#in case the “keep reading” doesn't work for you

[beta-lactam-allergic]

I voted before reading the reblogs, in which case my dislike was A/B/O because it's just not my thing. No shame to people who like A/B/O, it's just not my kink.

But yeah, most coffee shop AUs & Mafia AUs are unsatisfying. When I saw the AU tag in the question, I was thinking of Canon Divergence AUs or the Additive AUs, which are among my favourites, but coffee shop AUs & Mafia AUs are usually pretty bad. I have never seen a good Mafia AU for a work that doesn't have prominent canonical gangsters (minor characters don't count).

I don't dislike modern AUs in general. Modern, but they keep their canonical powers, are fics I usually like. I don't mind the High School AUs if done right. But coffee shop AUs don't allow for any of the excitement or drama that keeps me invested in the original work. If I want calm & relaxing in the modern world, I invest in an original series set in the modern world. If I want to see characters that I'm already invested in rest without worrying about the plot, there's always post-canon fanfics. No need to take them away from their canonical settings. Coffee shop AUs do nothing for me.

As for Mafia AUs, it's like someone else already said. Most of the time, you can tell these works are written by people who have no idea how the Mafia or any organised crime works & never did the research.

"Popular" is of course a debatable term, but I just picked a few I see very often and/or seem to have a lot of works on AO3. Please RB if possible, I've got a reach of about zero people lol

[silcoitus]

Could you write a (young)Silco/Disabled Reader, who for the most part is able to walk just fine with the help of a brace but on bad days they’ll bring out the cane and on really bad days a wheelchair but is still insistent on trying to do things no matter how much they shouldn’t?

I tried to be as sensitive as I could towards reader's disability. I hope it comes across sincere and that I haven't committed any faux pas. If I have, please let me know in the comments and I will happily revise. Like young Silco in this fic, I will quickly apologize and learn if given the opportunity.

A Voice Like Yours

Masterlist | AO3 link

Rating: Mature

Tags: gn!reader x silco; disabled reader; Silco; Felicia; Connol; Vander; Benzo; fluff; angst; hurt/comfort;

Word count: 3.5k

Beta reader: @juniper-sunny

You would've liked to get to the market sooner, but getting out of bed was particularly hard today. Typically, you're able to handle just fine with only your brace. And when that doesn't work, your cane will usually suffice. But with rough sleep last night and a flare-up this morning, you opt for using your chair today to get to the market. Just until you can get your bearings again.

With your later arrival, you're unable to beat the morning rush, sandwiched between what seems like every citizen of the Undercity. Most give you a wide berth, but others shove past you unceremoniously. You're used to it by now, but your fatigue plasters a permanent scowl on your face as you try to find your usual vendors.

As you make your way through your shopping list, the bag sitting on your lap getting slightly heavier with each new stall you visit, you feel a bit better. (You used to keep your bag slung over the back of your chair, but stopped when some asshole stole it.)

You're on the last item on your list when you get settled in front of one wooden stall and make small talk with the shopkeep. He greets you by name and grabs your usual order, setting it down on the counter before turning his back to fix something. You try to reach for your purchase, but it's just a touch too far. You're about to move your chair closer when a stranger waltzes up and plucks the bag off the counter.

“Hey! That's mine!” you protest, rolling closer to him.

“I know,” he replies, handing it to you. “I was just getting it for you.”

You snatch it and shove it into your canvas bag, still frowning at the tall, slender man with long raven hair. 

“I'm perfectly capable of doing it on my own.” You grab your wheels and in one fluid, practiced motion, reposition your chair away from him. You start to leave, but pause, looking over your shoulder. “I don't need your help.”

Out of your periphery, you see him raise both hands in surrender, but from this angle, you can't tell if his expression is sincere or sarcastic. You try to shake it off, ready to go back home and wash your hands of the interaction. 

The Undercity is supposed to be the city of self-reliance.

So why does everyone still treat you like a child?

The following day fares better. You bring your cane (just in case) for your shift at the shop, settling into your stool at the cash register. You're reading a book during the slower hours when a customer comes in and sets a stack of papers down onto the counter. Your eyebrows furrow at the flyers and you lift your eyes to see a familiar face.

“If it's alright, I'd like to add these to your bulletin board,” the man from yesterday says, not even looking at you. He leans on the counter, looking out the large windows to the street. “Got a meeting coming up and want to get the word out.”

Finally, he turns to you.

You watch as his face cycles from apathy to confusion to recognition. His eyes dart down to your stool and the surrounding area, seemingly looking for your wheelchair. When he comes up empty, he looks back up to your face, head tilting to the side.

“I didn't need it today,” you preemptively answer. “Not that I owe you an explanation.”

“Right, right, sorry,” he's quick to apologize. “I didn't mean to insinuate—”

“That I'm faking?”

“No! Never!” he says, hands coming up in surrender, again. His shoulders sag forward slightly and he runs his fingers through his hair, an exasperated sigh leaving his lips. “I'm sorry, can we start again?”

He puts his hand out. You eye it warily.

“Hi, I'm Silco.”

Your lips thin, but you take his hand.

“Hi, Silco.” You give him your name.

“I would like to put these up on your bulletin board,” he says, nodding to the corkboard behind you.

You put your hand out.

“Only two,” you instruct. “One here and the one in the back.”

He starts to hand you the flyers, but then pulls back.

“I can put up the one out back,” he offers.

“It's fine,” you say, insisting with a gesture of your hand. “I can do it.”

Silco looks at your hand then up to your face, understanding slowly spreading across his features. He nods, mostly to himself, as he hands you the papers.

“Of course.”

You take one flyer and a thumbtack from the corner of the board, stabbing it in place with a bit more force than necessary.

“You should come,” Silco says from behind you. “We could use a voice like yours in the Children.”

You turn back to him, eyebrows furrowed.

“Just think about it,” he says softly, gathering the pile of papers. With a small, almost apologetic, smile, he leaves.

You lift the remaining flyer, scanning it.

Children of Zaun 

Town Hall

Wednesday 

4pm

The Last Drop 

“Hey, Monte?” you call out. “If it's okay, I think I'm gonna head out a little early.”

Your boss peeks his head out from one of the aisles, his glasses slightly crooked on his nose.

“That's fine,” he reassures you, calling your name. “We're pretty slow today; I can take it from here.”

You take your cane from behind the counter, slinging your backpack over your shoulder.

“Thanks! I'll see you tomorrow!”

You make your way to The Last Drop, having spent a couple days wrestling internally about whether or not to go. You had heard of the Children of Zaun, but not really given them much thought. From what you'd heard, they were a ragtag group of misfits posing as rebels, claiming to want independence from Piltover. You had rolled your eyes in disbelief at the notion. Besides, you have plenty of your own concerns to worry about; it's not as if you have time to take up some righteous cause.

But Silco's words ring in your ear, propelling you forward.

“We could use a voice like yours in the Children.”

What did he mean by that? “Like yours”—what’s that supposed to mean? So they want some sort of token disabled person on their crew to make them look better or something?

But the sincere remorse on his face and the softness of his tone told you otherwise. 

Maybe he meant it.

Maybe he does actually want to hear what you might have to say.

So you walk up to The Last Drop, hand clutching your cane, holding it less like a walking stick and more like a blunt force weapon (which it has had to be, on occasion). Taking a deep breath, you pull your shoulders back, and push open the door.

You're by no means early, but there's no way this is the entire gang. You can count on exactly one hand the number of people that showed up. There's Silco, standing with his back to you, what looks to be a couple sharing a table, and then two larger men standing by the bar. You're immediately filled with regret and start to turn back around, until you hear someone call your name.

“You came!” Silco says, more excitement in his voice than you'd expect. “Hey, this is who I told you about.”

Four pairs of eyes turn to you and you feel rooted on the spot.

You shoot Silco a look.

He told them about you? What could he possibly have said?

He gestures you forward, leading you to the couple at the table. You take one of the empty seats and Silco sits in the one next to you. He leans forward, one forearm barred along the wooden surface as he addresses the couple.

“I told you we were missing something,” he starts. “That this—” he gestures to the group, forefinger pointed and moving in a circle, “wasn't enough.”

