#in varying levels of complexity
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deluxeyellowflower · 2 years ago
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Tag Game: Eight Shows to Get to Know Me
@myfawnwy tagged me in this!
Halt and Catch Fire
Bojack Horseman
Russian Doll
Over the Garden Wall
Station Eleven
The Expanse
The Haunting of Bly Manor
Mobile Suit Gundam Unicorn RE:0096
Honorable mentions: Derry Girls, Gentleman Jack, Fleabag, Death Parade, Pride and Prejudice (1995), Howard’s End (2017)
Dishonorable mentions: BBC Sherlock, Shugo Chara
I’m not the sort of person to @ people but if you see this and want to participate, feel free to @ me hehe.
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avvidstarion · 4 months ago
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Think people are making too big a deal out of the pokemon lore leaks. Yeah it’s cool to see concepts for the sinnoh creation myths, but they’re still just scrapped content. They’re not “canon or “official”
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mantisgodsdomain · 8 months ago
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We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.
#we speak#writing#we grew up with pmd games and we feel like the way that pmd pokemon's dialogue tends to be excessively... direct?#should be a feature and not a bug when any pokemon that you meet might be totally unfamiliar with your species and biology#it's probably very polite to start up front with some basic facts about yourself so they know how to act going forward#the very upfront feel to dialogue also very much helps with keeping the dialogue feel more... pokemon#people mock the series for weird npc dialogue a lot but we think that taking these things literally makes for more fun society building#it doesn't all have to fit with socially acceptable for our world we think. polite in our world isn't even consistent by household.#sometimes a polite interaction sounds like “hello! i'm poochyena! i like to chase people and bite!”#name and immediately socially useful information. now you know about the chasing people and biting so you don't assume it's rude#of course poochyena bites and chases people. it likes to do that. you can say you don't like that and it might stop doing that to You#but it will not stop biting and chasing people because that's what it likes to do and it will probably only befriend people okay with that#it makes a very specific dialogue feel that's very fun to do. we like how the pokemon world tends to treat any sort of like#disability or “weird” things as something that you just say out the gate and everyones like “oh okay”#and then treat that as Part Of Interactions going forwards. there are a surprising amount of parts of the pokemon manga#that are dedicated to working around a character's disability after one or all of their means of dealing with it get taken out#admittedly we aren't that caught up on newer content but we find the way that it tends to be just Accepted as very refreshing#making the dialogue this direct does also tend to make it read as more “childish” in english and particular because a lot of Maturity's jus#learning how to dance around what you're saying or phrase it in different ways to get your idea across differently#whereas here everything is just as direct as possible. “i don't like charmander”. “i like roasting berries”. “i want to dig things up”.#all pokemon dialogue tends to go towards being exceedingly simple and it makes for some very distinct writing#especially when you have to tackle complex situations with characters who probably dont employ that sort of vocabulary#though we personally enjoy doing this sort of stuff your mileage may vary ofc#we are biased towards this sort of thins because we find it MUCH more fun to build up what we're talking about from blocks#than to like. try and use more indirect wording that may lose things in translation#unfortunately this is not fun in irl conversation. everyone has to be on the same page and you need to use the same playbook to communicate#we REALLY wish people said what they meant though. we're really tired of being asked shit like “is this accessible”#when what they mean is “can you climb these stairs” a question which depends on the day our energy level and how things have been going#there are a lot of things we could say that would make us feel like some sort of anti sjw type guy and a lot of em boil down to just#"for the love of god dont dance around a Sensitive Topic just get to the point and ask us about it this just makes things harder for everyo
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un-pearable · 1 year ago
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species don’t exist — i mean, obviously, they do. but they aren’t objective. species are (as most things are) a cultural construction, a coalition of humans deciding where and when to draw what lines. constantly in debate: did you know paleoanthropologists are unintentionally incentivized to claim to have discovered entire new genera along the path of human evolution because they are more likely to generate media buzz and gain desperately needed funding. thousands of plants may be categorized together but a centimeter’s difference in skull thickness warrants an entire new genus name. we are more genetically similar to chimpanzees than they are to their fellow non-human primates, but due to the rules of Linnaean taxonomy humanity will never be collapsed into the same genus as them because the rules dictate that the older genus name prevails: humanity would never accept becoming Pan sapiens, especially not after it took decades for it even to be accepted that humans were a part of the taxonomy in the first place. even the most basic of criteria we’ve used in the past to decide where a species stops and starts continues to be debunked - fish from entire opposites of the world can produce fertile offspring. analogous evolution can find lines that split millions of years back creating critters that would be side by side in a disney cartoon. categorization is a eternal battleground of western scientific standards requiring universalized objective qualifiers vs. the futile efforts to recognize the unmeasurable amounts of nuance held in traditional ecological knowledge — versus the fact that, inevitably, it all boils down to a vast continuum contained within only a few percentage points of variation in the squiggly lines that tell the cells of everything on the entire globe how to eat
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rusquared · 1 year ago
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bimonthly request to everyone struggling w energy/executive dysfunction/etc but wanting to create things: try origami. im so serious.
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jragons-fr-hole · 2 years ago
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Taking Requests!
I want to get the opportunity to draw some funny pixel dragons (without the terror of entering the forums) so! 
Reblog or shoot me an ask with a dragon and I will do a lil something of them! (Also, no matter how old this post is, I’ll still be taking rqs unless specified in the title)
Examples below the cut ↓
What I have drawn so-far:
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And if you would like more examples of my art, check my art tag (#jragon art)
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a-wins-a-win · 1 year ago
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unpopular opinion?? maybe?
Matt & Ivy have a really interesting dynamic!! both pre- and post-canon!! with or without romantic undertones!! either reciprocal or one-sided!!
and obviously it has to be handled with a particular level of care/respect BUT I think if we allowed them enough grace there is space to explore a really interesting possibility for that relationship.
#obviously Matt is not ENTITLED to Ivy - im absolutely not saying that at all#and he definitely did a lot of things extremely wrong and Ivy doesn’t HAVE to forgive him - she doesn't even have to *like* him#and in many stagings she actually doesn’t at all! even pre-canon she isn't into him on a *platonic* level - which i love for her#but I also think that - misguided & clumsy about it though he was - Matt is genuinely trying his best to see her as a person.#an idealized version of a person yes. but a person nonetheless.#which is what Ivy wants from Jason (and tbf he sees her as a person also but it’s an obviously different situation)#and while you can't force romantic compatibility (that was like. the whole point.) in some versions of the show they're not-quite-dating#- in varying types of “situationship” with varying levels of commitment. so it's not insane to me to say hey#maybe they need time to stabilize themselves and figure out who they are again after the events of the show. but maybe a couple years -#- down the line they reconnect and they're both in a better place & maybe this time it can all work out.#idk I think I just see a lot of people write it off entirely - and they’re well within their rights to do so don’t get me wrong#but I don’t think it’s fair necessarily to put them in the ‘doomed to fail’ category#wow okay I care about them as a pair more than I realised#tldr; give Matt & Ivy and their relationship dynamic the grace + complexity they deserve#mouse talks bapo#bare a pop opera#Ivy Robinson#Matt Lloyd#[as a side note - sometimes I think about queer Matt & transmasc Ivy & the interesting concept of their potential boyfriendism]
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incorrect-ikevamp-quotes · 1 year ago
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You are seriously my favorite blog right now. You opinions and meta for ikevamp are so spot on. You somehow are able to flush the characters more than the canon. I just wanted to say I appreciate all the time you put into your writings and I love everything you have written so far!!!!
