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hibiscusseaart · 3 days
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huge ass post with MadaTobi Babies
its finally done, its almost 1 am, I started at 7 pm
OK SO HERE THEY ARE
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So a little lore and then I'm gonna introduce them.
As you may remember from my earlier post, Tobirama (they married when he was 19) after the marriage, decided to create a child to tie Madara to him and the village stronger just in case Madara would try to leave the village. He couldn't destroy the village if there's his kid running around, right?
So Tobirama started learning biology pretty early in their marriage + Itama (@oh-no-its-bird 's one) helped a lot too. Mito helped with the seals to make an incubator. Tobirama didn't want a surrogate mother just because he was afraid that Madara would get attached to the mother of his children and he didn’t want that (plus he's jealous but doesn't realise it 🤭).
He created some sort of very real transformation jutsu that would trick his body to think that he has ovaries and he'd get the eggs that way! But he couldn't keep uterus and ect for 9 months, plus this jutsu is HARD to keep on for very long periods of time. It's easier to make a few organs from chakra that could produce real eggs than a whole new system. Plus Tobirama really didn't want to get pregnant and he wasn't sure he wouldn't fuck up his own body. Tobirama, with as gray morale as his, could just scrap failed embryo and start anew. He can't do that with his own body.
Anyway, incubator it is!
At first he did all of that in secret, stealing Madara's sperm (that's... a thing now) for his first experiments while they had sex. (Tobirama fucking Madara real hard that he’d pass out after and then take samples) ANYWAY
So he announced about his plans when the first stable and pretty healthy embryo was ready.
The first baby, Motoko! The melanin quee. She got all of it. Nothing left for her brother or sister. Ofc she's not THAT dark skinned, but she is for an Uchiha who are mostly white as a paper in canon.
(Tobirama is 21 for reference)
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Her name literally means "Experiment seed first". Tobirama named this project this way for secrecy if someone would overhear his talks with Itama and Mito. It’d be Uchiha clan head’s child so hush-hush.
The name meanings + kanji! Hope I got them right, I have no japanese knowledge
oh and there is flirting with past and time in general in this name so it might be Tobirama reminiscing his first timeline. Like Motoko didn't even EXIST before.
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So when he presented the embryo to Madara and Hashirama, they were ecstatic of course.
Madara almost cried. Hashirama became a river of tears.
Madara never really hoped for his own children since he married Tobirama cuz, well, they're both men. Doesn't really work that way. But Tobirama made it work and Madara is in love all over again.
Madara refuses to leave their future baby for a long time, just looking at them in the incubator. But the baby doesn’t need much there so Tobirama makes him leave and live a life while they’re waiting when the kid is ready.
Oh and Madara was SO against the name that basically means “experiment seed 1”. But when Tobirama asked if he got smth better, he ran away to his compound and tried to find the PERFECT names. He got lost in so many variations and never really decided. So when the kid was “born” (Tobirama just… took her out of the incubator*) and medics checked her, Madara took her in his hands, started crying and while he was having “A moment” Tobirama wrote her name as Motoko, cuz they needed it for administration and Uchiha clan.
*come to think about it, wouldn’t it fuck up a kid a bit? i mean, children develop under pressure of their mother’s organs and they’re in tight position. maybe test tube kids don’t really like to be wrapped in cloth? as i know ppl do that with newborns to imitate feelings like they’re in the womb.
But this name also can be read as “Festival child” so its kinda cute? Madara def told her that that’s exactly what her name means. No seed 1.
Interesting thing, when Tobirama made the baby, he thought he’d make a boy first, a heir. But something went wrong and the kid developed to be a girl. Tobirama was confused why. But technically, the kid is a boy with XY chromosomes but bc of their development and being a genetic experiment something went wrong and they developed as a female (its a real thing btw).
In the long run it didn’t really matter except that Motoko can’t have her own kids bc of all hormonal weirdness. And I don’t think that Tobirama would figure all of that out. He’d think he made some mistake when choosing gender, but kid was born healthy after all. Ofc when they found out that Motoko can’t have kids Tobirama will blame himself, that he ruined his daughter’s life. But she’s would be ok, she had her little siblings growing up and other clan kids so she’s done babysitting.
Okay for her personality! I think she’s kinda like Shisui? Very happy kid, spoiled rotten by her uncles (Hashirama and Izuna compete who is THE BEST uncle) and Tou-san (Madara). Btw Tobirama refuses to be called Kaa-san or any motherly terms. He’s barely holding a kunai in his pockets when Madara calls him wife.
But she’s also very Uchiha with temper and protectiveness. She was trained to be very much Uchiha cuz she’s the future clan head so her jutsu’s are strongly fire natured. Oh and her secondary nature is eath! She took it from the Senju side :)
Good sensor, but not as strong as her other siblings. Have really good chakra reserves and vicious on the battlefield.
Surprisingly looks really like Madara and Izuna’s mom. Her face is all that. Has soft dark hair and soft features. Considered to be very beautiful among Uchihas.
Oh and as you can see, I wrote that she has the Mangekyo. She got it when she was around 14. She was already really strong and cuz of her family, she got cocky. So, you ask me, who died? I think it’d be her female teammate (maybe from Hatake clan? idk I take suggestions) who she was in love with.
So yeah, she got a reality check. Because she got Mangekyo, Tobirama didn’t want her baby to lose her sight, so he improved his own seals that helped him with his albinism. Seals improve his sight and protect from the sun. So he drew Motoko tattoos on her face, like his. Years later it’d be a new feature of the main line.
But before that, when Motoko is 12 and Tobirama is 29, after 8 years of research (and possibly sealing/killing Black Zetsu in the meantime) he decided to try to make another kid. He still wanted a boy.
And he was successful. Meet Akemori! The Music King
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The name was suggested by Hashirama. It means “red forest”. Red eyes, plus he sensed that the kid has a bit of mokuton!
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But on the downside, Akemori was born an albino. Tobirama himself was really lucky, cuz he had a strong health and I hc that he still has healing abilities, but not as strong as Hashirama’s. But it still helped him in his childhood.
Not for Akemori tho. He was a sickly child, almost blind and burned on the sun easily. Tobirama had to put seals on him when he was about 3 years old. But even then his eyesight was still poor. Seals can’t fix everything.
Tobirama, once again, feels guilty that he didn’t notice any mistakes when he was creating the child.
And being born almost blind in Uchiha clan of all people wasn’t really nice. Though he is still clan head’s child and has a whole bunch of very powerful adults to protect him. Plus his older sister who loves him very much and wants to protect him from any harm.
But because of health issues Akemori was never really trained in shinobi arts. Well, he was trained (his fathers are literally… them) just that he could protect himself, but no one expected him to go on missions or even become a shinobi at all. Uchiha elders treated him as a potential political marriage pawn (even though Madara and Tobirama would never let them do that). Akemori caught on that and never had the motivation to become a shinobi at all. He was offended and said that he’d NEVER become a shinobi.
Madara was a little mad at that, cuz they’re SHINOBI clan, what the hell. But he shut up the second Tobirama sent him The Look. Tobirama was ok with Akemori’s wishes, like his twin and himself are shinobi by necessity, but they finds more joy in research.
Akemori was trained in Mokuton by Hashirama of course, even though Senju elders bitched about him selling clan secrets to Uchiha. But Hokage does what he wants.
Akemori’s mokuton isn’t as strong as Hashirama’s, plus he never really wanted to fight. But he was good with plants so he joined Itama-oji in his research a lot! Especially since Hashirama is busy with Hokage stuff, Itama was delighted to get a new helper.
Akemori is also a really good sensor because, like Tobirama, he had to compensate his bad eyesight. Basically, Akemori is a very Tobirama’s kid.
Surprisingly, he awakened the Sharingan! He was 6 and some foreign ninja (prob Kumo) thought it’d be cool to steal a kid with the Sharingan. Because of his naturally red eyes Akemori got stolen. Ofc when Tobirama felt his kid out of Konoha bonds, he sounded the alarm in the whole Uchiha clan to check on their kids whereabouts and was first to chase the kidnappers.
Kumo nin were killed by a very mad Tobirama and bc of the stress Akemori awakened the Sharingan. It wasn’t much of a use for him, since he’s not a shinobi. But at least Uchihas acknowledge him as a fellow Uchiha and not just Tobirama’s carbon copy.
(btw noone outside immediate family actually KNOWS where the kids coming from. They don't see any pregnant women in the main line house or anyone in the clan with the same time who gave birth these days. Tobirama himself or god forbid Madara aren't ever seen pregnant. Where the fuck kids are coming from? Do they just spawn in the house or what)
(they basically do spawn)
Sharingan helps Akemori to actually see! At least he could see something and could read. But stll, its not really strong, cuz not trained enough.
Basically Akemori is a perfect mix between Senju and Uchiha with Sharingan and Mokuton, but he was nerfed by albinism.
Being almost blind boy who can navigate only with his sensing, doesn’t gives him much hobbies. Ofc he helps Itama and he studies plants and medicine a lot with him, but he still needs a hobby. Books don’t work for him, any type of handicrafts too cuz he can’t just use Sharingan all the time, his head hurts and sometimes he doesn't want to remember a whole book perfectly. He’s also not very interested in training as a hobby.
So in his tweens while Itama and he were traveling (with Uchiha escort (prob Motoko) just in case) to the near town for some medicine and plants, he noticed (heard) a group of musicians and he fell in love.
Itama immediately bought him an instrument (maybe Biwa?).
And now the second son of Uchiha Madara became a musician! Isn’t it fun. Elders are furious.
Madara was baffled but “You do you, son. When you learn, show us? Oh and maybe you can copy someone else’s playing, but be discreet. They may not like that you’d try to copy their music. Shinobi don’t really like when we copy their jutsus too”
With age he learned to play several instruments (I take suggestions on which ones). Some people even thought that he’s trained to become geisha (he's not, he's just a pretty boy who plays music for fun).
When he grow old enough, Itama started to give him weed for inspiration and to relax. Akemori is prone to quiet anxiety attacks after he was kidnapped.
Okay, the final kid. She was born 4 years later after Akemori.
Nari! The pout queen
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Madara finally got to name his kid. Her name means “Calm, harmonic village”. Yeah he decided to name his kid after a village. It's still better than Konohamaru
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And she’s the final kid, because Tobirama finally got it and produced a “normal” healthy kid. Plus he's not sure how many kids (3) and students (another 4 and Kagami) he can actually handle.
She has very Uchiha coloring, but Tobirama’s facial features. She also inherited his stare.
She’s the baby of the family, but she grew up slightly strict and serious cuz she stayed a lot with Tobirama, cuz he decided he won’t spend another maternity leave out of the Tower. The first two times were a disaster when he came back.
Tobirama left on maternity leaves just cuz he needed to monitor his kids health, especially Akemori’s. Idk about Konoha maternity leaves, but they should be really short, since well shinobi are needed all year long and they can’t wait for mother-shinobi to spend a whole year on that. Though on the other side, mothers need time to recover or they won’t be able to perform good on their missions (plus they probably have a milk smell lol). Who knows, maybe Tobirama was the one who drafted a law about at least one year maternity leave. He got very popular among kunoichi (can you believe that I just remembered that this word exists)
Nari is really like Izuna, but got her temper under control. Maybe think of teen Kakashi but without dead fathers and angst. But also brat.
Her chakra is water nature and she has 0 affinity with fire. Still she did produce great fireball as their traditions dictated, even though it took her many trials and errors. After that she decided that she hates traditions like that. Got really rebellious in her teens, about 13 and even tried to challenge her sister (25) for the clan head position. She didn’t win ofc and was bitter about it.
Also because her sister and brother both have seals, she always dreamed of the same, cuz as a baby she thought that it’s something special for their family. But Tobirama doesn’t think she needs them cuz her sight is perfect and her skin is pale, but it doesn’t burn like Akemori’s.
It triggered interest for seals in general cuz “FINE if you won’t give me seals, I’ll just make them myself!”
Tobirama was completely okay with it. He always strives to encourage kids when they want to learn something new. So he sicked her at Mito. Though his aunt was quite happy to teach her niece sealing art.
also idk why i write evil near her. she's just a brat. though she has the potential to become Azula ish
And that’s it!
I will write more about them later cuz im tired. I have some other ideas I wanna expand. Like Tobirama introducing his pups to his Hatake aunt (did i tell you that i LOVE Hatakes?),
Oh and fun little sketches close ups for a treat
i love this Hashirama with the kids, ugh he's so father
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if you have any questions you can send them to my ask box!
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hwnglx · 2 days
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hm i tried my best to explain, he has a lot of different facets to him, so reading for him can get a little overwhelming.. hope it's still a nice read 🤍
jake's ideal type
based on tarot. i do not know these idols personally. energies are always changing. what i say is NOT straight fact. pls take it with a grain of salt!
