Tumgik
#interview questions like
kingkatsuki · 1 year
Text
Imagine Dynamight going to a school to be interviewed by the little children there, sitting down in one of the chairs in their classroom that is far too small for his hulking form but he sits down in it without complaint as the kids sit down in front of him with crossed legs.
And he loves it, because they have no filter— just like him, and they end up asking him the most blunt questions without hesitation. And some of the questions he’d never usually answer if they were coming from broadcasters or reporters, but he can’t lie to these kids so he keeps responding openly and honestly.
Even when one of the little girls asks “Mister Dynamight, do you have a girlfriend?”
It’s a rumour that’s been circulating for months as the media try to work out who the mysterious woman is in his life (if there even is one!) and it’s confirmed immediately when Bakugou answers with a, “Yeah, I do.”
And as his PR manager is having a meltdown in the corner, Bakugou’s grin is wide when the little boys in the room sound out a simultaneous chorus of “ewwwwwww”
3K notes · View notes
userjiminie · 19 days
Text
Tumblr media Tumblr media Tumblr media
jiminie got his wish, after all ♡ inspo. | interview | AYS cr. ouranxingg
709 notes · View notes
sainztander · 17 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
monza gp 2024 | sky sport italia
551 notes · View notes
Text
Academiaaaaaaaaaa
1 note · View note
stars-obsession-pit · 2 months
Text
Suddenly half-human
Danny was a full ghost hanging out in a random spot in the Zone when suddenly a rift in space tore open on top of him.
His very essence shifted as strange energies poured into him from a previously-unfathomable direction.
No longer pure ectoplasm. Something new, something living in a deeply foreign way.
A force suddenly pulled him to collide with cold, solid ground.
He felt different.
His whole body felt weighed down as if encased in thick rubber, preventing him from shapeshifting or even just floating up. Something thudded to life inside his chest, pumping a new fluid throughout his insides.
As he continued to lay there in shock, his chest began to burn.
Instincts he didn’t fully understood kicked in and his mouth flung open, gasping for breath. The burning subsided as his chest continued to heave.
What the hell? Since when did he need to breathe?
He heard three young, panicked voices from across the room. He flopped his head in their direction and took in their appearances semi-deliriously, still trying to pull his thoughts back together.
They were humans. Living, breathing humans. A tall redheaded girl, a boy in a beanie and glasses, and a girl in what he believed was referred to as “goth” clothes.
Wait… was he human now?
Awkwardly clambering to his feet, leaning against the wall of the strange tunnel for balance, he tried to give them a grin. It probably came out a bit more unhinged than he intended.
“So, uh, any idea what just happened?”
578 notes · View notes
mulderscully · 4 months
Text
Tumblr media Tumblr media Tumblr media
NICHOLAS GALITZINE for GoldDerby (May 17th, 2024)
913 notes · View notes
pretty-weird-ideas · 3 months
Text
Episode Seven and White Tears
The trial's allegory is not just a lynching, it is a lynching for a Black person entering a relationship with a respected White man, and proceeding to leave him. It's not a murder case, as seen through the show, there's actually very little emphasis on the murder in the episode in regards to Louis. The emphasis is on his "seduction", his "ungiving nature", and "refusing to give his body". It is a public humiliation and lynching for turning a respected white man down. The crime isn't hurting Lestat, it's hurting his feelings.
Lestat doesn't speak to the audience about the pain of his throat being slit. He speaks of loneliness, the audience chants and jeers about how cheating was justified if Louis isn't putting out. Santiago isn't talking about the murder, he's talking about how much of a sexual deviant Louis is the second he is introduced. The show is telling us what's important to the case, and what language hurt and stuck out to Louis the most. The deciding factor in the eyes of the audience, the story that Sam and Santiago are trying to tell, is that the crime is heinous because Louis turned down Lestat.
The audience isn't mad about the murder, they're mad about Lestat's emotions, they're mad about the betrayal, and they are mad that Louis and Claudia didn't put up with things. The case built against the two of them isn't based on violence, it's based on white tears. Louis isn't called a monster for slitting Lestat's throat, the audience member calls him a monster for turning down Lestat's advances.
The show is clear that the trial isn't really about the murder, it is about Louis not "giving enough" for Lestat. It's about Louis asking Lestat to turn Claudia and literally bargaining his happiness where he literally gets on his knees and says "I'll be happy for you, I will never leave you if you do this for me". It's never been about the murder, it's quite literally just shaming Louis for not "loving a good man who might be abusive".
At the end of the day, the trial as framed and written by Sam is building a case off of Lestat's tears, not actual physical harm.
Like my skin is crawling but also the show is so chilling with how it portrayed the "He's a good man so hold your tongue and endure! Lest you read as ungrateful".
Anyways someone take the laptop from me before this becomes my life.
