#im simply better

[spiffyspidr]

Whilst you were out touching grass, I was touching moss you fool!

[myersobsession]

i found a myers and finessed him into letting me jack him off ❤️❤️❤️❤️❤️❤️ (he let me farm with him i was so obviously his favorite)

my ritual is working! all myers mains will be finessed under my spell!!!

[soyochii]

Satosugu redraw

[umblrspectrum]

getting in that spooky spirit

[xxplastic-cubexx]

top five worst people to be around when theyre experiencing road rage

[linusbenjamin]

Captain America: Civil War 2016 / dir. Anthony Russo, Joe Russo

[padsmoony04]

This guys on bikes are NOT helping my Jason Todd obsession. So here I come to dump this here. PART TWO OF ME, AND MY HEADCANON OF CATCHING THE JASON FUCKING TODD ON A RED LIGHT IN A (rarely) GOOD MOOD VIBING

(The person in the comment is SO me)

[starry-bi-sky]

MMMM twins au with danny and dan except its og TUE timeline danny and dan

ok okay i neeeeed o write this down and share it before i explode buT. as the title says. twins danny and dan (who im going to be calling James/Jamie bc i cannot express how much i despise the name dan) where, instead of disappearing into the ghost zone after he's separated from danny's body, Dan rips out Vlad's ghost half, tears THAT in half, and fuses one half with himself and the other with Danny.

Shit happens, and BOOM. Two morally ambiguous and perhaps slightly murderous demonic twins from hell. Daniel James Fenton and his Twin WHose Always Been Here What Are You Talking About :) James Daniel Fenton. They are both depressed, lonely, and one bad day from becoming a mass extinction event :)

this is because i got grabbed by the hair today and dragged into the SVSS fandom screaming and the fanart of Shen Jiu/Shen Yuan/Shen Quingqiu (????) with his fan entranced me. Ice Prince Core is my favorite thing so naturally i have to implant that onto my favorite blorbos ever :)

After the Incident, both their appearances changed and they're practically identical to each other. Sorta. They both have heterochromia and salt-and-pepper hair. But Danny has one green eye and one blue eye and white hair with black streaks, while Jamie has one blue eye and one green eye and black hair with white streaks. I'm iving them both long hair, for funsies <3

nobody can tell them apart, they keep getting confused on whose who and frankly the mix-match hair and eyes make it worse not better asjd. they're horrifically codependent. please do not separate :)

and because i must. im pulling a blood blossom/tales of the passerine and giving them to pre-robin batman. batman and his terrifying demon(??) twins. nobody is quite sure if they're human or not, and the scourge of gotham are a little too terrified to ask.

(they dont HAVE to go to batman while he's pre-robin. however. i think its much funnier that way bc gotham isn't use to A) Batman having kids, and B) Batman having TERRIFYING kids yet. think of all the new fun rumors)

they both use war fans while they're out, and neither of them use their ghost forms because they at least have the remaining empathy to know that they're more likely to murder someone accidentally as a ghost :). Ghost form is for fellow mythicals and Functionally Immortals Only! Not for Squishy Humans.

Jamie: murder. bloodshed. revengggee Bruce: no. no. Justice. peace!! hope! Danny: bittinngggg. blooood. ^-^

They're honestly not bad kids they're just horrifically traumatized two halves of a whole that can never be reunited ever again :).

idk what their vigilante names are but i do know that the underground refer to them in horrified whispers as 'the twins'. this all stemmed from the desperate and sudden urge to see Danny and Jamie, as their vigilante selves, hiding the lower half of their faces with fans and looking terrifyingly judgmental while they do it <333

[bonefall]

Big question cause I’m so mad about how they were used: any ideas on changing Berryheart and Curlfeather from this book?

I have ONE controversial opinion and you must allow me this;

Curlfeather not apologizing to Frostdawn kinda rocks as an idea.

Obviously it reads as insulting because of how they gave Berryheart a Tom the Wifebeater ass Redemption Death in this book, and the general way that they've not approached her with the nuance she deserves is frustrating. I agree.

But hold my hand and walk with me. Imagine Curlfeather, mauled and bloody before the daughter she died saving. Frostpaw's gone through so much fixing the damage she caused, furious at the state her mother's in, the mess she made of RiverClan, all the suffering everyone's gone through... and Curlfeather says,

"I don't regret anything."

"Really? REALLY? I go through all of that, I come ALL this way, and you won't even give me a rotten little sorry?"

She doesn't give her mother a chance to respond, lashing her tail towards the grimmace that hangs off the side of her shredded cheek, "You're not sorry for how you lead to yourself looking like THAT?"