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shuffled songs: bored by billie eilish young and beautiful by lana del rey “will you still love me, when i got nothing but my aching soul?”
physical traits
natural and classic beauty. harmonious features. deep and intense eyes. color more on the darker side. (like dark eyes you can lose yourself in) fierce gaze. something strong about their features that makes them stand out, it just catches your eye. face that lights up once they smile. (looks colder in a resting position but transform once they break into a smile) keep hearing “부담스러워” meaning burdenful. in this context, used more in an “intimidating” manner. in korean this can be used for people who have intensity to their look, people you can't hold eye contact with for long. he doesn't have an extremely specific type, just needs to feel intrigued.
personality traits
so, jake likes his partners to have a powerful effect on him. what seems to intrigue him in a person, is “reverse charm” where they might look sweet and innocent, but are much more fierce and savage inside. or look intense and cold, but end up being very soft and sweet inside. someone with a captivating aura, who carries themselves with a sense of mystery. a person he looks at and makes him wonder, awakens his interest like.. “oh this person must have such a different side to them deep down.”
jake also likes it when his lovers can boldly challenge him and his beliefs. he wants someone witty who isn't afraid to talk back at him, change his perspectives. someone whose words and actions linger in his mind, make him re-think his own and in hindsight change and transform him for the better. he wants his relationships to turn him into the better version of himself and to provoke him to discover his best self.
another quality he seems to cherish in his romantic partners, is when they're patient, gentle and persevering. he wants someone with emotional intelligence and empathy for people, who looks after the ones they treasure with great care. he needs someone loyal who won't be discouraged quickly, and remains committed to him through every trial. he seems to be quite self aware, so he knows that he isn't exactly the easiest lover to deal with.. whether that's because of his busy schedule, or his more complicated nature. he wants a person with motives and interests selfless enough to be accepting towards his faults, forgiving towards his mistakes. he wants a resilient person who can encourage him to work on himself. honestly, he seems to like his s/o to have motherly energy. he wants someone who will nurture him, coddle him on some levels, but also give him the tough love he needs to grow.
jake wants a person who puts importance into keeping the relationship harmonious. he'd appreciate a person who can balance him out, in a way where they can complete him in the areas he lacks. for instance, someone much more stable and grounded than him. someone who can be more logical or objective and less impulsive when the situation asks for it. i keep hearing “정신 차려”, which means “come to your senses” or “pull yourself together”.
(note; this insight was interesting because i think he's this case of opposites attracting and benefitting from each other. he could grow a lot from being with someone like jay, who has a stellium in taurus, which is opposite jake's scorpio stellium. idk if they're close but despite unavoidable clashes due to being so so different, they have potential to balance each other out pretty well)
jake puts a lot of value into understanding each other on a level deeper than everyone else. he wants there to be effortless communication between the two, almost telepathic, where they know what the other means even without necessarily being vocal about it. the person who seems to know you so well; they complete your sentences, or know what you're thinking or feeling just by one glance at your expression.
he also seems to like his lovers having this duality in personality, where they can be both; cute, playful and kittenish (someone who flirts in this giggly and coy way), but capable of having meaningful and long conversations about deep and serious matters in life. he does seem to love duality a lot, whether that's appearance-wise or character-wise.
him as a boyfriend
+ jake is a boyfriend who loooves making you feel like it's only you and him in this world. he really values alone-time and deep intimacy, whether that's physical intimacy in the form of quality time, or emotional intimacy in the form of deep conversations. he enjoys zoning in on his partners and focusing the entirety of his attention on them.
sweet aspect; he himself can be very moody, but if you need him to be your source of comfort and shoulder to cry on, he can become that for you. he'll put effort into making sure he wins over your trust and you feel comfortable around him. he wants you to feel safe enough to not be afraid of showcasing your emotions, whether that's sadness, frustration, anger.. he likes to see it all. he does enjoy seeing his lover riled up about him lmao, since to him it shows they're passionate about the relationship. but there is this comforting and warm energy to him, where he's good at making you feel seen, and listened to.
he is the type of boyfriend who will want to stick by your side through all storms. he really values what his lovers have to say. let's say you got into an argument with him; once you've both calmed down, he might sit you down, softly take your hand and deeply gaze into your eyes while quietly listening to your side of the story. he'll want to understand your perspective and your heart.
he can be responsible as a lover. it almost feels like a task to him to fulfill his role as a boyfriend, to make you feel like you can rely on him. he wants to lead the relationship, and make you feel secure. it's very much an equal give and take, since he does seem to enjoy leaning on his partner for security at times as well. evidently, he seems to actually like a balanced relationship with no crazy power dynamics.
- hm, some heavy energy here i don't feel comfortable diving into deeply. but i can sense him realizing he has a habit of so strongly clinging to his lovers, due to abandonment issues. which can be quite common for scorpio placements.. he's scared of being left behind and replaced with someone “better”, due to him potentially not being good enough to stay with. there's some lingering fatigue and emotional baggage from the past he seems to struggle letting go of.
jake can put so much pressure on himself to satisfy his partner. he wants them to feel fulfilled and confident in the relationship and makes it his responsibility. it can weigh on him if he feels like his partner is starting to lose the spark, fall out of love with him, and especially lose their trust in him. he wants his lover to recognize how much he cares about the connection, but is self-aware enough to understand it's his own bad habits and impulsiveness that can stand in the way.
i can see him having bad habits like, having wandering eyes or being too charming and.. complementary towards women, where it can border on flirting. blurring the lines (like in his eyes it wasn't flirting but his partner sees it differently). though i can't see him straight up cheating, “superficial” things like that can still understandably rub partners the wrong way. it can easily cause discomfort, conflicts, miscommunication. this can lead to trust issues on both sides. he can just be a boyfriend who requires a lot of patience.
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I'm in severe pain cause of endometriosis right now, can we get more loganxwadexdisabled!reader :3
"Out fucking cold," Wade declared.
Logan grunted, nodding wordlessly. He knew that. He could hear the change in your breathing once the medication kicked in. And again when sleep finally won out.
"You okay, Peanut?"
"Sure. Just glad she's not fucking screaming anymore."
"Pretty sure the screaming was mostly frustration," Wade hummed. "I had days like that where I just wanted to scream because it fucking hurt and there was nothing I could do about it."
In the dark of the bedroom Logan readjusted to be able to see both of you. Wade had a hand in your hair still, watching you with an expression that was hard to read. "And she can't even remember not hurting like that- I don't think."
Logan put his hand on top of Wade's and Wade smiled wryly, "If she could fight we'd be fucked."
"Probably," Logan snorted.
"Looks like you get to be all big and bad and tell her boss she's staying home tomorrow-"
"Good luck with that."
Wade grinned, "I had to double her fucking dose. Tomorrow morning she won't even know what day of the week it is. We could tell her it's Saturday and she'd probably buy it as long as I make pancakes and no on turns on the news."
Logan huffed a laugh and laid his hand on your back when you stirred in your sleep, making a soft little whimper that made him wince. "She's gonna be pissed."
"But she'll feel better," Wade said confidently. "Naps, kisses, and having hunky guys at her beck and call? If that doesn't fix some shit I don't know what will."
"Not a goddamn nurse-"
"Me either, Logi-bear," Wade reminded, "But-" He looked down at your sleeping form meaningfully. "Who else is gonna do it?"
A soft growl was the only answer but, he knew that it was true. You needed rest. Bad pain days were exhausting. They'd both seen you come home looking dazed and drained- like it took all your mental energy just to deal with it. But it had never been LIKE THIS. You'd learned to manage.
But this scared him. Scared them both.
_______________
In the morning, when you did wake up, Logan peered around the bathroom door and watched you carefully.
You sat up slowly and had to get your bearings. Eyes are half-open and still red. And his chest hurt. He wondered how many mornings you'd had to do this alone.
"How do you feel?" he asked, wiping shaving cream off his face and coming over.
"Like I got hit by a truck," you rasp.
"How's the pain?"
"It's there," you tell him, starting to get out of bed. You have to move. Your head feels like it's full of cotton. Your mouth feels like you were licking bowling alley carpet. And You're starving. "But I gotta get ready and-"
"We called you in," Logan said.
"But I gotta work and I need to get my stuff done today so I can-"
"Your boss was more than willing to give you a day off," Logan said, waiting to catch you if you wavered as you tested your feet on the floor. "You over did it, yesterday, huh?"
"I was fucking mad. It's just so fucking stupid. Every fucking year-"
"Hey," he stopped you and tilted your chin up. Bending down to kiss you gently. "don't hurt yourself just to prove something."
"Pot-"
"It's different," he grumbled.
"It's really not. I just don't heal." You take a deep breath and haul yourself to your feet with a groan. He watched you go, making your way to the shower and frowned. But he let you go, keeping an ear out in case you needed help as he went out to find Wade.
"Mornin' Peanut," he said, "How's our patient?"
"Getting a shower," he said frowning as he poured a cup of coffee.
"Someone's been dick slapped with some reality this morning," Wade said kissing his head, " 'S'matter, Logi-bear? Did our girlfriend just remind you-"
"Shut up," Logan growled. It was different. No one expected you to do all that shit. Sure you COULD. You weren't helpless. Or as fragile as he thought when he first met you. But- it was different.
"That's a yes," Wade hummed, kissing his head.
He growled and Wade huffed a laugh; both of them paused for a moment when there was a clatter from the bathroom and Logan half shrugged, "Shampoo bottle."
Wade nodded and carried on, putting food on the table; fussing with details. Making sure that there were pancakes with hearts on them for you and grumpy faces for Logan.
You come out in fresh pajamas and Wade bounds over, tilting your chin up and kissing your face, "She lives!" he declared. "And she looks like heaven."
"I feel like death warmed over."
"Well you'll feel better with pancakes," he said, "and hot chocolate."
"I'm gonna go into a sugar coma," you tell him, pulling him down to kiss him.
"You can't be in a coma," Wade said, "we're educating Logan on pop culture today. And you have a full day of pampering ahead of you-"
"Wade I'll be okay I just need-'
"Ah-ah-ah," he said, guiding you to the table. "This is for us," he explained. "We're traumatized. And now you just gotta let us get it out of our system. And I prefer to do it by making sure you're spoiled. Logan would probably fight your spine if he could figure out a way to do it."
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rjthirsty · 16 hours
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Bound Forever
Gilbert/Reader Roderic/Reader
Words: 2k
CW: Major Character Death. Angst. Tragedy. Grief. Smut. Route Spoilers.
A/N: @scummy-writes did a piece on Gilbert dying called Normalcy Bias that inspired this piece. We've spoken at length about our Gil headcanons, and I admire her as a writer, so I wanted to give myself a chance to mimic the depth of emotion I read in her works. I'm honestly hoping to cause some tears with this.
Gilbert had disappeared again.
It was always terrifying when he vanished, because you knew the only reason he had for leaving without saying a word - he was unwell. Like a wounded or sick animal, Gil removed himself from the palace to find a place he could rest until either he felt better or he perished. Thankfully he had always returned, but you still hated every time he left, feeling helpless and worried sick that you might not see him again.
Walter knew before you did. He always knew when Gil left, but he wasn't allowed to say anything. That, in itself, was a giveaway on why you couldn't find your husband. Just looking at Walter these days answered the question for you since you had danced this routine enough times to know when Gil had told him to keep things from you. Today, Walter refused to make eye contact with you when you visited his office in the medical ward, pretending like he didn't see you enter. You didn't even need to ask. That was enough.
Roderic knew, though he didn't know where Gil ran off to, or even if it was the same location each time. Walter was likely the only one who truly knew where Gil was. Roderic was painfully aware whenever Gilbert disappeared, scared that his master - his friend - would never return. Since you became a part of their lives, Roderic would stay with you on those long days that Gil vanished and the two of you would hold hands and try to keep each other's minds off the possibility. Neither of you wanted to voice that possibility.
As night fell, the black castle felt darker and more hollow without Gilbert's presence. Alone in your shared room, you restlessly waited for your husband's return. Some absences would span a few days, some only a few hours. Today turned to tomorrow, and a sleepless night passed you by with still no word from him.
Another day with Roderic for company. Another attempt to keep your thoughts from spiraling to the worst case. Perhaps baking would help. Gil could return to an abundance of sweets and maybe, just maybe he'll understand how hard it is for you when he goes off like this.
Another dusk leaving you alone with your fears for company in your shared room. Another sleepless night. Another morning that looks more gray than the previous. Three days was the longest he had ever spent away. It had only been two. There was still hope he would return, though that hope was a candle in the fury of a storm right now, barely keeping lit.
“You need to sleep.” Walter scolded.
“I want to see him as soon as he comes home.” It was a silly reason to keep yourself from sleeping, but even if you attempted to rest, you'd be haunted by the thought of him dying somewhere alone. He was alone right now. Alone and sick.
“I'll wake you when he gets back.” Roderic offered.
You're tired. A short rest would be good for you, but… “I'm scared.”
The tears start falling as you hug yourself. Walter looks away, cursing Gilbert for putting you through this. Roderic watches you, unable to offer any assurances. He's scared, too.
Laying on the large bed you share with your husband, it feels so cold and empty. The sunshine doesn't touch here even with the curtains opened. Your pillow is wet from your tears. You can't seem to quell them.
“I'll be right outside,” Roderic promises.
What good would that do? You're still alone in this large room. Exhaustion weighs your eyelids down until you fall into darkness.
You wake into darkness. The large windows are filled with the night sky. The room has no candles nor lamps lit. A shadow stands near the bed, far enough that his presence is hidden but the dull, midnight light from the sky beyond the windows outlines his form. His black hair shines like obsidian and you draw in a sharp breath.
