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#in case you need to know where I stand
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“Those photos go hard”
No they don’t??? I’ve already ranted to the people in my life about this but all I’m gonna say is that they literally remind me of this:
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That’s all I’m going to say right now, though I do have a lot of thoughts about not only real world politics but also comparing them to The Hunger Games (which is what I literally, hypocritically just did…which is why I mentioned it)
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cloysterbell · 28 days
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Pete, I need you to stay here.
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iidsch · 2 months
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also more codelyokoposting but I really really dig XANA as a villain. It's not a person with a complex background that led them down the path of evil, it's not a morally grey character you sympathize with but condemn. It's a powerful AI capable of controlling almost anything in the real world. It doesn't have a face or a body, we only know it for its symbol and for the monsters it controls in the virtual world. It's willing not just to kill people through various methods (poisoning, drowning, car crash, fucking space lasers too?) but also Earth as a whole (it tried to blow up a NUCLEAR PLANT and crash two trains with toxic chemicals in them). And we don't even know why it does this, at least not for now. It may not even have a particular reason, just some sort of virus or malware in the form of an AI that seeks nothing but destruction without any goals in mind. This "pure evil" characteristic doesn't come off as childish, like in some children cartoons, it's just kind of scary to think that such an incomprehensible and destructive force exists, almost feels like a natural disaster
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wejustvibing · 11 months
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LH has posted a message and few donation links:
Red Cross
Save The Children
ALLMEP
CARE
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g1rlr0b1n · 1 year
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crypt1dcorv1dae · 11 months
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I think klavier has The Autisms and/or OCD. Btw.
"he's just a perfectionist" he got so distracted and upset about a missed cue in a song that it distracted him from a literal murder investigation. He felt so strongly about it that he couldn't get past it.
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dunadaan · 4 months
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I’ve been feeling Créa creep up on me as of late and today I went back and reread my little document where I type up random ideas for scenes/fics and I was like. Wow who wrote this. This is really good. Why isn’t there more of this damn. But also wow I really put miss créa through the blender and she is a fine red mist a lot. But that is the life of a ranger…and even when she’s not a ranger anymore I press blend on high and she is sadly used to that
#(I forgot what made me think of it but I had this fantastic idea post war where Créa has tried to keep herself together)#(and it’s one specific incident that really makes her crack- I wrote a really compelling idea of her having PTSD and it unexpectedly)#(manifesting in a place where she didn’t anticipate it. and ofc it’s medieval medicine so they don’t know what PTSD is exactly but they)#(not like we know ptsd anyways. so it’s a really interesting exploration of grief and suppression and dealing with it- or not dealing with)#(it in this case. bc she’s avoided it for years and she’s like. god I fucking miss being a ranger so much. that was ME.)#(now I’m not a ranger anymore and I lost my entire identity)#(she can’t return to Evendim for a long time and desperately misses it. most of her friends are dead)#(or gone up north or treat her differently)#(she feels really isolated and alone even though she’s aware she’s not but it’s a lot to deal with!!! and I didn’t quite have an ending)#(but it was really compelling and I need to return to it one day)#(the other one I wrote ideas for and wrote a small scene was crea’s first experience meeting rangers)#(back when the angle was new. sighs. the potential…crea interacting with and learning ranger culture for the first time)#(after being alienated and kept away not of her own will. and her having a scene with faeron and standing on the bridge with him)#(but also of her thinking of what her life might’ve been like had she not been lied to about her heritage or had it hidden)#(she’s at a huge disadvantage-she barely knows dúnedain/elf history or sindarin etc. she could’ve had a whole different life)#(and AGAIN the theme of GRIEF- grieving smth that was kept from you. a life you’ll never have but could’ve)#(anyways. that probably all could’ve been in a post LOL and not in tags)#(but yeah damn!!! I was writing some good stuff!!!)#(now I wanna replay all the LOTRO areas again..)
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quatregats · 6 months
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Thought I had managed to figure out the whole timeline of where Villena had been during the war and now I'm going back through all the sources I have saved and I feel like nothing is matching up at all with what I have in my head
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aliennooboo · 2 years
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hmm
#nonsims#been thinking of the support group that starts this sunday#in a way my brains are all 'you don't need to go if it makes you uncomfortable!!! you can just stay home!!! that would be sooo comfy!!!'#but at the same time i recognize that stepping out of my comfort zone might be very good in this particular case#not that i haven't been out of my comfort zone all my life lol#i just know that i need Something that feels real and important in my life#i need to build myself some kind of a life where i will still have things to live for if/when i lose the most important people in my life#and you know what. i counted the social things i've done independently as an adult#like sure my bf's friends visit us a few times a year#but for me those visits are 100% tied to my bf and i would never see those people without him cos they're HIS friends#i do always refer to them as our friends but the reality is that i would never hear from them again if me and the bf split up#so i counted the stuff i've done independently (school or work or hanging out with mom/grandma/bf not included)#i've had dinner with my coworkers TWICE (i didn't want to go but i didn't dare stand out by not going)#i've been to a bar with my work partner ONCE (after one of those dinners)#i see my BFF 2-3 times PER YEAR#that's it. that's my independent social life for AT LEAST the last 12 years#so you know if i were to go to the support group and attend all 11 meetings...#that would be like the biggest social thing for me in my whole adult life#and it's so funny cos it's an AUTISM support group!!! my biggest social thing would be an autism support group!!!#so i'm trying to get into this mindset that i'll go at least this first time to see what it's like
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Do NOT twinkify Kim Kitsuragi. Do NOT decede his hairline. It’s fine to make him a little kitty cat tho. That’s fine actually
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inkoutsidethelines · 2 years
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Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.
The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.
Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.
Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.
Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.
Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.
Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).
Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.
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writersdrug · 2 months
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Simon "Ghost" Riley is the kind of man who:
In your shared home, always sits with his legs spread. Manspreading king. Adores it when you cross your arms and give him a disapproving look, saying there's no room for you. "Course there is, luv. Jus' sit between my thighs."
Refuses to let you do simple tasks around the house, like making tea, folding his underwear, or putting away the dishes. One might think it's a sweet, husbandly gesture - but he's just super picky. You made tea in the microwave once, and now you're banned from ever touching his tea stash. Likes his underwear folded in a specific way, and you don't understand the importance of it. He got tired of you stuffing his underwear in his drawer, so now he folds it himself. And the dishes? Couldn't stand how you put them away. "There's no rhyme or reason to 'em." "I didn't think there had to be, Si-" "Just gimme the damn bowl." Fewer chores? You aren't complaining.
Looks like he's always on edge - and he is, kinda. When he's out with you, he can't help but be alert and watchful, and extremely protective of you. You've tried to get him to loosen up - it's the supermarket, what could happen? - but have just come to accept it as his nature. Plus, you get that giddy feeling when you see other men look straight down at the floor, avoiding Simon's stare as the two of you pass.
Is the grumpiest, poutiest, and most indignant man ever when he gets sick. Doesn't want you doting on him in case you catch whatever he has. But, wait - where are you going? "Get your ass back in this bed - 'm cold." Grumbles like a child when you force him to let you get up to grab him soup, tea, or medicine. And no, he doesn't care how sick he is, he's not wearing that stupid, floppy ice pack hat.
Brings Johnny over unannounced, and you've grown used to it. The moment you hear that Scottish yapping out the front door as the key unlocks, you grab a third plate for dinner - he insists you don't need to feed him, but you always make extra for Simon's lunch the next day regardless, and the last time he'd said that, he ended up grabbing an extra fork and picking from Simon's plate. Which, of course, had Simon up at 1 am making instant ramen because he was still hungry, but didn't have the heart to ask you to make him a decent meal. So, yes, Johnny would be fed.
Loves spoiling you on your birthday. What is a man if not someone who spoils his partner rotten? Orders in food from your favorite bakery, sets all your presents neat and nice on the table (the excellent wrapping job done by yours truly, Gaz), flower petals sprinkled on the ground and the table top (also Gaz's idea), and a seat on his lap so for you while you open your presents. Loves watching your face light up, and each little "you remembered?!" fall from your lips as you open each gift. Scoffs and shifts in his seat. "I's not that much of a fuss, luv..." as you squeal excitedly, but you know he's biting back a proud smile. The blush, he can't even attempt to hide.
Is somehow a magnet for your young nephews. Every time he comes along to your sister's place, he's either making conversation with her husband in the living room, or he's interrogated and cornered by her two sons. And, lord help him, he doesn't understand it either. He'd always expected kids to look at him like a monster, but, especially with these two, that was never the case. They'd ask him for stories about "being in war" - half of the time, he'd make up some not-too-gory adventure, sparing them the details of real war. The rest of the time, he'd talk about "Soap, my mate who blows everything up." And they'd listen with wide eyes and jaws on the floor.
Has scared you unintentionally, more than too many times. He'd come home at three in the morning from a mission, and all he wanted was to quietly peel his dirty uniform off and slip into bed with you. His main intention was to avoid waking you up, because you'd force him to shower before joining you in bed - and he was too tired for that. However, you'd been rounding the corner, up for your 3 am glass of water - you screamed as you saw the hulking, dark figure by the front door, launching your phone at him. He'd caught it effortlessly and shoved it into his back pocket. "What've I told ya 'bout using the bat?" "I was just getting water!" "I coulda been anyone." "Well you're not." "Missed ya, luvie." "Missed you too- but you're grimy. Go take a-" "No." He grabbed you and threw you over his shoulder, ignoring your protests as he hauled you back to bed.
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Seeing ghosts in Gotham
He’s walking alone. Despite how dark it is, he’s not particularly nervous, not like the couple of people hovering in an alley.
His shift at Batburger went a little long, not that he’s complaining, he needed the money.
