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mybutcheredtongue · 10 months ago

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I'll Love You 'til the Grass Around My Gravestone is Deceased

harry potter timeline sirius black x fem!reader

CHAPTER THREE (see full series list here)

1992

The first day of term is always fun. Everyone arrives at breakfast happy and excited, the first years arriving particularly early because they're scared they'll miss it.

You take a seat at the staff table, a copy of Astronomy's Articles under your arm. You settle yourself between McGonagall and Hagrid. McGonagall's currently engaged in conversation with Dumbledore.

"Morning, Hagrid," you greet cheerfully and he looks up, giving you a great grin.

"G'mornin'! 'appy first day of term!" He booms and you chuckle.

"Happy first day of term."

You pile breakfast items on your plate, summoning a teapot from the middle of the table to pour some tea into your cup. With a wave of your wand, Astronomy's Articles opens itself in front of you on the first page, and you read as you eat.

"Anything interesting?" You hear Dumbledore's voice beside you and with the call of your first name you turn to him and shrug.

"Nothing I hadn't seen myself! There should be a meteor shower at around 12-ish on Friday night," you reply. "Meteor showers are wonderful, I would definitely recommend."

Dumbledore hums thoughtfully. "I have had the treat of viewing quite a few meteor showers in my lifetime," he says. "Once, I could have sworn that the meteors seemed to form the shape of a very animated chocolate frog."

McGonagall chuckles quietly and you join her.

"How do you know it was a chocolate frog and not just a regular frog?" You ask.

Dumbledore considers this for a moment. "I suppose I must have had a particular craving for chocolate that evening," he replies simply.

His plate is empty, clearly having awoken much earlier than you, and you return to your breakfast, flipping the page of your magazine onto a puzzle page, littered with crosswords, word searches, anagrams and some sudoku squares. Something for later, you think.

"How was your summer, Minerva?" you ask. Her first name has always felt odd on your tongue, after you spent 7 years of your life calling her Professor McGonagall.

"Oh, it was fine," she replies. "Nothing too extravagant."

"Did you go to any quidditch matches?"

"A few. I seen — "

"RONALD WEASLEY!"

You jump at the loud yell, turning to the source of the screech: a red envelope floating in front of Ron Weasley's face at the Gryffindor table. You exchange a look with McGonagall, returning your eyes to the scene playing in front of you.

Mrs Weasley's outraged yells are so loud that plates and spoons rattle on the Gryffindor table. Harry is wide-eyed beside him, watching in horror as Ron dips so low in his seat that only the top of his crimson forehead is visible.

" — STEALING THE CAR, I WOULDN'T HAVE BEEN SURPRISED IF THEY'D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON'T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE — "

You wince, knowing well how it feels to receive a howler at school.

Poor Ron.

"— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN'T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED — "

Harry's face has turned the same shade as Ron's, and every eye in the Great Hall is on the howler.

"Bloody hell, just run out of the hall, Ron..." you mutter under your breath in exasperation.

McGonagall hums in agreement beside you.

"— ABSOLUTELY DISGUSTED — YOUR FATHER'S FACING AN INQUIRY AT WORK, IT'S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE'LL BRING YOU STRAIGHT BACK HOME."

The howler then spins around to Ron's younger sister, Ginny, and its tone changes drastically. "Oh, and Ginny, dear, congratulations on making Gryffindor. Your father and I are so proud."

The howler drops and bursts into flames and curls into ashes. Harry and Ron sit stunned, as though trying to comprehend just what had a happened. A few people laugh before gradually a babble of talk breaks out again.

You chuckle, opening your magazine again and flipping the next page. "Happens to the best of us."

⁠✧⁠*⁠。✧⁠*⁠。

You wander down to the dungeons, your shoes audibly clicking against the hard stone floors. You wrap your arms tightly around your body, your hands bunching your woolly sweater at your sides.

You had spotted a poster for a 'duelling club' run by Lockhart and it had piqued your interest. You wanted to attend to make sure someone didn't die or get fatally injured because Lockhart seemed the type to not know a defensive jinx if it punched him in the face.

You push open the big wooden doors to the room he's occupied. Several students turn to look at you, but your eyes land on another man standing beside Lockhart, an unimpressed expression on his face.

Hm. Looks like Snape and I have had the same idea.

"Seems we have a late comer! No matter, join in with the rest, young lady!" Lockhart chirps.

You sigh, walking up to him to stand next to Snape. "It's me, Gilderoy." You tell him your name and he just blinks blankly.

You narrow your eyes in confusion. "We work together."

Blank.

"I literally sat beside you at breakfast this morning? You asked if I'd read your book."

Lockhart just stares in confusion, before his face contorts into an overdramatic picture of recognition. "Ah, yes! Yes, of course, I — uh — I recognise you, yeah! Of course I do!"

You scoff, rolling you eyes as he turns around to face the students. "Prick," you mutter under your breath.

You watch as Lockhart steps out onto the long, narrow stage and walks ostentatiously along it. "Gather round, gather round! Can everyone see me? Can everyone hear me?"

A beat.

"Excellent! Now, Professor Dumbledore has granted me permission to start this little Duelling Club, to train you all up in case you ever need to defend yourselves as I myself have done on countless occasions — for full details, see my published works."

You have to cough to cover up your derisive snort.

"Let me introduce my assistant, Professor Snape," Lockhart says, flashing a wide smile. The look on Snape's face when Lockhart calls him his assistant is absolute gold. Then, his eyes lock on you and he pauses for a moment, nodding to himself. "And, well, we also have our dear, uh...Astrology Professor here too!"

"Astronomy."

"Astronomy! That's what I said," Lockhart continues. "Professor Snape tells me he knows a tiny little bit about duelling himself and has sportingly agreed to help me with a short demonstration before we begin. Now, I don't want any of you youngsters to worry — you'll still have your Potions master when I'm through with him, never fear!"

You raise your eyebrows, glancing over at Snape as he pulls his wand from inside his robes, stepping out onto the stage to face Lockhart. As much as you have a...tumultuous relationship with Snape, you would definitely not be as keen and enthusiastic as Lockhart is to try and duel him.

You're excited to see that smug grin wiped off Lockhart's face, though you would love to do it yourself. You bet he'd remember your name after that.

Lockhart and Snape turn to face each and bow, though Lockhart's is considerably more flamboyant with much twirling of his hands while Snape jerks his head irritably. They raise their wands in front of them.

"As you see, we are holding our wands in the accepted combative position," Lockhart tells the silent crowd. "On the count of three, we will cast our first spells. Neither of us will be aiming to kill, of course."

"One...two...three — "

Both of them swing their wands up and over their shoulders. Snape cries, "Expelliarmus!".

There's a dazzling flash of scarlet light and Lockhart's blasted off his feet, flying backwards off the stage wildly and smashing into the wall.

You bite your lip to stop your laughs.

You notice some of the Slytherin students cheering while others nervously watch Lockhart in anticipation, collectively breathing a sigh of relief when he unsteadily staggers to his feet.

The look on his face is priceless.

"Well, there you have it" he says, tottering back onto the platform. "That was a Disarming Charm — as your see, I've lost my wand — ah, thank you, Miss Brown. Yes, an excellent idea to show them that, Professor Snape, but if you don't mind my saying so, it was very obvious what you were about to do. If I had wanted to stop you it would have been only too easy. However, I felt it instructive to let them see..."

"Well, what spell would you have used, Professor Lockhart?" You pipe up, ultimately stirring the pot to make for a more interesting evening.

You remember when there was a duelling club in your school days. You'd had the pleasure of being paired with Lucius Malfoy, delicately delivering a few hexes to him. He'd had to walk around school with an ear the size of his ego, which was quite the difficult feat because it was exceptionally gargantuan.

Lockhart blinks stupidly at you, rolling a hand through his wavy blond hair. "Well, the Shield Charm, of course!"

"Shouldn't you demonstrate that as well?"

"Well, I — I hardly think the students want to see another demonstration...I'm sure they're dying to try it for themselves!" Lockhart stumbles.

You shrug. "I just think the students might want to witness...what does it say in your book? 'An extraordinary display of barely comprehensible wizarding prowess'?"

Lockhart's mouth opens and closes twice as he tries to think of something to say in return, before landing on a great grin and wiggle of his eyebrows at you. "Well, alright then! I'll let you try and defend my spells, young lady!" He eyes Snape, laughing nervously. "Best give you a break, Professor Snape!"

Snape mutters something under his breath and steps off the end of the stage to stand beside his Slytherin students.

You pull your wand from your pocket, facing Lockhart, bowing.

"One...two...three!"

"Expelliarmus!"

"Protego!"

A blast of red light explodes from Lockhart's wand, and as though there was an invisible shield in front of you, it bounces off harmlessly and is deflected into the roof.

Lockhart lets out a relieved sigh, as if he was expecting it to rebound and hit him instead. He chuckles lightly, regaining his confidence. "It's a good thing I went easy on you there!"

You blink at him, unimpressed. "Truly."

"Enough demonstrating! I'm going to come amongst you now and put you all into pairs. Professors, if you'd like to help..."

You start moving through the crowd, but Snape beats you to Harry, Ron, and Hermione first. You watch as he splits the two boys up, Ron huffing as he moves over to Seamus Finnigan, and Snape beckons Draco Malfoy over to pair with Harry.

You wince, well aware of their rivalry. They almost remind you of James and Snape when they were young, though that was a much more inequal affair at the time.

You sigh, pairing others together and stepping out of their way to observe their moves.

Well.

Disastrous is a kind word for the carnage you witness.

Lockhart is screaming hysterically over the battling crowd, attempting to quell the fights. The pair in front of you, Pansy Parkinson and Parvati Patil, are unleashing whatever horrible spells they can think of. Pansy's face has broken into a million boils, and Parvati's left hand is currently repeatedly hitting her own face.

"Hey!" You shout at the two. "Finite Incantatem!"

Parvati's arm stops moving, and Pansy's face stops breaking out. Some of the boils recede and disappear, while some linger and you sigh.

"Madam Pomfrey's," you say to her and she scampers off, screeching about Parvati on her way. "Where the bloody hell did they learn those spells..." you move away from Parvati.

Lockhart skitters through the crowd, looking at the aftermath of the duels. "I said disarm only. I think you may need another demonstration on how to block unfriendly spells...how about a volunteer pair — Longbottom and Finch-Fletchley, how about you?"

"A bad idea, Professor Lockhart," says Snape. "Longbottom causes devastation with the simplest spells. We'll be sending what's left of Finch-Fletchley up to the hospital wing in a matchbox. How about Malfoy and Potter?"

You scowl. How could he be so cruel? "Mr Longbottom is perfectly capable of performing a simple shield spell, Professor Snape."

He glares at you, black eyes glinting maliciously. "Well, best not allow for any risks, yes?"

"You're being unreasonable — "

Lockhart looks between the two of you, as though choosing which side is the safer option. In other words, which of you he'd least like to piss off.

"Mr Malfoy, Mr Potter, let's see how you fare!" Lockhart booms nervously and you click your tongue, glaring at Snape. His face contorts into a twisted smile as the two boys step up onto the stage.

"Now, Harry," Lockhart says, "when Draco points his wand at you, you do this."

He raises his own wand, attempting a complicate sort of wiggling action.

He drops it.

He picks it up, saying, "Whoops — my wand is a little over-excited."

Snape bends down to Malfoy's ear, whispering something in it. Harry looks nervously up at Lockhart and says, "Professor, can you show me that blocking thing again?"

Lockhart cuffs Harry merrily on the shoulder. "Just do what I did, Harry!"

"What, drop my wand?"

You snort. He is his father's son, that's for sure.

Lockhart isn't listening though, excitedly shouting, "Three...two...one...go!"

Malfoy raises his wand quickly and yells, "Serpensortia!"

The end of his wand explodes. You watch in shock as a long, black snake shoots out of it, falling heavily onto the floor between them and raises itself, ready to strike.

"Don't move, Potter," Snape says lazily, clearly enjoying the spectacle in front of him. "I'll get rid of it."

"Allow me!" Lockhart shouts, and before you can do anything, he brandishes his wand at the snake and there's a loud bang, throwing the snake ten feet up into the air and landing back down on the floor with a loud smack. Enraged and hissing furiously, it slithers straight towards Justin Finch-Fletchley and raises itself again, fangs bared, poised to strike.

Panic sets in through your body and you flick your wand, frantically yelling, "Immobu — "

Then, a hissing sound. You watch in disbelief as Harry walks forward towards the snake, hissing at it, and it slumps to the floor, docile, its eyes now on Harry.

Justin stares at Harry in horror. "What do you think you're playing at?" He shouts, and storms out of the hall.

"Harry..." you say gently, trying to appear calm and collected, despite genuinely thinking you may have jumped out of your skin.

Snape steps forward, waving his wand, and the Snape vanishes in a puff of black smoke.

Ron grabs the back of Harry's robes, tugging it and pulling him out of the hall. It's utterly silent and tense in the room and you swallow hard.

"Alright, everyone, I think it's time to get going," you announce, and the students obediently depart from the room, muttering between themselves.

Snape makes to leave but you grab onto the arm of his robe angrily and he turns to glare at you.

"What were you thinking, telling Malfoy to summon that snake? He was supposed to be practicing a shield charm!" You snap.

"A let down on Potter's part. He was unable to cast the shield charm."

"Oh, don't give me that. You knew what you were playing at, you shifty — "

"It is my fault," Lockhart chimes in and you think you can genuinely feel your will to live slipping from your grasp. "I weakened the snake to allow for young Mr Potter to have a better chance, but it seems I should have — "

You spin and glare at Lockhart. "Oh, really, is that what you were doing? Because it seemed to me like you just mumbled out whatever sounds came to your thick skull and hoped it'd do something!"

"Now, now, young lady — "

"It's Professor, you dimwit! I am a grown woman, I am your colleague! Don't patronize me!"

You scoff, anger bubbling terribly in your veins, as you brush off the front of robes and glare at the two idiot men in front of you. "Don't you ever put your students in danger again. You should be ashamed of yourselves."

You spin on your heel and angrily storm out of the hall.

->-> read chapter four here!