“Gil?” You whisper his name, fearful that the slightest noise would wake you from this dream and he would fade away like an apparition.
He doesn't answer. He's not really there. Again tears well in your eyes and stream down your cheeks.
“Don't cry, Little Rabbit.” He steps towards the bed, out of the shadows. “Did you miss me that much?”
His red eye gleams from the starlight. His smile is perfectly placed. Now that he's closer you can see the layers he's wearing, still in his cloak, he must have just arrived. You glance towards the door, wondering why Roderic didn't wake you. The closed door gives no answers, though it is clearly late so perhaps he went to bed.
Throwing the blankets off, you jump out of bed and run to your love. You throw your arms around him and nuzzle into his chest and the tears come faster. “Yes, I missed you that much!”
Shakily drawing in breaths between your outpouring of feelings and the sobs you try to swallow down, you continue as you cling to him. “Everytime you leave like that I don't know if I'm ever going to see you again! It's been three days! I thought the worst and I couldn't sleep and you can't keep doing this to me!”
Slowly, Gil's arms wrap and you. Gently, he rubs circles on your back to soothe you. He leans down to softly drop a warm kiss to your forehead. He has no words to comfort you. He makes no promises. He never does.
“That was the last time.”
Except, this time he does.
He's warm in your arms.
You draw back as the horrible realization hits you. Looking up into his single red eye that holds more emotions than Gil ever expressed, you take a step backwards. Shaking your head as if it would do any good to convince yourself this wasn't happening, you back up another step.
“No no no. No. Please. No!” A third step has you stumbling into the bed, falling onto it. You can't even feel your legs anymore.
The man posing as Gilbert slowly came closer. The man who hadn't woke you on your husband's return, because he had never returned. Roderic delicately cups your jaw. Warm hands. He wipes your tears, even as new ones fall. Warm fingers. He speaks in such a sweet voice. A voice you love. “It's alright, Little Rabbit. You won't have to miss me ever again.”
Grief so deep you never thought possible drowns your heart and sobs wrack you. Warm lips kiss your eyes as your pain pours out.
Somehow he was on the bed next to you and you fall against his shoulder. Warm arms hold you close.
He murmurs words of affection and hushes soothing encouragement. And when your sobs finally die down to hiccups and gasps and shuddering breaths, you find a handkerchief already in hand to help clean your face. He guides you through the movements you are too numb to manage on your own.
His lips touch the corner of your mouth. Dazed, you turn towards him and your husband's face looks so forlorn. Fingers touch below your chin, lifting it for lips once again to touch yours. So soft. A slow blink from you and you find your voice.
“Roderic–”
“Gil.” He corrects, and the offer is so tempting.
You knew this was always the plan. You hoped it would be a long time from now, and you had pushed it from your mind. But the time has come and now… it would be so easy to close your eyes and pretend it was all a bad dream.
“Gil.” You repeat, your eyelids falling close.
“That's right, Little Rabbit.”
It's his voice that gusts across your lips. 
A nibble on your bottom lip and a longing sigh rises from your throat. It's his teeth that catches you, so familiar in pain and pleasure.
His tongue touches yours and you can almost believe that he's still there with you. Your mouths move together, chasing the memory of the man you love through clumsy movements that aren't quite right.
It hurts so much. Your chest aches and head throbs and you just want to forget. 
Fingers find clasps, and pull ties, and brush clothing from both of your bodies. Were they yours or his? Does it matter?
Teeth sink into flesh and tongue soothes the pain and your body responds to the training you've endured to appreciate the way his love feels on you. Marks blossom on your skin from his mouth that burns too hot.
Your eyes burn, tears forming between eyelids squeezed tight.
Your chest burns, bleeding out from the inside.
Your groin burns, desire whispering sweetly that if you just let go it'll be alright.
Think of him.
Think of him.
It hurts so, so much.
Your fingers tangle in his hair. His fingers push inside of you. You cry out his name as he rubs along your inner walls, exploring you for the first time, finding the places that cause you to buck into his hand and whimper and moan.
He learns quickly. He has always known.
New overlaps with old as your husband touches on memories from times before. Building that sweet ache in the pit of your belly. Causing your cunt to throb and drip making lewd sounds that your lusty moans overshadow.
You're on your back and he's over you. When did you lie down? He pulls his fingers out of you and you whimper in frustration. You were so close to covering the hurt in your heart with the pleasure of climax and he snatched it away.
He's gone.
A single sob breaks between your gasping breaths. Tears brim again between your closed eyelids. They fall hot, so hot down the sides of your face. You're empty. Alone.
His cock touches your wet folds and you crack your eyes to see your lover with damp lashes. He looks away and buries his face in your neck as he buries his cock inside of you. Your back arches and thighs cling to his hips, as he clings to you with strong arms and roaming hands.
He pumps into you and you can't help but rock with him to squeeze and drag and churn his dick inside of you. Fingers digging into his back. Nails biting skin. He gasps and whimpers and moans near your ear. You love to hear him. His teeth dig into you. It hurts so good.
You're not alone. Your voice grows louder. He's relentless. Pounding your sex and knocking every moan out of you. Biting you again, and again, and again. Your cunt clenching tight as the pressure in your pelvis reaches a tipping point.
His thrusts turn too eager. His rhythm lopes out of pace. But you're so, so close! Please! Just– “Ah! Gil!” His hot hands grip your hips and he slams into you finding his rhythm again and he moans and heat and orgasm and shivers and spasms snap through you.
Your thoughts go blank, flooded with relief from the throbbing from before. Euphoria washes over you, wave after wave as your cunt continues to clench sending another crashing over you, then another. Gil slowed down his pumping to ride out the squeezing milking his cock. And just as you finally thought you were coming to the end of your climax, Gil thrusts deeper, his pelvis flush against yours, trying to push further still as he spills his seed into you.
You gasp. He breathes heavily on top of you. You hold him pressed against you– too hot. So hot. He's stifling. He clings to you. He needs you to smother his own pain. Pain you understand because the both of you share it. Pain neither of you can ever talk about.
He's gone. The two of you are together but his absence in this room you share with your husband is felt, as if there was a void that could never be filled. You hold each other, your hearts bleeding for the same person. Silent tears will be shed and it hurts. So. So. Much.
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zafirosreverie · 3 days
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A virgin's pray's plans, part 2:
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This would have been like a "sequel" or part 2 of the fic.
note: this fic was planned waaaay before Multiverse of madness, so keep that in mind
You decide not to go with Agatha to Westview, knowing that if anything goes wrong, your bond would call you and you'd be there in a matter of minutes.
But you didn't count on Wanda's power and neither did Agatha. It took you both by surprise.
By the time you get to Westview, Wanda had already absorbed Agatha's powers and was locking her away as Agnes.
You both freeze as you feel the bond between you fade away, seconds later, she is Agnes.
Wanda walks away and Agnes returns home, leaving you alone.
Agatha laments in her mind, for she has lost her powers, her freedom, and the love of her life.
You try to do something, but your magic is too weak and only responds to a magic that no longer belongs to the woman in front of you.
As Wanda begins training to get her children back, the bond calls to you and you realize with horror, that by taking Agatha's magic, Wanda took the bond as well, so now you are HER virgin.
So you appear next to her, which confuses her. You explain everything to her.
You tell her that you are only her virgin by status, but your heart will always be Agatha's and you will never love her.
The redhead is not affected by this, because she doesn't even know you to begin with. And she doesn't need you to love her, as long as Agatha is locked away and she gets her children back, everything is fine.
You begin to help her with her spells, because the bond requires it and the redhead appreciates the company.
There are times when you think you could be friends, but then you remember Agatha, feeling a corrupted bond where there was only love before, and it passes.
More than once you beg Wanda to free her, promising to keep her at bay, but the woman never agrees.
Over time, Strange contacts Wanda and you both move into the sanctuary.
Wong finds himself fascinated with you, having read about virgins in covens. And you realize how badly history misinterpreted it, by saying that witches sacrificed them.
You spend time with Wong in the library, after your attempt to get Strange to help Agatha failed.
“If I free her, it will cause a negative reaction in Wanda, which could be dangerous. We’ve come a long way, I won’t throw that away for your ex-girlfriend” he says.
“She’s my wife, and I still love her,” you reply and leave.
You don’t talk to anyone for days, feeling like something is missing. Your soul screams but no one answers.
And there’s a problem with Wanda’s magic. You can help her, yes, but as time goes by, you realize that magic no longer obeys her and it’s because chaos magic can’t be purified.
And your help soon becomes a danger.
You try to convince Wanda to let you go, because the bond is becoming more and more corrupted and your magic is trying to get back to Agatha.
But the redhead investigates more and more. And wrongly, she and Strange conclude that in order for her to have more control, she needs to make you fall in love with her.
When Wanda starts to become kinder and sweeter, you are horrified to recognize the signs of courtship.
You try to tell them it doesn't work like that, that a virgin can only give her gift once, and you've already given it.
But they don't listen, and say that even if you can't purify her magic, it will help her control it better.
Plus, Wanda has already started to develop feelings for you. But all you want is your wife back.
One night, while you're trying to sleep, you feel something calling to you. You've been having a vaguely familiar feeling in your chest for days, but tonight it's stronger.
You concentrate and realize that, faintly, yes, but Agatha is calling to you.
That gives you hope that, maybe, there's still something to do. The next day you go to the library, in case there's something you DIDN'T know about virgins, and you find that it's magic that seals everything. And yours is sealed with Agatha's, because she's the person you chose.
So there's a chance you can reconnect with her.
Agatha has already weakened Wanda's spell, with the part of you that lives in her.
You search for a spell that can finish breaking it, and prepare to escape.
You wait for the night to do so, knowing that the moment she wakes, Wanda can sense you're gone, and you don't know if you'll be strong enough to fight the call of the corrupted bond.
You barely make it and ring Agnes's doorbell.
The woman doesn't seem to recognize you, but then, a spark of purple flashes across Agatha's eyes like the night she asked for your permission to court you, the night your soul chose hers.
You feel the bond calling to you louder, which means Wanda is close and furious.
You use the little magic you have left to free Agatha and kiss her. This is the second chance, the second time your soul chooses Agatha's and the wave of power that runs through the witch feels like the first kiss you shared more than 300 years ago.
Wanda arrives shortly after you part and feels betrayed to see you with her.
You try to calm her down and ask her to let you go again. She doesn't even have to give Agatha her magic back, she just has to let you two go.
But the redhead doesn't listen and launches a powerful attack on Agatha, saying that she is the one who truly deserves you.
You then remember the box of hearts that you still have at home and the necklace, where you keep the flower, still alive, that Agatha gave you the night you finally accepted her.
Gathering the last drop of magic in your blood, you call upon the power of hearts for the second time.
Just as Wanda attacks Agatha, they respond, and the moment the blow lands, just like in the trial, Agatha manages to absorb everything.
The brunette gets up and begins to absorb the power of chaos, using the bond that is slowly being purified, as it is uniting the right people again.
But you remember Wanda's fight to get her children back and you stop your wife.
You ask her not to be like her and let her be happy.
Agatha thinks about it for a moment, before sighing and accepting.
You take away only a fraction of power, enough to ensure that Agatha will remain superior in dueling, but leaving enough for Wanda to continue the search for her children.
The redhead looks at you with sadness and pleading and you approach her to tell her that in some other life, perhaps, you could have been good friends. But no matter how many universes and realities may exist, you will always be Agatha's.
The brunette and you leave her there and return home. Hearts are useless now, but they are a nice reminder that they would do anything for each other.
“Don’t you believe in love, Miss Y/L/N?” she asks, remembering their conversation from when you were young.
You smile. “There have only been a pair eyes that tried to teach me” you say.
“Would you let someone else try?…Would you let me try?”
“It would be an honor to be courted by you, Miss Harkness.”
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spicyviren · 5 months
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Oh let me meditate on the beast of devouring that feeds on the stars, that star devourer dragon Let me repel this Star dragon and banish it from the light of my Sun
- Ancient Sunfire chant, Tales of Xadia
I'm thinking about the sun and the stars and how Laurelion is, probably, both.
(Reposted because I’m a damn fool!!)
The Big Bang, in real life
The majority of atoms which make up us, our earth, and even our very own sun, were formed in the hearts of the very first stars in the universe.
These stars were made of lighter elements, mostly Hydrogen, Helium, and Lithium. But under the immense pressure at the core of those first stars, heavier atoms like Carbon, Oxygen and Nitrogen were formed. The stars eventually died - exploded - and released those heavier elements into the universe to be crafted into other forms.
As Carl Sagan famously put it, "We are made of star stuff."
And so Aaravos's quote in the teaser for season six - We are, all of us, stardust - is a blatant nod to the Sagan quote as well as, I am assuming, that aspect of the universe in some shape or form. Allegorically, it speaks to the idea of the universality of existence in the basest sense. But also, it acknowledges that the stars, like everything else, operate generationally.
So in this way, if we are to assume the TDP cosmos operates at least somewhat similar to our own, Xadia's sun is a younger (but still old as balls) star, from a different generation than the stars which are far more distant and ancient.