Everything is fine. Splendid. Fantastic. A little quiet, enough to pretend it’s a nice stroll home like it was back in Amity. Of course that all kind of goes up in flames when a dark figure drops into a crouch right in front of him. About two arm lengths away is a guy who straightens to a little taller than Danny himself. From the flickering street light across the street he can spot red, crisscross yellow, and a dark cape.
Red Robin.
Danny shakes his head and turns around.
“Nope.”
A smaller body is already standing behind him, blocking his path. The little guy with a serious face folds his arms across his chest as if challenging Danny to try to get by him.
He’s had enough tussles with Danielle to know better than to test the kid.
Danny rubs at his eyes with a hand, purposefully keeping the other limp at his side. He turns back around.
“Okay. Fine. What? What do you want?”
“You sent in a folder of information to solve the Boothe case,” Red Robin states confidently like there wasn’t any doubt it was Danny who sent it in.
He frowns. It was sent in anonymously. As in they shouldn’t be able to know it was him. Then again they are detectives in their own right even if they dress weird.
“See? This is why no one helps out the police if they’re gonna get grilled for it later on,” he complains sourly.
“That case is connected to another string of crimes we’ve been investigating. I need to know where you got your information.”
Danny glares at him for a second, actually thinking about telling him, then he remembers how quickly these guys throw people into Arkham.
“Do you not get what anonymous means?”
“What is your source?” He asks, completely ignoring Danny’s concerns.
“What are gonna do? Dangle me over the side of a building to get me to talk like you do with the criminals you guys pick up? Go ahead. See where that gets you,” he shrugs indifferently.
“You’re a runaway.”
Danny’s eyes widen in surprise before narrowing into a warning as he turns to look at the pipsqueak that spoke.
“From your poorly made fake ID and the fact you don’t look close to eighteen, you must be a runaway minor. We could bring you in to the proper authorities if you prove to be… uncooperative.”
Danny sneers in annoyance.
“Seriously?” He turns back to Red Robin. Clearly the older of the two and the one leading this investigation. “This is what I get for trying to help? Blackmail?”
“Robin can be a bit… abrasive. I, on the other hand, can appreciate a different approach.”
Suddenly there’s a couple pieces of paper money in between his fingers. Danny couldn’t see how much it was from this far away, but it didn’t really change how he felt about the whole situation.
“Now bribery? Wow, you guys really got the whole good cop, bad cop thing down, don’t cha?”
“Then what do you want?”
“For you to stop wasting your time,” Danny answers with a snap.
Red Robin pauses.
“Our time,” he repeats calmly.
“Yea. Your time. This is a dead end and you should move on.”
“And why are you a dead end?” Presses Robin.
“Because,” Danny emphasizes with a look over his shoulder, “the guy you’re really looking for, my source as you put it, is dead, okay? So you can’t go ask him questions. I sent in everything that was relevant. Find another lead.”
Red Robin’s expression remains blank as he mentally calculates his next move. Danny hopes he takes his advice and let him go home.
“His name?”
Danny folds his arms over his chest, a pathetic attempt to protect himself. He chews on his lip a minute. To tell him or not to tell him. It’s not really ratting the guy out since he’s, you know, dead. Although there is a large chance Danny’s missing something and it’s all going to lead back to him somehow.
“I didn’t kill him.”
“I never said you did,” the vigilante replies calmly, almost nonchalant.
Danny shifts his weight with nerves. He really wasn’t getting out of this without giving them something, huh?
“Greg,” he grinds out like it’s painful.
Silence for a few moments, then-
“As in Gregory Boothe?”
The victim of this whole conversation? Yes.
Danny’s silence is answer enough and the diverted gaze just solidified their suspicions.
“Gregory Boothe’s body turned up a month ago. Presumably he’d been dead for several weeks before that.”
Red lets that damning information hang in the air like Danny didn’t already know.
“So when did he talk to you? Last week?”
Danny jerks at the off handed joke, actually taking a step back and hitching his shoulders up to his ears. He grimaces at his knee jerk response, but can’t take it back. A glance toward the vigilante shows a calculating stunned expression from what he can see ignoring the mask. He looks away again finding a discarded soda can very interesting.
“What is that supposed to mean?” Demands Robin behind him.
Danny tried to resist the urge to curl even more into himself, but knows he failed without even having to look.
“You’re a medium,” Red Robin states. It’s not even a question.
Danny flinches and shoots the guy a scared glare.
“I am not one of those scam artists,” he hisses firmly.
“No,” Red agrees, “you’re not. You didn’t ask for money or attention.”
Danny stares like it’s his first time seeing him. The lack of aggression or accusations was new and a little disarming. He was genuinely confused as to why the guy wasn’t immediately going to denial or throwing him in Arkham.
“Hell of a city to hide in when you can see ghosts,” Red Robin says in a light tone like he was teasing him. The small tug to his lips just proves it.
Danny’s shoulders practically sag at the playful demeanor. A hand reaches up to rub the back of his neck self-consciously.
“Yea, well… no one was gonna look for me here.”
Which was only half the reason he chose Gotham, but it was still truthful.
“So… Greg?”
“Isn’t here right now.” Danny pauses and snorts at himself. “Please leave a message.”
The vigilante does have a sense of humor because he smirks in response to the joke.
“Is there another way to… make contact? Summoning maybe?”
Danny raises an eyebrow incredulously.
“Summoning is rude,” he says like it’s common sense.
Instead he turns to the nearest reliable ghost in the vicinity.
“Hey, Susan, can you go-“
The vigilantes can’t hear how she interrupts him because she was standing there the whole time and knows exactly what he was going to ask.
“Okay, thanks. Meet at mine.”
The ghost woman nods and flies off to go hunt down dear old Greg and Danny turns to Red Robin. He makes a casual move with his head to say ‘follow me’ and continues walking down the sidewalk past the guy and further into the old, decrepit buildings he’s been squatting in.
They already know he’s a runaway, being homeless shouldn’t come as a shock to them. Even with his two jobs, he can’t afford to rent an apartment. No wonder so many people are in poverty or in the slums.
He ducks into his rundown building, ignoring the rats scurrying away, and hops up the rickety stairs, avoiding the ones that were unstable. It was a nightmare figuring out which steps were faulty. Lots of injuries.
At the top he turns to see Red easily copying his movements up the stairs while Robin balances along the railing like a tight rope. When they reach the top at the same time Danny just stares at them for a moment before shaking his head in exasperation. Darn vigilantes. Why did Danny have to get caught up in this mess?
He turns, walking along the floor closest to the wall before getting to what he’s deemed his room.
It used to be an office from what he can tell. A desk pushed against the far wall and a ripped sofa he’s been using as a bed on the other wall. The floors were the most stable in this room which really won out.
Danny goes to the desk where all his papers are scattered over the surface. An organizational pattern only he understands as he shuffles through the pile he pulls from the cubby above the desk. It holds all the same information he sent into the police, just in its raw form with about twice the amount of useless information. Along with it is a few other ‘cases’ that sounds familiar that he just threw together into a pile. Maybe the genius detectives could decipher what he couldn’t.
“Here,” he says, holding out the stack. Red Robin doesn’t hesitate to take it off his hands.
There’s no chair for the desk anymore so he slides some papers out of the way to hop onto the desk to wait.
“No.”
The vigilantes look at him and he shakes his head and looks over to the side.
“No, Abby. I’m not wasting their time.”
Red Robin goes back to flipping through papers. Most of them were old business papers he had found in the office and just written on the back. Some were receipts or pamphlets or some other random scrap of paper he could get his hands on.
“Because yours was an accident. There’s nothing for them to solve.”
Robin watched him cautiously as if waiting for Danny to snap or suddenly turn violent. Instead he leans back on his hands in a vulnerable position which screamed ‘I don’t want to hurt anyone’.
“There is a lot more information here than what was submitted to the police,” Red Robin comments neutrally, purposefully ignoring Danny’s exasperated sigh and one-sided conversation.
Danny shrugs in defense, “Didn’t think all of it was relevant.”
The vigilante doesn’t respond.
Robin drifts closer as Danny gives a withering glare to the corner. He examines the mess of papers surrounding the teen in the low lighting.
“Are these all files of victims?”
Danny glances over them with a knowledgeable eye.
“Most.” He twists to point at the top left corner of the cubbies. “Those are accidents though… well, what sounds like accidents.”
“There should be more.”
Danny looks at the boy with a tilted head and raises brow.
“Not everyone sticks around,” he explains simply.
Then something draws his attention away across the room. Surprisingly his eyes don’t glaze over like someone with mental illness, instead they sharpen to see something they can’t. It resembled Constantine or Thomas.
“Greg, these guys wanna talk to you.”
What proceeds is a very awkward interaction with Danny as a middle man between victim and vigilante. Despite the need for a translator, Red Robin does in fact get a lead from the conversation.
“Thank you for your cooperation.”
Danny nods. “Sure, no problem. Just don’t rat me out to the police and I can help with any other case that pops up with a ghost attached.”
“You know we can help with your living situation,” Red Robin offers with a glance around the room.
“What, and put me in foster care? No thanks, I’ll pass.”
“There are other options,” Robin chimes in with nonchalance that implies he doesn’t actually care.
“You don’t pass for eighteen, but if you let me make you a new ID we could say you’re emancipated.”
Danny frowns.
“I’d have to be sixteen to be eligible for emancipation.”
“You could be sixteen.”
No, he really couldn’t. Maybe if you squint your eyes and tilt your head, but Danny is fourteen with all the baby fat and innocent face that comes with it. His license now is a clear fake to anyone who sees it, but in this city no one’s gonna question it to his face. They just raise a brow, look at him, then shrug it off and roll with the lie.
