#authors on tumblr

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.

[aninkwellofnectar]

A reminder to please take a chance on indie authors the same way you might indie films or indie video games. A lot of us work hard to create quality stories that are too subversive or unmarketable for a mainstream audience and if you're tired of the schlock that gets turned out by the big corps your next perfect read could be being peddled by a tiny nonentity on the corner of social media sending posts out on nothing but hope and a prayer. Don't write us off.

[hovergirls]

HoverGirls is out in stores now now! It's on Barnes and Noble, your local bookstore, your local library and Amazon!

Several years in the making and now we're here

Yall're incredible. I wanna thank you for reading the original again, and having the redux become real. The original webcomic will stay here on the internet; it's not coming down :D

But if you'd ever like to read it again, I promise the redux is very worth your while.

[sleeplessdreamer14]

𝓉𝒽𝒾𝓈 𝓅𝒾𝑒𝒸𝑒 𝑜𝒻 𝓎𝑜𝓊

fandom: my hero academia

relationship: tenya iida x reader

summary: you left your jacket in iida’s room.

contains: mutual pining, unresolved romantic tension, fluff, opposites attract, thrifted clothes, like two lines of dialogue

a/n: @thecutestgrotto divider credit goes to

Study sessions hadn’t always been a thing between you and Iida, not until after moving into the dorms. You just lived too far apart to meet up every week like you did now, every Friday to be exact.

Iida had offered to tutor you earlier in the school year, but you always turned him down, wanting to at least try and figure things out on your own. But after you began to live in the same building, you finally accepted his offer and worked out a schedule for the two of you to meet up in the afternoon and go over any material either of you had trouble with.

Eventually, those study sessions began to evolve into hang outs with studying sprinkled in, switching between his room and yours every week. Despite you two having very different tastes in room decor, it look little time for you to grow comfortable in each other’s environments. You quickly learned his organization system and he gradually learned to just leave your clutter be… mostly.

This week’s study meeting was held in Iida’s dorm room, and when you had first walked through the door, you were sporting your iconic letterman jacket which you had gotten from a thrift shop not too long ago. It had become routine for you and your mom to stop by the thrift store when you would spend her days off work together.

Anyway, it wasn’t until about an hour after you had left to start turning in for the night that Iida realized you had left your jacket behind, in a small bundle on the floor near the foot of his bed. He was surprised that it took him this long to notice, considering he had actually watched you walk- or more rush out the door after you realized how late it had gotten. You had taken it off in the middle of studying since the fabric retained heat and you were getting a little warmer than you would have preferred, so he supposed that you must have been so eager to go shower and get to sleep at a somewhat decent hour that you simply forgot.

Iida’s initial idea was to stop by your dorm room to give it back to you, but it was already pretty late and he knew that you tended to lock your door at night. Though he supposed he could simply text you, but you were probably already asleep, or at least drifting off, so he didn’t want to disturb you. It had been a long week and you needed the rest.

So he decided that he would simply return it to you tomorrow morning when he saw you again. And it definitely wasn’t because over the past few weeks, the more time that Tenya spent with you, the more it felt as though your study sessions ended too early and he just wanted to hold onto this piece of you for as long as he could. Of course not.

And that’s why he was lying on his back in the dark, holding the piece of clothing to his chest while staring up and the ceiling with nothing but the low hum of the air conditioner and muffled outside noises to fill the silence.

If he were being honest, Iida loved this jacket. Because despite it being previously owned, it was so uniquely yours. He could still remember the day you returned to the dorms with a skip in your step as you showed off your new duds, talking about how lucky you were to find it right at the front of the shop and have it fit you just right. Coincidentally, it even had the first letter of your surname on the front. There were a lot of things that Tenya had grown to appreciate thanks to you.

Like your piercings. While Tenya previously found them impractical and even a bit unprofessional, he eventually grew to like how they looked on you, especially after you had invited him to go with you to get your most recent one.