Frostpaw shoves her scarred throat foward, "You're not sorry for THIS?"

She claws dig into the sodden black earth of the Dark Forest, "You're not sorry you're HERE?"

Curlfeather is quiet, her remaining eye stoic like a stone. Frostpaw begs furiously, "NOTHING?"

"I will vow on our blood that I will not lie to you anymore," the demon's tone is soft and honest, "and I hope that means more than the insincere apology I could offer you otherwise."

Just when it feels like Frostpaw has so much anger that her body can't handle it, pain stuffs itself inside her in equal measure. Her stomach is sick with love, throat choked with affection. It takes her a minute to form the word,

"Why?"

"When my father, Reedwhisker, was taken by the Kin, I saw how they broke him. His uncle, Stonefur, did not buckle under Tigerstar. My grandmother Mistyfoot quietly rescued the Clan from his accomplice, Leopardstar, while Mistystar willingly worked alongside a vicious impostor."

Now that Frostpaw is the one who's waiting quietly, Curlfeather's voice flutters hopefully, "I was willing to do anything to restore my Clan to greatness," the specter pads foward, touching her nose to her daughter's trembling forehead, "except sacrifice you."

She didn't expect to feel the harsh sting of her daughter's paw smacking her across the nose. She reels back.

"You don't get it! It's not about YOU! It's about everyone you hurt! Dont try to pretend it was all worth it, you didn't make anything great, you just broke it!"

"I had to break it so it could be set back stronger. I gave you the chance for the power, and now you are making it better than it was."

"That was in spite of you! You told me to trust no cat and I had to unlearn that!"

"I saved you when I could have escaped with my life."

"From a situation you caused in the first place!"

"It was a warrior's death!"

There is a silence that settles over them. Curlfeather is snarling in offense. Frostpaw looks, again, at her mother's fatal wounds, the defensive stance. She's reminded of how the cats of other cultures don't always see scars as rewards for a fight survived-- just reminders of pain you've gone through.

"...it was a warrior's death," she agrees, gently, watching tattered hackles smoothen out, "...and now you're dead, while I'm still alive."

The emotion in Curlfeather's face is solemn, but otherwise incomprehensible to her daughter. The expression on Frostpaw's is equally unreadable to her mother. This is the only thing they will ever understand about each other-- that there is an irreconcilable difference between them, steeper than the divide between sky and earth.

The last words the demon speaks to her daughter are, "I love you."

It's only years later that Frostdawn can say, "I love you too."

[vivitalks]

liam, attempting to flirt: says the worst possible thing

everyone else: live slug reaction

[queen0fm0nsterz]

I really like how Little Nightmares explores masculinity and femininity.

The experience of a female presenting LN protagonist (and even character, if you want to extend to the antagonists, notably the Pretender) is generally one of survival induced solitude, where companionship can be sought but ultimately denied due to circumstance - especially among each other. Six, Noone, Alone and Raincoat Girl all display different degrees of longing for someone to understand them - Six being an extreme on the side of isolation with the occasional source of comfort (the Nomes), Alone being a comfortable middle where she is indipendent and curious while also having a companion, and Raincoat Girl being the other end, an helpful force who seems to desire companionship. In Little Nightmares 1 especially femininity is displayed as the painful experience it can be. It's raw, visceral, and worst of all it's isolating both when you conform to it until it destroys you, like the Lady does, and when you reject the standard of what is expected of someone like you, like Six.

The pain you feel, physical and emotional, doesn't seem to be as important no matter how deep it cuts you. Noone's tumor being hidden and neglected, her headaches being dismissed... and of course Six's hunger, unforgettable in how much it hinders her, but I could also point to her monster form and the physical and mental toll the entire ordeal in the Tower has left on her.

The conflict between Six and the Lady becomes especially poignant under the lens of this argument because it is a confrontation of the two opposing sides of the spectrum, metaphorically. It's a little girl who has yet to experience the devastation of conformity performed as a means of survival facing a woman who lived all her life so set on following these rules that anything outside of them is perceived as a threat.

(One can't ignore the more obvious point of the class difference with Six being at the very bottom of the chain and the Lady being at the top, which certainly influences the dynamic, but I digress.)

Femininity is hyperindependance in the Little Nightmares world. It's the desire to be left alone while also longing for understanding. It's ambition and curiosity, but it's also the loss of identity both in the pursuit of it and in defiance of it. You end up being alienated either way; you can't really win.

