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I love you, Bison. With all my being.

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You wanna do it here? Don’t tell me you never fantasized about garage sex.

THE HEART KILLERS | EP5

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Cat for Cash (2025) Pilot Trailer – "You're putting in so much effort. Do you have a crush on someone here?"

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JUNGKOOK — STANDING NEXT TO YOU (2023)

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PIT BABE | Ep 9

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looking back at kantbison's relationship and specifically kant's relationship with submission throughout the show after episode 8 has really put a lot of things into perspective for me.

bc like. it's complicated. i'm not gonna pretend that it's not. there's too much there in kant's character to ever really be able to isolate one thing he says or does before like. episode 6 or so. and be able to say 'this was exactly what he meant, this was his sole feeling and/or his sole motivation here' bc everything's far too intertwined to ever pick apart properly.

that said though. i always felt there was a sense of reluctance in kant when it came to giving bison power over him and specifically the bdsm thing. and i could never quite figure out bc i didn't particularly get the impression that he disliked it either but there was just something that was off about it that i could never quite put my finger on, but i think i've finally figured it out. and it's really not that surprising, bc as this show's gone on it's become increasingly clear that with kant all roads lead to the same place, and that's the issue of choice - or lack of choice, in kant's case.

submission was never really the issue i don't think. kant knows how to submit, is good at submitting - at the end of the day, isn't that what he does with christ? submit to his will, follow his orders? isn't he collared and chained to him? isn't he such a well behaved dog for him? kant knows very well how to submit. but the thing is is that it's not a willing act of submission where christ is concerned. kant submits because, like with pretty much every other facet of his life, he has no other choice. he behaves because he has to.

and then the next thing kant knows there's bison, outright telling him that he'd like him to submit. to let bison take charge and have kant bend to his will, to follow his every whim. and bison wasn't pushy about it - if anything it was the opposite. he was reluctant, assuring kant that it was fine, that he didn't have to, that actually maybe it was better that they didn't. he gives kant the choice. but it's not a real choice. kant's answer is already laid out for him.

and i think that's where the dissonance entered. you see hints of annoyance and frustration before then, but the much more subtle 'off' feeling that i felt started around then. and i think it's bc for all intents and purposes kant was already completely submitting to bison's will. he was already going along w whatever bison wanted bc he had to, bc he needed bison to trust him, bc saying no to anything thrown his way wasn't (and had never been) an option.

but ofc bison didn't know that. he just wanted to dom his boy. but i think he could also feel the reluctance and the confusion around it all. bc despite what he said and did to reassure bison that he was into it and wanted it too, kant was always subconsciously resisting. and as i said i think there's a lot in that too, it's not simply one thing - bison is a murderer at the end of the day, and dom/sub dynamics are supposed to be built primarily on trust, and kant didn't trust bison not to hurt him too much or go too far. it was also clearly a new thing to him considering he didn't even know what a safeword was. and it was maybe even some weird sense of loyalty to christ. you know what they say: you can't serve two masters. and kant already had one. he was already collared and chained, already submitting. and kant's current master had an awful lot of power over him. he knew what kind of punishment awaited him if he disobeyed.

but above all else kant knew he couldn't really say no. and he hated that.

and so we're back to choice again. the one thing kant has never had. here he is getting forced into submission again - not by bison, but by circumstance. and so no matter what he says or does or how into it he really does seem, there's always this subtle reluctance that rolls off of him. there's always just something off about it all. (which, thinking about, may have been one of the reasons why so many people were turned off by kantbison, bc there was just something not quite right in the vibes, but i digress)

but obviously things change. kant accidentally falls in love with bison, despite his best intentions. and, maybe even more importantly, bison falls in love with kant. and that love changes bison - bison, who needed power so desperately when they first met that he turned nearly every interaction they had into a game of tug of war. bison who, despite not necessarily needing kant's submission, would also never ever give in to kant's will, not even a little. but that same bison falls for kant, and he begins to yield. starts to let himself just be, and by extension let kant just be too. bison begins to settle, become a little docile. he lays on kant's chest and kisses his feet. he rolls onto his back and lets kant loom big and dominating over him, despite how desperate he once was for power. and kant is clever, he knows that's what bison wanted. that's why he gave into him all the time. but by letting kant maintain some of the power in their relationship without a fight, he's basically telling kant i would like you to submit to me, but i don't need it. i just want you. and kant hears that. and that changes things. because without knowing it or even really meaning to, he's given kant a choice.

and we all know what kant chooses.

and to be clear, for the most part i think this is all happening on a subconscious level without either really realising it or thinking about what's happening. but the choice is conscious. it's his. and kant chooses the master that gives him the option to choose. that choice changes everything for kant. everything. it recalibrates his whole world view, his whole life. and the minute he chooses (chooses!) bison, he submits himself to him wholeheartedly. he puts the collar on himself.

but we don't get the reality of what that means until ep 8 bc of yknow. all the stabbing and kidnapping and manipulation and retraumatisation and scheming such. but then we do see it. and we see just how deep it goes for kant, that ease of submission, and his desire for it. how he doesn't run despite having many, many opportunities to do so. how he doesn't eat even when bison's nowhere to be found and he has freshly cooked food in his hands bc bison hasn't said he can. how he doesn't untie himself despite being able to bc bison tied him up for a reason. and sure, all of that is love too, and it's also playing nice bc he desperately wants bison's forgiveness. but this is all also an active form of submission, the same way a dog submits to their owner when they say sit, down, stay, wait. a good dog doesn't eat until it's given permission. and ultimately doesn't the fact that kant safewords tell us exactly what kind of state of mind he's in? what he thinks about their situation and their relationship? (and i won't go over it bc i've already talked about in length here but the act of safewording truly said so, so much)

and yknow, thinking about it really it shouldn't even be surprising bc we were literally shown who kant was back when they first met. and what did he do? went when bison said to go, came when bison said to come back. bison said you're not doing this alone and kant sat still and let bison ride him to his heart's content. it was very subtle, but he really was submitting to bison in little ways all the way back then! the signs were there!

and the beautiful thing about it to me is that in episode 8 there is not a single moment of dissonance between kant and bison. there's no more weird vibes. there's just kant and the first choice he's ever got to make. kant and his chosen master. kant and the hand at the end of his leash. kant and bison.

