#into the writing of the thing

[whoopseydaisy]

On Witches, Wizards, and Wild Ones: A Conspiracy Board from the Walls of the Witch of the Wondering Path

Ahoohoo and crackle crackle!

This is an attempt of untangling some threads, stretching out their red yarn and connecting one thing to another or maybe to nothing at all. A series of notes and questions on what we know, what we may know so far, or at the very least what we have been told. The purpose is mostly to try and determine who might be behind the assassination attempt of the station of the Witch of the World’s Heart, before the Coven of Elders convenes, but also some other stuff, because these sorts of things balloon out quite quickly when one is combing through transcripts for clues. And also a dragon??

I shall analyze and speculate from what we have been told, knowing some inconsistencies may be characters concealing truths, interpreting them differently, or that some inconsistencies will be born of this beautiful improvisational medium. I will also do so knowing that Brennan is playing a long game, setting up characters and plot threads for a future he does not entirely know yet.

Settle in with your warm drinks and campfire blankets everyone, this is 12 page paper. 

THE CURSE(S)

There are several appearances of curses in both the Children’s Adventure and the first arc, often characterized by an exhalation of dark smoke. 

In the Children’s Adventure: While not confirmed as a curse, when Grandmother Wren leaves (to a meeting with friends that the wizards don’t know about, to see where the missing Eoighorain might be) to what is presumably a meeting with the Coven of Elders, she returns with a bandage tied around her forearm. But it does not look too horrifying and it is not soaked with blood. She describes the trip as eventful and necessary. (Possibly at the castle of Indri, the Witch of the Wind and Stars, as the conclave will be the second meeting there in a century.)

In episode 8, 2 days before Steel arrives to bring Suvi home, Grandmother Wren returns to the cottage after leaving to try and figure out why Soft and Stone have not come yet. She went to a place that they had told her was safe, and someone was there waiting to hurt her. Grandmother Wren tells Suvi “They’re gone now.”

Grandmother Wren looks ill; her hair is white and her hand is described as black and red and withered, burnt and cracking with blood streaming down from a wound that can’t set. Her breath is ragged, weak, and quick. The curse is described to Eursulon as not strong, but clever. He also learns that the curse uses her pain to keep the itself in place; that it gets stronger the more she tries to feel and deal with the pain. 

After the children work together to trap the curse and heal Grandmother Wren, Suvi recognizes the mist of wizardly teleportation magic outside. The girls just barely see Grandmother Wren’s footprints outside the door, but do not see anyone else’s, nor any other signs of entry. Suvi is able to tell that the magic is not Grandmother Wren’s. 

After investigating this caught curse, which Grandmother Wren at first believed was the work of the wizard, she determines the curse was expecting a wizard, and did not believe its origins were of this realm. She also says it should have killed her, but it didn’t, because they were expecting someone else. 

I was surprised re-listening that Grandmother Wren believed this portion of the curse expected a wizard. I think this curse may have been on an item capable of teleportation magic (no second set of footprints) perhaps meant for Soft and Stone, but when its target became Grandmother Wren, a contingent effect was triggered, or this is another curse altogether perhaps mingling with the larger curse on both her and Ame. Grandmother Wren thought Soft and Stone were spending the summer trying to find out who their true friends were - perhaps the Coven of Elders were also testing who they could trust. While “They’re gone now. Do you understand?” implies Grandma Wren whooping their ass 6 ft under the ground, she hadn’t figured out who cast it yet at that point, which leads me to believe that they were not present. The origin not being of this realm makes me think the origin of the curse is The Stranger.

In Ep 01: 

Here we discover the larger curse on both Grandmother Wren and Ame, when they realize a curse has robbed Ame of her memories and knowledge, of her station and of who she could trust and prevents Grandmother Wren from telling her about the Coven of Elders  or calling herself the Witch of the World’s Heart. Grandmother Wren breaks through the curse (but not breaking it proper) as it tries to “stop the coronation” by willing the house, and all that is hers to Ame. 

After, Brennan tells us “Grandmother Wren can no longer speak as she concentrates on magic, she has not fought off this curse”

Taro addresses the Granddaughters of Wren and tells them “The curse is powerful, but the secrets that Wren shared still live. You have been cursed too” and then, speaking of Wavebreaker, “But there is a key, a key to find where they are being kept, and a key to cut them free when found. There is a source with the power to disenchant and scry”

GrandaughterS of Wren - is Suvi afflicted by any part of the curse, or was Taro’s “you” only addressing Ame? Taro also says Wavebreaker has the power to find where the secrets are being kept, and the power to scry but this is not currently reflected in the statblock…but more on that later when we talk about the Stranger’s possible connection to Wavebreaker. 