In Comte and Leo we trust 🫡
Aww, thank you so much! 💛💛💛
Honestly I have no control over the brainworms, I feel like Ikevamp is so saturated with implications that extrapolating becomes so much natural fun for me. I started writing and analyzing (with no supervision to stop me, big mistake) and I'm still so fascinated with it. I can't believe it's been almost what...four years? Five years? Since I started playing the Japanese version where this all began. I'm frankly flattered a lot of people agree/like my takes, it makes sharing my work really rewarding in ways I never expected~
I don't always have time for more than Comte thirsting and silly quotes these days, but you're more than welcome to enjoy what I've curated here! I imagine I won't stop shitposting until the app is discontinued, and even then I'm not confident I'll shut up 🤣🤣🤣 Comte's the best baby girl I've ever known lmfao
o7 PUREBLOOD STAN OR BUST HELL YEAH!
#tysm for such a kind ask! this made my day <333#pureblood propaganda#(people need to stop validating my breaching containment it only makes me more powerful /j)#sometimes I wish the eng ver implemented more of the depth and hank pank from the og more consistently but alas#localizations are a bit of a hit or miss business im afraid#i also love how i've inadvertently created a sad pureblood fan club over the years (not you vlad)#(you can join after you've had your time out like a good boy)#but in all seriousness i find their lives strikingly saturated with complex emotion and subtle tragedy/melancholy#ig for a lack of a better description i just feel like they're relatable?#like yeah if i was leonardo and my abusive family could harass me forever#i would also be incredibly guarded and set in my ways to protect myself and probably hate vampires and their power plays#if--like comte--i felt a sense of identification with the people i was pressured to subjugate#i'd feel lost and empty too; unable to co-exist with my own kind but also inevitably at a distance from humans#both scenarios create an emotional and relational quagmire#and i think what's even harder about it for both of them is that they just have no choice--and rather few allies besides each other#all they can really choose is duplicity if they wish to remain true to themselves and reasonably survive#and i think that's a really exhausting/somewhat self-impoverishing position to be in#comte tries to subsist on ephemeral moments he shares with people--with varying levels of success (little)#leonardo forces himself into stasis bc if he doesn't he'll keep making the same mistakes#aka getting too close to people and getting hurt when their time ends#ive prbly said all this before but idk in light of so much i've learned since starting this blog#the allusions to vampirism being a vehicle for certain 'othered' identities seems boundless to me (domestic abuse/class structures/nd etc.)#vlad is a pureblood but he seems like one of those flat movie vampires pandering to the aesthetic obsessions of a v particular audience#any story needs both flat and round characters--so naturally his existence serves a purpose/function; nothing wrong with that#but i find myself to be too Shrek to be v invested in him (FAVES HAVE L A Y E R S)#ig i just think its very easy and a bit bland to associate vampires with horror/gore/unmitigated violence/extreme emotionality#but much more engaging to explore the status of monstrosity as it relates to oppressed identities and unconventional kindness#or maybe that's just the monsterfker in me--in which case sorry everyone being cringe on main (it will happen again)
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thelemonsnek · 1 year ago
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hellll of a year this year!! got a new hyperfixation for the first time since 2020 :0 this really made me realize how many different styles i use >:))
[image id: one of those art summary templates, where it has a spot for art from every month. January's drawing is very sketchy and has thick, bold lineart. February's is very wild, with pixelated lines, harsh shading, and crazy patterns. March's is more grounded in realism, while still keeping some level of stylism. April's is cartoony but fairly detailed, and has thick lineart. May's is very simplistic and stylized. June is a return to the realistic but stylized art style, and is the first drawing to include an actual background. July's is very painterly and also has a background. August's has the realistic stylized art style again, and September's, October's and November's are all a mix between the realistic and painterly art style, though only September's has a background. Decembers is an extremely simplistic uncolored drawing. End id]
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mangled-by-disuse · 2 months ago
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Tried to put this in the replies, but it got long and is relevant to the OP, so:
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Less so than the average British/South African white guy of his time, which is to say: yes, but not notably so.
He did also speak very bluntly in his response to the Nazi requests to translate his work, claiming he would have been proud to be a genuine Aryan [that is, from the Indian subcontinent] but unfortunately he's just German and English. Some of that is "Oxford fellow thinks he's being very smart" rhetorical devices, but he also does seem to have been pretty vocally of the belief that different cultures and ethnicities held value, and while he left South Africa very young and considered himself English, he did also remark on the brutality and inhumanity of the apartheid regime there. He also criticised C.S. Lewis' assertion (in The Last Battle) that some people couldn't get into heaven on the basis of race and culture, but "have a theological argument with C.S. Lewis" does seem to have been one of his primary hobbies at the time so idk if that was purely anti-racist.
At the same time: this was at a time when the N-word was in common parlance (including in children's nursery rhymes and even in leftist discourse), when Britain had an empire and Tolkien had been raised in one of its colonies, and when the school system emphasised "the white man's burden" and the savagery and primitivism of "lesser" cultures. And Tolkien was not a radical, and not sufficiently concerned with race as a topic to break fully from that social conditioning. So it's not like he wasn't a racist, but he wasn't a racist by the standards of his time, background, and immediate environment. (Bearing in mind that his immediate environment was the same one that saw the rise of Oswald Mosley and Winston Churchill.)
What Tolkien WAS was a genuine, old-school British conservative, which I think is what right-wingers pick up on in his work. He had an engrained belief in hierarchy and traditionalism, and his arguments against capitalism come from Catholic semi-feudalism, not socialism. "The rich man in his castle, the poor man at his gate/God made them high and lowly and each to his estate" is very much an underpinning of a lot of Tolkien's work, which emphasises the importance of working to, and being satisfied with, your status in life - Sam's strength is his humility and desire to be a simple gardener, but, while humility remains valuable throughout, Aragorn's strength is that he knows that he is born to be King. Ruling is all he can ever ethically do (noticeably, whether or not his people consent to be ruled - note that the first Man of Gondor he comes into contact with is Boromir, whose response of "ok mate where the fuck have you been when we were fighting and dying for the past forty years?", and that is cast as a mistake on Boromir's part, and he is told to sit down and respect the rightful king by Literal Voice Of The Gods Gandalf), and it would be wrong and evil for him to try to do anything else, just as it would be a moral wrong for Sam to try to be a king.
Lord of the Rings in particular is very concerned with noblesse oblige and the burdens of power - while, yes, the core story is "minor gentry [Sam is the only actual working-class character] rises above his presumed station and, through being literally and metaphorically one of the little people of the world, slips under the radar and completes a heroic quest", almost all the surrounding stories are about the difficult duty of managing power. And, unfortunately, this lends itself very readily to a "white man's burden" kind of reading - these people, you see, are simply of superior race (literally, in the case of the Elves, and in the case of Aragorn, Boromir, and the ruling class of Gondor being measured by their proximity to Númenorean bloodlines), and so it is their unfortunate duty to command and to cleanse the lesser (Orcish, and by extension Easterling and Haradrim) races from their nice, functional societies.
