#into a different context? one that I'm finding myself liking a lot

[ithinkicantdie]

I'll put a little bit of text here that felt too long to put in the tags but I know it doesn't really matter that much to other people what I think so I won't force myself to make any of the words I'm putting down make sense.

First point I wanted to make in the tags I started writing out was that I don’t think "girls' girl" should be included in this list because it’s a newer variation of the term "women supporting women" which I very much prefer as a positive counterpart in order to replace others like the extremely widely used "pick me girl" or just "pick me" because I think it is more important to celebrate the solidarity rather than use shame to point out when someone’s internalized misogyny is being a little too external.

"Girl math" as a term could be replaced with a different term for the logic that people are putting behind it but most of the posts are about consumerism and spending money so any far-left leaning people who identify with communism, socialism or just anti-capitalism (ily all, keep fighting for change) likely wouldn't use terms like that anyway so there wouldn't be much of a point. I do genuinely think we can let that whole trend go with just the superficial analysis of "people are trying to justify spending money by saying they aren't actually spending as much as they could be" but we could also go further into why we are made to feel shame for buying superfluous things or why we have to use the money we need to live in order to be happy and being happy when you're trying to stay alive feels impossible but the shame of spending money on things that make you happy compounds on top of that.

I associate bimbocore with Chrissy Chlapecka the most and she is very unapologetic about the bimbo videos to my knowledge because they make a lot of anti fascist posts but there are some problems she has to deal with due to being an influencer with low self esteem and rarely posting to social media at all without a full face of makeup while not wanting to encourage other people to also be that way. I also think the general public are trying to move away from saying things like whore and slut and skank because social media is all about being aesthetically pleasing and it's not about how much of a whore you are on the inside but how much of a bimbo you look or act like on the outside. The connotations of bimbo do point out how often sensuality and intelligence are thought of as at odds with one another in women but thought of as being found together very often in men and you could make an argument that women are being strong-armed into once again giving up when it comes to trying to be respected and revered for their personal accomplishments and they are actively being told to revert back to striving for superficial beauty standards to reach any amount of success. I could dive into that for hours honestly.

"Girlfriend brain" in the contexts I've seen it in (used in posts by normal people and not the 'stay at home girlfriend' influencers who scare me) is very similar to the whole trend of having "scary dog privileges" where you’re able to walk around without fear of getting harassed because men who don’t see you as a person will see your boyfriend as a person and you will not be as debilitatingly anxious about your personal safety in a public space. These trends alone can point out a lot of problems with how we are expected to "solve" problems by temporarily making it safer for only one individual at a time and not dismantling the culture that makes men feel entitled to women as a whole.

"Girl dinner" I think is heavily related to diet culture with people either purposefully eating less food to restrict the number of calories or eating junk food in the privacy of their own home without fear of backlash or judgement but it could even be fatigue of constantly cooking for other people because you have that expectation placed on you and you find brief respite in not wanting to cook for ‘just’ yourself but all of those options are insanely depressing no matter what. The expectation to be a sexy twig that eats nothing but also cook hearty meals for those around you to enjoy at any given moment is too exhausting and people break away from that where they can but also not every person participating in a viral trend is required to be actively experiencing any of the shame that the audience could be projecting onto them from personal experiences so does it really help at all or does it just hurt more people?

I do genuinely think clean girl core and DFE are heavily associated with white supremacist shit so I will not defend those at all, I think I've even seen some people call DFE a nazi tradwife dogwhistle so I'll just put that out there for other people to think on because I do not want to touch that with a ten foot pole.

And other people understand the whole "I’m just a girl" thing just fine obviously based off of most of the notes. Thank you No Doubt for providing such a banger that is infinitely better than the way people are abusing the phrase now.

"I'm just a girl", "girl math", "girl dinner", "divine feminine energy", "bimbocore", "clean girl", "girl's girl", "girlfriend brain" SHUT UPPP!!! SHUTT THE FUCKKKK UPPPPPP !!!!

[fearcutsdeeper]

Hi, I’ve really been enjoying your Temeraire posting! I saw in the tags of one of your posts recently (I think the one about the Laurence+Rankin friendship era in book one) that you read Laurence as autistic and the idea really tickled my brain! I’m a new fan of the series and I haven’t thought of him that way before, but now that you pointed it out it makes so much sense. I was wondering if you’d be willing to elaborate a bit on that reading of his character? It’s a super interesting idea and I’d love to hear more of your thoughts if you feel like sharing!

Absolutely!!! The first time I read the books I was really flying through them and too caught up in the character arc I could feel taking shape before my eyes to really dwell on the character as he is, if that makes sense. I'm reading more slowly this time and really considering his thoughts and actions in context, and they feel... like, very relatable to me in a specific way.

(Disclaimer: this is a personal reading, not trying to claim this is an objective truth about the character or anything, etc)

One thing about the way a lot of people discuss autistic or perceived-as-autistic characters is that they'll recognize them as autistic based on straightforward expression of symptoms/traits that you might read off a list. This isn't doing it wrong or anything, and the characters in question can easily be read as autistic! But those aren't usually the characters I see myself in.

I'll pretty often start seeing a character as autistic not because they're outwardly showing symptoms, but because their behavior strikes me as learned compensation for symptoms. Data from Star Trek is very frequently seen as autistic coded not just because of his frequently expressed lack of understanding for social conventions but also because he then explicitly writes himself new subroutines to account for what he learns. A lot of autistic people (including myself) go through their lives kind of accumulating "scripts" – like, oh, I seem to have missed that X was a signal, but the person's reaction tells me that the appropriate response would have been Y. Next time I encounter X, I will do Y.

Now, Will Laurence builds his ENTIRE LIFE around the elaborate rules of British propriety and honor and duty. He tells us that he enjoys Society – "conversation, dancing, and friendly whist were his favorite pursuits". All three things listed are, in Georgian wealthy society, things with a strict and learnable structure and rules – he likes when what he's supposed to do is clearly laid out for him! He's in I think his late thirties when the series starts. I'm basically reading him as an autistic man who realized that people didn't make sense to him the way they did to other children and then spent his entire life Learning The Rules so no one would notice.

Every time he's engaging with propriety and Proper Behavior, he's thinking very consciously about it. And when someone else violates his understanding of the rules, he's internally scrambling for the proper response, because his script has been disrupted. (My personal favorite it when he'll go "the only satisfactory response would be a challenge to duel but I'm not allowed anymore")

So, he's been doing this all his life, he's learned all the rules for the life track he's put himself on (which is a highly structured one!), and then, boom, the plot hits.

The Rules of aviator society are totally different. Laurence is affronted and scrambling. I find it notable that Berkley basically plows right through Laurence's attempts at propriety and immediately starts talking to him like he would any other aviator, and it WORKS. Laurence is kind of taken aback, because his rules would interpret the way he's being spoken to as an insult, but Berkley certainly isn't acting like he means to give insult, so Laurence doesn't respond like he's received one. There's also the bit where he notes that the woman serving him has violated protocol by greeting him instead of being silent – but he returns the greeting and isn't offended.

He's mirroring like hell! (This is a common autistic trait.) He's working out what the expected behavior is and returning it as much as he can manage. And when he's with Rankin, he reverts to his society scripts, with so much relief that he ignores some warning signs.

And this makes his whole arc of disillusionment with the British Government SO interesting, because Laurence, I think anyone would agree, takes the honor that the government pays lip service to dramatically more seriously than most members of the government and Admiralty. And, until he gets the truth shoved in his face, he has enormous trouble conceiving of that. It really reads as autistic to me – like, what do you MEAN the elaborate system of morals you told me to structure my personality around is only window dressing to you? It's sure as hell not window dressing to me!

In this reading, in addition to all the other incredible things that his story is about, it's also about an autistic guy becoming increasingly uncomfortably aware that the systems of rules and parameters which he painstakingly learned and have successfully guided him through most of his life are fundamentally in conflict with each other, and eventually being forced at gunpoint to decide which of those rules really truly matter, throw out the rest, and rebuild from scratch.

Which is to say: my man is in hell. At least he has a dragon?

[invinciblerodent]

not even joking, i would set a not insignificant chunk of thedas on fire to protect this nerd. like maybe the south- to southeastern part of ferelden can go, if it's to keep him smiling like that.

[subsequentibis]

FINALLY started titanfall 2, the movement will take a little getting used to but i'm pleased to find it's way easier to pull off than i thought it would be, the ghost runner is so helpful and i like the game's clever ways of giving you Cool Badass Moments very organically.

[soyoursoulisgreen]

5, 11, and 30 for the artist ask meme!

5. Estimate of how much of your art you post online vs. the art you keep for yourself

It's increased over time! Well, actually, it's been a bell curve, kind of. Maybe more like a roller coaster lol. Obviously before I was online I wasn't sharing any of the stuff I drew; I drew for about seven years before posting anything - casually, for my own entertainment - and then for a while I was posting almost everything in some form or another; if I didn't post the original doodle, it was because I cleaned it digitally! But I got pretty burnt out on that haha - it does still come and go in cycles lol. Nowadays I probably keep back about 30% of what I draw? Although it can be hard to quantify - if you upload to an audience of zero, is it actually online? Haha ♪ Or an audience of one! Just because it's shared using the internet as a middle man, does that count as "posting"? :0 I don't know! I think it's an interesting question tho!

11. Do you listen to anything while drawing? If so, what

Yes! It really depends on what I'm drawing; my go-tos are always Reddit story readings since I don't have to think too hard about picking one, they last a while, and they keep my auditory brain occupied while my hands and eyes are busy. For a couple days of Requestober, especially the Portal/Stanley Parable days but also the song prompt, I was listening to themed stuff - GLaDOS lines, Narrator lines, the aforementioned song haha. I hate having to stop to pick the next thing! It makes editing my footage harder and throws off my flow :P

30. What piece of yours do you think is underrated

A lot of my Law Abiding Citizen stuff probably - LAC is such a good series!! I wish more people would see it/were still into it. We're few, and I was late to party, but my love still burns! If I had to pick just one thing tho, I think it'd have to go to one of my Just Desserts comics - I cried while drawing it initially, and I still think Charm's transition from her smiling-crying face to her angry-crying face is so well done ♥

[mesetacadre]

How can I stop my otherwise well-meaning friends and myself from falling into the trap of Adventurism?