⁠✧⁠*⁠。✧⁠*⁠。

→ all kinds of interaction appreciated ♡

#harry potter #fanfiction #the marauders #hp #hp fanfic #fanfic #angst #sirius black #sirius black x reader #sirius black x you #angst with a happy ending

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ablique · 1 month ago

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Percy & Arthur

Young Percy, who, although young, was alive during the first Wizarding war, who looked up to Arthur, wanted to work in the Ministry like Arthur, Wanted to be like Arthur and even better, the MoM one day.

As Percy grows older he realises Arthur isn't the hero he once thought his father was but that's fine, he can get a job at the Ministry anyhow, make his family proud, make Arthur proud. He becomes slightly discouraged when he scores great marks, and his parents don't seem phased, like it's in expectation rather than achievement. Still, he's determined.

Fifth year Percy who becomes a prefect, pride swelling through him, happiness as well when his parents award him with an owl, Hermes. He made them proud and he made Arthur proud.

Percy realises his parents, Arthur, isn't very present when Ginny gets taken away to the Chamber of Secrets and they do nothing to help her, not mentally at least. Seventh Year Percy, Head Boy, not as much as commotion as when he made prefect, he guesses it's because Bill had already achieved all he had before 12 OWLs, 12 NEWTs. Still, it would be nice to be separated from his brother, they were too different persons after all. They knew that, Arthur knew that. Right?

Percy who got a job at the Ministry and suffered socially due to his father's status there, still he worked hard, to make them proud. To make Arthur proud. Then Barty Sr got sick, and he was running the department. It felt, nice. For once he wasn't Weatherby or Arthur Weasley's son. Then Barty Sr was found in the forbidden forest and Percy faced an inquiry. Just when he thought he would lose his only chance, Fudge offered him a position. Happy, he went to tell his family. Arthur accused the minister of trying to spy on Harry, and Percy was hurt. He thought they would be proud, but they only cared about Harry Potter and his safety. They yelled at each other and he left. After the war, things were still shaky between the two. Even more so that Fred was dead. A proper conversation they needed to have, hesitancy, awkward greetings and dinners. It was enough for Percy.

"You're still mad at me."

"I.."

"No? I'm mad at you. Everything I did was because of you. I looked up to you. I wanted to work at the Ministry like you. And you weren't even proud, just assumed I was using my own family to get to Harry."

"I'm sorry, Percy."

#percy weasley #arthur weasley #idk i was bored #they hurt me though

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peppershark · 5 months ago

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Nicholas Galitzine as Tom Riddle

I will die on the #thicklipsTomRiddle hill, and it’s why I think Nick G is an ideal choice to play Tom Riddle.

Here is why:

A lot of TMR art and fandom face claims have Tom looking nearly like a villain already with over-the-top sharpness to his features and a shadowy, shifty look. I love it, honestly. So hot.

But there’s also a solid argument to be made that Head Boy Tom Riddle would have to have the golden retriever innocence of someone like Nicholas Galitzine. Allow me to explain.

Based on the description in The Chamber of Secrets of the Ministry of Magic’s inquiry into Moaning Myrtle’s death, Tom wasn’t even noticed as a suspicious character (except by Dumbledore) because he was held in such high esteem by his teachers and classmates. To have this level of automatic deniability, Tom needed a top-ranking academic record, an irreproachable reputation, plus—and this is my argument—an innocent face.

I find David Kibbe’s 1987 body categorization scheme problematic in general, but for the sake of this conversation, describing “sharpness” (yang) in features, and “softness” (yin) can help us explain how some faces might have a certain level of ‘innocence privilege’.

Kibbe associates certain “soft” features like bigger lips, bigger cheeks (regardless of weight) and other more “romantic” body dimensions with “yin” energy, the “light”, gentle and feminine side, or white on the Chinese yinyang symbol. On the opposite end of the spectrum, Kibbe associates sharp, prominent-boned features with “yang” energy, the “dramatic”, intense, masculine side.

According to Kibbe, everyone has a combination of these features. I know, it’s very reductive, and an overly-simplistic reduction of the Chinese yinyang model. I bring this up, though, because Kibbe’s presuppositions likely overlap with how Hollywood has conditioned us to interpret these facial archetypes; for example, we see lots of representations of young TMR with very angular cheekbones, gaunt cheeks and dramatic features. He’s often interpreted as a “dramatic” Kibbe type, the side with the highest concentration of “yang”.

Considering Tom’s situation, however, it makes more sense to cast him as a young man as someone with a lot more “yin” in his features. Snakeface Voldemort is his villain era and that’s pure yang: dramatic, angular, sharp, and snakey.

So as a younger man, I imagine he would have to employ more “innocent” features. When you consider that Tom was viewed as more innocent than Hagrid—who is the *actual* golden retriever of the Harry Potter series—you have to assume that Tom not only seemed less shady in a circumstantial evidence stance, but he actually must have outperformed Hagrid in some of his genial, “yin” features.

This is why I love Nick Galitzine’s look for Tom. My eye types Nick as a “soft dramatic” Kibbe Type which underneath is a dramatic body frame of very sharp angles, but covered in softer contours of body shape and more “yin” features like big eyes and big lips. It’s a metaphor for Tom’s dark, ambitious energy covered in a winsome, innocent-looking softness.

Nick serves a lot of shady, mysterious energy in his expressions, but the lovely fullness in his lips, big eyes and slightly-soft cheeks counters his darkness.

Nick looks like a prince, like his role in RW&RB (2022) or the high school quarterback like his role in Bottoms (2023) or the gorgeous Jacobean fuckboy for King James in George and Mary (2024). All archetypes I think TMR employs to get ahead in a wizarding world where he’s the half-blood Heir of Slytherin who grew up in an orphanage but clawed his way to the top. Nick G’s look in general is a great example of how I imagine TMR would combine features, displaying the dynamic of his character.

Do you think Nick G makes a convincing Tom Riddle?

#tom riddle #tom marvolo riddle #tom riddle era #tomione #tomarry #tom riddle fanfiction #nicholas galitzine #nick galitzine #hp edit

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pepsichrry · 9 months ago

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Theo Nott Headcannons/Information

Information:

•Theo was mentioned in the Harry Potter books (The Philosopher’s Stone, Order of the Phoenix).

•He is only referred to as ‘Nott’ during the sorting ceremony in book 1.

•He isn’t mentioned until book 5 as one of the only three students in the Care of Magical Creatures class who are able to see Thestrals, meaning that he had witnessed somebody die. He supposedly found it unpleasant as he watched one eat and he wasn’t fond of the creatures.

•His appearances in the books are described as ‘weedy’ and ‘stringy’ meaning that he is likely canonically tall and thinly built.

•It is unclear when he is born, but it is said that his father was an older or elderly man who had been previously involved with the Deatheater Army during the First Wizarding War.

•Theodore was mentioned by Hermione in 1996 as one of the group of Slytherin boys whose fathers had been outed as Deatheaters by the magazine ‘The Quibbler’. His reaction seemed to differ from his friends as his reaction was the only one which was not specifically threatening or negative, suggesting indifference.

•At the end of his Fifth Year, Theodore Nott Sr. was captured in the Department of Mysteries as a member of Deatheater forces who participated in a raid of the Department and was exposed as an escaped Deatheater.

•With his father in Azkaban and his mother seemingly dead, it is unspecified who cared for Theodore during the summer holidays.

•In sixth year, Theodore was not asked to attend the Slug Club due to his fathers involvement with the Dark Lord, this is because of Professor Slughorns inquiry about Theo’s family from Blaine Zabini, who was later invited to the Club.

•Theodore was one of the few students who progressed to N.E.W.T level Potions. They seemed to poke fun of Hermiones Blood-Status and were skeptical of the effects of Amorentia.

•He attended his Seventh year at Hogwarts and was treated well due to his Blood Status.

•At the Battle of Hogwarts, it is unclear whether he joined Voldemorts side or Evacuated, but since he is not shown or mentioned defecting to the Deatheaters before the Battle, we can assume that he didn’t end up fighting with the Deatheaters.

•It is also mentioned that he was later taken into custody for owning illegal Timeturners. We can infer from this that he could possibly have made them with dark magic, or he bought them for a hefty price. (Said in TCC, so possibly not Canon).

•Theo is mentioned to be very intelligent, but more of a Loner, since he didn’t participate in many groups like the one led by Draco Malfoy.

Headcannons:

•Theodore watched his mother die when he was young, leaving him in the sole care of his father, who was a cold and bitter man.

•Theo didn’t have many friends when he was younger except for Draco Malfoy, but he opened up slightly more at Hogwarts, though he still liked his alone time.

•He had a set path for him created by his father. He was supposed to work in the ministry and provide for a family, but Theo wanted to be a Potioneer like his uncle and much of his other family on his mother’s side.

•Theo’s mother left all of her belongings to him, and made sure that his father wouldn’t be able to take possession of any of it. In his inheritance, he gained a large portion of money and an estate in rural Italy.

•His mother was from Florence, Italy and was married to his father through an arranged marriage, where she suffered abuse from Theodore Nott Sr. She died slowly due to a failed suicide attempt.

•Theodore had trouble connecting with people because of his parent’s relationship and the things that he’d witnessed in his childhood. He feared becoming his father more than anything, so he did all that he could to prevent it from happening.

•He’d never had a real relationship and never would despite how many girls he’d slept with. He didn’t want a commitment.

•Despite how quiet he was, Theo was a very funny person and to his friends, he was often the life of the party

•Theo was prone to addiction and often used unhealthy coping mechanisms like smoking, drinking and drug use, though he only took drugs at parties.

•Much like Draco, Theo took the Dark Mark as a punishment for his father’s mistakes, not out of willingness. He received it a week after his fifteenth birthday and struggled to adjust.

•He was 6’2” feet tall

•He tanned very nicely in the summer, leaving him with smooth, olive skin just like his mother’s.

•During the Battle of Hogwarts, Theo ran away with Blaise Zabini, purely because he wanted to avoid fighting people that he’d previously called friends.

•As his life went on, Theo learned from his mistakes and prejudices and slowly but surely became a better person. He was clean by the time he was 20.

•As a request from the Dark Lord, Theo created a Timeturner for him. But since he’d learned how to do it, he created more and gifted one to the Malfoy Family and kept one for himself. He didn’t use it to change the past, but he’d travel back to his old house to watch his past, specifically, to watch his mother, trying to piece together parts of her life and his. It was the only way of truly knowing and remembering her because he was so young when she died.

•Theo died before he turned 30, ending the Nott family line. He’d died alone after taking his own life to avoid being sent to Azkaban for his possession of illegal Timeturners.

•He lived a life of longing for love without receiving it. Secretly, he wished for a loving relationship and a family, but he didn’t want to repeat the cycle of abuse that he was trapped in. He felt that his family line didn’t deserve to be continued, he felt that he was atoning for their sins by ending it.

#theo nott #harry potter #draco malfoy #theodore nott #hogwarts houses #headcanon #canon #death eaters

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whinlatter · 4 months ago

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The Ginny and Peter parallel though?? How have I never thought about that?? It‘s so horrifying and insanely compelling to me at the same time. I would love to hear (read?) you elaborate on that.

"Sirius, Sirius, what could I have done? The Dark Lord… you have no idea… he has weapons you can't imagine…. I was scared, Sirius, I was never brave like you and Remus and James. I never meant it to happen…. He-Who-Must-Not-Be-Named forced me - " "Harry – oh, Harry – I tried to tell you at b-breakfast, but I c-couldn’t say it in front of Percy. It was me, Harry – but I – I s-swear I d-didn’t mean to - R-Riddle made me, he took me over..."

thank you so much for this question anon. i have been thinking about this for a long time - about how ginny weasley might have made a really, really good traitor - and would love to talk more about my thinking behind it. a little meta on traitor talk - who flips, and why, and why ginny weasley might be the peter pettigrew to the trio's marauders after all - can be found below the cut (with spoilers for beasts chapter 14).

hp, as a series, puts great moral emphasis on the concept of choice. after all, it’s about a world at war, where the question of whose side you're on is often a matter of life or death. double agents, deception, treachery, people serving the interests of others (either consensually or under duress): these are recurrent tropes, on both sides of the wizarding war. the plot begins the ultimate act of betrayal - that of lily and james potter by peter pettigrew - and the series concludes with the revelation of another (snape). throughout the books, there are all sorts of characters who spy, or flip, for all sorts of reasons. you have those who knowingly pretend to be serving the interests of one side when actually serving another, for principled reasons, either ideological motivation or out of selfless loyalty to another person: snape, peter, likely rookwood, quirrell, fake moody/barty crouch jr, both sirius and regulus black, kreacher, and narcissa in the forest. and then you have the group who betray either out of fear, or who are manipulated into acts of betrayal and deceit, sometimes through possession but otherwise through blackmail and intimidation, to varying degrees: xenophilius lovegood, mundungus fletcher, pius thicknesse, marietta edgecombe, bertha jorkins, bathilda bagshot, those types. (in a sign of jkr’s consistently dicked-up biases re gender in the series, women are never allowed to be interesting enough to actively betray anyone unless they’re doing it out of maternal love eg. narcissa - they can only ever actively be led astray or hoodwinked, whereas male characters can have a vast array of complex motivations and all sorts of shades of moral grey. we'll come back to that in a minute).

in chapter 14 of my postwar fic beasts, during the course of the hogwarts inquiry, augustus rookwood takes the stand and testifies of an attempt by him and his fellow death eaters to find someone who could play double agent to pass secrets about the resistance, the order and harry to the other side during the second wizarding war. rookwood - himself a former double agent - talks about how to make a traitor. he discusses the different motivations of traitors, how to find a target and how to exploit their existing vulnerabilities and weak-points to get them to come around to your side. he also reveals that, during the death eater seizure of the ministry and hogwarts school, he and his peers identified a would-be target in ginny weasley. in the fic, i have him describe the process of traitor-identification as ‘the pettigrew playbook’: finding someone who is connected, who knows the order’s secrets, who has the information you want, and who will flip less out of an ardent ideological commitment, but more because they are weak and scared but also disrespected and resentful and more inclined to save their own neck than act out of loyalty

i’ve always been very struck by peter pettigrew’s attempts to justify his betrayal of lily and james in PoA (see above). peter pettigrew is always a slippery and elusive character, rendered mostly through other people’s memories or descriptions of him. this is one of the very few times he explains something of his own worldview - though, as we know he is a liar, and in this instance errrr trying to save his own life as sirius threatens to kill him (slay), we have to take even these lines with a pinch of salt. we know pettigrew is a character that acts, at all times, out of a desire for self-preservation, trying to secure his own survival. he was tolerated but never respected by his schoolfriends, made the potters’ secret keeper as a ‘perfect bluff’ because he was a ‘weak, talentless thing’ voldemort would never bother going after, a trait which ultimately made him the perfect and most vulnerable target. when outed as the real spy by sirius and remus here, he acknowledges he is aware of his deficiencies and weaknesses, and talks about his fear for his own life, his sense of how he did not live up to the principled bravery of his friends, and claims that voldemort ‘forced him’ to surrender lily and james - presumably through the threat of terrible violence, suffering and death.

