#it gives both of these characters complexity because this is a relationship that should not exist in real life but it lends humanity

[basmala260]

The basic dynamics of Hirano and Kagiura's relationship

First of all, I don't like comparing the two because they both fall into the spectrum of ideal romance and the other into complicated romance, But just to make things clear, Sasaki To Miyano is more genuine and romantic while Hirano To Kagiura is more on the complicated side discuss identity crisis where hirano is dealing with his self issues and Kagiura deals with his concept of love Unlike Sasamiya where everything was perfect, friendship, admiration, feelings, time to give a proper answer, mutual feelings

But I will use this in some paradoxes between natural and complex relationships to illustrate some points, fair enough

1. Kagiura's personality is the fastest to develop in this relationship. He just loves his roommate, trying to make sure of his feelings, but thanks to his friend's support, he determined his proper definition of love. Of course, a large part of him is inclined towards his parents' relationship* and as I mentioned before His desire to feel Hirano's feelings for him turned into a physical desire because he couldn't get the look he wanted from Hirano's eyes.

* With that said, I want to touch on this point since this is one of the ways the manga shows how childish Kagiura is, it's something where you ask a child what they want to do when they grow up and they'll tell you they want to be like their mom or dad

I actually asked one of the kids in the family a couple of days ago what she wanted her partner to be like when she grew up, and her response was simple "a kind and a caring person." (You can pull any child near you and they will give you the same answer).

Isn't that exactly what Kagi loves about Hirano? (I mean I know this is a natural trait of the person you love but usually it is not only this, I hope this makes sense) What I'm trying to explain here is how Kagiura is always referred to as a child

Not only that, but Hirano's rejection of him activated the stubborn (and seemingly childish) feeling inside him. Hirano had already rejected him twice (9 - 23.5) But he was vehemently denying it, confident that Hirano would "REALIZE HIS FEELINS" and not "give up." (Because I used to see a lot of people saying that Kagiura is forcing Hirano)

As I mentioned before, this is blind optimism.

Unlike Sasaki, who didn't think he had much hope, and in the time he gave Miyano to think, he was happy that Miyano was thinking of him and didn't want anything else, and even if he had rejected him I'm sure everything would have stayed the same and he wouldn't ask Miya to think again at any chance He was really grateful to have Miano in his life, just it

2. Move to Hirano who The one on his side of the relationship is much slower and also late, since this was the first time he experienced something like this, he had no one to confess to, he had no one to love, and he had never been in a relationship before, Hirano struggles to define and understand love itself, He is not looking for a clear concept, he is trying to find a concept

He had never thought about it before, and it seemed to him that everything he did to Kagiura, from pampering and loving, was a natural act, as he was searching for a sense of responsibility throughout the story.

He was the only child of his parents, intellectually intelligent, but socially stupid, qualities that formed fertile ground for the desire to feel responsible.

We can see how he is a supporting character in the main manga like Hanazawa, but unlike Hanazawa who was driven by anxiety, Hirano was driven by responsibility.

Every time Kagiura gets close to Hirano physically and Hirano doesn't move, it's not that Hirano wants Kagiura to get closer, it's not that Hirano trusts Kagiura not to get closer, but it's already made clear that Hirano doesn't mind Kagiura touching him, it's just that he doesn't understand what this should mean, it's not that he doesn't want to or that he wants to, he just stands helpless not understanding (The thing is, in chapter 20, he was just surprised, but he wasn't bothered by it)

Unlike Sasaki and Miyano, there was a boundary and a line between the contact between them.

The most likely idea for me is that Hirano is slow to understand his feelings because he is trying to understand Kagiura and has never tried to understand himself.

[musical-chick-13]

Fandom understand the narrative significance of Jaime/Cersei challenge (impossible).

[thewriteadviceforwriters]

Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[straylightdream]

three simple words

𝐟𝐞𝐚𝐭: jeon wonwoo x f.reader

You were his first serious girlfriend and his first for many things, and he was the first boy you had ever actually loved. For some reason saying those three simple words terrified you.

𝐠𝐞𝐧𝐫𝐞: non-idol au, established relationship

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: lots of tension fluff and, smut warning below.

𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1.3k

𝐚𝐧: I’m forever down bad for wonwoo

here is my SVT taglist if you’re interested being add please fill out this form.

𝐟𝐞𝐞𝐝𝐛𝐚𝐜𝐤 𝐚𝐧𝐝 𝐫𝐞𝐛𝐥𝐨𝐠 𝐰𝐢𝐭𝐡 𝐭𝐚𝐠𝐬 𝐚𝐫𝐞 𝐠𝐫𝐞𝐚𝐭𝐥𝐲 𝐚𝐩𝐩𝐫𝐞𝐜𝐢𝐚𝐭𝐞 𝐰𝐡𝐞𝐧 𝐲𝐨𝐮 𝐫𝐞𝐚𝐝 𝐨𝐧𝐞 𝐨𝐟 𝐦𝐲 𝐟𝐢𝐜𝐬.

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: unprotected sex (reader is on birth control), very vanilla sex, they’re both in love, wonwoo is moody and protective, nicknames: baby (hers)

It had been a long night to say the least. Things at bar were kinda messy and you hadn’t intended to call Wonwoo to come rescue you. Your original plan was to call Joshua to save yourself from Wonwoo’s “I told you so,” but you caved and call the person you truly wanted to rescue you. You also knew that Wonwoo would be mad if you called your friend before him. It turns out Wonwoo was correct about your coworker Sam wanting to sleep with you. It took very little alcohol in his system to get brave enough to ask you to hookup.

You were in the middle of dancing with Yuri when Sam came up behind you and started grinding on you. You pulled away from and tried to reject him nicely. But he only left you alone after you showed him a photo of you and Wonwoo who you told him was your boyfriend.

The moment you got away from him you rushed to the bathroom and called Wonwoo begging to not only come pick you up but play the role of scary boyfriend. You knew the only way Sam would truly leave you alone was if your boyfriend scared him off.

It took Wonwoo fifteen minutes to get to the club you were hiding in the bathroom. Stepping out into the hallway you found him leaning against the wall looking extremely annoyed.