Adventurism is so appealing because it interfaces with (1) an understandable impatience to see change and with (2) the individualism conditioned into people by growing up in and existing within liberal frameworks and common pathways for understanding societal and historical change. If, for the formative years of your life, the dominant ideology of capitalism, that being liberalism in all its branches, is educated into you through all possible channels, especially history, it's to be expected that an individual who decides to participate in some of that change will see themselves as an agent in and of themselves. If your perspective on both history and current events can be boiled down to a simple concatenation of events whose only common motor is the free will of the most remarkable individuals, then you will try to act like one of those remarkable individuals and create one of these events through the only motor of your free will. And, the set of actions and attitudes that fall under the category of adventurism meets those frameworks very neatly for the radical extremes of liberalism. It's both the far left of liberalism and far right of liberalism that find adventurist methods appealing, though for describing the attitudes of that far right, using accelerationism is more common and IMO more accurate, but at their core, adventurism and accelerationism are the same methods modified by the particulars of their corresponding ideologies.

That is an erroneous way to look at the world of course, history is moved by the forces exerted by massified classes, themselves defined by their role in the mode of production, as well as the historical forces that serve as a precedent. It's not remarkable individuals who move history in any direction that they please, it's history and the weight of the context in which they exist that limits and expands the possibility of their action. It's more than the simple sum of all individual parts. Individuals are not agents, they are constituent parts that can only effect change when they act like so, organized as constituent parts, aware of the limitations and possibilities afforded by the past and present context. If you want to avoid the pitfalls of liberalism and individualism, such as adventurism, you should commit to a conscious change in the framework through which you see history, because adventurism is logical in one framework, and isn't in another.

This whole CEO murder business has had people of all stripes (such as myself, even if you think I'm a wet blanket) making fun of the situation. I also don't particularly care for the life of a capitalist. But there is also a smaller group of people who seem to believe this is significant. And within that, I think there is another division. First, the people who think this is significant because they believe that healthcare insurance providers have now been bullied into giving a better service, or because they believe that now all CEOs across the board will be scared themselves and do better things (or even because apparently now everyone will be hunting their nearest CEO). These are all various forms of engagement with adventurism. The second group of people, who I think are being much more reasonable, see the generalized perspective on this being that of celebration, that such a bad person got their comeuppance, and that this is first a proof that it's still very possible to stimulate class consciousness in the US working class, and that it is second a good opportunity to stimulate it.

While this is in some ways true, the class consciousness in display ("even by trump supporters", as if the difference between them and US democrats even existed) is one that's extremely unconscious. People dislike this guy because he's notorious among healthcare insurance providers and even his predecessors for denying a lot of claims. This is individualism again, people dislike him individually and maybe they dislike all individual healthcare insurance providers CEOs, or even all individual CEOs regardless of sector. The vast majority of people celebrating who you wouldn't expect aren't class conscious, they're class unconscious from decades of consequent liberal punches to their liver, heart, and head. Most people dislike him as an individual, and it's not very difficult to hate all CEOs without ever stepping off the wide bounds of liberalism and individualism. In fact, it's the placing that of pointless hate at the center of your ideology that's preventing you from shedding the ideology of capitalism.

And no, I don't mean to say that it's pointless to talk to your lifelong republican uncle about this or whoever, and I would encourage my USamerican followers to use this event to their advantage. But you can't think that just hating CEOs is a good enough base to develop a revolutionary consciousness. You need to begin seeing the world through a class lens, only then can you only really understand the impotence of adventurism, and that it lies in the fact that it does not engage with change through class, but through the individual, who by itself is an insignificant agent of change.

[anim-ttrpgs]

Help Save the World of TTRPGs and Their Creators.

Okay I’m being a little dramatic, but at the same time I’m pretty serious. This is a call to action, and the livelihoods of myself and lots of other people, many of them (like myself) disabled, are depending on it. This is a post about why, what you can do about it, and (perhaps least often answered) how.

This post is actually an accompaniment to another discussion by someone else. If you don’t want to listen to a 90-minute in-depth discussion of much of what I’m about to tell you, you can just keep reading. Otherwise, click here or here and listen to this either before or after you read this post. (They’re the same thing, just different sources.)

If you have ever made or reblogged posts urging people to switch from Google Chrome to Firefox, you should be willing to at least give a try to other TTRPGs besides D&D5e for much the same principle reasons. I’m not telling you you have to hate D&D5e, and I’m not telling you you have to quit D&D5e, I’m just asking you to try some other games. If you don’t like them, and you really want to go back to D&D5e, then go back to D&D5e. But how can you really know you won’t like other games if you have literally never tried them? This post is a post about why and how to try them. If you’re thinking right now that you don’t want to try them, I urge you to look below to see if any of your reasons for not wanting to try them are covered there. Because the monopoly that WotC’s D&D5e has on TTRPGs as a whole is bad for me as a game designer, and it’s bad for you as a game player. It’s even bad for you if you like D&D5e. A fuller discussion of the why and how this is the case can be found in the links above, but it isn’t fully necessary for understanding this post, it’ll just give you a better perspective on it.

If you’re a D&D5e player, I’m sure at some point or another, you’ve been told “play a different game”, and it must get frustrating without the context of why and how. This post is here to give you the why and how.

[The following paragraph has been edited because the original wording made it sound like we think all weird TTRPGs suck.]

Before that though, one more thing to get out of the way. I'm going to level with you. There’s a lot of weird games out there.

You are gonna see a lot of weird TTRPGs when you take the plunge. Many of them try to completely reinvent what a TTRPG even is, and some fail spectacularly, others really do even up doing something very interesting even if they don't end up being what a core TTRPG player wants. But not every indie RPG is a Bladefish, lots and lots of them are more 'traditional' and will feel very familiar to you, I promise. (And you might even find that you like the weird experimental bladefish type ones, these are usually ideal for one-session plays when your usual group can't play your usual game for any reason.)

You're also going to probably see a lot of very bad games, and man have I got some stories of very bad games, but for now I'm just saying to make sure you read the reviews, or go through curators (several of which will be listed below), before you buy.

Now that that is out of the way, I’m going to go down a list of concerns you may have for why not, and then explain the how.

“I don’t want to learn a whole new set of rules after I already spent so much time learning D&D5e.”

Learning a new set of rules is not going to be as hard as you think. Most other TTRPGs aren’t like that. D&D5e is far on the high end of the scale for TTRPGs being hard and time-consuming to learn and play. If you’ve only played D&D5e, it might trick you into thinking that learning any TTRPG is an overwhelmingly time-consuming task, but this is really mostly a D&D5e problem, not a TTRPG problem as a whole.

“D&D5e has all of these extra online tools to help you play it.”

So what? People have been playing TTRPGs without the help of computers for 50 years. To play a well-designed TTRPG you won’t need a computer. Yes, even if you're bad at math. There are some TTRPGs out there that barely even use math.

“I’m too invested in the narrative and characters of my group’s current ongoing D&D5e campaign to switch to something else.”

There are other games, with better design made by better people for less money, that are the same kind of game as D&D5e, that your current characters, lore, and plot will fit right into and do it better. And no, it's not just Pathfinder, there's others.

“I can’t afford to play another TTRPG.”

You probably can. If you’ve only played D&D5e, you might have been made to think that TTRPGs are a very expensive hobby. They aren’t. D&D5e is actually uniquely expensive, costing more than 3x more than the next most expensive TTRPG I can think of right now. Even on the more expensive end, other TTRPG books will cost you no more than $60, most will cost you less than $20, and a whole lot of them are just free. If you somehow still can’t afford another TTRPG, come to the A.N.I.M. TTRPG Book club mentioned below, nominate the game, and if it wins the vote we will straight up buy it for you.

(By the way, if you had any of the above concerns about trying other games besides D&D5e, that really makes it sound like you are in a textbook abusive relationship with D&D5e. This is how abusers control their partners, and how empires control their citizens, by teaching you to think that nothing could ever get any better, and even though they treat you bad, the Other will treat you even worse.)

“If I don’t play D&D5e, which TTRPG should I play?”

That’s a pretty limited question to be asking, because there will be no one TTRPG for everything. And no, D&D5e is not the one TTRPG for everything, Hasbro’s marketing team is just lying to you. (Pathfinder and PbtA are not the one system for everything either!) Do you only play one video game or only watch one movie or only read one book? When you finish watching an action movie like Mad Max, and then you want to watch a horror movie, do you just rewind Mad Max and watch it over again but this time you act scared the whole time? No, you watch a different movie. I’m asking you to give the artistic medium of TTRPGs the same respect you would give movies.

“I want to play something besides D&D5e, but my friends won’t play anything else!”

I have several answers to this.

Try showing them this post.

If that doesn’t work: Make them. Put your foot down. This works especially well if you are the DM. Tell them you won’t run another session of D&D5e until they agree to give what you want to do at least one try instead of always doing only what they want to do. This is, like, playing 101. We learned this in kindergarten. If your friend really wants to play something else, you should give their game a try, or you’re not really being a very good friend.

If that doesn’t work, find another group. This doesn’t even mean that you have to leave your existing group. A good place to start would be the A.N.I.M. TTRPG Book Club which will be mentioned and linked below. You can also go to the subreddit of any game you’re interested in and probably meet people there who have the same problem you do and want to put together a group to play something other than D&D5e. You might get along great with these people, you might not, but you won’t know until you try. Just make sure to have a robust “session zero” so everyone is on the same page. This is a good practice for any group but it is especially important for a group made of players you’ve just met.

“I only watch actual plays.”

Then watch actual plays of games that aren’t D&D5e. These podcasts struggle for the same reasons that indie RPGs struggle, because of the brand recognition and brand loyalty D&D5e has, despite their merit. I don’t watch actual plays, or else I would be able to list more of them. So, anyone who does watch actual plays, please help me out by commenting on this post with some non-D&D5e actual plays you like. And please do me a favor and don’t list actual plays that only play one non-D&D5e system, list ones that go through a variety of systems. The first one I can think of is Tiny Table.

“I can just homebrew away all the problems with D&D5e.”

Even though I want to, I’m not going to try and argue that you can’t actually homebrew away all the problems with D&D5e. Instead, I’m going to ask you why you’re buying two $50 rulebooks just to throw away half the pages. In most other good RPGs, you don’t need to change the rules to make them fun, they’re fun right out the box.

