#in terms of role even

[silkhy-john]

So anyway, Type plays a big role in what moves a pokemon can learn, but so does Egg Group.

‘Why does Rhydon/Rhyperior learn surf?’ Cause it’s part of the Monster egg group, which seems to have learnsets based on environmental mastery. Same for the Nidoran line.

Just as another example, a lot of pokemon in the Field egg group get access to surf as well, the exceptions being water-weak pokemon, specifically fire and ground types.

The coverage a water type pokemon has depends somewhat on which of the Water egg groups it’s in—1, 2, or 3—and on their second egg group (if present).

The pokemon in the Mineral egg group tend to have a wide variety of rock, ground, and steel type moves in their learn set.

Pokemon in the Amormphous egg group tend to have ghost, poison, dark, psychic, or fairy type coverage; sometimes a combination of each, sometimes (rarely, might have to find an example) all five.

And the thing is, it might seem that because of how types and egg groups are linked, egg groups don’t play that big a role in learnset, but egg groups are very important in explaining what might seem like an outlier when it comes to explaining the presence of a certain move in a move set.

But generally, Field and Monster tend to have the widest coverage per individual pokemon.

But also, the biggest part of a Pokémon’s learnset, I think, is the Pokémon’s design. What is it based on? What does what it’s based on do? Beyond that, what role does it have in the player’s journey?

Starters have wide-ish coverage mostly because they’re meant to be good enough that they don’t fall off later in the game. The first route rodent is meant to evolve early and solve any power issues you might have early to mid-game, and then its usefulness once it falls off in terms of power is its access to so many HM moves(until gen 6 that is). The route bird is there to hit hard with its stabs and not much else, especially because fighting types can be difficult to deal with. And we can get more specific with roles (slow offence, fast defence, weather setting, status affliction, etc) but you get the point, I hope.

But yeah, learnsets have more nuance and make more sense than you’d think at first glance. Unfortunately, they don’t always make for the most fun interactions in terms of gameplay (which is why, for example, not many electric types learn a great ice move if any at all, and vice versa.) They can also make for miserable metagames (e.g. Tera and Regieleki)

But yeah.

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[essektheylyss]

2x97 "The Fancy and the Fooled" vs 3x94 "Where The Red Fearne Grows"

Plus emotional leveling up:

(Bonus:)

[thebeigelunatics]

this quote by eve best from an article in the standard (2017) is doing a lot for me tbh.

[borgialucrezia]

"Personally, I have enjoyed working with Jeremy, in my one-on-one scenes.  There was one in the first season, and then a mirror of that in the second season with the dagger. I loved those scenes with him where it wasn’t about exposition and it wasn’t about the plot, but it was purely about the twisted father-son relationship that they had.  Those were the most enjoyable bits of screen acting that I’ve ever done because they were so still and so confrontational." — DAVID OAKES

[iwritenarrativesandstuff]

Chapter 105.5 Thoughts: Control, Manipulation and Partnership

Or, how Chuuya is actually the most qualified character to land a victory over Dostoevsky.

I just want to preface this with: I think Chuuya has woken from the brainwashing. We can't see his eyes, he's holding his hat again, and look at the progression of his face and expression from the last few chapters with him (these are in order btw from left to right).

I'm not completely sure how he did this, but I chalk a lot of it up to sheer stubborn determination on Chuuya's part, mostly because it's funny and he was clearly fighting back before Dazai's speech. However, I find it likely the speech did contain some kind of code - others have pointed out how "Goodbye!" might be a reference to the original author's last unfinished book and we know skk's codenames for things generally are based off their real counterparts' works so, maybe he'd already broken out of it, maybe there was something in there that gave him the final push - who knows at this point honestly? Either way, it means Chuuya had the capacity to break out of the vampire curse on his own and that's incredibly funny to me for many reasons but mostly:

Fyodor: "Bold of you to assume Chuuya's ability can't overcome flooding."

Dazai: "Bold of you to assume Chuuya's personality can't overcome brainwashing."

But really, this highlights something interesting here, both in what Chuuya's role is ultimately intended to be in this arc, and in the way Fyodor and Dazai manipulate and value others in very different ways.

I've said it before but it bears repeating: we already know that Fyodor is an excellent long-term planner, while Dazai is effectively able to counter him because Dazai shifts into thinking like his opponent. They're foil characters for a reason; they're both highly intelligent, manipulative, and willing to play the long game for the sake of winning against their opponent.

Thing is, I also stand by the idea that personality-wise, they're not similar at all - and that has serious implications for the people they are connected with. The build-up to the prison escape arc really highlights this. Some examples:

Chapter 46: Fyodor believes that all people are sinful and foolish and that his goal is to remove sin. Dazai believes that all people are sinful and foolish but asks what's so wrong with that.

Chapter 64: They decide to have a "super-happy chit-chat" about their problems. Dazai's solution to Fyodor's issue with his lazy subordinates is to get them to think lazing around is a bad thing so they will put in effort of their own. Fyodor's solution to Dazai being unable to woo the waitress is to isolate her from her job, house and family so that she can only rely on Dazai.

