#im so happy people exist

[sawdusst]

peace and love!!!!

[deoidesign]

I animated a trailer for my webcomic and it took forever

Please look!

[junotter]

All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.

Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.

In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.

[haunted-xander]

Respectfully, anyone who believes that Roxas shouldn't have come back in kh3 is wrong and also doesn't know how to make a satisfying end to a characters narrative.

I could maybe forgive thinking Naminé or Xion shouldn't have returned, as they at least got to make the informed decision to return to their counterparts themselves. It would still be wrong but I can at least forgive it.

But Roxas? His entire story is about being allowed to be yourself regardless of what anyone else around you says you should be. It doesn't/shouldn't matter if he comes from Sora, because he is someone else entirely. It's his life, not Sora or anyone elses. Having a story like that end with him being violently forced to return to Sora when he doesn't even know anything about what's going on is flat out bad writing.

Did he accept that he had to die for Sora? Well, sure, but only after getting to beat him within an inch of his life. Only reason he accepts it is because he literally has no other choice but to. He can't keep clinging to the anger and misery at his circumstances forever.

And, you know, it probably helps that the person this was all for also fucking hates it. In no way is Sora happy about what happened to Roxas. Of course he'd bring him back, it's Sora. The situation is so unfair and tragic that having it end with him just staying in Sora forever would literally go against the essence of the entire series.

Kingdom Hearts is, at it's core, a series about bonds. Roxas was established basically immediately as having very important bonds! His best friend literally died for him! He has friends that don't even know it because it was another version of them, but they still feel that bond to him anyway! You really think they should've just thrown away a character whose bonds transcended the boundaries between data and reality just like that? Get real.

[catmask]

all good?

if ur referring to the art block/being frustrated w my art donot worry its natural to happen 🫡 doing studies made me feel much better and so did talkng to my friends

[el-pada]

why is it always my splatoon art being stolen bruhh, just had to deal with an ig account who was getting 5 times the attention off of my stuff

hell even before the game released a random game news site used my first ever deep cut drawing as if it was a game asset, atleast it just took 1 email to make them take it down

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[gomacave]

5p yuuram bloood twww

[rookflower]

wanting good things to happen to a character you like in terms of catharsis or an overall more satisfying narrative is obviously normal and fine and good but some wc fans seem solely fixated on characters "getting what they deserve" to the extent where it comes across more as either them seeing the characters as real life people with feelings or them just not really liking tragedy. which is fine i guess but like i dont really get it lol

[todayisafridaynight]

[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[crescentfool]

the persona 3 protagonist 25th anniversary nui in food appliances!

[simplydnp]

Sometimes I think Dan and Phil are totally platonic besties and then other times I’m convinced they fuck on the daily. I think they do it on purpose and it’s honestly iconic.

kind of the best thing is that they are that and everything in between. you can tell they just like being around each other. they've made content together for 15 years and the large majority of it was done in the strictly platonic sense for their audience. and they were still having so much fun with it. we're in the 'we know you know' era now so we get to see flashes of different dynamics they have, but they absolutely have more we Don't get to see bc they're not for us.

they like each other. stupidly fond of each other. spending time together doesn't feel exhausting. they're best friends and each others' harshest critics while being the biggest hypeman and also safe space.

dnp's relationship with us, their audience, always has been and always will be different than any other content creators. part of it is how they accumulated it, but another part is just the massive history we have with them. they Get us. they Know us. they're silly goofy sarcastic guys who love us and hate us sometimes. theyre grateful but careful too. they like to rile us up, just like they do each other. it's a love language, teasing, and we've shown positive responses to it over the years. i like to say that my relationship with dnp is antagonistic sometimes--cause i know they're pushing my buttons on purpose. and ykw? it's fun! it's fun for us and it's fun for them because they have the control. i know anything they let out is cause they chose to let it out because they Know how we are. so yes they absolutely adore messing with us. we're a funny bunch.

[happyk44]

PJO: we need to recognize the value of the minor gods. The Olympians are important, sure, but the minor gods do a lot of work in maintaining and assisting the pantheon, have their own kids and deserve to be seen and valued just as much

HoO: Back at it again with Olympian-only nonsense!

[whistler-king]

that little farm where every wish comes true by HangmanBradshaw

“You’re unbe-leaf-able.” “You’re a sap.” “And you look radish-ing.”

[oh-cramity-its-amity]

i need like a group therapy session where we just all collectivly cry and talk about watching and dreaming and the fact that its been a year already because you dont understand. the utter impact toh had to my life, to my existence, to everything i am.

i literally came out, met so many people because of the show, found so much content thats utterly beautiful and just all that to say that these characters mean SO SO SO fucking much to me and everytime i hear the "byeee" i just want to start crying- SAME with the timeskip song. i just miss them all so much. everyone who worked and made it possible is just so talented and i am so utterly happy that a show like the owl house exists for those like me and the younger people. especially young queer people. the fact that kids are going to grow up now with a show like that- see wlw in a piece of media. have nonbinary characters that are normalized and not simply characters that are "oh theyre nonbinary!" <- they have literal characteristic qualities that make them fundamentally unique on all sides.

having a show that deals with such themes as it does, dana you are amazing and while yeah disney fucked us all over with the shorting you & crew literally handled that s3 with such grace that tied everything up as best as you could. DESPITE THE BULLSHIT IT STILL WAS AMAZING AND YOU ENDED IT WELL ENOUGH TO HAVE US FANS WANT MORE.

there are still so many questions i have about the lore but nothing.. NOTHING will ever be as life changing as toh was to me.