To be clear: I do not think this is how Tolkien intended it. I think, in his own traditionalist, cloistered-academic, Catholic way, he was pretty egalitarian. He doesn't treat the ruling class as actually better than the working class - Sam is no less a hero than Frodo, Merry, and Pippin, all of whom are gentry or nobility, and none of them are lesser as people than Aragorn or Elrond or even Gandalf or Galadriel - even if he does view class distinctions as fundamental and immutable differences. He values friendship, peace, and the laying down of grudges (against all the problems caused by revenge, note that Éomer's first and most noble act of kingship is "accepting the Dunlendings' surrender, treating them kindly, and making peace with them", and they are so impressed by this that they too put aside a centuries-long war and help rebuild the country they helped to destroy). While he often forgets that women exist (I will die on the hill that "three out of 22 rulers of Númenor were women, despite equal inheritance being explicit" is evidence that Tolkien just did not think of women as being half the population), he is quick to defend their value in both masculine and feminine pursuits, and to express them as people outside of marriage and childbearing - and his own life, in which he married a much older divorcée from a different religious background against all voices from their families, reflects that same sense of valuing women on human terms. He is a humanist, not in the religious sense but in the sense that he values humanity above all things in his writing; he writes consistently against power for its own sake, against war as glory, and against bigotry and condemnation.
BUT
he was also a traditional, dyed-in-the-wool Tory, Catholic-restorationist, pro-feudal Oxford don who was raised in a much more conservative time, place, and social class than most of us, and he brings that to his writing too. From a conservative perspective, reading with an eye for right-wing ideas:
Éowyn ultimately turns from the aberration of being a warrior and becomes a wife and mother, embracing "feminine" traits of healing and caring as part of her own healing.
Class is reified through Sam's heroism being that of a servant, and Aragorn's that of a king, and the return of the king is the source of great rejoicing.
Some races, and some classes, are simply better at things. Dwarves are better craftsmen. Men are better warriors. Elves are better at everything because they're special. they are also tall and fair and European
The idyllic Shire is a cottagecore dream of traditional British rural life, in which people know their place, women are real women, and everyone has good manners.
Most of the "good" societies are coded with European or Classical trappings (the exception is actually Gondor, which is pretty easily read as Byzantine), and opposed against a literal rampaging horde from the East. Some of the horde from the East are literally inhuman, while others are elephant-riding brutes who hold oblique historical grudges and strange religious customs. Compassion against these foreign invaders is looked upon favourably by the narrative, but only after you've killed them.
With the previous point, and the films, in mind, it is easy to conclude that regardless of species diversity, the Fellowship is a cadre of brave white men fighting to protect their society from a monstrous foreign threat - one in which a cunning trickster from within the main setting has puppeted the less evolved races into destroying Western civilisation.
While the story is anti-war, it is anti-war in a way that allows for cool battle scenes and noble deaths, and there are several points at which Dying For A Cause is lionised and seen as redemptive in a way that slots nicely into a lot of more militaristic ideologies (including fascism).
again, I cannot underline enough, I DO NOT BELIEVE THIS IS A FAIR READING OF THE NARRATIVE. I think it's an ideologically-motivated reading that ignores both Tolkien's personal views and large chunks of the text. But the thing is: the people who read it in the way I've described would probably say the same thing of your description.
The thing about Tolkien's much-discussed distaste for intentional allegory is: Lord of the Rings is not 1984. It is not an explicit political polemic. It is one man unpacking his Great War trauma and political anxieties, his expertise in Anglo-Saxon literature, his special interests in folklore and etymology, his love of the English countryside and his dislike of modernity, his Catholicism and his conservatism and his egalitarianism and his loneliness and his loves. It is not absolute in its politics, because it isn't trying to give you a political solution: it's trying to give you morals, yes, but they're as much personal ones as societal ones.
It is not a shock that right-wingers latch onto Tolkien's work, or see parts of their beliefs reflected there. It's still a fucking insult to the work, but it's not a shock.
Seeing conservatives and bigots being fans of Tolkien works is a special type of jumpscare bcs what are you doing here man? In the franchise about folks from different backgrounds and races come together in brotherhood to vanquish the villain? Where kindness and compassion and sinple happiness were seen as the best ways to keep evil at bay? Where war is not glorified and seen as a grim necessity to the point where the son of the author gor criticised the movies for glorifying the war too much? Where men openly engaged in feminine activities and were open about emotions other than anger? Where multiple characters gender presentation varied from those we normally associate with their gender? Where women were empowered in multiple different ways? Where greed was presented as turning one into a literal monster?Where the villains are all thinly veiled depictions of capitalism? Where care for the enviornment is seen as a given?
#long post#tolkien#lord of the rings#ALSO WHAT DO YOU MEAN “MULTIPLE CHARACTERS' GENDER PRESENTATION VARIES FROM WHAT WE NORMALLY EXPECT”?#NO THEY DON'T?#literally can't think what you would mean by that i'm not doing a bit. middle-earth is very gender-normative at least in canon.#i think that there are a lot of people who think that the displays of male emotion in lotr are. how do i put this?#more queer than they actually are?#if you compare them to either the epics that he is drawing from OR to the literature of the war he had recently lived through#i would say he takes it to a more human degree but it is not at all abnormal for men to cry and admit fear and touch each other#one of the notable things about ww1 and inter-war literature is an emphasis on male companionship and love#there is an intimacy that comes from being stuck in the actual trenches with only other men#and i think that's what is reflected in tolkien's emotionality#which doesn't mean it's not radical! it is radical! but i don't think it's as gender-nonconformist as it seems to a modern eye.#also the villains are not “thinly-veiled depictions of capitalism”#not just because of tolkien's allegory complaints#but because the villains are depictions of THE LUST FOR POWER FOR ITS OWN SAKE#a thing which exists across all sociopolitical ideologies not just capitalism#morgoth isn't a capitalist! morgoth doesn't want capital! morgoth just wants to BREAK SHIT and BE SATAN.#idk i agree that as a leftist tolkien's work speaks to me deeply on a political level#but i think flattening it to “tolkien is obviously leftist” does a disservice to the complexity of. well. how writing works really.#and also misunderstands that leftist and anti-capitalist/anti-authoritarian are not actually synonymous#tolkien was a right-winger. he voted tory his whole life. he read the times. he identified himself by class in a way that damaged him deepl#he was ALSO an anti-war anti-fascist anti-capitalist orphan who married below his station and out of his class and religion#and who pushed back against what he saw as unfair systems both in britain and abroad#and who escaped the somme by fluke and lost dozens of friends there#and his works are complicated and often self-contradictory#because they aren't essays and they aren't polemics and they aren't political allegories#they are stories informed by the complicated and self-contradictory beliefs of a troubled man in troubled times#idk it feels. sad. to treat them as thoroughly Good And Unproblematic.
