#if you like magical realism this is FOR YOU

[theunsinkableship1]

If You Know You Know

I don’t know how many times I’ll have to say this, it must be tiring for some, but I need to reiterate this CLEARLY to be properly understood:

I WILL NEVER SHIP THEM WITH ANYONE ELSE.

This makes absolutely no sense to me. The only reason I’m here is to support Luke and Nicola as a couple. I’ve never done anything like this before, and I won’t do it again after them. Hopefully, if they become an official couple, I’ll step away because my purpose will be fulfilled.

I joined this fandom because I saw something extraordinary between them, something I’ve never witnessed in my entire life. Their connection felt so unique and undeniable. Other relationships, real or supposed, simply don’t matter to me in this context. I initially believed people supported them because they, too, recognized the magic between them. But clearly, that’s not the case for everyone, which is disappointing.

To me, there’s no point in being part of the Lukola fandom if you don’t genuinely support both of them together. To be clear, I deeply admire and respect both actors, and I support their careers wholeheartedly. But that’s not why I’m here. I’m not here to support two talented actors, I’m here for their LOVE, for that incredible bond they share.

I’ve seen many relationships in my life, but nothing like this. Their dynamic is something rare, something worth rooting for.

To be a true shipper is to stand firm in your belief, to celebrate the connection you see and cherish without hiding behind the guise of "realism" or "pragmatism" to spread negativity. If you don’t believe in the ship, that’s fine, but then, why stay? Why participate only to criticize those who do have faith?

Truly shipping them isn’t about constant doubt or spreading cynicism; it’s about what you see and feel between the two people you root for. For those of us who support Lukola, our belief stems from the extraordinary connection we’ve witnessed between Luke and Nicola. It’s something that doesn’t come along every day.

It’s not about shipping every supposed relationship they might have, that approach dilutes the magic of what we see in them. Even if they confirm that they are indeed in those relationships, will I support those ones? Not really because I’ve seen many of those; if they love it, I like it .Their lives, their choices. Not every relationship needs to be shipped, and that’s okay. If Lukola isn’t your ship, then jump ship. No one is asking you to believe, but also, don’t bring your doubt and negativity into a space meant for those who trust and support this connection.

This space is for believers, for those who see and celebrate something extraordinary. If you can’t see it or choose not to, that’s fine, but don’t pollute the energy of those who do. We’re here for Luke and Nicola together, and our faith in them doesn’t need validation from those who don’t share it. Let us enjoy this space as it’s meant to be a celebration of love, connection, and the beauty of their bond.

It’s not about being delusional or not accepting the facts as reality. It’s about recognizing something profound, something rare that transcends other real or supposed connections. We don’t believe their bond is just platonic, just PR, or just friendship. If you still think that you need actively LISTEN and pay a closer look and EAR at what is publicly available. It goes beyond that. What we see is something that defies the boundaries of ordinary relationships.

This isn’t about diminishing the significance of other relationships they may have; it’s about acknowledging that what Luke and Nicola share is singular, a once in a lifetime kind of connection. It’s not something that can be replicated or overshadowed. It’s more.

This ship isn’t built on superficial observations or wishful thinking, it’s rooted in what they’ve shown us. It’s something you don’t see every day, and certainly not in every connection. It’s about believing in the rarity of what they have and celebrating it for the unique bond it is.

For those of us who believe, this feels more like something bigger, more meaningful, and more enduring than any fleeting moment.

This corner of the internet wasn’t created to be all things to all people, it was built with a clear and intentional purpose: to celebrate, believe in, and support the connection between Luke and Nicola. It’s a space rooted in trust, admiration, and the shared belief that what they have is rare and extraordinary.

If someone finds that they no longer resonate with that purpose, that’s okay. People grow, perspectives shift, and interests change. But the respectful and graceful thing to do is to quietly take your leave. Staying to criticize or sow negativity only detracts from the energy and intention of the space, which is to uplift and celebrate, not to argue or debate.

