#im incapable of being normal.

[bidolatry]

Please I need to know what Sisyphus smel- (gunshot)

IM NOT ALLOWED TO POST THATY ON HERE

[slavhew]

And I just have to tell you that I

Love you so much these days,

[coffeegnomee]

All this talk about Pangi doing a little silly thing and we're sleeping on the fact that Clown wants to take over the throne. Like. Yall aint ready for this.

[npdkondraki]

sorry im going to be annoying actually. you mfers will literally say some shit about killing jimmy and then literally just not have his actual fucking victim do it. like. everyone BUT anya is allowed to commit violence towards him. i wonder why that is. its almost like the fandom refuses to see past jimmys surface level idea of her and refuses to fucking think for literally 2 god damn seconds about just WHY the actual story even happens in the fucking first place

[aeoris4lovers]

the quiet tragedy of verin being the one who never quite made it out.

for most of their lives, essek was the one who was entrenched in expectations, in the politics of their den. while verin was stationed far from the heart of the dynasty, ostensibly free from the eyes of his elders, essek was sitting beside their mother in court and speaking before the queen. and it made sense, because essek had always been better at all of it — the posturing, the sweet-talking, the ladder-climbing. his brother the black sleep was still his brother the prodigy; his brother the heretic was still his brother the shadowhand.

but then, essek meets new people and they get through to him and change him and make him softer, make him better (and why them? what is it about them, that they could do what verin never could?) and he runs. he gives up the title and the status and the power and leaves it all (leaves verin) behind.

suddenly, verin is the lone newsoul of den thelyss, the one with all eyes on him, with the expectations meant for two brothers falling squarely on his shoulders and only his in the absence of their other target. he is still the youngest of his den, the one they all watch and wait to be disappointed by, but there is no one to share that burden with anymore and all at once it becomes painfully clear that distance never really was freedom.

essek has a family, then — not a den but a family, with love and trust and care and warmth and all the things essek once called verin childish for craving — and a welcoming home to go to with someone who loves him waiting there and a garden in the front yard, and verin is left still fighting demons under the banner of a god (of a family, of a home) he only half-believes in.

and maybe they see each other more often then. maybe bazzoxan is remote enough that it’s safe for essek to visit in disguise. maybe essek’s friends come too and are kind enough to offer a taste of what essek has now and verin can almost believe it’s his too. maybe essek doesn’t even fight it anymore when verin insists on hugging him. but how much can that really fix? how much can it really change?

an unloved man leaves no one behind when he finally makes a better life for himself, but essek was never an unloved man. not really.

[saltedcoffeee]

war got ruined cause of woke 😭

[incorrectly-quoted-queers]

Me, finding all the Fantasy High romances cute but not going crazy for them: Ah, teenage romance. I wish 'em all the best Me, the second Gertie Bladeshield came on screen: YOUR HONOR, IF KRISTEN APPLEBEES DOES NOT MARRY HER I WILL

[cedric-k-rossignol]

stood on the cliffside screaming 'give me a reason' your faithless love's the only h o a x i believe in

[smytherines]

king of the ashes

[airlocksandaviaries]

i want him WHIMPERING CRYING SOBBING MOANING WRITHING PANTING GASPING CHOKING WHINING-

[johnskleats]

got into zutara vs kat@ang discourse with a neighbor

neighbor: well the ending was good enough for ten year olds. it's not like the show was written for adults with writing degrees

me, who at age ten, watched the premiere when it happened and then rented the DVD off of Netflix later and rewatched the finale 5+ times before accepting that THAT was how it ended and there was simply no narrative explanation: it wasn't good enough for me then either

neighbor:

me:

neighbor: you must have been a weird ten year old then

[smokeys-house]

One of the teachers today recognized my moomin patch and asked me, with a very clear intent to investigate further; "what kind of animal is that?"

[blossoms-phan]

guys can someone reassure me that you want to read phan smut

[queen0fm0nsterz]

Guys genuine question. Do you guys think I'm a smart person?

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[exaltior-a]

Every day I try not to be a hater to people in fandom who completely fall for a characters facade or false perception of themselves. Like girl the narrative device tricked you.