pettigrew’s remarks are particularly interesting when put alongside the justifications and excuses of another character who has betrayed harry to voldemort, albeit under very different circumstances. like peter, ginny’s confession is given through floods of tears as a desperate plea to be believed and excused. in it, ginny begs harry to understand her own lack of culpability. just as wormtail does, she insists to harry she was forced by riddle to cause harm to others and to hand information about harry over to riddle, and to play an integral role in returning lord voldemort to life. of course, the series always frames ginny’s actions in CoS as the behaviour of an entirely innocent person. but even these lines show a streak of self-preservation and a certain amount of weakness and cowardice that runs throughout ginny’s encounter with the diary. ‘I couldn’t say it in front of Percy’, she says, suggesting she feared getting in deep trouble with no proof of riddle’s hand in her actions. in fact throughout the diary episode, ginny shows real moments of acting to save herself rather than do the right thing and come forward with the truth. she tries to dispose of the diary, but doesn’t go to a teacher about what it has been making her do. she stole the diary back not to protect harry but to protect her own secrets and prevent him from discovering her complicity (at least by TMR’s telling). she even watches hagrid get falsely accused and sent to azkaban, and stays silent in the process, a distinctly pettigrew echo if ever i heard one.

of course, we know ginny and peter pettigrew’s relationships with voldemort are not alike in dignity. it’s clear that, in so many ways, ginny’s encounter with the diary is much more clearly an experience of victimhood than of malicious intent. we know that ginny was possessed; we know she is not a character who would commit murder without that level of involuntary mental surrender. but there are more uncomfortable echoes of pettigrew in her experiences in CoS. we see them in the decisions of a character acting of fear and a desire to save their own skin in ginny’s experience of the diary than we might like to think. ginny ofc was targeted by lucius malfoy because of who her family was, as stalwarts of the anti-voldemort pro-muggle resistance during the first wizarding war, with powerful enemies determined to discredit and undermine them at every turn. but, as TMR makes clear, what makes ginny such a good target in the end, so vulnerable and so useful, was that she was weak. she was insecure, and lonely, teased and misunderstood and feeling inadequate. in all of that, there was a very rich opening for TMR to access her innermost fears and secrets and to use them to manipulate, pressure and threaten her into compliance, in addition to the active possession of her body to conduct deliberate acts of attempted murder. it’s not a perfect pettigrew parallel by any means. but there’s more than a little bit of pettigrew in that, too.

maybe more parallels with ginny and peter pettigrew than meets the eye - particularly in ginny’s relationship to the trio. there are a few posts that periodically do the rounds on tumblr and reddit that talk about neville’s relationship to the trio as the parallel to peter pettigrew’s with the marauders - as this post compellingly puts it, ‘all who peter could have been’. neville, these posts usually point out, was a character who was weak and much less talented than his friends, an outsider who needed the protection and patience of cooler classmates, who was always on the outside looking in on a friend group that largely excluded him. what distinguished neville from peter was his approach to his own weakness, and how that approach drove him to heroism rather than betrayal and villainy. it’s an interesting idea, and there’s something to it. but the more i thought about it, the more i thought - is neville + the trio the only parallel with peter + the marauders? what about ginny?

it’s remarkably under-appreciated in fandom that ginny is remarkably poorly treated by the trio for much of the series. ‘go away, ginny’ - that’s how ron banishes his sister at the start of PoA, because harry mutters to his two mates that he wants to talk to them in private and to ditch ginny. neither harry nor hermione object to it - hermione, though kind to ginny when the dementors arrive, makes no defence of her right to stay. ginny duly leaves, hurt, to go sit by herself on the train back to school, returning to hogwarts for the first time after her deeply traumatic experience in the chamber, dismissed and dispatched. not meaning to drag ron here - this is, ofc, how big brothers have behaved for time immemorial, as is their wont. but it’s kind of the statement for how the trio treat ginny for much of her school career really until HBP, harry and hermione included. ofc there are many textual/plot reasons ginny needs to be held at arms length from the trio. but it is striking that the effect of this plot habit for the reader is a usually unkind and sometimes even callous exclusion of ginny by the trio throughout many of the books.

in CoS itself, ginny is never invited to join the trio or spend any time with them: when she isn’t, you know, trying her hand at possessed attempted murder, she’s doing a light bit of potter hero worship that does recall a certain lakeside snitch-catching display of yore. it’s ginny who’s left feeling left out when the trio are swapping suspicious eyes and sirius secrets in GoF, ginny who is hermione’s back-up friend when the ron and harry showdown kicks off over the triwizard tournament, ginny who shoulders the role as harry’s consolation prize friend when ron and hermione go off to the prefects on the train in ootp (and takes him to neville and luna), ginny who goes defenceless when the trio are demanding to be included in order secrets and is physically removed from the room with no protest from the others, ginny who has to fight her case to be taken seriously and included in the department of mysteries plot to rescue a man she too is friends with (‘I care about Sirius as much as you do!’), being patronised by three friends who pick her up and put her down when they feel like it (always enjoy hermione being like ‘we need three thestrals!’ and ginny being like ffs we need four why won’t you show me an ounce of respect). in fact, when ginny is revealed to be becoming popular in a different social circle throughout ootp and hbp, it is something of a shock to harry and ron, who have spent a good six years making no effort to include her and now are finding she has built a much more successful social life beyond them (you reap what you sow, lads). i don’t say this to overstate the trio’s malice nor to overstate the pettigrew comparisons (ginny is clearly both conventionally attractive and much more socially adept).. but i do think it’s striking that if there is a character with pettigrew echoes in the trio’s surround, always orbiting the trio, trying to feel included (and hero worshipping the potter at the heart of it), it’s more often young ginny than it is neville. so many of the things that made ginny vulnerable to TMR - her loneliness, her isolation, her insecurities and sense of inadequacy - are not helped by the trio in the years afterwards, and in some cases, actively reinforced.

(to briefly say something on gender - sometimes wonder if ginny were a male character if people would have made more of this. percy stans, for instance, go to great lengths to point out all the ways percy was bullied or teased by his family as an excuse for his errrrr war crimes. would people care more about many ginny's exclusions if she were a maligned misunderstood young man? probably? it's noticeable too that all traitors in hp are men lol, a classic example of jkr’s weird and fucked feminism striking again. women are led astray or hoodwinked - men get the complex motivations and agency arcs. but i digress).

why does any of this matter? we know ginny doesn't take the path of pettigrew, however much she might have good reason to. harry's endearingly naive line in DH ('I trust all of you, I don’t think anyone in this room would ever sell me to Voldemort’) ends up being borne out: there are no betrayals during the second wizarding war, and certainly not by ginny (though the sword heist almost ended up doing it on accident). but i found myself thinking a lot about this as i was sketching out the plotline for beasts and thinking about ginny’s war, and what is asked of ginny in it. i was particularly thinking about it relation to how the second wizarding war plays out, the unique position of danger ginny would have been in as a hogwarts student in the 1997-1998 academic year, and what a good target she would make for death eaters on the hunt for a spy within the order of the phoenix.

when i was reading DH for the first time, i remember thinking that it is absolutely bonkers that ginny weasley goes back to hogwarts in september ’97. by that summer, the weasleys are the order of the phoenix. no longer just the blood traitors’ blood traitor, they’re now the face of the wizarding resistance, both parents and (nearly) all sons in active combat, something the ministry certainly knows about even when trying to normalise death eater rule and allowing the facade of arthur et al going to go to work in the ministry/gringotts etc. ginny’s family home is order hq: she lives there all summer, and trots off to the hogwarts express straight from the kitchen table where order meetings take place. when death eaters descend on the wedding, she’s there alongside the rest of the rest of dumbledore stans. she is also famously in the DA, and fought death eaters alongside the trio in the department of mysteries, and again in the battle of the astronomy tower. and then there’s the obvious point that hinny shippers everywhere have pointed out is baffling since the dawn of time, which is that the world and his wife knows that ginny weasley is harry potter’s ex, something that might put a big fat target on her head for a death eater or two to have a pop at trying to get some secrets and intel out of her.

of course, there’s a compelling case for why ginny has to go back. ron’s already used the splattergroit excuse, and arthur’s going to work, and so is bill, and the twins (at least for a bit), and the weasleys are going for normalisation and at least a fig leaf of compliance. so off ginny goes, into the belly of the beast, back to school, despite all the access she has to order secrets and intel, as well as information on harry and the trio. she is in a uniquely dangerous position of risk: it’s a fortress run by death eaters and her card is marked. she finds herself in an unenviable and unrivalled position as a very good person to go after if you’re a death eater fancying some intel about what the guerilla resistance - and harry potter - are up to. we know there are death eaters about who would like to claw themselves back into some level of relevance by working towards the big man and trying to curry favour (yaxley). we know there is a family intimately aware of ginny weasley's weakness and failings who are desperate to get back in voldemort's good books (the malfoys). we also know there are witnesses to ginny's exclusions both from the order and from the trio over the years - in particular, one witness that already sold secrets on the order to death eaters, namely kreacher.

the reason i came back to thinking about parallels between ginny and peter in beasts is because beasts is a story about ginny’s war, but also in part about morality in the wizarding world, about war and sides and choices. at various points in beasts, i’ve tried to play with ginny’s echoes with characters that waver morally - including regulus - or who find themselves drawn to or in some way embroiled in darkness, and who are at times governed by fear and cowardice and self-preservation in a moral universe that prizes bravery, loyalty, and self-sacrifice. so this plot came from putting all these pieces together - ginny's existing vulnerabilities and insecurities, her position of privilege and access, but also her alienation and mistreatment, and this interest in moral motivations and what experiences or traumas might lead a person, or even justify, a person's treachery, moral inaction, or active moral failing. it was even more interesting for me to play with the idea that other people might have noticed ginny weasley's weird position relative to the trio and the order too, people who want to know what she knows and who would be willing to exploit the cracks in those relationships for strategic wartime gain. and that's for chapters fifteen and sixteen!

#not me thinking i'd scheduled this then finding it in the drafts #jail for me #it's not coherent it's mostly vibes #but here you go anon!#loved thinking about this one #ginny weasley #peter pettigrew #meta #beasts

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violettavonviolet · 22 days ago

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Long Harry Potter fic recs

I tend to revert back to ye olden ways whenever I'm stressed, so of course I've been going down a rabbit hole of increasingly longer Harry Potter fics. I found some hidden (and not so hidden) gems along the way, and I figured I'd rec them for everyone to enjoy.

Most are slash, some are gen, pairings vary but they are all harry centric!

Fics are completed and arranged by length, do send the authors some love! If you have a specific ship you want recs for, just message me, I probably have some!

The Best

say_no_more

Summary:

Cedric demands only the best of himself, and for himself. The best marks in school, the best position on the quidditch team, and the best reputation. When it's time for him to begin dating, he won't settle for less than the best partner, as well.

80k Cedric/Harry

Independent Study

SomewheresSword

Summary:

Dumbledore doesn't make it in time for Harry's trial, and the outcome is very different. Harry is expelled, his wand snapped.

But he refuses to give up. And he is done waiting around for Albus Dumbledore to give him information.

Deciding to take his life into his own hands, Harry asks for training from several Order members, preparing himself to fight Voldemort while the whole wizarding world believes he's helpless and back in the muggle world.

Meanwhile, his friends are at Hogwarts, tackling their own problems in the form of Dolores Umbridge. Harry hadn't expected the separation to be so difficult - or for a certain mischievous redhead to make the waiting game they'd entered into so very excruciating.

He might have lost his home in Hogwarts, but with Sirius and Remus around, Harry begins to learn that rebuilding a family isn't as hard as he'd anticipated.

144k George/Harry

Green & Gold

JessalynMichele

Summary:

Harry Potter is a traumatized war veteran in a body that won’t die and a mind that won’t rest.

Jasper Hale is intrigued by this new student who looks so vulnerable but sends off such overwhelming waves of angst.

Everyone else is just concerned.

Set post Battle of Hogwarts, starting in the summer before Bella Swans junior year.

144k Jasper Hale / Harry Potter twilight crossover

(this is a series, but the works are finished in themselves)

good night, darling

purplemineralwater

Summary:

"I can send you back. Not to your body, but to one many years ago. Harry, you must fix the natural order of Death, on my behalf."

Harry's breath faltered. It was all so confusing... Harry had died. He had died and spoken to Death and suddenly he was standing in Hogwarts, in 1942, and the Sorting Hat had just pronounced him Slytherin. Death had chuckled at that.

Tomarry 160k

Digging for the Bones by Paganaidd

Paganaidd

Summary:

Rather than allowing Harry to stay at Diagon Alley after he blew up Aunt Marge, the Ministry sends Harry back to the Dursleys. Harry returns to school after a terrible summer, to find that he's not the only one with this kind of secret. A student has been killed by his family. New screening measures are put into place by the Ministry: Every student must be given a medical exam and interview to look for child abuse. With Dumbledore facing an inquiry, Snape is entrusted with the task of making sure EVERYONE receives one.

Answer to the "New measures for screening abuse" challenge at Potions and Snitches.

The first chapter contains a character death and the whole story is quite dark. It begins at the beginning of Prisoner of Azkaban and is AU thereafter. Also note: this story is a "Snape is Harry's biological dad" story. This is not supposed to be the central theme of the story, but people have gotten annoyed that I didn't tell them at the beginning.