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tanadrin · 2 months ago
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Can you explain in what what you think eugenics doesn't work? Does this basically boil down to skepticism about the accuracy of GWAS studies? My understanding is that academic consensus is "G probably exists, disentangling direct genetic inheritance vs genetic cultural inheritance is complicated but possible, we can identify a number of alleles which we're reasonably confident are directly causally involved in having a higher G factor"
when it comes to intelligence, its heritability, and its variation at the population level, my understanding of the science is:
highly adaptive traits don't, in fact, vary much at the genetic level between populations of a species because they are strongly selected for. in an environment where a trait is being strongly selected for, a population that failed to express that trait strongly will be rapidly outcompeted.
intelligence is probably the quintessential such trait for humans. we have sacrificed a great deal of other kinds of specialization in favor of our big brains. we spend an enormous amount of calories supporting those brains. tool use, the ability to plan for the future, the ability to navigate complex social situations and hierarchies in order to secure status, the ability to model the minds of others for the purposes of cooperation and deception means that we should expect intelligence to be strongly selected for for as long as our lineage has been social and tool-using, which is at least the last three million years or so.
so, at least as a matter of a priori assumptions, we should expect human populations not to vary greatly in their genetic predisposition to intelligence. it may nonetheless, but we'd need pretty strong evidence. i think i read this argument on PZ Myers' blog a million years ago, so credit where that's due.
complicating the picture is that we just don't have good evidence for how IQ does vary across populations, even before we get into the question of "how much of this variation is genetic and how much of it is not." the cross-national data on which a lot of IQ arguments have been based is really bad. and that would be assuming IQ tests are in fact good at capturing a notion of IQ that is independent of cultural context, which historically they're pretty bad at
this screed by nassim nicholas taleb (not a diss; AFAICT the guy only writes in screeds) makes a number of arguments, but one argument I find persuasive is that IQ is really only predictive of achievement in the sense that it does usefully discriminate between people with obvious intellectual disabilities and those without--but you do not actually need an IQ test for that sort of thing, any more than you need to use a height chart to figure out who is missing both their legs. in that sense, sure, IQ is predictive of a lot of things. but once you remove this group, the much-vaunted correlations between IQ and stuff like wealth just straight-up vanishes
heritability studies are a useful tool, but a tool which must be wielded carefully; they were developed for studying traits which were relatively easy to isolate in very specific populations, like a crop under study at an agricultural research site, and are more precarious when applied to, e.g., human populations
my understanding based on jonathan kaplan articles like this one is that twin studies are not actually that good at distinguishing heritable factors from environmental ones--they have serious limitations compared to heritability studies where you actually can rigorously control for environmental effects, like you can with plants or livestock.
as this post also points out, heritability studies also only examine heritability within groups, and are not really suited to examining large-scale population differences, *especially* in the realm of intelligence where there is a huge raft of confounding factors, and a lack of a really robust measurement tool.
(if we are worried about intelligence at the population level, it seems to me there are interventions we know are going to be effective and do not rely on deeply dubious scientific speculation, e.g., around nutrition and healthcare and serious wealth inequality and ofc education; and if what people actually want is to raise the average intelligence of the population rather than justify discrimination against minorities, then they might focus on those much more empirically grounded interventions. even if population differences in IQ are real and significant and point to big differences in intelligence, we know those things are worth a fair few IQ points. but most people who are or historically have been the biggest advocates for eugenics are, in my estimation, mostly interested in justifying discrimination.)
i think the claims/application of eugenics extend well beyond just intelligence, ftr. eugenics as an ideology is complex and historically pretty interesting, and many eugenicists have made much broader claims than just "population-level differences in intelligence exist due to genetic factors, and we should try to influence them with policy," but that is a useful point for them to fall back onto when pressed on those other claims. but i don't think even that claim is at all well-supported.
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maximumzombiecreator · 5 months ago
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Since I've had a few people asking about megadungeon stuff recently, and I am an avowed megadungeon megafan, I thought it might be fun to walk through an actual example of megadungeon play that exemplifies what I like best about it.
This post is going to be the first in a series talking about a room from a megadungeon that I ran over 20 years ago (brushing past that fact quickly lest the horrors set in.) It was a major room, probably the most complex and important in the dungeon, and the players passed through it frequently throughout the campaign. In this post I'll introduce you to the room, and then in later posts I'll talk about what it does well and how to use that lesson more generally. Below the cut is a reproduction of the map as I remember it.
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Without getting into The Lore too deeply, some dwarves accidentally dug into hell, as one does. Classic trope, nothing wrong with using them. They quite sensibly shut the mine down and sealed if off, but word got out. A human king heard about this, and took over the mine, expanding it into a temple complex to curry favour / barter with hell. It went badly, as such things do.
This concourse connects several wings of the dungeon, spanning several floors. An enormous devil face statue emerges from the northern wall, above the second floor balcony and below the fourth, and a column of light shines through a hole in the ceiling onto the center of the floor. Several floors of balconies overlook the chamber, though the stairs to the fourth floor balcony have long since collapsed.
This chamber was not too far from the main entrance, with the party first encountering it on their second delve into the dungeon, though it would take two more delves for them to gather the courage to enter it. At the time they first encountered it, it was swarming with imps and other little devils worshipping the big face.
I'll summarize the key:
A. Hallway from the Entry Chambers, the first and easiest section of the dungeon.
B. Doorway to the Pilgrim's City.
C. Doorway to the Unholiest of Unholies. Sealed and warded against simple spells.
D. Doorway to the Old Dwarven Quarters.
E. Doorway to the Nobles' Section. Barred from the far side.
F. Portcullis to the Pilgrim's City. The mechanism has rusted out and no longer functions.
G. Doorway to the Halls of the Clergy.
H. Doorway from the King's Inner Sanctum.
I. Doorway to the Archive.
J. Doorway to the King's Inner Sanctum, locked.
K. Doorway to The Indulgences.
Stairway from floor 1 to floor 2.
Light from the hole in the ceiling.
Broken stairs from floor 2 to floor 4.
Big ole devil face. Its eyes are a one-way illusion, allowing anyone within the face to view the room below.
Okay that's a lot, thanks for sticking it out. While I don't want to wander too far off topic into the rest of the dungeon, I'll just briefly note that the Pilgrim's City and Old Dwarven Quarters are easier sections of the dungeon, the Nobles Section and Halls of the Clergy are slightly more difficult, the King's Inner Sanctum, Archive, and Indulgences are very dangerous, and the Unholiest of Unholies is, as one might expect, where the worst things (and best loot) in the dungeon are. This was 2nd edition AD&D, so there was not a presumption of fights being balanced, and traipsing through more dangerous sections of the dungeon at lower levels wasn't uncommon. The players also understood the varying levels of danger fairly implicitly, since the custom at the time was that any time you went a level further away from whatever the ground floor was, things got more dangerous. The only exception to this is the Unholiest of Unholies and I think we can agree that when it's beyond a magically sealed door under a giant devil head the danger is telegraphed.
Next post I'll start talking about what made this room work so well in practice.
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rebirthgarments · 10 months ago
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TW: Chemical w-rfare, Ab-rtion
Urgent Ask to evacuate Nara, a 🍉 disabled woman with MS who also has pancreatic cancer due to chemical w-rfare.
Support by financially contributing to her @FedUp4Palestine vetted funhnd-raizer (that I personally vetted): givebutter.com/NaraMedicalAid
+ resharing/ reposting this post!
I, Sky Cubacub- a Fed up 4 Palestine team member, have been in direct contact with Nara to get to know her and her story more over the past few days. We have become fast friends due to so many overlapping symptoms of our disabilities. Nara’s story caught my eye because I have post-viral ME/CFS which many times is a precursor to MS. I really want my disability community to show up for her to get this campaign funded that is so close to my heart so that she can continue medical treatment.
We have chatted extensively! During our chats, I found out from Nara that she had not previously had health issues until she was exposed in the white phosphorus attack in 2008. The long lasting damage and effects of phosphorus continue to compound and become more and more disabling to this day, even after 16 years.
Here is her story in her own words (edited for clarity):
“Hi I'm Nara,
I'm a cancer and multiple sclerosis patient. I need treatment, examinations, and follow-up on a regular basis, but the hospitals in which I used to follow up were bombed and the other one was turned into military barracks. All I need now is to leave Gaza for treatment, preserve my life, and live with my family in peace.