And the rings you wore every day, two on your left and one on your right. Honestly, he kind of just liked your hands. Iida had briefly held your hand a couple times before, to help you stand up or when one of you was leading the other somewhere. He wished he could do that more.

Turning over on his side, Iida closed his eyes and lightly tightened his hold on your jacket as his heart drummed in his ears.

No. Don’t do it. Don’t do it, don’t you dare do it.

But he did. Tenya brought the jacket closer to his face and inhaled slowly. Yep, there it was; your natural scent with hints of your shampoo around the back of the collar. It was nice, comforting. Sometimes when he went to bed after your study sessions, he could find faint traces of your smell on his pillow or covers of you had been resting there while working.

Tenya wished he could have more than this. More of you, and for longer. But if this was all he could have, then he could be content with that.

The following morning, Iida folded up your jacket before going to return it to you. While part of him felt a little disappointed at first about having to give it back to you, that feeling was overpowered by the smile on your face when he did. You slipped your jacket on and tucked your hands into the pockets, thanking Iida.

“Don’t worry, it’s no trouble at all.” he replied, hoping that the blush in his face wasn’t too obvious. It really did look perfect on you.

As you went your separate ways, you gently rubbed your arms and took a deep breath in, your face flushing a subtle pink as you picked up faint traces of Tenya’s scent. Looking back over your shoulder in his direction, you chuckled softly as you stared at him as he engaged in conversation with some of your other classmates, blissfully unaware of that fact that-

“You totally left it in his room on purpose, didn’t you?” Mina whispered as she approached you, a Cheshire Cat grin spread across her face as she quirked an eyebrow at you. You said nothing, only rolling your eyes and lightly shoving her by the shoulder, earning a giggle. You knew that she could see the answer in your face.

Maybe you did, but he didn’t need to know that.

[monstersandmaw]

Reminder to writers/authors experiencing burnout or writer's block (or both - double curse!): try reading a new author.

Obviously it might not help you, but immersing yourself in a new writing style and way of telling a story, with new ideas and a new setting/world might just get you fired up again about all things literary.

It might not fix the issue because writer's block is a complicated and nuanced little bitch, but it might at least give you the sparks of inspiration and imagination you need to tide you over until the block dissolves or the energy to write returns.

Either way, take it easy, and don't be hard on yourself. You're still a writer, even when you're not actively writing, and don't you forget that.

[the-thing-of-worms]

The plague of the avid reader and writer

[cy-cyborg]

Tips for drawing and writing amputees: The prosthetic needs something to hold onto

Prosthetics need to be able to hold on to the body.

If you're giving your amputee something similar to 99.99% of modern prosthetics, this will be done through a socket. This is a ridged cup made perfectly for the amputee that holds the prosthetic onto the body. Older prosthetics (mostly anything before the 90's) made the prosthetic socket intentionally tight in spots, which is what held it in place. Some people with sensitive skin still use this style of prosthetic but they've mainly fallen out of use in favour for suction sockets. These sockets create a vacuum seal that holds the prosthetic in place. These can work in two ways, either just by forcing excess air out of the socket and creating the seal that way, or for some legs, sucking that excess air out and into an "ankle" mechanism to offer some extra suspension and padding in the step.

Some prosthetics will also use additional measures as well as suction, such as pin-locks, where the amputee wears a sock with a screw at the bottom that clips into a mechanism at the bottom of the socket, or a prosthetic with movable panels that can be tightened via cables running through the socket.

I've used all of these except the pin lock socket, and they all have one thing in common: The sockets need as much space as possible. For prosthetics using suction in particular, this is to spread out the amount of force being applied to the leg. If all the suction is being applied to the end of the stump, it's going to get sore and could even damage the skin. If that same amount of suction is applied to a much wider area, it's going to feel less intense. Likewise, older prosthetics needed as much space to work with as possible too, as applying tight pressure to a small area as opposed to a larger surface to keep the tension isn't good for your skin or muscles in that spot.

For this reason, the sockets will take up all of the space available without limiting movement, meaning they will go all the way up to the next major joint. An amputee who lost their hand through the wrist will have a socket that goes all the way to their elbow. An amputee who lost their leg through or above the knee will have a socket that goes all the way to their hip.