“But homebrewing D&D5e into any kind of game is fun! You can homebrew anything out of D&D5e!”

Firstly, I promise that this is not unique to D&D5e. Secondly, then you would probably have more fun homebrewing a system that gives you a better starting point for reaching your goal. Also, what if I told you that there are entire RPG systems out there that are made just for this? There are RPG systems that were designed for the purpose of being a toolbox and set of materials for you to work with to make exactly the game you want to make. Some examples are GURPS, Savage Worlds, Basic RolePlaying, Caltrop Core, and (as much as I loathe it) PbtA.

“I’m not supporting WotC’s monopoly because I pirate all the D&D5e books.”

Then you’re still not supporting the smaller developers that this monopoly is crushing, either.

Now, here’s the how. Because I promise you, there’s not just one, but probably a dozen other RPGs out there that will scratch your exact itch.

Here’s how to find them. This won’t be a comprehensive list because I’ve already been typing this for like 3 hours already. Those reading this, please go ahead and comment more to help fill out the list.

First, I’m gonna plug one of my own major projects, because it’s my post. The A.N.I.M. TTRPG Book Club. It’s a discord server that treats playing TTRPGs like a book club, with the goal of introducing members to a wide variety of games other than D&D5e. RPGs are nominated by members, then we hold a vote to decide what to read and play for a short campaign, then we repeat. There is no financial, time, or schedule investment required to join this book club, I promise it is very schedule-friendly, because we assign people to different groups based of schedule compatibility. You don’t have to play each campaign, or any campaign, you can just read along and participate in discussion that way. And if you can’t afford to buy the rulebook we’re going to be reading, we will make sure you get a PDF of it for free. That is how committed we are to getting non-D&D5e RPGs into people’s hands. Here is an invite link.

Next, there are quite a few tumblr blogs you can follow to get recommendations shown to you frequently.

@indierpgnewsletter

@indie-ttrpg-of-the-day

@theresattrpgforthat

@haveyouplayedthisttrpg

@indiepressrevolution

Plenty of podcasts, journalists, and youtubers out there do in-depth discussions of different systems regularly, a couple I can think of off the top of my head are:

Storyteller Conclave (I’m actually going to be interviewed live on this show on April 10th!)

Seth Skorkowsky

Questing Beast

The Gaming Table

Rascal News

Lastly, you can just go looking. Browse r/rpg, drivethrurpg.com, indie press revolution, and itch.io.

Now, if you really want to support me and my team specifically Eureka: Investigative Urban Fantasy, our debut TTRPG, is going to launch on Kickstarter on April 10th and we need all the help we can get. Set a reminder from the Kickstarter page through this link.

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, there’s plenty of ways to get one!

Subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

Donate to our ko-fi and send us an email with proof that you did, and we’ll email you back with the full Eureka prerelease package with the most updated version at the time of responding! (The email address can be found if you scroll down to the bottom of our website.)

We also have merchanise.

[tactfullyinappropriate]

Ohhh boy, I'm gonna get a lot of flak for this one but... masc lesbian =/= butch. You can be the most masculine presenting person the world has ever known and that does not automatically make you butch.

Butch is an identity and you kinda need to fit that identity, not make the identity fit you. E.g. "lesbians" who are attracted to cishet men. Sorry, hun, you're just not a lesbian. Find your own identity that fits. You are allowed to be your own kind of bisexual or pansexual but what you are not, is a lesbian.

Sure, there is a lot of room for being your own person within an identity. I am not the same kind of lesbian as the next dyke. But if I did not fit (or if I no longer fit) the definition of the lesbian identity, I wouldn't call myself one and insist that lesbians expand the definition to include me.

'Butch' as an identity exists within a certain context. It *is not* a synonym to man, and it's also not a synonym to 'a masculine presenting lesbian'. If you don't vibe with the whole 'chivalry' concept and the specific ways in with butch/femme courtship (as an example) happens, maybe consider if this is the right label for you before insisting that we expand or rather completely rewrite the definition to exclude those things from it.

Some of the discourse around 'we should redefine butch!' reminds me of the discourse around redefining manhood. "It's not fair that men are expected to have masculine hobbies," they say. "It's not fair that men cannot wear glitter and makeup and retain their manhood. It's not fair that men are expected to open doors, and carry heavy things, and to-to---" Yes. You are exactly right. But butches are not men.

'Butch' is an opt-in identity, not something that society at large expects and requires from you. In other words: if you think femmes gushing about being courted by their butches in what to you appears to be a 1960s play-pretend of patriarchy, is silly, objectifying or demeaning toward one of the parties... consider that maybe 'butch' is not the identity for you. That maybe you are a masculine person with their own unique take on masculinity.

But insisting that we redefine butch is like me insisting that we redefine 'yoga' because I vibe with the gymnastics but I don't like the spiritual aspect of it. I can just go to Pilates instead. Or do yoga and accept that other people in the practice experience it differently.

What I am endlessly tired of, as a femme, is being lectured on what I *should* and *should not* find attractive. I am not somehow betraying feminism, objectifying people and degrading myself by daydreaming of a butch who opens the car door for me or - the absolute horror - brings me flowers on a date. I recognize that other people have the right to their own attraction and that masculine lesbians deserve the freedom to explore masculinity on their own terms and be treated with dignity and respect regardless of where that exploration takes them and regardless of who does or does not find them attractive.

That being said, the whole narrative of 'if you find chivalry hot, then you are objectifying butches and you are, in fact, an entitled selfish person' is tiresome. Not all femmes are women but in being chastised for our turn-ons and romantic daydreams (unless we're the Cool Girl who doesn't like flowers and rolls her eyes at romance) I see a lot of the admonishment directed toward cis straight women who dare to swoon when they read romance where the male lead is courteous and generous.

Except, again, butch/femme *is not* man/woman. It's a particular subculture within the lesbian identity and no one is pressuring anyone into conforming to it.

[h-sleepingirl]

Dolly in the Art Gallery: A Charmed 2025 Scene Log/Recap

“Art is how we decorate space, and music is how we decorate time.”

I first heard this Jean-Michel Basquiat quote in a rope class from Barkas, in the context of how we play within both space and time in a kink scene. I think about it frequently, especially as I feel more and more passionately about the brutally human impulse to create art.

I have been coming to hypnosis events since 2013, before Charmed existed -- my first event was packed with my own manic energy, held in a dungeon where people could hypnotize me basically at will. No hotel staff, no sneaking back to a private room. I developed a reputation as an aesthetically pleasing subject, often put on display in subtle and overt ways.

I have grown up in this community. Essentially my entire adult life has been spent involved in going to events and cons. I'm 33 now, and as Charmed celebrates its 10th year I've perhaps been unconsciously influenced to reflect on myself aging.

I feel so much older than that 21 year old exhibitionist. I'm more reserved, quieter, more selective, and certainly smarter. I like who I'm becoming, but I do miss parts of who I used to be -- that confidence, that energy.��

On Friday evening I looked at the schedule and saw there was going to be a Gallery of Living Art -- it's been a staple at Charmed for a number of years, but I'd never done more than peek inside.

I thought to myself: “Why not try to get in touch with that playful younger self? Why not show everyone who I am nowadays? Why not live out a fantasy?” 

Surely I’m not too old. Surely I haven’t grown out of this.

The time comes and I connect with my partner about it. He knows that one of my absolute favorite things is being totally frozen. We decide against anything complicated. No one will touch me or trigger me or anything like that. It’s the most “negotiating” we've maybe ever done, but I still leave all details to him. I tell him: “I was really just thinking this is an opportunity for me to sit blank and still for a long time.”

We walk into the room, and it’s overwhelming. People are setting up intricate exhibits with lots of creative interactions. There is a sheet we need to fill out to describe what our “art” is, which my partner writes on cryptically.

“Dolly can't talk. Duh…”

“Dolly is precious -- don't touch!”

Under “Artist”, where he is meant to put his name, he writes a question mark.

I am so in love with him, watching his mind work on the spot.

We find a place in the loud room and look at each other. We are a fluid force of nature in a bed together, spontaneous and wild. This planning doesn't feel like us. This hypnosis isn't a formality, per se, but it just feels sort of like “We both know how this is going to end on some level -- so how do we spend this time?”

He gingerly removes my name tag and starts murmuring to me. 

Being a dolly is such a luxurious treat that the moment he suggests it, I crumble, gripping his shirt with my weak little fingers, moaning too softly to be heard by anyone but him.

He poses me. He fixes my gaze blank and forward. He lets me practice standing and sitting. This kind of rehearsal is unfamiliar for us, and I almost relish doing something that feels a little awkward.

I am a dolly when he leaves me, frozen and posed, but I know it is going to take a couple minutes to settle in. I am a dolly getting comfortable, a dolly with twinges of self-consciousness. After a couple minutes he walks me over to a different chair, one that is highlighted by empty space around it, and I sit, and I know this is truly where I am supposed to be on display.

Finally, total stillness rushes over me like pure relief. 

I sit, and I stare, and I don’t do anything else. My mind is blank, and sometimes all there is inside my head is “I’m a dolly, I’m a dolly,” in my little dolly voice. It is pure, simple bliss.

People begin to come up to me to look at me. I am a good dolly and I am silent and I do not move even my eyes. They patiently read my sign and then observe me. I cannot change my body position to be any more or less appealing to them, I cannot hide nor flaunt myself.

Some people say things to me, little compliments and appreciations, and I can’t really process their words. The little dolly voice in my head screams in pleasure when I’m spoken to and given attention.

I have ADHD, I’m addicted to my phone, I’m a fidgeter. But there is nothing that carries the unique pleasure of being frozen and still. It reminds me of Quaker meetings, of spiritual silence and meditation that makes one feel time itself as though it has a sensory texture.

Rabbi Abraham Joshua Heschel talks about the Jewish sabbath as proof that it is not intuitive for us to sanctify time. But nevertheless as Jews we must learn to do it to make shabbat holy every week. Shabbat is “a cathedral in time,” he says, and I’ve been thinking about how much that applies to my experience of hypnosis. Hypnosis is not a physical object. We may sometimes have props but we cannot touch trance and it leaves no marks. It is time that is the sacred dimension in hypnosis, the time that we set aside (“kadosh” in Hebrew) with another human being.