That same forefinger comes down, tapping incessantly on the table.

“If we're to be the voice of Zaun, we need to make sure that everyone has a spot at the table.”

The woman glances at you before turning back to Silco, nodding slightly as she speaks.

“Okay…” she nods a little more, as if the thought is taking root in her head. “Yeah. That makes sense.” She turns toward you. “My name is Felicia and this is Connol,” she says, leaning her head toward the man next to her. 

“Felicia. Connol. Nice to meet you.”

You shake hands with both of them.

“Would you like a drink?”

You pull your lips through your teeth and Felicia is quick to reassure you.

“Don't worry; it's on the house.” She straightens up, calling out to the large man behind the bar. “Vander! Some beer!”

“Get it yourself!” he calls back.

“Fuck you,” she laughs.

“Oy,” the other man says, bringing a tray over. “Watch yer language ‘round the new recruit.”

Felicia laughs.

“They’re an adult, Benzo; they can handle it.”

You look back at her and she offers you a smirk. You take the free mug of beer and Silco raises his up in toast.

“To the Children of Zaun.”

Felicia and Connol mirror the movement.

“The Children of Zaun!”

You lift your glass and say the words, though you don't take them to heart just yet. But as you bring the mug to your lips, you can't help the small smile from creeping onto your face.

Every Wednesday, you leave the shop to go to the bar. And every Wednesday, you become a little more smitten.

With the cause.

With the man that introduced you to it.

The more you get to know Silco, the more you realize your first impression of him wasn't a good representation of the man he is. 

Or, perhaps, maybe it was the perfect representation.

A man who only wants to help, eager to uplift those around him. So excited to do so that he steps on a few toes in the process. He's stumbling and clumsy with his help, but he's quick to apologize and quick to learn. 

It doesn't take long for you to realize—he’s that way with everyone. It wasn't just you and it wasn't just because you're disabled. He's always on alert for if someone could use a hand, always first to arrive when someone asks for assistance. That's just who he is.

And if this is one of the rebels trying to uplift the Undercity, the Nation of Zaun is in good hands.

Silco is keeping you company at the shop, following you around as you restock some items. He carries a crate of goods while you arrange them on displays, your discerning eye careful to make them look as appealing as possible.

You drop one of the small boxes and Silco is quick to bend down to grab it.

“Silco,” you warn, “What'd I say about helping without being asked?”

“Sorry, right,” he says, straightening up to let you retrieve it. “Force of habit.”

You grin up at him, chuckling. “I'm just fucking with you.”

With some assistance from him, you get out of your wheelchair and resume your place at the cash register. Silco takes the opportunity to sit in your chair, long fingers fiddling with the wheels. You laugh as he tries to maneuver the chair around the front of the shop.

“Have you learned any tricks on this thing?” he asks, trying to lean back and balance it so that his feet lift off the ground.

“It's a wheelchair, not a skateboard, you jackass.”

“That's a ‘no’ then,” he says, smirking. But the smirk is wiped clean off his face when the chair tumbles backwards, sending him crashing to the floor.

You let out a bark of a laugh at that, laughing even harder when he starts to groan.

“Serves you right!” You grab your cane, gingerly getting off the stool to help him back up. “If you broke my chair, I swear to Janna… Do you know how hard these are to get? I had to pay so much coin for it.” 

You point your cane at him threateningly, but he wraps his fingers around it and tugs, pulling you forward. A startled squeak at your throat, you fall on top of him, catching yourself just in time so you don't headbutt him.

“Silco—”

“Now we're both down here,” he teases, smirking.

“Wonderful,” you say with a roll of your eyes. “What a masterful plan.”

Something sparks behind Silco's ocean green eyes, something playful, mischievous.

“I'll say it is.”

And with that, he lifts his head, closing the distance between your lips. Your eyebrows lift and your eyes flutter closed, savoring the warmth of his mouth against yours. His hand comes up to tenderly cradle your face and you lean into the kiss, pressing your chest to his so you're flush with him. You don't know how much time has passed, but as you kiss him, you feel as light as a cloud, until—

“Hey!”

You straighten up, face red with blush.

“I don't pay you to swap spit with the customers,” Monte says, but there's no bite to his words. “Get up before someone trips on you.”

You laugh, pressing your forehead to Silco's. 

“Here.” You push yourself up, offering him a hand. “Let me help you.”

It’s been a while since you’ve had a friend group like this. Ever since the accident that caused your disability, no one seems to have the patience to deal with your rougher days, as if you’re holding them back.

It’s hard to not internalize that feeling.

But with Silco and the rest of the Children of Zaun, you feel different. Whereas before, it felt like your mere presence was a burden, you feel seen and appreciated. You feel heard.

When you tell Vander that the bathroom stalls are too tiny for your chair, he knocks the dividers down to make room.

When you lament about the small step outside the front door, Benzo throws together a small wooden ramp. 

More and more, The Last Drop feels like home, though going to the basement or the upstairs office still eludes you. It’s not that you can’t. It’s more that you’re worried that you’ll have to ask for help to get you back on the ground floor should you get stuck in either place. But, there’s never really been any reason for you to visit either floor, so you’re content to stay in the main bar area, occasionally ducking into the back room when the crowd gets a little too loud.

It’s on one such trip to the storage room that Silco finds you, huddled on the floor, your cane propped up next to you. Your knees are pulled up to your chest and your palms pressed flat against your ears, trying in vain to drown out the sounds of the bar. You had made the mistake of visiting during peak hours and didn’t have the energy to go all the way back home. You thought you could power through it until the customers dwindled, but it became too much. So, you retreated to the back room, holding back tears.

“We have one more!” Silco calls over his shoulder as he opens the door, talking to Vander who tends the bar. “After this, we’ll need to get more.”

He turns over his shoulder to see you on the floor. Immediately, his voice lowers and he crouches down to get eye level, your name a reassuring coo on his throat.

“Hey… are you okay?”

You shake your head, eyes squeezed shut.

“Okay, just… give me a second.”

You hear him pick up a crate of bottles. The door swings open, letting in the raucous noise from outside. You let out a whimper as the door swings closed. After a few tense minutes, the door opens again and you hear footsteps approaching you.

“Hey, I’m back,” Silco coos. There’s shuffling as he moves to sit next to you. “What do you need?”

It’s a sentence you practically trained him to ask. With his tendency to charge forward offering the help he thinks you need, you managed to finally get him to learn to ask you first. 

It’s a small gesture, but at this moment, it’s everything.

“I need…” Your breath is shaky, your eyes holding back tears. “I need quiet. And— And it’s too far to walk home.”

Silco shifts, moving to crouch in front of you, hands on either of your shoulders. He squeezes them and you look up to see a tender expression on his face. Not pity or condescension. Concern. Sincere, genuine concern.

“It’s much quieter upstairs in the office,” he offers. “Do you think you can make it?”

Your lips tighten. It’s hard to think with so much noise; you can barely hear your own thoughts. It doesn’t help that you can feel a flare up coming on, pain shooting through your legs.

“I… I don’t know.”

You watch Silco chew on the inside of his mouth, thinking. 

“I could… carry you.”

You shoot a look at him, equal parts indignation and humiliation.

“I know, I know. It’s not ideal.” He looks around the storage room as if he’ll find an alternative answer. “But the sooner we get you out of here, the sooner you can feel better.”

You bite down on your bottom lip, wrestling internally. The sting behind your eyes is threatening to push past your defenses. Finally, wordlessly, you nod.

“Okay,” he says, tone firm. 

His ocean green eyes dart around your body, trying to figure out how best to pick you up that keeps your dignity intact. But before he can reach a decision, you’re wrapping your arms around his neck and pulling him to yourself, holding him in a tight embrace.

“Oh! Hey…” He melts into the hug, bringing both arms around your back, squeezing you gently. “It’s okay.” He rubs your back with one hand, palm warm against your shirt. “It’s okay. We all need help sometimes.”

“I did too much today,” you say into the crook of his neck, tears escaping your eyes. “I should’ve stayed home.”

“Shhhh…” he shushes, shifting his arms as he slowly rises to his feet, bringing you along. 

You manage to get to your feet, but your legs feel wobbly and unstable under your weight.