Sometimes, if an amputation is particularly close to a major joint and there isn't a lot of space left between the stump and the next major joint, prosthetists will opt to immobilise the closest joint and take the socket all the way up to the next major joint. This was something I've actually discussed with my prosthetist. My left leg is amputated below the knee, but I only have a few centimetres of space below the knee. That leg occasionally needs revisions, meaning they take the very tip off of the stump to help correct issues with weird bone growth, scarring, infections etc, but if I get another revision, my leg will be too short to comfortably wear a socket, so my knee will need to be immobilised and my leg will become, functionally, an above knee amputation, despite still having the joint. This is rare, but it happens on occasion, showing that sometimes that need for space trumps even the use of a still functional joint. It's really important.

I wanted to bring this up because I see a lot of people draw sockets on their amputee's prosthetics, but they're much too tiny to be comfortable!

I did mention most prosthetics use a socket, but not all do. Some old prosthetics did not have sockets and were held in place using other methods.

This is a "prosthetic" my prosthetist found in his company's back room. He's not sure when it was made, but together we came up with an estimate of it being made around the 70's for a through-hip amputee (meaning someone who's whole leg was amputated with no stump at all)

It's designed so that the user would rest their hip on the cushion and use the handle to hold it in place and move it in time with their walk. This kind of mobility aid isn't often used anymore (me nor my prosthetist have seen one out in the world), and seems to have faded in use during the 80's as sockets were invented that could better hold onto the hip and pelvis for through-hip amputees and the use of wheelchairs for amputees became less stigmatised.

There's also A new type of prosthetic has been developed called the Osseointegration prosthetic, which also doesn't use a socket either. These are very rare as they are incredibly expensive and still very risky, but these prosthetics bypass the socket and implant the prosthetic directly into the body through a rod planted inside one's stump bone. This rod has a clip at the end of the stump, so the external part of the prosthetic can be removed as needed (and replaced). The reason they are risky though is that they are EXTREMELY prone to infection. I only know one person who had this implanted successfully, but he has to be very careful to keep his leg clean or else it will get infected (and it frequently does, he's constantly on antibiotics). Everyone else I know who got it had to get it removed.

With time these implants will get safer, but we are a very, very long way off from that right now.

[qqueenofhades]

THE EMPIRE OF BONES is here!

It's serious Fuck It, What The Hell Hours, and so here it finally is, another of my original novels for your (hopeful) reading pleasure. This is a big fat fantasy novel filled with all the things I love:

Complex and detailed historically-inspired settings

Lots of political and magical intrigue

Explorations of war, slavery, empire, history, memory, magic, power, religion, family, and destiny

Diverse and flawed characters

Extremely sassy djinni (if you’ve read Bartimaeus by Jonathan Stroud, then you know)

IDIOT GAYS. Like, this baby can fit all kinds of moronic homosexuals. I cannot stress enough how many queers there are and how many of them are very, very stupid. Many of them cannot use their words and avoidable mishaps ensue.

Based (loosely) on my fic The Key of Solomon, so if you've read that, you'll like this.

@silverbirching has described it thus: "It's like. Everything I want in a book. Basically a queer magic political thriller set in an alternate-universe Roman Empire. Carthaginian noblewoman gets embroiled in a conspiracy against the 400-year-old immortal emperor and finds the Ring of Solomon. Gay Jewish boy makes incredibly terrible romantic decisions while pretending to be a wizard. There are two empresses and they are the worst and probably my favorite characters."

Buy it here:

Amazon: Kindle | Paperback

Lulu: Paperback | Hardcover

If you have enjoyed my many, many fics for various fandoms over the years, my political and historical writing/general internet presence, if you're on the hunt for something new to read, trust my taste in books, or just want to think about something the hell else for a while, I hope you'll consider checking it out. There is also a sequel in the works, assuming my muse ever returns to me after Hell Year, so yes.

