendant is born. The rest is history.

(Before I continue I want to warn that I’m making shit up as I go, so some of this is subject to change as I move forward.)

The Robin Pendant is passed down from Robin to Robin. Each Robin got their own unique look while using it. Following canon, Dick and Bruce have their falling out and Dick gives up the Robin Pendant in a moment of anger. In this au I think Dick, not having the pendant to fall back on, tries to lead a vigilante-free life, but of course falls back into it. During a fight he somehow manages to stumble across Arcanium in its raw form. Recognizing it he takes it with him. Like Nightwing: Year One he has his conversation with Superman and decides to become his own hero. Using his knowledge of Arcanium from his years with Bruce he creates his own magical artifact and becomes Nightwing.

This is a good place to interject that I’m not changing any of their hero names. I was asked about it a couple times due to the caption, “Red Bow & Sailor Nightwing” on my Dick and Jason designs. It was just a silly caption, because I didn’t want to simply state “Jason and Dick Magical Girl au.” But being serious, I don’t really see a reason to change their names, with the exception of maybe Red Hood, seeing as I didn’t give him a red hood. My au operates on Sailor Moon logic where despite the lack of masks no one recognizes them, and it’s just vaguely explained by magic. I think it would be funny if Bruce chose to wear a mask anyway because he’s that paranoid, but we’ll see when I actually design him. Anyway point is Red Hood is lacking a red hood, maybe he secretly has a red hood on his jacket or maybe he really does go by Red Bow, I’ll leave that up to interpretation.

Arcanium does not just accidentally appear. At the end of the day it’s still a mineral and it’s not sentient, but the magic has an element of “the wand chooses the user.” It’s not so much a “chosen one thing,” so much as the magic can sense intention. It doesn’t care about the morality of the user, the magic is more seeking a symbiotic connection. (Meaning yes rogues can in fact wield artifacts.) Simply put, it wants a host that will be able to wield it. In its raw form the magic is dormant but it seeks to be… not dormant, so when it finds those who actually have the potential to create an artifact and use it, it reveals itself. It was not a coincidence that Martha had the inclination to have the brooch made, it was not a coincidence that Bruce was drawn to his parent’s room, and it was not a coincidence that Dick found Arcanium in the alleyway.

Each of the Bats have their origin moments with their own magical artifacts. I don’t have the whole timeline down, but I will say there was a lot of drama between Tim and Damian, because Tim was forced to hand over the pendant. Even though he technically relinquished it, emotionally the connection wasn’t severed. No one was sure if the transition would work, but Arcanium responds to whoever needs it more and therefore who will use it more. Like canon, Tim is having an awful time during that era. On top of all of it he’s had his title stripped from him and he can’t even argue because if it wasn’t the right move the pendant wouldn’t have responded to Damian. Dick tries to comfort him by telling him that Arcanium will appear for him when he’s ready, but Tim is furious and impatient. So like a well-adjusted person he decides he’s going to engineer his own magical artifact artificially. It goes as well as his attempt to clone Kon does. It’s not until Tim starts to get back on his feet that Arcanium presents itself to him. My thinking is that while Arcanium finds its users when they need it most, Tim’s case is abnormal. His acquisition of the pendant was unconventional from the start since he showed up and demanded to take on the Robin role. Arcanium is drawn to individuals who will actually use its properties. Tim tends to rely more on his own detective work, which renders the pendant’s properties pretty moot. Especially when he’s going off the deep end, he becomes a hermit meaning a) he wouldn’t really need/use Arcanium’s properties and b) he inadvertently limited his own chances of stumbling across it “in the wild.”

In a similar vein I believe Barbara’s journey is abnormal in that she forged her own Batgirl artifact that operates a little differently than the others, seeing as she made it without Bruce’s influence. After the accident she shelved it, maybe she passed it down to Cass, but eventually she gets it back. She created the Oracle identity without it, and for a long time the Batgirl artifact is something she avoids using, until she gets the idea to combine it with her computer to create a magic computer… sort of. She gets a uniform that is basically connected to the computer.

Going back to Damian needing the Robin Pendant more, its reaction to his acquisition was unique. As I mentioned previously the suits typically provide a weapon, well Damian is the exception. Unlike all the other Robin’s Damian didn’t need more weapons in his life, what he needed was guidance. For the first time the pendant granted Damian a magical animal guardian, which is how he gets Alfred the Cat in this au. Despite being an animal lover Damian is extremely pissed at this development. He wanted dual swords or a scarier animal at least. He can’t formally communicate with Alfred the Cat but he understands him intrinsically, though Alfred the Cat seems to be able to understand human speech somewhat. Only Damian seems to be able to truly understand Alfred the Cat. (Cue the antics of his siblings trying to figure out what the cat means or trying to control him in any capacity.) Besides being an animal, Alfred the Cat is also unique in that he doesn’t dissipate when Damian isn’t in uniform the way that the weapons do. Like the weapons he can be summoned by the pendant, but he seems to have existed prior to the pendant’s creation. (I’m toying with the idea that while in uniform, the cat would also get some sort of uniform.)

Before I get into Duke and his abnormalities, I want to address the Speedsters in this au. It’ll make sense after.

So the Flash. I want to say I don’t know if I will get around to creating full designs for them. I do have plans for Bart and maybe Wally, but I have determined how I want their mechanics to operate in the context of the au. Not all the heroes in this au are “magical girls,” in fact I’ve made the executive decision that you have to be human to wield an artifact. Arcanium may have magic in it, but it doesn’t grant its user magical abilities beyond the uniform itself. The speedsters retain their canon origins, hit by lighting blah blah blah, only with one key difference: they had Arcanium on them when they were hit. Instead of engineering an artifact Arcanium fused with their bodies granting them powers. I want to keep the magic transformation aspect (because it’s not a magical girl au without it), so instead of using a physical artifact as a channel for their powers, it’s instead the act of transforming that serves as a gateway to their speed abilities.

To me it was always important to maintain Batman’s identity of not having super powers and having to rely on engineering, which is why the Batfam have to physically build their artifacts. In a similar way I wanted to retain the integrity of the Flash’s identity of being meta but also still human. Which brings me back to Duke. I know in canon that Duke inherited his abilities, but for the sake of the au I’ve decide that he either had an accident when he was young in which traces of Arcanium fused with him or his parents had it in them and he inherited it from them, but regardless it’s less potent, but operates similar to the Speedsters. For years he couldn’t fully transform or use his powers and it wasn’t until— with Bruce’s guidance— he was able to create an artifact that allowed him to channel his abilities and transform. Even though he is a meta I wanted him to still have some of those Batfam qualities in there.