We also learn in Episode 15, once Ame recovers her memories, that the Stranger had attacked Grandmother Wren at the Grove of the Well— a place sacred to the Coven of Elders, a month prior to her bed rest. She also tells Ame “For some time now, since you were a very little girl, in fact, he has been moving upon our world in a way that I cannot quite see.

Is part of the curse helping to obscure The Pilgrim Under the Stars, The Man in Black, The King of Night, The Stranger from Grandmother Wren? Did he start moving in such a way shortly after she took in Ame as her apprentice (which she was “cutting a bit close”) and the succession of her station was in the process of being secured, not going the way of either Scalvi, the Witch of the Watching Fire or Oruna, the Witch of the Wide Blue Sea? 

In Ep 14: 

In episode 14 when Eursulon breaks the curse on Ame we are told “Whatever entity placed this curse on Grandmother Wren and Ame put a spell so nasty that it was standing in front of successive contingent effects. That there’s like, a nested series of spells within Ame, and you’re excising all of them. But the big one that Ame was aware of was hiding some others” 

The curse afflicting Grandmother Wren at the end of summer, seems to be the larger curse affected both her and Ame. The children only excised and trapped one part of many of the curse. 

The curse is described as something sliding and clicking, liquid poison filled with a puzzle, turning from the inside, made of shadow. something that twists and rotates and expands and pierces. The curse is also holding onto something as it leaves - Ame is able to grab and safekeep the knowledge the curse attempts to steal from her on a Nat 20 wisdom save, and then collapses to the ground and expectorates black bile that smells of iron and blood, like Eoighorain, with a 9 on her constitution save. Her breathing remains strong, not ragged (unlike Grandmother Wren). We are told, through Suvi’s identify spell, that the bile is not the curse itself, but was behind the curse - something hidden there, meant to kill Ame if the curse were to be broken

Does the bile smell of Eoighorain because its a contribution he made to the curse (he is a known entity to the Coven of Elders), or a signifier of a power both he and Ame are affected by? We learn later, in Episode 16 when Steel discusses Eoighorain with Suvi, that this smell is not common amongst shapeshifter’s, but a scent she has only ever smelled from him. 

When Steel arrives she says that the longer Ame remains in her unconscious state, the more whoever created this spell would be able to track her. 

More on this in the next section- but is that why Indri, the Witch of the Wind and Stars was able to send a message to Ame in the Citadel so easily?

THE COVEN OF ELDERS

In Episode 23, Mr. Soup tells us that Grandmother Wren was at odds with the Coven for many years— there was a plan she did not want to go along with, and had been searching for a long time to find a way to convince her sisters to do something else. We also see glimpses of this in Episode 15 in Grandmother Wren’s conversation with Mirara, the Witch of the Waning Moon. It’s a safe guess that this disagreement has to do with Wizards and the Citadel. 

What Sly has divined regarding the upcoming Conclave (which we are told in glorious metatheatrical fashion in Episode 23 that “All things occurring as they have been seen. With perhaps one or two tricks, just to keep the story interesting.”)

That if Ame does not go to the North Pole in 3 days, the Coven will meet without her and that they will try to destroy her and in doing so the stations of Witch of the World’s Heart

One of them will make an argument that Ame’s existence threatens the nature of magic in Umora. The majority of times Ame wins that argument, it is because magically if they were to get rid of her station they would probably have to get rid of another. 

If Suvi is not there as her advisor, Ame will die

We also know from Grandmother Wren that there is much the coven can do without full unanimity (but presumably would be far less powerful to do so), and the Coven is bound by laws of mutual respect and there will be tremendous repercussions if one insinuates that any of the other stations are not incredibly significant to the nature of magic itself. 

But which of the members of the Coven of Elders might want the station of the Witch of the World’s Heart gone the most? WHO IS IN CAHOOTS? Is The Stranger involved? Is Eoighorain? Who has the most against wizards?

Marara, the Witch of the Waning Moon (Mirara? The transcripts use both spellings.)

The death of light, the end of might, the all consuming dread of night. 

This is the obvious first suspect. 

If that’s not a witch well on the pathway to wickedness, I don’t know what is.