[wh1teswans]

this might be me

[freesia-writes]

Educational Saturday 😉❤️

I come to you today with a very important and very loving blurb about requests, courtesy, and how this site works.

This was a recent interaction I got, and I know others will be able to elaborate on it much better, so I'll keep it simple:

The single most important way to support writers is to REBLOG.

This site operates on REBLOGS.

Reading or requesting without doing anything to share the writer's work is very one-sided and not how we do things here.

SO, my beloved readers...

If you enjoy it, reblog it.

Don't bother with likes.

Comments can be put in the reblog.

.

sincerely, one of many authors putting their hearts and souls into creating awesome stuff for you to enjoy (and appreciate). ;)

[thewriteadviceforwriters]

50 Character Personality Traits + Meanings (For writers, worldbuilders, and artists) Part 1

Adventurous - Enjoys trying new experiences and exploring the unknown.

Ambitious - Driven to succeed and achieve their goals.

Analytical - Tends to think critically and examine things in-depth.

Artistic - Highly creative and expresses themselves through artistic mediums.

Assertive - Confident in expressing their thoughts and feelings.

Caring - Shows compassion and concern for the well-being of others.

Charismatic - Has a natural charm and appeal that draws people in.

Clever - Able to come up with creative solutions and make astute observations.

Compassionate - Displays empathy and a desire to help those in need.

Confident - Believes in their own abilities and is self-assured.

Conscientious - Reliable, responsible, and attentive to detail.

Curious - Eager to learn new things and explore the world around them.

Cynical - Tends to be skeptical and distrustful of others' motives.

Dependable - Can be counted on to follow through on their commitments.

Determined - Persistent in pursuing their goals and overcoming challenges.

Diplomatic - Skilled at navigating social situations and resolving conflicts.

Eccentric - Displays unconventional or unusual behaviors and interests.

Empathetic - Able to understand and share the feelings of others.

Ethical - Guided by a strong moral compass and a sense of right and wrong.

Extraverted - Enjoys being around people and draws energy from social interactions.

Flexible - Adaptable to changes and open to trying new approaches.

Forgiving - Willing to let go of past hurts and give people second chances.

Friendly - Approachable and enjoys building positive relationships with others.

Grounded - Practical, down-to-earth, and focused on the present.

Hardworking - Diligent and dedicated in their efforts to achieve their goals.

Honest - Values truthfulness and integrity in their words and actions.

Idealistic - Driven by a vision of how the world should be and a desire to make a difference.

Imaginative - Possesses a rich inner world and creative problem-solving abilities.

Independent - Prefers to think and act for themselves without relying on others.

Indecisive - Struggles with making decisions and often second-guesses themselves.

Introverted - Finds energy and fulfillment in solitary activities and introspection.

Jealous - Experiences feelings of resentment or insecurity towards others.

Kind - Gentle, considerate, and thoughtful in their treatment of others.

Leaders - Able to inspire and guide others towards a common goal.

Logical - Approaches problems and decisions through a rational, analytical lens.

Materialistic - Highly values the acquisition of possessions and wealth.

Organized - Maintains order and efficiency in their personal and professional life.

Perfectionistic - Strives for flawlessness and can be overly critical of themselves and others.

Pessimistic - Tends to focus on the negative aspects of situations and expect the worst.

Resilient - Able to bounce back from setbacks and adapt to changes.

Risk-taker - Willing to take chances and step outside of their comfort zone.

Sarcastic - Uses irony and witty remarks to convey their thoughts and feelings.

Sensitive - Deeply affected by the emotions and experiences of themselves and others.

Stubborn - Unwilling to change their mind or compromise on their beliefs and opinions.

Suspicious - Inclined to doubt the motives and intentions of others.

Thoughtful - Considerate of the impact their words and actions have on others.

Timid - Shy, reserved, and hesitant to take risks or assert themselves.

Trustworthy - Reliable, honest, and worthy of confidence.

Unpredictable - Displays an element of surprise and spontaneity in their behavior.