“Here, let me…” Silco bends down and hangs your cane over the crook of his elbow before bringing one arm behind your knees. “On three. One… two… three.”

You lift your legs up and he scoops you up in his arms, straightening to a stand. Instinctively, you wrap both your arms around his neck, nuzzling your face into his shoulder.

“I got you,” he coos. “I’ve got you.” He takes one final look around the room before pushing the door open with his back. “We’ll go behind the bar; no one will even know.”

You nod, tears flowing in earnest now to stain Silco’s shirt.

You press one ear to the crook of his neck, trying to dampen the loud voices of the bar patrons. At that, Silco walks a little faster, making his way up the staircase. In his haste, he drops your cane on the landing.

“Shit! Sorry, I’ll go back for it,” he says, continuing forward.

After opening the door and carefully depositing you onto the plush red cushions of the couch, he darts out the door, returning with your cane in hand. He sets it on the coffee table in front of you before sitting next to you.

“There.” He rubs your hip as you lay on your side. “Is that better?”

You nod, reorienting yourself to rest your head on his lap. Silco settles on the couch, bringing one hand to your head, smoothing down your hair in soft reassuring strokes. His other hand grazes your cheek, wiping away your tears.

It’s finally quiet.

Your legs still ache, but it’s not as bad as it was before. You can feel the rise and fall of Silco’s chest against your back, his breathing a calming rhythm.

“Thank you, Silco,” you whisper.

“Of course,” he whispers back.

After a moment, he shifts, bending down to bring his lips to your temple. You smile at the touch, feeling warmth settle behind your ribs.

“I’m sorry—”

“Don’t,” he cuts you off. “I’ve never heard you apologize before and I don’t want to hear it now.”

The firmness in his voice has you turning your face to look up at him. There’s a resoluteness in his expression, a confidence you typically see reserved for Children of Zaun meetings. He looks off into the distance, as if seeing something that’s not there. A vision. A promise.

“You have nothing to apologize for,” he continues. His chin dips and his ocean green eyes find yours. His eyebrows lift and his lips curl into a soft smile, full of pride and affection. “You’re perfect.”

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[yelenasdiary]

hi! i have a nat x fem!reader non smut request cuz i see they’re open! i female reader x nat (preferably platonic but either works). the averages break up. they are done. Officially. nat and r were friends on the avengers and worked together a lot. when the avengers broke up, everyone tried to move on or settle down. nat doesn't. nat, missing the action, reverts back to her time as a for-hire assassin. With the connections from her time as an assassin pre-SHIELD she builds a name for herself. She becomes the most feared assassin yet again and a ruthless criminal. no one can stop her and she’s very dangerous. Finally, reader, working for the govt now, and faces Nat for the first time in years… as enemies with r trying to take Nat down. But does Nat really hurt her? She has the ability to with her skill and network of assassins. But something tells me she still has a soft spot for reader in her cold heart. ANYWAYS so sorry this is long and kinda specific; but thank you so much! Love all your writing! You’ve written my requests before and LOVEDDD what u did w them

Long Time, No See

Pairing: Natasha Romanoff x Fem! Reader (Platonic)

Summary: Your new mission? Track down the famous Black Widow. 

Angst

Warnings: Mentions of guns, weapons & murder | 1.2K

AC: Thank you for sending this!! I loved the idea a lot, even better I got to keep it platonic as well! I hope you enjoy! x 

The Avengers Tower stood tall and dark, a reminder of a time when hope thrived. Now, however, it was a husk of memories, its former occupants scattered to follow their own paths.

You leaned against the brick wall of a narrow alley, a file folder clutched tightly in your hands. Your current assignment was a highly confidential one: to track down the infamous Black Widow, Natasha Romanoff. The former Black Widow, once an Avenger, was now rumored to be at the head of an underground organization that traded in fear and murder.

Old memories flooded your mind as you recalled the countless missions you and Natasha had shared. You wondered how her file got so dark, countless cases building against the former superhero making you wish you had tried harder to keep in contact with her. You saw the signs of her slipping away but hoped she’d come to you when she was desperate. She was a fierce partner, her skills nearly unmatched, she could slip into a building without being detected better than anybody.

Your heart ached for her, wondering how she must have felt when things didn’t work out. She was never truly one to talk about her feelings. She had her softer moments, but you never truly felt confident to say you knew her well enough to know what she was thinking about. As you read through her file, nothing seemed to make much sense to you. She was living a life she fought so hard to leave behind, ultimately ruining the good name she had built for the Black Widow.

The hunt led you to a deserted warehouse on the outskirts of the city, one you suspected Nat was owned. The atmosphere felt charged with tension as you entered, your instincts on high alert, your gun pointed directly in front of you with your flashlight attached. You knew better than to bring back up and it took a lot of convincing to your boss to let you do this on your own, of course you had to allow them to know your location at all times while working this case but you were sure if you were to come face-to-face with Natasha again, you could talk her down. 

“Long time, no see” you heard a familiar voice come out of the darkness. 

You turned sharply in the direction of the voice, your gaze landing on Natasha, who was in all black tactical gear that complimented her athletic build. “Natasha” you said softly as she stepped more into the light.  

“Still playing the hero, I see.” She grinned, her presence dangerous. “Did you come to save me?” She sarcastically asked. 

“Is that what you need? A saviour?” You shot back, keeping your gun pointed at her. She took a few more steps before coming to a complete stop, not breaking the burning eye contact you could feel from her, even with the flashlight pointed directly at her.  “You know I can’t let you keep doing this, Nat. This isn’t who you are” you added. 

Her grin turned to a smirk, “is that what you think this is? Good versus evil? That you could come here and remind me of the good old times?” She chuckled coldly, “This is who I am, who I was always meant to be” she added. 

You shook your heard lightly at her, “No, this is the Black Widow, not Natasha Romanoff who fought so hard to not let her past define her. The woman who gave so many young girls hope that they could be just like you”

Natasha chuckled once more, “you always thought you had me figured out, didn’t you? What if I told you that all of that super-hero crap was for nothing in the end? Look at it all now! Where is Steve huh? Or Tony? Nick? Thor? Has anybody bothered to even check on Wanda?” She asked, “oh wait, you and your little friends are trying to save that little town now, aren’t you?” She added, taking a step to the right. “You can stand there with your little government issued weapons and tell me how much of a bad little spider I’ve been, or you can end it all right now” 

“I don’t want to hurt you, Natasha” you replied, keeping your finger away from the trigger. Your comment making Natasha laugh, “Open your eyes Y/n! Don’t you see? I’m doing your job, just better. Look at the people I’ve killed, eventually they would be on your radar, I’m just 10 steps ahead of you and your team” the redhead explained. 

“You can’t just go around murdering people, Natasha, you know this! There is a system for a reason” you argued. 

“What? The Justice system? Or the S.H.I.E.L.D system? The same people who let the Avengers fall!” Natasha snapped, her voice firm. Her simple comment made you realize what all this was truly about for her. It wasn’t about cleaning the table for your future cases, it was about what she missed. 

“You know we had no choice” you said softly, lowering your gun, showing her you weren’t here to hurt her. 

“I don’t think that’s right. I think we did, and I think everybody else just wanted to give up. We had a good thing going! There were things we could’ve changed but we weren’t given a chance. The world needed us, they wanted us and one day they were against us. We made the world safe while the government sat back and bitched about how much damage was caused instead of thanking us for saving their lives!” She explained, raising her voice. 

“And now look at you” she added, “you’re working for the same people who put me in this position” 

You watched as she wandered around you in a circle, she wasn’t wrong, and you hated that the fall of the Avengers had this effect on your friend. “Let me help you, Natasha. I won’t give up on you” you said softly, stopping her in her tracks. “You think putting me in a prison cell is going to help me? I thought you knew me better than that” she spat. 