But what about the Superfam? They’re not human so how do their transformations work? The answer is simple: They’re not “magical girls.” At least not real ones, they’re faking. They’re not human (Kon and Jon are technically half human but they still get their abilities from their Kryptonian DNA), and thus cannot forge a connection with Arcanium. Truthfully I’m about to get silly— even sillier than this au already is— but I have decided that Clark is a fake artifact wielder. I like the idea that Batman has been operating longer than Superman has, so when Clark decided to become a hero in his own right his only example of how to style himself was from the bat themed vigilante, who might as well be a cryptid, operating out of Gotham. Only blurry pictures of him existed, so Clark designed his outfit based on his Kryptonian origins and Batman’s aesthetics. He had no idea about the existence of Arcanium or how it worked. This is also why Kon’s design looks so much like his canon outfit with a few magical girl elements (and definitely not because I think the lines in his canon suit already lend themselves well to a magical girl aesthetic and didn’t want to change much). Later when he gets to know Batman more he learns about the transformations, to which he panics and invents his own transformation using Kryptonian tech (ex: MAWS’s transformation). For years Bruce goes crazy trying to figure out Arcanium’s effects on aliens and if it grants them abilities on top of the ones they’re born with, and if Clark has plans to use it as a weapon, and how he managed to forge the connection in the first place— Clark comes clean as a fake once they reveal their identities to each other.

Side tangent but I find it hilarious that Green Lanterns are— by technicality— already “magical girls,” considering they’re granted magical accessories that give them powers and transform their clothing. Hal is very clear with the JL that he is nothing like Batman and constantly feels the need to assert that he is not a magical artifact wielder. The non-human members of the team still lump them together anyway.

Things I haven’t figured out:

- what each of the batfam’s weapons are

- what each of the magical artifacts are

- what to refer to magical artifact wielders as

Stepping outside the canon(?) lore of the au for a minute, obviously I’m redesigning DC characters using inspiration from a genre, because that’s what “magical girl” is. It’s a genre. This is why I refer to it in quotes and don’t call them magical boys, because I am always referring to it as a genre, which isn’t a gendered thing. However, in universe they wouldn’t call themselves magical anything, the same way the characters of Sailor Moon don’t refer to themselves as magical girls, but rather Sailor Scouts. As of right now I’m sort of just referring to them as artifact wielders, but I feel like Bruce would come up with a better name. On a similar note, throughout this whole thing I’ve been referring to Arcanium in it’s wearable state as an artifact. I don’t know if that’s the best term, but I can’t think of anything better for the generalized form of Arcanium outside of it’s raw state. For now I guess it will be “artifacts” and “artifact wielders.”

- how the wonderfam fits into this

I really can’t think of a reason why Wonder Woman would be a “magical girl” in this au. She was born with abilities, she’s not human, and I can’t see her altering her uniform to match the aesthetic. A transformation would just be a waste of time for her. I could to see maybe Cassie or Donna wanting to match with their respective teams, and perhaps maybe that’s why they would alter their uniforms? All I know is I want see Tim, Kon, Bart and Cassie as a matching “magical girl set.”

Fin… for now.

[I’m just going to put this here preemptively, because I’ve gotten messages about turning my au into fics or tiktok skits. You’re free to use this lore HOWEVER you MUST credit me not just for the designs but for the creation of the lore. I’ve put a lot of time and thought into this and I love that people love it, so I just ask for recognition. If you want to make something that’s inspired by my designs or loosely based on my au, just a simple credit for the inspiration is fine. You’re free to change things this is just how my own au operates. Regardless I would prefer to be tagged so that people can find me but also because I’d love to see other’s work.]

Current designs:

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

[gotta-get-back-to-hatchetfield]

Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)

For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.

They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.

As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.

I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.

1) Nibbly - Honey Queen (season 2 episode 1)

If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.

For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.

It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.

As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.

2) Tinky - Time Bastard (season 1 episode 2 part 2)

If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.

If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.

It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...

Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).

3) Blinky - Watcher World (season 1 episode 1 part 2)

And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.

Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.

While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.

4) Pokey - Yellow Jacket (season 2 episode 4)

You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.

A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.

And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!

We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.

5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)

If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.

This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.

We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!

Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.

6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)

We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.

It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).

That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:

The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.

Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.

Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.

Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.

Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.

The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.

Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.

Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.

Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.

Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.

Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.

Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.

Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.

[sylvies-chen]

my mother said something really interesting about this episode (yes, she also watches the show and is a huge fan of dani rojas just like me) and it’s been stuck in my head ever since. she said: “it seems to me like this whole episode was about intimacy”

and like… yeah! that’s exactly it! the amsterdam trip set the perfect scene for it too, because people are normally a little more lax on vacation, a little more adventurous, a little more lenient and able to put themselves out there.

you have the pretty obvious contenders for this point: rebecca having her little fling with that nameless bald man and learning to open herself up to real connection and intimacy again, to be able to envision for herself a life and a love that is unmoored to her past with rupert and is able to exist in its own little intimate pocket. you’ve got jamie and roy learning to trust in each other, to be intimate and vulnerable about their pasts and about their present situations too (especially for roy, who is still right now a man who would rather break up with the woman he loves that admit, that he doesn’t think he’s good enough for her). and you also have, of course, the true soul of the episode, which was colin and trent’s discussion, and how colin feels that ache to be able to show the more intimate parts of him to the world the way heterosexual couples do, to be able to merge his intimate personal life with his fun if not a little reserved professional life. how to achieve a balance between intimacy and privacy.

and then you have the less obvious ones maybe, like higgins and will going to the jazz club— which isn’t really that hard to decipher when you think about it. it is, after all, where higgins opens up about an intimate detail of his love for jazz, and then gets to share his previously very intimate and private activity of playing the bass with the crowd. he even starts the night complaining of how exposed their seats feel, and ends up standing on the stage by the end of it. and, of course, will potentially had a threesome. so there’s a kind of intimacy for you. the one that truly isn’t obvious is the team pillow fight which honestly, I think is just a way of showing that sometimes a more intimate, fun yet indoor activity makes for better memories than something like a sex show or a club, which are both very grand and exciting yet impersonal and detached kinds of activities.

then of course you have ted, who is sort of lacking what my mother called an intimacy with himself. he’s been feeling a little lost, a little “stuck” as he put it. and I don’t think he understood why until this episode, until this adventure he went on with the museum and the american themed restaurant. it was a way for him to spend quality time with himself, to be alone with his thoughts while still not totally unable to absorb his surroundings and learn something. and in exploring his more intimate thoughts he was able to think of something really good! something that will make him a better coach!

and yeah, when it’s framed in this way I think this episode was sooooo killer. I love seeing people open up a little bit, to show these deep and intimate parts of their being. it’s so so so good.