We're a family of 4, including my 12 and 7 year old children.
I had been diagnosed with a tumor in the pancreas as a result of inhaling phosphorus in a previous war. A couple years after being exposed to phosphorus, I became pregnant, and the fetus was pressing on the tumor, which drew the doctor’s attention to the cancer. My fetus was emergency aborted, and the spleen, 80% of the pancreas, and part of the small intestine were removed. I complained every now and then of a lot of pain as a result of the removal of part of the pancreas. I was having follow up care in the Turkish Friendship Hospital for hematology and tumors. But since the beginning of October, I have not been able to follow up because the hospital has turned into a military barracks.
The remaining part is talking about multiple sclerosis:
In 2018, I was diagnosed with multiple sclerosis. I had many complications, such as inflammation of the seventh nerve in the eye, the inability to walk with balance, movement with difficulty, and many symptoms. I was then required to take 12 injections every month and many medications and vitamins. I was following up at the Nasser Medical Complex in Khan Yunis, but unfortunately the hospital was out of service due to the war. So for a long time I have not received any injections. MS is truly difficult and it controls my life completely, and the attacks occur in many and varied ways.”
A note about her breathing apparatus:
Because people in displacement have to wait in long queues and pay to use the bathroom, Nara had started to restrict her water intake because of a UTI she never has been able to heal from. This has created a problem with raised levels of potassium, so doctors have placed her on oxygen for fear of the potassium affecting her heart.
Goals
she needs at least $15,000 to evacuate
2 adults at $5,000 each
2 children at $2,500 each
this price is subject to increase due to the cost of registration for evacuation continuing to go up
The other money will go to the cost of treatment and living costs.
Nara chooses to stay anonymous because she has had to mask her disabilities so much that only her family knows about her MS and Cancer, so we have not linked her instagram, but we are in direct contact with her and can verify that she is who she says she is! Because of this, she cannot promote her own fundraiser, so it is our job to collectively do it for her!
[Image Description: a digital illustration by @k8deciccio of Nara, a Pal-eh-stienian woman wearing a black hijab/outfit with purple highlights. She has a breathing apparatus that is bulbous that goes in her nose. Text Reads: Help Narawith Cancer and MS Treatment, She Must Evacuate with her family of 4. $30k goal givebutter.com/NaraMedicalAid . There is a QR code in the bottom right corner that goes to her support link. The @FedUp4Palestine logo is in the top left corner.]
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serpentinegraphite · 2 years ago
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Okay, I'm having trouble matching sources for all of OP's claims.
I'm certainly not calling OP a liar or claiming that American Education Is Good, Actually, because I'm pretty familiar with the commonly cited statistic that American adults can't read above a 5th grade level (here's a snopes article sourcing some Gallup data and the linked PIAAC data that's a little more readable especially if you're on mobile), but it's worth emphasizing here that:
The PIAAC skills results (i.e., proficiency levels) do not specifically correspond to measures such as grade levels at school. The PIAAC proficiency levels have a use-oriented conception of competency and focus on describing what types of tasks adults at each level can typically do and their ability to apply information from the task to accomplish goals they may encounter in everyday life; for example, identifying a job search result that meets certain criteria.
The PIAAC does test comprehension and proficiency for interpreting data (not just vocab, as many of the replies and reblogs first expected), and while the US is decently behind the top two countries measured this way (Japan and Finland), it's ahead of the international average for this metric.
The second source link also suggests some heavy deficits in how US education teaches children to read (and makes what seem to me compelling arguments for improvements, though I don't specialize in early childhood education and am not familiar enough to judge their relevance), but does not contextualize this or compare it to any kind of international average.
I understand the initial distress of OP's claim that Americans can't read above an elementary school level, but journalists and publications are fully aware of this, and many have guidelines and standards for writing that take that into account (e.g. in my journalism classes, I was told to aim for a 6th grade reading level or lower and shown specific guidelines for how to make information accessible and minimize jargon. The US government and CDC aim specifically for 3rd–5th grade reading levels. The NYT aims higher, and your local publications may vary, but news is meant to be accessible, so the range could be closer to a 5th—9th grade reading level on average). Therefore, it's not at all accurate that people below a 6th grade reading level only have access to TV and video.
More accurately to the PIAAC data, 18% or so might have trouble with being able to read simple articles or web pages, but once again the US meets the PIAAC international average here (23% at literacy level 1 or below).
I've done my best to review the PIAAC data, but I'm simply not finding any backing for the claim that 55% of US adults cannot read long texts at all.
This appears to be a pretty clear misinterpretation of the data.
Quick question, genuine question:
Why on earth does "more than half of US adults under 30 cannot read above an elementary school level" not strike horror into the heart of everyone who hears it?
Are the implications of it unclear????
I'm serious, people keep reacting with a sort of vague dismissal when I point this out, and I want to know why!
If adults in the US cannot read, then the only information they have access to is TV and video, the spaces with the most egregious and horrific misinformation!
If they cannot read, they cannot escape that misinformation.
This obscene lack of literacy should strike fear into every heart! US TV is notoriously horrific propaganda!
Is that???? Not??? Obvious???????
I know this sounds sarcastic, I know it does, but I'm completely serious here. I do not understand where the disconnect is.
#this was a fun research rabbit hole. I think it's not always constructive to take US education as a whole monolith either.#Literacy and education rates can vary pretty severely by region so ymmv pretty severely#and the PIAAC data does go as specific as US county averages#it's also relevant to note that the PIAAC data for the US does go back years—but they changed methods a few times#so most of what's on their website is the 2012/2014 and 2017 surveys and is not reflective of the entire history of their data#because the older data might not compare as smoothly given the change in methodology. so I only looked at the recent data.#also the PIAAC website isn't really geared for readability esp on mobile. it's a lot of research jargon so like.#might not be the most accessible reference for trying to share info on tumblr?#also PIAAC being kind of the Big Source for this it's relevant once again that OP clearly wasn't using them as the primary source for#'adults under 30' as their data is divided into 16–24 and 25–34 age brackets.#once again while the PIAAC's info was used to find the elementary school level reading statistic that's not ACTUALLY what they measure#all this to say that the constant barrage of misinfo and poor media literacy is definitely a problem#but it's uh I think a little more complex than 'US early childhood education about reading sucks'#I couldn't find an international statistic or average comparable to the 'below a 6th grade reading level' stat so lmk if anyone has one#6th graders are 11–12 years old on average so that's probably how OP came up with the 'can't read chapter books' line#it's pretty common for US school libraries to sort books by reading level by grade and from my experience#there were definitely chapter books below a 6th grade reading level. e.g. by my school's AR metric PJO was like 4.7#so like. a fourth grade reading level (for ages 8–9) based on difficulty of plot/syntax tho they're obvs marketed to 6th grade or so#american education#not trying to like start a fight with OP or anything but these are very bold claims and they're getting a lot of notes so.
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literaryvein-reblogs · 1 month ago
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Tips: Writing Flow
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Good writing flow makes for an effortless reading experience and is essential to the quality of academic and creative writing. The best writers pay close attention to flow throughout their writing process.
Writing flow - the pace, cadence, or rhythm of a piece of writing.
Good writing flow allows a reader to ease into the text without expending much mental energy—it has a natural feel that makes reading a breeze.
Texts without good flow feel choppy and lack cohesion.
The best way to establish good writing flow is to focus on word choice, varied sentence structure, and ensure solid coherence between your main points.