“No, I don’t think it’ll help you. But I know that deep down you know this isn’t you. I know you don’t want to do all these horrible things. Remember all those nights we stayed up talking about what we wanted for our future? Do you remember the life you wanted? I want to help you get to that because the Natasha Romanoff I know, isn’t this dark and dangerous person” 

Natasha’s eyes dropped as she sighed heavily, “it’s too late for me” 

“It’s never too late, I can help you. You just have to let me” You said before the rushing sound of other figures coming to Natasha’s aid. She looked up at you once more. “It’s been nice seeing you, really. I wondered just how different you were now since I found out who you were working for. Next, we meet, I won’t make it this easy, so you better ready for a fight” she smirked before turning on her heels and walking back into the darkness with her fellow assassins, leaving you behind as you watched her go, the darkness swallowing her figure as the echoes of her boots faded into silence.

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[alexanderwales]

I use Windows Night Light to help my sleep schedule, and it sucks so much. Half the time it doesn't even turn on. When that happens, I have to manually go click "Turn Off" (even though it was clearly not on), then click "Turn On" again, at which point it works.

So I went to go see whether there was a fix for this, and I saw all kinds of inconsistent suggestions, and I tried some of them, and it didn't actually fix anything. There are complications that come with having certain graphics cards, or drivers, and ...

Alright, look, I was a software engineer for many years, I know that sometimes things are more complicated than they seem. However, I cannot fathom why "adjust monitor colors at X hour" is so difficult that there are pages upon pages of complaints about it not working. It should work in the vast majority of cases, and what shouldn't fix it is just clicking a button to stop it and then clicking a button to start it again.

What I'm saying is that I'm in the market for a program that will do this very simple job, since apparently the bad behavior of this one is something that's just not getting fixed.

flux is not it. While I'm exasperated by the continual issues with Night Light, I am actively angry with flux. I live fairly far north by American standards. Sunset for me, right now, is 4:30PM. I like to have normal colors on my computer when I am, e.g. watching a show, playing a game, looking at pictures, etc. I only really need the warm colors in the three or four hours before I go to sleep. Flux is free software, so I try to keep my cool, but "please let me set my time manually rather than by location" is their single most requested feature, and every time they say "oh actually flux is for having your screen be in harmony with the natural environment, you don't need that". Maybe this is just steadfast refusal to engage in scope creep, but I've read a bunch of forum messages asking for the same feature that I want, and the answers are always "I don't understand why you would want that" or something equally infuriating in spite of how many times someone says "I'm a Finnish graphic designer with weird working hours" or equivalent.

The standard workaround seems to be telling flux that you're located in a different part of the world than you actually are, but this is terrible UI, and you would also need to change it in accordance with the time of year unless you spent some time figuring out the correct spot that you don't live which works year-round for you.

(I saw another hilarious workaround on the flux forums where a guy set up a scheduled Windows task to kill and restart flux at specific times.)

So I hate flux, in spite of my commitment to not hate free software that did not cost me anything and has never asked for anything from me.

[foone]

honestly it would be funny to make an analog horror and include hints to all the normal tropes but then none of them end up being actually the case.

there's a kid acting weird, they weren't abused, murdered, or possessed. they've got ADHD and having trouble at school, but with some medication they're doing better now.

there's a company making a video game and it doesn't come out, and there's mysterious stories about the developers... the game is found on a CD-R at goodwill, and it's a decent if incomplete platformer-RPG.

the developer disappeared because he got kicked out of the country due to an expired work visa. He's actually just fine off in a different country doing work on other things. (fun fact: this happened to the main programmer of Final Fantasy I-III & Secret of Mana halfway through making II & III: His Japanese work visa expired, and they had to finish programming the game by moving all the other (Japanese) developers to Sacramento)

The company is experimenting with weird physics, and they have tons of security with it. There's no portal, no backrooms... but their new capacitor chemistry is significantly cheaper but with similar longevity. The security was to keep their competitors from stealing their millions of dollars of research.

There's a religious sect which has weird rituals and it turns out... they're a bunch of christians who have minor issues with the similar christians they split off from. They are very passionate about 1 Corinthians 3:16 and they refuse to eat avocados or other large berries, at pain of expulsion. What? No? No one got abused or sacrificed. I mean, Tanya sacrificed her weekends for 5 years to cook for the preschool, but she's still alive and happy.

There's a serial killer stalking the city. He leaves cryptic clues to his next target. The police capture him easily with a illegal DNA test after his daughter got cancer.

There's a spooky entity sometimes seen in analog media, and corrupting digital ones... after additional shielding is added to the main turbine of the Long Shoals Power Plant, the audio/visual disturbances in the area vanish.

That spooky tall person haunting the woods turns out to be a trans woman in a hoodie (it's cold in november!) foraging for mushrooms. She talks your ear off about how to tell the difference between Spring kings (Boletus rex-veris) and the deadly brown roll-rim (Paxillus involutus).

The abandoned house has a dark secret: the floorboards on the second floor are not up to code. why do you think it got condemned in the first place? Don't go up there, you might die! not from a ghost, from falling through the floor and getting super-tetanus.

The toy company closed down, all to hide their dark secret: those toys were made in sweatshop! the paint on the dolls has unsafe amounts of lead! The producer for the cartoon resigned in disgrace... no he just got a DUI and spent 9 months in jail for it. no kids were involved and no one died.

there's an alternate history about the US where it turns out all kinds of secret massacres and evil architecture and deals with pure evil and super weapons... but it's just the same ones we did in this reality. you know, the Black Hawk War, the MOVE bombing, the various mining wars, Robert Moses's racist & classist city planning, Project Paperclip, and ICBMs. No need for magic glass or hidden structures inside monuments: we've got Trinity Glass and the Cheyenne Mountain Complex.

You get strange notes left by your door, and it turns out they were all left by that nice lady who helped you with the groceries the other day. Her english isn't so good, and usually her grandson stops by and helps, but he's been away for school and her broken words didn't get across how she had some spare eggs from her chickens if you'd like some, it instead read more like she was going to "take your eggs"?

You can't believe that urban legend about an evil barren woman preying on pregnant women. that was just some bullshit made up by that christian group who was protesting abortion on your campus. It never happened (insert frakes gif here)

The guy stuck in a submarine at the bottom of the ocean is just there because he's an idiot techbro, not because he's a criminal condemned to one final mission at the bottom of a sea of blood in a universe where the stars are all dead. He just thought he was smarter than the people who actually build submarines, and made his out of expired tin foil.

I'm gonna make a analog horror

hard mode: there will be no "anomalies".

[sloanesallow]

Mama's Potatoes

Sebastian doesn't know how to cook. Good thing the Niffler does. Sebastian Sallow x F!MC (Siobhan Sloane) Tags: Domestic life, Peter the Niffler, pregnancy, potatoes. 1.8k words A/N: I wrote this while grieving the loss of my cat, Peter. Sloane's Niffler has always been named after him, so this was just another way for me to honor him. Thank you for reading. He loved potatoes, too. [Ao3] | [Wattpad] | [Tumblr Masterlist]

Sebastian doesn't know what he's doing.

It's a rare feeling. He's not stupid—he wouldn't be the youngest curse-breaker at the Ministry if he were—and usually knows how to handle a daunting situation. Crazed Inferi, dangerous artifacts, unusual hexes, you name it. But this...this is a new level of difficulty.

He's been standing in the kitchen since sunrise, flipping through old cookbooks and Sloane's recipe journals, looking for something—anything—within his skillset. Despite his wife's numerous demonstrations and seemingly limitless patience, he has never quite gotten the hang of cooking. If his father-in-law were there, he'd scold Sebastian. What self-respecting man can't cook for his pregnant, bedridden wife?

He hates this, hates that he isn't good at something so simple.

It should, in theory, be akin to potions, which he excels at. But alchemy isn't the same as cuisine—you can't just throw everything in a pot and hope for the best—not if you want it to taste good. Cooking is science, not magic, regardless of how easy Sloane makes it look. Maybe that's why she's so good at it, because she insists on doing it without spells. She's a natural, and Sebastian...

Well, it's a good thing he provides in other ways.

With the birth of their child imminent, however, she's resigned to the bed, on strict orders from the nurses at St. Mungos to keep off her feet. This leaves Sebastian in charge of the meals, which he knows are lackluster, even if Sloane never complains. If they were still in London, he'd pop out and grab something from the local shops, or hire one of the house elves in their old building as a cook. But they moved to the countryside in preparation for Little Sallow's arrival, settling down where he'll need to be self-sufficient.