Heschel says we are slaves to space and material things. And in this moment I feel like I have gotten as close as I can to releasing that. I am not even moving my physical body within the physical world. I am just relishing each passing second of stillness, building my cathedral in time.

Of course, sometimes I think sacred space and objects are very important. After all, I am in a space that is incredibly rare, that only exists very briefly, that I had to travel at length to get to.

And I am an object -- art -- inside of it. I am literally decorating the space, as Basquiat would say.

Am I thinking all of this as I sit there motionless? No, not with any sophistication. I truly feel blank. But I am feeling flashes of this as abstract mental sensations that I will untangle later.

Something else strikes me very quickly that I observe within. When people walk up to look at me, something inside me tenses up. I realize that I am unconsciously preparing myself to talk to them. I have been coming to cons for so long, and especially since beginning to write books I always meet a ton of new people every year who come up to me to talk, which I adore. But right now I am in a space where I literally cannot have a conversation with anyone. I don’t even have my nametag on anymore -- my partner was so clever to remove it.

It is the opposite of vending books, where I sit in a chair and am helpless in the sense that I must engage in conversation with the people who come up to meet me. Now, I literally cannot talk to anyone, and they cannot talk to me, and most people may not even know who I am.

It is a hit of extreme objectification, more real than it has ever felt. I am not sleepingirl -- I am a dolly. “Who” I am doesn’t matter. I am art.

My partner also is not sitting there receiving compliments for me. He is nearby, in eyesight, just watching. But he’s anonymous too. And there is something about this mutual anonymity that makes me feel even prouder about us as a couple. There is no performance of who we are. I don’t know how to describe it, but obviously it feels more authentic than public play usually ever does. Like a little secret we are sharing a corner of.

And he looks ever the artist, sitting back and watching me. I feel very strongly that this little scene isn’t the art -- it’s me. Our relationship is what’s really on display. All the work he’s done over 7 years of brainwashing me, real work on my personality and identity, my wardrobe, every single way I express myself and who I am. The people coming by are seeing his bimbo, his dolly, his [x] -- without necessarily knowing who either of us are.

The rhythm is addicting. My mind babbles my self-given dolly mantra over and over, I luxuriate in the stillness, and I stare. I only can sort of half-see with darkened vision, though my eyes are wide. I love when people notice me sitting there -- their expressions change as they observe me. They step into my metaphorical space, which is eerily silent compared to the revelry of the creative demonstrations that fill the room. They are no longer “being entertained,” and no one can communicate to them what I am doing -- they must engage with me out of their own curiosity.

Sometimes they decide to talk to me. I can’t process most of it, but I remember a few interactions.

Someone says, “What an excellent dolly.”

Someone else notices that I’m wearing a bracelet that says “bimbo,” and says, “Even the details on this one are exquisite.”

Someone else says, “Wow, I don’t think I’ve ever seen sleepingirl play before.”

That last one hits me in the gut with memories of a time now long past: Play in public spaces was universal at cons; I couldn’t move from one place to another without someone dropping me into trance; absolutely everyone knew what I looked like when hypnotized.

Even now as I am on display, I have a mask on, and the people can’t see my gently parted lips.

It is a rush of emotion that is very complex for my simple little dolly head, but it goes away.

For a long while, I just exist as a thing in bliss while the room -- the whole world -- bubbles with activity around me. 

Eventually even as I sit frozen and blank, a little timer starts ticking in my head -- I could sit here for much longer, but I don’t want to make him wait for me, and I have other things I want to do tonight.

Reading Heschel has been helping me release some of that odd panic that bubbles up when I awaken from trance -- the feeling that magic is slipping through my fingers, memories are slipping out of my mind, and I can take no memento from it. I sometimes write, draw, or make music to try to capture the things I feel in hypnosis with my partner. I think it is from that impulse to be able to touch and hold hypnosis, to make it a “thing” in space as opposed to something of time.

But I do think there is something else, just a human drive to create art about this transcendent experience that we engage in together. I need to create art to try to communicate the perfect way I don’t move and my eyes go glassy. I need to express my emotions, my desires, my dreams, my love. I am only human, a human blown away by this very human thing we do that we call hypnosis.

Only my partner sees it, and he does see so much into the soul of it for me. But this is exactly what I have wanted -- a chance to publicly communicate the beauty of what he and I do. To make this art by performing it, living it. To engage in a human act of creativity by having my humanity stripped away from me.

I am a bimbo, a dolly, I am art -- and that doesn’t go away when I get up to tell him I am done sitting here. I am his art. I am a manifestation of his creativity in this world, and he has a beautifully creative mind which I love so dearly.

This is serious for me, this is real for me, this is so highly personal and jealously guarded as my own precious identity.

Ten years ago I laid my head on his lap and he transformed my eyes into dolly eyes and told me that someday he would turn my whole body into a dolly body. And as we laid together in a bed after the Gallery on Friday he talked about how I had those dolly eyes again in that room. But to me, it’s not about being a dolly, or even being a bimbo. It’s about creating art together, art with a power imbalance. And fucking respecting that as sacred and exciting.

I don’t have much else to say except extreme heartfelt gratitude to Mazirian for running the Gallery, and everyone who came by to look at me and said nice things to me and joined me in my world for just a little while. 

(If you’re curious, I was sitting there for about 30 minutes.)

[storiesforallfandoms]

icdiwabh ~ joseph quinn

word count: 3688

request?: no

description: after finding out that her recently broken up with ex is already in a new relationship, she puts on a happy face for the public. but she can't do the same with him

pairing: joseph quinn x female!reader

warnings: swearing, angsty angst, rpf, use of y/n

based on this song

masterlist (one, two, three)

To give her credit, my best friend and guitarist, Chloe, tried her best to keep me from looking at my phone before our show. And it was working. I didn't even think anything of it, just that we were goofing off before a show as usual.

And then my phone chimed with a text from my mom. She always sent me a good luck text before a show. I unlocked my phone to respond, then saw that my social media notifications were blowing up more than usual.

I shouldn't have looked, but you know what they say about curiosity and the cat.

I opened Twitter to see I was being mentioned a lot. Mainly in replies to other tweets, and most of the tweets were along the lines of, "What happened to @(Y/U/N)?" I clicked on one to see what that context was, and was brought to a tweet from Pop Crave.

"Joseph Quinn photographed on a date with Doja Cat," followed by various photos of my ex-boyfriend getting cozy with another woman.

I felt my heart drop and break into millions of pieces.

I know what you're thinking: why would seeing my ex moving on hurt so much? It's not like we were together. We were both free to see whoever we wanted now. But there were a few reasons this news was upsetting; for one, we had only broken up three months ago, which apparently is around the time when these pictures were taken. Second, Joseph had broken up with me due to the fact that I was a singer, which meant we didn't get to spend as much time together as either of us would've wanted. I understood at the time. I mean, of course the break up still hurt, but I kind of knew it was coming when things between us had felt different the last month or so of our relationship.

Then there was the biggest reason: Doja was the woman he told me not to worry about.

I am not joking.

Joseph and I were together when the whole Doja versus Noah stuff happened online. We both laughed about it at the time, and i had jokingly asked Joseph, "Should I worry about you getting stolen away by Doja Cat?" He had wrapped me in his arms, kissed me, and said of course not.

Obviously, that had changed.

Chloe found me just as the tears started to fall. She was quick to hug me and whisper comforting words.

"Sweetheart, I'm so sorry," she said. "But we have to get to the stage."

Performing was the last thing on my mind, but I had thousands of fans waiting for me. I couldn't let them down just because I was heartbroken.