“What do you want?” He demands. All this good will and wanting to help him can’t be free.
“We want to help,” Red says too easily.
Danny stares for a second, eyes narrowed as he tries to block out the multiple voices around him.
Insurance. He wants Danny to owe him so he can keep coming back for more information.
“I just told you I would help. Why are you still trying to get leverage?” He demands with irritation.
“We want to help-“
“You want me in your back pocket.”
Red Robin doesn’t give that a response, his lips pressing together to make a hard line.
Instead of pushing, he surprisingly takes a step back and heads towards the door, papers still in hand. Danny doesn’t argue.
Robin ducks out first, blending into the shadows without even a glance over his shoulder. Red Robin pauses in the doorway.
“Don’t try to skip town,” he states like an order. Like if Danny did in fact try, he would be found and brought back.
It didn’t even cross Danny’s mind.
“Wasn’t planning on it,” he says tiredly, too fed up with the day to defend himself.
Red Robin watches him for a moment before nodding and disappearing out the room.
Danny slumps with a groan, finally sliding off the desk to shuffle to the couch, body flopping face first into the worn cushions.
It’s silent to everyone else but Danny.
“I know.”
“I know, Jack, but I don’t trust them. Even if he is your son.”
Danny never noticed the bug planted by Robin on the underside of the desk.
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alexiroflife · 3 months
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how jjk men would react if they found out you sh…
Warning(s): cw//self harm, graphic depictions, mentions of depression, anxiety, sensitive content, angst/comfort
-> if you or anyone you know is struggling with self-harm, suicidal thoughts, depression, etc., know that you aren’t alone. as someone who used to struggle with these things myself, i understand how difficult it can be, but know that you are strong and you are loved. and thank you for the ask, this is a very important topic and i appreciate the vulnerability of the request. sending all the possible love in the world to all of you.
gojo, geto, nanami, toji, choso, sukuna
satoru gojo: satoru has an incredible sense of sight, thanks to his gift of the six eyes, as well as very keen observation skills. he picks up on little habits you harbor very quickly during the beginning of your relationship. you always choose to wear long-sleeved clothing, even when it’s warm, and you tug at your sleeves as though you are desperately trying to conceal a certain part of yourself from the outside world, from him. he doesn’t understand why at first. the thought crosses his mind that you just aren’t comfortable in sleeveless clothing, but you’ve shown him pictures of yourself from a decade ago when you’d wear variations of different tank tops, short sleeves, and more. he doesn’t understand what changed somewhere along the line. perhaps your sense of style has shifted? maybe you don't like your arms? (he can't understand how because he finds them to be the most gorgeous arms he's ever seen).
but no, something is nagging at him in the back of his head, churning the contents of his gut as though there is something he needs to know, to see that you were hiding, and when the moment unveiled itself, he instantly saw. 
you’re in your kitchen while satoru watches you from the other side of the island, leaning over and gazing at your movements with a soft smile. his blue eyes scattered across your body, admiring you while simultaneously searching for any clue, any answer to his hovering questions.
“where’d i put the containers,” you murmur to yourself in the midst of making lunch for the week, moving about your space rather slowly. 
satoru offers his own help, pointing a slender finger over to the space above your head. “did you check that cabinet?” he asks.
you turn over your shoulder and quirk your brow. “oh, do you live here now? suddenly know where everything is?” you ask playfully, a small smile rising to your lips as satoru chuckles. 
“not yet,” he winks. “but i sure am working on it, though. you know i have to make myself familiar with the space in case we share it someday.”
“is that so?”
“or, of that doesn't work out you could always live with me. i’d love to have you.”
“we’ve been together for three weeks, satoru.”
“yeah, but what does that matter when it comes to loveeee,” he pouts and you giggle, shaking your head as you turn back to reach for the cabinet. you stand on your tiptoes and reach out, sleeve of your sweet draping down to your elbow.
satoru is quick to his feet to help you, though you’re more than capable, when he catches the sight of what looks like a scar streaking over the inside of your wrist. his face falls and his brows angle, marching over to you quickly with a look of urgency on his face.
you don’t register how fast he is moving until you feel him behind you. you turn and look up, caught off guard by the way his eyes had hardened and his pupils shrank. your hand stalls on the cabinet handle, the scars on your arm completely slipping your mind momentarily.
“satoru? you okay?”
he doesn’t answer, grasping your wrist in his hand gently and pulling it down from above you. your eyes flicker up to the movement, and when you realize what is happening, your heart sinks. your eyes go wide and you try to tug your arm away, but satoru’s grip tightens slightly, extending your arm by your wrist to display the inside of your forearm before him. 
he thinks his vision is blurring over, his heart ringing in his ears, his breaths quickening as his eyes detail over the row of rigid scars lining from your inner elbow up to your wrist. his world collapses around him, lips stretching into a disbelieving grimace as his wild eyes survey the damage. some of those scars look newer than others, scabbing over with specs of purple, while the others are far older. 
you panic, trying to tug away again, but satoru’s grip on you is too secure. a lump forms in your throat as you search for things to say, anything to say that could take your boyfriend’s attention away, that could excuse the sight before him as something else. “s-satoru, wait-” you stammer, your voice weaker than you had intended it to be. 
satoru looks like he can’t hear you, nose flaring as he stares, and stares, and stares, and suddenly, your vulnerability is bare naked before him, on display for him to judge, to belittle, to curl his brows at and determine as pathetic and weak. you can feel yourself about to cry already, shaken by this sudden attention.
“satoru,” you whisper, arm trembling within his grasp.
“what is this?” he breathes out so quietly, his voice betraying himself and hardly reaching over a brush through the wind. when you do not answer, those pained eyes are on you, tormented by the sight he has just witnessed. “(y/n), what is this?”
you feel small, avoiding his eyes and looking all over the floor. “i- it’s nothing,” you murmur.
“nothing?” he repeats, as though he has been burned by your response. the white haired man quickly seeks out your other wrist, reaching down to your other side as you try to turn away, but he, of course, manages to seize it and extend it like your other arm and roll up that sleeve. the same row of scars litter your beautiful skin.
satoru’s a mess, frightened, confused, devastated. this is what you had been hiding from him all this time? “this isn’t fucking nothing, (y/n), they’re all over you! what did you do?”
you still can’t respond, you can’t muster up an excuse, you can’t do anything. satoru’s concern is far too overbearing, his gaze too intense, and his hold on you too secure. it feels like he has you laid out on a slab before him, stripped of your clothes as he examines your body with contempt.
he’s disgusted. he’s ashamed, you think. 
amid his grief, he catches the terrified look in your eye, your lips tugged downward as if to prevent yourself from crying. you look so scared.
how could he have not seen this sooner, that you’re hurting? that you’re hurting yourself? 
“baby, what did you do?” he repeats, softer this time as he leans down to look at you, your body trembling in his hold. his thumbs graze your inflamed skin, hesitant to touch you for fear that you may break.
“please don’t,” you breathe out in a huff, voice wobbling as you scrunch your eyes closed. “please, don’t look. just forget you saw it, please.”
“forget i-?” satoru has to stop himself from lashing out poorly, from allowing his emotions to overcome him in what he understands is clearly your moment of need. “how could you ask me to do something like that? (y/n), your arms, baby!”
“satoru, please-” you shake your head. you want to shrink away, to hide, to vanish into thin air. “i don’t wanna talk about it. please.”
“(y/n),” he exhales, closing his eyes to gather himself. “(y/n),” he repeats softly, hands releasing your wrists slowly and sliding up your arms to delicately hold your shoulders. “we can’t not talk about this. you have to tell me what’s been going on. you have to, baby, you have to understand how scared I am right now. help me understand. let me help you, let me take on whatever burden you’re carrying, please, I’ll do anything as long as it means you’re not hurting yourself.”
his hands move to your neck, cupping over the skin as he ducks his head down to look at you more clearly. 
“i can’t stand the thought that you’ve been- and i haven’t-” satoru was stumbling now, throat straining as the urge to cry rose. “why didn’t you come to me? i’m right here for you, (y/n), i always have been. why didn’t you tell me?”
“...it’s embarrassing,” you manage to say, your voice fragile, on the verge of breaking. you can feel your boyfriend’s eyes peering into you even with your own eyes closed. “didn’t want you to see… I didn’t wanna be a burden.”
satoru’s heart is breaking for you, hurt that you could even think of yourself as a burden to him. “have i- have i done or said anything to you to make you feel that way?” he asks genuinely, and you cringe, turning your head to the side to open your eyes.
“no, of course not.”
“then why would you think that, baby?”
you shrug helplessly, tears welling into your eyes. satoru sees you, all of you, his heart thrumming to capture the pain you feel and to lift it from your chest, to help you breathe even just a little bit. he releases a weighted sigh, one of sadness, of love, of heartache for you, and he’s pulling you into him as your arms dangle limply at your sides. 
you scrunch your eyes and immediately break down into him, sobbing into his shirt as his warm hands wash over your frame and cradle your head to him, the muscles in his face tight with anguish. he holds onto you like he’s horrified that you will fade away within his arms. 
“i’m just so tired, toru,” you cry into his chest, dampening the fabric of his shirt. “i’m sorry.”
satoru doesn’t respond, afraid that if he speaks, he’ll end up crying too. you’re his girl, his beautiful, loving girl, and the fact that you have done such harm to yourself is incomprehensible to him. if you love him so, how can you hate yourself enough to have done this?
“how long?” is all he can ask you, breath heaving into your hair and ear. you hesitate, for he already seems so wounded by his discovery. “tell me.”
“...two years…”
he’s crushed. how did he not see sooner? how could he have been so blind after having bragged about being able to see everything so clearly? how could he have left you like this?
he holds you tighter, digging his head into the crook of your neck and hunching over, your eyes now seeing over the curve of his broad shoulder. 
