#half baked meta

[severus-snaps]

Snape in the eyes of Pureblood Supremacists in Slytherin

Back at it again because I've had more thoughts following 'Mudblood' and Muggle-borns on Snape's youth and time in school (I started this what feels like so long ago, got overinvested, lost steam, and then just abandoned it - but might as well put it out there since I've made it Lengthy now. Welcome to part two of my half-baked metas, as it were).

A lengthy mixture of me projecting about Snape's early attitudes to blood supremacy and upbringing; the timeline of Snape's school years and the War; Snape's appearance and first impressions to his housemates (and others); Slytherin 'friendships' through the lens of what we see in the books from Harry's generation, and Snape's alluded-to 'friendships' with Lucius and the 'gang of Slytherins'; and the role of blood purity in Slytherin.

In A War Context

Going back in time for a moment, starting from the fateful night where the series begins:

31 October, 1981 Voldemort is vanquished. This is the same night that one-year-old Harry was sent to live with the Dursleys. We also see Snape crying in Dumbledore's office that night, in Snape's memories.

September 1981 Snape started teaching probably a month before that, age 21 (14 years prior to Umbridge's inquiries in the starting term of 1995).

Late Autumn/Winter 1980 (to early winter 1981) Snape turned spy when Voldemort decided the Prophecy applied to the Potter family. Scene on the 'windy hilltop' probably followed ver shortly after Snape finding out.

31 July 1980 Harry is born.

Autumn/Winter 1979 Snape overhears part of the prophecy and relays it to Voldemort.

"The one with the power to vanquish the Dark Lord approaches… born to those who have thrice defied him, born as the seventh month dies..."

[Note: I've made some assumptions. Trelawney tells Umbridge in September 1995 that she started work at Hogwarts "nearly sixteen years" ago. Hogwarts traditionally follows a British school calendar, with terms starting in September (autumn term) and January (spring term). Assuming she starts in time for a new term, if she started in the autumn (September 1979), and assuming the interview was some time before her appointment in time for a new term, her interview might have taken place in the summer of 1979, around June, July, or August - but she probably would've just said "sixteen years" instead of "nearly", so... If she started in the spring term (January 1980): Her interview could have been held in late 1979, possibly around November or December 1979, assuming that the intervew was held a short but reasonable amount of time before she took the role, and perhaps during the holidays. Seeing as JKR likes Halloween (aka All Hallows' Evening) as a date, she may well have delivered the prophecy on Halloween - and possibly the literal moment Harry was conceived. What a thought.]

However, I'm just as bad (if not worse) as JKR with numbers and dates, so please do correct me if this is total nonsense.

31 October 1979 Harry is possibly conceived, assuming a perfect 9 month pregnancy.

1979 Regulus Black dies. There's a flimsy bit of evidence to suggest Snape was Marked/started working for Voldemort in summer 1979 (imagine if it was Harry's future birthday lol) but really it could've been author error, putting Snape's joining the DEs (to my mind) any time from the aftermath of SWM onwards - but what use would Voldemort have for Snape when he's in school for another few years under Dumbledore's watchful eye, and has no money, information, or connections yet? (Unlike Regulus, who had a well-known, affluent Pureblood family, and the ability to use magic/research the Dark Arts at home as well as at school - this is, of course, assuming that Snape can't use magic freely at home because his father doesn't like magic or anything, much).

June 1978 Snape graduates from & leaves Hogwarts. "By the time [the Marauders] left school, Lord Voldemort’s ascendancy was almost complete. True resistance to him was concentrated in the underground organisation called the Order of the Phoenix..." [X]

1977/1978 Regulus Black joins the Death Eaters.

June 1976 "Snape's Worst Memory". Snape & Lily's friendship ends. Fear of Voldemort is already so ingrained that people won't use his name; Lily calls him "You-Know-Who". His followers are also widely known to be called "Death Eaters" by this time.

Early 1976 (approx.) The Prank. Shortly after, Lily 'accuses' Snape of hanging out with Mulciber and Avery. [Neither of these friends - nor any members of the 'gang' Sirius mentioned Snape belonging to - seem to want to hang out after exams or protect him from being hunted for sport during SWM (June 1976; during OWLS), nor are they ever mentioned to retaliate by a Marauder, so perhaps that 'gang' membership came later (c. 1978 in Snape's 7th year). Alternatively they were all already friends, but I'll go into more depth into the flimsiness of Slytherin friendships later. Just from info from the book text, it would be reasonable to assume the 'gang' attended school all at the same time - but Bellatrix was mentioned among them, by her married surname, and her generally given date of birth from wherever that sort of information comes from (seriously, I can't find a source that isn't the wiki) suggests that that she'd be too old to attend school with Snape - so who knows where Sirius got that from. There's also the fact that Sirius introduces Bellatrix as a Lestrange in the 'gang' context and not a Black, which suggests that she's already left school and married at a young age by the time Snape is in the gang. 'Early' marriage is normal for wizarding society after all - or perhaps it simply means that Sirius didn't want to associate her with his surname.]

Autumn 1975 - Summer 1976 Marauders 'finally managed' their Animagus transformations in their fifth year. [This had certainly happened by Summer 1976/SWM, as they had their nicknames by then, derived from their Animagi forms and Sirius wants it to be a full moon so they can run around.

As for whether the Marauders managed their transformations prior to the Prank, I've seen arguments saying that it is likely to have happened prior to the Prank, otherwise Sirius wouldn't know about the knot or how to slip past the Willow, and that Snape was "trying to find out what we were up to" which implies they were collectively up to something like becoming Animagi or running around, and in Snape's memories he says "they" sneak out at night, not just that there's something weird about Lupin.

On the flip side, perhaps it isn't likely they were Animagi by the Prank - otherwise it wouldn't have been a risk to James' life, since he could transform and be safe. (Of course, maybe James also couldn't transform in front of Snape without getting outed to Dumbledore and potentially getting all of them arrested and expelled or whatever, so it was a risk either way).]

Summer 1972 (approx) Lucius graduates. In the year(s) prior to this, Snape has presumably built some sort of friendship with him (enough for Snape to be considered Lucius' "lapdog"), which I'll go into later. If Lucius was a Prefect when Snape started, he'd have graduated from Hogwarts around the year of 1972/1973, after Snape's second year. Within seven years, by 1980, he was high-ranking and trusted enough by Voldemort to keep the diary Horcrux - (to open the Chamber, which, I assume, would destabilise the school to the extent that if Voldemort hadn't died, he'd have used it to take the school in the first war).

September 1971 Snape and Lily started at Hogwarts, aged 11. Lucius welcomes Snape to Slytherin. Voldemort "started looking for followers" around this time, and became more public in his agenda; at the time of Voldemort's death, the wizarding world had had "precious little to celebrate" for the past 11 years - and Voldemort had spent a few years even before that skulking about in the shadows, probably recruiting dark creatures and engaging in dark magic.

So, onto the show.

Pre-Hogwarts

Aged 11 (and probably for some time before that) Snape excitedly and somewhat naively hopes that he and Muggle-born Lily will be in Slytherin together. We can only speculate why Snape wants to be in Slytherin - perhaps because his mother was, since it tends to run in families. Maybe he's read somewhere that Merlin was a Slytherin and he has ambitions to be the next most powerful wizard of a generation (certainly seems to fit the Dark Arts interest, his experimenting, his disdain for reciting answers straight from the books, and his knowledge of curses/magic and wizarding society even before he attends Hogwarts). Maybe in line with that he's read about the Houses and thinks of himself and/or Lily as cunning and ambitious (he certainly thinks of them as "brainy", though he still didn't want to be in Ravenclaw, for example). Maybe it's mostly about 'rising' from his current situation, and he values the ambition to get there. In short, we have no idea what drew him to that House - but I doubt it's some desire at the age of nine to join a pureblood supremacist cult or to celebrate blood purity.

Snape's pause is often used by antis as a sort of gotcha for Snape already harbours blood supremacist views (as much as a child can 'harbour' anything; nature and nurture and all that. He'd have to have been taught). He's then spent two years getting to know Lily, seeing her (advanced) control of wandless magic and possibly training his own, and she's his only friend. He knows how talented she is; he can tell that being Muggle-born has no bearing on skill ("You have loads of magic"), and also likely knows from himself that being part-Muggle also does not influence skills. To my mind, Snape's hesitation when Lily asks if it makes a difference being Muggle-born suggests he might be aware of supremacist attitudes, but not necessarily that he believes them. I can believe that he'd dislike Muggles, but I doubt somehow that nine-year-old Snape, raised in a Muggle town, and his best friend the Muggle-born would've had too deep an understanding of the true extent of blood supremacy and how it could affect them, otherwise he probably wouldn't be suggesting she join Slytherin. Lily may be Muggle-born, but he's (at least) half Muggle himself, lives in the same place, isolated from wizarding society in almost the same way that most wizards are from Muggle society. As Draco might say, he's "never been brought up to know our ways."

But then, something is also going on with Eileen, which is why a witch is stuck in a less-than-stellar marriage with a Muggle who doesn't like magic, and living in poverty or distress severe enough to neglect her child - so Snape might know from being on the end of discriminatory attitudes himself, rather than simply holding them. Perhaps he'd seen his mother shunned as a blood traitor (after all, he's wearing his mother's clothes - where are the rest of the family? aunts/uncles/cousins? family friends?).

Eileen might be half-blood or Muggleborn herself, which is how she came to marry a Muggle. What we do know is that a pureblood supremacist witch would outright reject associating with Muggles or even visiting an area where Muggles frequented, much less forming a relationship, marrying, having a child, and living with one (Bellatrix even thinks that she and Narcissa must be the 'first of their kind' to visit Spinner's End). Maybe Eileen was from a dying-out Pureblood family like the Gaunts, viewing a Muggle man as an escape from something worse only for it to not work out... but even then, she'd still have liked a Muggle enough to abandon her family for one, which is more tolerance than you'd get from Bellatrix, for example. And even tolerant Purebloods don't really mix with Muggles; they just don't have enough shared understanding, and don't seem to know how the world would function without magic.

I'm personally very fond of the idea that Eileen might herself have been half-blood or Muggle-born - Hermione finds the name 'Prince' difficult to find in the school records, and they're obviously not a well-known family since Lupin says "there are no wizarding princes" - and he might have remembered if they were a family on a level with, say, the Malfoys, at any point in recent memory, and it seems unlike Hermione to not remember a name as easily memorable as Prince if she'd read about it somewhere. There's a whole host of options that perhaps Eileen's ancestors kept producing daughters and so the male name/line went extinct (as discussed with relation to the Peverells in the later books), but to me, 'first generation' (half and half) half-bloods, and Muggleborns, are the most likely to associate with Muggles in the first place - since wizarding society (with a few notable exceptions) tends exist fairly isolated from Muggles. Even Tonks - daughter of a Muggleborn man - seems to treat Muggles like some distant and foreign concept:

“Very clean, aren’t they, these Muggles?” said the witch called Tonks, who was looking around the kitchen with great interest. “My dad’s Muggle-born and he’s a right old slob. I suppose it varies, just like with wizards?”

Overall, Pureblood/Wizarding supremacist attitudes are commonplace in wizarding society, and take many, many forms - from a total lack of knowledge, to fascination, to disinterest and low-key derision of Muggles; from Slughorn's amused and impressed response to Hermione being skilled for a Muggle-born to Draco's frequent slurs; and Grindelwald/Voldemort's whole 'subjugate them all' deal to Harry's "they're just people, I guess??".

