#is good for my research

[juniperscholar]

'I should read Caesar as a corpus for my thesis about the syntax of the AcI' I said

'Caesar uses AcI all the time, it will be an easy way to gather data,' I said

and now here I am, minding my own business, fighting for my life trying to sort through full pages of AcI that are dependent on a verb of speaking that appeared a full page ago, trying to make sense of a pronominal system with three-way deixis in which everyone including the speaker is using third person, asking myself how I got here

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[savagegood]

ice hockey nicknames be like:

also, assigned babygirl/angel/wifey by wikipedia:

update: new sidney crosby nicknames dropped over the weekend

[lurkinginnernarrator]

I need Shen Qingqiu, who left for a week-long mission to not return. I need the peak lords to look for him, scouring high and low.

Only, they find him. He's crouched behind bushes, journal in hand fastidiously observing Malevolent Mango-Leopard Birds. He looks crazed. It's the dirtiest they've ever seen him. He has rivers of notes and illustrations.

He shushes them all and tugs them behind the bushes.

"The mating rituals of Malevolent Mango-Leopard Birds haven't ever been documented before. It's believed they only mate once every thousand years."

"Shen-Shixiong was here... watching birds."

"Shen-Shixiong didn't send word because... He was too busy watching birds. Mate."

"...don't say it like that."

[botanyshitposts]

public libraries are so crazy man. like you’re telling me I can read this book for free

[charcoaldustonmyfingers]

Leo skeletal anatomy! Click for better quality :)

The way most turtles actually fit into their shells is because their arms and legs are shaped to fit into the loose skin around the openings for their limbs, but on account of their human proportions, I just suspend my disbelief as to how mutant turtles could fit in their shells without the odd configuration to their organs that real turtles have. Real turtles have flat lungs that sit widely along their carapace, which is weird but cool. Turtles shed their scutes (the large flat scales on their shells and plastron) about once a year or if the scutes are damaged. The scutes have barely any skin between them and the bone, which is why turtle skeletons usually have the scutes on still, though they can pop off. The rest of the skin sheds regularly though, instead of in large patches.

For the brothers’, their respiration is much more human than turtle. Therefore, their lungs need to expand and contract with their diaphragm rather than just with their movement, so therefore they must have some flexibility to their chest. Some turtles, like box turtles, already have hinged plastrons, and softshell shells are mostly cartilage, so it’s not too far off to assume that there’s a bit of cartilage just to the upper plastral bones of the hard shelled brothers to give their humanoid lungs room to breathe.

Poor Leo. After the movie, one could assume he’s got a couple broken bones. It kind of made me morbidly curious as to how to describe injuries on a character whose skeletal structure is quite different from a human’s for my own writing!

Feel free to use as reference or disregard, these are just my own little speculations :)

[General][Raph][Donnie][Mikey][Splinter]

[milli0n-dollar-fool]

This has probably been said before but good omens had made very clear aziraphale and Crowley's relationship at the end of season 1 for any doubters

Here Crowley says 'time to leave the garden,' like God had said 'the story ends as it began - in a garden,' not just referring to Adam young. The Garden of Eden represented their responsibilities as angel and demon, especially their very first responsibilities. Leaving the garden means leaving it all behind.

When they met in Berkeley Square, they met no longer as angel or demon but as lovers, 'the first meeting of two lovers in Berkeley Square.'

Gonna go scream now

[sciderman]

How did your meeting go with the surgeons?

it was memorable

[arliedraws]

80s dad sirius black

@impishtubist I think this is some of the things that were mentioned, but he’s grown the 80s mustache.

[charlietheepicwriter7]

"Grandfather."

Ra's knew who the boy was the moment he'd snuck into the room. He'd allowed the child--more man than child now, but everyone was a child compared to him--moments to steel himself while Ra's refrained from acknowledging his presence. The boy's breath was barely audible but unsteady, and a drop of something fell to the floor.

His grandson was injured. "Danyal," he greeted and finally gazed upon him for the first time in seven years.

Danyal had grown into his father's height, yet stayed lean in regards to his musculature. His black hair had grown out of the League-regulation haircut, held back in a messy braid. He held himself as strong as he could, but kept an arm wrapped around his stomach. His shirt--standard American teenage garb, he dismissed--was spotted with blood and he could see bandages poking out from under the cloth.

With great care, Danyal knelt before the Demon Head and recited the Oath of Loyalty.

Ra's watched.

The boy's tongue, fat with English, spoke the League's variant of Arabic with the grace of a mace to the head, yet his words were clear. He took his time speaking the oath, carefully sounding out words, working hard to avoid mispronunciation. The Oath in question was the older version, from before Deathstroke's insurrection, but Danyal spoke it with a calm certainty that it would be accepted.