[felassan]

Thoughts on the new images of the Lighthouse Part 1. DA:TV spoilers under cut.

[Link to Part 2]

general: the Lighthouse looks so cool, it's beautiful 🥺 I can't wait to explore it fully and see the companions' areas change over time.

outside many of the windows are pieces of floating rock and odd architecture, a feature of Fadey scenery.

This can only be Emmrich's room. :) the giant skeleton statue on the left is exactly like the ones in the Necropolis Halls. the hanging lanterns have hexagon shapes, which I've become convinced is part of Nevarra's visual design in this game. the slab-like table in the foreground looks suspiciously like it's meant to hold a corpse/skeleton, and we can see Emmrich doing just that here. the room is filled with lots of flasks and other glass vessels, reminding me of the artbook concept of apron!Emmrich holding a smoking glass flask. I wonder if any of the jars/vases are more like urns and canopic jar kinda deals? there's a big scroll on the desk and lots of books and scrolls everywhere, as you might expect from a scholar and a professor. there's lots of skulls and skull-themed decor everywhere, even affixed to the wooden part of the upper floor, as you might expect from a necromancer. Emmrich really said okay I'm moving in now and my huge collection of skulls is coming with hhh. in the righthand corner of the room it looks like a giant skull (the bottom part of it looks to me like teeth), and on one shelf there's even a ribcage.

do the statue-figures on either side of the fire look like humanoid figures holding their heads in their hands to anyone else, only their heads are like vase-shaped?

maybe he sleeps upstairs somewhere?

the big spiral staircase is beautiful and so is the sunlight beaming in through the windows from above. :) the fireplace looks cozy. in the arches of the windows you can see the curves of ancient elvhen architecture. the view from up there must be so pretty!

This item on the top of one of the shelves caught my eye. I can't place it atm but haven't we seen this shape before?

This room can only be Neve's. :) in the bottom left is a stand with a different leg on it, the same as one of the ones shown in her artbook concept art. there is serpent imagery. I think diamond shapes and pointy objects like the wall-lights are part of the visual language design of Tevinter. the hanging lanterns look magical, a common thing in Tevinter. the rug is pretty and incorporates her turquiosey color palette. on her desk there is a turquoise pot (teapot?) - if you look closely, its coloring and the swirling designs on it are very similar to Neve's teacup here. :) there are various teapots and decanter-type things around the place that she could use for coffee.

it's smart room design, the big ceiling-high windows give the room the impression of a workplace office, like something out of a crime procedural.

Neve's casework wall. wanted posters/mugshots/suspect/missing person (they could be any of these) pictures, lots of notes, papers that look like they could be maps, strings linking together different papers in a clues-board like this meme, papers that it looks like Neve has annotated in red ink while studying them (circling and underlining things). a nice touch is that one or two of the papers are drawings of snowflakes, fitting for an ice mage. :)

I'm curious, what is this and what is it for? Bellara has one of these in her room as well, as does Lucanis (see Part 2).

these hanging objects are also interesting. they look like glass cases containing pieces of parchment on which a snake is drawn.

This room can only be Bellara's. :) it's filled with floating ancient elven magic-tech triangles and in the middle it shows the detached head thing from her artbook concept art. (he looks like if you activated him with the blue crystal or something that he could talk..). the room has a workshop vibe; she has a workbench and a stool, different instruments and gismos, and there's an array of artifacts on the shelves. the orange wall hanging on the right is triangular, flanked by two arrows in the nets and contains the skull of a deer/halla or similar animal. this must represent the Veil Jumpers given that many of them use archery, the triangles and the fact that their faction logo is a deerlike skull. it's a nice touch that even the structure of some of Bellara's furniture, like the sidetable on which the head rests, are triangular in design.

All the picture frames everywhere - are those mirrors? could they have something to do with investigating eluvians, or the network?

this looks like this halla statuette asset from DA:I. :) there's one of these in Taash's room too.

the ancient elven face motif, like on Solas' Trespasser armor and the Temple of Mythal Sentinels' armor.

hanging bone hh?

Left: what is this contraption? the ear is human Center: very ornate box. what's in here? maybe the animals on the top of the lid are stylized mabari? Right: Fereldan mabari banner.

Left: this pattern of walls and the triangle pattern on them is a feature of ancient elven architecture. Right: the way the walls (behind the frames) are designed here, it makes it look like pipes. Bottom: curious that we cannot see the ceiling.. :)

This looks like a sort of magnifying glass or microscope-type thing that would allow her to closely examine things she finds.

What does this do? :D

This (left), along with the head, feels like a focal point in her room. this hanging thing almost looks like a model of a planet or solar system - a planet in the middle, a ring of asteroids or something around it, smaller orbs around the place like moons. we've seen part of something similar before, in the ancient elven ruins in Arlathan Forest in the screenshot on the right. compare these bits; the rings, the paired triangles.

looking at the wider structure of the thing in Bellara's room, it also reminds an awful lot of this place (whatever it is), which even has the ring of rocks going around it.

feels important. :D

I feel like this is Harding's room. :) it's pretty and cute, a nice rustic space (suits her). the simple bedroll under a cloth canopy propped up with some sticks has the vibe of something a shepherd and scout might rig up to rest in when out in the wilds. the pond / water feature transforms it into an outdoorsy, nature-y space, as do the leaf-strewn floors and the plants growing up the walls. there's vegetation everywhere - potted plants and some areas which look like raised planting beds, basically little indoor gardens. this includes windowboxes, flowers and even mushrooms (I know that's fungi. yk what I mean hh). this makes so much sense for Harding - we know she loves nature and plants, and Ali Hillis mentioned that Harding also raises plants. I wonder if as the game progresses, she will grow more plants and the ones she has already will grow some more? like maybe she'll finish planting up the area around the pond the whole way round? and I wonder if her lil pond has fish? that would be so neat. please can I buy some beautiful koi for Harding to put in her pond to raise? also I wonder if any of the things she grows are edible? like imagine Bellara and Lucanis cooking with e.g. salad greens grown and raised here by Ms Harding :D and/or healing herbs we could use in the field?

this plant for example resembles the model for elfroot in DA:I!