Snape could have been anywhere on that spectrum. In short, neither Snape, nor the wizarding world at large, know how much of a difference being Muggle-born was about to make.

First Impressions

This section is largely speculative, so be warned. I like to think it adds context.

When we're first introduced to Snape, and as his story unfolds, we get rather frequent descriptors of his appearance - more frequent than most characters.

The first description of Snape is "a teacher with greasy black hair, a hooked nose, and sallow skin". But the younger Snape had a "stringy, pallid look", being "round-shouldered yet angular" and with a "twitchy walk that recalled a spider", as well as "long oily hair that jumped about his face". Snape, when not in his robes, wears "clothes were so mismatched that it looked deliberate: too short jeans, a shabby, overlarge coat that might have belonged to a grown man, an odd smocklike shirt" that might have been his "mother's blouse". At various points, we're told over and over that he has "yellow teeth", an "overlarge nose", and "greasy" hair. As a kid, Sirius describes him as "slimy, oily, [and] greasy-haired". On the Marauders map, "Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball"; an ugly git; and an idiot; and even on the train during their first meeting, James decided that Sirius was "alright" for a potential Slytherin but Snape wasn't, and that Snape was neither brawny nor brainy.

In terms of Snape's experience at school, he was already in for a tough time for the crime of looking a bit weird. But more than that, Muggles and Muggle-borns are clearly and repeatedly described by Pureblood supremacists as common, filthy, dirty, disgusting, and foul - which is just how people might see Snape.

Gaunt describes Merope as a "dirty Squib", "disgusting little Squib" and a "filthy little blood traitor" (and she's a Pureblood witch, albeit struggling with her powers); and in CoS of course Voldemort calls his father "a foul, common Muggle". We also see throughout the books "Mudblood filth", and "filthy little Mudblood" in particular reference to Muggle-borns such as Hermione and Lily (and to Bob Ogden, who is not Muggle-born). Bellatrix describes Harry as a "filthy half-blood" and when Alecto Carrow teaches Muggle Studies during the events of DH, she teaches that "Muggles are like animals, stupid and dirty".

Obviously, descriptions of Muggle-borns and Muggles aren't necessarily rooted in physical appearance - Marvolo and Morfin Gaunt are Purebloods, as are the Carrows and Crabbe and Goyle, and none of them are described as being lookers, exactly, or well-groomed. They mean it in terms of blood being dirty. But greasy and poorly cut hair, improperly fitting clothes, the difference between someone like James who was "slight, black-haired like Snape, but with that indefinable air of having been well-cared-for, even adored, that Snape so conspicuously lacked" - all of these would be just another marker of Snape's poverty, neglect, and 'common-ness' to add to the fact that he was a Half-Blood/half a Muggle, and had a Muggle-born best friend in a House that didn't just accept or ignore these things, but actively scorned them. By comparison, privileged and powerful Purebloods like Draco, Lucius, Bellatrix, Narcissa, Sirius, and James are described (Draco as a child/young adult, the others in adulthood) as more handsome or noble-looking, or in other ways that denoted their relative attractiveness as a shorthand for 'good breeding'.

And obviusly, whilst Pureblood James & Co. would never call anyone a Mudblood:

“Apologize to Evans!” James roared at Snape, his wand pointed threateningly at him. “I don’t want you to make him apologize,” Lily shouted, rounding on James. “You’re as bad as he is…” “What?” yelped James. “I’d NEVER call you a — you-know-what!”

...they would suspend a poor, ugly, slimy nobody upside-down and (threaten to, or actually) remove their underwear in front of a crowd just because "he exists" - just like the Death Eaters do to the Muggle woman, Mrs Roberts, at the Quidditch World Cup (and probably other Muggles). Voldemort calls this behaviour "a spot of Muggle-torture".

Similarly, Draco et al.'s comment on Hermione's teeth ("the long-molared Mudblood") [See here for another meta on Snape's comment on Hermione's teeth], and on Lupin's clothes, and just a general knowledge of how teenagers and people are, show that they're not above making physical taunts that could just as easily apply to a young Snape, mocking Hagrid's "d'you call this a house?", calling him an oaf; the Weasley's "hovel" of a home, and Lupin's clothes:

“Look at the state of his robes,” Malfoy would say in a loud whisper as Professor Lupin passed. “He dresses like our old house-elf.”

Snape would also, when not in robes, have been wearing the mismatched and odd clothing likely to have been mocked in the same way by a family affluent enough to own a house-elf, and god forbid anyone Snape went to school with find out that he lives in a "Muggle dunghill".

Snape was undoubtedly used to this sort of thing from his time in Cokeworth (looking at you, Petunia), which was why he changed his robes so quickly on the train. As a child and teenager, Snape’s physical appearance - marked by greasy hair, mismatched clothing, and an overall unkempt demeanour - likely exacerbated his social isolation (seen as a child lurking to make a friend) and fueled the mockery he likely endured both at home and at Hogwarts - after all, Petunia also mocked Snape's appearance, as well as the Marauders and Harry.

I think there's also a comparison here, if tenuous:

“Want one, Granger?” said Malfoy, holding out a badge to Hermione. “I’ve got loads. But don’t touch my hand, now. I’ve just washed it, you see; don’t want a Mudblood sliming it up.” “I was watching him, his nose was touching the parchment,” said Sirius viciously. “There’ll be great grease marks all over it, they won’t be able to read a word.”

More than many other characters I can think of (perhaps besides Umbridge the Toad - and Sirius' dog descriptors, owing to his Animagus form), Snape is also most often compared to, or described in a way that provokes imagery of, animals. Snape is described on more than one occasion as an 'overgrown bat'; his nose is described as a "beaklike protuberance"; and once he is described as a lapdog. He snarls perhaps more than any other single character in the series [snarl: (of an animal such as a dog) make an aggressive growl with bared teeth]; Snape yelps; he roars; he howls; he bares his teeth; and my personal favourite, when he's described as "demented, inhuman, as though he was in as much pain as the yelping, howling dog".

Of course, when animalistic descriptors like these are applied to people Harry likes - such as Sirius barking with laughter - they come across as more illustrative and amusing than insulting, and even where Sirius is described in a less flattering light as "very still, like a dog that has scented a rabbit", Sirius is still the one with the power, a hunter, and Snape is his prey. But that's decidedly the case with Snape - such descriptors are entirely used to be insulting and invoke specific negative imagery that paints him as out of control of himself and/or needlessly melodramatic, even when he is correct (e.g. Harry did help Sirius escape; Harry and Ron did break the law in CoS; Lupin did know more about Sirius getting into the castle than he was letting on; James really was that bad).

As readers we can recognise that Snape becomes agitated and enraged when distressed, triggered, or losing control of a situation, and when he is correct but not believed or trusted - but as anyone knows in a school setting, letting people see they're getting to you just leaves you open to further ridicule. It was this very 'overreaction' that James and Sirius especially liked to get out of Snape, and Peter liked to watch, which we see in SWM.

Here is also a section which illustrates all of these things; Snape is not only animalistic here, but we are reminded that he has a large nose again, he is ugly and unpleasant, melodramatic but not to be taken seriously despite being correct, and Harry/JKR/the narrative wants us to know it:

“Potter!” Snape snarled, and he actually turned his head and stared right at the place where Harry was, as though he could suddenly see him. “That egg is Potter’s egg. That piece of parchment belongs to Potter. I have seen it before, I recognize it! Potter is here! Potter, in his Invisibility Cloak!” Snape stretched out his hands like a blind man and began to move up the stairs; Harry could have sworn his over-large nostrils were dilating, trying to sniff Harry out...

In a real and fictional world (exacerbated by a Harry-centric narrative) where physical appearance and likeability is often seen as a shorthand for worth, goodness, or social standing, Snape's perceived lack of these things, combined with his half-blood status, friendship with a Muggleborn, and general demeanour, rendered him an easy target for mockery and othering - both within his own House, and from others like the Marauders - and would only serve to strengthen the association between Snape, his Muggle heritage, and common, dirty, animalistic Muggles in the eyes of pureblood supremacists/future Death Eater Slytherins.

With friends like these...

So what would entering Slytherin look like for a young Snape? He's spent the first eleven years of his life waiting for the moment he can leave Spinner's End, escape his father, and finally go to Hogwarts. And now he's here! A far cry from the less-than-friendly welcome he received on the train from James and Sirius, where he was insulted and tripped in a classic dickhead schoolboy fashion, Snape is warmly welcomed into Slytherin:

And Severus Snape moved off to the other side of the Hall, away from Lily, to where the Slytherins were cheering him, to where Lucius Malfoy, a prefect badge gleaming upon his chest, patted Snape on the back as he sat down beside him. …

I imagine that felt amazing to a young Snape after years of a challenging home life, dreams of escape, hopes of a welcome - after his father didn't like anything, presumably including him, or magic; after Petunia mocked his clothes and he seemingly had not made any other friends beside Lily. He's finally in uniform, the same as everyone else. A fresh start. Cheers as he approached from a whole table full of people. A literal pat on the back. He must have been having the best night of his life in that moment...

But setting that aside for a moment, I'm going to take a closer look at some of the Slytherin friendships that we do see. They're hardly loyal, warm, and close like the Trio, or even arguably the Marauders; nor does being a (fellow) Pureblood, or a fellow Death Eater, necessarily even grant you respect.

We see it often with Draco's so-called "best friends" (per Hermione in CoS), Crabbe and Goyle. They're not even on a first-name basis.

More often than not, Crabbe and Goyle are positioned to follow Draco, to be a receptive audience to Draco's jokes, and to act as his "cronies" or "bodyguards" - rather than his actual friends:

“Oh, this is Crabbe and this is Goyle,” said the pale boy carelessly (PS) “You know I haven’t, Goyle, how many times do I have to tell you?” snapped Malfoy. (CoS) Crabbe and Goyle looked at [Draco Malfoy] for instructions, thoroughly bewildered (PoA) Malfoy beckoned to Crabbe and Goyle, and the three of them disappeared (GoF) Crabbe and Goyle guffawed sycophantically (GoF) Crabbe and Goyle lumbering in [Draco's] wake (OotP) Behind [Montague] lurked Crabbe and Goyle ... Malfoy stood to one side (OotP) Draco Malfoy had slid out from behind the door, followed by Crabbe and Goyle (OotP)

They start to drift apart by HBP, after Lucius' fall from grace within the Death Eaters and the setting of Draco's task. Crabbe and Goyle aren't in on Draco's plans despite all of their parents being DEs; there's a sense of dissent; and they even start to talk back:

Crabbe and Goyle were gawping at Malfoy; apparently they had had no inkling of any plans to move on to bigger and better things (HBP) "... if you are placing your reliance in assistants like Crabbe and Goyle — ” “They’re not the only ones, I’ve got other people on my side, better people!” (HBP) Crabbe opened his mouth, but Malfoy appeared to second-guess what he was going to say. “Look, it’s none of your business what I’m doing, Crabbe, you and Goyle just do as you’re told and keep a lookout!” (HBP) [Harry] skidded to a halt and turned around. Crabbe and Goyle were standing behind him, shoulder to shoulder, wands pointing right at Harry. Through the small space between their leering faces he saw Draco Malfoy. “That’s my wand you’re holding, Potter,” said Malfoy, pointing his own through the gap between Crabbe and Goyle. (using them as human shields? - DH) “Potter came in here to get it,” said Malfoy with ill-disguised impatience at the slow-wittedness of his colleagues, “so that must mean — ” “ ‘Must mean?��� Crabbe turned on Malfoy with undisguised ferocity. “Who cares what you think? I don’t take your orders no more, Draco. You an’ your dad are finished.” (despite this being one of their last encounters, Draco does appear upset by his death - DH)

[Also worth noting from the other meta I linked: "The power of the “Malfoy” name was the reason Crabbe kept Draco company. Now that that power is gone, he’s just some guy called “Draco”, so Crabbe drops him."]