“i’m sorry, baby,” he apologizes to you in turn, fingers curling into your hair as he holds your scalp. “i'm sorry I wasn’t paying attention.”
you’re confused as to why he’s apologizing to you since the entire thing is your fault. satoru has a tendency to take on your emotions, piling them onto his own weight of carrying the title of the strongest. you never understood why he did so naturally and willingly, and why even now as you stood limply in his arms, he’s crying for the things you did to yourself.
he pulls away with shiny red eyes, gazing down into your shiny red eyes and tear stained cheeks. you’re so beautiful, he thinks. he hates that such beauty has been suffering in so much silence.
“(y/n), I love you more than anything in this goddamn world. please don’t- don’t keep doing this to yourself. if you’re hurting, come to me. hurt me if you have to lash out, but don’t hurt yourself beautiful.”
“i would never even think of hurting you, satoru.”
“then don’t think of doing it to yourself,” he says firmly, and you press your lips together. 
“…i-i don’t know how to… to stop,” you mumble, and he’s taking your hands in his and kissing them gently.
“i’ll help you. we can get you help, baby, I promise. just promise me, please,” he begs you, holding your hands close to his heart. “you come to me when you feel like doing that, okay? you come to me. and I’ll do whatever I can. let me help you. let me be there for you. i won’t let you push me out, (y/n).”
you're crying again, tears streaking over your face as satoru’s love captures you within his words, within his warmth as he forces you to understand that you are not alone, and never will be. 
satoru kisses your hands again. his lips reach your cheek, and his hand comes to tuck your head into his shoulder again, holding you and telling you that you have him to go to when your world grows dark.
geto suguru: if suguru could sum you up into one word, he would say that you're his universe.
everything in his life he does for the sake of you and his girls, for the sake of keeping you safe and making you happy. your happiness and your comfortability are the only things that suguru prioritizes above all else, making them his very goal to serve each and every day.
suguru's not the most stable, you know that and he knows that himself. he has his off days, where he falls quiet and the world around him numbs itself and the noise becomes a muffle in his ears until you step into view, giving him a smile and wrapping his big frame up in your small arms, your voice whispering to him and breaking through the fog. you're his sanctuary. you're his safe place, and he loves you so much. he owes his entire life to you, therefore ensuring that you feel just as loved as you make him feel is very important to him.
so when he catches sight of the scars on your stomach one day by accident, when you lift up mimiko to sit on your shoulder as nanako jumps up for you to pick her up to, and her shoe kicks up your shirt from your waist momentarily, suguru freezes.
are you hurt? did someone do this to you? did you do this to yourself?
countless thoughts are racing through suguru's mind as he stares at you in a daze, watching you laugh so joyfully along with the girls as though no trouble plagues you.
but there is. you've just been hiding it. hiding it far too well.
his mind is elsewhere for the rest of the day, unsure of if he had been imagining things or not. he knows you so well, or at least he thinks he does. how have you been hiding those marks littering your lower abdomen? how had he missed them?
he thinks back to the moments you two were intimate and recalls that you never wanted to remove the tanktop you wore or let him kiss further than your ribs. he recalls the days you all went to the beach and you kept a white shirt over your swimsuit or elected to wear a onepiece. he recalls how quickly you change when he's with you, your back turned to him as you rush to throw something on over your upper body.
the signs... they're all there. you've been hiding yourself from him, but why? what have you been doing? have you truly been harming yourself, or is that thought a trick of suguru's worst fears?
he tries to keep himself calm around you and the girls for the remainder of the day until they are put to sleep and the two of you are alone again.
you sit on the edge of your shared bed, rubbing lotion over your arms with your back facing suguru again. he watches you carefully, back resting against the headboards and hazel eyes trained on your figure as though you aren't real.
he waits for the proper moment, waiting for you to crawl up and curl under his side, his arm subconsciously wrapping over your waist as your head lays on his chest. he stares at the ceiling for a moment, thinking as weighty silence overcomes you, then he's cautiously speaking.
"(y/n)?"
the soft call of your name brings your head up to peer at him curiously, blinking innocently. he turns down to look at your face and his heart clenches. while he knows that he knows what he saw, he doesn't want to believe it. he doesn't want to think that you, such a selfless and caring person for him, would hurt yourself.
you hum up at him, wondering what he has called you for. you see the pensive look in his face, the subtle knit in his brow as he stares at you, gears in his head turning. "yeah sugu?" you say gently.
he doesn't want to ask, but he has to. he doesn't want the confirmation, but he needs to know.
"i want to ask you a question..." he says, and you grow slightly befuddled.
"...okay?" you start. "is it serious?"
"yeah, it is," he admits, and you suddenly grow nervous, immediately catching an idea of what this could be about. you don't like the look on his face, the way he appears so serious.
"...alright," you mumble, suddenly meek.
the black haired man stares for a few more moments, just looking at you, taking in your the features he feel so deeply in love with, the features that bring him comfort and peace. "i saw something earlier, when you were holding mimiko," he begins softly, thumb caressing your back to ease you into the conversation.
you feel your heart jolt anxiously, trying to keep a straight face so as to not give your nerves away, but knowing suguru, he could likely already tell that you're getting antsy.
you lift your head to look at him, hand resting over his chest, and his eyes follow you smoothly. his eyes are focused, lips in a firm line.
"your shirt lifted, and i saw your stomach. i saw some marks. a lot of them, actually," he says, and you still completely, like a deer caught in headlights. his hand presses gently into your back, trying to keep you present with him as his concerns grow worse when he sees you stiffen against him. he frowns, denial still taking hold of him. "(y/n), please tell me those aren't what i think they are," he sighs heavily.
you feel caught.
you knew that suguru would find out at some point or another, but that didn't make this moment any less horrifying for you. it's so quiet in your room, so isolating, no background noise of the girls giggling or the distant buzz of the tv to help weaken the intensity of this point in time. you feel like a spotlight is shining overhead, an audience awaiting eagerly for you to reveal your secrets to the crowd.
suguru sits up slightly, his calmness gradually shifting into terrified incredulity. your eyes are on his face but your gaze is elsewhere, far off. you look uncomfortable, stuck, and no explanation hits suguru's ears.
"(y/n)," he says your name again, looking desperately down at you. "tell me i'm wrong."
you wish you could, you really do, but you can't lie to suguru. he knows you too well, he loves you too much, and to lie to him would be like denying his understanding of who you are.
you feel your skin flush with shame and anxiety, heartbeat likely loud enough for your boyfriend to hear.
you worry. you worry about your boyfriend's judgment, for his reaction. is he going to be angry with you?
"hey," he snaps you out of your daze with the drag of your chin, forcing you to meet his eyes as he stares at you helplessly. you look at him and frown, ashamed that you are the reason he looks so pained. "what's going on?"
the question comes out so delicately, it makes your heart break. a whisp of understanding blends into his tone with empathy, yet a crushing sense of sadness and guilt that overpowers the aforementioned emotions. you struggle to look him in his kind eyes, dreading his consolation that you feel you don't deserve.
"talk to me, (y/n)."
you chew angrily on the inside of your lip, looking down at your finger as you pick at his shirt. he watches your brows furl, an array of different feelings capturing your features. "i was gonna tell you about it..." you murmur, and suguru is floored.
"what?" he breathes out as though he has no more air. you wince, lowering your head. "you-" he pauses, mind jumping from one place to another. "you did that to yourself?"
"i'm sorry, i-" you can feel your throat growing tight. "i've been trying to-"
"to stop?" he tries to finish for you, grasping for any kind of explanation. he's devastated, not only because you've been harming yourself, but because you've been so busy looking after him and the girls that he hasn't noticed. you're the one who always comforts him, but while you've been doing that, you've been aching on the inside and trying to hide it.
you nod meekly when he concludes for you. "i just- i thought the feelings would go away, so i didn't say anything, but they're just getting worse and i don't know what to do anymore and i only feel better after i..."
"(y/n)," he stops you gently, his heart shattering upon listening to you ramble, spilling out the things you have been holding onto for what he assumes to have been so long. "you've been dealing with this all this time?"
"...it's on and off," you confess. "some days are better than others, but..."
suguru finds your words familiar, for he often finds himself in the exact same mindset; feeling functional and confident some days, and others, not so much, but you're the reason why he's able to handle his bad days, yet he hasn't been the same for you for as long as the two of you have been together.
he feels almost sick. he loves you to death. you're his everything, but you've been in pain, and he hasn't seen it.
the way he's looking at you now makes you feel guilty, remorseful, embarrassed. you know you should have told him, but you could never find the strength to. you had always been too scared. and the longer you self-harm, the less you are willing to admit to yourself and to your boyfriend that you have a problem.
you're shocked, though, when suguru's hands tighten over you and his face grows bitter, not with you but with himself. "how could i have been so stupid?" he grumbles, distraught. "and so selfish? all this time, you-"
"no, suguru, please, it's not your fault," you try to tell him.
"i should have seen, baby, i should have noticed something sooner. and all this time, instead you've been looking after me when i should have been looking after you."
"don't say that, suguru," you shift, looking sadly into his eyes. "it's my fault. i'm the one who did this, i'm the one who's to blame. i'm the stupid and selfish one, not you."
suguru's frown deepens, sad eyes looking over your face. you blame and belittle yourself just as easily as suguru does, and he can't stand it. he can't stand to see you like this, to be so aware of hurt before him. he wants, no, he needs to take all that pain away from you. he needs to exorcize it, rid your body of it, cast it away so that you can be happy from now until the rest of time. he needs you to be okay.