I think maybe this is Taash's room. first off, near the middle of the room it looks like a makeshift weights bench, and we know that Taash is a gym bro. the hanging rings nearby that remind me of these. even the 'horizontal ladders' on the ceiling look like you could use them as monkeybars - if you look on the left, there are even ladders in the form of rings protruding from the wall that you could use to climb up there to access them.

even these frame things look like they could be used for some kind of physical workout/climbing situation.

on the table to the left it looks like piles of big coins, fitting for a Lord of Fortune. elsewhere in the room behind the weights bench it looks like there might be some gold bars. in the background is a hammer leaned against a crate.

this crate has her color scheme - the tealy hue, gold pieces and red ropes.

a Qunari symbol, in drapery that has her color palette, the teal with the red ropes. btw, comparing this and its location to the new screenshot of Taash, I think that this banner is the thing in the background that I was talking about here (the "something blue-green"):

in the background to the right is something blue-green with what looks like red rope hanging off it. a belonging of Taash’s? maybe this shot is from a quieter moment, somewhere in the Lighthouse, maybe her space? if you look here (Arlathan, the ruins are ancient elven), it has the same sort of repeating zigzag patterns on the same sort of arch-like curves as here. it makes me think that this shot is set in a room with ancient elven architecture. (and the Lighthouse was Solas’, so it would have ancient elven design).

If you look at the banner with a wider crop you can even see the "arch-like curves" with the zigzag patterns that she's standing in front of in the new screenshot. this area has fire to the left of the arch, which would cast the warm firey glow you can see from stage-left in the new Taash screenshot. so it looks like in the new Taash screenshot she was standing somewhere around here:

And that my guess of the setting of the new Taash screenshot was correct. :D

crate of some kind of weaponry or bones, including a map with a knife I imagine you'd use to mark spots on it with. :) piratey vibe.

clever room design btw, it has the vibe of belowdecks/the bowels of a ship.

horned statue or carving, like an ogre.

Top: the silver shield-like things on the wall have the same sort of scale-mail appearance as Taash's field armor. Bottom: this thing reminds me of a boat in shape. like a small fishing boat or something.

I wonder why Taash has a Grey Warden shield and an eluvian in her room? maybe the shield is just general decor (like the Fereldan banner in Bellara's room? unless Bellara is from Ferelden??). maybe the eluvian ties into why she apparently has some involvement and a strong interest in a main story mission set in the far reaches of Arlathan Forest, as described by Corinne Busche during the second Discord Q&A? -

"I was out in Arlathan, actually doing, on my way to do a main story mission, and I get to the far reaches of Arlathan Forest, and I already knew that Taash wanted to help me with some of the challenges of that arc. Well, Taash is right there waiting for me, so I actually chose to instead like, ah, Taash seems impatient, I’m gonna actually jump on that story arc right now instead of what I intended to do"

And what is this? Looks like a sun or an owl. ^^

I ran out of image allowance on this post so I'll put the rest in another post!

[Link to Part 2]

[venus-is-thinking]

DRDT Chapter 2 Episode 16: Initial Thoughts

Sorry for missing episode 15 :(

That being said, oh my god, Chapter 2 is actually complete! This is so exciting! I'm really hyped to talk about this episode and give my not-live summary of my live reactions!

SPOILER WARNING FOR DRDT THROUGH THE END OF CH 2!!!

CW: Murder, sacrifice, suicide

The Reactions

12-1, this time. I'm still personally partial to the extra vote on Teruko last Trial being Arei (being petty about her "I'm voting for you no matter what" thing), so I would assume Ace is the Teruko vote. If so, I do think it's interesting that he voted Teruko as opposed to, like, Nico. Then again, it might be that it's just more convenient for DRDTdev to consistently put the extra vote on Teruko, lol.

Notably, the dead people have "N/A," not 0. We probably could tell this because of Xander last time, but I didn't check. I wonder if this implies we won't ever need to vote for someone dead (ex. a mastermind who "died" earlier in the killing game).

I'm free... I can read whatever Eden says as genuine...

Take THAT, Whit time loop theorists /j

I do think it's funny/kinda telling? that Whit is only saying this after the trial is over. Like, I feel like the normal time to go "oh my god we're having another trial" is, like... when you find the body? So, it's interesting that his reaction is so delayed.

So, I don't know if this was an intentional parallel, but...

These feel similar to me. I really like the Ace/Arei parallels, where they're both chronically hated people, but Arei apologizes and tries to change whereas Ace lets the fear and paranoia consume him until there's no turning back. Ace only says this after he's already been found guilty of murder; Arei says this before promising to change her ways to the victim of her bullying.

Teruko out here hopping on that self-blame train.

It's so funny how different Hu's standards are when talking about Ace's murder vs. Nico's attempted murder. Like... Hu this is what everyone was telling you like an hour ago. What.

It's really interesting that we're highlighting this line. I wonder if this is part of a theme that we're going to explore further, maybe tied into the "all murderers have to be punished" thing. Or maybe Eden isn't actually accurate here, but doesn't know it; has Ace killed someone in the past?

Fun trick you can do here!

When we first met Teruko a week ago, she was the same person, certainly, but she was also different. She was happier, and she trusted people more.

There are so many good character parallels in DRDT. The Ace/Teruko one was really interesting in this post-trial.

Ooh, new flavor of J anti-murder! This seems to be broadening it to also being critical of the killing game, which would go against my weird hypothetical "J is anti-murderer but also the mastermind" read.

It's interesting, with how this is Ace's logic. It makes total sense for his character, though. I think it's easy for us, the viewers, to forget the fact that the characters probably don't have the precedent of "every blackened ever always loses." When Ace is running the odds, he thinks his survival odds were better as a killer than as a participant in the killing game. And y'know, considering how close he came to dying as Nico's victim, that's kinda fair.

I desperately want to know what Levi was going to say here.

I really like the fact that Ace DID care about Levi. That he intrinsically cares about him, but he knows factually that he isn't supposed to like or trust someone in a killing game. That once he killed Arei, he had to resolve to kill everyone in the killing game, even Levi.

The only way Ace knew to prevent himself from caring was to stay mad, I guess. Kinda unfortunate though, considering that I do think Levi wanted to patch things up with him genuinely.

Meanwhile, Levi, who doesn't understand emotions, is just like "man what the fuck. That makes no sense."

What a pair. I'm sad we're not going to get to see their dynamic anymore :(

In other words, I'm back on the Levi survivor train baby! My biggest problem with it before was that I thought Ace was gonna survive and I didn't think Ace and Levi were both gonna survive, so now we're locking tf in!