(As a side note, the very first stars in the universe did not last very long. Though certain stars in existence right now have "lifetimes" which are projected to last longer than the universe has currently been in existence.)
So if Xadia's sun is technically a star, even by Xadia's own admission (see Sunfire chant), then by this metric I have to ask...
What makes the Sun arcanum different from the Star arcanum?
While those first, most ancient of stars produced the materials which would become life, only a sun can sustain life and is therefore inextricably linked with the earth and all the life on it. It's this connection which I imagine is responsible for the change in the nature of the magic.
In Callum's Spellbook, Callum makes some word-association lists for the different types of magic. He associates "truth" with both Sun and Star (perhaps a trait of their shared stardom). No other words match up completely, but it feels like they are referencing similar things within different contexts.
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The Sun teaches while the Stars are simply intelligent; the Sun is a "guiding light" while the Stars are associated with "destiny." Further, many of the other words Callum associates with the sun are about being in positive community with others (optimism, warmth, charisma, leadership). The nature of the sun is more giving, nurturing, and dare I say loving than that of your average star. Sun is revealing and honesty, Star is mysterious and reality-altering. Further, there is a dynamism in the words for Sun Magic that is absent from Star Magic - sharing knowledge vs simply having knowledge, guiding vs prescribing a set path.
(Another side note: Callum also mentions that Star mages are born, which, Callum's limited understanding aside, is perhaps a hint about what it will take to connect to the Star Arcanum. I have thoughts, but.... I'll just leave that there, winky face)
Obviously, these word associations can only go so far. Some of the most hostile and arrogant (eh eh!!) figures we've met have been Sun-aligned. But it does make me wonder about the beginning of Sun magic and what that introduction may have looked like.
Ever wonder what those sparkly dots are up there?*
Okay, so big question for me. Is Aaravos a star, like, literally a personification of a ball of gas burning billions of miles away, or is he just like, a very special elf? The same goes for all Startouch elves.
Zubeia refers to Aaravos as both a star and as an elf, and it's one of those things which I can't decide is real or simply a more poetic way of speaking of him. Is "Startouch elf" simply another type of star? Official art also sometimes depicts him and others as constellations. Are they the formed consciousness of a collection stars?
But it also makes me think of how often Sunfire elves personify the sun/the sun orb.
JANAI: You are a student of history, yes? Do you know where the Great Orb of the Sunforge came from? KARIM: Legends say it was a gift from the Sun herself. The gift of a millenium. - "The Drakewood," S4E6
In "The Queen's Mercy," we have...
Aditi nodded. “[...]and so, as the Sun’s daughter, I will lead you into her embrace.”
...and earlier, there is this:
Queen Aditi the Merciful, they called her. Queen Aditi the Kind. The Light of the Sun Incarnate. Kim’dael had thought it all an insufferable exaggeration. Sunfire elves gilded everything they could touch, of course they would do the same to their beloved leader.
Karim personifies the corrupted sun orb in "After Darkness":
He could still see it: the top of the Sunforge Tower, upside-down from where he lay, shrouded in inky corruption. It looked ill, its sickness weeping red and crowning the spire in a haze of blood. [...] We will come back, he promised his beloved, tainted city, his lost home. We will not abandon you. The orb pulsed mutely, a cry for help he could not answer.
TDP uses personification a lot, so it is kind of hard to parse out when it's being literal and when it's being lyrical. Perhaps in the examples cited it's simply the ostentatious way of the Sunfire elves like Kim'dael thinks. But if Aaravos, a known person, can be a star, then I can easily reason vice versa.
In the Book 1 novelization, Aaravos refers to himself as "of the First Elves." And if that is true, it follows that there must have been "Second Elves."
So who is Laurelion?
The significance of the laurel in the Western canon goes back to the myth of Daphne and Apollo.
There are various versions of the story, but essentially, Apollo (popularly associated with the sun), falls helplessly in love with Daphne. Though her reasons vary in different iterations, Daphne turns away from Apollo's affections. She runs and Apollo pursues. Just as Apollo is about to catch her, she begs for help - sometimes from her father, a river god, and sometimes from her mother, a nymph or Gaia - and she is saved by being turned into the laurel tree. In Ovid's Metamorphosis, when Apollo reaches Daphne post-transfiguration, he can still feel her heart beating below the bark. From that point on, the laurel wreath was associated with Apollo, achievement, and victory.
Gold, the element, takes the symbol Au from its Latin word, Aurum, which has etymological ties to 'aurora' (dawn). Names likes Aurelio or Aurelius similarly mean "golden" or "guilded."
So, taken together, I of course think immediately of this:
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THAT BEING SAID, this looks more like a weeping willow or a wisteria than it does a laurel, which has bushy foliage rather than hanging. The closest I can maybe get is a mountain laurel, which does have blooms that hang kinda sorta like a wisteria, though not nearly in such a dramatic fashion. But anyway!
The golden laurel...⋆。°✩Laurelion✩°。⋆
Interestingly, in Ovid's retelling of Apollo and Daphne, Apollo's love is the result of being struck by Cupid's golden arrow, while Daphne's disgust of Apollo's advances are the result of being struck by a lead-tipped arrow. And so, there is an association there with gold and love. And within the context of the myth - Cupid is getting petty revenge on Apollo after Apollo is boastful and arrogant about his own prowess with a bow and arrow - it's also an instance of weaponizing love.
Which brings us to that which is known everforth as...
The Nova Blade
It is actually quite common for stars to have companions and to exist in what is called a binary star system. In this system, two stars are gravitationally locked in orbit and can appear as a single object when observed by the naked eye. Sometimes, the proximity between these two stars results in what is called a nova - a sudden brightness which appears to be a new star. Novas are not associated with stellar "death" (you'd be thinking of supernova, in that case).
Now in our universe, novas are not actually stars. They are events, momentary bursts of brightness under specific circumstances between two stars. But the name "nova" originally came from the term "stella nova" which means new star.
…and though undying, took last breath, immortal Laurelion was no more. - "The Death of the Immortal"
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Did Laurelion just...die? You know, it was really unclear...
I do not think the Nova Blade killed Laurelion in the moment described in the poem. Kazi is so doubtful and Callum is so sure - Callum you fool! - surely that would be too easy (quote quote easy)?
I will grant that "Supernova Blade" would sound kind of hokey, and even originally I had thought, "Oh cool, 'nova,' like 'SUPERnova!'" And then I thought to look up just 'nova' and it turns out it was actually its own thing. But even without all that, the 'though-undying' of it all haunts me.
And so I hold to the idea that the Nova Blade makes an immortal mortal. It does bring death's bite, but in a way in which Laurelion becomes something else, reborn with death's promise like all other mortal beings are.
I have two point five ideas.
The Light of the Sun Incarnate
My first hypothesis is, of course, that Laurelion became the tree with the Sunseed with a name that's a nod to Daphne and Apollo. Of course, I'm assuming here that the tree in which the Sunseed is kept is responsible for producing/sustaining the Sunseed, which may not be true.
Now the drawback of this idea is the legend that the Sunseed was a gift from the Sun herself. So here, it would have to be within the context of the Sun sacrificing Laurelion in some way for this purpose. There's obvious Jesus parallels here which, full disclosure, is not really my bag, baby, but there are plenty of elements in TDP that very easily slot in with Christian canon. But also, in the laurel myth Daphne begs a parent to save her, which puts the sacrifice of it all in a different light. It makes me wonder if the event with the Nova Blade is self-inflicted and, mayhaps, an act of love. So in this sense, the Sun "gifted" the world (or just the Sunfire elves, I dunno) her child by simply letting her child go.
My second hypothesis is that Laurelion became the first Sunfire elf, of the second elves. We are, all of us, stardust. It would not come as a shock to me if all elves were ultimately descended from the Startouch elves of old.
AND THEN we've got Aaron Ehasz talking about how the red dragon scale amulet (...and look, this show does color coding, that's SUN) is somehow related to Laurelion?
Sunfire elf, I say! SUNFIRE ELF!
Combining both of these scenarios, I could see Laurelion being the child of the Sun (again IF we are to assume each star is a living entity). Or maybe Startouch elves are born OF stars while not, technically, being the same thing, like an egg hatching the next evolution of its mother.
And so, perhaps Laurelion chose to become mortal, to become the first Sunfire Elf. And all of Laurelion's children, and their children's children, and their children's children's children, they were all of them children of the sun, the light of the sun incarnate, bringing the hope and optimism of something new to the world; destined to return in death to the embrace of their very first mother. And as a symbol of her love, the Sun gifted Laurelion the Sunseed, golden and cradled within a tree.
*oddly relevant Lion King reference
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lisbonsteresa · 2 years
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i'm going to SCREAM
#tm#you don't get how UNHINGED this makes me it's SO#like he's been out all day trying to track down this missing kid (as part of her case too; to give her another avenue against volker)#and they have their little catch up and at first he's concerned (she's been at this all day and now into the night too#and he GETS it - in a way maybe other people wouldn't - but he doesn't want her to burn herself out; he wants her to be careful#maybe he's about to tell her a version of 'get some sleep')#but then she talks about amanda and it makes me NUTS because she does NOT ask for his help#she doesn't ask him to stay; to read the files with her; to 'burn the midnight oil' with her#she's just...stating her case; explaining why this means so much to her; and he listens; he takes it in; and he makes the choice to help#to sit in this with her and to help her work through it#and i just -- neither of them will ask the other for help (yes i know she did at the end of the last episode the context is different ok)#but they're both so quietly (and sometimes not so quietly) desperate to help each other it makes me sick#it's so interesting to see how they deal with this as the show goes on....idk how to explain it but like#when jane needs help he closes himself off; he keeps secrets and he schemes and he lies ('let me help you' 'you're sweet')#because he's trying to keep the people he cares about - the people he never planned on caring about as much as he does - safe#even as he shares more with lisbon (and sometimes the rest of the team) he still doesn't share everything#because that puts them at risk#and that's what lisbon used to do to - in the earlier seasons she put up walls when she felt vulnerable; and she still does in some cases#but with this case especially she's much more accepting of help - she relies on her team (not that she doesn't usually)#and she's practically an open book to jane - in this scene most of all - she lets herself be more vulnerable#(and open to suggestions/ideas she might otherwise scoff at or reject)#idk idk it's very interesting but this scene makes me so wacky there's something so soft and tender and understanding about it#the way there's no spoken acknowledgement - no 'i'll help' or 'thank you' - just the silent understanding that they're in this together#because they're partners#(also the way he picks at the rest of her food - the 'done with this?' the only thing they say - and the framing through the window#is still somehow very domestic it's like my perfect scene)#spinning my wheels hard i'm not thinking clearly i just love everything about it
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snowshinobi · 4 months
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hanahaki disease trope captivates me because (as I interpret it) the call is coming from inside the house. bc you see, the solution is easy. the flowers stop trying to tear their way out of your body if you confess your affections or get over them. go do stuff other than hanging out with your doomed crush for a while or speak your feelings: let the flowers see daylight. but sometimes ... catharsis ... is worse.
it's like when Fall Out Boy said "I'll keep my jealousy close 'cause it's all mine" and when Taking Back Sunday said "if it's not keeping you up nights, then what's the point?" these warm, bloody, one-sided feelings might be as close to reciprocal love as you're gonna get. if you flee or confess and aren't loved in return ... you're healed. free of pain. free of flowers. that precious thing you were holding onto so fiercely, for months ... vanishes.
hanahaki studies the compulsions that drive self-destruction. that turn pain into the means to its own end. human resilience is our greatest strength and an agent of literal body horror. hanahaki paints an intentionally romanticized picture of how vital wanting to get better is to actually getting better. as the adage goes, you can't control how you feel, but you can control what you do about it.
healing is terrifying. watching a character reject it until their death is sobering. watching a character choose it when they are at their most scared and sad and hopeless is ... devastating. it makes me press my hands against the walls of my consciousness.
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In the morning someone remind me to recognize my tags a bit
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outeremissary · 6 months
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You know I spent a lot of time reading Nuzlocke comics and fics as a teen and I think that really shaped my understanding of approaches to canon in fandom. Like there's fandom you're doing straight and trying to be faithful to the material on, and then there's fandom like a lot of the Good Stuff on Nuzlockes and wacked out chess AUs where you're somewhere on the sliding scale of remixes from "playing fast and loose with the base material" to "reality is whatever makes the story fun. heart." And they're both valid. God I fucking love how insane Nuzlocke comics could get.