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A cry for help from

Gaza 🚨❤🩹🇵🇸

🚨Hello, I am writing to you with a heart full of hope and faith and I am asking for your help. We need your support please, this letter is for the family of my friend Mahmoud from Gaza. Help us spread the word. Donations are going very slowly. The amount is 35,000 euros. The remaining is 29,000 euros. Donations are going very slowly. We need your support. Donate. Please share if you can. Every share and donation can make a difference in the life of Mahmoud's family. Help save Mahmoud's family from genocide. Free Gaza🚨🩹🍉

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They actually invented romance.

KANT & BISON in FAST LOVE MV

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for a while now, i've been trying to figure out why the religious symbolism in thk feels so one sided, so to speak. like, if you've read any of my (or lauren's) analysis posts about the religious imagery, you'll notice that it all ties back to bison in one way or another. even the use of lilly as lilith, mother of demons and captain christ being the figure for the good side can tie back to bison by way of bison being one of the "demons" and kant specifically getting close to bison in order to help christ - christ is even often plastered on bison's back through his jesus shirts in way of showing how ever-present christ is in their relationship.

at first, i thought that it was because bison is, for the most part, the jesus figure of the story. he wears the shirts, he has crosses in his room, he "dies" and his beloved finds the empty tomb, kant is essentially baptized in order to redeem himself for bison. if bison is jesus, then of course the religious elements center around him for the most part. however, it just never sat right with me that fadel and style seemed to have so little to do with any of it and fadel's instances were only ever in line with bison.

however, i think this post that lauren @sunsetsover made pointing out all the religious figures in bison's parents's house kind of explains it all. the religious aspect of the story revolves around bison not because he's the jesus, but because it's essentially his motif. it ties back to him because he's the one sewing the seeds of it, essentially.

bison views himself as jesus, and makes kant into judas the betrayer AND john the beloved. but he also betrays fadel, making himself judas the betrayer and fadel (the one born on christmas) into jesus. he also makes himself into lucifer by being lilly's "favorite" and going against what she wants, by being the one to bring down their operation by getting involved with kant. even with christ, he's the one wearing the jesus shirts that signify the way christ hangs over him and kant.

basically, the reason the religious symbolism exists in the show in the first place is because of bison's own interest in christianity/judaism - it's a direct reference to bison and the way he views things.

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i realised a couple of weeks ago that bison reminds me of hot stuff the little devil so i started a collection

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Ai Di being all shy and coy but secretly touched at everything that Chen Yi is doing and then acting all cute with him (´༎ຶД༎ຶ`)

IT IS WHAT HE DESERVES AFTER WAITING FOR SO MANY YEARS WDYM HALF A YEAR CHEN YI I SPENT 4 + 4 YEARS AND MORE WAITING FOR YA

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FK in sync always makes me 👁️👄👁️

compilation

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bonus:

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i fear i may have been a little ahead of my time when i wrote about bison collaring kant at kant's request because what the fuck do you mean he had the food right in front of him but he didn't eat because bison didn't give him permission. what do you mean kant was let loose on that island but never wandered too far from his owner. what do you mean every time bison tried to let kant go kant picked up his own leash and placed it back in bison's hand until he started tugging on it again.

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over and over again it is emphasized that kant could leave. honestly i think he could have literally walked away at any point (did bison even tie him up that night like fadel did style? i would love to know) but even setting that aside

they are not alone on the island. bison isn't present. this man is explicitly presented as having the means to leave the island. i really can't stress enough that there is absolutely nothing preventing kant from walking away.

and the food too...like @ropebunnykant pointed out starvation is one of the abuses katherine undergoes in taming of the shrew. and yet kant is the one who is handed the food. he could eat it there. but he gives it to bison allows himself to be tied up while bison eats...

he could leave and over and over again he chooses not to. he unties himself and instead of walking away he walks toward bison. and bison knows it! he knows he gave kant an opportunity to leave and says as much.¹

¹not fully translated in the subtitles! here are some tweets with (sometimes approximate) transcriptions. what bison says is along the lines of "[i] gave [you] a chance, [but] you're still stupid".

but kant doesn't leave, because he understands bison and loves him and because he wants him to know the truth. (and, maybe: because he's failed completely at his erstwhile task — even if he hadn't already decided to give up — so he might as well go for broke and be with the man he loves no matter the ending...)

and i don't think it's an accident that one of the first things we see kant do in the episode — after he's had time to process the fact that he's alive, safe, comfortable, that this must be bison's house — is to walk up to a set of bars

and push them open himself.

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my dick got so hard so fast it almost split my laptop in half like a piece of plywood

so i started watching strangers from hell yesterday and when i tell you i almost moaned out loud at the end of episode 2 when lee dong wook put on those nitrile gloves and smothered that man and then strangled him while making little grunting noises and calling him honey