This community thrives on faith and positivity. It’s for those who still see the magic, who choose to believe, and who want to nurture a space filled with that same belief. If that’s no longer where your heart lies, it’s perfectly fine to move on, do the same if you think that we’re crazy, but let us continue to build on the foundation that brought them here.

"If you know, you know."This phrase perfectly encapsulates what it means to believe in something that isn’t always spelled out but is undeniably felt. Like the kind of connection that doesn’t need an announcement because it’s there, plain as day, for those who see it.

“If you know, you know" speaks to the undeniable energy and chemistry between Luke and Nicola. In their silence, because sometimes, what’s not said speaks louder than words.

For those who know, no explanation is necessary. For those who don’t, no explanation will ever be enough. That’s the beauty of it. Some things are felt, not proven, and if you know, you know.

[cavegirlpoems]

Universes Beyond is a stupid idea, but since WotC are doing it anyway, here's what they'd do if they had any backbone:

Clive Barker's Hellraiser, making the subtext in phyrexia Domme Text, and to get a 4-hour Spice8Rack video about the Gender of it all.

Twilight, to piss off the gamer bros and because they can finally do a Vanilla Matters theme around Bella Swan.

Pride And Prejudice, since the incongruity will be funny and I want a Dark Depths functional reprint that summons a Mister Darcy With His Shirt Off token.

Achewood, because I want 'Depression' to be a keyword, I want a Mexican Magical Realism theme deck, and I want 'Rapper' and 'Pornogropher' to be creature types.

Lady Chaterly's Lover, because I want a Rhystic Studies video on the erotic card art and booster packs sold in brown paper envelopes.

Tomie, Mr Junji Ito has already done custom art for them, and I think a spot removal card called "Bizarre Psychosexual Murder-Suicide" would be funny in tournament reports.

All Quiet On The Western Front, because "make your opponent too miserable to keep playing" is already a strategy with lantern control, and the obvious escalation is actual depression.

The Rider-Waite Tarot Deck, since I think it would make a very specific type of nerd extremely angry when they inevitably get it all wrong; I bet they'd make Death a Black card and the flamewars would be beautiful.

Atlas Shrugged, so I can watch Spice8Rack spontaneously combust live on camera.

Cannibal Corpse Lyrics, because 'make your opponent to uncomfortable to keep playing' should also be a valid strategy, and I also want a Rhystic Studies video on the art.

Dungeon Bitches, because I would like them to give me money for the license please, and also to crack gamer eggs on an industrial scale.

Sponge Bob Square Pants, what do you mean they actually did this one.

Kaguya Sama: Love Is War, this one is not a joke I would buy this, and they should let me design it I have so many good ideas.

And of course:

And of course:

Yugioh.

[glitter-stained]

On villains with tragic backstories

Sometimes I'm like "is it really psychophobic, maybe i'm reaching, the character did say that they're not actually crazy they just like killing people" and then the narrative will hit me with "some terrible, dark horrors have happened in your past and this is why you are killing people but it's not too late to get admitted in a psych ward" and I wanna throw the comic through the window and myself with it.

The "mentally ill villain" trope isn't just saying that the villain is crazy or giving them hallucinations. If you're giving a villain a tragic backstory, and that backstory has caused them severe suffering the memory of which is still painful to the day, and the story expects you to believe that the villain's horrible behaviour is explained by the fact that this suffering broke something in them... It's worth examining if you're not just vilifying or demonizing mental illness on accident.

The issue isn't that your villain can't have a tragic backstory, or that the tragic backstory can't explain their actions: the issue is when the suffering itself is treated as a sufficient cause for the behaviour. Say a character was raised and abused by a cult that taught them killing puppies is good and then they kill puppies: not psychophobic. Say a character who used to love puppies was kidnapped and tortured by some guy just for the fun of hurting someone, no brainwashing or anything just pain, and then they get out and kill puppies because of the torture: psychophobic. There's a missing link in the reasoning here, a question of "what about this event taught/brought the person to the conclusion that it was a good idea to kill puppies or gave them a desire to?" The psychophobia is insidious, hiding in the implication that the trauma (because this is what it's really all about) is what made them kill puppies. Sometimes, people with trauma kill puppies. But killing puppies (or exploding buildings with children in it, or shooting someone in the spine, or severing heads and putting them in a duffle bag, or, or, or) is not and has never been a symptom of ASD*, PTSD, CPTSD, BPD, DID, DDD or any other trauma-induced disorder. It's a good idea to verbalise the logic, emotions, needs and desire that motivate your villain and where they stem from, to avoid falling into the trap that thinking their trauma, because of the magnitude of the empathy it's meant to generate for the character, is enough of an explanation for their behaviour. A villain being sympathetic because of their backstory doesn't mean that their actions are necessarily coherent.