“Thank you,” your voice is timid. You can't help but feel embarrassed that you had to call him to rescue you. You should have just listened to Wonwoo when he asked you not to go out with friends if Sam was invited.

Taking your hand in his, he makes his way across the bar. He drags you up to the one person you don’t want to see. You stand behind him as he glared at your coworker.

“Hello Sam, this is the only warning I’m giving you. Don’t touch and don’t even think about trying to mess with my girlfriend.”

“I won’t even talk to her,” Sam says, stumbling over his words.

Once again your hand is in Wonwoo as he leads you out of the club. Walking up to his car he parked on the street he helped you in before starting the car. He was completely silent as he starts to drive you back to his house.

“Wonwoo I would never cheat on you,” you feel the need to let him know you’re loyal to him.

“You’ve never given me a reason not to trust you,” he finally speaks up.

“Please don’t be mad at me.”

“I’m not mad at you. I just wish you would have listened to me, when I told you I didn’t like the idea of him hanging out with you tonight,” he lets out a heavy sigh. He keeps his eyes focused on the road ahead. “I wasn’t against Sam hanging out with you because I was jealous. I have nothing to be jealous of. I know you love me and would never cheat on me. I was against it because that guy gave me the creeps.”

Leaning your head against the window you sigh realizing you truly have a poor judgment of people's character.

Arriving at Wonwoo apartment complex he takes your hand leading you upstairs.

“I’m going to take a shower why don’t you get dressed for bed.”

He walks off to the bathroom and you walk over to his dresser to pull out the oversized night shirt you leave here. You strip down to nothing but your thong and the night shirt before walking to the bathroom to brush your teeth. Glancing at the shower you see a very naked Wonwoo washing his hair.

“What are you doing?” He says loudly over the loud water.

“Brushing my teeth,” you attempt to sound innocent as if you weren’t staring at his naked body moments ago.

“Are you going to join me?”

You don’t say anything, you just stare at his naked body as you continue to brush your teeth.

“If you aren’t going to join me, can you be naked in bed when I get out?”

“Okay.” You finish brushing your teeth before walking back into his room.

You strip down completely bare and lay on his bed waiting for him. He walks out of the bathroom with a towel sitting low on his hips.

The sight of him naked almost makes you drool. He pulls off his towel tossing it in the hamper. You immediately notice he’s already hard.

“Thank you for saving me tonight.”

“I’m your boyfriend, it's my job to save you.”

Laying in bed you watched as his curious eyes roamed your naked body. Walking over he laid on the bed next to you and stared into your bright eyes. Your hand rested on his chest as you gently pushed him back. Carefully you moved so your soft body was sitting on his lap looking down at him.

“I’m done talking about what happened at the bar. I just want to fully enjoy my time with you.”

“Okay,” you whisper.

Slowly you dragged your finger across his chest. His bottom lip was captured between his teeth as he continued to watch you. Your finger stopped right where his heart was you and traced a circle as you stared into his dark eyes.

“You own that,” he says softly. You have a feeling this l is his own way of saying he loves you.

His sweet words make your heart race. You have never said those three simple words to each other, even though it was very obvious that you were in love with each other. You were his first serious girlfriend and his first for many things, and he was the first boy you had ever actually loved. For some reason saying those three simple words terrified you.

“I do?” you say resting your hand over his heart.

Slowly he nods. You can tell he’s just as nervous as you are.

“I was hoping to say this with clothes on,” he said with a goofy grin.

You can’t help but let out a soft giggle at his comment. You were both naked and you were sitting on his lap. It wasn’t the most ideal situation to be saying “I love you” for the first time.

“What were you hoping to say?” you ask, attempting to get him to confess his feelings first. You wanted to hear him say those three words.

“You aren’t going to run away if I say them right?” he asked, knowing you all too well.

You shake your head and smile at him.

“I love you,” he says those three sweet words and your heart soars.

Leaning forward you connect your lips to his for a passionate kiss. With your lips ghosting his you say, “I love you too Wonwoo.”

Very little is said from there on. His lips moved against your as his hand moved down to touch the most sensitive part of you. He makes you feel things you weren’t that you had ever experienced before. Sitting on your knees you straddle him, hovering over him you slide down his hardened length. His hands gripped your soft sides as yours rested on his chest. Your eyes stared locked on his as your bodies moved together.

“I love you,” you gasp.

The smile that forms on his face is something you don’t think you’ll ever forget.

It wasn’t long before he pushed over the edge and fell right behind you. Lying on your bed he held you in his arms. Everything between you felt perfect as he held you.

[anneapocalypse]

I cannot help feeling like the tendency to see Inquisition!Leliana in stark contrast to Origins!Leliana has led to some people forgetting what... Leliana is actually like in Origins.

In fairness, as in all Dragon Age games some very revealing character moments happen in party banter which makes it easy to miss. But the gentle-hearted mystic who desires only to draw others unto the love of the Maker has never been all that Leliana is, and it's always been in direct conflict with the side of her that is not only adept at intrigue and yes, violence, but enjoys those things. This is the central conflict of her whole character, and it's not a trivial conflict, because there is not one simple answer to who Leliana truly is. She is both of these things. She is deeply religious and finds comfort in her faith, and thinks it should bring comfort to others as well. She's also prone to gossip and pettiness and all the qualities that helped her thrive as a bard.

There's this one particularly revealing piece of banter with Alistair if the Warden is in a romance with Morrigan:

Alistair: So have you heard? Morrigan and him are... you know. Leliana: Have you nothing better to do than to spread idle gossip? And besides, he can probably hear us both. You're not being very discreet. Alistair: No, look, he's not even paying attention. Leliana: Hmmm. maybe. You don't... think that he's serious about it, do you? The woman is a vile fiend. Alistair: Well, look here, now who's an idle gossip? Me-ow! Leliana: You're the one who started this, I might remind you. And I'm... well, I'm ending it!

I once had the especially entertaining experience of getting this banter, and minutes later hearing Leliana turn to Morrigan to give her the "It's so nice that you're together, isn't love wonderful?" line. But whether or not you have the pleasure of hearing them back to back, I think this dialogue make it pretty clear that while Leliana would like not to think of herself as a gossip, it takes very little prompting from Alistair to get her to slip back into that mean girl persona. And Alistair (who is more perceptive than he often gets credit for), calls her on it immediately, clearly embarrassing Leliana--who realizes that her mask has slipped.