I followed Chloe to take my place. I wiped the tears from my eyes, hoping my face wasn't too red or puffy. Our backstage crew passed me my microphone as the countdown for the show to start started in my earpiece. I took a deep, calming breath, pushing everything out of my mind. As the blinding stage lights hit me, I put on my best show smile.

~~~~~~

The next few weeks were tough. I had to go on a full social media hiatus, meaning I deleted all social media apps from my phone to keep myself from seeing any more updates on Joseph and Doja. Chloe took up posting on my accounts so no one suspected anything. We had already decided the best course of action was to ignore the questions and comments, and to pretend like the news didn't even hurt me.

But it did. It hurt me more than any words could ever describe. Having to go on stage two to three nights a week and sing the love songs I wrote about him made it even harder. I struggled to keep it together on stage sometimes. I saved the emotions for when I'd get back to the hotel or the tour bus. Then I'd be able to cry until my eyes hurt and were too heavy to stay awake.

Some nights were sleepless, though. On those nights, I'd usually just lay awake or try to use one of the streaming services on my phone to distract myself. One night, I found myself too hungry to be distracted. My stomach was rumbling enough that I could hardly hear the show I was watching. After some quick Googling, I found a 24 hour diner that seemed like it would be slow enough for me to go without being recgonized.

I pulled on a pair of sweatpants and a baggy hoodie with the hood up to cover my face. I put my phone and my hotel room key in my pocket, and left to make my way to the diner.

As I expected, there weren't many people there. Maybe one table with two young ladies sat there, plus the workers. I kept my hood up anyways as I ordered, just in case. The host who took my order did look at me like he may have known who I was, but he didn't say anything.

My plan was to get my food and take it back to the hotel to eat it. But that plan was quickly changed when a familiar British voice said, "(Y/N)?"

I froze. There was no way he was actually here. It had to be a figment of my imagination. A hallucination made up by my misery over the breakup and his quick moving on.

But when I looked up, there he was. He was also in a hoodie and sweatpants, but was doing less to hide his identity. Actually, nothing to hide his identity. I couldn't help but glance around to make sure no one was looking at us or there was no paparazzi that had followed him and started snapping photos.

"How did you know it was me?" I asked, then realized it was a stupid question and winced at myself.

"That's...um...my hoodie."

I looked down and realized that he was right. I hadn't even noticed that I had it, even when I packed it for the tour.

"I was wondering where it went," he said with a little smile.

"Here it is," I said, lamely flourishing my hands. "I'd offer to give it back, but I'm not wearing anything underneath."

I saw him swallow at my comment. I thought I saw a tinge of pink creeping onto his cheeks, but I figured it must've been the lighting or something. There was no way I could still make him blush when he obviously had no feelings for me anymore.

"What are you doing here?" I asked.

"I'm in town shooting the Fantastic Four movie," he explained. "I just finished a late shoot, so I stopped in for something to eat. What are you doing here?"

"I had a show tonight. I couldn't sleep, and I'm hungry. So..." I did my lame flourish again.

"Oh yes. The post-show adrenaline."

I ground my teeth to keep from saying anything. The weeks of sadness and misery suddenly vanished and became anger. I was angry at him for reminding me that he knew me so well. That we had shared memories on sleepless nights like this. I was also angry that he didn't think our breakup and his quick moving on would be the cause of my sleeplessness. Did he think I didn't know? Or just that I'd be okay with him and his new girlfriend mere weeks after our two year long relationship ended?

I just shrugged in response.

My order was called and I quickly grabbed it. I turned to give Joseph a wave as a goodbye. I needed to get out of there and get back to my hotel room to wallow in my dispair.

But it seemed Joseph had other plans, as he stopped me before I could leave. "Do you want to sit? Maybe...catch up?"

"Is that a good idea?" I asked.

"I don't see why it wouldn't be."

"You don't want your new girlfriend to see paparazzi photos of you with your ex."

There, it was finally out. No more tiptoeing around the topic.

It seemed to have its desired effect as Joseph was now awkwardly shuffling. He rubbed the back of his neck, which was now undoubtably turning pink. "So, you've heard."

"Of course I heard!" I snapped. I glanced around again, realizing I was raising my voice. "Your pictures are everywhere, and I'm being tagged in them cause we never told everyone we had broken up."

"I'm sorry you had to find out that way."

I scoffed. "How else was I going to find out? Were you going to call me and tell me you were dating the girl you said wasn't a threat to our relationship?"

He sighed. Before he could say anything else, they called that another order was ready, and evidently it was his. It was also packed in a to go bag, so he clearly had no intentions of staying either. With any luck, he'd drop this stupid idea of sitting down for a "catch up" and let me leave to deal with all the emptions I was feeling.

But of course, luck was not on my side.

Joseph grabbed his food and turned back to me. "Just...sit with me for 15 minutes at least. Let me explain."

Even though I very much wanted an explanation, I said, "You don't have to explain anything."

"Just...please, (Y/N)."

And that's how I found myself sat in a booth that was tucked away, in the middle of the night with my ex-boyfriend.

It was a bad idea, and I knew that. Besides the fact that I definitely should not be sitting down with the ex that I had been in shambles over for weeks, it was also a bad idea publicity wise. Joseph wasn't trying to hide himself. Anyone could see us and snap a picture, or call paparazzi to make a quick buck. Even with me trying to hide myself, someone would eventually put the pieces together to realize it was me. Then we'd have a whole new shit show on our hands.

I opened my food and started to eat. There was no point in letting it go cold and completely ruin my night. Joseph wasn't as quick to do the same. He was watching me. When I realized he wasn't eating, I made a gesture for him to start talking.

"Is there anything specific you want to know?" he asked.

Well, that was a stupid question. There was a lot I wanted to know. So much so that I knew we'd be here way longer than 15 minutes if I asked it all.

I decided to ask him the most prominent question on my mind: "Did you leave me for her?"

He seemed stunned by my question. "No! No, of course I didn't. Why would you think that?"

I gave him a look. "Come on, Joseph. We both know why I'd think that."

He shuffled in his seat. "It's not like that."

"Then explain it. That's the whole reason I'm sat here."

So he did. He told me he met Doja (he used her real name, which made my stomach churn) at her concert. He had gone with a few friends, and when she found out he was there she brought them backstage to meet her. He swore it was all casual at first, that they were just friendly and were making light of the situation between her and Noah. When things started changing, he swore it was just a rebound thing.

"I never meant for it to become anything more," he insisted. "I was still so hurt. I just wanted something that would take my mind off of the pain."

I couldn't hold back the scoff that escaped my lips. "What?"

"Oh, nothing," I said. "I'm just so sorry to hear that you were hurting."

"What, you don't think our breakup was hard for me?"

"Weirdly enough, no, I didn't think you took things hard when you dumped me."

Joseph sighed. "It wasn't - "

"And you know what else?" I cut him off. "You told me you found it hard for us to be together because of our professions. And, honestly, I understood! If you weren't away filming, I was away touring. If you weren't doing press for a movie or show, I was doing press for an album. It wasn't easy, and while I was willing to go through those strifes for us, I did understand how it could be too difficult for you. But then you turned around, not even a month after you dumped me, and started dating another singer."

He was quiet. He couldn't even meet my eye.

I felt a lump forming in my throat, and my voice cracked as I said, "If you didn't love me anymore, you could've just said that."

He looked up at me quickly. "That's not - "

He was cut off again. Not by me this time, but by his phone. Someone was calling him. When I looked at the screen, I saw her name. It felt like a knife directly through my heart.

I packed my food and stood. Joseph looked like he was going to say something, but I put a hand up to stop him. "Answer your girlfriend, Joseph."

He didn't try to stop me when I left this time.

~~~~~~

As I expected, photos of Joseph and I got out. I didn't know to what extent as I still wasn't back on social media. My manager confronted me about it and I explained what had happened. She wasn't upset as I wasn't the one who hadn't been concealing my identity, and she agreed that the best course of action was just to ignore everything until it blew over.

Another two months passed and the tour finally ended. It became easier to perform as the time went on. Not completely easy, and I did have a night or two where I slipped up and got emotional on stage, but eventually I was able to put the meanings of my songs aside and just performed them for my fans. I knew some nights weren't as great as others, but I got through it, and finally I was going to have a break.

Chloe reluctantly agreed to let me have my social media back. I was still hurting a little, but I told her I couldn't isolate myself forever. It just wasn't healthy. Besides, I would need something to keep me occupied while I was home, besides just watching mind numbing reality TV. She finally relented when I told her she could watch me block the words "Joseph Quinn" and "Doja Cat" on all social media so that I wouldn't have to see any posts about them.

I was honestly surprised to find that I didn't want to look up anything to do with them. For a long time, the desire to know about their relationship was eating away at me. There were so many specifics I felt like I needed to know, but I eventually realized that I was just going to hurt myself further if I looked into them. Of course, I didn't completely stop thinking about Joseph. I didn't expect to. We had been together for two years, almost moved in with one another. I thought we were going to get married. You don't just let that go easily. But at least it was getting a little easier to live in a world where he was no longer mine.

On one particularly nice day, I decided to go out on the balcony to read. It was one of those fall days where the sun was out and there was a little heat coming from it, but not enough that it was unbearable. A slight breeze would blow through every so often, just cool enough to keep it tolerable outside. I was laid back in one of my deck chairs, engrossed in my book to a point that I hadn't heard someone approaching.

"Must be an interesting novel."

I jumped at the sound of a voice coming from my driveway below. I bookmarked my page and sat up to see the last person I wanted to be around. "What are you doing here, Joseph?"

"I just got back from filming."

"Good for you."

"I...I was hoping you were home."

"Well, you see that I am. Don't let the gate hit you on the way out."

"(Y/N), can we just talk?"

I stood from my seat and leaned over the balcony railing to look at him. "We said all there was to say in that diner months ago. There's nothing else to be talked about. Besides, do you want more pictures of us to come out? I'm sure Doja wouldn't be happy to see her man making a personal visit to his ex's place."

"We broke up!"

I stopped. "What?"

"Last month. It was all over social media, or so Lupita tells me." He tilted his head. "You didn't hear?"

"I-I blocked yours and Doja's names on social media so I wouldn't have to see any tweets or posts about you."

Joseph looked at me for a moment before barking out a laugh. I couldn't help but put a hand over my face as I laughed as well. Of course, by trying to block him out completely, I had totally missed the one thing I would've wanted to see.

I was a bit reluctant, but eventually I invited Joseph to come up. He knew his way through my place, he had been there enough times. I sat back down on my deck chair and pulled another one closer to me, as he appeared in the glass doorway. He sat down next to me and memories of all the times we had been out here flooded back to me.

"I wasn't done talking that night in the diner," he said. "I still had so much to say, and I have even more to say now."

"I didn't want to hear it," I admitted. "In my mind, after hearing how you and Doja got together, it just made more sense if you had broken up with me because you didn't love me anymore."

He shook his head. "It wasn't that at all. I never stopped loving you."

I was itching to ask him if that meant he still loved me now, but instead I said, "Then why?"

"I broke up with you because I loved you so much," he said. "Because loving you but not getting to spend time with you hurt so much, and I knew there was no way around that. When I started getting more job offers I knew things were just going to get so much busier for me, and that our already very short time together was going to dwindle down more and more, and I hated the thought of that."

"I would've taken a break," I told him.

"I couldn't ask you to do that. You love making music and performing. I could never ask you to stop doing that, or to change that. I thought the best thing for you would be if you could find someone who wasn't as busy, and who'd be able to go on tour with you and be at all your shows. Someone who wouldn't be in a different time zone basically 11 months out of a year and only be able to call you for an hour max every night."

"But what if that's not what I want?" I asked. "Yes, it was hard not to get to see you all the time, but I never would've traded that for anything else. I was so proud of you for all those roles you were getting, and even if I only got to talk to you for a few minutes, I loved getting to hear what you were doing. Because you were achieving your dream, and I got to be there to experience it. I don't want someone who can be with me all the time, I want you."

I hadn't noticed that we were both sat on the edge of our chairs. We were so close we were almost touching. I could smell the familiar scent of his cologne and it was making my heart skip a few beats.

"I should've talked to you instead of deciding just to end things," he said, his voice soft and quiet.

"You should've," I agreed. "And then if you were going to rebound, you shouldn't have done it with the girl you told me not to worry about."

He awkwardly chuckled and rubbed the back of his neck. "Yeah, not my finest moment."

I sat back in my chair, although I didn't want to. I wanted to keep being this close to him, or maybe to get closer. "So why did you two breakup anyways?"

"She was nice and all, but she wasn't you."

We sat in silence, letting his words sink in. He was looking at me, almost like he was waiting. Maybe I was waiting, too, to see where that confession was supposed to go. After a few moments, my body moved before my mind could comprehend what was happening. I quickly leaned forward, nearly putting myself on Joseph's lap, and started kissing him. He kissed me back immediately, wrapping his arms around my waist and pulling me the rest of the way onto his lap.