On top of that, it's important to take in account other factors such as the original background of the character, their vulnerabilities, their age (super important when writing childhood/teenage trauma/young villains!), but also their ethnicity, gender etc etc. This is important for realism and accuracy, because trauma is neither a magical button that creates heroes nor sociopaths, but also because psychophobia interacts so easily with other forms of discrimination slipping through the cracks. Now that you've identified that your woc character becoming a manipulative, sociopathic "crazy ex" because of her trauma was not just a consequence of her trauma but the interaction between the trauma and personal factors, what are those implicit factors that contribute to make her manipulative, obsessed with her ex, etc.? And now that you've extracted them explicitly, like a zip file, can you examine them to see how many of these personal characteristics have to do with her being a woman of colour?

I hope it's clear that I'm not telling you what to write- I think imposing the idea that villains can't be poc, or queer, or working class, or disabled, or mentally ill, etc. is harmful, because it reduces potential representation, it's based on the assumption that I know what you're gonna write and it's gonna be fundamentally ableist, and it puts this pressure on fictional characters to be perfect icons of representation rather than actual characters with depth and personality (kinda like thinking you can't write a female character who cries because it implies women are weak). This is just to encourage you to be mindful about what you're doing when writing that tragic backstory, because it's not necessarily what we think about when we talk about mental illness, and it's important to analyse what you're writing with a measure of introspection: why am I writing this? What does this imply about the character? What's my reasoning for this character's reasoning?

I have zero issue with a mentally ill character kicking a puppy as long as the narrative isn't trying to tell me that it's a symptom of mental illness to kick puppies. But of course, perhaps the story could also be a critique of those stories about mentally ill people kicking puppies, and the satyre is flying way over my head; or perhaps there will be a secret plot-twist that happens after I stopped reading that explained why the character was kicking puppies, perhaps the book was an attempt at guiding and manipulating the reader into realising the flaws in that reasoning on their own, or perhaps it was a metaphor for something else entirely, etc, etc. I don't know. The point is, write whatever you want; but write it self-aware.

*in this context, ASD meaning Acute Stress Disorder

Two examples of comics I think do it pretty well:

> Arkham Knight Genesis: for all its flaws (i didn't really like this one), I think it does a pretty decent job of getting us to understand how Jason got where he is, that it wasn't just "tortured until evil", all the reasons for his resentment, all the brainwashing and manipulation are pretty explicit. Kind of an "easy mode" because the plot revolves around brainwashing, but solid on that front.

> Red Hood Lost Days: this one I'm more mitigated because there's this whole "pit madness/the pit made him a psychopath" thing Winick introduced to limit the damage of previous runs (and rightfully so imo, Pit Madness is a much better explanation for some of Jason's most batshit ooc runs than just trauma), but there are some pretty solid elements, especially when you know earlier comics. I'm thinking specifically about when Jason says something around the lines of "you murder people; i put down a lizard", as a direct echo to Judy's "I put down a mad dog", that's one of my favourite comic lines ever, I cheered seeing that parallel like yes, I can see the reasoning, I understand where you learned the lesson and what the thought process is and I support it.

[momimf1ne]

everything in-between on ao3

landoscar/4.3k words

Oscar has a pretty smile, Lando notices. It stretches all over his soft features and makes his eyes crinkle, sharp teeth poking out from underneath his top lip. Lando’s eyes narrow as he lets his gaze wander over Oscar. From his brushed back hair, over his pale skin down to the white linen shirt peeking out underneath the heavy cape. 