The Witch subclass says of The Coven of the Wicked: “Members of this coven like to paint themselves as misunderstood victims, but it’s not tragedy that turns a witch’s heart to darkness—it’s the inability to let go of their suffering. A wicked witch might claim to be an enemy to all the world, but they always have one kind of person in particular—usually related to their past self, and what soured their magic—that they despise above all else. When you become wicked, choose a virtue that is anathema to you: courage, fairness, generosity, innocence, loyalty, kindness, optimism, prudence, selflessness, or being in love. Beings that display this virtue are especially tempting targets for your ire.”

Like…you can’t have a piece of such juicy and gorgeous and cool design like the Coven of Wicked (and the rehabilitation therein) and not have a wicked witch in your story! 

Additionally, Marara’s domain is the Witch of the Waning Moon. The death of light, the end of might, the all consuming dread of night. The moon wanes as it goes from full to new. When Ame meets her on the road, to light her way to the cottage, the harbinger of her arrival is a candle on the verge of going out. 

Mirara’s domain speaks to cycles, to the fall of the mighty and to the fear of the unknown. It is also of the night, possibly putting her in natural cahoots with The King of Night who also hates wizards. The conversation he has with Eursulon and the conversation Ame sees in the water between Marara and Grandmother Wren, both in Episode 23, certainly mirror each other. 

She is also often accompanied by wind, which speaks to Indri’s domain, the Wind and Stars, another one of night.

Indri, the Witch of the Wind and Stars

Of frost and stone, of ice and throne, the ruler of the self alone.

Indri’s domain is the wind and stars, a domain that also overlaps with an appellation of the Pilgrim Under the Stars.  In the letter to Ame she tells her she knew Ame has assumed her station from how the stars aligned. She has an apprentice we know little of. She also did the most to reach out to Ame to arrange a meeting. 

Did she reach out to Ame so it was more likely she would attend the Conclave? 

The ice fairies say when they find Ame and Suvi in the bathroom, “long lancing spells and vexing hexes of old were made to pierce and plunder through the guises and guile of wizards”

Were they able to reach her because Ame was easier to track when she was unconscious under Indri’s spellwork? Is it because she does not like wizards and is practiced at secretly penetrating their defences? The ice fairies were particularly silly, one being evidently foolish. Were they perhaps sent by Indri by way of her apprentice, who is lonely and excited to meet another Great Apprentice? “Hexes of old” does imply that Indri may be practiced at getting through Citadel defences. 

Does Indri have any pull over celestial movements? When discussing that summer and Eoighorain with Suvi, Steel says “all of that changed as the celestial path shifted ever so slightly. And that slight slight shift meant that all of a sudden, you could teleport anywhere, pretty much unstoppable, very easily.” Grandma Wren also speaks of stars to Ame like they  have personalities. Could Indri have eased the way for the eras of easy teleportation? Did she ever go on long and friendly flights among the stars with Grandma Wren? Is her witchcraft more divinatory? I think Indri falls on the side of wanting to stop wizards, but something in my gut says she does not want to see Ame dead. 

Hacaea, the Witch of the Woodland Green

The holly branch, the towering oak, the limb and leaf an thorn her folk.

We know little of Hacaea so far, but I think she’s absolutely in cahoots mostly because she would have perhaps one of the greatest motives to hate wizards and want them gone, on account of the whole them turning a great forest into a huge snowy, mirror-y desert and a wizard tower who’s aerith depository is probably doing kind of fucked up stuff to the biome. We know she does not have an apprentice and I think Brennan singling her out as the one Ame could imagine hanging out with was in part was that it would hurt more when she’s in ASSASSINATION CAHOOTS. Might have sent Ame the letter on bark.

Grimoire, the Witch of the Wild Hunt

Where beasts have tread and monsters fed, the bloody fang and maw hath led. 

We also do not know much about Grimoire. We know she has an apprentice, and has so far been characterised as much more feral and concerned with catching and eating things. She might have also sent Ame a letter on bark. I think there is more with her connection to monsters and possibly to Gaothmai, and Eoighorain?? Certainly there is more to her than meets the ear. Again I think Brennan could have been trying to be tricky in his comments about her, trying to make her seem less important early on than she will be.

THE STRANGER

Who has held his breath since the dawn of time, the Pilgrim Under Stars, the Man in Black, the King of Night. Who attacked Grandmother Wren at the Grove of the Well and who has been moving across the world in a way Grandmother Wren could not see since Ame was a very little girl, who came to the cottage the moment after Grandmother Wren passed when the station was at its most vulnerable and requested entry, and who does not like wizards. 