And even on the train, where Harry is concealed beneath his cloak (OotP), doesn't feel especially warm, and everyone seems almost indifferent to one another (the scene is rather too long to quote here for the sake of an example, but I did stumble across this which was interesting). There's an element of tallying 'successes' or listing others' faults (such as the Weasleys being blood traitors, Harry being 'the Chosen one', Neville being... well, Neville, and whether Slughorn had gone senile). But fortunately I've also found another meta that goes into this in more detail; these people hang out together, but don't really come across as friends. Draco doesn't even tell Pansy his plans, and she's been on his arm for some time now; she seems surprised, and almost hurt, that she hasn't been told - but Draco doesn't really seem to care.

[Unrelated side note: I also think it's interesting that Zabini speaks "scathingly" about Draco's father, was invited to Slughorn's party (so has no known Death Easter connections), and is also an enthusiastic blood purist. (We also find out that his mother's seven ex-husbands died, so... maybe some of them were? Idk. It's just interesting that people would reject/be critical of DEs in that climate but still be a blood purist).]

Protected by their Pureblood status (I'll touch on that later, but have covered it in the first meta), Crabbe and Goyle cannot be targeted or treated the same way as Muggle-borns and Muggles; but that doesn't mean they get treated with respect. Draco may have liked Crabbe and Goyle, at least enough to be worried about whether or not they lived or died (although even that 'friendship'/comraderie evidently soured with the war despite being on the same side, because of Lucius' fall from grace with Voldemort) - but mostly he ordered them around. And they were content to follow, but started to dissent when Lucius (and Draco) are no longer the most powerful voices:

Who cares what you think? I don’t take your orders no more, Draco. You an’ your dad are finished.

We're also seeing these friendships under strain of a building war in which certain people are being recruited as Death Eaters where others aren't, and a majority of their parents are possibly (or certainly) already involved with Voldemort and/or his ideology; a perfectly reasonable parallel to Snape's own situation when he was in school.

But we're also often seeing these friendships not only through the lens of Harry, but in front of Harry, who acts as their sort of nemesis. It's perfectly possible that these friendships were warm and friendly and they enjoyed one another's company in the privacy of the Slytherin common room - but even in the scene in the common room (CoS), Draco does not seem to be impressed with their conversational skills, but still takes their blind acceptance of his leadership/sycophantic behaviour:

Far too late, Harry and Ron forced themselves to laugh, but Malfoy seemed satisfied; perhaps Crabbe and Goyle were always slow on the uptake.

My interpretation is that Slytherin friendships are more representative of the social circles of politicians or high society. You may be civil, friendly, and even end up real friends - but as soon as being friends with someone someone stops serving you, or damages your social standing, you’d turn on them to avoid any blowback. Friendships may exist but loyalty to a person isn't really part of it; there's an element of loyalty being to whoever has the most power in the room, be that from a combination of intellect, blood status, reputation, accomplishments, more powerful friends, or money.

Obviously, Snape is not entirely analagous to Crabbe or Goyle - being depicted as intelligent and curious and more outspoken, for starters - but also lacking those family connections, money, upbringing, or blood status. His only hopes were to build connections with more powerful people, and his intellect - especially since he's hardly described as having the size for physical intimidation or brawls. He was likely good at hexing people - I doubt he made all of those new spells just for fun - but JKR makes a point of telling us that it's James who hexes people for the fun of it, and showing us that Snape acts in retaliation ("Give me a reason").

And so Snape became, ultimately, a follower to more powerful people. We see Lucius in Snape's memories extending the metaphorical hand of friendship the moment that Snape is Sorted. Lucius is a Prefect, however, and several years older; no older teen wants to regularly hang out with an 11-year-old. And yet in adulthood Snape is described as "Lucius’s old friend"; Lucius "speaks most highly" of Snape to Umbridge; and Draco seems to like Snape already as a teacher, and even suggests him for headmaster in CoS, when "The appointment — or suspension — of the headmaster is a matter for the governors" - including Lucius:

“Sir,” said Malfoy loudly. “Sir, why don’t you apply for the headmaster’s job?” “Now, now, Malfoy,” said Snape, though he couldn’t suppress a thin-lipped smile. “Professor Dumbledore has only been suspended by the governors. I daresay he’ll be back with us soon enough.” “Yeah, right,” said Malfoy, smirking. “I expect you’d have Father’s vote, sir, if you wanted to apply for the job — I’ll tell Father you’re the best teacher here, sir —”

Perhaps Lucius, for the few years' overlap where Snape was in school and Lucius was Prefect, may have befriended Snape. But in a House where pecking order, prestige, and blood status play a role as well as age, this isn't certain. Far from being 'friends' in the traditional sense, Snape is once described as Lucius' "lapdog" (a small pampered pet dog; a person or organization that is influenced or controlled by another). Other metas and essays have pointed out may refer to a relationship like the Ancient Roman tradition of patronage:

Patronage (clientela) was the distinctive relationship in ancient Roman society between the patronus ('patron') and their cliens ('client'). The relationship was hierarchical, but obligations were mutual. The patron was the protector, sponsor, and benefactor of the client; the technical term for this protection was patrocinium. Although typically the client was of inferior social class, a patron and client might even hold the same social rank, but the former would possess greater wealth, power, or prestige that enabled him to help or do favors for the client.

Or, more worryingly, to 'fagging', which features in some older boarding school stories and may have been referenced, intentionally or not, by JKR:

Fagging was a traditional practice in British public schools and also at many other boarding schools, whereby younger pupils were required to act as personal servants to the eldest boys. Although probably originating earlier, the first accounts of fagging appeared in the late 17th century.  Fagging sometimes involved physical abuse  and/or sexual abuse. Fagging originated as a structure for maintaining order in boarding schools. Fagging carried with it well-defined rights and duties on both sides. The senior, sometimes called the fag-master, was the protector of his fags and responsible for their happiness and good conduct. In case of any problem outside the classroom, such as bullying or injustice, a junior boy's recourse was to him, not to a form master or housemaster, and, except in the gravest cases, all incidents were dealt with by the fag-master on his own responsibility. The duties undertaken by fags ... would include such humble tasks as blacking boots, brushing clothes, and cooking breakfasts, and there was no limit as to hours the fag would be expected to work. Later, fagging was restricted to such tasks as running errands and bringing tea to the fag-master's study.

I think it's more feasible that Snape was Lucius' "fag", or at the very least his errand-boy; it may well have developed into more of a patron/client style relationship in later years, post-Hogwarts, especially with Severus and Lucius both connected to the school (until Lucius was removed from the Board of Governors), and supporting one another in proposals/managing Slytherin house/Draco - and prior to that, working together with Severus reporting to Lucius under Voldemort.

In any case, Sirius calling Snape a "lapdog" implies that in some capacity Snape was influenced or controlled by Lucius in school. I say in school, because Sirius didn't even initially know that Snape was a DE, or that Snape was working at Hogwarts - suggesting that this insult was in reference to Snape's early years at school, before Lucius graduated.

Either option (fagging or patron/client) functionally makes Snape little more than Lucius' own personal house-elf, although perhaps he would've treated Snape better than a house-elf - despite his blood status and younger age, he was still a wizard. (And Draco does once say "this is servant stuff", possibly suggesting they also have servants/staff as well as a house elf; Voldemort's supporters are also called servants. Lucius was likely getting Snape 'trained'/grooming him). And of course there's Dumbledore's line to Voldemort feels particularly reminiscent of the type of relationship I'm imagining between Snape and Lucius:

“I am glad to hear that you consider them friends,” said Dumbledore. “I was under the impression that they are more in the order of servants.”

I'm firmly of the belief that it became more of a reciprocal patron/client relationship after school, rather than during; if Lucius had been 'polishing' Snape so that he appeared less... Snape, he didn't do well. Snape is 'clearly unpopular' and still 'greasy' as an older teen, and also Lucius and Snape's school years didn't substantially overlap.

This also ties into something I read somewhere (and please, god, if someone can find it I'd love to read it again) where it was argued that Snape appears to be well-spoken/polished enough for Bellatrix to be surprised (and disgusted) when she sees Spinner's End - as though she had no idea that Snape was from somewhere as run down as that. (She did, however, know that he wasn't Pureblood - she reckons that she and Narcissa must be the "first of their kind" to step foot in Spinner's End. To me, this also suggests further that Snape's mother wasn't Pureblood, because Bellatrix of all people would know the Prince name if she had been, and Snape may have raised it as 'evidence' for his 'worthiness').

Anyway, perhaps Lucius would've helped Snape go from the sometimes brash, stuttering teen to the (largely) soft-spoken, sharp-tongued adult - before he's introduced to the Death Eaters and Voldemort. Introducing a Snape who seems "common" or "lowborn" wouldn't have done Lucius any favours, but we can expect that Snape would otherwise have been considered useful; something I noticed on a recent reread is that Lucius was in posession of some poisons he thought might get him in trouble during the raids in CoS:

“You have heard, of course, that the Ministry is conducting more raids,” said Mr. Malfoy, taking a roll of parchment from his inside pocket and unraveling it for Mr. Borgin to read. “I have a few — ah — items at home that might embarrass me, if the Ministry were to call … and as you see, certain of these poisons might make it appear — ”

I like to imagine that Snape was the one who brewed them for Lucius since he's the character most often associated with poison.

Still, given the snootiness of the Malfoys, it is interesting that Lucius 'befriended' or otherwise used, groomed, or recruited Snape in the first place - and that other Pureblood Death Eaters just accepted it.

(Pure)Blood Is Thicker Than Water

I think we can assume that Lucius and Draco shared roughly the same views in school; Draco learnt it all somewhere, Lucius was in the same position of privilege and power in his school days, coming from a Pureblood family, and from what we can see of Slytherins of that generation, Regulus Black and his parents shared the view that Voldemort had the 'right idea', which apparently many Pureblood families did. These views aren't anything new; we can see that with Marvolo Gaunt. Voldemort just harnessed them, and he's probably been doing it since he was in school (with a Lestrange and an Avery in Slughorn's memory).

The Malfoys prided themselves on being purebloods; in other words, they considered anyone of Muggle descent ... second-class. (GoF)

Although the above quote is Harry's perspective, he's probably not wrong about the Malfoys' view on Muggle heritage. This is slightly complicated by writing from JK:

From the imposition of the Statute of Secrecy onwards, no Malfoy has married a Muggle or Muggle-born. The family has, however, eschewed the somewhat dangerous practice of inter-marrying within such a small pool of pure-bloods that they become enfeebled or unstable, unlike a small minority of fanatic families such as the Gaunts and Lestranges, and many a half-blood appears on the Malfoy family tree. [X]

Given the near-meaninglessness of 'half-blood', it's open to interpretation whether the Malfoys would allow someone with one Muggle parent, for example, to marry into the family; more likely they allow 'second generation' half-bloods or more, with some Muggle(born) ancestry but slightly removed by a generation or more. (Does this also mean the Malfoys are technically half-blood? The entire system is more political than scientific, but I expect they are 'technically' half-blood to stricter purists. Marvolo Gaunt would certainly think so: "Generations of purebloods, wizards all — more than you can say, I don’t doubt!")