“Cool costume,” Lando smirks. “Very chic. For a vampire.��� 

Oscar chuckles a little dryly and starts staring at his shoes. “Thanks, mate,” he says then. “I’m serious,” Lando reassures him and Oscar looks up again. “It looks good. Especially the, uh,” he loosely gestures towards Oscar’s face, cheeks reddening underneath the facepaint. “Your teeth. They look very real.”

Something in Oscar’s look shifts. Just slightly, if even. Lando thinks he imagined it, blames it on the addictingly sweet drinks and Oscar’s pretty smile. But then Oscar cocks his head, eyebrows raised. “You think so?” He asks. And he smiles, open-mouthed, white teeth on full display. Oscar even has the audacity to dart his tongue out, swipes it over the pointy canine and Lando is – well, Lando feels fucking mesmerised during all that. 

And it’s a strange feeling. Like he’s giving in to something and he’s not sure if he likes it. 

[noknowshame]

always a fun time when real life people are doomed by their own narratives. like guys you know it doesn’t have to be like this right? this isn’t a stageplay the foreshadowing isn’t real until you make it real

[crazedsmiles]

Chappell Roan moment

I love her music

[wasyago]

squeaky_toy_sound_effect.mp4

[squash1]

ok book club <3 what are we reading that’s actually good and would maybe fill the trc shaped hole in my soul???? and don’t say reread. unless you say reread the dreamer trilogy because i’m so close to giving into the urge.

please. please. give me your suggestions.

as a frame of reference here are non-trc books i love & would recommend (different content, same soul):

watch over me by nina lacour

in memoriam by alice winn

under the whispering door by tj klune

these violent delights by micah nemerever

the anthropocene reviewed by john green

summer sons by lee mandelo

a tale for the time being by ruth ozeki

i need an actual book club but tumblr took away my group chats :(

anyway love you please give me suggestions!!!!!

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[be-bisexual-eat-hot-chip-and-lie]

read a fic from señor bun’s pov

why yes i did weep

[russenoire]

in response to this post:

ONE-sensei is a bit of a troll, not gonna lie.

but... i actually like this ending, at least for comedy's sake. the stark juxtaposition of

'boy gets hit by a truck and his unexamined jungian shadow self flattens a city before he finally makes peace with it'

with

'and everything was just fine six months later'

is funnier than spelling out exactly how we get from point A to point B, because we KNOW — as the audience — that it wasn't 'just fine'. after everything we saw, how could it be?

subverted expectations underpin a lot of comedy, even dark comedy, especially absurdist comedy. MP100 is practically built on both. this story wrings a lot of humor out of sad, if not tragic, situations: witness shigeo's 'who told you you could pass out?!' after his home has been reduced to kindling. or ritsu's admission that he only recently stopped crying himself to sleep at night over his inability to bend spoons like his big brother. while he's letting shigeo know just how much he supposedly hates him in that alley.

not expanding upon the real-life consequences of said city-flattening is funny precisely because dropping 'i wrecked my hometown after nearly dying in a car accident on the way to ask out my crush when i was a teenager' in a conversation and just... leaving it there? would be fucking horrifying in real life. here, in the elastic magical-realist context of MP100, it's more darkly absurd than anything else...

more to your point, OP: in this particular series, ONE-sensei tells so much of this story by implication. the answers to some of your questions are in the text, only... alluded to.

this might get long. bear with me:

the fact that joseph from the government exists? and that he's an esper working in secret? implies that the knowledge of destructive espers might need to be concealed from the public at large, perhaps to prevent wide-scale panic or ostracism of espers themselves. i doubt the government was forthright with its citizens about the confession arc disaster or the actual cause, for the same reasons.

that suzuki's broadcast-hijacking world domination announcement is met with public disdain and ridicule, especially over social media? outside of our cast, no one actually takes his threat seriously until it happens. reigen's trash-talking claw's seventh division down to earth also shows how little respect espers who don't make themselves useful to society actually get here. he is, after all, just another member of the public.