Good writing flow results from care and attention at both the sentence and paragraph levels. Consider these tips to improve the flow of a piece of writing:
Ensure that paragraphs have a clear organizational structure. Solid paragraph structure is crucial in academic writing. The first sentence of every body paragraph should begin with a topic sentence that tells the reader the paragraph's main point. Specific examples should then support the topic sentence. If necessary, end the paragraph with a transition sentence leading to the proceeding paragraph.
Link sentences with pronouns. Clear pronoun references can create cohesion in your writing. Pronouns like “he,” “she,” “it,” and “they” refer to previously mentioned nouns (aka antecedents). For example, “The writing center provides helpful tools for first-time writers. It can also help experienced writers overcome writer’s block.” In this case, the pronoun “it” helps these two sentences flow together.
Use transition words. Transition words—known as “signposts”—create a coherent train of thought by signaling to the reader that the next sentence is in some way related to the previous sentence. Some common signposts include “for example,“ “furthermore,” “therefore,” “however,” and “as a result.” Make sure that not every sentence begins with the same transition word. For example, if you start one sentence with “therefore,” use another word when starting the following sentences.
Use varied sentence lengths. A combination of short and long sentences gives a piece of writing rhythm. In fiction writing, short sentences create forward movement. In academic writing, varied sentence lengths improve the flow of information by making the text easy to digest.
Use varied sentence structures. Break up the monotony of a text by using different types of sentence structures. Good sentence flow makes use of simple, compound, and complex sentences. Simple sentences have a single independent clause: “I chopped the carrots.“ Compound sentences have two or more independent clauses: “I chopped the carrots, and Karen peeled the potatoes.“ Complex sentence structures have a single independent clause and one or more dependent clauses: “I added the vegetables to the pot after the water came to a boil.”
Source ⚜ Pacing ⚜ Avoiding Word Repetition ⚜ Writing Resources PDFs
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mariswxt · 6 months ago
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‘34 château margaux
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SUMMARY: Spencer never knew to feel about you. Actually, he did. You were a career criminal, but also a liaison for the FBI, which prevented your arrest. You’re cunning, manipulative, persuasive and oh, so seductive. Spencer was warned against you, and he knew it. But even a genius profiler with an eidetic memory couldn’t resist you. Even a genius profiler with an eidetic memory can’t help but lose control around a woman like you.
TW: mentions of smoking, wine, seduction, badass reader, s7 Dr Spencer Reid, mentions of organised crime, mobs and mafia, Spencer’s weak for reader the poor baby, Hotch slander, smut
STW: Spence doesn’t stop the reader from kissing him, marking, oral (f. receiving), brief handjob, praise kink if you squint, dirty talk but Spencer style, degradation I think, wine play (I think), temperature play as subtext, ass slapping, profiling during sex, threat of exhibitionism, light choking, switch!Spencer, switch!reader, pussydrunk!Spencer, slight overstimulation, fingering
SONG INSPO: Greedy by Ariana Grande, Acapulco by Jason Derulo, I Did Something Bad by Taylor Swift and Make you Mine by Madison Beer
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Femme fatales had a specific profile.
The "femme fatale" is typically depicted as a highly attractive and enigmatic woman in her late twenties to early forties, often characterized by a seductive allure that masks her manipulative and dangerous nature. Her primary weapon is her ability to ensnare men through charm, beauty, and sexual allure, ultimately leading them to their downfall.
While her motivations vary, she is often driven by power, revenge, or hidden trauma. Early literary examples include the biblical figure of Delilah, who betrays Samson, and Salome, who demands the head of John the Baptist. In classical mythology, Circe and the Sirens use their allure to seduce and destroy men.
The femme fatale's archetype is also evident in later works like Shakespeare's Lady Macbeth, who manipulates her husband to commit regicide. This profile of a femme fatale highlights her as a complex figure whose allure conceals a more sinister intent.
That was your profile.
Hotch had warned Spencer not to get too close to you, because you knew how to use your everything, and you had a sweet spot for the latter. Not because Spencer really was a likeable son of a bitch, but because you found him more fun than the other agents.
You were a pretty face, sure, but you were also a genius. A Dr Spencer Reid level genius, but you were the side of the spectrum that dissolved into a life of high crime and corruption.
Instead of becoming a federal agent - or law enforcement - you were the trusted advisor to a lot of the mafia and mob population, and even that was enough to put you away on charges of incitement/inchoate crime. But you were useful, extremely useful, so you also then became the liaison for the FBI whenever the mafia or mob circles became involved in an investigation.
This time, you were, as the unsub of a case in Las Vegas, Nevada seemed to be purchasing drugs like M99, ketamine and small doses of chloroform, mixed with LSD. It was a powerful mix and the dose was enough to cause immediate system failure and then death. The drugs were being purchased from casinos which were rumoured to be the cover of Vegas’ mob circles.
Your hotel room was the kind of thing Spencer only hoped to see in movies, with warm lighting, patterned red wallpaper, mahogany flooring with underfloor heating, glass and gold tables, mahogany dressers and a huge king-size four poster with curtains the same colour as the walls. There was a liquor cabinet as well as a fancy looking cooler, and it was nothing like Spencer had been used to seeing as he grew up in this very city.
It didn’t feel like his territory anymore. He wasn’t as comfortable as he usually was around these parts. He took the couple steps in, having closed the door behind him, now standing awkwardly in the middle of the room.
Maybe you weren’t in. Phew.
“Dr Reid.” Came the voice that made Spencer feel like he was on fire, a perfectly manicured hand brushing over his shoulder as you walked up from behind him, having come from the bathroom that was no doubt as fancy as the bedroom itself. After all, this was the penthouse.
You lived it big as a career criminal.
You stepped out from behind him, lips that he��d unintentionally imagined on his body stretched into a smirk as you picked up a quarter-full wine glass from the table and took a sip. You were killing him, wearing a black silk robe with just the right hint of lace, which stopped at your mid thigh and had a neckline that had his eyes dropping briefly before he schooled them and gave himself a very firm lecture inside his head.
“To what do I owe the pleasure?” Again, that voice, the cadence of it, Spencer couldn’t understand how something as simple as a damn voice could have him so unbelievably weak for you.
Spencer raised his hand in greeting with his bravest attempt at a smile, like he usually did.
“It’s a case.” He dug in his messenger bag, handing you some photos of some bodies. “Someone’s targeting bank workers around Vegas. It’s a ‘drug smoothie’ of M99, ketamine and small doses of chloroform, mixed with LSD. Morgan dubbed it that. Actually, smoothies are meant to boost the health of the drinker and contain nutrients from a liquid base such as yogurt or milk puréed with fruit, vegetables or items in a mixer, so I don’t see how this particular drug mix is a smoothie— a milkshake perhaps, as it hasn’t got as much nutritional value beside providing substantial energy through the intake of sugar and carbohydrates.”
He paused, seeing the soft, amused smile on your face, the light of the room casting a perfect shadow on the curve of your cheek. It felt like you were ethereal. “Did I say too much?” Spencer said meekly, rubbing his jaw.
“Not at all, Dr Reid, I completely agree. You can tell your friend Morgan to change it and you have my wholehearted support.” You gave him a nod, your head tilted and eyes looking big with the way you were looking at him. “You have no clue just how much your knowledge turns a girl on, baby, no clue at all.”