Witty - Possesses a quick, clever, and humorous way of expressing themselves.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[madrewrites]

not writing my wip and not not writing my wip but a secret third thing (elaborately daydreaming about wip)

[okwrites]

Breaking 3 Writing 'Rules':

If you have ADHD or ASC or are some other flavor of neurodivergent, the 'rules' many big name authors post about how they've reached success can actually make you feel REALLY BAD because you can't always do the same thing.

Building a positive relationship with writing can make all the difference in getting you writing more.

'Write every day.' - Don't write every day, write when the mood strikes. But you can trick your brain into work mode by trying different things. Put on your shoes when it's time to write. Light a candle. Put on the same playlist every time. After a while, it'll be like a light-switch. When you light the candle, your brain will find writing easier. Just don't force it. When you try to force writing, you build up frustration and resentment if you don't get anything out. Some days just won't be writing days. That's FINE, lots of authors don't write every day (even if they say they do).

'I write 1000 words every day!' - Well, if you WANT to write and are struggling, a goal of 1000 words seems really far away. So do incremental goals. One sentence. One paragraph. 100 words. Usually by then you're in the flow of things and you can write 1000 words pretty easy. And again, celebrate every single one of those goals so you want to keep doing it. If you have to? One sentence, walk away, come back later, add another, GOOD JOB, two whole sentences!

'Sit down and block out x hours every day just for writing.' - Actually, the best way I've found to write is to tell my brain the deadline or end time is really, really soon - so I write in 20-30 minute chunks, and then walk away or take breaks and come back if I want to later. By setting that arbitrary shorter deadline, my brain can see an end and will work harder and focus more because it knows it's just for a little bit. If 20-30 minutes is too long, start with 15 minute chunks.

[finnlongman]

Can you believe that MOTH TO A FLAME has been out for almost two months now? I can't. The time has flown: ten years of working on this trilogy and already it's been finished and published and complete for two months.

I don't think I've been doing a very good job of promoting it, partly due to my own life circumstances over the past couple of months and partly because it's a weird time to be trying to promote books in general. The news is full of terrible, important things; social media is relentlessly video-driven, which doesn't suit me at all; the cost of living continues to be prohibitive, and it's hard to ask anyone to spend their money on my book.

But here we are. If you've been looking for a YA trilogy without romance, or a thriller that grapples with the moral and ethical dilemmas of murder-focused narratives, or a story that pulls no punches but also doesn't act like violence is a viable solution to the world's problems, or a protagonist processing both the harm that's been done to her and the harm she's done to others... well, maybe THE BUTTERFLY ASSASSIN trilogy might be what you're looking for. And now that book three is out, you can read them all back to back and don't even have to worry about cliffhangers 🥰

If you've already read some or all of them, might I request you leave a review somewhere – Goodreads, Amazon, Waterstones etc? Tell your friends, spread the word, post about them... It would be greatly appreciated 💚

[lionofstone]

BODYSHARE is OUT NOW!!!

BODYSHARE is a queer fantasy novella that follows Luke Milton, a recent college graduate and divorcee who, in exchange for success in his music career, agrees to share his body with the devil.

You can purchase the novella HERE!!!

Luke Milton made a deal with the devil. Now, he's getting everything he ever wanted: musical opportunities, charting albums, world tours, and a thriving fanbase. The only cost? His body, which he now shares with the devil itself as it goes about its mysterious business. All in all, the tradeoff isn't too bad. He's also always wanted an intimate connection.

After both his college diploma and his divorce papers are signed, twenty-two-year-old Luke Milton is approached by the devil—an energetic force that's been present in one way or another for his whole life—who lauds him with praise for his musical skill and insists that it could help him further his career. When initial reviews of his EP are shaky, it doesn't take long before Luke is agreeing, even though the terms of the deal require him making space in his body for the devil the share.

Luke's career develops rapidly, and so does his relationship with the devil. As they work together through album releases and world tours, they become further and further intertwined, and Luke has to wonder if it's worth it.

Explore fame, self-worth, and sacrifice in this queer fantasy thriller.