I don't think it follows from this that Leliana necessarily hates Morrigan unilaterally. There's something much more complex going on between them, in my opinion, because they are such distinct opposites in upbringing and personality. Both Leliana's faith and her life of courtly intrigue are nonsense to Morrigan, who neither believes in the Maker nor has much patience for intricate social graces (at least, not yet). Meanwhile, I think Morrigan's outward self-possession and the sense of power she exudes is a source of both fascination and frustration for Leliana, who thinks she understands power, both social and divine--but finds in Morrigan a kind she cannot fully comprehend. (I also think you can definitely feel some sexual tension into their banter, especially the much-beloved banter about the velvet dress.) Ultimately, both of them are very concerned with power, but approach that concept very differently. And Leliana responds to this clash of ideals in a particular way because her own self-image is so conflicted.

As all great Dragon Age foils do, Leliana and Morrigan needle one another, push each other's buttons, challenge one another's sense of self, and in doing so reveal one another in their complexity and sometimes in their ugliness. It is perhaps easy to write this off as the tired trope of women being unable to get along with one another, or conversely to claim that they get along just fine and fandom has fabricated the tensions between them; I think to do either of those things diminishes a genuinely complex and sticky relationship that serves to reveal a lot about both characters.

[demonking-propaganda]

13 spoiler-free reasons why you should read Mairimashita! Iruma-kun

...if you haven't done so already 👀 (With "spoiler-free" I mean I'm not describing plot points or characters, but under the cut I'll discuss the overarching themes, so be warned if that's too much for you. The first 7 reasons may be enough lol)

It's both funny AND wholesome. I literally can't read it without laughing out loud, and there are a bunch of chapters that make me cry every time I read them.

It's clever! The Japanese version contains several puns based on the kanji "魔" (read "ma", = devil, demon), starting from the title, but it's a recurring pun. The English translation adapts them pretty well. Plus, there are some of the best plot twists in recorded history (IMO). And the names and characteristics of most characters are based on real-life demonology.

It's queer AF. Like, really gay. There are explicitly homoromantic relationships and several nonbinary and gender non-conforming characters. One of these is the best unashamedly nonbinary character ever written. Plus, the manga premise can be seen as an allegory of hiding in the closet. The only thing that made me uncomfortable because of cisnormativity (boys in drag as a joke) is completely fixed in later chapters, and very well so.

It's feminist, without being preachy or paternalistic. Simply put, the women/girls are three-dimensional, complex characters, as the norm should be. And there are lots of them, without it being a harem (...the harem trope is actually used as a joke).

It's spooky and adorable, imagine Halloween vibes all year round. Both main and background characters are super diverse, and if you like monsters there is stuff for you.

Most characters are neurodivergent-coded. It's basically the autistic/ADHD manga.

The art is phenomenal. It's especially good to see the improvement of the art style over the years (the first chapter was published in 2017 and the manga is ongoing). Some panels are really breathtaking.

8. The story is about personal growth - like most shounen manga, fair enough. But the protagonist, Iruma, is so far from toxic masculinity I dare say he's the antidote to it.

9. It's also about found family, the discovery of unconditional love, and trust, and healing from familial trauma.

10. It's about finding a group of friends you belong to, and transforming your weirdness into a strength, identifying and cultivating what you're good at instead of fitting into a mold.

11. It's about the beauty of learning in your own way, and the importance of education and the shaping of future generations.

12. And the reason why I opened this blog: it's about fascism and fighting against it. I mean real fascism, as in "a powerful individual/group wants society to be hierarchical and oppress certain minorities, elevating a specific subset of the population based on intrinsic characteristics which are being misleadingly treated as merits". Ethno-nationalistic stuff. More specifically, it's about being a somewhat politically illiterate person, who learns about systems of oppression beyond personal injustices. It's about questioning what is the best way to arrange society.

13. Most importantly, this manga gives you hope about the future, something I find harder and harder to have. Hopelessness is dangerous - as people without hope stop fighting. This manga makes me actively feel better. Since it's ongoing I can't ensure it will always remain that way, but I've come to trust the author enough that I expect it to.

[autisticrosewilson]

It's not that I hate fanon or that I think fanon is inherently less intelligent or morally wrong, but a LOT of fanon is based in racism, misogyny, and classism that I feel like a lot of you accept without question.

WHY is Duke (Daredevil, son of a god, has never once allowed himself to be defined by anyone's actions but his own) relegated to a background role, only characterized by reacting to the whims of other bats?

Why is Babs - Birds of Prey leader and backbone of the hero society, tells Bruce to fuck off and die 4 times a day and is constantly ruining her relationships by being biased and unhinged - Gotham bound, the mature responsible mom of the group who never argues with Bruce and never gets in trouble?

Why is Dick, both a tactical genius and master manipulator, a himbo only appreciated for his sex appeal? Especially when he is both Romani (group of people demonized and condemned as hypersexual by their nature alone) and an SA victim.

WHY is Damian "feral" and "uncivilized" despite being raised as a literal prince? Half of you treat him like a sociopath with no hope of redemption for an unfunny three second joke and the other half of you go full throttle into Bruce's white savior bullshit so that Damian can be "redeemed". Y'know when you're not villainizing Talia and acting like Dick is his other parent, actually.

WHY is Stephanie - extremely intelligent detective who can't stand Bruce and has a living mother she loves - lumped in as another member of the Batfam, a blonde ditz who only cares about prank wars and emotionally supporting Tim?

WHY is Cass - intelligent, a grown adult, suicidal perfectionist - emotionally intelligent, primarily existing to support the characters around her, immediately accepting of everyone she meets regardless of her own morals?

Why is Bruce the golden standard? Enough so that though everyone in the fandom could agree that he's an emotionally unstable wreck, being considered "the most like him" is seen as a compliment and not the HIGHEST insult? Everyone would agree if I said that Bruce purposely self sabotages his relationship half the time and the other half he simply does things without caring about the emotional impact it will have on people because he has to be the smartest in the room, but if I said that makes him a shit partner and emotionally abusive parent the fandom would bend over backwards to argue with me.