Spencer cleared his throat, realising that he was veering off topic and also almost salivating at the sound of you calling him baby. Having to lecture his eyes once again for looking at your legs that seemed to go on for days and seemed to also be calling for him to grab, knead and grip. “We need to stay on topic. Hotch needs the information about the case, and you need to give it.”
Spencer couldn’t help but always let his mind drop into the gutter at the sight of you. It was a Pavlovian response at this point— pure, unbridled instinct.
He couldn’t help but notice that with the way the robe draped on your body, you had nothing on underneath. That kind of assumed information had Spencer reeling.
You waved a perfectly manicured hand with scarlet nails, dismissing the idea of maintaining professionalism. “Hotch needs this, Hotch needs that. No offence to him, but he’s got a lock on you, Dr Reid. Enjoy for a night, let your hair down.”
“Well, t-the phrase ‘let your hair down’ originally was meant literally back in 1850, which was its first recorded usage but it has its roots in the 17th century. It was taken literally because women wore their hair pinned up in public, but the meaning of the phrase was to ‘get familiar’.”
Oh.
“Sorry, I can’t.” Spencer added hurriedly, searching for a notebook and pen in his bag. Licking his lips subtly at the sight of your v-neck and the way your hair framed your face. The curve of that pretty neck he wanted to kiss and lavish so it made those pretty lips fall open—
Jesus, keep it together.
“Anyway, do you want some wine?” You asked, tapping the bottle. “‘34 Château Margaux. This hotel really does have good taste.”
“I don’t drink on the job.” Spencer answered coolly. “And definitely not with criminals.” He would had Hotch not warned him— bad Spencer.”
You pouted, feigning upset. “That just breaks my heart. Putting my job against me? I’m only the advisor to some very powerful forty-and-above men who want some sexual gratification and overall ego boosts and also carry some lovely baggage with mommy issues written all over it. They want a pretty face to spill their secrets to, I give them that and get some cash in return.”
You saw the look on his face. “I’m not apologising for being a career woman.”
“Yet you liaise with the FBI about all that these forty-or-older sexually frustrated men tell you.” He countered quickly, firmly looking you in the eye. Not down at your lips, not at your tits, nor your thighs.
Spencer shook his head in exasperation, even though a shiver ran down his spine at how you advanced towards him, undoing his tie with a practiced hand. “What- ma’am, you can’t do that—”
“Ma’am?” You laughed, getting the maroon tie off and dropping it to the floor, unbuttoning his collar deftly. “Jesus, sweetie, that makes me feel old. Call me by my name, don’t be shy.”
Your name slipped off his tongue in barely a whisper, and became his only known prayer when he felt the warmth of your hands through his shirt, sliding up and up until the searing heat ran over his neck, resting in his hair and trailing down his arm, your nose brushing his before slotting in place.
Oh, God, he thought as you took his hand in your own soft one and guided it to press against your thigh, the fingertips of his index, middle and ring finger feeling silk while his palm, thumb and fifth finger felt smooth, creamy skin.
Oh, fuck, he thought as your lips got close enough to his to be a teasing venture into the cracks in his walls and defences that he’d flimsily put up against you.
“I’ll give you the information you need.” You said softly, in a way that had Spencer’s breath hitching. He should have looked away. He should’ve removed his hand from your thigh, but he couldn’t bring himself to. He was stuck like that, entranced by you. “You just need to let loose for me. For one night, I’m all yours. Drop that professionalism, Dr Reid. Let yourself go.”
“You’re a career criminal.” Spencer murmured, his hand beginning to rub your thigh, gripping slightly at the end of the downward stroke. Bad hand.
“Semantics.” You smirked, biting your lip— oh, hell, that did nothing for his self control. It made him want to kiss those lips until they bruised or swelled, until they numbed. His hand on your thigh made his tongue long to devour your pussy. The way you were looking him made him feel like he was merely a puppet on strings. “Come on, Dr Reid. Don’t deny yourself a good time, hm?”
Spencer would’ve answered, but then your lips pressed against his, and suddenly, he had clarity. That this was wrong, so very wrong. But it felt so damn good. His hand now kneading your thigh was wrong but felt electric.
He pulled back, but his mouth didn’t need to do the chasing that they ached to do. You did it for him, silencing any bubbling protest. You kissed him for the sake of coaxing him to give in, to just kiss and touch until his lips and conscience went deliciously numb.
“We can’t-” He felt your lips against his, a hum replacing his words, unknowingly stepping back towards the bed. Or maybe he knew. “We - mm - Hotch will - mhm—”
“Baby, what Aaron Hotchner doesn’t know what hurt him.” You murmured, pushing him back onto the bed. Spencer fell back without a protest, taking you in, especially as you straddled his lean form that had scooted up the bed, set his messenger bag aside and began popping the buttons of his shirt while grazing his lips with your own, teasing him, taunting him and daring him to let go as you rolled your hips slow and steady against his.
A grinding motion that drove him insane and made him moan and gasp. The fabric of his trousers really did nothing to alleviate the friction and pressure.
Spencer’s hands shot to your hips, unknowingly helping you and guiding your movements under the guise of getting you off him. “Ma’am, I mean—” He whimpered your name instead of saying it like a normal guy would, “please, d-don’t—”
Saying don’t stop was the intention, but he held himself back with the rapidly fraying thread of control. His eyes screwed shut then opened wide with a gasp, wanting to lose himself in you.
He wondered if this was his state with every woman or just you.
Definitely you was the answer when you took your mostly empty glass of wine, pouring the remaining contents over his chest. Your cold hand cupped the side of his neck, a shiver flitting over his warm skin as you then bent forward, lapping up the liquid from his chest. Sucking, drinking the earthy-noted wine with a suspiciously high efficiency. A moan that even surprised him left his mouth when you ground down against him again, your tongue on his skin, and he never hated his trousers more than right this moment as the fabric strained against his clothed need.
He loathed them when you reached for the sash of your robe, untying the waves of tantalising silk fell off your shoulders and over the side of the bed, revealing nothing underneath.
His mouth went dry.
He swallowed.
He snapped.
Within a second, you were flipped over, Spencer’s lips crashing down on yours as he kicked his shoes off, toed his socks off as he kissed you like he was going feral, hand tangling in your hair as he practically rutted against you, hard and fast and oh, so relieving.
He was gripping your face, free hand pushing the loose strands of hair out of your face, nipping at your bottom lip before soothing it with his tongue and making the blazing journey down your neck, which you bared to him gladly.
“Is this what you wanted?” Spencer panted, sucking at your pulse. “You wanted me to lose control, baby? Yeah, you got it. You. Got. It.” He punctuated the last three with nips to your collarbone and followed up with presses of his mouth on the swell of your tits.
You couldn’t even think, just letting out moans and sighs and needy whimpers of his name and unintelligible sounds, which did good to satisfy his frustration. Spencer’s mouth enveloped your nipple, sucking while tweaking the other between his fingers to have you arching into him and a smirk forming around his temporary fixation.
He switched his attention, pushing you down by your waist with his free hand to keep you from arching up. “Sit pretty and take it.”
Oh, those words sent a hot shiver up your spine. And then back down again, straight to your already soaking pussy.
He let your tit go with a small gasp, his eyes zeroing in on the prize and prompting him to start kissing down your stomach and nipping at your thighs.
If you chose to wear that robe for another person in the near future, they’d see his marks on your thighs. His. That was a thought that had a warmth swelling in his chest and cock.
