#im insane over that fight
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serv0z · 2 months ago
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Sighs longingly.. you know what time it is? I think its time for me to replay undertale yellow for the 7th time
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the-fyre-flie · 1 month ago
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Bruce taking Clark out to dinner and spoiling him and kissing his cheek after every little date, causing Clark to fumble and quickly refuse his attention cuz "I-i dont w-wanna make a scene, M-Mr Wayne...////", but as soon as it's Batman and Superman, Supes is happily carrying Bats around and tending to him and always checking his heartrate/well being. He's so happy to just hug and lean on Batman, all while Batman huffes and scowls and pushes him away.
Their alternate egos are inverses of each other PDA wise and it's so cute :3c
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perpetuallyboo · 9 months ago
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The posts ive seen about "I really hope the bad kids dont hurt the rat grinders :(" is giving the same energy as the hangman to fabian going "we should be nice to her cause if we just keep being nice to her then she'll stop being so mean!!"
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blueskittlesart · 5 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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legend-had-it · 9 months ago
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zosan the type to get accidentally married in four different islands before they start dating
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pyrotechnicdarts · 2 years ago
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they invented romance btw
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mrmeepsmadmind · 4 months ago
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most men is dogs & most men is nasty
i can't let a cat run past me !
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god-of-this-new-blog · 1 year ago
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“Sorry that it all went down like it did”
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beaulesbian · 9 months ago
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ah yes, thank you One Piece-summary/flashbacks-corner for including this specific Marco scene, where Zoro once again has to remind everyone that he would always follow Luffy's orders. It's just a thing that naturally comes out of his mouth ever so often. Love to see it!
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bigsharkguy · 6 months ago
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has anyone done this yet
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Thinkin about the church scene 1941, and the way Greta refers to Crowley as “the infamous Mister Crowley”. Thinking about how I always assumed that meant Crowley was out there doing some James Bond Shit™️ during WWII, and thinking about how in fact he was delivering alcohol to local theaters. Thinking that there’s no reason for him to be infamous to a bunch of half witted Nazi spies… unless Aziraphale wouldn’t shut up about him when “Rose Montgomery” recruited him
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ccbatman · 9 months ago
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actually so sick how they made steph into a martyr for everything wrong with gotham when she lived her whole life trying to prove that she was everything right
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atomicengineerdetective · 1 year ago
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I've been watching Hazbin Hotel in prime. Just watched episode 5 and I gotta ask
Why, oh, WHY DON'T I SEE MORE PEOPLE TALKING ABOUT "MORE THAN ANYTHING" WHEN TALKING ABOUT THE HAZBIN HOTEL MUSIC???
Like I get it, the song before it "Hell's Greatest Dad" Is a bop reminiscent of other music from the era its parodying. I loved it.
BUT why are you only putting clips of that song when this MASTERPIECE comes a few minutes after
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I honestly don't even know where to begin with this song. The visuals are beautiful, especially when we get moments like this where you can just see the absolute LOVE this man has for her daughter is so sweet and Heartwarming I just-
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The voices are fenomenal but what else can you expect from the broadway talents of Erika Henningsen and Jeremy Jordan.
There is also the whole Symbolism with passing the baton to the next generation and stuff. I- I can't even get into the specifics right now Im too emotional.
But above all else THE LYRICS
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ESPECIALLY THAT LAST ONE
"I'M GRATEFUL YOU ARE MY DAUGHTER/FATHER MORE THAN ANYTHING"
DO YOU WANT ME TO CRY?? CAUSE I AM. I AM BAWLING MY EYES OUT RIGHT NOW.
It's just so fucking beautiful man. Probably the best song I will hear all year. Obviously my favorite from Hazbin.
#Call me Sir Pentious cause Im crying like a baby over here.#WHY HAVE YOU BEEN HIDING THIS GEM FROM ME. THIS ABSOLUTE DIAMOND#I didnt even mention lyrics like “I've been dying to find out who you are. looks like the apple doesnt fall far.”#“You are a part of who I am” “you are the only thing worth fighting for” that just BREAK ME#but oh well#BTW of course I was gonna watch and become obsessed with Hazbin Hotel. I am a theater kid that loves animation. It was like meant for me#could do with a little less obsenities but thats alright its a staple of the show#On another note I almost went insane when I found out lucifer was Jeremy Jordan.#Like its insane how that man always ends up in my obsessions. Newsies. Tangled the series. The Death Note Musical#(Im team L btw in death note but GOD Jeremy's singing made me reconsider for a milisecond in Where's the justice he is just THAT GOOD)#Erika I knew from the mean girls musical which I also deeply enjoy#its Insane the Talent this show brought in. my theater kid heart is ELATED#Last thing is I gotta say I LOVED Lucifer#Like I thought I was gonna hate him because everyone was talking about charlie's daddy issues#I thought he was gonna be neglectful and manipulative#BUT NO. He is a silly (little) father who just loves his daughter but doesnt know how to show it#And had DREAMS and AMBITION and fate in humanity. And he is just such a fun character to follow I had such a riot with this episode#Hazbin Hotel#charlie morningstar#lucifer morningstar#charlotte morningstar
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iridescentmirrorsgenshin · 11 months ago
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An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,�� but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
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In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
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With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
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By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
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This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
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This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
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Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
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infamouslydorky · 6 days ago
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If ever there was something that made me understand the madness that came with knowledge Lovecraftian protagonists experience, it's the news cycle of the first two weeks of the second Trump presidency
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punk-o-ween · 2 months ago
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genderbent punk n seth r invading my brain and r living in it IM OBSESSED
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