But the attitude is what matters here.

Families like the Blacks, for instance, seem to have been more strict:

"If you’re only going to let your sons and daughters marry purebloods your choice is very limited, there are hardly any of us left. Molly and I are cousins by marriage and Arthur’s something like my second cousin once removed. But there’s no point looking for them on here — if ever a family was a bunch of blood traitors it’s the Weasleys." "While his will makes it perfectly plain that he wants you to have the house, it is nevertheless possible that some spell or enchantment has been set upon [Grimmauld] place to ensure that it cannot be owned by anyone other than a pureblood."

Walburga Black's portrait screams at everyone in the Order that they're Mudbloods, half-breeds, and scum - and the Order consists of Pureblood blood traitors, Half-bloods with two magical parents (good enough, perhaps, for the Malfoys - but not for the Blacks or Lestranges), and (one) Muggle-born. Of course, discrimination in familial marriage requirements and property owenership don't necessarily translate to how you'd treat people on a day-to-day basis, but the biases obviously inform it. Lucius, when trying to appear moderate in front of Fudge, is less openly hostile to the blood traitor Weasley family, for example.

But at Hogwarts, the teens and tweens are left unattended in their Common Rooms, free to be as cruel as teens and tweens can be without a guiding hand. In CoS, Draco is comfortable enough in the Common Room to discuss his family's illicit goings-on, brag about the fact that Lucius has additional knowledge about Voldemort's involvement in the Chamber opening last time, to say 'Mudblood' with careless abandon, and that he wishes Hermione dead, all in one breath:

“And Father won’t tell me anything about the last time the Chamber was opened either. Of course, it was fifty years ago, so it was before his time, but he knows all about it, and he says that it was all kept quiet and it’ll look suspicious if I know too much about it. But I know one thing — last time the Chamber of Secrets was opened, a Mudblood died. So I bet it’s a matter of time before one of them’s killed this time. ... I hope it’s Granger,” he said with relish. (CoS)

The Slytherin Common Room password, during a major event in which several students have already been Petrified by the Heir of Slytherin's monster, and messages left on the wall in blood, Draco manages to say "Mudblood" no less than 6 times in 3 pages - imagine how much it's being said in general, not just by Draco in the hour that Harry and Ron spend there. And the Common Room opens to a password of "Pureblood". Like I said in the previous meta, "there's a strong sense of pureblood supremacy communicated in that password that's only strengthened by the timing, echoing the Heir's agenda. In any case, it speaks to the entrenched nature of Pureblood ideology of Slytherin as a house."

Draco is also comfortable to say 'Mudblood' in public (Madam Malkins' shop), and in front of his mother:

“If you’re wondering what the smell is, Mother, a Mudblood just walked in,” said Draco Malfoy. (HBP)

So I expect it's a fairly common occurrence at home, since Draco's been using it since he was ~12, before the second rise of Voldemort. I suggest that Narcissa Malfoy (nee Black, after all) and/or Lucius Malfoy, and the rest of the Pureblood supremacists, were more than comfortable saying it as students, too.

Salazar Slytherin himself "wished to be more selective about the students admitted to Hogwarts. He believed that magical learning should be kept within all-magic families. He disliked taking students of Muggle parentage" (CoS). The Sorting Hat sings in OotP "...Slytherin took only pure-blood wizards... just like him" and we see Walburga Black refer to Muggle-borns and half-bloods in the Order as:

"MUDBLOODS! SCUM! CREATURES OF DIRT!" “Filth! Scum! By-products of dirt and vileness! Half-breeds, mutants, freaks, begone from this place! How dare you befoul the house of my fathers — ” "Mudbloods, filth, stains of dishonor, taint of shame on the house of my fathers!"

Slytherin House is just as much home to the likes of the teenage Lestranges, Blacks, and Malfoys of the world as 12 Grimmauld Place was to Walburga:

“My whole family have been in Slytherin,” [Sirius] said. "Well, no one really knows until they get there, do they, but I know I’ll be in Slytherin, all our family have been." [Draco]

Snape's presence there, in the eyes of some, is likely defiling the House of their fathers - especially during a period in which Salazar Slytherin's own heir was stoking the fires of Pureblood supremacy, affecting both Hogwarts and the wider wizarding world - and he was continuing to recruit Slytherin students. Certainly of those we hear a reasonable amount about who became Death Eaters, most (if not all) claim to be Pureblood, whether that be true or not:

"The Death Eaters can’t all be pure-blood, there aren’t enough pure-blood wizards left," said Hermione stubbornly. "I expect most of them are half-bloods pretending to be pure." "I got this one," [Neville] indicated another slash to his face, "for asking [Carrow] how much Muggle blood she and her brother have got."

But... Snape is not Pureblood; he is half Muggle. He would quickly be identified as half-blood, since "the pure-blood families are all interrelated", and "there are hardly any of [them] left". So I'm sure it must have come up as a (certainly impolite) discussion in the Common Room when it was realised that Snape was not Pureblood.

Somewhere above, I've quoted the ('not in the books' information) that the Malfoys accepted half-bloods into their family - and so perhaps their view on Snape as a half-Muggle would've been more moderate, although this isn't entirely guaranteed. Regardless, Voldemort-loving Regulus Black, whose mother called everyone from Purebloods to Muggle-borns "Mudbloods" would not have been so 'kind'; and certainly neither would Bellatrix Black, if she were attending around the same time.

We vaguely hear about Snape being "part of gang of Slytherins who nearly all turned out to be Death Eaters":

"Rosier and Wilkes — they were both killed by Aurors the year before Voldemort fell. The Lestranges — they’re a married couple — they’re in Azkaban. Avery — from what I’ve heard he wormed his way out of trouble by saying he’d been acting under the Imperius Curse — he’s still at large."

Avery is mentioned both in this quote and in Snape's memories with Lily, so presumably at some stage Avery became friendly enough with Snape for Lily to comment on it. But this would imply that Snape only became part of this 'gang' later on - I hardly think that Lily would be fine with someone like Bellatrix but not with Avery, aka Generic Death Eater #4 compared to Voldemort's most well-liked (if you can call it that) Death Eater. There's also a curious lack of a mention of Mulciber in the gang, who was friends with Snape (per Lily), was confirmed as a Death Eater, went to Azkaban, and was apparently a specialist in the Imperius curse - and who Lily seemed to think was worse than Avery. Even more curious an absence from Sirius' retelling of Snape's 'gang' is Lucius Malfoy, given that he's the only person ever mentioned as Snape's 'friend' in adulthood.

Some Slytherin students' families were already tied to Voldemort (e.g. Avery and Lestrange, as seen in Slughorn's memories of Voldemort's youth), or would quickly become so - including Lucius, who left school and shortly after Snape arrived and was trusted enough to look after Voldemort's Horcrux/Diary, and Snape likely would've attended school with Regulus Black, who somehow managed to sign up at 16. Within the 'gang' of Slytherins was also apparently Bellatrix, who was certainly Voldemort's favourite, and a staunch blood supremacist.

I'm sure it was totally fine and she was very relaxed about it. She certainly didn't insult Harry for being a half-blood, both before and after Harry tells her that Voldemort is half-blood himself:

"filthy half-blood" "You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare -"

It's worth noting here the definition of 'besmirch' because I just thought it meant 'slander', which it sort of does:

She thinks that the claim damages Voldemort's reputation, and his good name. Bellatrix's reaction underscores the strong disdain and contempt that pure-blood supremacists have for anyone who is not Pureblood. To her, Harry's truth lie about Voldemort's half-blood status is an insult and an affront to Voldemort's perceived superiority. Bellatrix uses "half-blood" derogatorily, and later calls him a "filthy half blood" - highlighting the belief that being a half-blood is inherently inferior and contaminates his worth and status, despite Voldemort's considerable power, lineage, and reputation.

Bellatrix also seemed... surprised at where Snape lived in HBP:

“He lives here?” asked Bella in a voice of contempt. “Here? In this Muggle dunghill? We must be the first of our kind ever to set foot — ”

Perhaps, then, Snape lied about his heritage. After all Bellatrix, for all of her other insults, never insults Snape's blood status (that we see) - but then Half Bloods are awarded respect for their behaviour or usefulness, and Voldemort arguably thinks of Snape as his most trusted follower by this point, and Bellatrix can only question that to a certain point without appearing to question Voldemort. And, she only steps foot in Spinner's End after Harry's made his claim about Voldemort being half-blood himself, so she might be treading more lightly.

She may instead be surprised not because Snape's a half-blood (that would've been clear) - but because he, Voldemort's right-hand Death Eater, chose to stay in not only a Muggle neighbourhood - but a really old, really delapidated one.

Perhaps (if we are to go by JK's additional writings, and not by Sirius/ the book information alone), Bellatrix never went to school with Snape - she'd be a few years older, and would have graduated before Snape even arrived. She personally wouldn't have ever needed to taunt Snape for his parentage, especially if Lucius had already had a hand in polishing his appearance and speech.

Now think about what it all means for Snape. Snape's status as a half-blood places him in a precarious position within the rigid hierarchy of the (Pureblood supremacist) wizarding world. If it didn't then the other Death Eaters, and Voldemort himself, wouldn't pretend to be Pureblood.

And when you consider the fact that Snape is "best friends" with Lily - potentially as late as his 5th year - he's going to be on the receiving end of some very pointed questions even from the most 'lenient' Pureblood supremacist. Consider below some quotes from Draco which may have been applied to Snape:

“Saint Potter, the Mudbloods’ friend,” said Malfoy slowly. “He’s another one with no proper wizard feeling, or he wouldn’t go around with that jumped-up [Granger] Mudblood.”

I think it's worth noting at this point that Snape might be considered also not to have the "proper wizard feeling", as he grew up, like Harry, impoverished, neglected, and separated from Wizarding society. He also 'goes around' (is friends with) a "jumped-up Mudblood", the talented Lily (both Lily and Hermione were talented according to Slughorn, who coincidentally also rejected Draco). The only thing I might add is that Lucius sometimes warns Draco to hold his tongue, so Lucius might have been more politically-minded and not gone around saying Mudblood 6 times each breath.

More to consider with regard to Snape's friendship with Lily, based on Draco's quotes about his father and the political situation:

"... Father actually considered sending me to Durmstrang rather than Hogwarts, you know. He knows the headmaster, you see. Well, you know his opinion of Dumbledore — the man’s such a Mudblood-lover — and Durmstrang doesn’t admit that sort of riffraff."

"You’ve picked the losing side, Potter! I warned you! I told you you ought to choose your company more carefully, remember? When we met on the train, first day at Hogwarts? I told you not to hang around with riffraff like this!” [Draco] jerked his head at Ron and Hermione. “Too late now, Potter! They’ll be the first to go, now the Dark Lord’s back! Mudbloods and Muggle-lovers first!"

Despite the pressure Snape probably faced to stop talking to a Muggleborn Gryffindor since day dot, it's interesting to note that Lily only seems to talk about Severus hanging out with Mulciber and Avery after the Prank, as if it were a relatively new development in the grand scheme of things:

"... I don’t like some of the people you’re hanging round with! ... I don’t understand how you can be friends with them."

"You're hanging around with" being in the present tense gives me the impression that it's been a few weeks/months and this unexpected, inexplicable addition of Sev's new friends has surprised and worried her, causing this particular argument. They're not like him; until that point, she'd seen a side of Severus that didn't match the "creepy" and "evil" Mulciber and Avery. Perhaps he tried to hold out as long as he could, but the Prank spurred him to realise that he needed to fit in with more people than just Lily.