This is fun! I always wonder why more people don't try stuff like this. Like... shoot your shot. You're gonna die otherwise, soooo...

Great animation as always

I think it's really funny that Teruko is so fucking mad that she bullies Ace into action. Like, that's so fitting for both of them.

I love using this David expression here. He's just like, "was it that easy? Why was I trying to throw the trial then???"

aaaaAAAAAAAA--

What the fuck!! XF-Ture mention!!!!!!!!

I like the spooky vibe MonoTV has for this post-trial, but I do hope we get our normal silly lil guy back next chapter. I like the MonoTV personality we see all the time. I'm gonna miss it if it just died like that :(

I am also squinting so hard at everyone's reactions through "who is the mastermind" goggles. Maybe I'll analyze them in a different post sometime.

Fascinating purpose. Not "to create despair." Not "to run the killing game until only one participant survives." To kill everyone.

Does this include whichever mastermind?

Why does whoever programmed MonoTV want to kill all of these people? Are they being punished for something?

This countdown sequence fucked me up. The tensions and emotions are so high. Even as someone who was confident that Teruko, at least, wasn't going to die no matter what, I was so on edge. I got really scared that Eden was going to take the hit for Teruko, though, and that's what I was reading into when I wasn't sure Eden would make it to Chapter 3.

This speech, more than any other one Teruko has made or any actions she's taken or endured, really made me feel for Teruko. The fact that she can so casually talk about truly traumatic and horrific things happening to her, while smiling, truly shows how much she's grown used to it. Like, girl. You don't deserve this. What.

The character work on Teruko especially this episode is just fantastic. No words.

This panel stressed me out so bad because it was really just a question of WHO took the bullet for Teruko. Like, if she's thinking this, someone clearly did.

My bets were on either Eden, Charles, or Ace.

Levi, though, was such a surprise to see. Like, in a good way. It means so much.

First of all, it's a callback to the end of the prologue. Levi attacks MonoTV, and when MonoTV tries to kill him in response, Teruko's danger sense alerts her. It's only through Teruko warning Levi to move that Levi dodged the main attack, resulting in only an arm injury rather than death. Now, Levi returns her favor, preventing her from dying from attacking MonoTV.

Second, it puts Ace into the position we see of having to confront the possibility of Levi's death. I got the distinct sense that they wanted Ace to be able to do something heroic on his way out, to prove all the haters wrong (which is why I thought it was possible he'd take the hit for Teruko instead of Levi). By putting Levi, pretty clearly the person he cares most about, into harm's way, it makes Ace take action. It means that he HAS to confront the fact that he cares Levi, and that he has to die.

And, thirdly... I am so fascinated to learn why Levi did this. Was it as simple as a transactional, "you saved me from execution before?" Is it "I thought saving someone would make me a good person?" Does Levi actually feel some remorse for Teruko in this moment, causing him to take action?

No matter what his reasoning, I can't wait to hear from him. I strongly suspect Levi won't actually die from this (at the very least, I hope not, because I really want to hear more from him), but even if he does, hopefully we'll still get some more insight in a bonus episode or a flashback or something.

I'm trying to figure out what triggered Whit here.

This is immediately following "The elevator won't open," but it also definitely can just correlate to "[person] will die if they don't receive immediate medical treatment." I have to assume that something here is reminding Whit of his mom...?

With the weird "Whit knows a lot about hanging" earlier, I got the impression that Whit's mom probably hung herself. From this, I would probably theorize that Whit found her while she was still alive, but not quickly enough to save her. Yikes.

Anyways, I think that means everyone has some kind of despair sprite now! That's fun!

o7

I'm sure many have pointed this out, but do we think he's counting himself here (Arei + Ace + Levi = 3), or do we think he feels responsible for someone else's death in his past (probably Taylor)? I'd lean towards the second one.

Y'know, before I thought Arturo was just pressed about the surgeon thing because people were unfairly hating on him. This, at least, I think implies something relating to Felicity.

Arturo doesn't have any experience saving lives. He left, and Felicity died. He can't save lives; he's only responsible for Felicity's ending. I think that's how he sees it.

On a side note, I think there's a very definite possibility that Chapter 3 cold opens on Arturo saving Levi's life??? Like, how Chapter 2 started with Eden POV, I think Chapter 3 could start with Arturo taking his shot at healing Levi, eventually resulting in Levi stabilizing. I'm not sure who would be there with him. Possibly Hu, since she was leading the "let's get Levi to the infirmary" effort...?

I love executions like this. Accirax has said before that the best executions are what make their recipient feel the most despair, and that's definitely what they did with Ace here. Put the talent aside; fear is what Ace fears the most.

Uhhhh. I'm pulling an Accirax. Part 2 in reblog!

[chefkids]

So what comes next?

In case you have not heard. Season 3 might be the last. This was the same source that first announced that the bear will have additional episodes and they would begin filming in February so I would say they are pretty reliable. It was also Chris' intention to just do 3 seasons, and based on the major themes I do think it makes sense.

The timeline to pay back Jimmy was 18 months. We're already 3 months in. I doubt Season 3 will cover an entire year and 3 months. So why end it at Season 3 when there is still so much that could happen and they could explore?

The Bear will shut down.

It's not unheard of for Michelin star restaurants to shut down. I could see them giving it their all and even getting a star or two, but in the end it still not being enough. Operating costs is extremely high. Gentrification was touched lightly in season 1 with the landscape of the neighborhood changing. Many Michelin restaurants are part of restaurant groups and have large financially backing plus generate income through other products like books or packaged goods.

The show has been setting up everyone to be ready to be on their own if or when the time comes.

Marcus becoming a legit pastry chef.

Tina leveling up in the kitchen as a sous.

Richie becoming a high end host and expediter.

Natalie becoming a manager and also a mom.

They have all gained skills that could get them a job anywhere else. Carmy and Sydney are the ones still stuck.

Sydney is terrified of having to start over once again, because she's scared of time running out for her. She's not even 30, most people don't get to have their own restaurants until much later in life. She wants what Carmy got and she wants to share it with him.

Carmy doesn't know what he's doing on his own. Mikey was his motivation but now that he's accepted he's gone, the only thing that seems to get him motivated is his fear of disappointing Sydney. He started cooking out of spite and has seemingly ignored all his other interests like fashion and drawing.

They need want each other. I think it will end with knowing that they will have each other even if it's not about the restaurant anymore, because really this show was never really about the restaurant but the people in it.

Syd will stop stressing about time, Carmy will find his own purpose. And maybe 10 years down the line they'll give it another try and build something completely new and he'll actually be there for her in the process. I think it will be bittersweet, but still hopeful.