"i swear on my life, (y/n)," he begins firmly, eyes boring straight into yours, holding your cheek. "i will do everything in my power to get you through this. whatever it takes, no matter how long it takes, i will be here for you. you're not alone, you understand? you don't need to pretend for me. the girls love you- god i love you so fucking much, and i can't stomach to think of the times you've suffered in silence for my sake. i'm no good if you're no good, baby. i need to know these things, i need to be able to help you."
your nose twitches and your jaw clenches as you look into him, breathing growing unstable. suguru has always been so generous and so loving. he has a way with his words and how safe they make you feel even during your worst moments.
"but what if i can't do it, sugu?" you whisper, his thumb catching the tear that leaks from the corner of your eye. "what if i'm not strong enough to get better?"
"you are strong enough," he affirms confidently. "more than strong enough. and when you feel weak, lean on me. but you have to promise me something."
you nod slowly, mutely, keeping his gaze as he stares at you lovingly, wistfully.
"promise me you won't do it," his words come out as a quick, hasty breath. his brows curl further upward, his desperation plain on his pretty face. "promise me you'll let me know as soon as you want to, but don't hurt yourself again, (y/n). don't do it. i'm begging you. you don't deserve that pain."
though you are unsure if you can even make that promise to yourself, you force yourself to try. for suguru's sake. "okay," you mumble, and he sighs, kissing you softly and pulling you to his chest to whisper sweet nothings as his hands soothe over your stomach and your back.
nanami kento: you twist your fingers around each other as you sit in the living room while kento cooks in the kitchen. you're nervous, more nervous than you have been about anything in your entire life, but you know that you need to rip off this bandaid to approach your boyfriend about such a serious matter.
recently, you find yourself returning to the old habit that you believed to have been relinquished. you thought that you had gotten better, that the urge to self harm had completely gone away after having spent so much time in therapy trying to heal, but recently, you've been feeling down again, useless, angry with yourself. you didn't want to tell nanami at first because you didn't think that your current mood would go beyond feeling depressed, but now that you've started scratching away at your thighs and your arms again, you know that you need to let him know what's going on. you know that you can't go on like this anymore.
but you have no idea what to say.
nanami has been nothing but doting toward you, bringing you flowers every morning, making your meals, ensuring that you remember to schedule doctor's appointments or to keep yourself warm when it's cold out- the man's life revolves around your comfortability, and while you know he would be far more offended if you keep this to yourself, you're horrified to see his reaction when you tell him that you relapsed.
nanami is well aware of your past difficulties with your mental health, and he always tells you that if you are ever in a dark space again, he needs to know. even so, he hasn't been with you when you're like this. the two of you got together after the multiple therapy visits that helped you to shift mindsets, so now that you feel this way again, and while in a relationship with nanami no less, you feel petrified.
you don't even notice when he rounds the kitchen counter to make his way over to the dining table, setting down two plates of food. he looks over and catches the way you stare ahead blankly, lost in thought. you've been doing a lot of that lately and he wonders if something is wrong.
nevertheless, he knows that if something is bothering you, you'll tell him. "sweetheart, dinner's ready," he calls out, and you snap your head over to him, his voice bringing you out of your daze.
you stand wordlessly, movements somewhat robotic, as you slowly make your way over to the table. "thanks, ken," you say softly, lacking your usual energy, and at this point, your partner knows for certain that something is off.
he watches you carefully as you sit down, pushing in your seat for you and pecking your forehead before sitting down next to you. "tell me how your day was," he starts, brushing off his hands and reaching one out to rest one on your knee as he always did at the table. he's prying, you can tell, trying to learn if something that happened throughout the day affected your mood.
your heart is hammering loudly, your eyes stuck to the plate and unable to look up at him. "it was okay," you respond.
"just okay?" he questions and you nod slowly. "did something happen?"
you flicker your eyes up to his brown ones suddenly, caught off guard by the question. he sees the questioning in your eyes and replies accordingly.
"you seem to be a little off, this evening, that's all."
you hum, unsure of how to respond to his observation. you look away again, contemplating. just say it, you think. just tell him, just get it over with.
as you struggle against yourself, nanami only grows more concerned. you don't confirm or deny his comment, and the way you turn away has him wondering if he's done something to hurt you.
"did i do something wrong, darling?" he asks.
you furrow your brows and quickly shut down the idea. "no, no. not at all, ken. it's nothing you did."
"then... there is something troubling you?"
you stall a bit more now that you're on the spot, cursing the fact that kento is always so quick to pick up on the smallest changes in your demeanor.
"(y/n)?" he calls you when you don't answer.
"i have to tell you something," you say abruptly. you see nanami's brows raise ever so slightly, soft brown eyes looking over your face in an attempt to read the situation before you tell him anything. "it's... a lot. so i need you to just... bear with me. and please don't be mad."
nanami's brow twitches slightly as he looks at you, head tilting. he grabs the bottom of his chair and shuffles it closer to you, leaning over slightly and running his hand over where it resides on your knee.
"i could never be mad at you," he tells you earnestly, as though it's the most honest thing he's said in the world. "what's the matter, my love?"
god, he's so sweet to you it makes you physically ill that you have to break this news to him.
"...do you remember when we talked about... um..." your voice fades off, nanami's concentrated gaze only making you more nervous for what his reaction will be.
"take your time," he encourages you, and you only feel worse.
you return to chewing on the inside of your lip anxiously, picking at your shirt under the table. the blonde man beside you is ever so patient, allowing you to gather your thoughts before you verbalize them.
"...um...it's.... about what we talked about a while ago..."
"...and that would be regarding?"
"my... past."
nanami furrows his brows, still not quite understanding. "i apologize, honey, what about your past?"
just rip the bandaid. just rip the bandaid.
"my past with self-harming," you rush out, and the weighty silence that follows is enough to make you want to sink into the floor and let it swallow you whole.
you can feel his eyes burning into you, processing what you just told him, and all you can hear is the pound of your heart in your ears as his hand stills upon your knee.
nanami, on the other hand, is completely shocked by your revelation. while he understands that your relapsing has always been a very realistic possibility, he never wanted to entertain the idea that it could very much so happen- at least, not while he's around.
a sense of fear grips him. are you going to tell him that you relapsed? have you already hurt yourself? has he failed to be there when it happened??
"did you-" he doesn't know what he wants to ask, or how. he hates that he is already jumping to conclusions, but the way you are structuring this conversation with him only leads him to believe the worst. "what happened?"
your head hangs low and your fingers taut on your shirt, lips tightening as they press together. you can hear the disbelief in his voice already, and it breaks you.
"i relapsed."
the brown-eyed man clenches his jaw, falling completely silent once more to not react in a way that may worsen your state. you feel his hand tighten into a fist over top of your leg as he lowers his head, rubbing his eyes with his fingers and inhaling sharply. you feel like a child who is awaiting punishment as you look at his hunched state, a million questions of what he will do next running through your mind.
you hate to do this to him. nanami already has so much on his plate, you know this is the last thing he needs to be stressing over. you wish you could be okay for him. it's not his fault that your mind takes you to these places, and you don't want him to bear responsibility as though it is his doing. even so, you already know that he will because that's the type of man kento is. that's the type of boyfriend kento is.
you wait a few more moments in unbearable muteness. after what feels like forever, kento lifts his head again and rests his chin on his fist, elbow propped on his knee. he's looking to the side, deep in anguished thought. he no longer looks surprised, but rather guilty and frustrated. "when?" is the first thing he asks.
"yesterday," you answer dejectedly, and he almost jerks, his body twitching in reaction. "...are you mad?"
nanami looks at you and his hardened expression immediately softens into something melancholy. "no- no, of course not, (y/n), no," he shakes his head as if the notion is unfathomable, releasing his fist to cup your knee again more securely. "i will never be angry with you for what you're going through. never. no, i'm not mad."
you nod quickly, a meek sense of relief and sorrow taking over you, a weight heaving from your chest upon letting it out. "okay," you whimper.
"come here, my darling," he coaxes you softly, opening and grabbing your hand from under the table delicately to lead you to stand over him. his hand guides over the small of you're back once you're up, leading you to sit on his lap with your back pressed against the table and your legs dangling over one side of his chair.
he holds your forearms gently, looking up at you with sad, understanding eyes. "are you comfortable showing me?" he murmurs so intimately, easing you into his warm consolation.
you don't nod or answer him verbally. instead, you wordlessly roll up the sleeve of your sweater to reveal angry red scratch lines running up your inner forearm. nanami's lips curl in pain as though he can feel the sting of your scars, holding your arm gently for him to look over it.
the sight kills him, though he tries to keep his cool. this isn't about him, it's about you, but goodness, the image of the scars on your beautiful skin makes him hurt like no other pain he's experienced.
"is this all of it?" he asks you, and you shake your head.
"there's some on my thighs," you mutter, looking down.
he nods. "alright," he sighs. "alright."
"...i know you have so much on your plate already... i just-"
"don't. don't even," he stops you, eyes still roaming over your irritated skin. nanami usually commends himself for remaining collected in times of crisis, but he's desperately fighting a part of him that wants to yell out and cry for the sake of you.
he imagines you struggling with this on your own, long before he came into your life, and the thought makes him cringe to picture just how far this must have gotten. these scratches he is surveying now already look bad enough. were the other ones worse?
"(y/n), you know this isn't okay," he looks up at your face and sees how you are avoiding his eyes. you look so small compared to how you usually carry yourself, and it kills him. "to harm yourself like this... you can't treat yourself this way, darling, you know you can't."
"i know," you mumble. "i just had a moment, and now i'm scared that- that i'll go back to how things were."
"as long as i'm with you, you won't. i promise you that," nanami swears. "it was just this one time since you last?"
you nod. "yeah..."