Why is Tim "the best Robin" when Dick Grayson invented the mantle, it is impossible for someone to embody the spirit of Robin better than him because he made it and he created what being Robin means. Maybe Tim is the best in Bruce's eyes, but what Robin means and who has the right to give it over was a significant thing they argued about. Tim the high school drop out, and yet also somehow the smartest? Tim "the most like Bruce" except no he's not, that's Cass. Poor neglected, abused, victimized little Timmy (the rich boy at the elite boarding school with loving albeit busy parents and almost every instance of him being victimized by another character has either been racist bullshit - The Al Ghuls and Rose Wilson- or a complete 180 for the character that made no sense when examined through the lens of prior characterization - Jason for instance.)

Almost every fanon trope that gets passed around like gospel seems to deliberately push POC characters and women into the background and strip them of interesting complex traits and stories, usually for the purpose of fitting them all into bite sized incorrect quote character types and uncomplicated narrative roles that are not only completely divergent from canon, but primarily exist to prop up the two rich white boys.

Also the insistence that Bruce, a 20 year old at the time, should actually be excused for how much he mentally and emotionally fucked Dick up because really they're more like siblings! While deciding that Dick at the same age was actually the perfect candidate to be Damian's new parent/guardian...have you lost the fucking plot you don't even make sense to yourselves.

Okay I lied at the beginning, I do hate fanon. You guys are so uncritical about the media you consume it is BEYOND just letting people enjoy things and have fun. I guess it's one thing if you KNOW this stuff isn't canon and UNDERSTAND why these tropes are problematic and you engage with it as such, it's fine read and write what you want, but just spreading the same nonsense around and parading it around as "better than canon" (version of the character so bland and boring you've somehow made the old white men at DC look like geniuses in the art of representation) is just infuriating.

[imbecominggayer]

Writing Advice: Too Many Characters

A common advice when writing stories is "don't write too many characters". But, like with everything creative and good, there is no definitive answer to how many characters should be in a book!

So I will be discussing numerous variables in storytelling which impacts how many characters you should have and what makes something in a book "pointless".

Themes! Themes! Themes! (Omori Spoilers, Not Too Much)

The most important question that a writer has to ask themself is "what is this scene/book/media trying to do?". If your story is based on the relationships we have with others and the impact they can have on our psyche then having a close-knitted community of people will drive the message of intimate connection better then just having more people in there. If your story is focused primarily on introspection, looking inward, individuality, and other spiritual activities then the protagonist is more likely to spend longer durations of the media by themselves.

An example of these to forces is the popular game of Omori.

(SPOILERS ABOUT OMORI<3)

Omori is a game that focuses on acceptance first and foremost. Self-acceptance to be more specific. Due to the fact that the game is a piece of introspection both for Sunny and for the player, the most important moments in the game such as the "reveal" sequence of pictures and Black Space are ones that are done on your own.

However, the game also prioritizes the relationships Sunny has between his friends as this serves as motivation for the final duet. The final duet was an act of bonding as Mari and Sunny just wanted to spend time together, doing something they liked.

The introspection moments are pushed towards the end of the game because it's only when Sunny has that support and belief in his friends, can he rise above his doubt and shame and fear.

2. What Is The Purpose Of This Character?

All characters need to have a purpose in the narrative. Both within the context of the world and in the context of the book.

Within the context of the world, they need a goal that is going to impact the protagonist either positively or negatively.

Within the context of the book, what is this character giving to the audience that wouldn't otherwise be there?

Pro tip: All the characters you have need to have more then one purpose! Characters that give exposition can't JUST give exposition.

If you have a love interest that can be cut out without taking away a vital part of the story either from a thematic(theme) standpoint or a narrative(plot) standpoint, just replace them with an object and move it along!

If you have an ally character that only shows up twice and can be changed into "I went down to the store to buy these items", give that "ally" tag to someone more story relevant"!

3. Priorites?

Ask yourself this: "Do I have the book length to dedicate time to this person?"

If the answer is no, follow my next steps. If the answer is yes, here is how to make them better.

When I say "prioritize", I mean you need to figure out what type of character this character is. Are they a main character? A side character? Cannon fodder? A symbol? WHAT ARE THEY?

Also, can you give these character responsibilities to someone else? This simultaneously gives those characters deeper complexity and eliminates more characters

Example: Love Interest, after being trapped by the villain, uses their intelligence in order to provide information about the villain to the hero. (Love Interest + Ally + Informant)

Example: Friend is revealed to be a double agent on the side of the Villain. However, it's revealed that Friend was secretly a triple agent who is finally redeemed from their original believed betrayal. They're back to being an ally. (Friend + Betrayer + Ally + Enemy)

[feralforbeanix]

Wrightworth is not "Sunshine x Grumpy"

They are "Visibly Traumatized x Repressed Trauma", they are bitch for bitch, they are so many more interesting things than that overused dynamic.

Miles is not some sad boy who needs to be coddled, he is a grown ass adult who sent many people to jail. Some of which could have possibly been innocent. He's done some shitty things that are influenced yes--but not excused by his trauma. He can and SHOULD be called out on things he did, stop blaming all his bad actions on Manfred or Gant.

Phoenix is not a golden retriever boyfriend. Maybe he was in college when he was "Feenie" but that shit ended the day Dahlia was arrested (Hot take Feenie feels more ooc to the Phoenix we knew in the trilogy than Beanix ever did to me). Phoenix is a snarky bitch almost all the time, even thinking/saying downright mean things to/about people he cares about like Maya. He has massive big brother energy but not always in the "I'll take care of you" way but often in the "I'm gonna disgust/upset/annoy you on purpose because I think it's funny" way. (Like if you choose the fishing pole in Turnabout Goodbyes, he teases Maya by suggesting they use Missile as bait, which Maya takes as well as you'd expect).

Miles is not a princess who waited every day for Phoenix to save him. Miles was perfectly content to forget his past entirely as is his coping mechanism, and Phoenix has a savior complex that no one asked him to have. Miles never asked for Phoenix to reappear in his life, Phoenix just realized Miles was gonna ignore him, so he became a lawyer himself so that would no longer be an option for Miles.