Honestly this is the only way that I can see it having a concrete ending, without leaving a ton of questions in the air, while still having a optimistic door open for the future. In the end the restaurant might have not succeeded financially, but it brought everyone together and made them better.

[wilcze-kudly]

Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦‍♂️

https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share

Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:

Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.

Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.

Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.

Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.

Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.

Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.

I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.

Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.

See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.

Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.

This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.

Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.

Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.

Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.

Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.

I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.

I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.

Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.

But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.

These are just a few examples of Aang providing comfort to Katara.

These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.

Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗

And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.

Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.

Like hun this is not a good look.

And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.

why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.

Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.

Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.

[psicheanima]

i admire how much you love and understand Makima, even as someone completely outside of the csm fanbase i can tell you know her character very well! i really look up to you in the sense of being so deeply connected with a character you can draw and talk about them endlessly.

have you always loved her that much? or was it a more gradual thing? and in your opinion do you feel like it’s easier to instantly attach yourself to a character in such a way, or slowly learn to love them as you consume more of the media they’re in?

i hope that isn’t a weird question, i’d just love to hear your thoughts on the process! seeing people so enamored by a single character is really awesome :-)

Oh wow! I’m really honored you can think that way—- especially as someone who hasn’t even read Chainsaw Man? I find that very incredible. Since I most draw her, it’s interesting not only my work could still connect to you, but you can feel my love, as well.. ahh… it’s a good thing to be known for your love, and it makes my heart really warm. That’s how I want to be seen, so thank you.

I always liked Makima. However, I had other Chainsaw Man characters I was more entertained by (since I read as it released, being amused was the most important thing) But I started to love her when the control Devil arc released and we learned her true motivations. She became my favorite Chainsaw Man character. During that year gap after part 1 ended, my love for her grew, and she became one of my favorite characters of all time.

Because, it’s not just about the antagonist Fujimoto wrote. Her fan content frequently had Catholic imagery, and she was a mother. These are two “themes” that are INTENSLEY attractive to me, even back then (it’s increased since 2020!) and are tropes I push onto characters who don’t even fit it, so having it just there for me was incredibly fun. It felt like she was just for me! I didn’t really think too deeply about her past until the last chapter dropped. And then there was nothing. So I was alone with that.

I found myself really loving her in a way that I had only loved one character before (Kaworu Nagisa, and I’m sure the similarities don’t need to be explained in depth) They’re both characters who love humanity. I love humanity. I love people, and it’s tender. So being able to explore this in a character added to it. Then, as I grew up a bit more, I started exploring womanhood through her character. It was cathartic and also interesting for me, because it did not only aid me, but also helped re-contextualize everything about her, and I saw her in a new lens once again, where there were so many parts of her that I hadn’t even peaked in on.

There was a specific art I saw in about 2021 of Makima with her hair down, on her bed. She looks very lonely. It’s a set, and the other drawing is her greeting her dogs at the front of her apartment— night time. It’s really that artwork that dictated who Makima was to me. She was the type of woman who went home to an empty apartment that she paid for. As Part 2 grew separated from what I liked about the series, and as the anime brought in fans who saw her as a sexual object, and her status as a popular “dommy mommy” character cemented, I found myself attaching to her even more, because in a sea of people who didn’t seem to get her at all, I was always wanting to defend her concept. Not her personally. But what made her a “character” in the story and why she had to do the thugs she did, and why she wouldn’t act certain ways and such!

It’s easy for m to attach myself to characters, but not in such a way I do with Makima. I don’t buy merch much ever, but I have 2 Makima figures and 3 pieces of clothing with her on it. That’s a lot for me! I wouldn’t do that with any other character in existence. She has a comforting presence, because I feel I truly understand her heart down to the smallest compartment. She feels like a friend! Just seeing her makes me happy. I understand her, so the “love” I have for her is like an old married couple that are best friends in older age. For other characters, it might be something a little more— violent? I get cuteness aggression a lot. When I say I love a character, I may say insane things like “I want to push them down a flight of stairs”— actually, that’s only when they’re male. I tend to like pathetic male characters I want to be a parent for, and I tend to like female characters I’d want to be the friend of, so for those, I’d say something like “my lovely sweetie pie❤️❤️”

but for Makima, it’s obviously not that way. I don’t make too many sarcastic rude comments about Makima the way I would for other characters I like. O don’t want to, because it’s not true, and it almost hurts me to even think about— like, the type of hurt that’s vulgar and disrespectful. I really do just love her. But I don’t see her as a sweetie pie either, haha. I don’t want violence on her but I also don’t want overwhelming love. Because she is a character that is grounded in reality.

I don’t want to be her friend. I think that’s kind of a foolish concept! I can only understand her like I do because we’re separated, and I can view her objectively like a bug. But because she’s been by my side so long, her concept is familiar, and I find comfort in just the idea of her. I’ve written a lot, but it was an interesting question, so I wanted to explain it as best that I could. Thank you very much for asking it!

[aspoonofsugar]

Some Millie and IMP Thoughts

I love Helluva Boss's new episode for all the reasons everyone else does! In particular, my favorite part is Millie getting fleshed out more.

I have always liked Millie and I disagree with people saying she is badly written. That said, the focus she got this episode adds a ton of depth to both her, her role in the series and the dynamics within IMP.

BLITZ AND IMP

Blitz is the titular character and protagonist of the series. He is the boss in Helluva Boss. As a result, everyone else is in the story for his sake. In particular, IMP is Blitz's found family:

Blitzo: Look, the point is, Loona is a valued member of our family, and we don't get rid of family. Moxxie: We aren't a family, sir! You are the boss! We are the employees!

Through them (and Stolas) Blitz gets to explore his ghosts and to heal. How is that so?

Loona and Moxxie seem to me two sides of the same coin:

-Loona is like Blitz, as she is told by the world she has no real value:

Adoption Center Lady: Oh, her? That's just Loona. What a nightmare. Serious attitude problems. She'll be out of our hair next month when she ages out. Good riddance, if you ask me. She'll never amount to anything much.

So, Blitz latches on her and adopts her. He showers her with the love he never got from his father.

-Moxxie is like Blitz, as he is abused by his father and loses his mother. As a result, he grows up unsure of himself and in need of love and approval:

Blitzo: Well, I'm glad everything ended up okay. Good to know we both have daddy issues, Mox.

However, Blitz often treats him poorly, downplays his abilities and mocks him.