What he wants is to prepare something hearty and healthy, something warm to lift her spirits before the baby comes. Sebastian allows himself five more minutes of wallowing in self-pity before opening another worn journal, hoping he'll see something he's helped Sloane make before. These recipes aren't in her familiar script, but he quickly finds something promising—Beef Stew.

Except...half the instructions are in Irish.

Sebastian grumbles to himself—just another thing he hasn't mastered. He's learned a few languages in his lifetime, largely due to the thirst for knowledge and travel associated with his work, but Irish isn't one of them. And while his wife is of Irish descent, she speaks it so infrequently that he never caught on.

"This must be her mum's," he says aloud, discouraged. He continues to read over the old parchment and the idea of surprising Sloane with one of her mother's recipes is too enticing to shake.

Sebastian is nothing if not ambitious.

The best-case scenario is that he manages to cook a delicious meal. Worst case, he blows up their kitchen. It wouldn't be the first time.

Emboldened, he gets to work, rolling up his sleeves and clearing off the counter so he has space to prep. Instructions in hand, he grabs everything he needs—or thinks he needs—pots and pans and cutlery, and lights the stove with the flick of his wand. Before he can do anything else, it is yanked out of his hand and he whirls around to find Peter, Sloane's beloved Niffler, already stashing the wand away in his pouch.

"Merp!"

"Hey!" Sebastian shouts before clenching his jaw, glancing toward the hallway that leads to where Sloane is still sleeping. He looks back at Peter in annoyance. The two tolerate each other, but mostly bicker about who Sloane loves more. "Give that back, Peter. I need it—"

"Merp!" he interrupts, batting Sebastian's hand away when he tries to touch his fur.

Sebastian sighs, pinching the bridge of his nose. "I don't have time for this."

Peter makes a series of noises that sound very much like the Niffler is mocking him as he stares at the tattered journal in Sebastian's hands.

"What?" he sarcastically laughs. "Are you going to help me?"

For a Niffler, Peter is incredibly expressive, furrowing his brow and blinking his beady little eyes. "Merp."

Sebastian can't believe he's about to have a Niffler be his sous-chef. "Fine."

"It's beef stew, at least I hope it is," he continues, reading over the recipe again. "Sloane must have it memorized because I've never seen her use this."

Peter chitters.

"Right," he mumbles, moving to the cold box where they keep their perishables. "At least this is in English. Two pounds of roast, cut into small cubes."

Sebastian places the parchment-wrapped meat on the counter before scratching at his chin. "One point of...what is...prátaí?" He frowns, reluctantly looking at Peter for guidance.

The Niffler huffs and carefully scales down the side of the counter before scurrying toward the garden door. He pushed through the little flap Sloane installed, poking his head back in a moment later to glare.

"MERP!"

Sebastian follows after the little beast until they are in the middle of Sloane's vegetable garden. There's a little bit of everything, and even though they have the space (and magic) to grow whatever her heart desires, she's kept a modest size. Peter digs at the soft soil, right beneath a small plot marker that reads Mama's Potatoes.

"Oh," Sebastian hums, feeling dumber than before. He grabs a nearby basket before crouching down to take the unearthed potatoes from Peter. "Since when do you know Irish?"

"Merp," Peter answers, as if to say 'I'm smarter than you, Sallow'.

The Niffler continues to roam the garden, bringing Sebastian the vegetables and herbs he needs for the meal. When the basket is full, the two head back inside where Peter monitors the prep work with an intimidating aura that rivals Papa Sloane.

Sebastian follows the instructions the best he can, relying on memory and Peter's so-called translations. He tenses every time routinely grabs his wrist to correct his movements, wondering if he should hand over the knife to let Peter cut the vegetables but figures. Then again, the last thing he needs right now is a knife-wielding Niffler.

He cooks the meat in a hot skillet until the cut pieces are lightly browned, before moving on to the vegetables—sauteing the diced onion, garlic, rosemary, and bay leaves until they are soft. Peter pushes over the bottle of red wine, and Sebastian carefully pours the liquid into the pan, stirring until Peter gestures to add the beef broth. Once everything is combined, he adds back in the meat and secures the lid before placing it into the hot oven.

"Should be ready in..." he reads over Mama Sloane's instructions.

"Merp," Peter chirps, tapping the counter three times.

"Three hours," Sebastian nods.

He takes some time to tidy up and quietly sneaks down the hall to see his wife still fast asleep. Too nervous to leave the food unattended again, he makes himself comfortable on the floor in front of the oven and starts counting the minutes as they pass by. Peter joins him for a little while but eventually disappears, only returning when it's time to add in the rest of the vegetables.

An hour later, Sebastian holds his breath, protective mitts trembling as he pulls the steaming pot from the oven. He prays to Merlin, and maybe a few other deities, before slowly lifting the lid to inspect the final product. Peter climbs back onto the counter to peer inside, his bill opening slightly as he sniffs the air.

"Want some?" Sebastian quips, scooping a hefty portion into a bowl.

Peter shakes his tiny head. "Merp."

"Thanks for the vote of confidence," Sebastian mutters, taking a bite for himself. It's not bad, though he isn't sure if that means it's good, either. It certainly tastes just about the same as when Sloane makes it, but doubt swirls in his mind. "I hope she likes it."

If he hoped for some semblance of encouragement from Peter, he doesn't receive it. Instead, the Niffler huffs and leaps from the counter before scampering away. Sebastian reminds himself to find the little troublemaker later so he can get his wand back. Good thing Peter can't perform magic—right?

Sebastian places the bowl onto a tray, along with a spoon and a cloth napkin. He tears off some bread from the loaf he (barely managed) to bake the day before and runs back out to the garden to pluck a few flowers for good measure. After steadying his nerves the best he can, he ventures back down the hall to the bedroom.

Sloane is awake now, reclining in their bed, eyes closed as she smooths her hands across her rounded belly. She glances up as Sebastian crosses the threshold, surprise lighting up her expression when she spots the tray in his hands.

"You cooked?" she asks, struggling to sit up. Sebastian quickly sets the food down on the nightstand so he can help her, softly laughing at the way she's too focused on the steam rising from the bowl to cooperate. She sniffs the air. "Is that...my mother's stew?"

He falters when he notices the shine of tears in her eyes, making sure she's comfortably leaning against the pile of pillows. Her emotions have been heightened, to put it mildly, throughout the pregnancy, but he still didn't anticipate tears.

"Hey, hey," he coos, brushing back her hair and swiping his thumbs across her cheeks. "It's alright, sweetheart. I just wanted to make sure you don't starve."

"Well I am starving," she whines and he holds back his amusement, kissing away her pout.

"Here," he says, making sure Sloane has a good handle on the bowl before leaning back. "I uhh...hope it turned out right."

Sloane takes a moment to take in the aromas, smiling at him with glossy eyes as she stirs the bowl. "Thank you."

Sebastian can't respond, not when he's still terrified that he's done something wrong. He watches her, unblinking, as she finally takes a taste. As soon as the spoon is in her mouth, her eyes go wide and she goes still. He panics, leaning forward to grasp her shoulders and tug the spoon from her hand and mouth.

"Sloane? What is it—oh fuck—" he curses, heart racing, clumsily placing the food back on the tray before fussing over her again. "Did I poison you? Are you dying?"

Sloane snaps out of the trance to shake her head, her mouth twitching into a shaky smile. She grabs one of Sebastian's hands and presses it to her enlarged abdomen. His chest tightens for a completely different reason when she finally speaks.

"I think the baby's coming."

Reblogs, comments and likes are appreciated. 💛

[the-literary-alchemist]

The Space Between Seconds

Consider this: between every second I often wonder if you’ve eaten or taken your Vitamin D. When

these thoughts come to me, I am usually at my computer writing words for projects at work, for

strategies that others should implement, for poems that have nothing to do l with us. I read recently that

helpfulness is a weak & pathological disguise for “control.” I don't think this is my case at all, yet I trust you would let me

know. I just think there are plenty of obstacles in my way that keep me from being whole. But I have to admit

the pace this takes feels like eons, that I form into a softness when you are around. All my steps seem to be

some kind of rehearsal for an imperfect slow dance, though I’m certain whatever future we bring will

be the right answer to our mazes of thoughts, of dreams, of visions that lift us from our beds & sink us into

a field of flowers. I count my breaths between these seconds. They are fleeting, but this sleep takes its time dragging me

further into the soil. I have so much life left, & you are always love’s most favorite recipient. It doesn't always

have to come from me, but it’s available always like the promise of shadows waltzing with their sundials.