This isn't to say Wrightworth is a bad ship by any means. This is to say that their characterization and relationship are so often blatantly misunderstood by the fandom. So often watered down to fit a basic mold. Which is a shame because their actual relationship is so much more interesting to me.

Sooo many fanfics get both of their characters wrong to either fit a dynamic they never were or because they want to give them less accountability than they deserve.

[genericpuff]

This plot point annoyed me so much! I thought she was finally going to open up to Persephone about the reasons why she hated Hades so much, about what he did to her, but no! They just introduced a new yet unnecessary character to the story 🤦🏼‍♀️

What are your thoughts about it?

oh yeah it annoyed the piss out of me too and for one very big reason that is CHRONIC in LO:

It's a solution to a problem Demeter didn't have.

This happens to a lot of characters throughout the comic. They'll have some kind of plot-driven conflict or character-driven flaw, and then it will be solved by something else entirely that had nothing to do with their original problem or doesn't line up with the theme of their storytelling. Minthe had insecurity issues and a toxic relationship with Hades? Just give her a classroom full of children to babysit! Hades had infertility issues? That's fine, Persephone somehow fixes those issues because at the end of the comic they have babies and Hades has his happy ending so it's fine! Hera was in an unhappy relationship with Zeus and had trauma from her past as a victim of Kronos? No problem, just make her an all powerful fertility goddess! Persephone accidentally causes winter which kills possibly thousands of people? Gaia is here to save the day, and also she's the one who makes Persephone return to the Mortal Realm for a couple months with full visitation rights. Apollo is a serial rapist who's attempted murder on several occasions, even against his own father in an attempt to take the throne? Community service, that'll solve it.

Demeter is one of the biggest examples of Rachel's inability of writing an actual cohesive plotline. She writes like the only goal is to come up with new twists to keep people reading each week without ever considering what themes or questions she should be answering throughout. So when she does pose questions, the answers often wind up being severely disconnected because she can't be bothered to actually plan out a plotline with narrative structure, she just needs 'things' to happen. To put it bluntly and simply, she writes like how a 13 year old on Wattpad would write, no actual thinking about the material she's presenting, no consideration for the curtains and what color they are, just "make the things happen so that people will keep reading because that's what writing is!"

Demeter's problem wasn't her failing to understand Persephone. It was people failing to understand her when she had reasonable cause to both be wary of Persephone moving to Olympus as well as Hades and his intentions with her daughter. But because Rachel needs to have the perfect happy ending for her self-insert power fantasy couple, she resorts to gaslighting both Demeter as well as the audience by extension into believing that the solution to Demeter's character arc... is understanding Persephone more.

Like first of all, the moral "people just want to be understood" is way, WAY too "baby's first storyline" at this point in the story especially when we've tried to tackle much bigger topics like sexual assault, and when we know how complex Demeter's backstory is. There's no way she needs to be told by Hebe that people just want to be "understood". She absolutely knows this already, and has been fighting to be understood by her siblings and peers and family for centuries, but of course, everyone sees her as just "the contrarian".

But then the final solution is... the sudden appearance of Demophoon as her long-lost child, and Hades giving her the volcanoes. That's it. She doesn't get to actually become Queen of the Mortal Realm, she never really gets closure over the past 2000 years of abuse from everyone around her, Hades just - like with everyone - buys her affection and she gets a new baby to pour her attention into instead of Persephone and we're all just forced to go along with it for the sake of Rachel's fantasy.

Rachel can't write (￢_￢;)

[mysterycitrus]

I know a lot of ppl ask u abt jason or dick but im wondering now, what do u think about bruce? I find him a very interesting character whose characterization is incredibly feeble, both bc of his 80 years of history and the tendency writers have to project their own male fantasies on him. So i'd definitely love to hear ur own thoughts about him. I personally enjoy depicting him as someone morally grey, although my sympatization for him changes day to day. Wether you think he is a good or a bad person, i believe u need to make him dedicated to gotham and the bat as a symbol, and that comes with all its advantages and drawbacks

bruce wayne is sooooo interesting (derogatory) because like u said, he carries the baggage of every masochismo author that decided batman was too woke and should hurt his kids and that supporting gotham’s infrastructure is for pussies. there’s also the flipside of that, where he’s the perfect father who’s waaaay too emotionally regulated for my taste. both of these interpretations are bad imo, and both functionally miss the point.

i think part of this (in fandom) is an obsession with moral angst — u can either be a good person doing good things, or a bad person doing bad things. think about how some characters are crucified while others are babied. someone always has to be absolutely right, and the other has to be absolutely wrong.

in reality, there are a lot of people who are fundamentally kind and fundamentally want to do good that are really terrible to the people in their lives. bruce wayne being someone who relies on having so much control that it implodes his connections to the people around him is an important part of his character. his profound love for his children, for gotham and her people, for humanity in general and his belief in peoples ability to change, doesn’t circumvent the fact that he’s often an emotionally abusive man who hurts others to achieve his own ends. he contains multitudes.

writing him as a functionally irredeemable, violently abusive person is the anti-thesis to the symbol that he himself created. no, i personally don’t believe he actively beats his kids (even though it’s supported in the text). no, i don’t think he’s an irredeemable sadist (as much as frank miller wants u to believe otherwise). to have people like dick grayson and diana and clark and dinah love and believe in u means that there has to be something there worth caring about, otherwise the whole universe is gonna fall apart.

that’s what makes his relationship to cass so interesting — he sees his neuroticism, his dedication to the cause above all else, and does not find it admirable. he finds it confronting and upsetting. and to be clear, cass (like dick) is very much the moral ideal of what batman should be, but still bruce finds it hard to deal with!!

his abject failures — his treatment of the robins, his crippling guilt about jason, his fears of becoming a killer, the impossible load he gives himself to carry — means that when he’s shown as someone who genuinely cares, it makes him more complex. like yeah, bruce isn’t actually a cold hearted person. he really really gives a shit. too many shits, to be totally honest. he’s a morally grey person that wants to do good, but is so terrified of losing control that he keeps others away and hurts them in the process. there’s a reason why his emotional crutch was a traumatised eight year old fr. nothing is more important than the mission, including bruce wayne himself