#I used to be super super into nuzlocking myself. it's really fun! I used to do it blind with new games until I stopped playing the new ones#but I enjoyed journaling my experience and making up a story to string things together in my head and then doing art/writing for it#and I used to keep notes on how I was also deviating any canon characters from my understanding of their base characterization#and why I was doing that#I feel like that kind of remix or that exercise in 'what's another possible reading and how could you build on that' is really fun#maybe the best time I had with a nuzlocke was the one where at the beginning I decided it was going to be magic themed. a magic au.#and I developed a whole magic system and shit and based the rival's characterization on his relationship with his magic#opposite the MC's relationship with hers- the prodigy vs the flunky mage who doesn't really want to work with her natural talents#at a point that's probably over the threshold of what can actually be considered pokemon but god it was good entertainment.#truly truly joyful kind of fanwork#deviant characterization can be really fun even if sometimes it really pisses you off lmao#like. yeah maybe he would not say that. or I'm not convinced. but if you spin a delightful enough yarn it's a good time to pretend anyway#rambling#I think I just miss all that whimsy#I used to read one guy's stuff who sometimes nuzlocked and then wrote fic for the same games#and I loved how he always did all the canon characters totally different in the overlapping stuff#but always had a great case for the diverging characterization within the context of his fic of the hour! I loved that!#I think there's also something of a DM/GM attitude there. lol. sure you can run a prewritten straight but you're unlikely to in the end#that deeply personal element and the way the material is chopped up and remixed and changed by the touch of a new hand...
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aperrywilliams · 4 months
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That Wasn't Fake (Spencer Reid x Fem!BAU!Reader)
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Author Masterlist
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Pairing: Spencer Reid x Fem!BAU!Reader.
Request: Can you write a Spencer fic where the reader is kind of quiet and shy when she begins working at the BAU, and Spencer has a crush on her, and then they have a case, and she has to like to seduce the unsub lowkey and everyone kind of like...how is she going to do this shes not very outgoing but when she does shes really good at it, and everyone is surprised and impressed.
Summary:  You're shy and reserved. Spencer has a crush on you, and unbeknown to him, you have a crush on him. Maybe the cat can get out of the bag when you have to step aside of your comfort zone to catch an elusive unsub.
Word Count: 4.2k (no self control here)
Warnings: Words like 'fuck' and 'bitch'. A rant about self-doubt. Typical CM stuff: unsubs, killings, etc.
A/N: Another request I loved! It should have been a little shorter, but I'm having a hard time getting to the point these days. Please keep sending requests!
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Spencer knows it is inappropriate, but he can't help it. You're coworkers, and that itself sets a boundary, so he shouldn't be thinking of trespassing.
But the crush he has on you seems to grow every day.
He doesn't know if it is your beautiful smile, the kindness you show in everything you do, or the enthusiasm you put into every task you are committed to. Since the moment he saw you pass the bullpen glass doors, Spencer knew he was damned.
From that moment, Spencer knew he wanted to know you and learn everything about you. About what you liked, what you hated, and what your fears and dreams were. Everything.
But not much after that revelation in his mind, he understood it wasn't going to be easy to get to you.
You were extremely shy and reserved.
In fact, your first interaction - when Emily introduced you both - consisted of a wave of your hand and a timid 'nice to meet you.'
He thought as time went by, you would loosen and become less bashful and quiet. And in part, he was right. As the months passed, you began to feel more comfortable within the team. You laughed at Luke's jokes, you commented on Rossi's stories, and you could even - when the stars aligned - crack a joke yourself to Tara or Matt.
But beyond that, no one knew much about your life outside of the BAU, unlike JJ, who always talks about her kids and her husband, or Matt, who talks about his kids, too. Or Tara, who recounts her failed dates. Or the same Luke who always shows photos of Roxy.
You, on the other hand, seemed to be an enigma. But Spencer Reid loved decoding enigmas.
At first, he turned his interest in you out of mere scientific curiosity. However, internally, he knew it wasn't just that.
It started with small random questions about the times you worked together: Is this coffee okay? What was the last book you read? Do you think we should buy some donuts for the team?
If you were honest, it picked your interest why, from all people, Dr. Spencer Reid was so adamant in making conversation with you.
From what you knew and from what the team said, Spencer was not a person very interested in things other than work or books. But suddenly, out of nowhere, he asked you what the last movie you saw was or something like that.
You always answered his questions; however, you would have liked to be much more talkative and engage in longer conversations, but your nature stopped you.
'What if I don't have anything more interesting for him to say?'
'Does he just talk to me because he feels sorry for me?'
And that was the big issue: you have never had problems with the way you live your life. You're pretty satisfied with what you do in your job and out of it, too. But you have always thought you are too 'simple' to entertain people's interest.
And to be honest, being surrounded by people with so much experience and big things happening in their lives still intimidates you a bit. So, you usually refrain from talking too much about yourself or anything for that matter.
But with Spencer, things are a bit different. He's always checking on you but respects your boundaries. He has learned that sometimes you just don't want to talk, and he doesn't push.
Despite his interest beyond the professional, Spencer would never do anything to make you uncomfortable. Being able to share time with you will have to be enough for him.
In a way, he has become your protector. He is your backup during interrogations or in situations where you can feel awkward, like the times when some police officers tried to flirt with you and got too close. Sure, you know how to turn them down, but sometimes guys don't get the memo and keep pushing. You're too shy to yell or be aggressive about it.
The team also understands the way you are, and they know it does not make you any less professional. However, they have always been careful not to take you too much out of your comfort zone.
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A whole two weeks and five murders later, the team is stuck trying to catch an unsub who has preferences for killing women after club nights. The profile says he is not interested in just any woman but in those between 25-30 years old who like to flirt with several men in the clubs. But it is not just any type of flirting; it is the type that is initiated and dominated by them. In short, he likes to kill women who are the opposite of submissive. He sees them as predators on a hunting ground.
Another finding in victimology is that the women he kills, in addition to having a specific age range, have very similar physical characteristics. And similar to you.
All his victims have your build, eye color, hair color, and height. It gets to be creepy to a certain point. And it's something difficult to ignore.
Bouncing information and possible strategies, the team agrees they need to be proactive to get him to show up before another killing happens.
"Okay, what options do we have?" Emily asks.
"The witnesses haven't gotten us anywhere," Luke complains.
"Although we've narrowed down his hunting grounds," Rossi shrugs.
"Yeah, we know the clubs where he likes to hunt," JJ backs Rossi.
"But although the profile, we have yet to learn about what to look for there. I mean, we know what the unsub wants, but not how he looks like." This time, it's Tara who speaks.
You've rarely seen Emily bite her tongue when she wants to say something, but it's clear that she has something on her mind, and she doesn't know how to put it, or maybe the problem is something else. You look at her out of the corner of your eye, and she looks back at you; what do those eyes say? They look like they're even apologetic.
It's a fraction of the time before she comes back to behave like herself.
"We need to lurk him. It's the only way," she says. And everyone's eyes - yours included - are on her immediately.
"Lurk him?" Matt repeats.
"Yes. And all we know who should be the one going undercover to do that," Emily adds, looking at you this time.
That's it—the elephant in the room.
Of course, you're the ideal candidate. Well, you're perfect in the physical aspect because if we talk about the victim's personality and yours...
There's silence in the room, and you can feel like the team's eyes are all on you.
Do they expect you to say no? To refuse? From your perspective, it's not a question; it's more like the option you all have to catch the guy.
"It's true (Y/N) would be the closest to the unsub type, but there are a lot of things to take into account," Matt says. And you know perfectly well what's behind his words, even if he doesn't say it directly.
And that's okay; it's perfectly plausible they have their doubts. It is not enough to look like the victims for the operation to work.
But if there is one thing you are sure of, it's that you will always give your all to your job, even if that means becoming a completely different person.
"I can do it," you mumbled so quietly that if the AC weren't in the lower setting, people wouldn't have heard you.
"But (Y/N), you know about this guy. It's dangerous," Matt points, a frown on his face.
"Not to mention he likes rough interactions," Luke adds.
"You don't have to do it if you feel uncomfortable." This time, it is JJ who voices her opinion. And you know, that's the closest reason to the team's main concern.
And the fact you can blow up the entire plan.
Spencer stays in silence. Internally he's freaking out thinking of you having to lurk on the unsub, but he knows you are a professional. And he feels a kind of deja vu.
When he was younger, the team would have said the same about him doing something like that. Spencer knows what it's like when people baby you, making you feel insecure. Sure, he hasn't had to worry about that anymore. Spencer is almost forty, and no one would dare to tell him he can't do something. Not after all the things he has been through.
"JJ is right, Bella. You don't have to do it. We can think of another way," Rossi backs JJ.
That's when Spencer notices the slight frown on your face. It's invisible to everyone but him. He knows it's there.
You stay collected, even when everyone on the team has something to say about how bad the idea of you going undercover to lurk the unsub is.
Emily is who stops everyone's rant.
"Guys, hey. If (Y/N) is telling us she can do it, we're going to do it. Of course, we'll be there to back up her and catch this unsub."
And this is how the discussion is settled.
Emily sends everyone out with a task to prepare for the night. Today is Friday, and the unsub will surely be stalking some new victim. The chances are high.
When it's just you and Spencer in the room, he still looks at you in silence.
"Do you also think I'll not be able to pull off this mission and I'm going to ruin everything?"
You downcast your gaze, exhaling deeply.
"No. I don't think that," Spencer clarifies, and you raise your gaze to meet his eyes. "You are more than capable, (Y/N). The team is worried because you'll be out of your comfort zone in a dangerous situation."
"The team? Not you?" You narrow your eyes to him.
You try not to sound accusatory, but if you're as scared as everyone, you also are fed up with the other's doubts.
Spencer closes the distance between you both but doesn't invade your personal space.
"Of course, I'm worried too! I don't want anything bad to happen to you. But I trust you and your judgment."
Your heart does flip-flops, and you're not sure if it's because Spencer is worried or because, despite that, he trusts you—or both.
"You do?" You ask, not so convinced.
Spencer nods and smiles at you.
"And we'll be there when you catch the guy."
If that is the reassurance you need, you don't mention it. Instead, you grin at Spencer as a promise you'll do your job just how you are supposed to.
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You insist on getting ready in your hotel room. The only assistant you ask for is Emily. She was the one who trusted you first in this, so you'll take every piece of advice she can give you before this night starts.
Everyone has a role in the plan.
Rossi will be the chauffeur who will drive you to the club.
Luke and Spencer would be in the club, mingling with the patrons. JJ, Matt, and Emily would be in the van monitoring the whole situation with cameras and earpieces. Rossi would keep his facade as a driver so he could be at one of the entrances. Tara would be at the club, too, eyeing nothing suspicious going on in the bar because there is a chance the unsub is getting help from the bartender.
When you are in front of the mirror applying the last touch of makeup, Emily is looking at you with a stare you can't decipher.
"What?" you ask, and Emily chuckles.
"Please, don't take this in a bad way, but I never thought I would live the day of seeing you using clothing like this. And Jesus, you look so hot!"
Your cheeks redens.
"It's a little bit odd coming from my boss, don't you think?" you muse, smoothing the fabric of your dress.
"Point taken," Emily raises her hands in defense. "Although I know someone who is going to run out of breath after seeing you."
You let out a scoff. It's not a surprise for you. The BAU girls - boss included - have been trying to set you up with Spencer since forever. You don't entertain the idea only because you don't think it's possible and not because you don't like the concept.
"Come on, don't say that. You are not helping to my nerves."
"Sorry, I'll shut up. We should go, though," Emily says, checking her watch.
One of the SUVs drives you to the van parking point. You needed to review the operation details.
At the back of the van - or commander point - JJ, Luke, Tara, Rossi, Matt, and Spencer see you come up with Emily.
For the best US profilers, they're not doing a good job hiding that they are gawking at you. Surely, no one imagined seeing you in such a revealing outfit. Outfit that, without a doubt, suits you extremely well, highlighting all your body attributes.
Spencer feels like he died and was resurrected after seeing you.
"Okay, guys, we need to check the details again," Emily announces.
The plan is in motion, and everyone is in position.
As expected, you arrive with Rossi at the club, who opens the door for you and helps you descend from the car. Rossi gives you a reassuring smile before letting you go.
Like a switch, you are no longer the shy SSA (Y/L/N). Now you are the woman who is going to take what she wants and attract the unsub attention doing that.
Your walk is determined, and your eyes send out flames of confidence to those who look at you. The music is very loud, something that would usually bother you, but not now. This needs to feel like your environment. That's how you like it, you tell yourself.
Almost instantly, you start to attract the looks of men who are eager for a woman like you.
You exude determination, and you don't go unnoticed.
Walking into the club, you make brief eye contact with Luke, who is on the dance floor. You see Spencer perched in a booth, nursing a beer.
At the same time, Tara is stationed at the bar.
"Remember (Y/N); the unsub expects the woman to approach men. The flirt needs to come from you," Emily reminds you by the earpiece hidden in one of the earrings you're wearing.
"Show time," you mumble to yourself.
You walk seductively to the dance floor, where a young man is dancing with a blonde. You approach and whisper something in his ear. That makes the boy completely lose interest in the blonde and start dancing with you. You smile and cling to the man's body, who wastes no time and takes your hips as if they were his possessions.
That dance certainly has nothing innocent about it. You continue whispering things in the boy's ear, and he looks more and more excited. Once you consider it a reasonable amount of time to have attracted attention, you leave the boy alone and head to the bar. Just a few meters away from Tara, a suspicious man is staring at you. You see him out of the corner of your eye as you order a drink. When the bartender passes it to you, you make subtle eye contact with Tara, who nods, indicating that the drink is clean.
You look next to you and see another man not so subtly looking at you. You know the unsub's profile, and you can't be intimidated or dominated by another man. You are the one who calls the shots. Otherwise, this will not work.