But none of Snape's "precious little Death Eater friends" are shown to help him during SWM, and some of them, presumably, would have finished the exam at the same time, left at the same time, and gone out to enjoy some fresh air and sunshine. Lily leaves with her friends, James leaves with his friends, and Snape leaves alone to sit in a bush. When Snape was finally accosted by the Marauders, "Several people watching laughed; Snape was clearly unpopular."

This is the situation unfolding in Snape's dormitories; a growing sense of unsafety, of choosing sides.

"Don't pick the losing side, Snape. I'm warning you, you you ought to choose your company more carefully. You'll be the first to go, now the Dark Lord’s rising. Mudbloods and Muggle-lovers first."

On the one side, Snape could follow Lily and other future Order members, the opposition of Voldemort under Dumbledore; the ones who strung him in the air and threatened to strip him, the ones who silenced him after the Prank, who didn't listen to his side of the story. He could remain neutral, perhaps work for a Ministry that regards nepotism as a valid career path, and whose blood supremacy is quieter but no less damaging to his opportunities. Or, Snape can approach the side who may have initially discounted him - but they're his House, his family-away-from-family. They cheered when he entered their House; they extended the hand of friendship. Perhaps they're starting to see his value, because he's finally starting to play along like Crabbe and Goyle do - laughing at jokes that aren't funny, siding with the more powerful people in the room. He's sharing a laugh with them about what they "tried to do to Mary Macdonald" - because in his mind, even if it was Dark Magic, it's not as bad as or is on a par with "the stuff Potter and his mates get up to" (aka attempted murder; illegal hexes like on Bertram Aubrey).

[There's also a fun essay somewhere that argues the 'dark magic' in question was Levicorpus since Hermione shares a reaction with Lily and Harry/Ron share a reaction (and descriptive language "just a laugh") with Harry/Ron but I don't remember whose it is or where i read it :( I literally can't find it so if someone knows where it is, I'd love to find it again.]

I expect that that Snape's started to earn himself some (perhaps begrudging) respect by this time for spell creation and his academic success, and that eventually Snape proved himself (as half-bloods need to do) as useful.

...But useful doesn't mean essential. Lucius was useful to Voldemort, until he wasn't. Snape may have been useful to the other Slytherins, but they didn't help him until they had some reason to, until he was powerful - when Voldemort trusted Snape above Lucius, and Bellatrix. Snape himself was ultimately, arguably, the most useful to Voldemort - and he still killed him.

But Snape doesn't know any of this yet. It's 1970, and Voldemort has just started recruiting in earnest. Like the other future Death Eaters, he's no doubt been told that "Lord Voldemort rewards his helpers". Loyalty to the cause means "reward[s] beyond any of his other supporters". "He would reward you beyond all of us." And he's starting to believe it; he's starting to find a community, approval, and a sense of power and protection. He lives with people who believe he's lesser until he proves himself, and he possibly shares a dorm with them. Conforming to it, even playing into it, contains an element of survival - since he has no other connections, power, money, or a good name for himself. His relationship with Lily is straining; she doesn't ask his side of the story with the Prank, she doesn't see why he'd spend time with Mulciber and Avery. They're growing up and growing apart. The only resistance to Voldemort at this point is Dumbledore - the same man who silenced Snape on the Prank and, to Snape's mind, turns a blind eye to the Marauders sneaking around and tormenting him, and attempting to murder him. Why should Snape trust Dumbledore? Why should he later trust the Order? If he doesn't pick a side, he'll surely just get caught in the crossfire.

Voldemort is nearing the height of his power - for Snape's own survival, he reckons he's got a better chance with the Death Eaters. And who can blame him?

If only things had been different.

"You know, I sometimes think we Sort too soon."

[beguilingcorpse]

weaponry in the locked tomb is so interesting because when you break it down it's like:

guns exist in-universe but are used by the freedom fighter terrorist organization almost exclusively

swords are (were?) commonplace enough that gideon was able to find and train with a decently well-balanced two-hander on the ninth, despite the fact that the ninth has no military force or even interplanetary traffic. gideon's sword is at least 20 years old, probably older

swords are definitely still in use within the empire, at least by cavaliers, but likely within the cohort as a whole. to my memory there are no mentions of cohort members carrying military-issue guns

even though they're trained in a variety of weapons and techniques, cavaliers (are supposed to) carry exclusively rapiers. gideon prefers her two-hander and cam carries twin shortswords, but these seem to be rare and shocking exceptions to the standard.

rapiers are used by cavaliers explicitly for the purpose of lyctorhood. they're light enough that a scrawny necromancer without swordfighting experience can pick it up and rely on their cav's training without needing to build the muscle to wield the sword effectively

because of the secretive nature of the megatheorem, and lyctorhood as a whole, most people just follow the rapier rule because it's tradition. it is what is done. harrow makes this pretty clear at the beginning of gtn

cavaliers can carry a variety of offhand weapons. it seems like the full spectrum of middle age weaponry is possible - but still, no guns. not even secretly, as with cam's dual blades. some cavs choose to carry material for their necromancers as their offhand - ortus carries a bowl of bones for harrow, and i can only assume "the powder" mentioned as harrow's choice for gideon's offhand towards the beginning of gtn is some kind of bone dust

from a doylist perspective, all of this creates a aesthetic that starts very analog and gothic and gradually grows into a more standard sci-fi space opera through the series. by ntn, we've hit most of the established genre weaponry tropes that we've come to expect from older futuristic space media like star wars and alien. blasters and guns are standard fare, and it makes sense to hold off on introducing them until the scope of the story gets broader and more interplanetary

from a watsonian perspective, it's a little more difficult to draw concrete conclusions without the context that atn will inevitably provide. but if i had to hedge a guess, i'd say that, as with most things, It's All John Gaius's Fault. when he resurrected the galaxy i'd assume that he wanted to keep the aesthetics of medieval imperialism, and given his 21st century liberalism probably didn't want guns to be part of the equation. but they were anyways - we know this because wake carries a big one - and instead of standardizing firearms within his military and for his lyctors, he clings to the aesthetics of swordplay. please correct me if i'm remembering it wrong, but to my knowledge every gun shown in the series is either directly linked to boe or implied to be sourced from them. jod dooms his own lyctors and military by refusing to update their weaponry.

all of this poses a lot of questions about atn: who will carry a gun, and why? where did the gun come from? why DON'T the lyctors just use firearms? and most importantly: will they be fighting zombies with swords???

[camille-lachenille]

I was thinking about how, in fanfictions and in the fandom in general, Elrond is often depicted as a pure Noldorin lord, if not a die hard Fëanorian. And while I do enjoy Fëanorian!Elrond, the more I think about it the more I am convinced Elrond is not the fëanorian one of the twins. Elros is. Elros who adopted seven eight pointed stars as the heraldic device of his whole dynasty, a symbol still used 6000 years after his death. Elros who had Quenya be the official language of Númenor. Elros who decided to leave Arda for an unknown fate after his death; not Everlasting Darkness but not the rebirth in the bliss of Valinor either. He choose to go to a place Elves aren’t supposed to go, just like Fëanor and his sons went back to Beleriand. Elros, the mortal man, who decided to forge his own path in the world.

And I am not saying Elrond didn’t, because Eru knows how much strength, patience and stubbornness Elrond must have to become who he is in LotR. But when I first re-read LotR after reading the Silm, he did not strike me as Fëanorian at all (except for the no oath swearing rule that seems to apply in Rvendell). In fact, Elrond, and all three of his children, are defined by being half-Elven. Elrond is so much at the same time they had to creat a whole new category for him. He is described as kind as summer in The Hobbit, but also old and wise, and his friendly banter with Bilbo in FotR show he is also merry and full of humour. Elrond is both Elf and Man despite his immortality, and this is made quite clear in the text.

But. If I had to link him to an Elven clan, I’d say Elrond is more Sinda than Noldor, and even that is up to debate. Rivendell, this enchanting valley hidden from evil thanks to his power, is like a kinder version of Doriath. Yet, the name of Last Homely House and Elrond’s boundless hospitality make me think of Sirion: Rivendell is a place where lost souls can find s home, where multiple cultures live along each other in friendship and peace.

In FotR, Elrond introduces himself as the son of Eärendil and Elwing, claiming both his lineages instead of giving only his father’s name as is tradition amongst the Elves. It may be a political move, or it may be a genuine wish to claim his duality, his otherness, or even both at the same time. But from what is shown of Elrond in LotR, he seems to lean heavily in the symbols and heritage from the Sindar side of his family, rather than the Noldor one. I already gave the comparison with Doriath, but it seems history repeats itself as Arwen, said to be Lúthien reborn, chooses a mortal life. Yet Elrond doesn’t make the same mistake as Thingol by locking his daughter in a tower and sending her suitor to a deathly quest. Yes, he asks Aragorn to first reclaim the throne of Gondor before marrying Arwen, but this isn’t a whim on his part or an impossible challenge. Aragorn becoming king means that Middle-Earth is free from the shadow if Sauron and Arwen will live in peace and happiness. Which sounds like a reasonable wish for a parent to me.

Anyways, I went on a tangent, what strikes me with Elrond is his multiple identity. Elrond certainly has habits or traits coming from his upbringing amongst the Fëanorians, and he loved Maglor despite everything. The fact he is a skilled Minstrel shows he did learn and cultivate skills taught by a Fëanorion, that he is not rejecting them. There is a passage at the end of RotK, in the Grey Havens chapter, where Elrond is described carrying a silver harp. Is this a last relic from Maglor? Possible.

But while Elros choose the path of mortality and showed clear Noldorin influences in the kingdom he built, Elrond is happy in his undefined zone he lives in. He is an Elf, he is a Man, he is Sinda and Noldo and heir to half a dozen lost cultures and two crowns. He is the warrior and the healer, the only one of his kind in Middle-Earth. And that is why I will never tire of this character and I love so much fanworks depicting him as nuanced and multiple yet always recognisable as Elrond.

[meta-squash]

I think two of the most important things about Jack Harkness, two things that inform almost everything he does and the choices he makes, are this: that he is a soldier NOT a leader, and that his entire life since childhood has been awash in survivor's guilt (and his whole existence after becoming immortal is an even more extreme version of survivor's guilt).

Jack is not a natural leader. He can think on the fly and he's good at getting people to listen to him, but he's not good at control, or at being objective. He's a natural second in command, he's a soldier. He was brought up to do what other people told him to, and to improvise if he had to (Time Agency, etc). But I really don't think he wants to be the leader of Torchwood. Unfortunately, everything about him means that he has to be. He knows from experience that others having control over him is dangerous, others knowing about his immortality while he's a subordinate to them is dangerous, and he also knows that his own immortality gives him an advantage as a leader. But I don't think he's good at leading. He tries to be. But he's fumbling along, in a time period he's not native to and a planet he's not native to and an unfathomable lifespan, and as charming as he is I think he's often not good with people. He's detached where he should be personal and emotional where he should be detached (or at least more level-headed). He's often too extreme or not harsh enough when it comes to things like discipline or dealing with the problems/traumas/mistakes of his employees or even civilians. He can't handle his employees seeing him uncertain/vulnerable and it makes for huge problems over and over again.