"okay," he nods once more, convincing himself that this is something he can help stop before it gets any more out of hand. "why'd you do it this time, my love? what were you thinking that led you here? is there something i can do differently? is it work? is it a combination of things?"
"i wish it were that easy to explain, kento," you frown, glancing up at him helplessly. "but it's just... it's just a feeling i can't put into words. i can't pinpoint the source. i just... one minute i felt like i couldn't breathe, and the next i was..."
"okay," he repeats, letting you know that you no longer need to say anything more. you don't have to revisit it. he understands. he will take care of it. he'll help you. "okay, darling. how about this. i call off of work tomorrow and we can sit and talk about seeing a new therapist. then we can go out and do whatever you want. just for fun. does that sound okay with you?"
your nose flares and your lips tug to the side as you nod, truly not comprehending how you managed to find a man so patient with you. "yeah, that's good," you say softly, and nanami is at least relieved that you are willing to take further steps into a better direction.
"good," he whispers, rolling the sleeve of your sweater back down so that you no longer feel exposed or feel like you have to think any more about the things you did to yourself when you felt alone. "it's alright, my love. we'll get through it. you'll get past this just like you did last time," he encourages you, moving to caress your shoulder lovingly as you hold his gaze. "it's okay," he tells you again, and you nod weakly, leaning over to plop your head against his shoulder.
nanami holds you to him and exhales, food completely forgotten. his only priority now is to be there for you in the ways he could not before the two of you met.
"thank you for telling me."
choso kamo: choso worships the ground you walk on because he can not fathom a world without, nor the fact that you happened to stumble into his life on a whim. to imagine you hurt is the very worst thing that the man can think of, and the notion that you would hurt yourself is beyond his comprehension.
you aren't actively trying to hide any of your scars when he finds them. the scars are old, faded reminders of the pain that you used to endure and how you attempted to cope with it. while you are now six months free of self harming, the scars remain very present.
choso happens to catch sight of your scars when you are getting changed. he's sitting at the edge of your bed, face flushed, as he watches you blissfully change out of your pajamas and into clothes that you feel are best suited for a walk to the ice cream shop that choso has proposed. it's a bright sunday afternoon, and the brunette is eager to take advantage of the weather with the woman he holds close to his heart as well as his baby brother, who the two of you intend to meet at the store.
you're now dressed in nothing but a large white shirt and underwear, your legs bare as you strut around the space freely. choso's jade eyes follow you as you walk, completely obsessed with the way you move. he could watch you do the most mundane things for hours, which he truthfully tends to do anyway.
your back is to him before you round the bed, disappearing into the bathroom momentarily before coming back into the living room. choso's eyes still don't leave you, tracing over your face down your figure and finally to the front of your bare legs.
he falters, and his brows draw together when he catches dark marks littering over your inner thighs, only revealing themselves with the movement of your limbs as you walk.
the pale-skinned man grows confused and slightly concerned. he's never seen those marks on you before, and simultaneously, never on anyone else he knows either. he finds them to be a strange form of battle scars, especially due to the placement, the small size, and the sheer number of them. some of them take different shapes too, blurring together or over each other, while some stand out alone. they almost look like burns, but it's hard for choso to really tell.
you proceed about your business, searching through your drawer to pull out a skirt, when choso speaks up.
"love? what are those?" he asks curiously, perplexed.
you turn over your shoulder, shutting your drawer closed with your foot. "hm? what's what, cho?" you ask him, unsure of what he's referring.
choso, still slightly flustered by the vision of your half exposed body, nods his head into the direction of your lower legs. "those," he says again, and you look down, still lost.
you lift your foot momentarily, checking to see if something is stuck under or on top of it. you then survey the rest of your body, searching for something out of the ordinary. "uhhh," you trail off. "i'm not sure what you mean, baby. you're talking about my legs?"
you are far too desensitized to and familiar with the image of your scars to process that choso has never seen them before. the brunette, however, is unsatisfied, wanting an answer that you have yet to provide.
he leans forward, lifting his hand and pointing his finger directly to a patch of dark spots peeking out from your inner thighs. you follow his gaze, eyes landing on the culprits, and your shoulders drop in realization. "oh," you say shortly, choso retracting his hand.
he looks at you innocently, awaiting a response while you try to figure out how to explain this sight to him.
you don't want to worry him, but knowing choso, if you lead with the fact that these scars are there because you inflicted them onto yourself, he would have a heart attack, failing to find reason to your words.
even so, you know choso only wants to understand you as much as you desire to understand him. he wants to see the ugly parts as well as the beautiful parts of you that he is so drawn to, and if you hide it from him, that would only create a rift in your budding relationship that you aren't entirely too keen on creating.
you want him to know you, all of you, and these scars are as much of a part of you as the bones in your body and the blood pumping through your skin.
they're a sign of what you've been through, what you've overcome, and who you are now. they're important, and choso should know why they are there.
"that's a good question," you sigh, putting your skirt on the bed as you move to sit next to him at the edge of it. choso immediately turns to you, glancing over the marks shamelessly now that he has a better view of them.
"did someone do that to you?" is the first thought that crosses his mind, red drifting into his vision at the mere idea that someone has hurt you in such an intimate way.
"...no," you shake your head, lifting one leg up onto the bed, brushing his own, as the other dangles. "i put them there. a while ago," you explain honestly.
choso scrunches his brows tighter, eyes flickering up to your face then back down to try to identify what exactly the marks are. "what are they?" he repeats.
you exhale, puckering your lips as you prepare yourself for this difficult conversation. "they're burns, cho. from a match," you tell him.
now, the half-curse is incredibly confused. burn marks? on your lovely skin? in a place where only you could reach? put there by yourself?
you burned yourself?
"i don't understand," he frowns, shifting to face you better. "why would you..."
"i used to be in a really bad place, baby," you purse your lips, watching as his face contorts with consternation as he comes to understand that you purposefully harmed yourself.
"what do you mean? bad enough to do this to yourself?" he sounds mortified, his voice growing ragged the moment his tone picks up volume.
his pupils, moments ago blown pools of affection, are now shrunken dots of shock.
"don't look at me like that," you beg him, placing your hand over his own. his eyes snap to the sudden contact, then back to you with concern. "sometimes, when certain people are suffering from depression, or anxiety, or just overall bad thoughts and they feel like they have to... break out, or maybe punish themselves in a sense... they resort to hurting themselves."
choso gulps, lump forming in his throat as he listens to you with shaking eyes. "and that's what you did? you felt like you needed to punish yourself?"
"it's hard to explain to someone on the outside. i know it sounds... crazy, but it was the only way i knew how to cope with everything that i was dealing with."
"why didn't you come to me instead?" he immediately asks and you give him a sad, knowing look.
"because, we didn't know each other then, cho?"
"i don't care," he shakes his head, eyes keeping yours. "you should have found me."
the idea brings a hint of a smile to your lips, choso's sweetness warming your heart. "i didn't know who you were, baby, that would have been like begging a stranger for help."
"so?" he scoffs. "i loved you the moment i met you. it wouldn't have made any difference to me.
you sigh again, bringing your other hand to rest over top of your boyfriend's as you smile softly at him in an attempt to get him to calm down.
the panic is still written all over his face as he takes in your smile, the vision somehow only making him sadder. you're so gorgeous, inside and out, and that smile is only scratching the surface of your unending beauty.
to know now that your radiance was once outweighed by the torment in your mind encouraging you to harm yourself... well, it makes choso want to ball his eyes out. it makes him want to confront the physical manifestation of your past traumas and pummel it into the ground, bashing its head in for all the hurt that it has caused you.
"i ended up just fine, cho," you reassure him.
"why didn't you say anything before? were you trying to keep it from me?"
"no, baby, i just didn't think to tell you. i kinda forgot about them," you say, and that comment alone makes choso soften his features slightly.
"you forgot..." he recites your words. "does that mean you're better now?"
you hum in affirmation, smiling warmly. "it's been a while since i've hurt myself or done anything like that. i got through it. i'm okay now, these scars are just a permanent reminder of the past."
his frame sags slightly with relief, brows lifting as he looks over you with a blank expression. "i think i understand," he mumbles, looking back down at the marks. "i'm sorry you ever had to go through any of that."
"it's not your fault. you weren't there."
"i wish i had been. so i could have helped more. i know you said you're better, but maybe if i had been there i could've stopped you from hurting yourself at all."
"i wouldn't put that responsibility onto yourself, cho. it was my responsibility."
"still," his brows arch slightly. "i would have stuck with you every second of every day to make sure that you never had a second alone to do any of it. i wouldn't have let you, and i won't let you now." a thought seems to pop into his head when he finishes his last sentence. "you wouldn't go back to trying to hurt yourself, (y/n), would you?
you exhale. "i mean, i'd like to think i wouldn't, but sometimes these things aren't linear," you admit. "i just know that for now, i'm okay."
"the second you're not, though, you'd tell me?"
"yes. i would."
"you promise?"
"i promise, baby."
"okay," he sighs. "because i don't think i'd be able to function knowing you're upset."
the brown haired man leans over, carefully holding your thigh as he looks over your marks again, no longer flustered by your bare skin but entirely focused on the severity of your burns. you look down at him, hands slipping from his own as he surveys you closely like he's a doctor.
"they don't hurt anymore, do they?"