545 notes · View notes
la-pheacienne · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
George Martin, 2013: "In a very basic level winter is coming for all of us. I think that’s one of the things that art is concerned with: the awareness of our own mortality. “Valar morghulis” – “All men must die”. That shadow lies over our world and will until medical science gives us all immortality… but I don’t think it makes it necessarily a pessimistic world. Not any more pessimistic than the real world we live in. We’re here for a short time and we should be conscious of our own mortality, but the important thing is that love, compassion and empathy with other human beings is still possible. Laughter is still possible! Even laughter in the face of death… The struggle to make the world a better place… We have things like war, murder and rape… horrible things that still exist, but we don’t have to accept them, we can fight the good fight. The fight to eliminate those things.There is darkness in the world, but I don’t think we necessarily need to give way to despair. One of the great things that Tolkien says in Lord of The Rings is “despair is the ultimate crime”. That’s the ultimate failing of Denethor, the Steward of Gondor, that he despairs of ever being able to defeat Sauron. We should not despair. We should not go gentle into that good night".
JRR Tolkien, 1962 : "One reviewer once said, this is a jolly jolly book, all the right boys come home [...]- this isn't true of course, he can't have read the story. [...] Human stories are practically always about one thing, really, aren't they? Death. The inevitability of death. . . . . . (He quotes Simone de Beauvoir) 'There is no such thing as a natural death. Nothing that ever happens to man is natural, since his presence calls the whole world into question. All men must die, but for every man his death is an accident, and even if he knows it he would sense to it an unjustifiable violation.' Well, you may agree with the words or not, but those are the key spring of The Lord Of The Rings".
"Lotr is all rainbows and unicorns and Asoiaf is nihilistic and grimdark". Wrong, and wrong. In all its hope and radiance, lotr often gets very dark, and despite all the death and suffering, the hopeful moments in asoiaf shine bright. The meeting point of these two is this: having hope while in despair, and even better, refusing to give up because you have to go on despite not having any hope left.
660 notes · View notes
introspectivememories · 8 months
Text
street interviewer: what's your type?
tim who's just trying to get to work: i have a boyfriend
street interviewer: so what's your type then?
tim: my boyfriend
street interviewer: and what does he look like?
tim who will absolutely gatekeep bernard from the general public: he looks like my boyfriend
street interviewer: so what would you rate me out of 10?
tim: um i can't do that
street interviewer: can't rate me at all?
tim: i can't rate you at all
street interviewer finally realizing that this is going absolutely nowhere: what would you rate your boyfriend out of 10?
tim smiling stupidly: he broke my scale cause he's so beautiful
968 notes · View notes
Text
One thing I will NEVER understand is how 1980 John Lennon got away with tenderly calling Paul his DEAR ONE and trailing off into thought whilst also managing to convince the general population that he felt absolutely nothing for this man like how?? How??
Not his old-bandmate, not his collegue, not his mate. His dear one. And the interviewer seemingly didn't even blink. Truly insane.
234 notes · View notes
sevenines · 8 days
Text
Tumblr media
i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
163 notes · View notes
thedailydescent · 4 months
Text
When they're fighting, Louis and Armand know exactly where to hurt each other the most. They can jab at each other about multiple painful memories the other carries, that's fine, but there's one thing that crumples each of them and they both use it here. For Armand, you can see it when he looks genuinely hurt and cuts off the moment Louis says "dull nights, dull months, dull decades" (aka their entire relationship never stood a chance when compared to what Louis and Lestat had), that his entire being is nothing (he's the void, after all), which then moves to a murderous expression when Louis says that a 20 year-old human can provide more entertainment than he ever could, which then moves to barely holding back tears when Louis asks, "Is it the gremlin or the good nurse tonight?"
For Louis, though, it's Claudia. And it will always be Claudia. Louis could hold his own right up until the moment Armand masterfully threw out the "and you threw out her name just for cover but it always circled back to him", and, "but she didn't love you, not like I do!" (the latter being classic abuser language), and it's enough to make Louis spiral into a psychotic episode that leads him to try and commit suicide. Louis knows Armand's largest weak points, but Armand can still recover. Louis, however, cannot. Because while Armand's greatest insecurity is himself, he's never loved and failed another like Louis did, because he, as someone long since detached from humanity, supposedly can no longer make that type of connection with anyone.
And while Louis is blindly running towards "Claudia's voice", Armand pauses, looking deeply ashamed of using that against him, but still pauses all the same. One has to wonder, was the pause out of shock at being that cruel, or was it from needing a moment to nurse those lingering feelings of anger from the things Louis said to him? Or, was it because he knew by waiting, Louis would get injured, and would have no choice but to depend on him again?
313 notes · View notes
lesbicosmos · 2 months
Text
edwin: *holds up spoon* do not breathe a word of this to anyone. not even crystal.
charles: are you threatening me with a spoon?
216 notes · View notes
sonknuxadow · 10 months
Text
thinking about that one in character interview with shadow where one of his answers was that his biggest regret in life is that maria died for him and if he could he would go back and trade his life for hers. and the rest are like Yeah i love hot pockets and doritos and my nintendo ds
604 notes · View notes
violinsandblood · 3 months
Text
why is lestat's turn of events more truthful than louis'?? like, no doubt about it that louis is an unreliable narrator. which he also does admit to himself, he is very aware that he is speaking from his perspective and he doesn't know everything and time does change memories and views of those memories.
but why do so many people in the fandom believe lestat over louis? why is he automatically more reliable and truthful than louis?
225 notes · View notes
girlsdads · 28 days
Text
Tumblr media Tumblr media
post-race, zandvoort ‘24
172 notes · View notes