[threebooksoneplot]

what draws you both to jalice/makes you so feral about them as a ship?

you should know we had an entire meeting in order to answer this ask. no this could NOT have been an email (unlike new moon) 🤭

Secretary G took notes. they are as follows (read the bolded parts for a tl;dr)

we kind of see it as though jalice got the traits that edbella weren’t allowed to have, either due to their status as protagonists or because smeyer's mormon background causes her to view these qualities as too sinful/negative for her wholesome Waiting Until Marriage main couple. (examples: alice's materialistic, "shallow," hyperfeminine qualities, her character flaws (especially her manipulativeness), and jasper's aura and history of fucked up violence closer to what you'd find in traditional vampire stories/horror/adult gothics/books not written by a mormon author)

in terms of how much screentime the non-main-love-triangle canon couples get, their relationship is kiiiinda given the next-most weight to edbella’s (examples: jasper's extreme overprotectiveness, the New Moon chapter 19 moment where alice prioritizes jasper and bella is like “yeah I get it, I would do the same.”) basically smeyer gives jalice's relationship a lot of the qualities she finds romantic/ideal, (and which are either similarly romantic to us or entertainingly toxic/a good source of drama), presumably because alice is like her 4th-favorite character after the main love triangle and she wants nice things for her

we both really love how, superficially, as presented in the books, jasper and alice seem to have this almost “courtly love” that smeyer has described as "spiritual." yet when you look closer, their relationship has so many darker undertones—the deep codependency bordering on obsessiveness (mutual, but especially the way it manifests on jasper's end—"I will kill this random teen girl who witnessed edward's jean valjean moment™ because any means are justifiable when the ends are Protecting Alice"), the dark sides of both of their powers, the idea that jasper is only a cullen and/or only a vegetarian for alice's sake, etc. hell, even the fact that they're the only Cullen couple who we know had (gasp) premarital sex 😏 (I mean we assume rosemmett did too, but alas, they don't have that hilarious "carlisle convinced jasper and alice to get married" quote from smeyer)

partially summarized: "jasper’s general desperate willingness to sell everyone to satan for one corn chip if it keeps alice safe (carlisle: I know this and I love you)"

we're forever smug that the movies gave us even more jalice screentime (especially remarkable in such a protagonist-centric universe), including jasper being in the same grade as alice/bella/edward, and the extra jalice kisses in Eclipse and BD 🥺

what we wrote down as the “who’s protecting whom" phenomenon, as coined by G in this old ask. (shannon: "jasper is the toddler you've given the PS2 controller that's not plugged in")

we also like the characters individually. jasper is for the girlies with competency kinks—a stoic caretaker who speaks little and mostly expresses himself via acts of service. we also both love the way in which he needs protection from his own uncontrolled violence (slipping up and killing humans, suffering the pain and fear he inflicts, etc.) he is, in the words of our beloved @liceparade, the "line cook trauma boyfriend"

“It’s hot when there’s a fictional violent man who wet babygirl 😌” —shannon

and alice, unlike bella, genuinely loves being spoiled and bossing people around. she's brat-coded, she's confident and secure in who she is, her god complex ("I'm close enough [to omniscient]") causes fascinating conflict, bella eats drywall from sheer horniness at her merest movement, she dresses like a slut in the Mormon YA Novels and yet somehow escapes authorial condemnation, she has a sickass gothic heroine backstory, she's "annoying," aro started a whole war over her (eat shit helen of troy 🖕), she spaces out in public and has to be led around by jasper, she's one of the most powerful vampires in the world, she's in high school getting a C+ on her precalc test 💅🏻

it's appealing that smeyer frequently puts alice in the center of the series' various conflicts (james' singer and "one that got away," the accidental cause of all the drama at the end of new moon, one of aro's secret True motives for starting the conflict in BD.) this is mostly as a consequence of smeyer using alice as a plot device and/or deus ex machina, but it is in fact interesting

is alice jasper's morality chain? we love pondering this question via fic, meta, etc (especially because...alice ain't exactly a model of ethical behavior herself)

together, the two of them exhibit lots of classic tropes. they're grumpy x sunshine, chatty x silent, opposites attract, etc. to say nothing of that height difference 🥵

we love the yin/yang symbolism of a character with a horrific past paired with a character with NO memory of her past, who is focused on the future and all about potential. not to invoke an ancient phrase but POETIC CINEMA

the next note just says “POTENTIAL in general.” I assume we meant how all of the above stuff creates potential for interesting stories, conflicts, metas, art, fic, etc

G has brought this up in the past, but we love the irony of jasper, a character whose chief desire is to be left in peace, being soul-alteringly in love with the one character who will always be a giant glaring target through no fault of her own. hilarious

[thewriteadviceforwriters]

Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers

In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.

What Are Morally Gray Characters?

Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.

Examples of Morally Gray Characters

Some well-known examples of morally gray characters include:

Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.

Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.

Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.

Why Are Morally Gray Characters Compelling?

Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.

The Power of Relatability

One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.

The Element of Surprise

Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.

The Exploration of Morality

Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.

How to Craft Morally Gray Characters

Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.

Give Them a Strong Motivation

Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.

Show Their Flaws and Vulnerabilities

Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.

Create Internal Conflict

One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.

Avoid Stereotypes

When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.

Show Their Growth and Development

As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.

How to Make Morally Gray Characters Stand Out

With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.

Give Them a Distinctive Voice

A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.

Create a Strong Backstory

A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.

Use Foils to Highlight Their Morality

Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.

Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.

[tabibitto]

Always Yours | Sebastian Michaelis

m.list

cw: fluff, smut, angst, toxic relationship, butler x master, oneshot, gender neutral, main character death

A/N: should i make a mini series about something like this?

Upon a summon, a demon negotiates a price, and a deal. What to give and take.

As a creature of sin, he of course, tries to make the best bargain for himself. With you, it was different. The first of contracts in over 500 years where the terms were of equal measure, in your gaze and his.