"I missed you," he mumbled against my lips.

"I missed you too," I admitted. I pulled away to add, "But don't think you're completely off the hook. You did still hurt me, you know."

"I know I did. I'll spend the rest of my life making up for it if I have to."

I smiled. "I think I like the sound of that."

He smiled back at me and pulled me back in for another kiss. Eventually, my book was abandoned on the balcony, and the large blinds were closed to keep from anyone being able to see the reunion happening inside.

[bendyartistic]

Be Aware of alexbstudios. (Part 2) TW: uh.. slur, sui mention.

Recently I've been requested by some people to make another awareness post about Alex, and what has been going on since I made my last callout. So.. let's take a look. I'm gonna be honest I have been paying little to no attention to him at all since my post up until this point, didn't think I'd have to.

Ever since I made it, Alex has been talking about me a lot more, and it feels much more obsessive in a way. I think it's funny but also pretty weird considering some of the things he's said about me. Eugh.

Anyways let's get to the stuff from after my callout to the present. This is just a rundown of everything, and there is some stuff I skipped since I didn't feel it was worth mentioning. Once my post had been made, a lot of people went over and said stuff to him (Though I didn't encourage that behavior, I only wanted to make my post so people knew about him, I'm not covering those unless it's important in this.) Little afterwards he made this... post. Erh, are you stalking me and other people?? ALSO don't say the r slur man, like what.

I find it really creepy that he has this list, and has notes along with them about why/who they are. Also why'd he spell my partners name like that? 💀 Next a little after that he reblogged someone's art and introduction saying this. (I don't want to really @ people in this, nor get anyone involved unless they asked to be.)

I still don't understand how Alex views me, but saying this in a reblog no less is so strange. Reblogging another post, saying this with it...

You're right Alex, I didn't need you in my life, yet here we are. Unfortunately. Besides that, no, 12 year old's should NOT be on Tumblr at all, even with restrictions, said restriction should be having the app blocked from their device.

I'm just gonna.. move on from that. Alex reblogged an art post, where he proceeded to @ over 50 people, myself included, saying "surely you can see the problem". I can't fit the entire thing sadly. I don't get what the point in these posts are honestly, besides annoy everyone. He's done it before as well. He got into a small bit of beef with a handful of folk not too long ago, which I got @'ed in at some point I think, didn't really pay much attention to it. Basically the original post is someone talking about art supplies and asking what one's other people use, which I personally think was a very neat post. Alex comes around though for some reason going off on nonsense. Hello? Who invited you!? (Again, censoring names cuz I don't want to get ppl involved.)

I'm honestly kind of wondering why he even showed up. He pretty soon after made this dumb post as if it could have some effect on the situation.. uh?

I guess mark your calendars guys for this date, where we have to immediately forget everything and forgive him! /j And there's this response he gave to an anon responding to his ✨patience✨ post.

Dunno, so far it hasn't because he's still talking about it, so clearly he hasn't gotten over it enough to let it blow over.

He's giving me those like.. stupid sigma edit vibes sometimes. Y'know what I'm talking about? Yeah. Also I'm not sure what to say about this really, but it's pretty funny.

Context for this next one: You and the person on your lockscreen fight god..? That's a weird one.

Wdym racist though? 🤨 Genuinely kinda curious about that. Btw wouldn't that make you like.. 9?? On a different note, I saw him previously talk about this "friend" he has going to a mental hospital, but I know nothing about it, nor do I really want to, however reblogging on an art post saying this feels off. Think the emotes are what do it.

Don't joke about mental hospitals at all, I shouldn't have to explain why. I'm going to move on from all the short stuff now because I do wanna start talking instead of making short joking comments.

Alex made this post, and so it begins with him talking about me again, eh?

Alex, you're already doomed. I can't put it any other way but from what I've seen maybe only 1 or 2 people even like you. The rest either hate you or want to avoid you at all cost, and I don't blame them at all considering you act like a fool and make everyone uncomfortable.

For my thoughts on you? I don't like you, never did. I just have to put up with you because this is the internet, and you'll probably never truly leave me alone like I once hoped. It's a shame honestly that you cannot follow a simple request from anyone. Don't think I don't know about your planned "response post" you're making, I'm still waiting for it. I don't know what good it's gonna do you though. Personally I don't care if you make one, I'd just read it to see the stuff you make up in it lol. (Edit: He decided to stop working on it after seeing this post lol.)

Enough of my rambling, I should continue with this so I can stop talking about him sooner. Regrettably I had to actually look up what this was about, I felt.. iffy reading it.

Saying gyatt right afterwards wasn't funny. At all. I'm quite upset now. There was absolutely no reason for that.

I was gonna be reasonable and say something genuine but I don't feel like it anymore, this ruined my mood. All I have to say is as much as I dislike you, don't actually do that. Sadly moving to the next nonsensical thing, he made a poll post asking this. (It's still ongoing btw)

Are people like.. forced into giving a reason? Like if I for example chose Bendy, am I immediately supposed to state my reasons? What if I don't want to, are we being held at gunpoint? What's up with that? I'm too lazy to interact with the post, I don't really feel like it anyways even if I wasn't lazy. Which one would you choose though lol I'm going to be serious now again cause this last thing is really just.. what the fuck. Palestine related 🍉, someone asking for help came to Alex, and this was his response to it...

MY GOD Alex. Did you really have to respond to that in this immature, insensitive fucking manner? Could it have not been in one of your stupid rambling posts. It should've been. I'm sorry to the person and I'm sorry I had to read it. You're pretty sick honestly. You need help.

That's it. I'm done.

In conclusion:

Alex is still the same and is still never going to change probably. He still shouldn't be here and I believe he really should get off now more than ever. If not I fear what else he might do next.

All I can really tell you folks is please, DNI with Alex, just leave him alone and block him. You're again not obligated to, but I am suggesting it if you want to be left alone by him. And hey, maybe you'll make it onto his dumb creepy list too, who knows. Alright, I'm finished, I stayed up way too late for this... I'm tired. Cya.

Reblogs are much appreciated, it helps spread the word, thanks.

[mage-of-mip]

Half-Foots and Ainu Culture in Dungeon Meshi

It sometimes feels like I might be grasping at straws with this, but I do feel like it's not completely unfounded. Please note, I am a white woman living in the USA, I am by no means an expert on Japanese culture in general, much less a marginalized subculture. I have simply made limited attempts to educate myself out of genuine interest born from exposure to media about Ainu characters and culture. I am always hoping to learn more.

I think it's fairly obvious that many parallels can be drawn between Ryoko Kui's Half-Foot race, and more than one ethnicity or subculture in real life. Romani, Irish, and Jewish stereotypes come to mind immediately.

But I think there's another one that may be explored less in the text, and much harder to catch by a western reader, but nonetheless could be intended by Kui, or perhaps was at one point. That of the Ainu people of Hokkaido, Japan.

There's not a lot of translated information about the Ainu online, so please bear with my limited knowledge. In short, the Ainu are the indigenous people of Northern Japan. For generations, their way of life has been taken from them and they were forced to assimilate to the wider Japanese culture. There are not many who still fully practice the cultural heritage in this day, but there are movements to bring the Ainu culture back.

In Delicious in Dungeon, there are two instances that reference the Ainu, both relating to Chilchuck. This could, of course, be a coincidence, especially if there are more references that I missed. It may be flimsy, but it still feels significant that this is the case, and that Half-Foots are or were meant to be an allusion to the Ainu.

This is the first instance. A significant panel in the context of the story. To my knowledge, this is the only specifically Ainu dish that's referenced in the text. On it's own, its just an interesting factoid, and the same dark humor that's being used for all the other character deaths in this fight against Thistle.

This is the second instance. From the supplemental material rather than the main story, Chilchuck is discussing what Half-Foots are called across the languages. The one that caught my eye here is the one in the top corner. Korpokkur.

The Korpokkur are a race of small people in Ainu folklore, their name meaning "those who live under the butterbur leaves".

Again, in a vacuum, this could just be a Japanese person using a Japanese word [Edit: Correction; An Ainu word] in her manga. But I think it's interesting that the two instances of Ainu culture being referenced have to do with Chilchuck and Half-Foots as a whole. It could warrant a deeper read-through looking for other references, perhaps by someone more educated than myself.

I think this could have some interesting implications in the wider worldbuilding. Perhaps the Half-Foots have faced similar cultural erasure and assimilation attempts, which is why a lot of their customs and clothing are just "Tallman but smaller", and why other races regularly mistake them for the children of tallmen, despite having pretty noticeable differences in how they look other than just their height(their disproportionately large ears, for example).

This idea might be a tad more indulgent, but I also like the idea that Half-Foot children don't receive a permanent name until they are toddlers. At one point, in Ainu culture(this may not be practiced today, I could not find information on that), the Ainu would give their children "vulgar" placeholder names until they started forming personalities, as a ward against evil spirits. Perhaps the same is done for Half-Foot children, and their two part names are selected when they are a little older.

Again, these are just the observations of an outsider looking in, please feel free to correct any mistakes I may have made! And if I'm completely off-base or have said something offensive, I apologize and will delete or amend the post as necessary.

[copperbadge]

Hi Sam! I wanted to ask if you feel lately like you've been getting anything positive out of your therapy, because a lot of your initial thoughts about it kind of mirror mine. I'm very logical (except when I'm upset at myself) and very skeptical, so I feel like a therapist either isn't going to tell me anything new, or that I'm going to just disregard it because I can't trick myself into believing things that I just plain don't believe.

But I'm also starting to come to a realization, two years after my ADHD diagnosis and letting go (without therapy!) of most of the executive dysfunction-fueled self worth issues I was having, that I'm kind of Not Okay in other ways. I'm safe —going to work every day and doing my job so I won't lose my livelihood and have never had a self harm urge in my life— But I'm not really okay. I'm having major self esteem issues related to my personality separate from the executive dysfunction that are putting me in a bad place. I don't want to take antidepressants for reasons I won't go into but that means my other option is therapy and... I don't know if I'm a person that therapy will actually work on. I found a lot of validation in some of your perspectives, about affirmations being bullshit and "mindfulness" exercises feeling impossible and useless, about not having an inner monologue and how that might be causing issues with traditional methods. So I was just wondering, do you feel like therapy is working now that you've been in it longer?

