#im so sorry what did I do here

[queenofquestions]

Off Menu Tag

So the brilliant @the-eclectic-wonderer tagged me in this game and I'm just going to apologize to @valentinaonthemoon right now because I'm going to 100% misinterpret the point of this game.

The thing is, I got this this morning and I was thinking about my favorite foods and they just don't go together at all! Like my favorite dish is probably a Thai yellow curry but my favorite drink is definitely a root beer float and so on. But together, like yuck! So I was really really stuck.

But then I remembered this is a genie and they have magic and I actually do have a list of foods I desperately want to eat and will never ever get the change to have. So without further ado...

You're in your dream restaurant and a genie waiter is ready to take your meal order:

Where does my dream meal take place: late Cretaceous North America, about 66 mya on the day the asteroid kills the dinosaurs. Because I'd get to see dinosaurs and then I'd get to see a brilliant falling star and then an explosion and then the sky would look like it had caught on fire due to all the debris shot up into the atmosphere and burning up.

Still or sparkling water: still. I don't really get the whole sparkling water thing tbh.

Poppadoms or Bread: if these are my only choices probably bread especially if I can have it with jam. But if I can choose anything of this type, chips and salsa and guac because I just got back home from France and I have been craving it so much.

Dream Starter: This is where I'm going to go off the deep end and say a like Spanish tortilla style omelet made out of elephant bird eggs because I really want to know what those taste like. They're so big!!!

Dream Main Course: easy. Velociraptor meat. I want to settle one of the most pressing paleontology questions of all time: did dinosaurs taste like chicken?

Dream Side Dish: Follow me on a detour out of bird/dinosaur land and into the world of archaeology. I desperately want to try some plant dishes from the Eastern Agricultural Complex. There's archaeological evidence that the people in the American Midwest had domesticated plants like sunflower, marsh elder, squash and goosefoot (a chenopod like quinoa) before the arrival of maize from Central America. The domesticated versions of these plants are completely lost and I'm desperate to try a dish made out of them.

Dream Drink: I have no idea. Mammoth milk?

Dream Dessert: Now, because I'm pretty sure none of the stuff on my list actually tastes very good I'm going to go ahead and choose something actually tasty to help get the taste of dead dinosaur out of my mouth. My favorite dessert is lemonade cake. It's a confetti cake that has been soaked in condensed lemonade. It's sickeningly sweet, super sour, and topped with an incredibly large amount of whipped cream :)

Tagging, absolutely no pressure: I'm thinking @herbirdglitter cause you always like the archaeology stuff and @val-bespoke because you know I love talking to you about foods which foods we can't possibly believe the other person hasn't tried

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[trauma-bot]

sin eater

[artuurle]

I don't have a silly cheeky comment for this one besides it leans heavily on my headcanons and stuff on Grujaja. (that's how you know ur in the tranches for a character.)

^face of a guy that keeps hurtin his bonds w anyone close to him. Bonus doodles i made while drawing this that are semi related due to being tied to my Gr headcanons unda the cut lol:

[ekk0klo]

so i just got this super cool tron figure that i didnt knew existed and its now my favorite thing i own :D

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[fairsweetlonging]

the thing that sets apart hua cheng from most other devotee/worshipper-type relationships in other media is that hua cheng would actually throw himself on his knees and crawl across the floor if xie lian wanted to, he would demean himself without shame because shame comes from the perception that you have done something wrong or foolish in another's eyes, and hua cheng would never see his god's will as either, nor care for anyone's else's opinion

[crossbackpoke-check]

blessed be (lorscher bienensegen) | telling the bees (wiþ ymbe)

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[mizzyislost]

so i heard it was a certain silly slug game's birthday

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[vaggieslefteye]

CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"

[rosykims]

thinking about how that solavellan ending actually Works for lavellans who want that hopeful ending but arent as forgiving abt the whole situation as veilguard presented it. and i do think in ashara's case, yes, she goes with him out of love, but more so out of duty. post trespasser she drops the name lavellan in favor of her family name, dhavise, since her place in the clan had already been cast into question and her allegiances with the chantry/solas are cause for doubt as to whether she's even welcome back anymore. but i think by the end of veilguard she's reaffirmed her identity as Lavellan no matter what, and truly does see herself as the Keeper of not just her own clan but of her whole modern people, and with that rekindled purpose she chooses to watch over them all by way of watching over fen'harel. protecting them by protecting him from himself. which ironically is the reason the dalish HAVE keepers in the first place

[larabar]

"so, that was fun"

[grand-line-shenanigans]

And the dance floor is filling up with blood

But oh lord, you've never been so in love

[queenhawke]

the thing about a potential brad romance arc too is like. straight or not i simply do not want that man happy. i don't want him to be in love with some random new person, man or woman, i want him to experience The Horrors

the Horrors of being in love with the world's most pathetic man of all time, david brittle-- [I AM REMOVED FROM THE STAGE BY A COMICALLY LARGE HOOK]