The strings I am most interesting in detangling here, are his possible connection to Wavebreaker, and his connection to roads which we know are incredibly significant to Grandmother Wren’s wards.

In Episode 7 of Children’s Adventure after the cast each takes a turn describing a detail of Wavebreaker Brennan narrates “So you have this moment together in the hottest days of summer as this suit of armor hands you this thing”. The next scene, after taking a moment to roll some ability scores, is at night.

Suvi then rolls a 3 on a perception check, “So with a three in perception, you look and see that you were mistaken. You look deeper at the shadow and it's just a shadow. But it was a scary shape from one of the trees”

Ame investigates the spot the next day.

Taro had said back in Episode 01 “It will help you find whatever is keeping these secrets, and perhaps whoever took them.” What if that connection goes both ways for a powerful spirit with so many titles? One who has taken care to obscure himself from Grandmother Wren?

In Episode 23 once Eursulon entered the fire, eventually travelling from the Citadel to actual Gaothmai, the Stranger caught up to him enough to have a conversation real fast. 

As evidenced above (if that figure of shadow is indeed The Stranger, but the point still stands anyways) he is also connected to the motif of roads. 

The final line of Episode 01 (which as the last line from the first episode, carries extra emphasis):

From episode 21:

From episode 22:

But in speaking of roads we must remember,

The iron shoe of horses. 3 iron nails sprung out of a signpost. Could a connection to the Stranger cause Eoighorain’s blood to smell like iron?

EOIGHORAIN

In my folders of screenshots, within the one labelled conspiracy, this one is named “the unexplained Eoighorain fragment.” As I mentioned before, Brennan is playing the long game- placing pieces on the board, but he could not yet know all the ways they could move. Eoighorain is placed like a question mark, with great manoeuvrability. He could go one way or another. Too many NPCs think him untrustworthy and it makes me wonder if he is the flashy distraction of a magic trick so we don’t see what the other hand is doing. 

This one goes down a few rabbit holes. 

We learn much about Eoighorain in episode 16 from Suvi and Steel’s conversation but also, from the diagrams (which are 150 years old, made in the first 50 years of the Citadel) of garrans, which are a creature of the world of spirit. We learn that Eoighorain’s name means “Of Garran” or “Son of Garran” and that iron was always at the forefront of his smell, with the party speculating that the iron is perhaps used to bind him. 

In Episode 15 Grandmother Wren tells Ame she has doubts about how loyal Eoighorain ended up being. Steel tells Suvi in episode 16 that she discovered recently, in the weeks preceding the start of the campaign proper, that Eoighorain was alive, and this is why she sent the books including the diagrams made to smell like him to Grandmother Wren, in an act of admitting defeat and hoping she would be able to find him where she could not. 

She says she saw him at Fort Keiran, doubts herself, and then sounds sure.

Why was Eoighorain at Fort Keiran? Because the revolutionary forces of Gaothmai are fighting the Citadel? Because he is working with the Cauntaranacht now and perhaps always was? A secret third thing? Was it even him after all? Was Steel about to say that exact same scent? Was their revolution successful and so their forces hold much more power in Gaothmai now? Is that one of the reasons the war is spinning up again? 

We see Gaothmai ourselves only briefly, in Episode 23. Eursulon, after falling and landing in an unfamiliar deep forest, meets monsters caught somewhere between spirit and mortal, left to fester— simian feline monstrosities, somewhere between a baboon and a panther with diseased scaly and mottled hide. Brennan describes it like a yard with attack dogs in it, who attack because of his citadel badge and who eventually leads him to Kalaya. 

(And sidebar I think he sees a dragon?? Is the war spinning up again because of a dragon? Was part of the Coven’s plan raising a dragon to raze the Citadel and everyone else? Was that how the world burned before? I just realized now that Eursulon saw a dragon and I am spinning up about it for sure.)

But back to Eoighorain, and Steel thinking that he caused the death of Soft and Stone, who Steels tells us were prolific double agents with connections in both Rhuv and Gaothmai that pay dividends to this day. 

Grandmother Wren tells Ame in Episode 15 that Eoighorain was one of the outside members of the Citadel to alert the Acadator to the presence of agencies, jokingly referred to as the League of Whispers, which were dedicated to the downfall of the Citadel from within. She also says “When Steel came to collect Suvi at the end of that summer, the primary targets of their investigation were dead or missing.”