But all of this does make sense because I think in the back of Jack's mind there's always this wheel spinning, these gears turning and turning and calculating the impact and trauma each of his actions or decisions or the events around him are going to have on his own emotions for far longer than normal humans tend to consider. Because the catalyst for any part of the life we see him leading is survivor's guilt. He lost his father and his brother on the same day, joined the military and lost his best friend, joined the Time Agency and lost his memories (and maybe thinks he did something terrible). Then he died, and when Rose brought him back, he was all alone on the satellite with nothing but the corpses of the people who had fought beside him and zero explanation as to why he survived, and he had lost Rose and the Doctor besides. And then all his life on earth since, he has lost coworkers and lovers and civilians he tried and failed to save and probably also aliens he tried and failed to save. And I think by the time he becomes reluctant leader of Torchwood, every action is, whether conscious or subconscious, taken with the intent of minimizing that kind of trauma and the impact of loss.

Except that I think that the survivor's guilt has another layer to it, which is that feeling of needing to sacrifice or absolve himself in some way. No one else is willing to make the difficult decisions, no one else will move forward with the painful and unpleasant actions, even if there's no other way, even though they will someday perish and no longer see the ripples of their actions. But Jack - who cannot die, who must live with the guilt or the pain or the trauma of those actions and decisions for the rest of his very very very long life - is the one who realizes that he must take on those painful responsibilities and must do certain things even though they're terrible, because it ends up being the sacrifice of one over the whole world. And every single time, he's guilty about it, and that makes him want even more to sacrifice his own hurt for the grief and loss of others.

So it's this strange cycle of wanting to protect himself from hurt and from loss and from the survivor's guilt, but being driven by guilt towards painful and/or self-sacrificing actions. Which then makes him fear being seen as vulnerable or uncertain, and he struggles to do things on a smaller scale or in a more level-headed way, because he's not supposed to be leading like this, it's not something that comes naturally, and if he makes emotional connections by being a leader, he'll end up trapped in survivor's guilt yet again each time one of his employees or friends or lovers dies.

It's just a terrible cycle and he's trapped in it for the rest of his existence. Although if he really is the Face Of Boe, then I imagine at some point he eventually finds peace with it all or something, but I think so long as he has a human-form he's stuck with this cycle of leadership and loss and sacrifice and mistakes.

I think it's really important that Jack is not good at his job as a leader. He makes a ton of mistakes, he fucks up so much and his employees or even civilians end up collateral damage, whether physically or just emotionally. He wants to be a good leader, I think, and he's trying, but he's fallible, and he's a stranger in literally every sense, and I think a really big part of his character is that he constantly is forced to live in this bizarre dichotomy where he has to be both very distant and cold and detached, and also very emotional and intense and personal. And any other person would collapse under the stress of repeating that over and over and over again for decades, but he has to figure out how to navigate this weight as an infinite existence that can't ever collapse or let it burn him up and kill him.

[brynnmclean]

I think if Mairon had to acknowledge exactly how fucking messed up he is because of Melkor and everything he did to survive Angband and what he built himself into during the First Age, I think he would-- well. I think he wouldn't, is the thing.

I think he can't allow himself to think about it too hard. What was it Charlie Vickers said about him still putting himself down through the rabbit hole-- he's been moving forward so long that he can't stop and look his own darkness in the eye. None of this can be about him, about fixing him. He utterly refuses the self-scrutiny. It has to be about fixing the world, about finding that perfect peace at any cost. I really don't think he thought about the elvish rings healing him. And actually I think if he put Nenya on and had a moment of-- idk, peace or healing or some distance from the scars Melkor left, I think it would be absolutely agonizing to him.

And you know, if he got to the end of his ruthless pursuit for perfect order and got everything he thinks he wants, I don't even know if he could look at the ruin of himself and what all the means have done to him in pursuit of an end.

I don't know that he could stop! He's been running so long!!!! I like to think that part of his refusal to plead with the Valar for pardon and mercy-- in addition to not wanting to be shamed and beholden to other people for the work of repair-- is that he can't listen when anyone says, you need to sit down and look at the trauma in you, it'll feel so bad, but you need to do it to really move past it, and then you'll need to see the steps you took in His shadow, as His shadow-- he can't, he can't, he doesn't want to, he won't, he'll keep running, there is no stopping--

[calmlb]

when i think about where the anime left off…

2 hours later

…i can’t stop thinking about this part of the s5 op

• Fukuchi + pages (of the book?)

• a hand ominously dropping a book (the book?)

• sskk charging into a fight

• the clock in the background

who do we know who deals with time travel?

and this is the last thing we heard from her 👀

the clock could just be symbolic of Amenogozen… but i’d love to see Wells make a reappearance since it’s relevant to her ability

it would also be a perfect time to tie in 55 Minutes (a more sskk focused light novel), & make another callback to the Order of the Clock Tower

i personally think 55 Minutes needs to be animated before Stormbringer, bc there’s so much foreshadowing & world building in it that’s important to Stormbringer

[melbatron5000]

Reality is . . . off

Here's me, screaming into the void. I've got no theory, only Clues.

Reality seems to be acting strangely in Season 2 of Good Omens. Mostly around Aziraphale. My examples:

This season seems to be from Aziraphale's point of view, and all the colors and lighting seem to be very bright and vibrant.

The note from Maggie -- another post on Tumblr (damned if I can find it now) pointed out that she puts her phone down right as Aziraphale comes into her shop for the first time. She seems to be texting him, but the text message arrives to his door as a note in the mail slot because that's how he expects to receive correspondences.

Changing the Bentley into Our Car -- and in the flashback to 1941 that happens after the trip to Edinburgh in the show, the Bently is still a four-door. He changed it and then made it so it always was that way. (There's a line in the book about someone being powerful enough to change something and then make it so it always was that way -- something that's repeated about the Book of Life, too. Hmm . . .) No wonder Crowley just opens up the back door to put his plants in, it's always had a back door at that point! And please don't @ me with the Bently is not a Clue -- the change happens right in scene, on screen. That was not a "they hoped no one would notice" moment. And yes, I know they weren't able to use Mary for the second season. They got a reasonable look-alike, and then changed that car into a four-door. For why??

The Bentley following him when he parks it. People have said, "Oh, yes, the Bentley is sentient, of course!" But it hasn't done anything to show that until after Aziraphale drives it. And don't @ me with the Queen -- the gag in the book says that any album left in a car for more than a fortnight transmogrifies into The Best of Queen. It's not the Bentley doing that, it's just a fact of Queen. (Can confirm.)

Aziraphale is terrible at magic. But somehow, when he really needs to make a trick work, he does it. Oh, yeah, babe? You just put that photo right up your sleeve slick as that? Hm.

That 25 Lazarii miracle. Neither of them expected that. Yet there it was.

The whole ball. He wasn't casting miracles, reality was just -- conforming itself to what he wanted.

Now my point is . . . I don't know. My observation is that reality seems to be following Aziraphale's wishes, and I don't think he even realizes that it shouldn't be. Not entirely. Or is it that he knows reality is re-shaping itself around him, and he's enjoying it?

Reality is not warping around Crowley in the same way, and Crowley seems to be able to feel something's wrong. Coming in waves, like a hangover.

Now, I have heard it said that Neil has also pointed out that our angel and demon warp reality just by existing. Okay, actually makes sense. How could an occult and celestial being not mess with reality without even realizing they're doing it?

Am I chewing on a nothing burger?

Is Aziraphale turned up somehow?

What is going on.

[elancholia]

People in the late 20th century thought the fundamental arc of human history was exploration, whereas now it looks like it's information processing.

In traditional science fiction, the historically progressive human urge is wanderlust, the pull of unknown geography, horror vacui or amor vacui depending on how you look at it. Those writers invoke the elapse of time that separated Kitty Hawk from the moon landing. They recite a procession of discoverers that includes Columbus or the Polynesians and whose next logical steps are space colonization and superluminal travel. Era-defining technologies are transportation technologies. You still get this now, sometimes. In a much-dunked-upon scene in Star Trek: Discovery (2017), a character's litany of great inventors includes the Wright brothers, the guy who invented FTL, and Elon Musk.

The corresponding fear, of course, is alien invasion—that we are not Columbus but the Indians.

Now, the developments actually restructuring people's lives are either of the computer or on the computer. The PC, the internet, smartphones, social media, LLMs. Bits, not atoms. It has been this way for some time, though it hasn't fully made its way into culture. The progenitors of the new future are writing, the printing press, the abacus. We can see the arc clearly in retrospect, now that the future seems likely to be defined by machine learning.

Just as before, there is some anxiety that our trajectory will lead us into the grip of alien intelligences, horrendous and devouring.

If you go back to the period stretching (roughly) from the late 19th century through the Second World War, stories often hinge on wonder-substances and novel fundamental forces. This was, of course, an era in which a new force or element was turning up every other week. You couldn't swing a cat without hitting one. They discovered guncotton when some guy left his fouled lab coat next to an oven. Hence, Vril, the Ray, the "eighth and ninth solar rays" of Burroughs's Mars. In later stories, this sort of stuff is generally secondary, though superhero fiction preserves more of the old mentality.

[slitheringghost]

Voldemort and Manipulation of Power Structures

I wanted to explore one of the most fascinating parts of Voldemort's character, which is his immense consciousness of the power hierarchy and structures of magical society and his ability to manipulate them, as well as his consciousness of his own place in those power structures, and how he often plays on those weaknesses.

There are many ways in which he demonstrates this - i.e. he tells Quirrell “There is no good and evil, there is only power" and seems to follow that regarding his own beliefs; he sees himself in followers similarly disenfranchised as him (Harry, Snape, Ginny, Bellatrix, etc.), and we see him use this with them as a combination of genuine identification and manipulation; and we especially see this hyperawareness of the pureblood power structures that killed Merope in the locket protections (see my meta Slytherin Locket Cave: The Life and Death of Merope Gaunt and this addendum) and how that ties into his consciousness of the legal system and who is vulnerable and disposable to it.

In this meta I’ll explore some more of those instances.

1. Chamber of Secrets

His interactions regarding the Chamber attacks are particularly telling:

“It was my word against Hagrid’s, Harry. Well, you can imagine how it looked to old Armando Dippet. On the one hand, Tom Riddle, poor but brilliant, parentless but so brave, school prefect, model student.. on the other hand, big, blundering Hagrid, in trouble every other week, trying to raise werewolf cubs under his bed, sneaking off to the Forbidden Forest to wrestle trolls

Well, how it looks... is that Armando Dippet, until Tom Riddle specifically clarified to him otherwise, was assuming Tom was Muggleborn, while there was a monster petrifying and hospitalizing Muggleborns for months and ended up killing one, and then told him he'd be safer at his orphanage. This is also something Tom plays on to Harry:

“My dear boy, you must see how foolish it would be of me to allow you to remain at the castle when term ends. Particularly in light of the recent tragedy... the death of that poor little girl.... You will be safer by far at your orphanage. As a matter of fact, the Ministry of Magic is even now talking about closing the school. We are no nearer locating the — er — source of all this unpleasantness...." “Lucky that I recorded my memories in some more lasting way than ink. But I always knew that there would be those who would not want this diary read.” [...] “I mean that this diary holds memories of terrible things. Things that were covered up.” [...] “Of course I know about the Chamber of Secrets. In my day, they told us it was a legend, that it did not exist. But this was a lie. In my fifth year, the Chamber was opened and the monster attacked several students, finally killing one. I caught the person who’d opened the Chamber and he was expelled. But the headmaster, Professor Dippet, ashamed that such a thing had happened at Hogwarts, forbade me to tell the truth. A story was given out that the girl had died in a freak accident. They gave me a nice, shiny, engraved trophy for my trouble and warned me to keep my mouth shut. But I knew it could happen again.”