So, Loona and Moxxie are Blitz's mirrors, as he projects on them in opposite ways. He treats Loona like he wishes his father treated him. He treats Moxxie similarly to how his father treated him. Obviously, Blitz isn't an abuser like Buckzo. He loves Moxxie and more importantly he is not his father. However, he and Moxxie do have a mentor-mentee dynamic and it is clear as day Moxxie wants Blitz's approval:

Blitzo: Gonna be honest, Moxxie- Not too bad for your first solo mission. Moxxie: Reeeeeally, siiiir? Blitzo: Nooo, no, not really. You're a fucking disgrace.

Still, Blitz is often unable to give it to him, despite the fact he clearly cares. This is also why Loona and Moxxie get often on each other's nerves:

Loona: How am I supposed to smell anything in this city? Moxxie: Can't you even do one thing right? Loona: Can't you finally do something about how fat you are?

Moxxie is the most critical of Blitz's favoritism towards Loona and is the one insisting Blitz calls her out on her poor attitude towards clients. This is not by chance. They are just like bickering siblings :''')

In a sense, this episode even subtly confirms this foiling:

Blitz: Loonie's perfect, and Moxxie's… probably got some good traits too and I'm sure we'll figure them out eventually.

Loona is perfect and Moxxie has no good traits. What about seeing the world in black and white?

So, where does Millie fit in all of this?

Blitzo: So I'm your best friend, huh? Millie: What do you think? Blitzo: I think…I- I've never had a real friend that I didn't wanna fuck.

She is the only one Blitz does not project over, so they grow into genuine friends. They are equals, value each other and love each other. So, Millie freely states what Loona and Moxxie also think, but can't properly convey:

Millie: He (Blitz) gave me so much…A career, a husband, a future. And now…He's my best friend. Blitzo: You… you don't hate me? Millie: Naw, never.

Blitz gave her, Moxxie and Loona a better future. He is their precious boss and a treasured family member.

MILLIE'S THEME

Helluva Boss has two main themes:

Relationships

Classism

Moxxie is linked to Blitz's unhealthy way to build relationships. Their bond is a complicated mix of friendship, family love, professional interest and a little bit of possessiveness on Blitz's part. That's why it is so complicated and contradictive. Millie ties into this as Moxxie's wife, since M&M's relationship is Blitz's ideal one.

Still, this episode makes clear Millie's true thematic relevance is for the topic of classism:

Millie: We… heh. We don't deserve this. We're just Wrathians, Blitzo. Muscle. It's all we're good for, all I'm good for. It's why you hired me. Any demon good at making a buck is welcome in Lust or Greed, but here? Demons like us ain't cut out for this.

Classism permeates Hell, which is built on a strong hierarchy. All characters have suffered the consequences of this, while being influenced by it at the same time. For example:

Blitz is an imp, who has been looked down and victimized by society. However, he also embraces classist prejudices and uses them as an excuse to push Stolas away.

Stolas is a Goetia, who has been a prisoner of his family's expectations and of his role in society. However, he is also unconsciously discriminating towards imps. He has no ill will towards them, but he calls them silly names and belittles them

Millie is the same. She is a wrathian imp of humble origins. In a sense, she is a stereotypical imp. She is incredibly strong, was born and lived the majority of her life in Wrath, aka imps' original ring. She fits the expectations of both her family and society. However, she deep down wishes for more, which is why she leaves the family ranch to become an assassin. This choice is already seen as subversive by her family, who expected her to stay home, so she could help with the family business. However, Millie herself has no high expectations for her future:

Millie: Bullshit! Who sent you? Millie: Who are you working for?! Blitzo: What? You don't believe me? Millie: Imps don't work for themselves, asshole.

She still sees herself stuck in Wrath. She will be one of many underpaid goons, who work for higher ranking demons. A life a little bit more adventurous than the one at the farm. Still, nothing extraordinary. Then, she meets Blitz:

Millie: Who's that? Your boss? Hah! Blitzo: HA he fucking wishes. No, I work for myself, lady.

Blitz is the first one, who recognizes her potential and who believes she can become more than what she is. He gives her the chance to explore the world outside the Wrath Ring and brings her up to Pride. When Millie doubts herself and her role in society, he is the one to reassure her:

Blitzo: Millie, I have spent too much of my time, energy, and holes into setting this up for us to entertain your bullshit. I brought you into this company for a reason, okay? You're tougher, smarter, and frankly more capable than anyone I've ever met in any ring.

Blitz gives Millie a new life, where she is free to be herself and to choose a husband she would have never chosen, if she had stayed home with her family.

Thanks to Blitz and her work at IMP she is by this point a different person than the one she was. She does not completely fit in Wrath anymore:

Sallie May: Heh, yeah, I mean, with so many exciting things here, it's no wonder you never make your way back home. SHIT! That slipped out. Millie: ..What? Sallie May: You know… the Wrath Ring, all that dirt and rust and boring nothingness. Not much of a thriving club scene down there, why visit that, right?

Which is why she is now slowly overcoming her prejudices:

Millie: Oh yeah! Y'all haven't met my boss Blitzo! And his hellhound! Loona: I'm not just his hellhound.

It is not by chance Millie is the one calling Loona Blitz's Hellbound, as if she were a pet. Moreover, it is not by chance she does so, while talking with her family. It is probably normal for wrathian imps to see hellbounds as property. So, when she visits home, she goes back to a familiar language and mindset, without even realizing how offensive it is. That is why it is relevant this episode has Millie share a bonding moment with Loona, where she calls her by name:

Millie: Thanks. Loona.

She is not only overcoming her self-insecurities, but she is also starting to see other demons differently. She is growing not only more happy, but also more open minded. All thanks to Blitz's impact on her life:

Millie: Most of my life I bought into the idea that all I could ever be was a simple farm girl. Or best an underpaid goon. Until I met some knucklehead who never gave a fuck about what anyone else said he could or couldn't be. He made me believe he could be anything. And that made me feel like I could be anything, too.

CHARLIE AND BLITZ

Hazbin Hotel and Helluva Boss are twin series. They are complementary stories, with different focuses and a shared heart. This is shown in Charlie and Blitz, their respective protagonists. They are opposites.

Charlie is a royal demon, a young rich girl, who is optimistic and idealistic. She is obsessed with seeing the good in others. Blitz is instead a humble imp, an adult man, who is cynical and genre-savy. He sees only the worst in people to protect himself. However, both disrupt the status quo:

Charlie decides to completely change the hierarchy between hell and heaven. She is breaking the system the world is built on and re-writing the laws of the universe.

Blitz changes things in little ways. He is not trying to reform society, but he still acts in ways society does not expect, so he subverts hierarchies and transforms people around him.