Before the man makes his attempt to seduce you, you turn to him, and with a penetrating look and disdainful voice, you stop him.
"Sorry, honey. Don't waste your time. You're not my type," and with that, you leave to move to the opposite side of the club. The guy huffs, and you're almost sure hearing him call you 'bitch' under his breath.
JJ, who's following the cameras inside the club, sees someone who looks suspect.
"Hey, this guy has been peeking at (Y/N) the entire time, and look, he clenched his fists when (Y/N) turned down that guy at the bar."
Emily confirms JJ's observation before giving you the next instructions.
"(Y/N), you're doing great. We have a possible target. So we need to raise the bet."
You know exactly what Emily means. You both had talked about the strategy to follow, having more details about what you should do than the rest of the team.
Matt and JJ look confused at each other but say nothing.
Your next step is to find another dude to seduce before delivering the coup de grace.
Luke and Spencer keep an eye on you. And while Luke is pleasantly surprised by your audacity, Spencer can't help but feel his stomach tighten. He tells himself it's because he is afraid something bad could happen to you, but inside of him, it's that and the fact of seeing you flirt with other men.
Just like you did with the guy on the dance floor, you attract the attention of another man; this time, you take his hand and pull him to the dance floor.
JJ and Matt's jaws drop to the floor. If Tara, Luke, and Spencer could do the same without giving themselves away, they would have done it, too.
As if it were your second nature, you laugh and move to the music. The man seems to enjoy the moment so much that he takes a bold step by leaning in to kiss you. You let him get closer until his lips are almost on yours. But before touching each other, you pull back with a malicious smile.
"Naughty boy. I'm who says if you can kiss or no," you pout, faking disappointment. Dizzed, the guy cocks his head and sees you walk away.
Matt chirps now. "It's him. Look boss," he tells Prentiss, pointing to the same guy JJ saw before.
There is no longer any doubt that it is him. Now you just have to catch him red-handed.
"(Y/N), we got him. It's time for the last play," Emily tells you.
With Emily's instruction, you go to the bar for another drink before heading over to where Spencer is sitting.
He tries to play it off, but he has no idea why you're approaching him.
"Is this seat taken, handsome?" You ask, with your drink in hand.
"N- no. Please," Spencer gestures to the booth on his front, but you opt to perch to his side. Spencer thinks he never has been this close to you. He looks at your eyes, and it's like you are a totally different person. It's a little bit contradictory for him, to be honest. He already likes you just as you are, but this version of you? It's driving him insane.
Some resemblance of your true self looks with a kind of curiosity the nervousness on Spencer. You don't think much about it; you assume he's playing the nervous guy who is baffled by you.
The thing is, Spencer isn't playing. He's definitely baffled by you.
"Are you okay?" You ask him, masking your question with a seductive smile.
"Yeah. Are - are you?" Spencer stutters a bit—something that is perfect for the plan but embarrassing for him.
You get closer to him to speak in his ear.
"This was Emily's idea," you tell him before kissing his ear and gently biting his lobe.
Spencer's breath hitches in his throat, and he thinks he's going to pass out any second. You're not doing it better: your heart is also pumping hard from the adrenaline. Of course, you had imagined something like that with Spencer, but only in your erotic dreams. You wouldn't dare do this on any given day.
You keep teasing Spencer, who, despite the nervousness, tries to play along. If this is the closest he will ever have you, he wants to engrave this in his memory.
"Just a little push, (Y/N). We almost have him," Emily instructs by the earpiece.
You swallow as subtly as possible as you wrap your arm around Spencer's neck, pulling him closer to you.
It's only a second between that action and the fact that you're kissing Spencer like it's your last meal.
Spencer doesn't know how to respond, and you were counting on that; it was enough time for the unsub to notice that you were the one who chose her last prey.
When Spencer is about to reciprocate the kiss, you murmur a 'sorry' into his lips and quickly pull away, giving him a disdainful look—which you hope he understands is fake—before getting up and walking toward the back exit door.
As expected, the unsub follows you towards the back door, and while your back is turned, he believes he has the advantage to attack you. What he doesn't know is that Matt and Luke are ready to lunge at him the moment he tries to touch you.
Everything that happens after is too fast.
The unsub is detained and taken to a patrol car while the team gathers around you, congratulating you on the successful operation. They all apologize to you for their previous apprehensions. You tell them that you understand and that there is no need to apologize. And it's like the switch has been flipped again since you came out of the femme fatale role.
But something is wrong. Spencer is not in the group. You see him a little further away, near the exit door of the club. Emily notices the looks between you both, and she sends the team on different tasks to close the case, leaving you and Spencer there.
There's something in his eyes that you can't decipher. You think it's resentment for using him without warning him what you were going to do.
You shyly approach him.
"It's me again," you tell him, pulling a face. You don't know what to say to make the situation better. Spencer nods.
"Yeah. You did it great, by the way," he compliments you. But it doesn't feel good like Spencer's compliments usually do.
"Look, about the kiss back there-" you start. He needs an explanation as a bare minimum.
"I know. It was fake," Spencer cuts you off.
Those words shouldn't hurt you as they do now. But isn't that the most reasonable thing to believe? The you in the club weren't you, so all you did inside was pretend.
Everything except that kiss.
If it's true you couldn't enjoy it the way you would have liked, you will never forget his lips on yours.
A tense silence takes over the moment. This is not okay.
You can't afford to lie to one of the most important people in your life, even if telling the truth takes you out of your comfort zone.
What the hell! Tonight has already been a total of 180 from a usual day for you.
"It wasn't," you mumble, and you see his eyes flicking to yours in a second.
"What?" Spencer asks, narrowing his eyes at you.
"Everything was fake, but not the kiss," you say with a stadied voice this time.
Spencer's heart races again. If you say you didn't fake it, then what he felt on your part at that moment was real?
"It wasn't fake?" He asks for clarification. You nod.
A smirk forms on Spencer's lips, seeing your cheeks redden.
There you are. The girl he had fallen for in the past two years.
"Well, you know that I am a man of science, right?" he tells you, and you frown because you have no idea where this is going.
"I know," you say with some hesitation.
"And as a man of science, I need evidence of things, you know?"
Now, you are the one who smirks at him.
"Evidence, huh?"
"Yep," he says, emphasizing the 'p' and swaying his body on his feet. You hum.
"I believe I can provide the necessary evidence if you need them," you concede, and Spencer's eyes sparkle with excitement.
Now, he is the one who reaches out and cups your cheeks. Your breathing quickens, but that doesn't stop you from standing on your tiptoes and connecting your lips with his.
This time, there is no unsub, no curious eyes are looking at you, there is no rush, there is no femme fatale role, and above all, this is not fake; it's as real as the fact that your heart beats for him, and his for you.
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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 
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would love your opinion of the newest episode of DW, if you get the chance.
HAHAHAHA YES I HAVE MANY THOUGHTS
Alright okay so
I only have one complaint, which is that that wasn't a faerie ring. You could still have the shamble, no problem, but it should have been over the top of an actual faerie ring, which should be a mushroom (or, at a push, stone) circle. Not some cotton that would blow clean off the cliff edge in three minutes.
HOWEVER
This is the first time I've seen Doctor Who do a time travel story using, not Doctor Who time travel lore and rules, but Welsh faerie rules. (First time I've seen anything do it, in fact.) In Welsh myth, people who enter faerie rings or get entranced by the music become suspended in time, out of sync with the real world. They think they danced for a night, but when they return it's been 100 years, and they crumble to dust as soon as they eat/drink/step on land/etc.
In this case, this is what I think happened to Ruby. She spent that time in Annwfn, seeing what would happen if the binding on the ring was broken. When she 'dies', she returns to the spot and lasts long enough to give her younger self the warning, then crumbles to dust.
But, a time travelling Ruby is not the woman who follows her throughout the episode. That, in fact, is a gwyll.
The gwyllion were hag faeries, usually of mountain tops (though Pembrokeshire's liminal cliffs are 100% from Welsh mythology - it was said that if you found a faerie ring on one but only put one foot in, you could see the faerie islands in the sea. And that faeries used to visit the human markets in Pembrokeshire and Ceredigion. So while gwyllion are unusual there, it's not an impossible relocation.) They were malicious and sometimes vicious faeries who delighted in making people lose their way, could strike an uncontrollable and ungodly terror into travellers, and who feature in more that one myth as an old woman that someone tried to approach, but they always appeared at the same distance away, impossible to catch up.
CAN YOU SEE THE PARALLELS
And the best part!! Is that this is why she defeats UNIT!!!
Kate tells Ruby that her agents have necklaces of silver and salt to keep out the supernatural, but that's just generic fairytale shit. That doesn't work on gwyllion. Salt drawn in a line would provide a barrier, but the UNIT soldiers aren't trying to trap or block the gwyll; they're trying to capture her. What works, very specifically, is a knife. Iron or steel for preference of course, but it needs to be a knife.
But UNIT has no Welsh employees and the soldiers have guns, not knives. And so they all become entranced.
(This is also what I think the gwyll 'says' to everyone to turn them against Ruby. She doesn't say anything - she sings.)
This is also the first time I've ever encountered any mainstream media doing Welsh faeries and understanding the tone to strike, which is 'unknowable, unstoppable and fucking terrifying'. I think I've only ever read it in Catharine Fisher books, and she's a Welsh author so... yeah, obviously. But I basically vibrated with delight and excitement for the entire episode.
Oh my god, hang on, Roger ap Gwilliam! Okay, I have two theories about him.
My weaker theory and the one I don't like is the kind of boring and obvious one, which is that he is himself not human. A lot of Welsh folklore features the devil, and I get that vibe from his role in the story. But, I'm not keen, because I can't see the link to the gwyll.
But my strongest theory, and the one I have chosen to believe, is that he's a human who made a deal with the Fae for power, and then reneged. There's a Metric Fuckton of stories about humans fucking up Fae gifts in some way, and the punishment is usually something ironic but always results in the loss of the gift. It could be a faerie harp that makes everyone dance, and the Fae tell the giftee not to abuse it, but they cruelly force everyone to dance so long and so hard that the faerie returns, takes back the harp, and then takes the human's ability to ever make music again, so example (by taking fingers or eyes or tongues as well, often.)
So I think Mad Jack strikes a bargain for power - but, then tries to abuse that power (nuclear war). But part of the bargain is that the Fae cannot approach him directly ever again. In the real world, they therefore tempt him into the faerie ring and bind his soul there, problem solved - until the Doctor accidentally lets him out, and gets his own soul stuck. Ruby, therefore, becomes the instrument through which they manage to take that power away once again - and then, her final Fae gift for her service is that they use the temporal anomaly of the faerie ring to send her back, at the end of her life, and give her a second chance. This time, with Mad Jack's soul left bound in Annwfn.
The fun part is, RTD is a writer who understands the power of not explaining everything and leaving some things up to the viewer's imagination, so none of this is ever going to be explained lol. But yeah, that is a gwyll. The moment she appeared, I said out loud "Oh holy fuck, gwyllion." That was a gwyll.
As a final observation, I loved seeing Siân Phillips, and I choose to believe they filmed those scenes in a pub because they could only get Siân if they agreed to just come to her local. The woman is a queen.
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ckret2 · 3 months
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So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:
Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.
And then I overthought it for two months.
So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨
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Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...
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I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.
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As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?
Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.
So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.
Which probably made for a jarring transition.
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(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)
When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?
(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)
When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.
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Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.
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After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.
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The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??
(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)
But of course, the real fun starts when Mabel finds out.
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That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.
But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.
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borderlinereminders · 2 months
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If you’re someone who needs reassurance from loved ones that they love you, that’s really valid. But the way you ask for it matters. Hinting at it with comments like “nobody loves me” can actually be hurtful to your loved ones. It’s also a good idea to try and reassure yourself first!
The truth is that for a lot of people, giving reassurance constantly is exhausting. It can lead to issues in a relationship over time, and negative feelings on both sides because they may end up avoiding the other person. This is especially true if someone doesn't ask for reassurance directly but hints at it with things like "No one cares about me."
My advice is if you are finding yourself struggling is to first try and self soothe either with skills or things that have helped in the past. Here is my post on self-soothing ideas! And if that doesn’t work, then ask for it in a healthy way.
Some other examples.
Keep screenshots, letters, cards etc that affirm you are cared about by your loved ones. You can even ask someone to give you a recording of them saying it that you can listen to. Bonus: Keep these things in a self-care box that you can use in times of crisis and pull out that has other things in like affirmation cards, favourite treats, self care items, etc.
Examine the evidence. By this I mean try and keep a list of things they've done to show they care about you. For example, I have a list of things my partner has done for me besides saying "I love you" of both big things and little things that I can read when my brain decides to be rude to me and make me doubt he cares.
If the other person has done something specifically to make you feel they don't care, it's important to step back and look at the situation and check the facts. There's a difference between someone lying to you or doing something intentional and someone not replying to you because they got busy. Here’s my post on checking the facts!
Here’s a post on Challenging Irrational Thoughts!
ACCEPTS is a really good skill for distractions! Here's a post on it.
TIPP is a good skill if you are needing to calm down in immediate crisis. Here's a post on it.