"nope. just scarred."
choso looks at you for a bit longer in silence before looking back up at you from his hunched state. "can i kiss them?"
you laugh softly, hand falling into his hair at you gaze at him with your heart aglow. "you want to kiss them?"
he nods. "so they can feel loved."
you coo, thumb smoothing over his temple as his eyes swell with adoration right before you. "of course you can."
toji fushiguro: toji is absolutely no stranger to scars. he's a human man with no cursed energy, having had his fair share of close calls on risky jobs that have left him with slashes over his calves, small pierces in his flesh, and cracked callouses. then, of course, there's the scar on his mouth bestowed upon him by his oh-so-loving family, which will be stuck with for the rest of his life.
scars follow toji like moths follow a flame, and he's numb to it. he believes that they are a part of life, both physically and mentally, especially with the kind of life that he leads. whether the wound is a large one or a small one he can barely see, he accepts scars as a part of who he is-
who he is.
while toji likes to parade around with a hardened exterior decorated with faded, scabbing wounds, that is something he deems fit for him and him only. he doesn't care what other people do with their lives as long as they leave him the hell out of it, but for the love of all the money that he has acquired over the years slaughtering sorcerers, he will be damned if he finds a single, tiny little scratch on your body.
scars are for toji, not for you, his darling little girlfriend and the day he finds out someone has hurt you enough to leave behind a mark is the day he's putting several bullets into the culprit's head.
toji's worst fear, though he hardly discusses it, is losing you and watching you get hurt. god, he practically lives to protect you, and to feel as though he has failed to do so would wound him detrimentally. he's a tough guy, but you make him so soft, and admittedly he wouldn't want to be soft for anyone but you. you're his rock, his little hot head, and he loves you more than life itself.
if you're hurt, he will lose it.
therefore, when he finds out that you're self-harming? oh, he's on the verge of losing his fucking mind.
he does a double-take when you step out of his room and into the kitchen with a towel wrapped around your body, his eyes widening and his brows arching immediately.
now, toji knows your body inside and out. he's explored every inch, he knows every crook, every crevice, every mark, every texture, and he has never once in the six months you have been together seen the red lines over your inner wrist.
he watches you with twisted lips as you grab an orange from the counter before walking back into his direction. you're almost back into the room when toji calls you.
"uh uh," he stops you, and you pause, turning over your shoulder and purposefully moving your left wrist to press into your towel.
"what?"
"come here," he orders and you give him a strange look.
"why?"
"i wanna see somethin'. come here."
you're quick to snap back easily with your own sarcastic retort, clearly in a foul mood over something. "if you want to fuck, can you wait until i'm fully dried off and after i finish this?' you hold up the orange in your other hand, a perturbed look on your face.
"i don't want to fuck, (y/n), i want you to come here."
toji's voice comes out sternly, and on the verge of anger. you survey his posture, his arms leaning over his legs as he cranes to look at you with a suspicious, firm expression. you can tell that he's serious, and a sudden sense of fear overtakes you that you mask with annoyance.
you don't say a word when you slowly walk up to him, crossing your arms over your chest to conceal your wrist, the hand holding the orange tucked under your elbow.
"what is it?"
toji holds out his palm. "give it."
"...my orange?"
"put it in my hand."
you huff, carefully maneuvering your arm around to keep your inner wrist pointed toward your body as you bring forward the orange and plop it aggressively into his hand. toji watches your other arm the entire time, taking clear note of how you refuse to let your wrist show, and you know you're fucked.
the green-eyed man tosses the orange to the side of the couch and holds out his large palm again, eying you intensely. you look down at him with a frustrated frown, shrugging. "i don't have anymore oranges."
"don't be cute, doll."
"what? do you want my hand?"
"you know i want your hand."
you roll your eyes, raising the hand you had held your orange with when he stops you. "not that one. the other one."
your heart pangs, shaking your entire body as he looks to you expectantly. how the fuck had he managed to notice the scar on your wrist so quickly?
the moment you hesitate, he knows that what he saw earlier is something to be concerned about. you normally never hide yourself from toji, and the way you go about hiding your arm now is defensive enough to raise several brows. he knows you're not dumb, too. he knows that you know exactly what he wants to see.
"(y/n)." he cocks a brow, the severity of his demeanor only making you more uneasy.
he can't see. he can't see what you've just done. he'll hate you. he'll look at you like you're crazy.
"what if i don't want to give you my hand?"
"then i'll just grab it for you, and i don't think either of us wants to go there."
you release a trembling, aggravated breath. you can't get away with anything when toji's around, and while you ponder having chosen to get an orange later, you know deep down somewhere you wanted toji to see. you wanted him to help you, which is why you walked out of that bathroom half an hour after having put those scars on your arm.
"hand, now."
you turn your eyes away with a grunt, slapping your wrist into his hand facing downward. toji is quick to whip it upside once he has a grip on you, and his eyes seem to freeze over the sight of three fresh slices on your upper forearm up close.
his jaw clenches, then unclenches, then clenches and unclenches again as his lips twitch and his eyes adjust to the vision. you're hurt. not only are you hurt, but it looks as though you've recently been hurt. you've hurt yourself.
toji has a hard time figuring out what to do. he's not good with things like this, but he knows that seeing you with scars on your arm is quite literally about to set him off. he always imagined having to defend you from others who seek to hurt you, but never having to defend you from yourself.
he can't fathom it. he's struggling, the muscles in his eyes are twitching, and he can't handle it. he can feel his heart begin to race, unsure if he is angry or scared or mortified or devastated.
there are three lines in your arm. bright red. staring right back up at him.
and you put them there?
no way, you put them there.
but you did. clearly you did, or else you wouldn't be looking so guilty right now.
but when did you? how did you? why did you?
he doesn't know what to think. he doesn't know what to say. he swore he'd always protect you, but how does he even begin to try to protect you from yourself?
"are you out of your mind?"
the question leaves him rather calmly, a low inquiry that you are unsure is meant to be directed as an insult or a genuine ask.
you can't look at him. you don't even know what to think yourself. it had all happened so fast while you were in the bathroom, before you got into the shower.
one minute, you were staring angrily in the mirror, cursing your reflection as your wicked thoughts sprouted grubby arms and guided you toward the pair of brow scissors that you kept in your makeup cabinet on the left side of toji's bathroom.
you wanted to feel in control of the disdain you felt lurking within your soul. you wanted to feel something for fear that you would never be able to feel again, and before you knew it, you were dragging the exposed blade over your skin.
"d'you wanna explain why i'm looking at these cuts on your arm, (y/n)?"
and you know, you know that it's a bad sign when toji uses your name instead of the plethora of pet names he normally elects to call you: doll, princess, mama, girl, pretty baby- anything but your actual government name, and when you hear it roll from his tongue under these circumstances, you can only imagine what's going through his head.
you shift on your bare feet, looking down at your toes. "dunno," is all you say, and toji scoffs in disbelief.
"you don't know?" he emphasizes. "that's all you have to say?"
"if you wanna embarrass me, go ahead, toji. seriously, i'm tired."
"what the fuck makes you think i wanna embarrass you? i wanna know why the fuck my girlfriend walked out of the bathroom with cuts on her arm!"
you rip your arm away immediately when he yells, storming back off into his room and slamming the door behind you.
toji jumps up, suddenly frazzled. he doesn't want you alone in there. he doesn't want you out of his sight.
the navy haired man moves quickly to his door and grabs the handle, only to find it locked. he jiggles it harshly and bangs on the door. beginning to panic. "open the door, (y/n)," he shouts, meeting no reply.
little does he know, your back is pressed against the other side as tears crash over your cheeks. you don't know how you expected toji to react, but the look on his face just now and his tone of voice was enough to send you running off.
you feel ashamed, weak. you shouldn't have gone out there at all. you should have waited until you were dressed, discarding the whole idea of letting toji see what you did so that you could suffer in silence without his help, because what help could he truly provide anyway?
toji's a tough man, but he's soft for you. he would stand in front of a moving train for you. he would sacrifice his life for you, so when you don't answer, he imagines the worst.
"open the door," he says again, weaker, tugging desperately at the handle though he knows it won't budge. he knows he could break the door down, and he's prepared to until he hears you sniff amdist his pounding. he immediately stops, face dropping.
fuck.
this is bad.
he knew it was before, but for some reason, it's only now registering how bad this is.
you're in pain. you hurt yourself because you're in pain and you need him, but he doesn't know how to help you. he's never dealt with anything like this before.
his hand slides from the door and to his side, forehead knocking against the door though his other hand remains tight on the handle. he just needs to see you.
"princess," he mutters defeatedly. "don't make me kick this door in."
silence.
"please," he softens even more. "please, (y/n), let me in."
the house falls quiet once more and you give in. you feel so lost, and the only person who can at least comfort you, in his own way, is toji.
you slowly turn to unlock the door and step back as toji opens it swiftly, staring down at you with wide eyes and at least relieved to see that you haven’t done any further harm to your body.
he does, however, see your tears.
his face tightens as he bends down to scoop you up in an instant, your legs and arms tightening around him as you snivel into his shoulder, his large palms sliding over your body. he feels your small body tremble against him as he walks the two of you over to the edge of his bed, sitting down as you cling to him like a koala.
"i dunno what happened," you whimper into him. "i dunno why i did it. i dunno. i dunno."
you say it over and over, your voice as broken as toji feels listening to you.
he wishes he knew what to do. he wishes he was better equipped to handle this, but never in his worst nightmares did he dream that he would find you here, his fiery girl, the love of his life.
he's been so busy trying to protect you from the outside world that he hasn't even thought about the things that could harm you from within.
he stays silent as you babble to him through tears, holding you just like he knew how. he doesn't want to picture those scars on you. he doesn't want to picture what led you to put them there. he just wants to hold you, to at least let you know that he's here and he's not going anywhere. he may not know how to help, but he knows how to love you and he hopes that's enough.