— X. Y.

[spicyviren]

Oh let me meditate on the beast of devouring that feeds on the stars, that star devourer dragon Let me repel this Star dragon and banish it from the light of my Sun

- Ancient Sunfire chant, Tales of Xadia

I'm thinking about the sun and the stars and how Laurelion is, probably, both.

(Reposted because I’m a damn fool!!)

The Big Bang, in real life

The majority of atoms which make up us, our earth, and even our very own sun, were formed in the hearts of the very first stars in the universe.

These stars were made of lighter elements, mostly Hydrogen, Helium, and Lithium. But under the immense pressure at the core of those first stars, heavier atoms like Carbon, Oxygen and Nitrogen were formed. The stars eventually died - exploded - and released those heavier elements into the universe to be crafted into other forms.

As Carl Sagan famously put it, "We are made of star stuff."

And so Aaravos's quote in the teaser for season six - We are, all of us, stardust - is a blatant nod to the Sagan quote as well as, I am assuming, that aspect of the universe in some shape or form. Allegorically, it speaks to the idea of the universality of existence in the basest sense. But also, it acknowledges that the stars, like everything else, operate generationally.

So in this way, if we are to assume the TDP cosmos operates at least somewhat similar to our own, Xadia's sun is a younger (but still old as balls) star, from a different generation than the stars which are far more distant and ancient.

(As a side note, the very first stars in the universe did not last very long. Though certain stars in existence right now have "lifetimes" which are projected to last longer than the universe has currently been in existence.)

So if Xadia's sun is technically a star, even by Xadia's own admission (see Sunfire chant), then by this metric I have to ask...

What makes the Sun arcanum different from the Star arcanum?

While those first, most ancient of stars produced the materials which would become life, only a sun can sustain life and is therefore inextricably linked with the earth and all the life on it. It's this connection which I imagine is responsible for the change in the nature of the magic.

In Callum's Spellbook, Callum makes some word-association lists for the different types of magic. He associates "truth" with both Sun and Star (perhaps a trait of their shared stardom). No other words match up completely, but it feels like they are referencing similar things within different contexts.

The Sun teaches while the Stars are simply intelligent; the Sun is a "guiding light" while the Stars are associated with "destiny." Further, many of the other words Callum associates with the sun are about being in positive community with others (optimism, warmth, charisma, leadership). The nature of the sun is more giving, nurturing, and dare I say loving than that of your average star. Sun is revealing and honesty, Star is mysterious and reality-altering. Further, there is a dynamism in the words for Sun Magic that is absent from Star Magic - sharing knowledge vs simply having knowledge, guiding vs prescribing a set path.

(Another side note: Callum also mentions that Star mages are born, which, Callum's limited understanding aside, is perhaps a hint about what it will take to connect to the Star Arcanum. I have thoughts, but.... I'll just leave that there, winky face)

Obviously, these word associations can only go so far. Some of the most hostile and arrogant (eh eh!!) figures we've met have been Sun-aligned. But it does make me wonder about the beginning of Sun magic and what that introduction may have looked like.

Ever wonder what those sparkly dots are up there?*

Okay, so big question for me. Is Aaravos a star, like, literally a personification of a ball of gas burning billions of miles away, or is he just like, a very special elf? The same goes for all Startouch elves.

Zubeia refers to Aaravos as both a star and as an elf, and it's one of those things which I can't decide is real or simply a more poetic way of speaking of him. Is "Startouch elf" simply another type of star? Official art also sometimes depicts him and others as constellations. Are they the formed consciousness of a collection stars?

But it also makes me think of how often Sunfire elves personify the sun/the sun orb.

JANAI: You are a student of history, yes? Do you know where the Great Orb of the Sunforge came from? KARIM: Legends say it was a gift from the Sun herself. The gift of a millenium. - "The Drakewood," S4E6

In "The Queen's Mercy," we have...

Aditi nodded. “[...]and so, as the Sun’s daughter, I will lead you into her embrace.”

...and earlier, there is this:

Queen Aditi the Merciful, they called her. Queen Aditi the Kind. The Light of the Sun Incarnate. Kim’dael had thought it all an insufferable exaggeration. Sunfire elves gilded everything they could touch, of course they would do the same to their beloved leader.

Karim personifies the corrupted sun orb in "After Darkness":

He could still see it: the top of the Sunforge Tower, upside-down from where he lay, shrouded in inky corruption. It looked ill, its sickness weeping red and crowning the spire in a haze of blood. [...] We will come back, he promised his beloved, tainted city, his lost home. We will not abandon you. The orb pulsed mutely, a cry for help he could not answer.

TDP uses personification a lot, so it is kind of hard to parse out when it's being literal and when it's being lyrical. Perhaps in the examples cited it's simply the ostentatious way of the Sunfire elves like Kim'dael thinks. But if Aaravos, a known person, can be a star, then I can easily reason vice versa.

In the Book 1 novelization, Aaravos refers to himself as "of the First Elves." And if that is true, it follows that there must have been "Second Elves."

So who is Laurelion?

The significance of the laurel in the Western canon goes back to the myth of Daphne and Apollo.

There are various versions of the story, but essentially, Apollo (popularly associated with the sun), falls helplessly in love with Daphne. Though her reasons vary in different iterations, Daphne turns away from Apollo's affections. She runs and Apollo pursues. Just as Apollo is about to catch her, she begs for help - sometimes from her father, a river god, and sometimes from her mother, a nymph or Gaia - and she is saved by being turned into the laurel tree. In Ovid's Metamorphosis, when Apollo reaches Daphne post-transfiguration, he can still feel her heart beating below the bark. From that point on, the laurel wreath was associated with Apollo, achievement, and victory.

Gold, the element, takes the symbol Au from its Latin word, Aurum, which has etymological ties to 'aurora' (dawn). Names likes Aurelio or Aurelius similarly mean "golden" or "guilded."

So, taken together, I of course think immediately of this:

THAT BEING SAID, this looks more like a weeping willow or a wisteria than it does a laurel, which has bushy foliage rather than hanging. The closest I can maybe get is a mountain laurel, which does have blooms that hang kinda sorta like a wisteria, though not nearly in such a dramatic fashion. But anyway!

The golden laurel...⋆｡°✩Laurelion✩°｡⋆

Interestingly, in Ovid's retelling of Apollo and Daphne, Apollo's love is the result of being struck by Cupid's golden arrow, while Daphne's disgust of Apollo's advances are the result of being struck by a lead-tipped arrow. And so, there is an association there with gold and love. And within the context of the myth - Cupid is getting petty revenge on Apollo after Apollo is boastful and arrogant about his own prowess with a bow and arrow - it's also an instance of weaponizing love.

Which brings us to that which is known everforth as...

The Nova Blade

It is actually quite common for stars to have companions and to exist in what is called a binary star system. In this system, two stars are gravitationally locked in orbit and can appear as a single object when observed by the naked eye. Sometimes, the proximity between these two stars results in what is called a nova - a sudden brightness which appears to be a new star. Novas are not associated with stellar "death" (you'd be thinking of supernova, in that case).

Now in our universe, novas are not actually stars. They are events, momentary bursts of brightness under specific circumstances between two stars. But the name "nova" originally came from the term "stella nova" which means new star.

…and though undying, took last breath, immortal Laurelion was no more. - "The Death of the Immortal"

Did Laurelion just...die? You know, it was really unclear...

I do not think the Nova Blade killed Laurelion in the moment described in the poem. Kazi is so doubtful and Callum is so sure - Callum you fool! - surely that would be too easy (quote quote easy)?

I will grant that "Supernova Blade" would sound kind of hokey, and even originally I had thought, "Oh cool, 'nova,' like 'SUPERnova!'" And then I thought to look up just 'nova' and it turns out it was actually its own thing. But even without all that, the 'though-undying' of it all haunts me.