If you're having urges to accuse your loved one of not caring, consider Urge Surfing (here's a post on it) and then using a skill or plan that helps you.
If you aren't able to self-soothe that's so valid! It really is. I recommend trying it because sometimes you will be able to. But then sometimes you won't be able to and that's okay. In this case, if you need to get it from someone, ask directly for it instead of doing it in a guilting/passive aggressive/hinting way. You might say "Hey. I know you care about me, but my brain is being rude. Can you please give me some reassurance?" instead of "Sorry I'm such a bad friend/person/burden/etc".
It might also be worth having a conversation when calm with the other person to establish some boundaries and ideas for communication.
For example, if your friend regularly feels drained by you asking for reassurance, they could set boundaries on how often they're okay for you to ask for it.
You both might decide that they will try and message you randomly to offer reassurance because it can mean a lot when that happens.
This might be where they send you messages/recordings/etc that you can read in times of need.
If the friend is doing something specifically, even unintentionally, that makes you question things then it's really valid to have a discussion about it! I recommend using some I-Statements or other communicative skills to talk about it. Even if they aren't doing something wrong, it's still valid to talk about your feelings and see if you can come up with a solution. For example, maybe it's really hard on you that they disappear randomly for a couple days when their energy levels plummet. And this causes you to spiral and think they're ghosting you or etc. In this situation, maybe you and your friend come up with a solution where you establish a single emoji (specific for this purpose) that the friend can send with low energy that says "Hey. It's not you but I'm feeling drained and need to not reply for a bit."
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luveline · 1 year
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𝐢𝐟 𝐭𝐡𝐢𝐧𝐠𝐬 𝐠𝐨 𝐛𝐚𝐝 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫
when an unknown intruder breaks into your apartment, you call hotch. he races to make it to you in time. requested here. fem!reader, 3.7k
cw home invasion, assault, attempted sexual assault, reader is badly hurt/held at gunpoint, please read with care for the content warnings above
˚ʚ♡ɞ˚
"Hotch?" you whisper into the phone, your voice barely audible. 
"Who is this?" 
Hotch doesn't always look at who's calling at night, he just answers. Bad habit. You curl in on yourself where you're on your knees in the closet, trying not to wheeze breathlessly down the receiver. "Hotch, it's me. I need you to come and help me." 
"What's wrong?" He doesn't ask why you're whispering. "Are you at home?" 
"There's someone in my apartment." 
"You're sure?" 
You shift backwards into the embrace of your hanging coats and dresses. It feels as though tens of hands are petting your shoulders, a shiver racing along your spine as a floorboard creaks somewhere in your kitchen. 
"I heard them open my door. I don't have my taser, I…" You stop talking when you hear more movement, terrified you'll be discovered. Regret clings to you. How many times has Morgan offered to teach you self defence personally? "I don't know how they got inside."
It doesn't take more than that for Hotch to click into work mode. "Stay on the phone with me. Don't talk. I'm going to put you on hold to call Morgan. I will be ten seconds at most. Don't panic. Don't hang up. If you think you can leave without being seen or heard, leave, but if you can't, don't show him where you are." 
The invader's footsteps track to the bedroom. You know at once that your tired mind isn't hallucinating a bad scenario to keep you up —this is real. 
You had the hindsight to close your laptop and push it under the bed along with your go-bag, a rucksack full of clothes that you take on cases in different states as part of the BAU. You'd made a quick assessment —your job more than prepared you for this— based on the little information you had. Either the invader knows nothing about you and has assumed you'd be home, or they watch you enough to think you'd be elsewhere. If they think you're here, you're in danger of being assaulted, kidnapped, or murdered. If they think you're away, you're in danger of being robbed. One scenario is a thousand times more preferable than the other. 
You can't help but think of the horrible things you've seen. You know intimately what kind of damage one person can do to someone at their mercy. 
The hold sound is a quiet droning that freaks you out. If you can hear it, the intruder might be able to, too. Like the low hum of the fridge at night or the bumping of the dyer. 
You hang up the phone. 
"I know you're here." 
Your pulse flies through the roof. It pounds so hard you can feel it everywhere, the tip of your nose, your eyelashes. You look through the dark of your closet and panic in the fullest definition of the word. Your heart can't sustain this for long. 
You failed to think of a third possibility. The intruder watches you enough to know you're home. The BAU has a lot of enemies. Anyone could be waiting for you on the other side of the door.
"Come out and I'll be kind," the intruder sing-songs.
You type out a text with shaking hands, your message nearly illegible. 
They knowa 8m hjome. Cant talkk dontcall me
Thirty seconds elapse. A reply comes through. You smother the chirp with your chest. It sounds loud as a shot in the relative quiet. 
Police dispatch 5mins. I'm 10mins. Morgan 12. I will be there as soon as I can. Protect yourself 
That's easy for him to say. You drop your phone in defeat but scramble to pick it up again when you realise it's your best weapon. Or… You crawl to the opposite end of the closet to your shoe rack and slide the shoes apart with honey slow movements, your breath coming in quick, too-loud pants. You never expected to feel this way, you thought you'd know exactly what to do, how to react, but this feels outside of reality. 
You brace the long heel of a shoe between your fingers. Your hand is a vice. 
In your bedroom, the intruder goads you. "I know you're home, Y/N. There's only so many places for me to look, you know? But if you make me check each one, I'll be unhappy when I find you." 
What the fuck? you think. Breaking apart the fear like a knife is anger, a new shot of adrenaline. Who is this guy? You want to spring from the closet and show him how unhappy you are, but your chances of survival improve the longer you can hide. If he has a gun, that's it. You could be dead in the next two minutes. No amount of anger would save you. 
You could be dead in the next two minutes. 
thank you dpr everything, for being my friend aaron, you text. You know how embarrassing it will be to have said goodbye if nothing bad happens to you, but you also know how haunted Hotch will be if he can't get to you in time. You aren't foolish enough to unravel your feelings for him over text, but you're sentimental enough to think they'd matter to him. He'd want to know. 
If things go bad please knoeew that I loved my life and my work and you and the tram more than anything
After a moment, you add, If things don't go bad please nevrr mentiom this 
Footsteps at the closet door. A pause that feels gargantuan, the silence so heavy it threatens to snap the floorboards beneath your knees. 
"Found you." 
You leap up and throw yourself at the closet door as hard as you can, gasping when it swings on the hinges and clips your opposition in the leg. You don't think, you don't look at his face, you simply drive the point of your shoe into his collar. 
He gasps. Something hard and rigid whips upward, your neck snapping to one side as the skin of your cheek splits, gunmetal glancing off of bone. You drop down onto your ass, half out of necessity and half to get away from the pain. You can't outrun it, nor can you escape the forthcoming assault, grunting in shock as the bottom of the gun comes down atop your head. It was likely meant to incapacitate you, but all it does is hurt. 
You flip onto your front, stagger onto your hands and knees, and launch yourself up through the bedroom doorway. You only have to get away. 
He sweeps your legs from under you barely ten feet down the hall. 
You fall. Your knees hit the hallway slats and your face follows, the nerve endings in your teeth ringing one by one and your eyes tearing up as your nose makes a huge thwacking sound. Gasping, you rush to cover your face though the damage is done. Your gasp turns to a sob, hands quickly wetted by blood. 
"Stupid bitch," he hisses. 
You crawl into the kitchen. He steps on the back of your thigh. 
"I have a G43 pointed straight at the back of your fucking head."
"Good for you?" you say, eyes squeezed closed. 
You whimper as he grinds his foot into your leg. 
"Don't think I won't use it when I'm done with you." 
You shake your head from side to side. That can't be what he's here for.
You should ask him what he wants, or threaten him with the approaching police sirens. You should've tried to climb out of your fire escape. You should've set the door alarm as soon as you came home, but you're just so fucking tired lately you must've forgot. Everything feels like a chore. Right now, you're exhausted. 
"What are you going to do?" he asks you. 
You won't negotiate. You don't answer.
Forceful, no time to protect yourself, he kicks you in the side of the face. It hurts worse than the fall, that shattering pain like a firework under your skin. You struggle to keep your mouth shut, hoping that your whining cry is less audible to him than it is to you, scrambling backward toward the cabinets. You're defeated. Maybe you deserve it, for it to happen so easily. Three minutes and you're down. 
"I asked you what are you going to do, Agent?" 
"What am I supposed to say?" you ask. Even to your own ears, you sound pathetic. 
"Whatever I want you to. Now get up, honey." You cringe. "Unless you want to stay on the floor like a dog?" 
"Don't call me that," you say, wincing at the grinding sensation of your jaw. 
"What, a dog? Or… honey?" His tone is smug. "I thought you'd like that. It's what your boss calls you, isn't it? Late at night when he drops you off. Not strictly professional." 
You groan and turn onto your side. The police sirens are getting close. You live in a busy place near a main road, the sirens could be for anybody, but you need them to be for you.
"Get up, honey. You can pretend I'm him, if you like. I'll make it easy on you. I can be nice." 
You deliberate. Do as he says, or risk further agitation. Do what he says. Live to see the end of the night. 
Or drag it out. Give Hotch enough time to get here. 
"You'll pretend to be him?" you ask, sniffing. You can't tell if you're crying or there's blood on your face. 
"Aw. To begin with, sure." 
You sit up. For the first time, you look your attacker in the face. It's difficult to tear your eyes from the barrel, but you do. He has a cruel face, as tall and formidable as Hotch is but with none of his lightness. You put on your softest expression, gazing at him through tears. When you speak, the fear is real, even if you're attempting a facade. "You'll be gentle?" 
"No. You think he'd be gentle? Agent Hotchner?" His lip curls in disgust.
"I don't know," you mumble, looking down at the floor. "You said you'd be nice." 
"We both know you don't like nice." 
"I do," you say, finding your footing in the charade, the sorry victim, whatever he needs you to be for now. You hate giving him anything, but you know in the moment that you'll do what you need to do to save yourself from injury. "I haven't… I haven't done stuff in a long time, I can't just rush into things." 
The gun makes a quiet clicking sound as he points it with more fervour. "Like I believe that. You're probably fucking Hotchner on the side." 
There, that jealousy. He's been watching you, he knows where you live, what you want, and he's still convinced that you're fucking Hotch. It's not logical.
You cling to the threads, trying to pull apart his composure. You'd assumed him an anger-excitation rapist, unafraid to hurt you as he already has, but now you're thinking something else. 
"You think I'm sleeping with my boss? Why?" 
"Besides your constant need to be touching him? It's disgusting, you throw yourself at someone who doesn't want you. You're pathetic. I can make you better." 
You see movement in the corner of your vision. Dark hair, a stony expression. Hotch stands at the precipice of the kitchen in a bulletproof vest, a finger to his lips. Sh. 
Your relief knocks a breath out of you. The invader takes it for pain at being read. 
"Look," he says, softer. Not genuine softness, but practised. As soon as you give in, he'll drop it. You're both acting for one another, but only one of you is a profiler. "You'll forget all about Agent Hotchner once we're done. So just get up." 
You hold out your hand. His eyes light up with malice as he leans down to take it, his gun finally aimed away from your face. 
Hotch moves in. 
"Drop the weapon." 
Your attacker whirls. Hotch doesn't hesitate. Front sight, controlled trigger press, follow through. A bang like a clap of thunder fills the room. 
You flinch down into yourself. Everything goes a little white for a while, people running into the room, a gun skittling across your kitchen tile. Your ears ring from the bang of two bullets and you're sure you've been hit, you're hurting so much, but hands squeeze under your arms to tell you otherwise. 
"You're okay," Hotch says, knee against your thigh, face ducked down to meet your eyes. "Hey, can you hear me?" 
You shake your head. You can hear him, but you're far from okay. Hotch bites commands over his shoulder, holding your waist in his hands like he's worried you'll slip out of them. Tight. Too tight. You suck in as big a breath as you can manage and choke on it, coughing, the wild sting of your wounds a ringer. 
"You did so well," he says as he catalogues your injuries, his frown deepening. He tilts your head up to the light. 
"I knew you were on your way," you deflect.
"You were talking him down." 
"No, I was surrendering." 
"You didn't give in until you saw me. You weren't surrendering." 
"But I would have," you whisper, closing your eyes.
"Doing what you need to to survive isn't easy. But you do it." 
You hang your head. 
— 
Hotch winces at the sound of your skin being sewn closed. Morgan sits beside you in the back of the ambulance holding your hand, your fingers twitching between his with every tug. They dosed you and applied a general anaesthesia, but the pain is pervasive. His eyes keep moving back to your hand in Morgan's. He isn't jealous —he's annoyed with himself. Hotch should be the one holding your hand.
He should've hugged you. The absence of it feels awkward between you, though he's positive that that's the last thing you're thinking of right now.
"Will you have to set her nose?" Morgan asks. 
The paramedic shakes his head. "Not broken. Just very badly bruised. Even the bone." 
"That doesn't need a cast?" 
Hotch should hold your hand, should hug you, should be organising the scene. Should, should, should. The only thing he's managed to do since he incapacitated your stranger is watch you for signs of life. 
You're despondent. In shock, no doubt. You let your friends pass you from place to place with little more than pained sighs for input.