200k severitus

The Fourth Horseman

NinjaPandaScholar

Summary:

If anyone's due an identity crisis, it's Harry Potter...especially if he's not really a Potter...and possibly not able to die...yeah, it's been a rough few years...maybe life. Running from his problems and grief sounds like a great idea, becoming a hunter might be fun, too bad it just so happens to be the apocalypse. George is certain this is all just Harry's luck and along for the insane ride and the wonderful distraction. Dean and Sam Winchester are exceptionally confused about why two random Brits are following them around now, and why hasn't anyone seen a single omen for the Fourth Horseman of the apocalypse, Death?

Castiel/Harry supernatural crossover 200k

The Medium Between Life and Death

NinjaPandaScholar

Summary:

There were very few things in Harry Potter's life that he was certain of. There was one absolute certainty though; he'd felt it in his bones for as long as he could remember. He, Harry Potter, was dead. The living people around him might not believe, but the dead sure did. Oh well, it doesn't impact his life much. Besides, it's nice to get help with his schoolwork from his parents.

250k Cedric/Harry

All Hail the Dark Lord, Or Something Idiotic Like That

NinjaPandaScholar

Summary:

Harry Potter had a plan...it wasn't a very good plan, but at least it was simple.

Step 1: Don't die from the insanely difficult ritual

Step 2: Cause as much chaos to the timeline as possible before getting killed and/or arrested

As it goes, it was really simple...until it became clear he wasn't traveling back in time alone. Now the whole plan has to change.

Step 1: Don't die from the ritual

Step 2: Kill off current Dark Lord

Step 3: Establish following to become new Dark Lord

Step 4: Overthrow Ministry

Step 5: Cause as much chaos to the timeline as possible

Step 6: Keep boyfriend alive and not mad at him

It was a work in progress, but plans hadn't worked out well for Harry in the past regardless. Oh well, it's not like he could make things worse...

270k Percy/Harry

Harry Potter and the Welcome to the World of Grey

sobsicles

Summary:

When Harry fails to keep his anger at bay and Voldemort possesses his mind, the events that follow lead him down a long road to realizing the world isn't as black and white as it seems.

Chaos, hilarity, and tragedy ensue with a Dark Lord being honest all the time, a rival becoming something else, and a world demanding to be saved. Featuring frightened Death Eaters, deep conversations with a monster, Pureblood traditions being ridiculous, and the fight to do the right thing with no true options.

