#it did briefly

[mellomadness]

ughhh I woke up this morning with auditory overload and it’s only getting worse… I hate sensory overload days

[egophiliac]

finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!

Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.

Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)

Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(

Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.

(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

[kaijutegu]

Imagine going to class and instead of your anthropology instructor, this thing is there.

[filurig]

instructional booklet for basal and listless ceteceans feeling like looking for porpoise

[damiel-of-real]

deltarune must be so funny from one of the classmates' perspective. can you imagine seeing kris and susie's relationship suddenly flip on a dime.

like these two kids that have a fierce one-sided rivalry disappear into a supply closet for an entire day and you probably just assume "oh damn they must've beaten the shit out of each other in there" but then the next day theyre laughing and hugging and giving each other piggyback rides. and its like what the fuck happened in that closet man

[timblrdrake]

every day i wake up and thank the stars that Batman has never worked retail

he’s already scary but imagine him with the hardened disdain for the world that comes with working as a cashier

[stardink]

Waiting for stardust to get killed by the king again! There is no way he'll ever beat him-

[armorangels]

also. it’s honestly a miracle that neil’s death sparked todd’s confidence/independence

[possiblyawesometmblr]

there's one concept that i think about all the time that we briefly talked about but never did because it never made sense for fable to just up and say it: the concept that fable fucking hates ari.

and not because of who she is as a person or anything (but granted i think it's pretty clear he's not a fan of her in general) but rather that he hates what her existence means.

cause think about it. you're a major god who spent ages creating and building up mortals to be who they are now, and you want to keep them forever because you worked so hard on them, but you're not allowed. your brother takes them. and you're told that's just the way it is. tough shit.

but then. some minor god makes a baby? completely on accident??but oh, yeah, SHE gets to keep it forever. that's a given. your brother is totally cool with this.

let's be real: that'd probably make your blood boil a little bit

[inkskinned]

im having a particularly terrible night with urges and imagery that i dont know how to handle. i gave in to some things. held back on some others. but im barely holding on, dear internet stranger.

you do not owe me your time or your words.. but if you could write some hope into existence for me.. i would be unendingly grateful to you.

please. tell me how you do it. tell me how you survive. because im not so sure i can get through the fifteen days it'll take to get to my seventeenth birthday.

could you please give me something to place my faith in? i dont think the universe is watching out for me anymore.

i don't usually answer these, because i am not a professional, and you deserve professional help. when i was 17 i was terrified of the idea of professional help, because my household was extremely unsafe, and made it clear that if i ever chose to get help, i would be punished for it.

i hope this is not your case. i hope that you can call someone, and they can take you where you should go.

but i will give you the advice that i wish i got, when i couldn't get help at 17, when i was so bad that years later, i literally don't-know-how-i-survived it: what you want is peace, not death. your brain is sick. it has romanticized an ending where there are no consequences. where effort isn't necessary. where you can just... forget.

you want peace. that is a normal, human thing to want. maybe it feels more like you want quiet. or just... to take a break for a second.

here is what i will say: to end yourself means you never get to experience what it's like to actually be happy. i thought i knew what it was like, and i was bitter about it. i'd say - i've been happy, it's not worth it, because i didn't know what i was missing. i thought that happiness meant having a partner or having a job or money or a college degree. it sounded like effort. it sounded like something that had to happen to me.

for the first time in my life, just this week, i was able to go to a concert and just-enjoy-it. no liquor, no drugs. just stomping my feet and getting caught up in it. i didn't feel nervous or self-conscious or overwhelmed. i just had a good time. these days have a lot of these firsts for me - it is the first time i can eat cake without crying. it is the first time i can be around an exacto blade without supervision. it is the first time i have too many people to call when i am crying.

i can't tell you where you'll run into happiness, only that, for me, it started once i was out of that fucking house. it started once i figured out where the pain was coming from. once i figured out that i was not possessed, something medical was wrong with me. that i am not stupid or lazy, i have depression and adhd. the first few years were difficult. at 19, during my efforts to recover, i actually got worse by a considerable margin. and then, with time and patience - i got better.

happiness doesn't feel like what you think it will. in movies it's so golden and all-encompassing. but it doesn't fly into your hands when you buy your first car nor does it arrive in the arms of a partner nor does it require passing your classes. happiness came to me on a tuesday in the form of a red-winged blackbird, and i looked at her, and she looked at me, and i said - oh. the whole world suddenly filled itself in with color. like i had been forever-asleep. like every corner of every room was suddenly glistening.

it ended quickly, back then. it just stopped in to check in on me. but it was enough - this thing i had never experienced, but that i knew (logically) could happen. before that, i was only staying because it would make my mom sad if i died. that was my only reason. and then the happiness came, so strange and brilliant and lovely that for years i couldn't even look at it directly.

these days, things are so different. life is so much easier. i don't wish for death because so much of what i have is already at peace. my boss understands when i need a mental health day. people in general are less prone to high school drama. entire communities hold my hand and have my number. i have a car and a dog and a little apartment garden and candles on all available surfaces and today i bought myself a little cake just-to-celebrate-nothing. my body is my own and we are both dancing.

there are so many things i've gotten to taste in the last 10 years. i know, for you, that is an eon, because it's more than half of your life. but if it helps? in the 5 years between 17-21: i filled myself with laughter and love. i got to be a lead in a ballet and got my first tattoo and then my second and pierced my ears the way i'd wanted to (one of them professionally the other over a hot stove with a potato) and i discovered hozier is my favorite singer (i know. he was new back then) and i got my first real job and my first real paycheck and i hadn't ever been seen as smart but then i started to actually treat my adhd as a condition rather than a burden and people started saying you're like the smartest person in the room and my best friend met her husband who i will one day stand next to as maid of honor when he is her groom and i got to help people and make a stupid blog called "inkskinned" and find out that writing is actually my passion and that maybe i'm actually kind of good at it if i just practice and i got to meet my parents' dog (his name is kaiju) and i slept on couches and kissed people and tried new things and learned how to breathe without feeling my chest tighten and that peace is here, on this planet, that peace echoes everywhere, it is in my hair and my homework and my houseplants, it is quiet and divine and mine because i fought for it and i built it and yes i lost hair over it but holy shit the whole world feels like it is shifted through a sunbeam

recently someone asked me if i could go back in time to 6th grade, with all the knowledge i have now, would i? and without thinking, i barked absolutely not. i know i should say it's because i wouldn't want to risk losing any of this stuff - but really it's because i would never survive being a teenager again. it sounds incredibly lame and impossible, fake - but being a teenager was the hardest thing i ever did. i had no voice, no control, only fear and hatred.

but i did survive it. nothing about me is special. nothing about me is stronger than you or better prepared or more efficient. i didn't survive it perfectly. i made a lot of mistakes and lost a lot of friends and harmed myself in ways that i'm still recovering from. but i did survive it. and there is a part of me looking at you in the past and saying - i'm you in the future.

and holy shit. every day. every goddamn day i'm glad we survived to see the rest of it. because you hit 18 and everything changes. like, everything. and holy shit, it is infinitely worth it.

[uwullow]

madoki mat

[hoofpeet]

something something dl-6 something something archeops

</3

[rowynri]

some undertale doodles :]

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.