That's something that comes up several times:

Striker: Boss, huh…? Ohhh, so YOU'RE the bold imp to start his own killing biz? Blitzo: Yeah, well if you're good at somethin', you should probably capitalize. Striker: Not many Imps start businesses on their own. That's pretty impressive, sir.

Crimson: Oh, I'm sure. You got to be Blitz, with the silent "o", right? I've heard a lot of good things about you and your work. Blitzo: Really? What kind of shit has Moxxie been spreading about me? I'll fucking kill you Moxxie, don't you fucking test me! Crimson: No, no! From all over. Looks like you're building a bit of a name for yourself here, kid.

Both Striker and Crimson comment on Blitz's business, in two moments that are to be seen as parallels:

-Striker says so, as the group visits Millie's family. Millie's family is a relatively happy one, as they all clearly love each other. However, it is an economically struggling one:

Joe: We lost our old farm hand to one of them terrors last week.

Millie's parents are loving, but traditionalists and stuck in the old ways.

-Crimson says so, as the group meets him and discovers he is Moxxie's father. Crimson is an imp, who built an empire. Moreover, he is not scared to go against the hierarchy and to challenge even the deadly sins:

Crimson: You probably just asked if I know who I'm dealing with. And, oh yes, I know. The weakest and most non-threatening of the Sins. The king who will do whatever it takes to save the worst-kept secret in all of Hell. We both know you won't risk anything happening to the clown. So be a good little bitch boy, and do the thing. My lawyers will be over shortly with the contract of demands. You have until the witching hour to sign it. Hueheheheheheheh!

Still, he sacrifices everything else to greed. In order to climb up, he destroys everyone around him. He killed his wife and abused Moxxie, so his son leaves him the first chance he gets.

In other words, Blitz offers Millie the opportunity to social climb and he offers Moxxie true friendship and comraderie. He gives them what they miss and want.

STRIKER

Finally, this episode indirectly adds a new layer to Striker's character and his role in the series. So, Striker is clearly everyone's dark foil.

Specifically, he is Blitz's jungian shadow aka what Blitz represses:

Striker: Blitzo, come on. You know, the two of us are superior than most of our kind. And you were so above suckin' on a disgusting, rich, pompous Goetia, only to sneak topside for scraps and work for bitter sinners, who could care less who you are, when you could be slaying Overlords.

He embodies Blitz's darkest side and tempts him to give in to it. For example, he backs Blitz up in his fight with Fizz over Royal Demons:

Striker: As far as I'm concerned, you two are BOTH embarrassments to our kind for meddlin' with blue-bloods to begin with. But at least loud-mouth here has the sense to only fuck his rich bitch, instead of bein' a little purse dog. Blitzo: Oh, great. The fuckin' supremacist is on my side, wonderful. Fizzarolli: Neither of you filth bags know what you're even talkin' about. If you think you're superior to ANYONE, then you're no better than any royal— Striker: DON'T. You. Dare… Finish that sentence, clown…

And let's say it is not by chance Striker is burnt and probably gets some scars the same episode it is revealed Blitz accidentally set his family circus on fire:

He is clearly meant to embody the anti-theme, both when it comes to relationships and classism. He is who Blitz might become, if he gave in to his worst instincts. That is why he is the character physically threatening Stolas's life and calling him out on his privilege at the same time:

Striker: YOU. Don't get to talk over me! I don't have to listen to your bullshit! All you royals ever do is try to talk over us!

He challenges Stolas to see the darkness in Blitz he keeps ignoring. Moreover, Striker's attempt on Stolas only works because Blitz himself does not warn Stolas, believing that with his powers the goetia can easily survive an imp's attack:

Blitzo: Stolas got what? How?… He can get hurt?

In short, Striker is a key character for both Blitz and Stolas. That said, he does foil also Moxxie and Millie. (Which is why they get to fight him twice, just like Blitz - they lose the first time and win the second).

In his debut episode, he is openly juxtaposed to Moxxie. He is the ideal imp, the one Millie's parents would have liked their daughter to marry. He is a great farmer and an even better fighter. He is strong and charming and easily defeats Moxxie at everything, even music. That said, it turns out Moxxie is a far better person and husband and gets to call out Millie's parents on it, gaining their respect in the process:

Moxxie: Y'know, she protected me. And maybe I'm not a strong beefy dickhead, but Millie has the strength enough for both of us! You two are getting on her case about being hurt by a psychopath you hired?! Shaaaaame on you!

Ghostf***ckers instead makes Striker and Millie's foiling obvious. Both are wrathian assassins, who work as goons for others:

Millie: Not exactly a shortage of imp assassins in Wrath. Reputation is everything.

Here lies Striker's contradiction. He keeps saying he hates the hierarchy, but in the end he acts exactly as society expects him to:

Stolas: Well, you seem to be forgetting; you are working for a royal right now!

He hates royals, but takes orders from them. Even when he decides to leave Wrath, he goes to Greed, so exactly where "imps able to make a buck are welcome", according to Millie:

Crimson: HEY! Hick-for-hire! I said watch 'em, not fuck 'em. Keep ya hands off the merchandise!

See? Striker acts like some big shot, but in the end he operates within the system, rather than subverting it. Both Fizz and Blitz are far more successful at overcoming the hierarchy than he is. Fizz does not take orders from royals, but becomes a romantic and business partner to one. Blitz does not resort depending on royals or imps for his job. Rather, he takes orders only from himself and invents a new business.

Striker says not everyone gets the chance to live in Pride:

Striker: Look. Not every ring is some fancy-ass city, with some fancy-ass mansion, that only fancy-ass royals get to live in. Some of us have hard lives to live.

And yet, he is offered it by Blitz, just like Millie:

Blitzo: Isn't this guy great? It's gonna be nice workin' with him. Yeaaaah! I asked him if he wants to join I.M.P.

If he had joined IMP, he could have found a family, a strong business partner and could have embraced a new life. He did not and became IMP's enemy instead. On the contrary, Millie did and is now a happier and better person.

WHAT ABOUT LOONA?

Personally, I think Loona is gonna be key in Blitz's development, as both her past, arc and relationship with her dad are very well set up. If Moxxie focuses on relationships, whereas Millie on classism, Loona will probably offer a synthesis of both themes:

Loona is Blitz's adoptive daughter and the first member of his new found family.

Loona is a hellbound, so a demon even lower than imps.

I am very curious to see how her story develops and I am looking forward to discover more about her past and to see if her foiling with Bee gets explored more. After this episode I am more curious than ever!