Harry's life just gets more and more bizarre with each passing moment.

~~~

Or, the one where Harry's life gets split in half, and he has to figure out how to bring it back together.

450k Drarry

A Very Slytherin Harry

Creator:

geoffaree

Blaise/Harry 630 k not complete but finished in itself series

#harry potter #fanfic rec #vio's recs #rarepair #cedric x harry #drarry #Percy Weasley x Harry Potter #tomarry

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severus-snaps · 2 months ago

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Snape in the eyes of Pureblood Supremacists in Slytherin

Back at it again because I've had more thoughts following 'Mudblood' and Muggle-borns on Snape's youth and time in school (I started this what feels like so long ago, got overinvested, lost steam, and then just abandoned it - but might as well put it out there since I've made it Lengthy now. Welcome to part two of my half-baked metas, as it were).

A lengthy mixture of me projecting about Snape's early attitudes to blood supremacy and upbringing; the timeline of Snape's school years and the War; Snape's appearance and first impressions to his housemates (and others); Slytherin 'friendships' through the lens of what we see in the books from Harry's generation, and Snape's alluded-to 'friendships' with Lucius and the 'gang of Slytherins'; and the role of blood purity in Slytherin.

In A War Context

Going back in time for a moment, starting from the fateful night where the series begins:

31 October, 1981 Voldemort is vanquished. This is the same night that one-year-old Harry was sent to live with the Dursleys. We also see Snape crying in Dumbledore's office that night, in Snape's memories.

September 1981 Snape started teaching probably a month before that, age 21 (14 years prior to Umbridge's inquiries in the starting term of 1995).

Late Autumn/Winter 1980 (to early winter 1981) Snape turned spy when Voldemort decided the Prophecy applied to the Potter family. Scene on the 'windy hilltop' probably followed ver shortly after Snape finding out.

31 July 1980 Harry is born.

Autumn/Winter 1979 Snape overhears part of the prophecy and relays it to Voldemort.

"The one with the power to vanquish the Dark Lord approaches… born to those who have thrice defied him, born as the seventh month dies..."

[Note: I've made some assumptions. Trelawney tells Umbridge in September 1995 that she started work at Hogwarts "nearly sixteen years" ago. Hogwarts traditionally follows a British school calendar, with terms starting in September (autumn term) and January (spring term). Assuming she starts in time for a new term, if she started in the autumn (September 1979), and assuming the interview was some time before her appointment in time for a new term, her interview might have taken place in the summer of 1979, around June, July, or August - but she probably would've just said "sixteen years" instead of "nearly", so... If she started in the spring term (January 1980): Her interview could have been held in late 1979, possibly around November or December 1979, assuming that the intervew was held a short but reasonable amount of time before she took the role, and perhaps during the holidays. Seeing as JKR likes Halloween (aka All Hallows' Evening) as a date, she may well have delivered the prophecy on Halloween - and possibly the literal moment Harry was conceived. What a thought.]

However, I'm just as bad (if not worse) as JKR with numbers and dates, so please do correct me if this is total nonsense.

31 October 1979 Harry is possibly conceived, assuming a perfect 9 month pregnancy.

1979 Regulus Black dies. There's a flimsy bit of evidence to suggest Snape was Marked/started working for Voldemort in summer 1979 (imagine if it was Harry's future birthday lol) but really it could've been author error, putting Snape's joining the DEs (to my mind) any time from the aftermath of SWM onwards - but what use would Voldemort have for Snape when he's in school for another few years under Dumbledore's watchful eye, and has no money, information, or connections yet? (Unlike Regulus, who had a well-known, affluent Pureblood family, and the ability to use magic/research the Dark Arts at home as well as at school - this is, of course, assuming that Snape can't use magic freely at home because his father doesn't like magic or anything, much).

June 1978 Snape graduates from & leaves Hogwarts. "By the time [the Marauders] left school, Lord Voldemort’s ascendancy was almost complete. True resistance to him was concentrated in the underground organisation called the Order of the Phoenix..." [X]

1977/1978 Regulus Black joins the Death Eaters.

June 1976 "Snape's Worst Memory". Snape & Lily's friendship ends. Fear of Voldemort is already so ingrained that people won't use his name; Lily calls him "You-Know-Who". His followers are also widely known to be called "Death Eaters" by this time.

Early 1976 (approx.) The Prank. Shortly after, Lily 'accuses' Snape of hanging out with Mulciber and Avery. [Neither of these friends - nor any members of the 'gang' Sirius mentioned Snape belonging to - seem to want to hang out after exams or protect him from being hunted for sport during SWM (June 1976; during OWLS), nor are they ever mentioned to retaliate by a Marauder, so perhaps that 'gang' membership came later (c. 1978 in Snape's 7th year). Alternatively they were all already friends, but I'll go into more depth into the flimsiness of Slytherin friendships later. Just from info from the book text, it would be reasonable to assume the 'gang' attended school all at the same time - but Bellatrix was mentioned among them, by her married surname, and her generally given date of birth from wherever that sort of information comes from (seriously, I can't find a source that isn't the wiki) suggests that that she'd be too old to attend school with Snape - so who knows where Sirius got that from. There's also the fact that Sirius introduces Bellatrix as a Lestrange in the 'gang' context and not a Black, which suggests that she's already left school and married at a young age by the time Snape is in the gang. 'Early' marriage is normal for wizarding society after all - or perhaps it simply means that Sirius didn't want to associate her with his surname.]

Autumn 1975 - Summer 1976 Marauders 'finally managed' their Animagus transformations in their fifth year. [This had certainly happened by Summer 1976/SWM, as they had their nicknames by then, derived from their Animagi forms and Sirius wants it to be a full moon so they can run around.

As for whether the Marauders managed their transformations prior to the Prank, I've seen arguments saying that it is likely to have happened prior to the Prank, otherwise Sirius wouldn't know about the knot or how to slip past the Willow, and that Snape was "trying to find out what we were up to" which implies they were collectively up to something like becoming Animagi or running around, and in Snape's memories he says "they" sneak out at night, not just that there's something weird about Lupin.

On the flip side, perhaps it isn't likely they were Animagi by the Prank - otherwise it wouldn't have been a risk to James' life, since he could transform and be safe. (Of course, maybe James also couldn't transform in front of Snape without getting outed to Dumbledore and potentially getting all of them arrested and expelled or whatever, so it was a risk either way).]

Summer 1972 (approx) Lucius graduates. In the year(s) prior to this, Snape has presumably built some sort of friendship with him (enough for Snape to be considered Lucius' "lapdog"), which I'll go into later. If Lucius was a Prefect when Snape started, he'd have graduated from Hogwarts around the year of 1972/1973, after Snape's second year. Within seven years, by 1980, he was high-ranking and trusted enough by Voldemort to keep the diary Horcrux - (to open the Chamber, which, I assume, would destabilise the school to the extent that if Voldemort hadn't died, he'd have used it to take the school in the first war).

September 1971 Snape and Lily started at Hogwarts, aged 11. Lucius welcomes Snape to Slytherin. Voldemort "started looking for followers" around this time, and became more public in his agenda; at the time of Voldemort's death, the wizarding world had had "precious little to celebrate" for the past 11 years - and Voldemort had spent a few years even before that skulking about in the shadows, probably recruiting dark creatures and engaging in dark magic.

So, onto the show.

Pre-Hogwarts

Aged 11 (and probably for some time before that) Snape excitedly and somewhat naively hopes that he and Muggle-born Lily will be in Slytherin together. We can only speculate why Snape wants to be in Slytherin - perhaps because his mother was, since it tends to run in families. Maybe he's read somewhere that Merlin was a Slytherin and he has ambitions to be the next most powerful wizard of a generation (certainly seems to fit the Dark Arts interest, his experimenting, his disdain for reciting answers straight from the books, and his knowledge of curses/magic and wizarding society even before he attends Hogwarts). Maybe in line with that he's read about the Houses and thinks of himself and/or Lily as cunning and ambitious (he certainly thinks of them as "brainy", though he still didn't want to be in Ravenclaw, for example). Maybe it's mostly about 'rising' from his current situation, and he values the ambition to get there. In short, we have no idea what drew him to that House - but I doubt it's some desire at the age of nine to join a pureblood supremacist cult or to celebrate blood purity.

Snape's pause is often used by antis as a sort of gotcha for Snape already harbours blood supremacist views (as much as a child can 'harbour' anything; nature and nurture and all that. He'd have to have been taught). He's then spent two years getting to know Lily, seeing her (advanced) control of wandless magic and possibly training his own, and she's his only friend. He knows how talented she is; he can tell that being Muggle-born has no bearing on skill ("You have loads of magic"), and also likely knows from himself that being part-Muggle also does not influence skills. To my mind, Snape's hesitation when Lily asks if it makes a difference being Muggle-born suggests he might be aware of supremacist attitudes, but not necessarily that he believes them. I can believe that he'd dislike Muggles, but I doubt somehow that nine-year-old Snape, raised in a Muggle town, and his best friend the Muggle-born would've had too deep an understanding of the true extent of blood supremacy and how it could affect them, otherwise he probably wouldn't be suggesting she join Slytherin. Lily may be Muggle-born, but he's (at least) half Muggle himself, lives in the same place, isolated from wizarding society in almost the same way that most wizards are from Muggle society. As Draco might say, he's "never been brought up to know our ways."

But then, something is also going on with Eileen, which is why a witch is stuck in a less-than-stellar marriage with a Muggle who doesn't like magic, and living in poverty or distress severe enough to neglect her child - so Snape might know from being on the end of discriminatory attitudes himself, rather than simply holding them. Perhaps he'd seen his mother shunned as a blood traitor (after all, he's wearing his mother's clothes - where are the rest of the family? aunts/uncles/cousins? family friends?).

Eileen might be half-blood or Muggleborn herself, which is how she came to marry a Muggle. What we do know is that a pureblood supremacist witch would outright reject associating with Muggles or even visiting an area where Muggles frequented, much less forming a relationship, marrying, having a child, and living with one (Bellatrix even thinks that she and Narcissa must be the 'first of their kind' to visit Spinner's End). Maybe Eileen was from a dying-out Pureblood family like the Gaunts, viewing a Muggle man as an escape from something worse only for it to not work out... but even then, she'd still have liked a Muggle enough to abandon her family for one, which is more tolerance than you'd get from Bellatrix, for example. And even tolerant Purebloods don't really mix with Muggles; they just don't have enough shared understanding, and don't seem to know how the world would function without magic.

I'm personally very fond of the idea that Eileen might herself have been half-blood or Muggle-born - Hermione finds the name 'Prince' difficult to find in the school records, and they're obviously not a well-known family since Lupin says "there are no wizarding princes" - and he might have remembered if they were a family on a level with, say, the Malfoys, at any point in recent memory, and it seems unlike Hermione to not remember a name as easily memorable as Prince if she'd read about it somewhere. There's a whole host of options that perhaps Eileen's ancestors kept producing daughters and so the male name/line went extinct (as discussed with relation to the Peverells in the later books), but to me, 'first generation' (half and half) half-bloods, and Muggleborns, are the most likely to associate with Muggles in the first place - since wizarding society (with a few notable exceptions) tends exist fairly isolated from Muggles. Even Tonks - daughter of a Muggleborn man - seems to treat Muggles like some distant and foreign concept:

“Very clean, aren’t they, these Muggles?” said the witch called Tonks, who was looking around the kitchen with great interest. “My dad’s Muggle-born and he’s a right old slob. I suppose it varies, just like with wizards?”

Overall, Pureblood/Wizarding supremacist attitudes are commonplace in wizarding society, and take many, many forms - from a total lack of knowledge, to fascination, to disinterest and low-key derision of Muggles; from Slughorn's amused and impressed response to Hermione being skilled for a Muggle-born to Draco's frequent slurs; and Grindelwald/Voldemort's whole 'subjugate them all' deal to Harry's "they're just people, I guess??".

Snape could have been anywhere on that spectrum. In short, neither Snape, nor the wizarding world at large, know how much of a difference being Muggle-born was about to make.

First Impressions

This section is largely speculative, so be warned. I like to think it adds context.

When we're first introduced to Snape, and as his story unfolds, we get rather frequent descriptors of his appearance - more frequent than most characters.

The first description of Snape is "a teacher with greasy black hair, a hooked nose, and sallow skin". But the younger Snape had a "stringy, pallid look", being "round-shouldered yet angular" and with a "twitchy walk that recalled a spider", as well as "long oily hair that jumped about his face". Snape, when not in his robes, wears "clothes were so mismatched that it looked deliberate: too short jeans, a shabby, overlarge coat that might have belonged to a grown man, an odd smocklike shirt" that might have been his "mother's blouse". At various points, we're told over and over that he has "yellow teeth", an "overlarge nose", and "greasy" hair. As a kid, Sirius describes him as "slimy, oily, [and] greasy-haired". On the Marauders map, "Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball"; an ugly git; and an idiot; and even on the train during their first meeting, James decided that Sirius was "alright" for a potential Slytherin but Snape wasn't, and that Snape was neither brawny nor brainy.

In terms of Snape's experience at school, he was already in for a tough time for the crime of looking a bit weird. But more than that, Muggles and Muggle-borns are clearly and repeatedly described by Pureblood supremacists as common, filthy, dirty, disgusting, and foul - which is just how people might see Snape.

Gaunt describes Merope as a "dirty Squib", "disgusting little Squib" and a "filthy little blood traitor" (and she's a Pureblood witch, albeit struggling with her powers); and in CoS of course Voldemort calls his father "a foul, common Muggle". We also see throughout the books "Mudblood filth", and "filthy little Mudblood" in particular reference to Muggle-borns such as Hermione and Lily (and to Bob Ogden, who is not Muggle-born). Bellatrix describes Harry as a "filthy half-blood" and when Alecto Carrow teaches Muggle Studies during the events of DH, she teaches that "Muggles are like animals, stupid and dirty".

Obviously, descriptions of Muggle-borns and Muggles aren't necessarily rooted in physical appearance - Marvolo and Morfin Gaunt are Purebloods, as are the Carrows and Crabbe and Goyle, and none of them are described as being lookers, exactly, or well-groomed. They mean it in terms of blood being dirty. But greasy and poorly cut hair, improperly fitting clothes, the difference between someone like James who was "slight, black-haired like Snape, but with that indefinable air of having been well-cared-for, even adored, that Snape so conspicuously lacked" - all of these would be just another marker of Snape's poverty, neglect, and 'common-ness' to add to the fact that he was a Half-Blood/half a Muggle, and had a Muggle-born best friend in a House that didn't just accept or ignore these things, but actively scorned them. By comparison, privileged and powerful Purebloods like Draco, Lucius, Bellatrix, Narcissa, Sirius, and James are described (Draco as a child/young adult, the others in adulthood) as more handsome or noble-looking, or in other ways that denoted their relative attractiveness as a shorthand for 'good breeding'.

And obviusly, whilst Pureblood James & Co. would never call anyone a Mudblood:

“Apologize to Evans!” James roared at Snape, his wand pointed threateningly at him. “I don’t want you to make him apologize,” Lily shouted, rounding on James. “You’re as bad as he is…” “What?” yelped James. “I’d NEVER call you a — you-know-what!”

...they would suspend a poor, ugly, slimy nobody upside-down and (threaten to, or actually) remove their underwear in front of a crowd just because "he exists" - just like the Death Eaters do to the Muggle woman, Mrs Roberts, at the Quidditch World Cup (and probably other Muggles). Voldemort calls this behaviour "a spot of Muggle-torture".

Similarly, Draco et al.'s comment on Hermione's teeth ("the long-molared Mudblood") [See here for another meta on Snape's comment on Hermione's teeth], and on Lupin's clothes, and just a general knowledge of how teenagers and people are, show that they're not above making physical taunts that could just as easily apply to a young Snape, mocking Hagrid's "d'you call this a house?", calling him an oaf; the Weasley's "hovel" of a home, and Lupin's clothes:

“Look at the state of his robes,” Malfoy would say in a loud whisper as Professor Lupin passed. “He dresses like our old house-elf.”

Snape would also, when not in robes, have been wearing the mismatched and odd clothing likely to have been mocked in the same way by a family affluent enough to own a house-elf, and god forbid anyone Snape went to school with find out that he lives in a "Muggle dunghill".

Snape was undoubtedly used to this sort of thing from his time in Cokeworth (looking at you, Petunia), which was why he changed his robes so quickly on the train. As a child and teenager, Snape’s physical appearance - marked by greasy hair, mismatched clothing, and an overall unkempt demeanour - likely exacerbated his social isolation (seen as a child lurking to make a friend) and fueled the mockery he likely endured both at home and at Hogwarts - after all, Petunia also mocked Snape's appearance, as well as the Marauders and Harry.

I think there's also a comparison here, if tenuous:

“Want one, Granger?” said Malfoy, holding out a badge to Hermione. “I’ve got loads. But don’t touch my hand, now. I’ve just washed it, you see; don’t want a Mudblood sliming it up.” “I was watching him, his nose was touching the parchment,” said Sirius viciously. “There’ll be great grease marks all over it, they won’t be able to read a word.”

More than many other characters I can think of (perhaps besides Umbridge the Toad - and Sirius' dog descriptors, owing to his Animagus form), Snape is also most often compared to, or described in a way that provokes imagery of, animals. Snape is described on more than one occasion as an 'overgrown bat'; his nose is described as a "beaklike protuberance"; and once he is described as a lapdog. He snarls perhaps more than any other single character in the series [snarl: (of an animal such as a dog) make an aggressive growl with bared teeth]; Snape yelps; he roars; he howls; he bares his teeth; and my personal favourite, when he's described as "demented, inhuman, as though he was in as much pain as the yelping, howling dog".