Additionally in the Children’s Adventure:

Steel tells us in Episode 16 that the mission Soft and Stone were on the summer that they died was searching for a dangerous sorceress named Nahani. This was the first time that instead of her and Eoighorain protecting Soft and Stone, he alone was charged with their safety. When Steel returned to collect Suvi she came back with scars on her face, and a new cloak. 

Why was Steel left behind? Was she needed by the Citadel elsewhere? A matter of trust? Is she telling the truth? Did Soft and Stone leave Steel behind so she would not know they were possibly acting against the Citadel? Because they knew she would not betray it? Was she really not there, or is that a cover up? Is guilt one of the forces that pulled her to be mother to Suvi? I don’t really think she killed them but I am not discounting that possibility.

I think Steel believes this wholeheartedly, but I don’t for a second.

Stone is a very prolific abjurer, who also studied divination. Just saying.

Additionally, 

This little nugget in Gaothmai perked my ears up the first time it was said. Ket, you say? Like Suvirin Kedberiket? Like Aman Kedberiket? THAT WAS A CHOICE BRENNAN. IN A WORLD WHERE NAMES ARE VERY IMPORTANT, IN A CULTURE WHERE NAMES ARE KEPT SECRET. IN A NATION SOFT WAS A DOUBLE AGENT FOR. WHO, 2 YEARS BEFORE SUVI WAS BORN, FREED A NUMBER OF SPIRITS, ONE OF WHOM WAS KALAYA, WHO THEN SETTLED DOWN IN GAOTHMAI. AND HE HAS A COLLEAGUE WHO IS THEORETICALLY A REVOLUTIONARY FROM THERE. A COINCIDENCE? I THINK NOT. Anyways I think Soft is from Gaothmai. 

In conclusion: ?????????????????? I’m really excited for arc 3 because I really love witches and I don’t really know what up with Eoighorain, and I adore but do not trust Steel (but what else is new) and I do think there’s a dragon in Gaothmai apparently?? And I think The Stranger has a connection to Wavebreaker and I think Soft is from Gaothmai and I really don’t know if I can trust Indri or not but I hope we meet her apprentice and some more ice fairies. 

[going2hell4everythingbutbeingbi]

I firmly believe that some stories can never be translated into a different medium and that's okay

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[roach-works]

speculative fiction writers i am going to give you a really urgent piece of advice: don't say numbers. don't give your readers any numbers. how heavy is the sword? lots. how old is that city? plenty. how big is the fort? massive. how fast is the spaceship? not very, it's secondhand.

the minute you say a number your readers can check your math and you cannot do math better than your most autistic critic. i guarantee. don't let your readers do any math. when did something happen? awhile ago. how many bullets can that gun fire? trick question, it shoots lasers, and it shoots em HARD.

you are lying to people for fun. if you let them do math at you the lie collapses and it's no fun anymore.

[faeriekit]

"This fic was ai generated—" Cool, so lemme block you real quick

[roboticnebula]

Pros of re-reading your own fic

a good time;

Has exactly the tropes you like and the characterization you want to read;

Gratification: yes you did finish a thing and yes you did do good;

just a very fun time all around.

Cons of re-reading your own fic:

Is that another TYpO

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[so-many-ocs]

[on the verge of having a complete breakdown] i need to make some kind of list or perhaps sort things into categories

[vinceaddams]

People who try to copy historical writing styles don't say enough weird stuff in them. I'm listening to a 1909 story about a ghost car right now, and the narrator just said he honked the car horn a bunch of times, but the way he phrased it was "I wrought a wild concerto on the hooter".

[snowstories]

My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.

Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?

What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?

Worry less about whether a character would do something, and more about how they'd sound while doing it.

[daughterofchaosstuff]

done healing my inner child. next up is my inner teen. her highness demands a sword.

[creativepromptsforwriting]

Imagine you're opening AO3 and search for a fic. Imagine you're finding one that fits all your criterias. Imagine it has the perfect length. Imagine getting lost in the story and feeling almost high when it's over. Imagine looking up the author and they have written. so. many. more. fics. exactly. like. that. Imagine.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[writeouswriter]

The point of fiction is actually to put that guy in a situation™️, and he might try to tell you the point is to then get him out of the situation, WRONG, second situation

[nondelphic]

“you’re a writer, can you explain your process?” yes. first, i panic. then i procrastinate. then, in a fit of productivity at 3 a.m., i create chaos.