Tom correctly points out Dippet’s embarrassment about the attacks and attempt to cover them up. Dumbledore says that “Dippet was very fond of Voldemort and convinced of his honesty”, yet that didn’t stop Dippet from initially seeing Tom’s life as disposable as other Muggleborns, and it’s clear Tom realized this fact.

2. Half-Blood Prince

There’s Tom joking about being the “half blood heir of Slytherin” with his friends, enjoying the irony of playing on his background:

“I don’t know that politics would suit me, sir,” he said when the laughter had died away. “I don’t have the right kind of background, for one thing.” A couple of the boys around him smirked at each other. Harry was sure they were enjoying a private joke, undoubtedly about what they knew, or suspected, regarding their gang leader’s famous ancestor.

And then the way he flirts with and manipulates Hepzibah Smith is particularly interesting to me, especially combined with his framing of Hokey and using Kreacher for the locket:

“Hurry up, Hokey!” said Hepzibah imperiously. “He said he’d come at four, it’s only a couple of minutes to and he’s never been late yet!” “Now then,” said Hepzibah happily, “where’s Hokey? Oh yes, there you are — take that away now, Hokey.” The elf obediently took the boxed cup, and Hepzibah turned her attention to the much flatter box in her lap.

“Now, now, not so fast, or I’ll think you’re only here for my trinkets!” pouted Hepzibah. “I am ordered here because of them,” said Voldemort quietly. “I am only a poor assistant, madam, who must do as he is told. Mr. Burke wishes me to inquire —”

Just like he recognizes the parallel between Merope’s treatment and a house elf/slavery, you can tell he’s noticing the same parallel with himself - and he’s playing into it.

Of course, plenty of his politeness with Hepzibah is necessity, but in the above quote he’s milking his “weakness” and playing the obedient servant - because he knows that power dynamic between them is what Hepzibah Smith is attracted to (and that she enjoys fussing over him as the “poor assistant” - i.e. Hepzibah feeding him with the cakes and telling him he’s overworked, etc.).

Then there’s his framing of his uncle - while the majority of the specifics of Morfin’s confession is revenge for his mother, you can tell Tom’s enjoying the irony of framing Morfin and getting him sent to Azkaban for killing Muggles as a fuck you to his pureblood relatives in general:

“And so what? Morfin gave a Muggle a bit of what was coming to him — what about it, then?” “Morfin has broken Wizarding law,” said Ogden sternly. “Morfin has broken Wizarding law.’” Gaunt imitated Ogden’s voice, making it pompous and singsong. Morfin cackled again. “He taught a filthy Muggle a lesson, that’s illegal now, is it?” [...] “Summons! Summons? Who do you think you are, summoning my son anywhere?” “I’m Head of the Magical Law Enforcement Squad,” said Ogden. “And you think we’re scum, do you?” screamed Gaunt, advancing on Ogden now, with a dirty yellow-nailed finger pointing at his chest. “Scum who’ll come running when the Ministry tells ’em to? Do you know who you’re talking to, you filthy little Mudblood, do you?”

“The Ministry, on the other hand, knew at once that this was a wizard’s murder. They also knew that a convicted Muggle-hater lived across the valley from the Riddle house, a Muggle-hater who had already been imprisoned once for attacking one of the murdered people. “So the Ministry called upon Morfin. They did not need to question him, to use Veritaserum or Legilimency. He admitted to the murder on the spot, giving details only the murderer could know. He was proud, he said, to have killed the Muggles, had been awaiting his chance all these years. He handed over his wand, which was proved at once to have been used to “kill the Riddles. And he permitted himself to be led off to Azkaban without a fight.

Of course this doesn't stop him being a total hypocrite and looking down on Muggles himself, just like his awareness of house-elf oppression and ability to use it doesn’t stop him from completely underestimating Kreacher.

Because one of the biggest ways Voldemort’s arrogance manifests is his belief in his ability to manipulate these power structures, how he sees himself as an outsider in magical society who is always chessmaster-ing it, his certainty that everyone else but him are simply too imprisoned by those oppressive structures to resist against and fight back against them - that he’s the only one that can truly rise above them.

[o-wild-west-wind]

So this fun poll by @iris-in-the-rain pointed out how Ed contradicts himself between seasons 1 and 2 re: the reason for shaving his beard, and honestly…it struck me as a really good example of how Ed and Stede are somewhat unreliable narrators of their own stories, with a tendency to convince themselves of alternate truths (not to be confused with lying—because I think they genuinely believe these unconsciously self-altered narratives).

To the point of the beard question, I think both statements are partially true—but more specifically, I think he’s convinced himself over time of having taken greater initiative in the act than what initially transpired. Considering that his beard is so inextricably linked with his identity/persona, it would make sense that when reliving the memories of the situation, he sees every part of it as something he did, more so than something he was made to do. So while both statements he makes about it are likely technically true (he probably was asked to shave it, and he also probably felt personally motivated to do so in this clean slate of a situation), it’s very plausible that his memory over time has overstated his own role in it all.

This is, in essence, the same reason that Stede doesn’t end up telling Ed what happened the night he left; Stede’s memory of the event isn’t what we all saw as the audience. Stede sees himself as the instigator of his running away, even though it was something he was technically pressured into doing.

I just think it’s interesting how many ways the show plays with memory, especially when considering this in the context of things like the alternate takes used in the s2 flashbacks, the moon size, etc. It's all a very clever way of adding even more subtextual depth to these characters. And it’s also kind of cool how the subjectivity of it all allows for multiple different readings of events like this to be supported by its audience...because it means there's not really a wrong answer to these questions (which I think can also be applied to others like "did Ed actually plan to kill Stede," "is Ed conscious of the way he compartmentalizes his acts of violence," etc., and the lack of open discussion between Stede and Ed throughout much of s2 as a whole).

[thelongestway]

hey no shade but you know dungeon meshi isn't actually based off dnd right? there are definitely some overlapping concepts and it can be fun to analyze it through a dnd lens but really it's its own homebrew fantasy setting. just checking bc i nearly got in an argument w someone over dungeon meshi lore the other day only to realize it was because they were trying to apply dnd lore to it ahahaa

Oh yeah, absolutely, it's its own thing. You don't even have to go far to show how it's its own thing: for one, the whole set-up with the dungeons being what they are isn't found anywhere else in D&D-inspired material that I know. You could maybe reflavor Halaster's Undermountain to something like the Dungeon Meshi dungeons, but that would be another layer of homebrew. That said, I do have the feeling that Ryoko Kui grew up on the same kind of D&D material that I did - stuff like Elminster's Ecologies, or old school Greyhawk materials. Her story genuinely feels like an AD&D game run by an old-school DM, maybe even earlier in the editions (hi, Chilchuck and "I'm a rogue, I'm not gonna fight"!). I don't mean that she follows D&D canon in any meaningful sense--her stuff isn't set in Greyhawk, nor on Abeir-Toril, nor on Krynn, etc. But I do think she's someone who's inspired by old school stuff, even as she makes her work thoroughly her own.

An acquaintance of mine once wrote that long tabletop games gain a quality that she called "being well-trod". This is when the players and DM are so familiar with the world they live in that it becomes, well, lived-in. They don't need to look up rules anymore to extrapolate: they understand the logic of the setting, and they get the same kind of intuitive feel for the world that we do when living in our own world, in real life. A feeling of where the boundaries lie, and how things work.

This is how I feel about Dungeon Meshi and D&D. It feels like a work written by someone who walked the same paths that I did, and whose work is therefore both new and startlingly familiar. That's it in a nutshell, but then I also wrote a bunch of examples, which got very long, so cut for length and spoilers!

I wrote somewhere in the tags on my Dungeon Meshi posts that it's incredibly surreal reading a story that seems to be informed by the exact materials that you base your own homebrew games on. Kui takes her work in a wholly different direction than I did - but the disparate elements of the story would fit in like a glove, because they're based on similar logic. I could quite literally take any of the ecologies elements of Dungeon Meshi and put them into a given module I'm running, and it would need less adaptation than 5e material. And most of the cultural/racial elements of Dungeon Meshi? That, too. Where it's not a one for one match, it would so easily be explainable by "different continent".

Let's take the example you're probably here from: the Canaries and elves in general, and let's take elves in general first. In D&D, there's been a switch in models of elven aging throughout the years: from "they are literal babies up until 60-ish, and then have 40 years of actual adolescence" to "yeah they grow to full adult size at about the same speed as the other races, and are then just culturally considered too young to make their own decisions". I am decidedly not a fan of the second model - I think it takes away from the cool biologies early D&D thrived on. BG3's treatment of Astarion's age of death, for instance, keeps throwing me. Yeah, I get it: it fits in with the edition they're working off, but I hate it. That's not how things work on our Faerun! But then we get to Marcille's backstory, and we see that she has the problems old school half-elves did, and you're like "oh, well of course someone invested in weird cool biology as an author would interpret elves like that." Her treatment of age makes sense to me. She makes the races as alien as possible, and hits that vibe of "D&D-style fantasy is its own thing, with its own set of rules" that I love. In contrast, and unlike any prototypes I know, Kui takes her half-foots in a different direction! They don't live longer than tall-men, they live shorter lives, closer to goblinoids. And I think it's for the same reason: because it's that much cooler to have different experiences of life in humanoid races. This is decidedly Not D&D, but it would absolutely fit into that vein.

With smaller details, I keep joking around here that the Canaries are grey elves, and of course they're not. But then Kui keeps putting in these tiny little details - which can be either nods to existing material, or the same extrapolations that other authors drawing upon high fantasy tropes have made. The white ships that have travelled all the way from Tolkien's Valinor to Evermeet and now to Shima. The fact that the Canaries have basically the right color scheme for grey elves threw me completely: I was not expecting that! Elves being that specific brand of destructive that they are - jeez, the Canaries would be right at home in Myth Drannor, or during the Crown Wars. So I joke around about these specific dolts a lot, and I am having an inordinate amount of fun seeing if my predictions that come from running a Myth Drannor game for a good long while now come true. And it goes on. Marcille doesn't prepare spells, and the magic here is obviously not Vancian. But Mithrun's teleport shenanigans are literally stuff I've done in games. The differences between races in D&D aren't because of wishes made by mortals; they're built in by gods for their own purposes. But the towns that spring up around anomalous spots and that have to deal with the weirdness have the same vibe. Kui draws on a more extensive tradition than just D&D, of course, but she transforms the tradition in a very similar way to old D&D. Of course the elves' magic in Kui's work does weird and creepy stuff with soulbinding and immortality; that's been their dark side since Tolkien and Celebrimbor's work with Annatar, and then it turned into stuff like elves regularly sacrificing their lives in high magic rituals in Faerun. Of course Senshi's backstory is about the dwarves that have dug too deep - but they are, of course, distinct from gnomes, and the gnomes are a peculiar and interesting breed of arcana specialists. Of course Chilchuck is a Burglar - but he works on dungeon delving unions, of all things! It's a familiar transformation, so the world makes sense to me, and I love it. So yeah. Tl;dr: not D&D ofc, but the vibe is there, and I am having fun with it.

Also - can you tell me about the argument? I am super curious, and I wonder if the person you were arguing with was working from 5e material.

[gjdraws]

I am now in the possession of five separate comic ideas for due south

is this what it's like to be assaulted by plot bunnies

[camille-lachenille]

Aragorn’s elvish name is Estel, high or enduring hope. He’s the personification of hope against all odds in a world slowly falling apart.