Chapter 77: Fyodor believes god is perfection and harmony, and thus that the people capable of change are the superior ones with most control. Dazai believes god is the accidental and illogical and believes it is the ordinary people who fight and live in that uncertainty who create the greatest change.

So, what's happening here? Fyodor's manipulation is shown to be very exacting and direct. He leaves no room for error and regards people on a hierarchy - God above all, himself as a servant of God's will, and the sinful and foolish humans he has little regard for. Dazai's manipulation involves manipulation of the situation, and is often indirect. It involves people coming to the conclusion he intends for them to on their own. And from his later dialogue with Sigma, we see he doesn't regard the world in that same kind of hierarchy.

Now, look at the way Fyodor picks an item and Dazai picks a person when starting the game. Look at the way Fyodor refers to Chuuya respectfully but brainwashes him entirely and mocks Dazai for not being worthy of "using" his ability. Look at the way Dazai is a complete ass to Chuuya but ultimately lets him make his own choices (begging people to take note of that moment in Stormbringer where Dazai cuts himself off to correct his referring to Corruption as Arahabaki's true power to Chuuya's true power).

So, the actual strength Dazai has over Dostoevsky then, is not really his strength at all, it's the strength of others and their choice and willpower to act in the way they believe is best. It's the only means of getting a leg up on Dostoevsky, otherwise they will continue to go around and around in circles forever.

And Chuuya is the best candidate for finally throwing Fyodor off his game.

Firstly, let's just establish something: no matter how mad he is at Dazai, he's not going to side with Fyodor, not willingly. Fyodor threatened the Mafia in the Cannibalism arc by attacking Mori, first of all. I doubt he's forgiven him for that. Secondly, Fyodor embodies everything Chuuya can't stand about Dazai, at the very least, younger Dazai - the manipulation, the lack of consideration and connection with others, the callousness and lack of regard for life.

Well, perhaps he's not quite as irritating. +1 point for Dostoevsky I guess?

But lastly, it is more advantageous for Chuuya at this point to help fight against Fyodor, especially since most of the Mafia has been vampirized by his organization. Helping the Agency stop the terrorist plot will help the Mafia by extension by undoing that. And we know from Stormbringer that no matter how much Chuuya is personally hurt, he considers taking out the threat to his people a higher priority. Always.

(You could make the argument that he was told whatever Teruko told Atsushi and decided to join, but not only do I find this wildly out of character, but if that was the case then there would've been no reason to brainwash him.)

That said, I don't think this was preemptive "Dazai's master plan #3057", and in fact, I stand by the idea that Dazai had no idea Chuuya was going to be in the prison. It is very, very important to me that for the rest of this arc, no matter what Chuuya does, that his actions are his own. Not Fyodor's, not Dazai's, but his. And not just because I hate that he's being controlled right now and that freedom of choice has always been important for Chuuya.

But because it makes narrative sense.

The vampires are a bit silly, yes, but they represent the way Fyodor and Fukuchi think - humanity will commit atrocities. They cannot be trusted to make their own decisions. They want to make a world that is free by... mind-controlling people so their plans work without a hitch. In short, they choose, on behalf of others, to sacrifice human autonomy for peace. So, if we are going to turn this arc around, we need to have characters breaking out of that control and thinking for themselves, in spite of the uncertainty of the outcome.

We already see this with Atsushi in the last chapter! He finally takes initiative and makes that choice to leave the room when he doesn't exactly know what the right thing to do is. And this is also why I don't think Teruko is wholly convinced by the DoA either - she lets him go. She gives him the freedom to choose what he does with that information.

Another one of the focus characters here is Sigma. Sigma is a guy who has no past, whose humanity is questioned, who keeps being used by organizations for his valuable ability, who has no home but desperately wants one... oh wait. Remind you of anyone's younger self? This could go one of two ways: Chuuya fails to assert his autonomy, leaving Sigma to learn from that failure, or, Chuuya succeeds in asserting his autonomy, leaving Sigma to learn from his success.

I think it, by necessity, has to be the latter. Sigma's at a tipping point right now, and I think seeing someone try to assert their freedom only to fail would damage him greatly. And I think it's a waste of Chuuya's character honestly.

Chuuya needs to assert his autonomy in this arc. Not just for thematic reasons but because I can think of no one else who can effectively break the "super-genius stalemate".

I keep hearing "Dazai knows Chuuya" in response to Fyodor calling their bond shallow, and that is absolutely true! But Chuuya also knows Dazai. Incredibly well. Odasaku knew Dazai's soul, but Chuuya knows Dazai's mind, knows his strategies and ways of thinking without even needing words. What's more, Chuuya has thrown off Dazai before and done what he didn't expect him to.

Which is nifty, because Dazai and Fyodor think a lot alike. Chuuya is in a unique position to thwart Dostoevsky because he may actually be able to predict him to a degree. Chuuya can absolutely land a victory against him, and it's excellent because it would be completely unexpected to Fyodor, who apparently thinks Chuuya's strength lies only in what his ability has to offer and not much else.