And without a doubt, it would be accepted.

Talia's eldest son had been born from her body instead of through science, a mistake that nearly cost her the child and damaged him upon birth. While the best doctors in the world saved his life, Danyal Al Ghul would always be weak in a fight, always prone to illness, always struggling to excel. When it became clear that the boy couldn't become the next Demon Head, Ra's sent Talia to create a replacement while arrangements were made for her first child to be taught business and science, for the betterment of the League. Danyal, very much his father's child, thrived in his intellectual pursuits while Damian grew and developed into a budding assassin.

But Danyal was more like his father than he'd ever knew. Ra's couldn't miss the signs of one of his family turning away from the League. Not the mission--Danyal had written several university level papers defending the environment by the time the boy was 10--but Ra's methods...

Ra's had a conundrum. Danyal was a dedicated conservationist; once the boy was an adult, Ra's was certain he'd take the world by storm and bring the League to new heights. But if he forced his methods onto Danyal, he could create an enemy of him, just as his father was.

Ra's gave Danyal an offer; Danyal would be allowed to leave the League and live a normal life if and only if he faked his own death in such a way that reinforced Damian's loyalty to the League of Assassins.

Danyal had been hesitant at first, but past his test with flying colors. Instigating one of the more unstable assassins into organizing a coup, cutting the insurgents off near immediately, but "dying" protecting both his younger brother and mother. It was a masterful performance. Even Talia hadn't known about the deceit.

And yet, here he was, on his knees, pledging loyalty. Danyal knew what that meant, knew what he was returning to, which morals he would be allowed to keep.

"And what do you bring with you, child of no one?" Why should the League accept the return of this child, who left once before?

Danyal met his eyes. "I bring with me, my team, who are loyal to me and me alone. I bring with me, research surrounding the Lazarus Pits, in origins and further uses for the waters." Ra's raised an eyebrow, and Danyal smirked. "I bring with me, my knowledge, nurtured within this very home and sharpened in the world outside. I bring with me, my weapons, built with my own hands. I bring with me... my body, finally healthy and whole." He brought his head down to the floor, trembling with pain. "I bring my whole self to the Demon's Head, for Him to accept or reject."

Ra's smiled. "By the shadows that guard our order and the blood that binds us, I accept this oath. From this day forward, you are an instrument of the League, a harbinger of justice, and a weapon in the hand of Ra's Al Ghul."

Danyal returned to his feet, swaying percariously. He needed immediate medical attention. Despite this, he continued, "Long live the League of Assassins. Long live Ra's Al Ghul."

And he collapsed onto the floor.

[bathylychnops]

i feel sick hey haveyou guysheard of this game where everyone is a terrible person and theyre all stuck on an island forever together

[ineffable-aaaaaaaaaa]

manifesting the lesbians for season three :))))))

[daily-odile]

nuh uh (papertrail au)

[communistkenobi]

The deeply moralist tone that a lot of discussions about media representation take on here are primarily neoliberal before they are anything else. Like the shouting matches people get into about “purity culture” “pro/anti” etc nonsense (even if I think it’s true that some people have a deeply christian worldview about what art ought to say and represent about the world) are downstream of the basic neoliberal assumption that we can and must educate the public by being consumers in a market. “Bad representation” is often framed as a writer’s/developer’s/director’s/etc’s failure to properly educate their audience, or to educate them the wrong way with bad information about the world (which will compel their audience to act, behave, internalise or otherwise believe these bad representations about some social issue). Likewise, to “consume” or give money to a piece of media with Bad Representation is to legitimate and make stronger these bad representations in the world, an act which will cause more people to believe or internalise bad things about themselves or other people. And at the heart of both of those claims is, again, the assumption that mass public education should be undertaken by artists in a private market, who are responsible for creating moral fables and political allegories that they will instil in their audiences by selling it to them. These conversations often become pure nonsense if you don’t accept that the moral and political education of the world should be directed by like, studio executives or tv actors or authors on twitter. There is no horizon of possibility being imagined beyond purchasing, as an individual consumer in a market, your way into good beliefs about the world, instilled in you by Media Product 

[saudrag]

sooo… nobody’s gonna talk about how every time hughie kills someone & gets their blood all over himself the next thing happening is butcher killing someone & getting coated in blood too? literally every. single. time.

murder husbands i guess?

also i was SO fucking cheering for hughie to kill that man. i need this boy morally RUINED

[agentc0rn]

Love it when there's cool™ folks with extensive historical knowledge of lore and ancient lineages who have gone through losses and sought questionable ways of achieving their goals + having indirect connection to their respective beings of worship