Of course, when animalistic descriptors like these are applied to people Harry likes - such as Sirius barking with laughter - they come across as more illustrative and amusing than insulting, and even where Sirius is described in a less flattering light as "very still, like a dog that has scented a rabbit", Sirius is still the one with the power, a hunter, and Snape is his prey. But that's decidedly the case with Snape - such descriptors are entirely used to be insulting and invoke specific negative imagery that paints him as out of control of himself and/or needlessly melodramatic, even when he is correct (e.g. Harry did help Sirius escape; Harry and Ron did break the law in CoS; Lupin did know more about Sirius getting into the castle than he was letting on; James really was that bad).

As readers we can recognise that Snape becomes agitated and enraged when distressed, triggered, or losing control of a situation, and when he is correct but not believed or trusted - but as anyone knows in a school setting, letting people see they're getting to you just leaves you open to further ridicule. It was this very 'overreaction' that James and Sirius especially liked to get out of Snape, and Peter liked to watch, which we see in SWM.

Here is also a section which illustrates all of these things; Snape is not only animalistic here, but we are reminded that he has a large nose again, he is ugly and unpleasant, melodramatic but not to be taken seriously despite being correct, and Harry/JKR/the narrative wants us to know it:

“Potter!” Snape snarled, and he actually turned his head and stared right at the place where Harry was, as though he could suddenly see him. “That egg is Potter’s egg. That piece of parchment belongs to Potter. I have seen it before, I recognize it! Potter is here! Potter, in his Invisibility Cloak!” Snape stretched out his hands like a blind man and began to move up the stairs; Harry could have sworn his over-large nostrils were dilating, trying to sniff Harry out...

In a real and fictional world (exacerbated by a Harry-centric narrative) where physical appearance and likeability is often seen as a shorthand for worth, goodness, or social standing, Snape's perceived lack of these things, combined with his half-blood status, friendship with a Muggleborn, and general demeanour, rendered him an easy target for mockery and othering - both within his own House, and from others like the Marauders - and would only serve to strengthen the association between Snape, his Muggle heritage, and common, dirty, animalistic Muggles in the eyes of pureblood supremacists/future Death Eater Slytherins.

With friends like these...

So what would entering Slytherin look like for a young Snape? He's spent the first eleven years of his life waiting for the moment he can leave Spinner's End, escape his father, and finally go to Hogwarts. And now he's here! A far cry from the less-than-friendly welcome he received on the train from James and Sirius, where he was insulted and tripped in a classic dickhead schoolboy fashion, Snape is warmly welcomed into Slytherin:

And Severus Snape moved off to the other side of the Hall, away from Lily, to where the Slytherins were cheering him, to where Lucius Malfoy, a prefect badge gleaming upon his chest, patted Snape on the back as he sat down beside him. …

I imagine that felt amazing to a young Snape after years of a challenging home life, dreams of escape, hopes of a welcome - after his father didn't like anything, presumably including him, or magic; after Petunia mocked his clothes and he seemingly had not made any other friends beside Lily. He's finally in uniform, the same as everyone else. A fresh start. Cheers as he approached from a whole table full of people. A literal pat on the back. He must have been having the best night of his life in that moment...

But setting that aside for a moment, I'm going to take a closer look at some of the Slytherin friendships that we do see. They're hardly loyal, warm, and close like the Trio, or even arguably the Marauders; nor does being a (fellow) Pureblood, or a fellow Death Eater, necessarily even grant you respect.

We see it often with Draco's so-called "best friends" (per Hermione in CoS), Crabbe and Goyle. They're not even on a first-name basis.

More often than not, Crabbe and Goyle are positioned to follow Draco, to be a receptive audience to Draco's jokes, and to act as his "cronies" or "bodyguards" - rather than his actual friends:

“Oh, this is Crabbe and this is Goyle,” said the pale boy carelessly (PS) “You know I haven’t, Goyle, how many times do I have to tell you?” snapped Malfoy. (CoS) Crabbe and Goyle looked at [Draco Malfoy] for instructions, thoroughly bewildered (PoA) Malfoy beckoned to Crabbe and Goyle, and the three of them disappeared (GoF) Crabbe and Goyle guffawed sycophantically (GoF) Crabbe and Goyle lumbering in [Draco's] wake (OotP) Behind [Montague] lurked Crabbe and Goyle ... Malfoy stood to one side (OotP) Draco Malfoy had slid out from behind the door, followed by Crabbe and Goyle (OotP)

They start to drift apart by HBP, after Lucius' fall from grace within the Death Eaters and the setting of Draco's task. Crabbe and Goyle aren't in on Draco's plans despite all of their parents being DEs; there's a sense of dissent; and they even start to talk back:

Crabbe and Goyle were gawping at Malfoy; apparently they had had no inkling of any plans to move on to bigger and better things (HBP) "... if you are placing your reliance in assistants like Crabbe and Goyle — ” “They’re not the only ones, I’ve got other people on my side, better people!” (HBP) Crabbe opened his mouth, but Malfoy appeared to second-guess what he was going to say. “Look, it’s none of your business what I’m doing, Crabbe, you and Goyle just do as you’re told and keep a lookout!” (HBP) [Harry] skidded to a halt and turned around. Crabbe and Goyle were standing behind him, shoulder to shoulder, wands pointing right at Harry. Through the small space between their leering faces he saw Draco Malfoy. “That’s my wand you’re holding, Potter,” said Malfoy, pointing his own through the gap between Crabbe and Goyle. (using them as human shields? - DH) “Potter came in here to get it,” said Malfoy with ill-disguised impatience at the slow-wittedness of his colleagues, “so that must mean — ” “ ‘Must mean?” Crabbe turned on Malfoy with undisguised ferocity. “Who cares what you think? I don’t take your orders no more, Draco. You an’ your dad are finished.” (despite this being one of their last encounters, Draco does appear upset by his death - DH)

[Also worth noting from the other meta I linked: "The power of the “Malfoy” name was the reason Crabbe kept Draco company. Now that that power is gone, he’s just some guy called “Draco”, so Crabbe drops him."]

And even on the train, where Harry is concealed beneath his cloak (OotP), doesn't feel especially warm, and everyone seems almost indifferent to one another (the scene is rather too long to quote here for the sake of an example, but I did stumble across this which was interesting). There's an element of tallying 'successes' or listing others' faults (such as the Weasleys being blood traitors, Harry being 'the Chosen one', Neville being... well, Neville, and whether Slughorn had gone senile). But fortunately I've also found another meta that goes into this in more detail; these people hang out together, but don't really come across as friends. Draco doesn't even tell Pansy his plans, and she's been on his arm for some time now; she seems surprised, and almost hurt, that she hasn't been told - but Draco doesn't really seem to care.

[Unrelated side note: I also think it's interesting that Zabini speaks "scathingly" about Draco's father, was invited to Slughorn's party (so has no known Death Easter connections), and is also an enthusiastic blood purist. (We also find out that his mother's seven ex-husbands died, so... maybe some of them were? Idk. It's just interesting that people would reject/be critical of DEs in that climate but still be a blood purist).]

Protected by their Pureblood status (I'll touch on that later, but have covered it in the first meta), Crabbe and Goyle cannot be targeted or treated the same way as Muggle-borns and Muggles; but that doesn't mean they get treated with respect. Draco may have liked Crabbe and Goyle, at least enough to be worried about whether or not they lived or died (although even that 'friendship'/comraderie evidently soured with the war despite being on the same side, because of Lucius' fall from grace with Voldemort) - but mostly he ordered them around. And they were content to follow, but started to dissent when Lucius (and Draco) are no longer the most powerful voices:

Who cares what you think? I don’t take your orders no more, Draco. You an’ your dad are finished.

We're also seeing these friendships under strain of a building war in which certain people are being recruited as Death Eaters where others aren't, and a majority of their parents are possibly (or certainly) already involved with Voldemort and/or his ideology; a perfectly reasonable parallel to Snape's own situation when he was in school.

But we're also often seeing these friendships not only through the lens of Harry, but in front of Harry, who acts as their sort of nemesis. It's perfectly possible that these friendships were warm and friendly and they enjoyed one another's company in the privacy of the Slytherin common room - but even in the scene in the common room (CoS), Draco does not seem to be impressed with their conversational skills, but still takes their blind acceptance of his leadership/sycophantic behaviour:

Far too late, Harry and Ron forced themselves to laugh, but Malfoy seemed satisfied; perhaps Crabbe and Goyle were always slow on the uptake.

My interpretation is that Slytherin friendships are more representative of the social circles of politicians or high society. You may be civil, friendly, and even end up real friends - but as soon as being friends with someone someone stops serving you, or damages your social standing, you’d turn on them to avoid any blowback. Friendships may exist but loyalty to a person isn't really part of it; there's an element of loyalty being to whoever has the most power in the room, be that from a combination of intellect, blood status, reputation, accomplishments, more powerful friends, or money.

Obviously, Snape is not entirely analagous to Crabbe or Goyle - being depicted as intelligent and curious and more outspoken, for starters - but also lacking those family connections, money, upbringing, or blood status. His only hopes were to build connections with more powerful people, and his intellect - especially since he's hardly described as having the size for physical intimidation or brawls. He was likely good at hexing people - I doubt he made all of those new spells just for fun - but JKR makes a point of telling us that it's James who hexes people for the fun of it, and showing us that Snape acts in retaliation ("Give me a reason").

And so Snape became, ultimately, a follower to more powerful people. We see Lucius in Snape's memories extending the metaphorical hand of friendship the moment that Snape is Sorted. Lucius is a Prefect, however, and several years older; no older teen wants to regularly hang out with an 11-year-old. And yet in adulthood Snape is described as "Lucius’s old friend"; Lucius "speaks most highly" of Snape to Umbridge; and Draco seems to like Snape already as a teacher, and even suggests him for headmaster in CoS, when "The appointment — or suspension — of the headmaster is a matter for the governors" - including Lucius:

“Sir,” said Malfoy loudly. “Sir, why don’t you apply for the headmaster’s job?” “Now, now, Malfoy,” said Snape, though he couldn’t suppress a thin-lipped smile. “Professor Dumbledore has only been suspended by the governors. I daresay he’ll be back with us soon enough.” “Yeah, right,” said Malfoy, smirking. “I expect you’d have Father’s vote, sir, if you wanted to apply for the job — I’ll tell Father you’re the best teacher here, sir —”

Perhaps Lucius, for the few years' overlap where Snape was in school and Lucius was Prefect, may have befriended Snape. But in a House where pecking order, prestige, and blood status play a role as well as age, this isn't certain. Far from being 'friends' in the traditional sense, Snape is once described as Lucius' "lapdog" (a small pampered pet dog; a person or organization that is influenced or controlled by another). Other metas and essays have pointed out may refer to a relationship like the Ancient Roman tradition of patronage:

Patronage (clientela) was the distinctive relationship in ancient Roman society between the patronus ('patron') and their cliens ('client'). The relationship was hierarchical, but obligations were mutual. The patron was the protector, sponsor, and benefactor of the client; the technical term for this protection was patrocinium. Although typically the client was of inferior social class, a patron and client might even hold the same social rank, but the former would possess greater wealth, power, or prestige that enabled him to help or do favors for the client.

Or, more worryingly, to 'fagging', which features in some older boarding school stories and may have been referenced, intentionally or not, by JKR:

Fagging was a traditional practice in British public schools and also at many other boarding schools, whereby younger pupils were required to act as personal servants to the eldest boys. Although probably originating earlier, the first accounts of fagging appeared in the late 17th century. Fagging sometimes involved physical abuse and/or sexual abuse. Fagging originated as a structure for maintaining order in boarding schools. Fagging carried with it well-defined rights and duties on both sides. The senior, sometimes called the fag-master, was the protector of his fags and responsible for their happiness and good conduct. In case of any problem outside the classroom, such as bullying or injustice, a junior boy's recourse was to him, not to a form master or housemaster, and, except in the gravest cases, all incidents were dealt with by the fag-master on his own responsibility. The duties undertaken by fags ... would include such humble tasks as blacking boots, brushing clothes, and cooking breakfasts, and there was no limit as to hours the fag would be expected to work. Later, fagging was restricted to such tasks as running errands and bringing tea to the fag-master's study.

I think it's more feasible that Snape was Lucius' "fag", or at the very least his errand-boy; it may well have developed into more of a patron/client style relationship in later years, post-Hogwarts, especially with Severus and Lucius both connected to the school (until Lucius was removed from the Board of Governors), and supporting one another in proposals/managing Slytherin house/Draco - and prior to that, working together with Severus reporting to Lucius under Voldemort.

In any case, Sirius calling Snape a "lapdog" implies that in some capacity Snape was influenced or controlled by Lucius in school. I say in school, because Sirius didn't even initially know that Snape was a DE, or that Snape was working at Hogwarts - suggesting that this insult was in reference to Snape's early years at school, before Lucius graduated.

Either option (fagging or patron/client) functionally makes Snape little more than Lucius' own personal house-elf, although perhaps he would've treated Snape better than a house-elf - despite his blood status and younger age, he was still a wizard. (And Draco does once say "this is servant stuff", possibly suggesting they also have servants/staff as well as a house elf; Voldemort's supporters are also called servants. Lucius was likely getting Snape 'trained'/grooming him). And of course there's Dumbledore's line to Voldemort feels particularly reminiscent of the type of relationship I'm imagining between Snape and Lucius:

“I am glad to hear that you consider them friends,” said Dumbledore. “I was under the impression that they are more in the order of servants.”

I'm firmly of the belief that it became more of a reciprocal patron/client relationship after school, rather than during; if Lucius had been 'polishing' Snape so that he appeared less... Snape, he didn't do well. Snape is 'clearly unpopular' and still 'greasy' as an older teen, and also Lucius and Snape's school years didn't substantially overlap.

This also ties into something I read somewhere (and please, god, if someone can find it I'd love to read it again) where it was argued that Snape appears to be well-spoken/polished enough for Bellatrix to be surprised (and disgusted) when she sees Spinner's End - as though she had no idea that Snape was from somewhere as run down as that. (She did, however, know that he wasn't Pureblood - she reckons that she and Narcissa must be the "first of their kind" to step foot in Spinner's End. To me, this also suggests further that Snape's mother wasn't Pureblood, because Bellatrix of all people would know the Prince name if she had been, and Snape may have raised it as 'evidence' for his 'worthiness').

Anyway, perhaps Lucius would've helped Snape go from the sometimes brash, stuttering teen to the (largely) soft-spoken, sharp-tongued adult - before he's introduced to the Death Eaters and Voldemort. Introducing a Snape who seems "common" or "lowborn" wouldn't have done Lucius any favours, but we can expect that Snape would otherwise have been considered useful; something I noticed on a recent reread is that Lucius was in posession of some poisons he thought might get him in trouble during the raids in CoS:

“You have heard, of course, that the Ministry is conducting more raids,” said Mr. Malfoy, taking a roll of parchment from his inside pocket and unraveling it for Mr. Borgin to read. “I have a few — ah — items at home that might embarrass me, if the Ministry were to call … and as you see, certain of these poisons might make it appear — ”

I like to imagine that Snape was the one who brewed them for Lucius since he's the character most often associated with poison.

Still, given the snootiness of the Malfoys, it is interesting that Lucius 'befriended' or otherwise used, groomed, or recruited Snape in the first place - and that other Pureblood Death Eaters just accepted it.

(Pure)Blood Is Thicker Than Water

I think we can assume that Lucius and Draco shared roughly the same views in school; Draco learnt it all somewhere, Lucius was in the same position of privilege and power in his school days, coming from a Pureblood family, and from what we can see of Slytherins of that generation, Regulus Black and his parents shared the view that Voldemort had the 'right idea', which apparently many Pureblood families did. These views aren't anything new; we can see that with Marvolo Gaunt. Voldemort just harnessed them, and he's probably been doing it since he was in school (with a Lestrange and an Avery in Slughorn's memory).

The Malfoys prided themselves on being purebloods; in other words, they considered anyone of Muggle descent ... second-class. (GoF)

Although the above quote is Harry's perspective, he's probably not wrong about the Malfoys' view on Muggle heritage. This is slightly complicated by writing from JK:

From the imposition of the Statute of Secrecy onwards, no Malfoy has married a Muggle or Muggle-born. The family has, however, eschewed the somewhat dangerous practice of inter-marrying within such a small pool of pure-bloods that they become enfeebled or unstable, unlike a small minority of fanatic families such as the Gaunts and Lestranges, and many a half-blood appears on the Malfoy family tree. [X]

Given the near-meaninglessness of 'half-blood', it's open to interpretation whether the Malfoys would allow someone with one Muggle parent, for example, to marry into the family; more likely they allow 'second generation' half-bloods or more, with some Muggle(born) ancestry but slightly removed by a generation or more. (Does this also mean the Malfoys are technically half-blood? The entire system is more political than scientific, but I expect they are 'technically' half-blood to stricter purists. Marvolo Gaunt would certainly think so: "Generations of purebloods, wizards all — more than you can say, I don’t doubt!")

But the attitude is what matters here.

Families like the Blacks, for instance, seem to have been more strict:

"If you’re only going to let your sons and daughters marry purebloods your choice is very limited, there are hardly any of us left. Molly and I are cousins by marriage and Arthur’s something like my second cousin once removed. But there’s no point looking for them on here — if ever a family was a bunch of blood traitors it’s the Weasleys." "While his will makes it perfectly plain that he wants you to have the house, it is nevertheless possible that some spell or enchantment has been set upon [Grimmauld] place to ensure that it cannot be owned by anyone other than a pureblood."

Walburga Black's portrait screams at everyone in the Order that they're Mudbloods, half-breeds, and scum - and the Order consists of Pureblood blood traitors, Half-bloods with two magical parents (good enough, perhaps, for the Malfoys - but not for the Blacks or Lestranges), and (one) Muggle-born. Of course, discrimination in familial marriage requirements and property owenership don't necessarily translate to how you'd treat people on a day-to-day basis, but the biases obviously inform it. Lucius, when trying to appear moderate in front of Fudge, is less openly hostile to the blood traitor Weasley family, for example.

But at Hogwarts, the teens and tweens are left unattended in their Common Rooms, free to be as cruel as teens and tweens can be without a guiding hand. In CoS, Draco is comfortable enough in the Common Room to discuss his family's illicit goings-on, brag about the fact that Lucius has additional knowledge about Voldemort's involvement in the Chamber opening last time, to say 'Mudblood' with careless abandon, and that he wishes Hermione dead, all in one breath:

“And Father won’t tell me anything about the last time the Chamber was opened either. Of course, it was fifty years ago, so it was before his time, but he knows all about it, and he says that it was all kept quiet and it’ll look suspicious if I know too much about it. But I know one thing — last time the Chamber of Secrets was opened, a Mudblood died. So I bet it’s a matter of time before one of them’s killed this time. ... I hope it’s Granger,” he said with relish. (CoS)

The Slytherin Common Room password, during a major event in which several students have already been Petrified by the Heir of Slytherin's monster, and messages left on the wall in blood, Draco manages to say "Mudblood" no less than 6 times in 3 pages - imagine how much it's being said in general, not just by Draco in the hour that Harry and Ron spend there. And the Common Room opens to a password of "Pureblood". Like I said in the previous meta, "there's a strong sense of pureblood supremacy communicated in that password that's only strengthened by the timing, echoing the Heir's agenda. In any case, it speaks to the entrenched nature of Pureblood ideology of Slytherin as a house."

Draco is also comfortable to say 'Mudblood' in public (Madam Malkins' shop), and in front of his mother:

“If you’re wondering what the smell is, Mother, a Mudblood just walked in,” said Draco Malfoy. (HBP)

So I expect it's a fairly common occurrence at home, since Draco's been using it since he was ~12, before the second rise of Voldemort. I suggest that Narcissa Malfoy (nee Black, after all) and/or Lucius Malfoy, and the rest of the Pureblood supremacists, were more than comfortable saying it as students, too.

Salazar Slytherin himself "wished to be more selective about the students admitted to Hogwarts. He believed that magical learning should be kept within all-magic families. He disliked taking students of Muggle parentage" (CoS). The Sorting Hat sings in OotP "...Slytherin took only pure-blood wizards... just like him" and we see Walburga Black refer to Muggle-borns and half-bloods in the Order as:

"MUDBLOODS! SCUM! CREATURES OF DIRT!" “Filth! Scum! By-products of dirt and vileness! Half-breeds, mutants, freaks, begone from this place! How dare you befoul the house of my fathers — ” "Mudbloods, filth, stains of dishonor, taint of shame on the house of my fathers!"

Slytherin House is just as much home to the likes of the teenage Lestranges, Blacks, and Malfoys of the world as 12 Grimmauld Place was to Walburga:

“My whole family have been in Slytherin,” [Sirius] said. "Well, no one really knows until they get there, do they, but I know I’ll be in Slytherin, all our family have been." [Draco]

Snape's presence there, in the eyes of some, is likely defiling the House of their fathers - especially during a period in which Salazar Slytherin's own heir was stoking the fires of Pureblood supremacy, affecting both Hogwarts and the wider wizarding world - and he was continuing to recruit Slytherin students. Certainly of those we hear a reasonable amount about who became Death Eaters, most (if not all) claim to be Pureblood, whether that be true or not:

"The Death Eaters can’t all be pure-blood, there aren’t enough pure-blood wizards left," said Hermione stubbornly. "I expect most of them are half-bloods pretending to be pure." "I got this one," [Neville] indicated another slash to his face, "for asking [Carrow] how much Muggle blood she and her brother have got."

But... Snape is not Pureblood; he is half Muggle. He would quickly be identified as half-blood, since "the pure-blood families are all interrelated", and "there are hardly any of [them] left". So I'm sure it must have come up as a (certainly impolite) discussion in the Common Room when it was realised that Snape was not Pureblood.

Somewhere above, I've quoted the ('not in the books' information) that the Malfoys accepted half-bloods into their family - and so perhaps their view on Snape as a half-Muggle would've been more moderate, although this isn't entirely guaranteed. Regardless, Voldemort-loving Regulus Black, whose mother called everyone from Purebloods to Muggle-borns "Mudbloods" would not have been so 'kind'; and certainly neither would Bellatrix Black, if she were attending around the same time.

We vaguely hear about Snape being "part of gang of Slytherins who nearly all turned out to be Death Eaters":

"Rosier and Wilkes — they were both killed by Aurors the year before Voldemort fell. The Lestranges — they’re a married couple — they’re in Azkaban. Avery — from what I’ve heard he wormed his way out of trouble by saying he’d been acting under the Imperius Curse — he’s still at large."

Avery is mentioned both in this quote and in Snape's memories with Lily, so presumably at some stage Avery became friendly enough with Snape for Lily to comment on it. But this would imply that Snape only became part of this 'gang' later on - I hardly think that Lily would be fine with someone like Bellatrix but not with Avery, aka Generic Death Eater #4 compared to Voldemort's most well-liked (if you can call it that) Death Eater. There's also a curious lack of a mention of Mulciber in the gang, who was friends with Snape (per Lily), was confirmed as a Death Eater, went to Azkaban, and was apparently a specialist in the Imperius curse - and who Lily seemed to think was worse than Avery. Even more curious an absence from Sirius' retelling of Snape's 'gang' is Lucius Malfoy, given that he's the only person ever mentioned as Snape's 'friend' in adulthood.

Some Slytherin students' families were already tied to Voldemort (e.g. Avery and Lestrange, as seen in Slughorn's memories of Voldemort's youth), or would quickly become so - including Lucius, who left school and shortly after Snape arrived and was trusted enough to look after Voldemort's Horcrux/Diary, and Snape likely would've attended school with Regulus Black, who somehow managed to sign up at 16. Within the 'gang' of Slytherins was also apparently Bellatrix, who was certainly Voldemort's favourite, and a staunch blood supremacist.

I'm sure it was totally fine and she was very relaxed about it. She certainly didn't insult Harry for being a half-blood, both before and after Harry tells her that Voldemort is half-blood himself:

"filthy half-blood" "You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare -"

It's worth noting here the definition of 'besmirch' because I just thought it meant 'slander', which it sort of does:

She thinks that the claim damages Voldemort's reputation, and his good name. Bellatrix's reaction underscores the strong disdain and contempt that pure-blood supremacists have for anyone who is not Pureblood. To her, Harry's truth lie about Voldemort's half-blood status is an insult and an affront to Voldemort's perceived superiority. Bellatrix uses "half-blood" derogatorily, and later calls him a "filthy half blood" - highlighting the belief that being a half-blood is inherently inferior and contaminates his worth and status, despite Voldemort's considerable power, lineage, and reputation.

Bellatrix also seemed... surprised at where Snape lived in HBP:

“He lives here?” asked Bella in a voice of contempt. “Here? In this Muggle dunghill? We must be the first of our kind ever to set foot — ”

Perhaps, then, Snape lied about his heritage. After all Bellatrix, for all of her other insults, never insults Snape's blood status (that we see) - but then Half Bloods are awarded respect for their behaviour or usefulness, and Voldemort arguably thinks of Snape as his most trusted follower by this point, and Bellatrix can only question that to a certain point without appearing to question Voldemort. And, she only steps foot in Spinner's End after Harry's made his claim about Voldemort being half-blood himself, so she might be treading more lightly.

She may instead be surprised not because Snape's a half-blood (that would've been clear) - but because he, Voldemort's right-hand Death Eater, chose to stay in not only a Muggle neighbourhood - but a really old, really delapidated one.

Perhaps (if we are to go by JK's additional writings, and not by Sirius/ the book information alone), Bellatrix never went to school with Snape - she'd be a few years older, and would have graduated before Snape even arrived. She personally wouldn't have ever needed to taunt Snape for his parentage, especially if Lucius had already had a hand in polishing his appearance and speech.

Now think about what it all means for Snape. Snape's status as a half-blood places him in a precarious position within the rigid hierarchy of the (Pureblood supremacist) wizarding world. If it didn't then the other Death Eaters, and Voldemort himself, wouldn't pretend to be Pureblood.

And when you consider the fact that Snape is "best friends" with Lily - potentially as late as his 5th year - he's going to be on the receiving end of some very pointed questions even from the most 'lenient' Pureblood supremacist. Consider below some quotes from Draco which may have been applied to Snape:

“Saint Potter, the Mudbloods’ friend,” said Malfoy slowly. “He’s another one with no proper wizard feeling, or he wouldn’t go around with that jumped-up [Granger] Mudblood.”

I think it's worth noting at this point that Snape might be considered also not to have the "proper wizard feeling", as he grew up, like Harry, impoverished, neglected, and separated from Wizarding society. He also 'goes around' (is friends with) a "jumped-up Mudblood", the talented Lily (both Lily and Hermione were talented according to Slughorn, who coincidentally also rejected Draco). The only thing I might add is that Lucius sometimes warns Draco to hold his tongue, so Lucius might have been more politically-minded and not gone around saying Mudblood 6 times each breath.

More to consider with regard to Snape's friendship with Lily, based on Draco's quotes about his father and the political situation:

"... Father actually considered sending me to Durmstrang rather than Hogwarts, you know. He knows the headmaster, you see. Well, you know his opinion of Dumbledore — the man’s such a Mudblood-lover — and Durmstrang doesn’t admit that sort of riffraff."

"You’ve picked the losing side, Potter! I warned you! I told you you ought to choose your company more carefully, remember? When we met on the train, first day at Hogwarts? I told you not to hang around with riffraff like this!” [Draco] jerked his head at Ron and Hermione. “Too late now, Potter! They’ll be the first to go, now the Dark Lord’s back! Mudbloods and Muggle-lovers first!"

Despite the pressure Snape probably faced to stop talking to a Muggleborn Gryffindor since day dot, it's interesting to note that Lily only seems to talk about Severus hanging out with Mulciber and Avery after the Prank, as if it were a relatively new development in the grand scheme of things:

"... I don’t like some of the people you’re hanging round with! ... I don’t understand how you can be friends with them."

"You're hanging around with" being in the present tense gives me the impression that it's been a few weeks/months and this unexpected, inexplicable addition of Sev's new friends has surprised and worried her, causing this particular argument. They're not like him; until that point, she'd seen a side of Severus that didn't match the "creepy" and "evil" Mulciber and Avery. Perhaps he tried to hold out as long as he could, but the Prank spurred him to realise that he needed to fit in with more people than just Lily.

But none of Snape's "precious little Death Eater friends" are shown to help him during SWM, and some of them, presumably, would have finished the exam at the same time, left at the same time, and gone out to enjoy some fresh air and sunshine. Lily leaves with her friends, James leaves with his friends, and Snape leaves alone to sit in a bush. When Snape was finally accosted by the Marauders, "Several people watching laughed; Snape was clearly unpopular."

This is the situation unfolding in Snape's dormitories; a growing sense of unsafety, of choosing sides.

"Don't pick the losing side, Snape. I'm warning you, you you ought to choose your company more carefully. You'll be the first to go, now the Dark Lord’s rising. Mudbloods and Muggle-lovers first."

On the one side, Snape could follow Lily and other future Order members, the opposition of Voldemort under Dumbledore; the ones who strung him in the air and threatened to strip him, the ones who silenced him after the Prank, who didn't listen to his side of the story. He could remain neutral, perhaps work for a Ministry that regards nepotism as a valid career path, and whose blood supremacy is quieter but no less damaging to his opportunities. Or, Snape can approach the side who may have initially discounted him - but they're his House, his family-away-from-family. They cheered when he entered their House; they extended the hand of friendship. Perhaps they're starting to see his value, because he's finally starting to play along like Crabbe and Goyle do - laughing at jokes that aren't funny, siding with the more powerful people in the room. He's sharing a laugh with them about what they "tried to do to Mary Macdonald" - because in his mind, even if it was Dark Magic, it's not as bad as or is on a par with "the stuff Potter and his mates get up to" (aka attempted murder; illegal hexes like on Bertram Aubrey).

[There's also a fun essay somewhere that argues the 'dark magic' in question was Levicorpus since Hermione shares a reaction with Lily and Harry/Ron share a reaction (and descriptive language "just a laugh") with Harry/Ron but I don't remember whose it is or where i read it :( I literally can't find it so if someone knows where it is, I'd love to find it again.]

I expect that that Snape's started to earn himself some (perhaps begrudging) respect by this time for spell creation and his academic success, and that eventually Snape proved himself (as half-bloods need to do) as useful.

...But useful doesn't mean essential. Lucius was useful to Voldemort, until he wasn't. Snape may have been useful to the other Slytherins, but they didn't help him until they had some reason to, until he was powerful - when Voldemort trusted Snape above Lucius, and Bellatrix. Snape himself was ultimately, arguably, the most useful to Voldemort - and he still killed him.

But Snape doesn't know any of this yet. It's 1970, and Voldemort has just started recruiting in earnest. Like the other future Death Eaters, he's no doubt been told that "Lord Voldemort rewards his helpers". Loyalty to the cause means "reward[s] beyond any of his other supporters". "He would reward you beyond all of us." And he's starting to believe it; he's starting to find a community, approval, and a sense of power and protection. He lives with people who believe he's lesser until he proves himself, and he possibly shares a dorm with them. Conforming to it, even playing into it, contains an element of survival - since he has no other connections, power, money, or a good name for himself. His relationship with Lily is straining; she doesn't ask his side of the story with the Prank, she doesn't see why he'd spend time with Mulciber and Avery. They're growing up and growing apart. The only resistance to Voldemort at this point is Dumbledore - the same man who silenced Snape on the Prank and, to Snape's mind, turns a blind eye to the Marauders sneaking around and tormenting him, and attempting to murder him. Why should Snape trust Dumbledore? Why should he later trust the Order? If he doesn't pick a side, he'll surely just get caught in the crossfire.

Voldemort is nearing the height of his power - for Snape's own survival, he reckons he's got a better chance with the Death Eaters. And who can blame him?

If only things had been different.

"You know, I sometimes think we Sort too soon."

#no conclusions only vibes #half baked meta #snape meta #severus snape #pro snape #snape #professor snape #snape fandom #pro severus snape #snapedom #young snape #death eater snape #snaps-meta #im fairly sure i started a sentence in here somewhere and forgot about it but idk where #and i cannot read it again

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chairofchaos · 4 months ago

Text

A Brief Commentary on Fandom History, Fandom Weeks, and How to Keep Moving Forward

Before you decide to read this, please go read this thing I wrote earlier. You need the context. Done reading? No? Do not pass go, do not collect 200 dollars, and definitely don't engage with this post. Go read it. You're done? Excellent! Please remember that I said absolutely nothing in the aforementioned post about commenting on current events. Also, this contains some swearing, in case that bugs you. Any text written in this font I'm using below the break is liable to be sarcastic (if you want clarification about something like that let me know!). Word count is about 3.8k. Shoutout to @/olderthannetfic, who wrote back to that anon who was talking about the clergy-class of Big Name Fans and said,

"Nail your theses to the door."

I think that sentiment applies here. Kudos to you, wise fandom elder. You rock.

About the Author

To reiterate how I began my last post (linked above and for the love of all fandom, go read it), I have been involved in fandom spaces for 12 years, almost to the day. I had wonderful mentors who knew that were I left unchecked, I would fumble my way through a lot of very bad ideas about what fandom should be like. They decided out of love that if I was going to be in fandom, they were going to make me into the best little fandom child I could be.

If you do the math, I was 11 when I started getting involved. What can I say? It was a different decade and I had unrestricted internet access. Nobody was keeping me from my Harry Potter and Percy Jackson fanfics. All of this to say: I was raised here, and I'm going to scream in the living room while this house burns down around me because I'd rather be a ghost in fandom than not be in fandom at all.

I am going to say a lot of things in this post. Am I perfect? NO! Will this post hold errors? Undoubtedly. Will this post be tarnished by the inaccuracies of the resources and the biases of events recorded in secondary sources? Who knows. I'm sure some of you lived through the events I am referencing here. Your context and commentary is more than welcome. Will this help give us, the ACOTAR fandom, some context for why we all care so much? I hope so.

No, I don't actually. I have no faith in anyone, not even myself.

Thanks for that, Editorial Chaos. You're one pessimistic bitch. Oh, you're going to keep showing up in this post to annoy me, aren't you...

Yep. Back to it, Chaos.

Alright, then. Anyways, I have opinions. You have opinions. There's a 100% chance that we disagree on something. That's cool with me. So let's get to it.

Why Are We Talking About This?

Elaingate. We are here because of Elaingate, and I will not lie to you about that. You will briefly hear my thoughts on that specific issue further down the line.

To those of you who would suggest that Elaingate is over? I must disagree.

You see, this one instance may be over, but the underlying debate continues. What should fandom look like? Who can participate, and with what content? What is allowed, and who gets to decide?