And so I hold to the idea that the Nova Blade makes an immortal mortal. It does bring death's bite, but in a way in which Laurelion becomes something else, reborn with death's promise like all other mortal beings are.

I have two point five ideas.

The Light of the Sun Incarnate

My first hypothesis is, of course, that Laurelion became the tree with the Sunseed with a name that's a nod to Daphne and Apollo. Of course, I'm assuming here that the tree in which the Sunseed is kept is responsible for producing/sustaining the Sunseed, which may not be true.

Now the drawback of this idea is the legend that the Sunseed was a gift from the Sun herself. So here, it would have to be within the context of the Sun sacrificing Laurelion in some way for this purpose. There's obvious Jesus parallels here which, full disclosure, is not really my bag, baby, but there are plenty of elements in TDP that very easily slot in with Christian canon. But also, in the laurel myth Daphne begs a parent to save her, which puts the sacrifice of it all in a different light. It makes me wonder if the event with the Nova Blade is self-inflicted and, mayhaps, an act of love. So in this sense, the Sun "gifted" the world (or just the Sunfire elves, I dunno) her child by simply letting her child go.

My second hypothesis is that Laurelion became the first Sunfire elf, of the second elves. We are, all of us, stardust. It would not come as a shock to me if all elves were ultimately descended from the Startouch elves of old.

AND THEN we've got Aaron Ehasz talking about how the red dragon scale amulet (...and look, this show does color coding, that's SUN) is somehow related to Laurelion?

Sunfire elf, I say! SUNFIRE ELF!

Combining both of these scenarios, I could see Laurelion being the child of the Sun (again IF we are to assume each star is a living entity). Or maybe Startouch elves are born OF stars while not, technically, being the same thing, like an egg hatching the next evolution of its mother.

And so, perhaps Laurelion chose to become mortal, to become the first Sunfire Elf. And all of Laurelion's children, and their children's children, and their children's children's children, they were all of them children of the sun, the light of the sun incarnate, bringing the hope and optimism of something new to the world; destined to return in death to the embrace of their very first mother. And as a symbol of her love, the Sun gifted Laurelion the Sunseed, golden and cradled within a tree.

*oddly relevant Lion King reference

[deborahdeshoftim5779]

Of the following words, I can recognise or am not surprised by the meaning of amizade, cordialidade (this sounds like a wonderful word), esperar (I know this from French), estrelado, ficção, inverno (sounds like Italian?), laranja, poesia, primavera (another one that sounds like Italian), and sonolência (sounds like 'somnolence' in English).

So recognition of the written word is less of the problem for me in Portuguese. The real issue is how the hell do I distinguish the spoken language at natural speed? I am listening to Os Maias by Eça de Queiroz on Spotify at the moment, and apart from the fact that Portuguese sounds so nice, I can hardly distinguish any word without seeing the Portuguese text-- which, to nobody's surprise, I can hardly read anyway.

I am quite stumped about how to approach Portuguese. Simply relying on my existing French knowledge will not work, as when I tried that method, I was nonetheless thrown by Portuguese words that didn't follow the French pattern at all. Furthermore, reliance on French won't help with pronunciation, either. I have also tried one of those videos where they give you a ton of basic phrases, but my brain doesn't want to undertake the effort of doing that. My brain seems to sense that that is an inefficient way of learning, especially if I want to read novels like Os Maias. I have also dabbled with Goethe Verlag's Portugiesisch für Anfänger, although I keep stalling after a while. (I wonder whether this is because I have been following the lessons one after another, instead of jumping directly to the lessons I need.)

Later on, I began listening to Portuguese, like the channel O Principe Historiador, the Portuguese Radio Maria, and now this audiobook of Os Maias. Most of the language goes in one ear and out of the other, although it is a very beautiful language and sounds relaxing.

Perhaps a solution to the problem would be to review how I became fluent at French. This came from having family that spoke French, French lessons at school, and self-study. Yet none of those three enabled me to become confident with understanding the spoken language. It wasn't until around four to six years ago that I began listening properly to spoken French, chosing audio material that I would find interesting.

And even none of that was sufficient to maintain interest after a while. During this year alone, I improved my German considerably by watching the Netflix rom-com Isi und Ossi. This after over a decade of learning German fruitlessly and, up until recently, getting bored with the language. The other factor that helped renew my interest in German was reading the radio plays of Heinrich Böll, namely, Mönch und Räuber and Zum Tee bei Dr. Borsig. Years of dull and fruitless study fell away as I realised how much I like the German language.

But then (and this may begin to run around in circles), I was aided in my quick improvement by those years of studying some German grammar, albeit in a haphazard fashion.

I think I am in the position where I want to read Os Maias (which is, nonetheless available in English translation), while only having rudimentary Portuguese. The great Hungarian polyglot, Kato Lomb, described similar circumstances when she approached new languages, and she recommended purchasing novels and absorbing audio material.

As was the case with Isi und Ossi, it really helps that I am hooked on Os Maias for the writing alone. I have already decided to revamp my entire manner of writing fiction (in English) on the basis of Os Maias and Jorgen-Frantz Jacobsen's Barbara. So I will have no problem with obsessively rereading this text for enjoyment and for learning Portuguese, which for me are one and the same goal.

This might lead to a possible solution. I read Os Maias in English and then gradually learn the Portuguese text (not all of it, but the parts I am most likely to remember and which reveal the grammar). Then I listen to Os Maias in Portuguese while following said Portuguese text in order to remember the pronunciation. I already have a small Portuguese dictionary, and I am confident that I will need to study more and more grammar as the need arises.

I will see how well this method works and report progress as and when.

Another List of "Beautiful" Portuguese Words

for your next poem/story

Alegria - joy

Alma - soul

Amizade - friendship

Ansiar - to yearn

Céus - skies

Cordialidade - warmth

Deslumbrante - dazzling

Esperar - to wait

Esquecer - to forget

Estrelado - starry

Ficção - fiction

Inverno - winter

Laranja - orange

Pesadelo - nightmare

Poesia - poetry

Primavera - spring

Quente - hot

Sonolência - sleepiness

Verão - summer

Zueira - joking, fun

If any of these words make their way into your next poem/story, please tag me, or send me a link. I would love to read them!

Sources: 1 2 ⚜ More: Word Lists ⚜ Part 1

[lisbonsteresa]

i'm going to SCREAM

[snowshinobi]

hanahaki disease trope captivates me because (as I interpret it) the call is coming from inside the house. bc you see, the solution is easy. the flowers stop trying to tear their way out of your body if you confess your affections or get over them. go do stuff other than hanging out with your doomed crush for a while or speak your feelings: let the flowers see daylight. but sometimes ... catharsis ... is worse.

it's like when Fall Out Boy said "I'll keep my jealousy close 'cause it's all mine" and when Taking Back Sunday said "if it's not keeping you up nights, then what's the point?" these warm, bloody, one-sided feelings might be as close to reciprocal love as you're gonna get. if you flee or confess and aren't loved in return ... you're healed. free of pain. free of flowers. that precious thing you were holding onto so fiercely, for months ... vanishes.

hanahaki studies the compulsions that drive self-destruction. that turn pain into the means to its own end. human resilience is our greatest strength and an agent of literal body horror. hanahaki paints an intentionally romanticized picture of how vital wanting to get better is to actually getting better. as the adage goes, you can't control how you feel, but you can control what you do about it.

healing is terrifying. watching a character reject it until their death is sobering. watching a character choose it when they are at their most scared and sad and hopeless is ... devastating. it makes me press my hands against the walls of my consciousness.

[incorrectskyrimquotes]

In the morning someone remind me to recognize my tags a bit

[outeremissary]

You know I spent a lot of time reading Nuzlocke comics and fics as a teen and I think that really shaped my understanding of approaches to canon in fandom. Like there's fandom you're doing straight and trying to be faithful to the material on, and then there's fandom like a lot of the Good Stuff on Nuzlockes and wacked out chess AUs where you're somewhere on the sliding scale of remixes from "playing fast and loose with the base material" to "reality is whatever makes the story fun. heart." And they're both valid. God I fucking love how insane Nuzlocke comics could get.