JJ does an excellent job of surveying the goings on, while Rossi and Reid take care of some of the bigger questions: who is this guy, what did he want, and how did it come to happen? 
What did he want? Hotch can guess. Rage collects like the heart of a furnace, a molten cup of steel in his throat as what he heard you say plays over and over in his head. 
You'll be gentle? 
No. You think he'd be gentle? Agent Hotchner?
He'll never forget the way you sounded asking that question. Terrified, begging for a scrap of mercy. 
Emily approaches from behind. "We have a name." Hotch tips his head to show he's listening. "Paulo Danvers. He was part of a crew that installed her security parameters a few months ago. He was vetted. This shouldn't have happened." 
"No, it shouldn't have." Hotch lowers his tone, "She said she wasn't sure she set the lock." 
"It wouldn't have mattered. He disengaged it from the outside." Emily takes a few steps closer to the ambulance. "Hey. Morgan taking care of you?" 
"Don't I always?" Morgan asks, clapping your arm gently. 
You don't answer. 
"What, you're not talking to me?" Emily asks. She's not mad, the opposite. Concern lines her eyes, thin brows pinching together at the starts, though she does her best to smile through it. 
"I don't feel well," you say quietly. 
"Yeah? You're not squeamish, are you?" 
"Don't think so." 
"It's shock," says the paramedic. 
"What's your pain like?" Hotch asks. He's the only person you'll give a straight answer to. "Bad?" 
"Yeah." Your hand is lax in Morgan's. 
"I can give you slow release tramadol to last the night or codeine pretty much immediately. It's up to you. And I'm really not comfortable with releasing you without next of kin. Do you have family in the area?" 
You shake your head. "It's just Hotch. Agent Hotchner," you correct yourself, nodding at him.
"You're her partner?" the paramedic asks. He can sense the disapproval. 
"Her boss." 
"Not her partner?" 
"He's my closest friend," you say. 
He's never heard you say that before, but it's true. 
"I wish you were my boss," the paramedic jokes, turning back to her supplies as she peels off her gloves. "Maybe I'd get better sick pay." 
You're given slow release tramadol and officially pronounced to be on the mend. If he didn't have an FBI badge, you'd be spending the night on a ward. He'd prefer if you did, but you clearly don't want to be somewhere alone right now, and he just wants to give you what you want after having your choices held over your head.  
He's not offended when Emily asks if you'd prefer to stay with her. It's harrowing what might have happened to you had you not heard the initial break in, and the perpetrator would've been a man like Hotch. Tall, white, dark-haired. He wouldn't blame you for needing space from him to feel safe tonight, but he's relieved when you turn her down. 
"You don't have to act like something happened to me," you say.
Hotch clicks down the locks of his car and turns on the overhead light. You squirm in the passenger seat, looking wrecked. Your chin is split, your nose a dark purple mess cut by white splint. You have a cut on your cheek and another just above your eye. 
"You don't think something happened?" he asks, hands on his legs. He can tell you wish he would start the car and take you home without pressing. 
"No, I know, I look awful, but he didn't do anything to me." Why is it so hard to say what it could have been? "You don't have to act like I'm gonna wig if you touch me." 
"You won't mind if I hug you?" he asks. 
"No. No, I want you to." 
It's thankfully a short gap to cover as Hotch leans over the console. He's careful of your face and still you mumble a tired, "Ouch," in his ear.
He rubs your back, slow and soft. "You okay?" he asks. 
You don't answer for a while. It doesn't matter, Hotch'll sit here in his parked car for hours if you want him to, hands on your hunched back. Your face hides away. He can feel and hear your distress building, and he wants you to cry if you need to, but it'll hurt.
"Sh," he hushes you gently, "it's okay." 
"I'm fine." You sound welled up. 
"Someone broke into your home and held you at gunpoint. You don't have to be fine." 
"Yeah, I do. It's my job." 
"No, that's not your job," he says, closing his eyes. "This has nothing to do with your job. This is about something bad happening to you. Don't put walls up now. It won't work, it never does." 
He tries to back away in case you're overwhelmed.
"Wait," you say, your panic like a cough. 
"I'm not going anywhere," he says. 
You sniffle, nodding into his chest. Hotch has comforted a hundred victims of violent assault. He's held the faces of women he didn't know hoping to give them something solid to lean on. But it's different with you, because you and Hotch aren't simply friends. There's a deeper vein of affection, and tonight's event is a jagged slash against it, bringing every unbidden feeling he has for you to the surface. He can't get how scared you sounded out of his head. He knows that feeling is still there. 
"How did you get here so fast?" you asked. 
"I took the side road. And went unavoidably fast." 
You make a small, small sound. He's known you for long enough to understand what it demarcates, unsurprised when the trembling of your shoulders turns to pained shaking. Hotch holds you delicately. He's done so much in his life, made a thousand and one mistakes, used a heavy hand when he could've been sweeter. He's determined to get this part right. 
"I'm with you now," he says. "I'm sorry I couldn't–" This is harder than he imagined. He presses on. "Couldn't protect you from the start." 
"You know why I called you?" you ask, your tone similarly soft. 
Hotch doesn't bother answering. The answer is unsaid, loudly heard. 
"I knew you'd come," you finish.
He puts a hand on your neck to encourage you into place, kissing the side of your head. Hotch will always come when you call. 
That night, you ask to sleep in his room. I'll sleep on the floor, just don't want to be alone. You're in ragtag clothes he'd scraped together for you, and after helping you wash the blood from your hair and face, you're even more impossible to say no to than usual, looking small in a way you haven't before. Hotch sets you up in bed next to him and wonders if he'll ever sleep next to someone he hasn't let down. 
You put that notion straight in your sleep. Hotch lays awake sick with the idea that he's failed you, and you, frowning, snoring, covered in cuts, curl into his side. You cling to his arm so hard he's certain you're awake at first, a bouquet of bruises painted across your cheek. 
Hotch pulls the blanket up over your shoulder, planting a chaste kiss to your forehead. 
He whispers your name, not sure what he'd say if you answered. 
˚ʚ♡ɞ˚
thank you for reading! I hope you enjoyed♡ I haven't written long form (ish) for Hotch in a while so I'm nervous but I hope it's good!! let me know also if you'd like a second part cos usually I don't feel like there's much left to tell but for this one the could actually confess :o
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mellowwillowy · 11 months
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Yan! Lawyer Husband x GN Spouse Reader HCs
CW: mafia related stuffs
—𝒀𝒂𝒏𝒕𝒐𝒃𝒆𝒓 - 𝑳𝑰𝒇𝑬 𝑷𝒓𝒐𝒋𝒆𝒄𝒕 𝑬𝒗𝒆𝒏𝒕
Yan! Husband is a gentle soul to you, he can't and will never lay a finger with the meaning to hurt you! He just doesn't have the strength to do so, almost as though he was set to be so. It's another whole story when it comes to the others though, can you guess how many times he has pulled the trigger of a gun?
Yan! Husband who spoils you rotten with everything you could ever think of. Luxuries, reputations but never the forbodden knowledge he has tried so hard to keep away from you. No, he won't clip your wings. You are his songbird who gets to only fly inside the gilded cage but never in the outside world. He will create a stage of the outside world for you, but never the real deal.
Yan! Husband who paints a portrait of you whenever he's stressed over the cases he has to handle. To move the brush without any problem as your form starts to appear on the blank canvas, he has no trouble remembering you. Sculpting is no problem for him as well. He has spent all his lives honing his artistic skill just to eternalize you as pieces of art.
Yan! Husband loves you so much that he deems children as a burden and bothersome (adoptive too). He only needs you to build a family, he had no need for children to continue this lineage. His whole life revolves around you. If you pass away, he too, will pass away shortly after. That's how much he loves you to the point that death cannot separate you two.
Yan! Husband who might not look like he's able to do it but he is actually an S-rank gaslighter. He will trick you into believing that what he is suggesting is only to keep you safe! He doesn't really enjoy taking your autonomy directly unless it's needed (of course, in a way where you will not confront him about it).
Yan! Husband who will cover and remove all your bad track records (if you have any). He has the power and connection to erase any kind of dirt that is on you, you are his pristine pure lily-of-the-valley and you should not be defiled with those records. Live without any worry clouded in your mind dear, the laws will never tarnish your reputation when you have this lawyer backing you ^^
Yan! Husband who adores any sort of physical touch when it comes to you, yes, anything. Even if you hit him silly, he'd still love every moment your skin feels his. He loves hugging you the most, his face buried into the crook of your neck while taking a scent of you.
Yan! Husband who enjoys humming lullaby of yours to the point everyone's ears around him is bleeding from the repeating lullaby. Can this guy please hum something else for once?
Yan! Husband who will read for you whenever he has the time to sleep with you. He doesn't know what to say to you as his work is either foreign to your brain or a tad too shady. Childhood memories are not great too as he has long forgotten about everything the moment he pledges eternal vow to love you. He abandoned everything and lives only for you.
Yan! Husband who prioritizes you as his number one, even above his own well-being and career. He can still live even if he falls ill, his career would never fall out of track as he has the mafia under his grasp, but you can slip out of his grasp. And he doesn't want that to happen again.
Yan! Husband is without a doubt an infamous lawyer. Especially with how many times he has let the ringleader of that renowned mafia group slip out from the prosecutor and judge's grip? If you seriously think you'll be pronounced guilty of that murder, you better throw that thought out just like how he throws all the scapegoats and falsified evidence into the court. (Should I write a fic for this?)
Yan! Husband who will always make time for the two of you. While vacations are not as often as he wishes he could have, cuddles and tea parties sound nice enough for him to kill time with you.
Yan! Husband who has this cute journal that's filled with what you have been doing every day instead of his own daily stuff. Oh, your diary is almost his if you know how he reads it daily like a refreshment.
Yan! Husband who as much as he hates having to show you to the people at the official parties and events he has to attend, he just can't shake away the butterflies in his stomach as well! You are not just some trophy spouse, you are his beloved! A hand on your waist and a face that is seen whispering sweet nothings into your ear with a glass in his other hand. Oh, he looks so o-godly-handsome like a man who comes out from a romance novel!
Yan! Husband who is a man of greed, the embodiment of Mammon. Wealth is not something that he has never not possessed. So whatever the fuck you do, gambling or blowing it off somewhere in a dumb investment or stock, he won't make a fuss out of it. Instead, he'll teach you more about money management instead :/
"Do you want to learn how to invest? I know a way or two from my predecessor."
He will let you play all the money game you want and gives you the illusion of success despite all the trials and errors you made (he's the one who clean up all the mess lol)
I know that this is AFAB! oriented BUT Yan! Husband never wishes to impregnate you even once. No, he doesn't like the idea of you being in pain over a damn baby(ies) that could just take your life as well. He does enjoy fucking you without any protection on but that is after he tracks your safe day (man is literally fighting the fate of having you pregnant). He prefers you to not consume any birth control for just in case it causes harm rather than good to you. (Shots are a pass if you are scared of syringes)
He is A-OK with adopting if you are persistent enough about this matter and is B-OK if you want to get pregnant (AFAB). He just can't refuse and upset you...
So please don't imagine what would happen if darling dies during delivery :)
Yan! Husband who will always open his pocketwatch and kiss the picture of you in his pocket watch. How many times and lives had passed just for him to enjoy the solace of being your husband?
𝐀 𝐝𝐫𝐞𝐚𝐦𝐜𝐚𝐭𝐜𝐡𝐞𝐫 𝐛𝐲 𝐭𝐡𝐞 𝐛𝐞𝐝𝐩𝐨𝐬𝐭 𝐭𝐨 𝐜𝐚𝐭𝐜𝐡 𝐚𝐥𝐥 𝐭𝐡𝐞 𝐧𝐢𝐠𝐡𝐭𝐦𝐚𝐫𝐞𝐬, 𝐡𝐞 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐝𝐫𝐞𝐚𝐦𝐜𝐚𝐭𝐜𝐡𝐞𝐫.
Yulian de Alpheus is a man of ambition. While he does share the same look as his 'father', the ambition he has is the complete opposite of Castiel. Castiel created him to seek the truth of life, Adam existed to be the Genesis of Life, Alan existed to be someone he didn't recognize and Yulian existed to live beneath the shadow of his spouse.
𝐘𝐮𝐥𝐢𝐚𝐧 𝐡𝐚𝐬 𝐧𝐞𝐯𝐞𝐫 𝐛𝐞𝐞𝐧 𝐚 𝐡𝐮𝐦𝐚𝐧 𝐚𝐧𝐝 𝐲𝐞𝐭 𝐡𝐞 𝐰𝐢𝐥𝐥 𝐚𝐥𝐰𝐚𝐲𝐬 𝐟𝐞𝐞𝐥 𝐚𝐥𝐢𝐯𝐞 𝐰𝐡𝐞𝐧 𝐢𝐭 𝐜𝐨𝐦𝐞𝐬 𝐭𝐨 𝐲𝐨𝐮. 𝐋𝐨𝐯𝐢𝐧𝐠 𝐲𝐨𝐮 𝐢𝐬 𝐡𝐢𝐬 𝐨𝐧𝐥𝐲 𝐬𝐚𝐥𝐯𝐚𝐭𝐢𝐨𝐧.
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