Sebastian, as you named him. Promised three things to you: Pleasure, Protection and Absolute Service. In service, he swore honesty, he swore loyalty, as both a butler and a lover. He swore to "care" for you.

Whether you looked at it as genuine kindness or the simple task of taking care of a lesser animal was up to you.

In this Loom of Fate, where you had no real future. No heirs for your earldom, where your work in your manor and buisness was for naught, you still worked hard and gave it your utmost devotion.

It amused him—watching as you worked and packed your schedule for seemingly no reason. In a hundred years you would be forgotten, but the demon supposed that this was another little quirk of the complex nature of humans.

Sebastian often pondered weather you did this to feign a sense of normality, or weather it made the perfect excuse for him to...destress you.

He teased you about it before, that there was no need to work so hard for his cock and attention. In response you had slapped him, and rode him harder that night. It was never brought up again.

You never did answer his question as to why pretend to be normal. Then again, he didn't say anything when you asked why he would pretend to love you. And unlike your usual stubbornness, you dared not to press when the chatty demon suddenly grew quiet whilst he washed your hair.

You never learned whether his silence was an answer in itself, or because...he didn't know either.

Sebastian took care to remember everything you mentioned you liked and hated, without your orders to do or not do. He insisted he always take care of your hair and body. Never allowing you to lift a finger when he was around. Sebastian always had a new excuse

Chivalry, Duty, Honor. Trivial ideals that mattered not to him.

How Sebastian took gentle care to prep you and love you the first time you urged him into your bed.

How you insisted he was the only one who could, because he was your loyal slave who would never open his mouth and boast nor gossip of his Lady in bed, to which he agreed

Sebastian would not dare, contract or not to allow another man nor woman know of your pretty moans and expressions, how you quivered around him and uttered i love yous and stay with mes that nearly convinced him of your affection.

In return, he uttered the same sweet nothings to you.

He tore apart anyone you wished dead, brought you their heads and tongues like a proud pet when you requested.

Sebastian knew it was not distrust that made you ask for proof of death. You were just as twisted as he and it made him crave your own demise even more.

Deep down, where his heart was supposed to be. Sebastian knew he loved you, he was obsessed with you and would do anything for you. His own addiction made him nurture and love your soul even more, each time he kissed you, he could faintly taste the delicacy he has cultivated for years, and would fuck you hard to satiate his thirst for your soul.

he fed you, bathed you, fucked you, loved you

he gave you everything you never had

In return, you fullfilled your own end of the contract.

you were a loyal lover to him. Never pleased nor been pleased by another man or woman then Sebastian himself. Turned down every marriage proposal and attempt to court you. Danced with no one unless absolutely needed

Never smoked nor did drugs to preserve your soul's taste, though you did enjoy wine and liquor.

You called him when in danger or if someone tried to force themselves on you, and he protected you, held you as cried and trembled, Comforted you as you wanted.

Making gentle love to you, kissing you, hugs, cuddles. Watching over you while you beat and tortured men to death. Brought you whatever parts you wanted, mailed the rest to their homes as a warning.

Sebastian would never dare himself say he loved you. He would never think it possible. Demons and Angels could not love nor hate. The divine and damned existed for a sole purpose, to carry out the word of the lord, or bring damnation to humanity. He was the latter, nothing more or less.

With you he could pretend he was someone, someone more. Someone who could come home, who could love and live. He would lay awake at night, and pretend you meant your words. Your confessions. Allow himself to feel

What Sebastian would say, is that he was simply possesive and obsessed with you. And if he had to call it love for your sake...and his. So be it.

Until the day when he would please you one last time before tearing you apart as he came. Relishing in your screams and cries, as much as it destroyed him to do such a vile thing. He would enjoy you. Every inch, every drop of you was his.

Sebastian Michaelis would love every inch of you until then. And bury himself into starvation with your body, to love and be loyal to you, his mistress. Until the end of time.

Because there was no one like you, would be no one like you. You were everything he wanted and would ever need.

Even if his stomach ached for even a cheap soul, he would ride it out until death. As punishment for making you suffer, and to keep his promise to you.

usque ad mortem im tua

[whetstonefires]

So I was thinking about that passage where we hear about how Jiang Fengmian got so excited that Jiang Cheng was willing to be friends with Wei Wuxian that he hugged Wei Wuxian, and this broke 8-year-old Jiang Cheng's heart, because he loved to be held by his father, but his father almost never held him.

(Which led to Jiang Cheng kicking Wei Wuxian out and threatening to sic dogs on him, which made Wei Wuxian panic so badly he went and hid up a tree from these entirely hypothetical dogs, and Jiang Yanli went and found him, and then found Jiang Cheng in a hole and had to carry them both home, and their relationship was sealed by a mutual pact to hide the whole episode from both parents.)

Because the thing is, Jiang Cheng very much had something to be upset about! Wei Wuxian was a treasure and a joy to his father, something recovered beyond all hope, everything he could want in a disciple and the last remainder of the person or people he'd loved best.

And Jiang Cheng was a duty.

That was the entire reason for his existence: he was born out of his parents' obligation to produce a male heir for the Jiang.

Jiang Fengmian takes his duty seriously, but finds in it no joy, and that joylessness informed his relationship with his son at every turn.

And this is the same kind of tragedy as every other in this book. Because it's not that Jiang Cheng's father didn't love him, wasn't visibly fond of him; if there hadn't been this other person here he actually liked, the absence where he struggled to connect with him would have been felt, but it would have been less crushing.

...then, too, if his mother hadn't built that rivalry up the way she did, it would have hurt Jiang Cheng a lot less.

And been less of a thing! It's painfully obvious a lot of the aversion and distance between them is a product of Yu Ziyuan running in and screaming at her husband about how he's the worst and everything is about her at unpredictable intervals.

And of course, it's a lot harder to figure out how to compensate for your own partiality when you're also, simultaneously, trying to compensate for the partiality of another person who keeps insisting the only way to uphold the natural social order is to engage in systematic child abuse. The degree to which you cannot objectively handle a complex emotional situation while someone keeps yelling at you that you should do something morally repugnant or you're Bad cannot be overstated.

I really appreciate Yu Ziyuan as a character, but the heights of her incompetence and active malice as a parent are staggering.