[girlwithrituals]

GLOW UP GUIDE FOR 2025⠀

READ: On average, it takes more than 2 months before a new behavior becomes automatic — 66 days to be exact. And considering that 2025 is precisely these many days away, why not start with our glow up plan already?

Physical Glow Up-

BODY

— 5-10K steps a day.

— 7-8 hours of sleep.

— workout everyday for 1 hr atleast- yoga/stretching/pilates/cardio. a workout may take one hour, but your mood will be boosted for the next 12 hours.

— posture training.

— sunlight exposure after waking up for at least 10 minutes.

NUTRITION

— 2-3 liters of water every day.

— limit your caffeine intake.

— avoid sugars as much as you can.

— high protein diet, pre and probiotics.

— more fruits and veggies (+ green smoothies if you like).

— no junk/processed food/trans fat.

— no eating after 8 pm.

SKINCARE

— be clear on your skin type (oily, dry, combination, sensitive).

— once you're clear, use these accordingly- cleanser, toner, targeted serum, eye cream, moisturizer, sunscreen (≥50 spf).

— keep your bedding clean as well.

— no picking of skin on your lips, cuticle etc.

— gua sha to help improve blood circulation and lessen toxins.

— cold therapy may take three to five minutes of being uncomfortable, but your energy levels will be boosted for the rest of the day.

— remove makeup before you go to bed.

BODY CARE

— shower every day.

— exfoliate 2x a week.

— use body lotion (shea butter/aloe vera gel/coconut oil).

HAIR CARE

— wash hair 2-3x a week

— oil your scalp 2x a week, at least 3 hours before shampoo.

— hair mask 1x per week.

— never brush wet hair.

— use silk pillow case.

HYGIENE

— brush your teeth 2x a day, clean tongue and the roof of the mouth daily.

— floss daily.

— cut your nails 1x a week, never remove the cuticles.

— glycolic acid under arm for odor and discoloration.

— never use soap on your coochie.

Mental Glow Up-

MINDSET

— set clear goals- define and breakdown your aspirations.

— start your mornings with positive affirmations.

— surround yourself with uplifting content and people.

— be shamelessly selfish to your career and mental health, remove anyone or anything that doesn't align with your priorities and wellbeing.

— boost your brain health by these 4 neuroscience tools:

difficult first: start your day with the most difficult task (cortisol and dopamine are high in the body meaning that your body/mind is primed to work).

rest your eyes: introduce a micro-pause after learning by resting/closing your eyes - will help retain information better.

tomorrow's worries: write tomorrow's to-do list before bed as it is proven to be effective in helping you fall asleep.

find time to play: engage in low-stake play. can be anything you find fun but where the outcome doesn't matter (induces neuroplasticity + reduces stress).

MIND

— meditation might take as low as ten minutes, but your focus will be improved for the rest of the day.

— no social media after waking up and at least an hour before bed.

— keep aside 1 hr of time to read daily! reading a new book may take five hours, but you will keep the knowledge forever.

— journaling, gratitude.

— digital detox once a week or for 12 hours.

— limit unnecessary screentime, unfollow or cut off people you don't want to see.

JOURNALING

— choose a regular time each day to journal, making it a part of your routine.

— find a quiet, comfortable place free from distractions. light a candle if you want.

— allow your thoughts to flow without censoring or editing.

— write about your feelings and emotions to understand them better. write about things you are thankful for to boost your mood. write about your short-term and long-term goals. identify what triggers certain emotions or reactions

— set a timer for 5-10 minutes and write continuously during that time.

— reflect on both positive experiences and challenges.

— make lists, journal your thoughts on these questions.

— journal at night to clear your mind before bedtime, because emotions and thoughts lose their power once we acknowledge them.

— a gratitude practice may take five minutes, but your mindset will be shifted for the rest of the day.

AFFIRMATIONS

— customise affirmations to your needs.

Personal Life-

WEEKLY TASKS

— initiate small changes: begin with small, manageable tasks such as making your bed or cleaning your room every sunday.

— celebrate your success: reward yourself when you achieve your goals or have a consistently productive week. consider treats like buying flowers for yourself or watching your favorite show.

DAILY WORK

— set achievable goals: establish realistic goals for the day, week, or month ahead.

— track your progress.

— organise your work space, declutter your shelves etc.

— embrace the power of lists: keep a list of tasks to be done and their deadlines. this way, you start each day with a clear plan. to make it visually appealing and motivating, consider using productivity apps like evernote, habit tracker, or notion.

PRODUCTIVITY TIPS

— wake up early.

— plan ahead everything, do scheduling. you can use:

google calendar / notion / tasks .

— if the task takes less than 2 minutes to finish, do it immediately.

— countdown rule, if you are procrastinating, count 1-2-3-4-5 and jump.

— start slow, don't rush and try to do everything at one time.

— follow a proper routine, use app locks based on screentime.

— pomodoro technique, 25 min work, and 5 min break.

— schedule longer break times as well e.g 30 min nap.

[borderlinereminders]

If you’re someone who needs reassurance from loved ones that they love you, that’s really valid. But the way you ask for it matters. Hinting at it with comments like “nobody loves me” can actually be hurtful to your loved ones. It’s also a good idea to try and reassure yourself first!

The truth is that for a lot of people, giving reassurance constantly is exhausting. It can lead to issues in a relationship over time, and negative feelings on both sides because they may end up avoiding the other person. This is especially true if someone doesn't ask for reassurance directly but hints at it with things like "No one cares about me."

My advice is if you are finding yourself struggling is to first try and self soothe either with skills or things that have helped in the past. Here is my post on self-soothing ideas! And if that doesn’t work, then ask for it in a healthy way.

Some other examples.

Keep screenshots, letters, cards etc that affirm you are cared about by your loved ones. You can even ask someone to give you a recording of them saying it that you can listen to. Bonus: Keep these things in a self-care box that you can use in times of crisis and pull out that has other things in like affirmation cards, favourite treats, self care items, etc.

Examine the evidence. By this I mean try and keep a list of things they've done to show they care about you. For example, I have a list of things my partner has done for me besides saying "I love you" of both big things and little things that I can read when my brain decides to be rude to me and make me doubt he cares.

If the other person has done something specifically to make you feel they don't care, it's important to step back and look at the situation and check the facts. There's a difference between someone lying to you or doing something intentional and someone not replying to you because they got busy. Here’s my post on checking the facts!

Here’s a post on Challenging Irrational Thoughts!

ACCEPTS is a really good skill for distractions! Here's a post on it.

TIPP is a good skill if you are needing to calm down in immediate crisis. Here's a post on it.

If you're having urges to accuse your loved one of not caring, consider Urge Surfing (here's a post on it) and then using a skill or plan that helps you.

If you aren't able to self-soothe that's so valid! It really is. I recommend trying it because sometimes you will be able to. But then sometimes you won't be able to and that's okay. In this case, if you need to get it from someone, ask directly for it instead of doing it in a guilting/passive aggressive/hinting way. You might say "Hey. I know you care about me, but my brain is being rude. Can you please give me some reassurance?" instead of "Sorry I'm such a bad friend/person/burden/etc".

It might also be worth having a conversation when calm with the other person to establish some boundaries and ideas for communication.

For example, if your friend regularly feels drained by you asking for reassurance, they could set boundaries on how often they're okay for you to ask for it.

You both might decide that they will try and message you randomly to offer reassurance because it can mean a lot when that happens.

This might be where they send you messages/recordings/etc that you can read in times of need.

If the friend is doing something specifically, even unintentionally, that makes you question things then it's really valid to have a discussion about it! I recommend using some I-Statements or other communicative skills to talk about it. Even if they aren't doing something wrong, it's still valid to talk about your feelings and see if you can come up with a solution. For example, maybe it's really hard on you that they disappear randomly for a couple days when their energy levels plummet. And this causes you to spiral and think they're ghosting you or etc. In this situation, maybe you and your friend come up with a solution where you establish a single emoji (specific for this purpose) that the friend can send with low energy that says "Hey. It's not you but I'm feeling drained and need to not reply for a bit."

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.