He pushed your legs apart, holding them apart with his elbows and biting his lip at the feel of your hand in his hair. Testing the waters, his middle finger pushed with no resistance into your throbbing pussy, which had you gasping and moaning his name, while Spencer groaned yours upon feeling how you squeezed merely one finger.
Spencer had long fingers. Imagine what that meant for all you ladies out there.
He would’ve began pumping it, but he withdrew it and began licking it clean, tasting you on his tongue and almost whining at how good it was. Ignoring your whimper at the loss of contact, he maintained very intense eyes contact with you as he licked one long stripe up your cunt.
That didn’t last very long. The moment he got one proper hit of you, his eyes rolled back, then closed, mouth fell open, and he properly got to work, drinking you up like you did that wine on his body.
You’d honestly never been with a man as dedicated to eating pussy than Dr Spencer Fucking Reid.
“I’ve profiled you, y’know.” He murmured, still lapping at you and acting as if you weren’t writhing, moaning and arching your back - a complete mess - while he was having a fucking casual conversation with you and being the little shit that caused it.
He paused to suck at your clit as if it was all casual and part of a daily routine, little hums and encouragements between words where he’d absolutely devour you and make it look like him playing poker. Easy. “You’re promiscuous - mmh - like Lady Macbeth, except without the - mhm - implied infanticide and insanity.”
Spencer used his elbows locking your thighs in place to spread you open and get a new angle, and god damn it worked, because while you were crying out his name to Jesus and the holy mother Virgin Mary he was acting like this was another day at the office. “You use your body to get what you want - that’s it, be loud, baby - and on all counts it works. You also know how to play into people’s - fuck - psyche. It’s what makes you a textbook femme fatale.”
His middle finger slid in again, along with his index - both ridiculously long - and he crooked them just right, reaching places you didn’t even know existed and hitting the bullseye that was your g-spot all while tracing his name on your clit. Again, acting like you weren’t a complete and utter mess by now, but you were too far gone to care.
“You have an ability to see someone’s emotional desires— now, for example.” Spencer glances up at you, his free hand massaging your thigh and his fingers working you, pumping in and out and making sure his thumb got your clit while he talked. “It makes you highly manipulative, a-and your confident demeanour makes it - so tight, pretty girl - easy for people to trust and confide in you, hence why you’re the advisor to a lot of the mafia bosses on the FBI’s most - mmh - wanted list.”
Upon feeling and seeing how close you were, even if you didn’t know it yourself, Spencer smirked up at your face, looking like the prettiest picture with your eyes rolled back, mouth open, hand holding the sheets and your cheeks as pigmented as they could go. “But you’re easy to read when you’re in a vulnerable position. So why don’t you be a good girl, and come for me?”
You came apart easily at his cue, your high crashing over you like a fucking tsunami, feeling him lap at your pussy to clean you up— or so you thought. He actually didn’t stop, murmuring something about “one more” as his brow furrowed in concentration, really zeroing in on his target.
Not stopping, not letting up.
You were pretty sure you saw God and his army of angels frowning upon the sinful deed you two were partaking in, and how you were partaking of each other, while Spencer continued to steal your thoughts with that damn talented tongue and fingers.
He moaned at the taste of you, feeling drunk on everything you were giving him. Your sounds, the feel of you, the taste of you— you consumed all his senses.
You were a forbidden fruit. He was eating it. Except he was taking more than just one bite of the apple.
When you came again after a few more practiced licks, you felt a lot more sensitive then usual, but the satisfied look on Spencer’s face told you he’d made you come twice instead of once.
Testament to his skill, you guessed.
Spencer wiped all the residue of you off his chin with his thumb, licking his lips and quickly sucking the slick off by popping the thumb into his mouth. He made it look like his everyday Tuesday.
Then he undid his belt buckle and dropped it aside, his trousers and boxers going with as he pressed kiss after kiss to your body on the slow journey up. Spencer groaned as your hand wrapped around his cock, your thumb teasing the head before your hand began to move up and down… until he stopped you.
“Not right now, baby.” He chuckled. “Another time. Statistically, I’m fifty percent more likely to come if you do that.”
“That’s the idea.” You winked, but removed your hand off his dick anyway.
“I’m sure it is.” Spencer smiled, then looked around. “Do you have condoms? J-Just cause using protection during sex, particularly condoms, is crucial for several reasons, both from a-a health and social standpoint. First, condoms are one of the most effective methods for preventing the transmission of sexually transmitted infections, i-including HIV. These infections can have long-term health consequences, some of which are irreversible or even life-threatening. By using a condom, you're significantly reducing the risk of both contracting and spreading these infections to your partner. Second, condoms are a reliable method of birth control when used correctly. They prevent sperm from reaching the egg, thereby reducing the likelihood of unintended pregnancies.”
Then you pulled out the top drawer of the bedside table, which was full of condoms of all sizes. Which had him both slightly jealous and sheepish. “Oh, uh, thanks.” Spencer grabbed one, tearing the foil off with his teeth and expertly sliding the rubber on and entering you so fast your moan came in delayed timing.
“Fuck.” You gasped, especially as you adjusted to him and even better when he started moving back and forth at a steady rhythm, pulling out almost completely before pushing back in, feeling your pussy practically mould to him in a way that had his eyes rolling back and hips snapping forward harder.
It made your nails claw at his back, which made him bite his lip and release it, claiming your lips in a hungry kiss. ‘34 Château Margaux. It had an earthy taste to it.
Your perfume was intoxicating, and he smelt of new books and a cologne that drove you mad. You also got notes of butter popcorn from his time watching Russian movies and his lips distinctly tasted of you and you only.
It felt like your claim on him.
Next thing you knew, he’d pulled out, flipped you onto your stomach and thrust into you again, his mouth latching to your shoulder and leaving marks as he took your neck by his hand, not squeezing hard, but just enough to let you know he was there.
“So tight. How’re you gonna look - shit - all those mafia bosses in the eye, huh?” He panted, punctuating his words with a snap of his hip while you were reduced to cries of his name. “When you can’t walk because of an FBI agent?”
“Spencer, fuck!” Was the only admittedly pathetic thing that came from your mouth, along with a whimper when his hand came down on the side of your ass, soothed by a rub.
“That’s right, baby, call out for me.” He murmured, sucking a mark under your ear. “Make sure everyone in this hotel can hear.”
You found yourself coming at the words, gripping the pillows with your eyes rolling back, Spencer’s own copying as he felt your cunt clamp down on him like a vice. His hand on your throat squeezed a little tighter - but he was aware that it wasn’t enough pressure to cut off an airway - with his head dropping to your shoulder, pressing kisses to the heated flesh as he followed with a few clumsy, shallow thrusts later.
Oh, he knew what he did was wrong. He just couldn’t help himself when presented with you.
Spencer pulled out of you, both of you practically spent of all your energy. You rolled onto your back, wiping away a forming tear due to your sensitive pussy being wrecked by Dr Spencer Reid, but it was worth everything.
“I forgot one thing.” He murmured, moving so he could pull you into his chest and kiss your hair. Remarkable how this man can go from a hot dominant to a hot nerd. “From your profile, I mean.”
“Yeah, Dr Reid?” You smiled, kissing him softly yet intensely, drawing a hum of contentment from his lips.
“You, ma’am,” Spencer cheekily emphasised between kisses, “are very sexually proficient.”
That got a laugh from you, breaking away to playfully swat his chest, which got a noise of surprise from him and a small "son of a bitch!". “Is that your way of telling me this was mind blowing sex?”
“That isn’t how you tell someone that?”
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