But listen. This also can't be skk's plan. I need Chuuya to sideline both of them. Both for the sweet, sweet catharsis of putting those two idiot geniuses in their places and also because I need Dazai to have screwed up. He wasn't wrong about people making their own choices in uncertainty. People need to assert their autonomy to create change. Dazai can't be wrong in this regard.

But with going ahead with the trap to drown Fyodor despite also having to drown Chuuya when he promised not to let him get killed... this needs to have been a mistake, otherwise the value of Dazai's emotional speech to him is diminished.

I want Dazai to try to laugh it off. I want him to say he always knew Chuuya would escape and then for Chuuya to deck him because "no, the fuck you didn't".

I really think Dazai hoped Chuuya would make it. Do remember that Chuuya was one of the first reasons young Dazai decided to try giving life a chance. The fact that he flashbacked to all his key memories with Chuuya says a lot. But his survival was no guarantee and it seemed very unlikely.

So, Chuuya is faced with the fact that Dazai nearly sacrificed him to kill Dostoevsky and save his new Agency friends.

And I hope he finally gets mad. I hope he finally expresses hurt on his own behalf for once. I hope they are forced to break their status quo that they have carefully maintained by not talking about anything ever. I hope they are pushed to uncomfortable places and that it is Chuuya who finally spurs this development.

Let Chuuya break the stalemate between Dazai and Dostoevsky. Let him shatter the status quo that him and Dazai have kept going for year after year.

Autonomous action in the face of uncertainty is necessary for change.

[soath]

the fact that the archheart took selena because he loved her and wanted to give her peace, and in the process left her suspended in an eternal static torment because he doesn't understand how something as fragile as a mortal soul works feels like a summary of the good intentions/bad long term outcome situation with godly soul custody. it makes sense that the gods would end up keeping some of their special followers! the first mortals to get in tight with the gods probably asked for it! the ego death of proper reincarnation is terrifying compared to staying up late hanging out with your buddy pelor. asmodeus and the hells aren't being half as kind about it yet the core motive remains—that hoarding instinct to keep what you love(or hate) and never let it go.

but you and i aren’t meant to be eternal. the kryn use anamnesis to ensure the continuity of self through endless lifetimes and they’re still losing themselves to it. selena was turned into a nighmarish human-faced star because the god she made out of metal thought that they could understand each other and she hung there in his domain burning, her last wish forever repeating on her lips, for a thousand years until he could release her. mortals don’t want to fully die and gods don’t want to let them go but nobody can stay in their frozen crystalline palace of eternity forever. eventually everything in the Real gets to change.

[paperglader]

imogen: *is known to have suicidal tendencies*

Me, as of late, whenever she shows any glimpse of those suicidal tendencies: NO BITCH YOU STOP THAT!! YOU STOP THAT RIGHT NOW!! YOU HAVE TO LIVE MF!! YOU HAVE TO LIVE FOR ME!!

(i love her with my whole entire heart)

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,

[camgoloud]

he still has his tonsils. by the way if you even care

[bacchuschucklefuck]

this whole thing being abt rage is also really interesting. I feel like it comes up so much in fiction as a motive because it's the one emotion that's unifyingly restless while everything else can be petrifying, and just personally nothing hits like impotent rage for me, esp. with teen characters, esp. with characters whose rage is stoked by Someone Else to further that Someone Else's cause. like you'll have done all that in a bout of passion and when you're done you look around you and nothing has changed. those sentiments don't get quelled by being satisfied. righteousness withdrawal is a horrible thing to intentionally drag someone into, least of all just some kids.

[nartml]

Saw a comment describe killugon as 'born to be brothers, forced to be best friends'.

And I just have to say that, out of all the things that have never happened, that has never happened the most.

[gemknightau]

Even he must rest sometimes

[captainofthetidesbreath]

It is just so interesting and compelling and speaks volumes about how Nathaniel has encountered magickal monsters before, he's watched them grab and ruin people instantaneously, how he's fought in the trenches of the Last Great War, lived in active combat for years, how he's seen horrors created by humanity and by magick—but when he looks into the face of terror and is seized by an overwhelming fear, what he remembers is being nine and watching his brother drown.

Of all things that he's experienced, the war, the monstrosities, the evils supernatural and human, that is what lives at the heart of all his fear.

[sukibenders]

One of Rhaenyra's biggest opps (in HOTD) really was her own father. Because how are you going to proclaim your daughter as heir, only to then marry her best friend and have four kids, three sons, in an environment that is against women already as is but even more so with one sitting on the Iron Throne? And then, not only, do you not prepare her for anything political but scold her publicly, which isn't good for her image, and just....hardly do anything to aid her until you're on your last leg? And yet there are still fans saying he was a "great dad" and that he "did all he could". HA, I THINK NOT!

[en-chi-la-da]

What are your thoughts on Yuma x Vivia? I seem to be in the minority cause Vivia's mostly shipped with Yakou, but I personally see Yakou as more of a father figure to Vivia. Also amazing art as always.

short answer: they mean da world 2 me 💜