I've wasted a lot of money on "elective" (and ultimately useless, back to square one) medical nonsense this year and I'm not eager to waste more, but I've also met my insurance deductible so it's the best time to try it if I'm going to.

I mean, it depends on the modality a little but I don't think trying basic talk therapy can hurt, as long as you find a decent therapist. And it's better to try it now when you're feeling Mostly Okay than waiting until you are Really Not Okay. But this entire paragraph comes with a lot of context so....

A lot of what I talked about in terms of struggling with mindfulness, etc. was less related to the therapy I am still in than it was to the DBT class I took at Therapist's suggestion. We were both aware that she was basically throwing stuff at the wall to see what stuck, and while it was an interesting class I don't think for me it was helpful. As you mention, I struggled with affirmations and visualization since neurologically I'm not really set up for those; I don't think they're objectively bullshit but I do think there's an assumption within the mental health industry that they will have function for everyone and that's simply untrue, and the expectation that it will is very damaging. I also struggled with the physical-intervention aspects (called TIPP usually) which didn't work at all for me and felt frankly like doctor-approved self harm. DBT can get very culty, which set off a ton of red flags for me -- possibly false flags, but they still waved real big.

And that's because I also have a lot of trust issues surrounding therapy. To the point where, the minute one of the people running the DBT class made actually quite gentle fun of me for asking a question he couldn't answer, I checked out on anything he said. We were learning about a DBT concept called Wise Mind and I asked, "If wise mind is an identifiable mental state, how do we know if we're in it?" and when he couldn't quite answer beyond "It's different for everyone" I said, "But if we know it's real there must be some kind of common denominator, a measurable data point," and he said "Well, Sam, you're not going to levitate" and the rest of the class laughed. Sorry bud, this is almost certainly an over-reaction, but I'm me and you lost me when you came at me instead of just admitting you didn't know. (Also it turns out I just live in Wise Mind like 80% of the time which is one reason I couldn't tell.)

But basic talk therapy outside of DBT is just...you talk at someone about your problems and come up with ways to try and solve them, which is a lot more straightforward and way less frustrating. You have to be an active participant, you have to both have a goal and be willing to discuss reaching it, but that goal can be as simple as just "figure out what my mental health goals should be" at first. You don't have to learn like, vocabulary for it.

The thing is, while I have seen some improvement in regulation issues, I also struggle with basic talk therapy. Most people, and this blew my mind, see measurable improvement in nine to eighteen therapy sessions. A lot of people don't go long-term, they just are having a moment and get help getting through the moment and then can disengage, with their therapist's approval.

I was in therapy consistently from the age of nine to eighteen and only stopped because I reached legal majority and physically refused to go.

Not one minute of those nine years did I want to be there. And, because none of the three therapists I saw across those years actually explained to me why I was there or how therapy worked, for me it felt like "Your punishment for having feelings is to speedrun every feeling you had this week in an hour, to a stranger." There was also what my current therapist believes to be some extremely unethical behavior going on, which didn't help.

So it has taken actually a lot of time to get to a place where I would even allow her to understand what help I need. I've been in therapy for about a year (generally weekly but there have been some gaps) and it has only recently gotten deeper than very basic interpersonal problem-solving.

Like, two weeks ago I told her, "I had a thought this week that I couldn't tell you about something I was doing because then you'd have material on me" (meaning blackmail material) "and that's a fucked-up thing to think." And once I'd actually identified it as fucked up I had zero issue telling her about it, wasn't even nervous as I did so. Who's she going to tell? She's literally legally constrained from telling.

I think well over half of what she does is either validate that whatever emotion I'm having is normal, affirm my reactions so I don't keep believing I behaved weirdly, or praise something I've done that was a positive act. Does this work? Not always, because I'm unfortunately very aware that it's part of her job to do those things. But yeah, sometimes. Even if you don't fully believe it, "Hey that was a really smart move" is nice to hear. Sometimes she helps me come up with a plan for stressful future events or (rarely) behavior modification, and sometimes she either provides me with research or points me towards research I can do on my own. We don't do meditation or affirmations or stuff like that.

Like, last week I brought up the fact that I hadn't really ever thought about how if I have a disability that causes emotional dysregulation and I got it from my parents, they also likely had undiagnosed emotional dysregulation when raising me. So she said I should look into research on children with emotionally dysregulated parents. I was pretty annoyed by what I found (the ONE TIME adults are the focus instead of the kids is the ONE TIME I needed to learn about the kids, really?) but it led to something that was both informative and upsetting, so we discussed that. And when I was stumped about how to move forward with the information, she suggested that my general coping mechanism of writing about it was probably a good plan.

(At which point I just silently advanced my powerpoint presentation to the next slide, where I had a series of quotes from the Shivadh novels where Michaelis, acting as a parent, repeatedly does the exact opposite of the upsetting thing, because I realized even before the meeting that it's an ongoing theme in my work whenever I deal with people being parents. It's a good thing she has a sense of humor and also that I do.)

So yeah. Going into therapy you have to be ready to reject a therapist if you don't like them or if they get weird and pushy, you have to be ready to be a self-advocate, but you are the client; it shouldn't be super difficult to find someone who can at least walk you through what you want from it and agree not to do the stuff you don't want, and if you want to stop going you just...stop going.

Good luck, in any case! I hope you get what you need, whether or not that ends up being therapy.

[cardentist]

Fam how can one be trans in the direction of their assigned sex? I'm not even trying to make the idea sound ridiculous or anything. I'm genuinely curious and want to understand. I thought the whole meaning of trans was that you feel or act in the opposite direction of your assigned sex; if you're transfem but you're afab then to me that's just cisgender??? But like please explain to me how that's not the case if that's what you and others strongly feel so I may grow my compassion

Context: [Link]

well ! while I personally am not intersex, I DO want to highlight intersex people first and foremost.

gender and sex are very Very complex, and I think generally people don't consider the way that being intersex can play a big role in that!

there are intersex people who are afab who are also trans women, there are intersex people who are amab who are trans men, there are intersex people with many Many different relationships with sex and gender and anywhere in between !

an afab person can be born with masculine sex characteristics and transition the way trans women often do. that person May identify as trans, they may not ! that trans person may not even consider themselves a woman depending on who they are and what they want !

I Do think there needs to be an effort to be aware of and make space for intersex people within the trans community, and really the wider queer community as a whole. as it's often something that's given a footnote without deeper thought into the ways that intersex people Actually interact with our communities.

which I don't blame people for not already knowing ! that's the whole point of trying to educate people in the first place ^^

.

and as for Myself

labels are, ultimately, a form of gender presentation. what you call yourself is an extension of not only how you see yourself, but how Other People perceive you.

I could call myself nonbinary or I could call myself trans masc, and both would be Accurate. but people have certain traits and expectations and associations when they see those labels. there are assumptions made about the kind of life that I live, the things that I want, the things I might experience, that change depending on which labels that I use.

and that's not Inherently a bad thing ! I mean, that's part of why people Like labels. but it Can be a struggle for people whose gender is Funny.

I could Also describe myself as genderqueer or multi-gender or genderfluid or gnc or-. I've tried on lots and lots of labels, and for the most part I haven't thrown any of them out, I just keep them in a box under my bed and take them out when relevant.

I've been wrestling with the feminine aspect of my identity for a very Very long time. I've been aware that I'm some level of trans masc. that part was easy. I want a deeper voice, I want things about my body to change, I don't want people to look at me and see a cis woman.

but I Also like femininity. I've found that after accepting myself as trans masc and slowly growing an environment where I am Perceived as masculine, I've started getting euphoria at presenting femininely in the Same way that I did (and do!) get about presenting masculinely.

but that feeling doesn't carry over when I'm perceived as a cis woman. it's Quite Uncomfortable for obvious gender reasons.

and while I may not know the exact Words that I'd use to describe it (as I've said, I've been chewing on it for Many years now), I've gotten a clearer idea of how I Feel.

I want to be Visibly trans. I want to be perceived masculinely And femininely. I want to transition masculinely to present femininely (and sometimes butch, sometimes like your dad at the ace hardware store, I contain multitudes).

and of course, figuring out what I have going on has involve a lot of exploration ! it's the same way I figured out the whole trans masc thing in the first place. seeking out other trans people and other Things About trans people feeling things out.

I find ! that I have a lot of shared experiences with transfeminine people. both in how I feel about certain things, some of the presentation that I want, and in how people would React To said presentation.

my femininity Is Trans, I don't relate to cis womanhood. but I Do relate to trans femininity. which is really awkward for me, because it's difficult to describe it to other people fjksldljkasfdjklfasd

(I don't personally consider myself a trans woman mind, but I'm certain there Are people who are trans men and trans women at the same time. gender is complicated, sex is complicated. labels are malleable and sometimes situational)

Could I describe myself with a different label? probably ! I've got lots of them. but when I Don't put emphasis on this aspect of myself people assume that it's not there. insist that it Couldn't be there, and I don't know what I'm talking about. and those people who Would act nasty towards me probably aren't gonna change their mind just because I changed my bio. but it feels Nice to assert that aspect of myself when other people are trying to tear it down.

.

part of me feels like I should post the intersex portion of this by itself, because people tend to engage more with shorter posts and there's nothing Short about my gender situation ljkfdasjkls

but ! I dunno, if this makes even one person understand the gray areas of gender and presentation a little more it'll be worth it.

thank you for taking the time to ask ! and especially for doing so kindly ! I do hope you'll see this

[classygreydove]

The perfect contradictory character of wei wuxian

i'm writing this as i eat chocolate instead of working on my WIP lol - but essentially i've been thinking a lot about when a fic characterization of WWX just hits the spot for me, and when it doesn't. Now whether this type of characterization is canon I think is always partially a matter of opinion, because by its very nature a fanfic cannot be...well, canon. And it is made all the more complicated by the existence of CQL canon and MDZS canon, and the different MDZS canons with different scenes and levels of censorship, and the way fans and fic writers often franken-canon it together. So this post is only my rambling about characterizing WWX in fic.