Éowyn doesn’t have any estel left in her. She sees hope in the person of Aragorn and tries to catch it, this fleeting glimpse of hope. And when he rejects her, she rides to her death, heart full of despair. Because of this, the Black Breath has a strong hold on her, and Aragorn, estel, brings her from the brink of death.

Faramir too, is under the Black Breath, and he has little reasons to hope. Yet he stil has estel, and he accepts readily Aragorn as his king. He continues to hope when he and Éowyn are almost alone in left behind in Minas Tirith and the world is on the verge of destruction.

And it’s this enduring hope, Faramir’s estel, that Éowyn sees. She accepts his words of comfort because he has estel enough for the two of them and she is beginning to understand for herself, what hope really is. Aragorn was a projection, a personification of everything she didn’t have, but Faramir is her hope.

[severus-snaps]

Snape and Poison

I got distracted whilst writing a different meta so just thought I'd list every time I've come across that Snape was associated with poison in the series.

I first started thinking about all of this because Lucius was trying to get rid of poison in Borgin & Burkes at the beginning of CoS:

“ — and as you see, certain of these poisons might make it appear — ” “I understand, sir, of course,” said Mr. Borgin. “Let me see …”

...and I liked the idea that Snape was originally the one to brew it. Although unlikely, I also enjoy the idea that Snape had a hand in both the poison Draco attempted to use to kill Dumbledore, and Voldemort's emerald potion which ultimately did kill Dumbledore - because how sad if, no matter what he did, Snape was always the one destined to end Dumbledore's life?

It's obvious that Snape is most closely associated with potions in the books, but Snape is also the most consistently associated character with poison (with the notable exception perhaps being Slughorn - but even then it's shown that Harry is mostly learning from the Prince):

Philosopher's Stone Snape's introductory lesson outlines how a bezoar will save you from most poisons; he brews poisons for the PS riddle; his introductory speech includes how to "stopper death":

Potter, where would you look if I told you to find me a bezoar? ... For your information, Potter, asphodel and wormwood make a sleeping potion so powerful it is known as the Draught of Living Death. A bezoar is a stone taken from the stomach of a goat and it will save you from most poisons. As for monkshood and wolfsbane, they are the same plant, which also goes by the name of aconite. the delicate power of liquids that creep through human veins, bewitching the mind, ensnaring the senses. … I can teach you how to bottle fame, brew glory, even stopper death

From WebMD: Aconite contains a strong, fast-acting poison that causes severe side effects such as nausea, vomiting, breathing problems, heart problems, and death.

Snape's riddle/poem:

Three of us are killers, waiting hidden in line. Choose, unless you wish to stay here forevermore, To help you in your choice, we give you these clues four: First, however slyly the poison tries to hide You will always find some on nettle wine’s left side

Chamber of Secrets Snape looks as though anyone who approached him about a love potion would be force-fed poison in CoS:

“My friendly, card-carrying cupids!” beamed Lockhart. “They will be roving around the school today delivering your valentines! And the fun doesn’t stop here! I’m sure my colleagues will want to enter into the spirit of the occasion! Why not ask Professor Snape to show you how to whip up a Love Potion! And while you’re at it, Professor Flitwick knows more about Entrancing Enchantments than any wizard I’ve ever met, the sly old dog!” Professor Flitwick buried his face in his hands. Snape was looking as though the first person to ask him for a Love Potion would be force-fed poison.

Prisoner of Azkaban The trio think Snape is trying to poison Lupin in PoA; Snape sets an essay on undetectable poisons; Snape warns that potions brewed incorrectly can turn to poisons (revisited when the Trio visit Arthur in hospital in OotP post-Nagini, and a sign reads: "A clean cauldron keeps potions from becoming poisons."), and threatens to 'poison' Trevor.

Harry looked curiously at the goblet ... Professor Lupin took another sip and Harry had a crazy urge to knock the goblet out of his hands. “Professor Snape’s very interested in the Dark Arts,” he blurted out. “Some people reckon — ” Harry hesitated, then plunged recklessly on, “some people reckon he’d do anything to get the Defense Against the Dark Arts job.” “But if he — you know” — Hermione dropped her voice, glancing nervously around — “if he was trying to — to poison Lupin — he wouldn’t have done it in front of Harry.” Harry sat finishing a nasty essay on Undetectable Poisons for Snape. “Everyone gather ’round,” said Snape, his black eyes glittering, “and watch what happens to Longbottom’s toad. If he has managed to produce a Shrinking Solution, it will shrink to a tadpole. If, as I don’t doubt, he has done it wrong, his toad is likely to be poisoned.”

Goblet of Fire Snape implies he'll poison someone, and Harry absolutely thinks that Snape wants to poison him in GoF; Moody says Dark wizards can poison an unattended cup, and regularly checks his food for poison (wouldn't do him any good if they were undetectable however); Snape later threatens to practically do the same thing to Harry that Moody is trying to avoid by only drinking from a flask, and slip something into Harry's drink [only with Veritaserum this time, not poison] when he thinks Harry has broken into his potions supplies again

“Brilliant!” said Harry. “It’s Potions last thing on Friday! Snape won’t have time to poison us all!” “Antidotes!” said Snape, looking around at them all, his cold black eyes glittering unpleasantly. “You should all have prepared your recipes now. I want you to brew them carefully, and then, we will be selecting someone on whom to test one. …” Snape’s eyes met Harry’s, and Harry knew what was coming. Snape was going to poison him. Moody had told them all during their last Defense Against the Dark Arts lesson that he preferred to prepare his own food and drink at all times, as it was so easy for Dark wizards to poison an unattended cup. [“It is Veritaserum — a Truth Potion so powerful that three drops would have you spilling your innermost secrets for this entire class to hear,” said Snape viciously. “Now, the use of this potion is controlled by very strict Ministry guidelines. But unless you watch your step, you might just find that my hand slips” — he shook the crystal bottle slightly — “right over your evening pumpkin juice. And then, Potter … then we’ll find out whether you’ve been in my office or not.” - interesting also because Moody had also been in Snape's office] Professors McGonagall and Moody kept them working until the very last second of their classes too, and Snape, of course, would no sooner let them play games in class than adopt Harry. Staring nastily around at them all, he informed them that he would be testing them on poison antidotes during the last lesson of the term. He found it hard to concentrate on Snape’s Potions test, and consequently forgot to add the key ingredient — a bezoar — meaning that he received bottom marks... Snape handed Dumbledore a small glass bottle of completely clear liquid: the Veritaserum with which he had threatened Harry in class.

Order of the Phoenix Ron says "Poisonous toadstools don’t change their spots" when discussing Snape, his general personality, and whether Snape ever truly stopped working for Voldemort (echoes leopards never change their spots/Moody's "spots that don't come off" in GoF); Snape discusses the use of Veritaserum, poison, and venom on Harry with Umbridge, and expresses his 'sympathy' (read: apparent desire) to use poison on Harry; when advising Harry to continue Potions during his careers discussion, McGonagall said that poisons and antidotes were essential study for Aurors, and that Snape would not accept students below an Outstanding

“I wish you to provide me with a potion that will force him to tell me the truth!” “I have already told you,” said Snape smoothly, “that I have no further stocks of Veritaserum. Unless you wish to poison Potter — and I assure you I would have the greatest sympathy with you if you did — I cannot help you. The only trouble is that most venoms act too fast to give the victim much time for truth-telling…” “...Then you ought to do Charms, always useful, and Potions. Yes, Potter, Potions,” she added, with the merest flicker of a smile. “Poisons and antidotes are essential study for Aurors. And I must tell you that Professor Snape absolutely refuses to take students who get anything other than ‘Outstanding’ in their O.W.L.s, so — ”

Half-Blood Prince The Prince inherently understood Golpalott’s Third Law on antidotes to poisons, and then the plot revisits the bezoar from PS both as a means of helping Harry in class but also to save Ron.

“You sure the Prince hasn’t got any tips?” Ron muttered to Harry. Harry pulled out his trusty copy of Advanced Potion-Making and turned to the chapter on antidotes. There was Golpalott’s Third Law, stated word for word as Hermione had recited it, but not a single illuminating note in the Prince’s hand to explain what it meant. Apparently the Prince, like Hermione, had had no difficulty understanding it. And there it was, scrawled right across a long list of antidotes: Just shove a bezoar down their throats. Harry stared at these words for a moment. Hadn’t he once, long ago, heard of bezoars? Hadn’t Snape mentioned them in their first-ever Potions lesson? “A stone taken from the stomach of a goat, which will protect from most poisons.” It was not an answer to the Golpalott problem, and had Snape still been their teacher, Harry would not have dared do it... He hurtled back to Ron’s side, wrenched open his jaw, and thrust the bezoar into his mouth.

Not rooted in reality at all but a theory I once came across that I cradle like a fascinating little animal that I just can't stop looking at, is that Snape and Dumbledore somehow switch bodies before 'Dumbledore' takes Harry to the cave, and then switch back in time for Dumbledore to actually die at Snape's hand.

And, of course, the (separate but works here too) theory that back as a 'real' Death Eater, Snape helped Voldemort with the emerald potion that was already killing Dumbledore when Snape finished the job.

Deathly Hallows More tenuously, Aberforth asks "where will you lot traffick potions and poisons when my pub’s closed down", and it was the Hog's Head where Snape was lurking when he overheard the prophecy - whether that was as part of his role as spy/he was applying for a job like Trelawney said, or because he was an opportunist with a sideline in poisons - I enjoy both ideas).

Not just poison: Snape and venom

The series also mixes up (or at least uses interchangeably at times) venom and poison; although to a lesser extent associated with venom, Snape does have his moments where he is associated with venom - ultimately, of course, his final moments are spent under the influence of Nagini's.

Snape is described as shooting Harry (and Ron) "a look of pure venom" in CoS; he sets an essay on antivenoms in OotP; "Harry’s anger at Snape continued to pound through his veins like venom" during Occlumency lessons in OotP; "The only trouble is that most venoms act too fast to give the victim much time for truth-telling" says Snape, two books before attempting to find a way to tell the truth no matter how fast-acting Nagini's venom is; when Harry sees Arthur dying of Nagini's bite, it is Snape who has to teach Harry Occlumency to prevent such a thing from happening again, and Snape who ultimately dies of the same attack - but he does not, due to timing (mid-Battle and all) or ill will receive the same rush from the entire Order to attempt to save him, and despite all of his knowledge of poisons and venoms and antidotes, also does not save himself - despite Slughorn being described as carrying around antidotes to things like Veritaserum on the off chance that Dumbledore tries to get a memory out of him, so carrying antidotes for a well-prepared and cunning Slytherin of a certain level of skill is not unheard of, or impossible.

[pyjamacryptid]

I'm currently rewatching the dark tower for reasons (fic reasons), and when Gwen said "Morgana's enchanted it to protect me," it rang an alarm bell, this time 'round.

"[...]to protect me."

hm. huh. you don't say. interesting. As in, the knights are the enemy not the rescuers? hm. curious.

Maybe I'm reading too much into it (i mean, hey, that's the fun of it), but that choice of language stood out to me.

[artbyblastweave]

Team Fortress 2 developed Lore but I think it never quite metastasized narrative themes. Comics felt like they were on the verge of doing so but they also were buckling under the weight of being the main conventional narrative in which there was room to give everyone a character arc which was taken sorta seriously. But not, like, very very seriously. Not even a missed opportunity per se. Something somehow even more melancholy than that