But I was just reflecting on Jiang Fengmian's basic failure to grasp, right out the gate, that his eight year old was parched for affection and that giving more of it to someone else in front of him was going to hurt him. And I was like, haha that's only child behavior right there.

And then I was like. Holy shit. It is only child behavior! Like. Jiang Fengmian was an only child!

Like, duh, but that makes him a serious outlier! Most of the major characters in this story have siblings! It's an outrageously sibling-dynamic-driven book. Yu Ziyuan has at least two elder sisters, and could have any number of brothers or younger sisters--no shit she instinctively interpreted this situation through a lens of sibling rivalry!

Meanwhile that's going right over her husband's head because he's just like, okay going to vicariously live out my childhood fantasy where Changze got all the same advantages as me. 💖😊

[absolutebl]

10 Best BL Shows with the Hottest Sexitimes

Because this is English and word order matters, this title means the show itself has to be good AS WELL AS the scenes high heat, as opposed to the best sex scenes in BL. The two are not necessarily the same list. Anyway I tried to pick both high heat and a fun show. This was hard (pun intended).

FYI expect triggers with your high heat.

(Oh right. For me to get a 3/3 heat rating the BL has simulated sex in it or very close to it. And usually one or more other sexual acts like bjs, a-ply, etc...)

So, I went to the spreadsheet, and sorted it by high heat and then ranking, and here is what I got. I think #1 will surprise you. What will not surprise you is it's mostly Thai and Taiwanese.

10. TharnType (and follow ups)

Thai 2019 Viki

Should it still rank, all these years later? I am sorry to say, yes it should. University setting, great acting and complex characters, interesting friendship groups, enemies to lovers, seriously angsty coming out, high production values, AMAZING chemistry, multiple BL side couples with all the issues, damaging queer rep, strong seme/uke and husband/wife language, classic tropes and lots of them bad.

But it's famous for a reason.

This was KinnPorsche before KinnPorsche.

9. Addicted: Heroin

China 2016 Viki

When Chinese BL was good it was very dirty good and when it was bad it was censored. This is the model for that statement: rich kid falls madly for the genius poor kid in his class, starts an aggressive pursuit, includes kidnapping for love, obsession, stepbrother trope, plus some cheating. I love this BL because of what I could have been.

Just stop watching it after The Sex Scene. Okay?

8. Love Stage!!

Thai 2022 YouTube

This BL surprised me with its charm. The acting was good, the leads were appealing, support cast on point, and the production values high. It followed the original manga story arc relatively closely: boy falls in love with girl as a child, grows up to discover girl is actually a very pretty boy.

Although there are some quintessentially Thai changes that mellowed, softened, and extended the romance arc and heat levels.

7. HIStory 4: Close to You

Taiwan 2021 Viki

Nancy Chen directs, the side dish plot is basically a pastiche of problematic BL tropes inherited from the above. Great chemistry, high heat, stepbrothers, dubcon, obsession, stalker etc…

They sexy tho.

6. My Day

Pinoy 2020 YouTube

The set up on this one is enemies (also boss/employee) and they don’t like each other to start. But that gets resolved pretty quickly. And then they are some of the cutest, hottest, and best boyfriends ever.

This is an under-appreciated BL, IMHO.

5. Cutie Pie

Thai 2022 YouTube

Very high production (and heat) and a lot of visual references to live action yaoi gave this show a whiff of Japan but ultimately it stayed firmly in Thailand’s BL camp veering from absurd to appealing to annoying and then back to absurd again. If you can roll with the arranged marriage conceit and very lifestyle D/s relationships, the chemistry is spot on even if the plot is naff and driven by miscommunication.

Watch this one for the pretty, give it a pass on depth. (It has depth, it just depth of tongue kisses.)

Also the follow up: Naughty Babe

4. Bed Friend

Thai 2023 YouTube but for high heat you'll net to watch on iQIYI

Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS).

NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, unfortunately the story ultimately failed them. Had the show had the strength of its convictions and kept to a tighter, darker, harsher 8 eps it would have been the first high heat to earn a 10/10 from me, but once they fussed with it, it dropped to a solid 8/10. Could have been great but was overworked.

Still if high heat is your thing, this one will not let you down.

3. HIStory 3: Trapped

Taiwan 2019 Viki

Basically the definition of enemies to lovers from Lin Pei Yu. This is a cop + the mafia man he is chasing but WAIT, they fall in love. Added bonus side couple: assassin and nerd cop ALSO falling in love. It’s great. All the leads are stellar. Its high heat, fun action, and a bit of a mystery drama but pretty about all of it.

My only warning is that the main couple doesn’t entirely end up together, it’s implied, but… amorphous ending.

2. Why R U?

Thai 2020 Viki

No one knows what’s going on, not even the characters, but absolutely no one cares 'cause it's so thirsty. The plot seems to be "great chemistry and make sure Zee's shirts are NEVER BUTTONED PROPERLY." We, the collective, have a pro Hawaiian shirt anti-button stance, so rah rah rah! (Still the most confusing thing about this show is: why they didn't just title it YRU?)

The FighterTuror sex scenes still stand as some of the best ever fielded in a Thai BL. I will not be entertaining opposition on this matter.

1. Be Loved In House: I Do

Taiwan 2021 Viki

A cute classy office set BL with a few plot raised eyebrows, but no other concerns. ALL THE TROPES plus a general sweet softness that’s pretty rare from Taiwan, who usually prefer to go hard, but all their signature domesticity.

There is one high heat sex scene and it's great. But it's the whole package of classic sappy Taiwanese BL that puts this at the very top for me.

Generally just v high heat?

Hottest sex scenes in BL is frankly gonna be largely a matter of your personal taste.

But if the ones mentioned above don't work try:

KinnPorsche

Love in the Air

Big Dragon

HIStory 3; MODC (the BL that shall not be named)

Be Mine Super Star

Manner of Death (and anything else with MaxTul)

Oh My Sunshine Night (sides)

Secret Crush on You

Wedding Plan

Most dark JBL has very good high heat, but... ya know.

For @samara44 by request.

Dated Nov 2023, not responsible for amazing high head that came after.

(source)