Whenever I write WWX, i always find it a balancing act. Talkative, but not too talkative; golden-hearted, but willing to question what society sees as moral; confident, but complicatedly so depending on what point he's at in his character arc; oblivious, but not oblivious; impulsive, but analytical. I'm also constantly asking myself "Is this a personality trait, or a result of his environment? Both? What would impact his character if there are different events or circumstances?

And then there's the appearance of what his character is, which is almost just as important as his actual character. The masks or roles he puts on for others, or the ways those around him willfully misinterpret him. How does this character perceive WWX's actions in this or that context? Do they find him reckless, oblivious, or call him morally wrong (even when he isn't)? Does WWX want them to react a certain way, and does that impact how he acts around them?

In my opinion, writing WWX in a modern setting or genderbend is perhaps the most challenging. Not only do you have to ask yourself what personality he'd have if it were shaped by different cultural standards, gender roles, or backstory, a fic author might also want to do their best to preserve his character integrity as a "classic golden-hero turned dark anti-hero" archetype, but have no idea how to translate that into completely different set of circumstances.

For instance, WWX and gender roles. I really love that WWX is a subversion of the classical masculine hero archetype in cnovels. As a teenager, he's confident, flirty, intelligent, skilled, enjoys having fun and not taking life too seriously. As a resurrected MXY, he has no issue pretending to be a lunatic cutsleeve, so no toxic masculinity there lol - he also likes getting swept off his feet by LWJ, and playing up the "helpless maiden" role, and is very much a romantic with cottagecore dreams, saving his first kiss (traditionally that kind of innocent romanticism is attributed as a "feminine" trait, regardless of whether it actually is or not) - LWJ in contrast falls into many feminine tropes such as being known for his beauty/grace, the way he carries the money pouch (women traditionally managed the finances), can cook, has petty jealousy, etc - while at the same time undeniably also has masculine traits. The way Wangxian subvert gender roles and tropes is wonderful and i love their characters for it.

But then how does one even begin to translate that dynamic into a genderbend? Does teenage WWX still have that masculine classic hero personality? Or does she become traditionally feminine with LWJ the one acting more masc? Do different gender roles and expectations affect how WWX interacts with the world, such as how they react to her flirting, her confidence, her heroic tendencies? I read a fic a few years ago that I thought it a fabulous job exploring some of these very questions in the canon setting. I am still devastated that it remains incomplete.

Whenever I read a fic with Wei Wuxian, I always fall in love with depictions of his character that capture some of this balance, these "contradictions," so to speak (I don't have a better word to describe it than contradictions, even though these traits don't actually contradict. Ig I could say character complexity? But people often throw that phrase around without explaining what they mean by it, so). It's what makes him such a cool character to read about. It's also what makes him so unbelievably difficult to write sometimes. So many fic authors struggle with his character, whether attributing a trait to him that he only appears to have, like thoughtlessness. Or project a trait onto him that he doesn't seem to have that much, like insecurity, or not knowing his own worth as a person/or not knowing the magnitude of his abilities.

WWX to me has always seemed to know exactly how skilled he is and what he is capable of, and he at least intellectually seems to be aware that he is not unlovable or worth less than others, even if he is required to act or treat himself as less than his peers due to classism and society. I've always felt that his attitude towards himself, his own worth and his own ability, is a sort of practicality that would come from growing up as a street kid whose only goal is survival, and who is completely aware of just how little the world cares if he does or not.

Then there's the concept of him being ridiculously oblivious/emotionally unintelligent, which many others have talked about before me. I think this idea in the fandom largely stems from the fact that Wei Wuxian doesn't pick up on a lot of small details that he later recognizes and realizes later on. But there's been a lot of discussion of how much of that was because of comphet, situational circumstances, and LWJ's own reticence that prevented or distracted WWX from making those connections earlier in the canon timeline. This means that this "obliviousness" is likely something that would change if the circumstances are different, such as WWX existing in a world with no comphet, or existing in a timeline where he isn't dealing with Wen indoctrinations or being severely traumatized by the burial mounds and a war, LWJ being less repressed and hot-cold etc, etc, etc.

Now, one WWX characterization i genuinely have such a hard time reading is manic pixie WWX. The ones where he's just... chirpy. Bubbly. (Usually really oblivious. Never intentionally breaking rules, he just can't help it! he's just too cute and enthusiastic uwu) I can't explain why, I don't even know why, but it grates on my every. last. nerve. (that being said, if u want to write manic pixie WWX, then write whatever u want, seriously. Don't even think about letting my opinion stop u from doing what you like and having fun)

As for depictions I really love to see: a WWX that kind of scoffs at rules/the system. One who genuinely has a somewhat poor opinion of LWJ's character before LWJ proves himself, because I like a good enemies/rivals-to-friends-to-lovers because that's how I believe he sees LWJ until LWJ punishes both himself and WWX and WWX goes "oooh u don't use the system to self-benefit or aggrandize or oppress, you're actually trying to be like, moral. I respect that, actually. Let's be friends and go on bromantic outings in Lotus Pier"

Or when WWX's teasing gets a little mean, because WWX can be a little mean, often unintentionally so, but still (think WWX showing LWJ porn/intentionally pushing LWJ's buttons, WWX making that comment about JL's mom). I think it's a character flaw of his that adds depth/complexity.

Also, WWX trolling people/enjoying mischief and making people question the "system." I've always felt his first-life self had the kind of annoying swagger that a guy who Knew He Looked Like That and Knew Exactly How Smart He Was that would honestly make me so annoyed if I knew him irl. Like, Mianmian, I get it. LWJ, I get it.

Basically, I like when his character is written to make u so mad you aren't sure if you want to throttle him or kiss him silly (especially if it's a LWJ pov). Or when he acts super carefree/silly, at the same time as he shows how scarily smart he is. It's the juxtaposition. The contradiction. *slaps hand on the metaphorical table in emphasis*

[TL;DR] So what i'm trying to say is, writing WWX is a challenge, but one that is so worth it.

Alright I've spent like an hour on this post, so though there's so much more I could talk about, I'll leave it at that for now. For those of you who would still really like a part 2 of that "so i read a comment bashing LWJ" post, i do plan to write more on that, so keep an eye out 👁️

[sen-ya]

part 5/7

is it silly that this is my favorite in this series? i really enjoyed writing kaya and I wanna do it again at some point :')

[op comic masterpost]

[pg1] panel 2: Kaya: Oh! Dr. Law! I didn't expect to find you in our library.

panel 3: Law: K-Kaya-ya!

panel 4: Law: Uh. Ahem. Excuse me. I hope you don't mind me borrowing your books.

panel 5: Kaya: Oh of course not! I'm just shocked to hear we have books you don't! What are you studying?

panel 6: Law: UHHHHH

[pg2] panel 10: Kaya: Oh! Is someone on your crew pregnant? Ikkaku??

panel 11: Law (thinking): She doesn't know Ikkaku is trans. Does she not know that I am?? I just assumed Nose-ya would have mentioned it. But that makes sense. If Straw Hat didn't already know Nose-ya was trans it's not like I would have told him.

panel 12: Kaya: ...?

panel 13: Law (thinking): Fuck, I've been quiet too long. I can't throw Ikkaku under to bus. Just say something.

panel 14: Law: No. Kaya: Oh. Then why...? Law (thinking): Wait, shit

[pg3] panel 15: Law: My, uh...brother...'s...wife. Yeah, we're taking him back to Zou soon...because his wife is pregnant...and I...want...to help...?

panel 16: Kaya: Oh, how sweet! Congrats "Uncle Law" hehe. If you have any questions I could help with let me know!! I specialized in traumatic injury, but I did deliver a few babies in Syrup Village! On smaller islands like that you wear a lot of hats.

panel 17: Law: And you've...been pregnant. Kaya: Well, yeah, but I wasn't my own doctor! Could you imagine if I had tried to deliver the twins myself? Even a doctor needs a doctor, you know that.

panel 18: Law: ...right.

panel 19: Law: ...what...what was it like?

panel 20: Kaya: Oh, my pregnant patients were actually pretty fun! I suppose it makes sense that as a pirate ship doctor you wouldn't have had to know obstetrics. But it was always so lovely to hand a parent their--

[pg4] panel 21: Kaya: ...newborn...baby...?

panel 23: Kaya: ...I'm sorry, Dr. Law. If there's context I need you'll have to give it to me. I'm not good at guessing.

panel 24: Law: What do you mean, I just gave you context. Kaya: With all due respect, you're full crying. It's a new sight for me!

panel 25: Kaya: You can tell me what's going on! I'm told I'm a very good listener

panel 26: Law: ...You Straw Hats sure are a pain Kaya: Sorry, hehe

panel 28: Law: ...I...ahem...so number one, if you didn't know...I'm...I'm trans.

panel 29: Law: But not like your husband. He got the works from Ivankov-ya...I never felt the need to seek that out.

[pg5] panel 30: Kaya: ...I see

panel 31: Kaya: How far along are you? Law: ..12 weeks, give or take. Kaya: Well, I've provided obstetric care of all kinds. So whatever questions you're researching here...why don't you ask me instead of being your own doctor?

panel 32: Law: ...Same question. What was it like?

panel 33: Kaya: Being pregnant was a horror show!

panel 34: Law: A glowing review. Kaya: Oh, sorry! I can lie if you'd prefer!

panel 35: Kaya: I was just so sick my first trimester! Law (speaking over her): KAYA-YA I THOUGHT I WAS DYING FOR TWO WEEKS WHEN WILL IT STOP I CAN ONLY EAT RICE.

panel 36: Kaya: It's different for everyone. By the end it wasn't quite so bad for me, though. And I love my kids so much. They were such cute newborns!! So I was alright being uncomfortable for awhile. Because that's what we wanted, you know?

panel 37: Kaya (off screen): What do you and Luffy want, Dr. Law?

[pg6] panel 38: Law: ...We haven't decided yet. We're giving it to the end of the week. I'm trying to think about it rationally. But I just keep getting emotional any time I talk about it. It's strange.

panel 39: Kaya: An emotional decision and a bad decision aren't inherently synonymous, you know.

panel 40: Law: ...your bedside manner is impeccable, Dr. Kaya-ya. Kaya: Well, thank you! Next time let's meet in the infirmary, mine or yours.

panel 41: Kaya: I'll be your doctor through this, okay?

panel 42: Law: ...Okay...Thank you. Kaya: Of course!