On the other hand, I find that generally, masculine Little Nights protagonists tend to be driven by sentimentalisms and emotion. They are often defined by what community surrounds them, be it a single friend, family member or group; the most lampant example of this are, of course, Mono and the Thin Man, but the same argument can be made for the Runaway, whose story ends up leading him into finding a genuine community with the Nomes, something that no female protagonist experiences. You could argue it was clever foreshadowing, and it was! But does it make the observation any less valid? Personally I don't think so. Low also seems to be pretty set on keeping Alone by his side, although it might be too early to tell; however we do know he's a dreamer who dreams of a future where he and Alone can escape the Nowhere. You could call him a romantic.

Masculinity in this world can be care and fortitude, but it's also singlemindedness. It's the ability to find companionship and meaning while also letting one's own hubris destroy it.

Otto himself is an incredibly interesting example of this because we can hear how his desires, his emotions, are eventually what ends up driving Noone into the arms of the Ferryman. It's a prime example of how masculinity and femininity clash with one another -how his emotional wounds and eventual loss of clarity caused a little girl to fall prey to that hyperindependance where she refuses to be helped by him even when he does mean it.

(Along with his vaguely misogynistic remarks, but again, I digress...)

This singleminded focus on one's own emotions is what I think makes the Thin Man and Mono as relatable to many as they are. His is an endless cycle of violence caused by his own hand; by his own inability to process his emotions in a way that can allow him to progress and move forward. It's not a justification of Six, whose eventual exhaustion was what caused her to react the way she did, but rather it is an observation through again metaphorical lens.

The Thin Man is stuck in a dark room that gets progressively smaller because his inability to understand his wrongs causes it to shrink. He's locked in a bubble that is not entirely of his own making, but it is his responsibility to burst. But how can you burst it when you have no conscience of the fact that the room has been getting smaller to begin with? How can you care, when all you can think about is the emotional hurt that brings out the worst of you, the part that you don't even realize is the worst of you?

Masculinity can be just as isolating as femininity not because it's visceral but because it's fragile. It's unaware of itself while also being incredibly concentrated on the self. It's based entirely on how one is perceived and treated and thus easily destroyed once one is left alone to their own devices, which is why it requires community. Once that community is taken from you, it shatters, and leaves one without the tools to rebuild it.

I suppose the true difference here is that, at their worst, while one is self aware to the point it is actively damaging to the self and everyone around you, the other is so out of touch with itself that it can cause unintentional hurt to the self and others which can't be processed properly.

At their worst, they're monsters that help make each other, you could say. At their best, they're companions who help each other.

(This is in no way an attempt to diminish one or the other, by the way, nor does this reading apply to every single character. Both social constructs have their good sides and bad sides. The main quartet of Six, Lady, Thin Man and Mono are very strong cases, but I was simply making a general observation.)

[jash-tweets]

New Tweet.

[shanklin]

Stanford never became friends with Fiddleford.

Instead he got himself a different small friend group who cares a lot about him. At least about the Ford he pretended to be in college.

A kind, soft spoken formerly bullied genius who researches very dull stuff in Oregon and definitely not anything weird. Their Ford would never break any rules or ignore safety measures [unlike that other student they heard about during their college years.]

And then Ford stops answering their calls and loses his grant. 

It’s time for an intervention and they start pestering Ford with letters and calls until he finally agrees to meet them at a science convention, but he’ll take his brother with him.

They’re relieved! Ford is with Shermie! They like Shermie! It's a good thing that Ford still has one brother who isn't a good for nothing selfish criminal who destroyed his entire future!

If they ever get their hands on Ford’s evil twin they’ll make sure he’ll regret ever messing with their friend. Ford is too nice for revenge. They aren’t.

Meanwhile at the not-yet Mystery Shack, the Stans freshly survived their own angsty canon divergent tale of two stans AU and locked Bill out of Ford's mind like a week ago.

Stan: I don’t know how long Ford will keep me around but this will be good for him. He needs some friends to take care of him after I inevitably get kicked out again!

Ford: I only agreed to this because Stan insisted and I still haven’t found a way to thank him and apologize. I hope all my “friends” die in a fire.

[mamawasatesttube]

god i need to write more fics that at least tangentially get into gender. because i know that timkon are t4t in every fic i write but it doesnt always come up. and god knows its just me peddling my little rowboat alone in the t4t timkon waters. 😭 i gotta... i gotta keep kontributing... the trans tim and nonbinary kon tags, they need me...

[tomfrogisblue]

one of the true highlights of the qsmp was introducing non-french speakers to how fucking awesome and hilarious etoiles is

[xxplastic-cubexx]

eternally grateful that no matter the verse within cherik either one of them will always have long lushish hair the other can lovingly comb through