"i'm not letting you out of my sight, y'hear?" he says gruffly into your ear and you nod meekly. "i'm not letting this happen ever again. not as long as i'm alive."
he mentally swears to rid your house and his of any and every sharp object he can find and to throw it all in a safe as you sink into him.
toji knows how to protect and toji knows how to fight. though he's more acclimated with fighting others, if he has to fight to protect yourself from your innermost demons, then hell, he will find a way to do just that.
sukuna ryomen: lord help you and lord help anyone within a fifty-mile radius when the king of curses discovers that you've been harming yourself.
sukuna is not at all very good with his words or his expressions of affirmations. he is a being of action, and he believes that he has proven his love for you enough by simply allowing you to be in his presence longer than anyone else ever has or ever will.
at first, when he sees a scar or two on your leg, he thinks its just an accident or a result of you being clumsy. then, three more pop up, then five, then far more than he's even willing to count, and he decides that this scar pattern is somehow intentional.
he knows no one else has marked them onto you because he is prepared to kill anyone who comes too close, especially if they have ill intentions. if you were in danger at someone else's hand, he would be the first to know and the person meaning you harm would be dead before they could even think about touching you.
therefore, when he sees that the only person normally within your company is him, uraume, and yourself, the process of elimination leads him to you.
he goes about confronting you rather harshly, as well, for he knows no other way to be.
you're out in the garden of his large residence one day, soaking up the sun, when you hear familiar, loud stomps heading your way from behind.
you turn around and squint to peer up at sukuna, who is standing over you with a menacing glare in his crimson eyes. you don't necessarily find this out of the ordinary, so you greet him as usual.
"hi, kuna," you say sweetly. "you good?"
he is not good. not at all, so he gets straight to the point. "come inside, woman."
you quirk a brow. "why? i just got out here?"
"do not question me."
"can it wait, like, fifteen minutes?"
"do you wish to live in the next fifteen minutes?"
you sigh, entirely too used to sukuna's facade of cruelty around you. you know by now that the king of curses would never dare to hurt you.
"i do intend, to live, yes," you smirk.
"then you will come inside as i have demanded."
"no, sukuna. i want to stay out here for a bit. i've been inside all day."
the pink haired man fumes, teeth grinding together in agitation. he doesn't want to delay this conversation any further than it has already been delayed, but of course, you choose to be difficult.
"very well, we will do this out here," he growls and you smile.
"good."
you don't prepare yourself for when sukuna grabs the back of your chair and whips out around to face him with the unpleasant screech of the legs against the cobblestone. you wince, then retract your face when sukuna lowers his to stare at you from mere centimeters away, one of his arms grasping to push up the lose leg of your shorts up to reveal the set of scars littering your skin.
your eyes go wide, his movements too quick for you to process all at once.
"are these your doing?" he hisses and you gulp.
"s-sukuna-"
"i did not ask for you to say my name. i asked if these scars are your doing."
his eyes are piercing, striking directly into yours. "what are you talking about?" you whisper shakily.
"are we going to pretend like you're an idiot now?" he snarls. he's so mean, but he feels it's for good reason. your body has been tainted, and for some reason, you have been doing the tainting. he needs to know why.
you shake your head weakly. "no..."
"then answer me properly. i will not repeat myself a third time."
you bite down on your lower lip, heart ringing in your ears. you didn't even know sukuna paid attention to you enough to catch wind of something like this.
"yes... i did this," you finally tell him, and sukuna is livid.
"and why would you be doing something so foolish? scars are not something you are meant to give yourself, human."
"please don't be a dick, sukuna, not right now."
"i am asking a perfectly reasonable question and i expect you to answer it," he glowers. "now."
"you wouldn't understand if i told you," you frown and he clicks his tongue.
"stop assuming things of me before i lock you inside of my room where you can not escape or even fathom doing something like this to yourself again under my supervision."
you curl your brows, frowning up at your boyfriend. "if i tell you, you'll call me foolish."
"because this is foolish," he grunts. "but i will not if my doing so will get you to fucking explain yourself."
you shake your head, looking down and contemplating before deciding to just get it over with so that he can stop putting you on the spot. "sometimes i just feel shitty," is all you elect to say.
but sukuna is hardly satisfied with this response. "so you choose to inflict pain upon yourself instead of calling upon me?"
"i told you, you wouldn't understand," you say. "it's not something i can easily explain to you either."
sukuna narrows his eyes. "fine."
he lowers himself to grab you legs and throw you over his shoulder. you squeal, grabbing onto his back as he begins to walk you back into his home and toward his room. "sukuna!" you kick your legs around. "put me down!"
"no. you're coming with me, and you're going to sit and talk me through every single thought that has crossed your little mind to make you think that injuring yourself in such a way is tolerable within the walls of my residence. then after that, you'll come with me everywhere i go from this point on."
"what?!" you exclaim from where you hang upside down. "I don't wanna go everywhere you go," you wine.
"too bad. you should have thought of that before you decided to harm yourself."
sukuna is horrible with words, and far more horrible with expressing his concerns, but despite your temporary discomfort with how he goes about approaching the situation, you can still see in the pinch of his brow and the stiffness of his posture, combined with his refusal to let you go without a proper explanation, that he cares very deeply for your wellbeing.
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lost phineas and ferb episode where perry is called to investigate what dr doofenshmirtz is up to because carl the intern got ahold of some intel that doof has been seen speaking to lawyers and looking up the endangered species act at internet cafes and as major monogram says, "something fishy is going on"
meanwhile phineas and ferb's subplot of "i know what we're gonna do today!" is that isabella needs her environmentalist fireside girls badge so they start researching which species are in urgent need of help in the tri-state area so that they can use new cloning and gene therapy technologies to bring at-risk animals back from extinction
(yes there is a c-plot where buford and baljeet argue the ethics of this idea, i don't have time to explain it all for you rn)
we cut back to🎵doofenshmirtz evil incorporated🎵where we see perry carefully maneuvering around doofenshmirtz's lab scared he might fall into a trap but he hasn't set off a single booby trap and it's clear something is off
he runs into doofenshmirtz and goes to kick him in the gut action movie style but doof steps back one overly confident and says, "nuh uh uh, you see perry the platypus, you are TRAPPED! by the danville section of the endangered species act of 1973!"
doof goes on to explain his tragic backstory: "you see, perry the platypus, when i was a child my parents did not show up for my own birth! but you know that already, yadda yadda yadda they did not love me and then they loved roger more, ANYways i was raised by ocelots! i had a lovely foster mother who took me in and made me one of the pride, and so you see, perry the platypus, i am still legally considered an ocelot. did you know that there are only 50 recorded ocelots still alive in the continental united states? very sad for me as a member of a near-extinct species. it would be immoral for you to hurt someone critically endangered... in fact, you have made many attempts on my life this summer"
[montage of doof's security camera footage of their battles]
"which is why i have decided to bring you... TO COURT!" we cut back to phineas and ferb's back yard where they've decided to start cloning ocelots in their kiddie pool
candace storms outside enraged and says, "phineas and ferb are you cloning ocelots in my duckie momo kiddie pool!?"
ferb's one line of the episode is "well, i guess it's more of a kitty pool, now"
candace storms away saying, "i'm going to tell mom!" and isabella turns to phineas and says, "oh, does your mom have experience in wildlife conservation?"
we cut back to the doof and perry plotline where the two are now in the danville hall of justice and we learn that doof has spent his monthly alimony check on a defense lawyer and perry turns and sees the lawyer and then vanessa helping her organize her briefcase and perry chitters at her and vanessa shrugs and says, "i'm thinking about going into legal defense. sorry perry."
the rest of the doof and perry b-plot is spent in court and perry is about to ask for a public defense lawyer when carl runs into the room and explains that he's owca's official legal defense and perry looks at him like, "uhhh is that even allowed?"
it doesn't matter because apparently the judge is out sick today but because it's danville roger's the judge now because he's the mayor and everyone loves him.
the court case continues.
meanwhile phineas and ferb have successfully cloned multiple ocelots from the original ocelot dna they had on hand and isabella asks phineas if these clones will experience health problems like premature aging, phineas casually explains that ferb figured out the problem while they were experimenting with stem cell harvesting.
back in the courtroom, doof's ocelot foster mother has been brought to the stand along with an ocelot to english translator. doof gets emotional seeing her after so long. she says that he was one of her favorite child and he was as strong a hunter as anyone else in the family. it's incredibly sweet. the jury's in tears.
meanwhile, isabella has established connections with a group in texas who are going to release the ocelots back into their natural habitat and, using the cloned ocelots to prevent inbreeding, help establish an ocelot breeding program. the group explains that they are going to send a helicopter to retrieve the cloned ocelots from danville and bring them to texas soon.
isabella gets her fireside girls badge.
candace manages to get mom to see the backyard only after the ocelots have been helicoptered off to coastal texas, their primary habitat.
mom makes it into the backyard as phineas stares wistfully over the fence and says, "if you love something, you have to let it go." candace goes, "look mom look look look!" and points at the ducky momo kiddie pool, devoid of cloned ocelots, where baljeet and buford are now chilling out, having settled their philosophical debate about the ethics of animal cloning.
back in the courtroom drama, doof looks like he's about to win when an attendant walks into the courtroom and whispers something in roger's ear.
roger looks up, grinning, and says, "good news, everyone! my attendant here has just enlightened me that ocelots are no longer considered critically endangered!"
this settles the case, with perry being decreed not guilty and the entire affair being called off. the courtroom cheers, roger walks over to doof and personally congratulates him on his species' return from the brink of extinction.
doof shouts, "curse you endangered species classification system!" at the ceiling of the danville hall of justice.
perry arrives back home just in time for mom to say, "who wants pie?"
the end.
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masterhallmark · 6 months
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Rant incoming
I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.
All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.
Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!
Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.
Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.
We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?
We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?
We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.
Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.
Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.
And don't get me started on the non-princess animals.
Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?
Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.
Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."
Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.
Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.
The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.
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