These questions have not been addressed. I am not, by any means, going to pretend to be an authority on this. I do, however, wish to contribute my many thoughts, and present some events from the history of fandom.

My hope in sharing this brief summary of notable events which shaped broader fan culture will help people newer to fandom (of all kinds) understand why something like an event which bans certain types of content, or content involving specific characters, as something to be concerned, or even angry, about.

Please consider this, my contribution to the discussion, as a form of academic inquiry with an opinion thread throughout. This is something I am throwing to the fandom for consideration. Do I get preachy? Absolutely I do. Do I stand by my thoughts? Yes.

If you want to respond and tell me I’m dead wrong, by all means, do so. I welcome a reblog or a post in response. Let’s go back and forth, citing our sources like two exhausted researchers from different university departments, fighting over faerie smut books. I’ll eat up every second of it.

No, you won’t. You’re exhausted.

Really? Please stop.

Noooooooooooooooooo.

Are these old issues, or is this a new problem?

Welcome to the party! It's both as old as fandom itself, and as new as yesterday. ("Chaos, those can't both be true, can they?" Yes, they can!)

You see, there have always been issues within fandoms. People have disagreed about whether character A should end up with character B or character C for longer than any of us have been alive. Seriously. The Ancient Greeks were arguing about this stuff thousands and thousands of years ago.

Source: my Greek Tragedy professor. And if you want to argue that point, you can take it up with him. He’s an ornery old German man who looked at me and told me I needed to do better on my tests in front of the entire class. I had a 98 overall, and the only grades we got were the tests.

Moving on: Dare I say, we are not special?

The real difference now is that the previously separate communities of fandom are coming together on platforms where systems for separating those branches of fandom do not exist in automatically available formats.

We face new issues because the wonderful world-wide web continues to grow wider and wider. We have more people on the internet than ever before. You interact with more people by participating in online fandom than a person would have 5-10 years ago, let alone before the internet, and that comes with new challenges.

So what, Chaos?

I'm glad you asked! On LiveJournal, you could join Communities. You can envision them as a Discord server centered around a specific ship or character. You could be automatically entered into a group of like-minded people, and never really have to interact with people who shipped Character A with Character B, if you wanted.

Another form of fanfic from the pre-internet through the early internet years of fandom days were Zines (In depth "what's that?" from Purdue University). In fandom, zines were edited, curated fanworks. They were numerous. Some were public, some were private. Some Zine editors stood up to Lucasfilm. Regardless, there was content moderation, whether by community members or by corporations themselves. We'll come back to this.

Does that mean I would never have had to interact with those evil A/B shippers when I ship B/C?

Hahahahahhahaha.

No. It doesn't. You still encountered people who disagreed with you.

And there were slurs and threats involved. It could get real ugly.

Yeah. Be thankful we have good community guideline things on Tumblr, and a reporting process on AO3. I don't think anyone is going to try to hack your computer to get your IP address and dox you for shipping the "wrong" characters (and good grief: if you care that much or truly think that is an appropriate action, please stay far, far away from me).

You looked for the community where you fit best, and that's where you started following, and finding, and interacting. It's not all that different to what you can do here once you curate your individual experience.

Chaos, why does any of this matter? Why aren't you talking about current events?

Well, in the grand scheme of things, does anything matter?

Yes, newly-nihilistic Editorial Chaos. It really does matter.

It matters because it's our history. It's how we got here. Be grateful. As for current events, I’m not really here to give you an in-depth analysis of those, as there are other posts which do that.

I’m here to talk about the underlying issue. To do that, we need some background. I promise you need all of this context for my proposal at the end. Feel free to skip what you already know, but please take this opportunity to learn something new today!

Why did Archive of Our Own come into being?

For my sources on this, I direct you to the original livejournal post which started it all (thank you @/astolat! You can find her on tumblr and AO3. She’s responsible for so many great things and I thank her for all of them) and the more in-depth Fanlore page on the original proposal for AO3, where you can find links to relevant issues surrounding the proposal’s creation and the result of the proposal. See? Not a nihilist, Chaos. I'm helping. Like I'm "supposed to." Ugh.

The long and short of this is that internet fanfiction communities were facing censorship from the hosting sites. LiveJournal and Fanfiction.net were getting worried about the legality and perceived morality of different kinds of fanfiction, and a new site was being created specifically to profit off of fanfiction.

For the sake of this discussion, we are going to use the word "curation". LJ, FF.net, and others were intentionally curating the kind of content they would allow and would allow users to see and interact with, partly out of fear of lawsuits, and partly out of a desire to police morality. The cleaning processes they used to get rid of things they did not like were referred to as "purges."

In the purges, many sexually explicit fics were lost. We aren’t talking about something the average 2020s romantasy reader (that’s you, ACOTAR fan!) would necessarily shy away from. We’re largely talking about a level of explicit nature that mirrors the general content of ACOTAR. There were of course fics that were less explicit, and fics that were considerably more explicit. By my understanding, the bulk were things we now see in published work.

Many fics with LGBT natures were lost, because the crackdown on “morality” I mentioned? Yeah. That had a lot to do with LGBT issues. Others have written a lot more extensively and a lot more eloquently than I can on this subject, so I am going to leave it at that. Just know it was a very large issue, and if you want more on this feel free to do some research of your own!

So the problems were numerous. The solution was created. Now we have Archive of Our Own (AO3). (Am I saying that AO3 is perfect? No. That, like most things, is a whole other post.)

AO3 is an archive. It is a hosting site, but it went about it differently than fanfiction.net or livejournal, or most of the niche, fandom-specific sites. Very few of those actually exist anymore, but they were cool.

As an archive, AO3's role was to be a place where the fics that could not be on the other sites because of curation would go to be. Notable fics that were posted in the early days of Archive of Our Own were fics with incest (wincest started here! And don’t tell me AO3 didn’t want it because, well, the creators were the ones writing it, and yes, I have sources for that), brutal violence, and explicit sexual content, among other, much more SFW G-rated type fics.

They all had a home on AO3, because AO3 was designed primarily for authors (see sources linked above for more). It is notably not a social media, because it is intended to store works (regardless of their content*) and not share them. (*This is mostly true. There have been some problems because of this, often in the realm of Real Person Fics, or RPF. Again, it's a whole other post, but bears repeating.)

Chaos, what on earth does that have to do with fandom [Character/Ship] Week(s)?

I'm overjoyed that you would ask me such a question! It has everything to do with it.

Since the internet has taken over as the primary fandom connector, we have seen a democratization of fandom. We no longer have Zine editors telling us what we can and cannot write. We are protected by AO3's careful non-profit model, ensuring that no one is profiting off of characters owned by other people or franchises.

It has been said that "every rule and regulation you work to enforce has been written in the blood of others."

That is... overly dramatic.

You do remember we’re called ‘Chaos’ here, right?

Fair. Why do you insist on being so damn cheerful when you’re talking about rules written in blood?

I’m trying to keep it light, Editorial Chaos. Please just… shut up.

Fine.

AO3 exists largely because certain types of fanfiction were being excluded from fandom. People were upset at the purges. People were upset that they weren't being allowed to write work with characters being in LGBT relationships. People were upset that an LGBT fic automatically got a more severe rating than its heterosexual counterpart, just on the basis of containing LGBT content. The little purges were numerous, and there were multiple large purges as platforms decided what they would be willing to accept and what they would leave by the wayside.

Archive of Our Own changed the model. Instead of platforms moderating what they would allow, AO3 implemented a tagging system which would allow readers looking for works in the archive to filter out content they did not want, or to filter for content they did want. Instead of the filter being run by the governing body, the archive was just there. It was up to the user to decide what they would read. The user moderated for their individual preferences, instead of the Organization for Transformative Works (OTW is the governing body of AO3) deciding for an entire, diverse body of fans what they would be allowed to consume. OTW’s creators saw the blood spilled. And they used it to write new rules.

This became the standard of fandom because of its equal opportunity approach. Fandoms have the ability to self-govern, and one of the easiest and safest ways to do that is through comprehensive tagging systems.

Tumblr has an incredible tagging system. Could it be better? Sure. But you can block tags for things you don't like. You, the individual. You, the solitary person, with your own lens through which you view the world. You, who are different to anybody who has ever been, and different from anyone who will be, because no one will ever share your exact set of thoughts, words, feelings, and actions. YOU.

Essentials so far:

Hosting sites began for all fanfiction

A few hosting sites became Curated sites

Curated sites led to the creation of One Hosting Site to Rule Them All (no matter what issues that may create) AO3

The one hosting site is now the primary archive for thousands of fandoms, open to all kinds of work as long as you tag correctly

The democratization of fandom gives space for all works, and allows users to consume what they will (and avoid what they wish) via comprehensive tagging systems

So... where does that leave us?

ACOTAR is a relatively new fandom. It's boomed in the last couple of years, and that's fine. That's good. It is driven on platforms like TikTok and tumblr.

Do not tell me that the TikTok fans are worse. The grass is not burning any more on the other side of the fence than it is under your feet. And yes, the grass under your feet is burning. Look around! And this is the hellsite, after all.

Tumblr and TikTok, paired with the insane (and awesome!) number of ACOTAR fans, largely keep us apart from previously existing general fandom spaces due to algorithms driving engagement. Many ACOTAR fans are new to fandom culture. I don’t think this is a bad thing. I do think it can create problems where fans with previous fandom experience who are a part of the ACOTAR fandom will clash with fans who are new to fandom.

I think this knowledge gives us a choice. There are two types of hosting sites. Why not create two types of events? This is already happening. If we can label events as one of the two types, then it will help people find their spaces where they are the most comfortable. If we create events that are labeled as either "curated" (large amounts of moderation, limits on ships allowed, etc) or "hosted" (anything goes), then we can ensure that everybody is happy.

She means that, by the way. She works for "peace". Ha. Imagine that. But seriously, girl…

Okay, well…

My Perspective (And Why Do People Care So Much?)

Am I truly happy with this? No.

It actually really pisses her off, actually. She won’t admit it, but I will.

I think, Editorial Chaos, that fandom benefits from Archive of Our Own type approaches, where anything goes, but you must tag comprehensively. It encourages appropriate reporting of triggering material and content not safe for minors/work. This goes for fandom spaces, but most especially fandom events, which should accept things which under the umbrella of the theme they are celebrating, regardless of the perceived morality of their content.

Maybe we can't expect all spaces to be ready for anything. We don't expect that of all people. However, saying that you are hosting an event which is open to all fans that prevents people from considering a character in a new view, such as considering a morally gray character, who is presented in canon as a protagonist, as an antagonist during their character week, or issuing guidelines which would limit an author's interpretation of characters that fit within an archetype, is not truly hosting a fandom-wide event. That's a curated event. And calling it "curated" here is not a judgment.

She seriously means that, too. In case you actually care. The Suriel knows I don’t.

An event that does not allow for truly transformative fanworks within the bounds of its established purpose (a specific ship for a ship week, or including a certain character for a character week) is not an event that is open. It is curated.

An event that is curated is not open to all fans, and should not be presented as such. I’m not going to make a judgment call and say that it is wrong. Get together with your friends and host your own week. I don’t care if you do that! I encourage it! Call it a fic trade, call it something else, but it isn’t an “open” event. It is curated.

However, I want you to keep something in mind as you curate public-facing events: Stop policing for morality. That’s going to end very poorly for us. Keep in mind that the things you are reading in ACOTAR now would have been, and are, in some places, being pulled from library shelves (if they’re getting published at all!) because of the same kinds of arguments you are making about morality.

If you truly want more ACOTAR books, consider that, were your thoughts and opinions transposed to the real-life debate about book censorship (which isn’t really different from curation/moderation except that its issued by a corporation or government, which is an added level of intensity) by people who thought explicit sexual content didn’t belong in published books, you wouldn’t have ACOTAR at all.

An event presented as open to all fans when it is not actually open to all fans is in fact censorship, defined in the New Oxford American Dictionary (accessed via Apple) as “the suppression or prohibition of any parts of books, films, news, etc. that are considered obscene, politically unacceptable, or a threat to security.”

Despite that, if this move to identifying events as either “open” or “curated” is what we need to get through this, then so be it. So be it. I'll be disappointed, and I'll be frustrated. And, so help me, I'll be angry. I will. I will not lie to you about that, but I will deal with it.

I love the “don’t like, don’t read” aspect of fandom. I like extensive, comprehensive, and sometimes-even-silly tagging. I like exploring things that I may not like, and then deciding “this just isn’t for me.” I like blocking tags!

More than that, though? I am tired of the fighting. I am so damn tired of it, guys. We have to do better. We seriously do.

(Under 18s, and frankly, even 18-25s like myself, I’m just going to say one thing to directly to you, in case you are here. If you only take one point away from this post: Please learn to be nice to each other when you disagree. You, me, and our generations are notoriously bad at that. These people can be some of your best friends. Read that post I linked at the top for more details on good old human decency on public facing platforms. Complain to each other in DMs here or on Discord. Go outside and scream when you are frustrated, if you must. You’ll thank yourself one day, I promise.)

We are not treating each other with basic human dignity. We are not treating people like people. We also are not doing a good job of simply moving away from things that upset us at an individual level. We cannot expect to only see things we agree with. What we can do is acknowledge that our emotions are our responsibility.

Community spaces do not need to be moderated for your enjoyment. If you are a part of a community space intended to be enjoyed with moderation like Reddit or some Facebook groups, great! If you are a part of a large group of people on a public platform like Tumblr, or in some type of semi-open community space like an open Facebook group or Discord server with a ton of people and expect to only see things you agree with or never encounter criticism, tough.

Learn to accept criticisms of ideas you agree with. You don’t have to accept the criticism itself. You do have to accept that people are going to have thoughts you may not agree with, and that you will see them from time to time no matter how well you think you have blocked and closed off your experience to fit your tastes. (There is a big difference between appropriate criticism in the general environment and direct vitriolic hatred, which I decried in the post you should have read before starting. Which is why Editorial Chaos insisted you started there, to be clear.)

It’s exhausting to pretend like things are fine.

The grass is burning, remember? We’re all on this hellsite together.

So take from this post what you will. Consider my proposal for two kinds of fandom events. Ask questions, if you wish. Send me your thoughts.

Just remember I’ll be the one answering cruel ones. Keep it together, folks. I was raised well, but I’ve got Nesta’s tongue and years of therapy to prove it.

I wish you all well. I truly do. I hope you learned something, or were able to consider something in a new light. I hope you find it helpful.

All my best,

Chaos

Hey. Can I go, too?

Yeah, dude. Go to bed. It’s like… 3 AM and you’ve been obsessively working on this for days. How many research papers on censorship in fan controlled spaces did you-

Shut up, Chaos. At least we’re done now. Finally. Peace, y’all. <3 (not really), Editorial Chaos

xxx

One final note from my last editing round of this piece: I truly did spend days researching these topics, and reading thoughts from various points of view here on tumblr. I hope having the back and forth from "Chaos" to "Editorial Chaos" was entertaining rather than distracting. I hope some part of you enjoyed reading this. I truly do.

The first draft of this post was written not long after the Elaingate hashtag was created. It was a lot shorter. It was a lot meaner. It was a lot more discombobulated. I hope, despite the length and the occasional rudeness, that you have been able to learn something new, or consider a new perspective.

This subject matters a lot to me. In my state, we are fighting book bans left and right, and have been for a few years now. I recognize a lot of the statements I have seen here on tumblr from that very fight, and it makes it incredibly personal to me.

Thank you for understanding that for me, and many others around the globe who face much stricter regulations than those proposed in my district, this is more than a debate about morality and censorship in fanfiction. It is about addressing a pattern of thought that has real world consequences in our neighborhoods.

Thank you for reading this. Thank you for your kindness. I look forward to hearing your thoughts.

And in case anyone is curious? Editorial Chaos is the bitch who edits all my fanfictions. Yes, really. She has her own brain (/kidding!). And she's so mean to me. All the time. (/true.)

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