that reigen agrees to take on haruaki amakusa as a client after the world domination arc in part because he's worried about losing business? people have begun to move away from seasoning city in the aftermath; whatever the threat amakusa's hyakki present, neutralizing them as soon as possible is best for reigen's continued financial health. i can see even more residents deciding they've had enough and leaving after shigeo's last brush with death. would you stay?

how many people know shigeo is connected to reigen, apart from the people they both know? out of his own inflated and fragile ego, reigen presents himself as a sole proprietor on his website; it doesn't seem his business or its reputation would be directly affected at all.

and the injuries caused? possible deaths? we get a taste: early on in chapter 100, several people are trapped and unable to move in a 地盤沈下 (jibánchinka, literally: 'land subsidence', which can apply to a sinkhole, a landslide...) shigeo has left in his wake. we only find out because a cop is being briefed on this and its cause while trying to detain the suspect for questioning.

but like all other bodily harm caused in this story, we aren't treated to the fallout. did the elderly ishiguro survive shou plowing him into the earth? did miyagawa die after teruki flipped his barrier onto him and broiled him in his own flames? did those high school bully boys live after shigeo cracked their heads open on the pavement like eggs? like, these are good questions. (i'm inclined to believe that all these people died, but many would call me harsh for saying that about an otherwise kind story. we never see them again, either way.)

shigeo actually has a healing factor of sorts; his jungian shadow self keeps plucking him from death's arms. we have no way of knowing if this is true for anyone else, because that isn't the story ONE wanted to tell. if nothing else, the mangaka's lack of desire to engage with this question of lethal consequences is at least consistent across MP100.

any questions that aren't answered either directly or that can't be answered by easy extrapolation can foster continued engagement with the material.

for example: we don't know what shigeo's parents think about much of anything in this story, besides how little they expect from him and how ritsu sets a standard they feel shigeo should live up to. this boy goes through hell multiple times and is never shown to confide in either of his parents about it, instead suffering in silence for some time until he finds someone he feels safe enough to talk to. all this gives me the distinct impression that shigeo just isn't that close to his mother or his father. i can understand why. it's actually kind of sad, even as readers' frustrated expectations of real-life parental involvement with — and confusion over — his and his brother's shenanigans also generate some dark humor.

this also establishes a precedent: since we never check in with them, by the time the confession arc rolls around, their opinion hardly matters. (but i'm sure someone has written a fic fleshing that out! i'm somewhat curious myself.)

[ppjeterka]

was going through my old wips for writing inspo and stumbled across this isolated scene from a fic with a premise i really enjoy but haven't ever elaborated upon for some reason...posting here bc i actually kinda like this scene (?) and also bc I'm hoping posting it will motivate me to work on this and my other mattdrai fic languishing from neglect

[ratatatastic]

do you write fic on ao3?

unfortunately for everyone involved i do!

[liuisi]

FINISHED THE BOOK

[chaoswillcalmusdown]

The Banshees of Inisherin / Polite Society / Spider-Man: Across the Spider-verse / Summer of Soul/They Cloned Tyrone /The Godfather/Rye Lane / Bottoms / Die Hard

9 Favourite First Time Watches: 2023

Tagged by @thatidomagirl and tagging @cryptiddies @icedsodapop @polarcell @naslostcontrol @kutputli @fishbarconcept and anyone else who wants to do it

[toughpaperround]

Magic Fic Recs (2)

Feels like magic in the air ... more 911 fics with a spiritual edge, coming up!

'One Golden Glance of What Should Be' by UisceOneLove | @wolfnprey (G, 3k, 8k in series) in which Omega!Buck meets Witch!Eddie

'today, yesterday, everyday, and tomorrow night' by @trippedandfell (T, 4k) in which Eddie's not like most people.

'The Curse of Sleeping Buckley' by @corgiqueen14 (T, 2k) in which Buck's family has a curse on it and Eddie just wants to help

'My accidental happily ever after' by @lamardeuse (T, 7k) a magical realism fic in which Buck's day is both bad and weird.

'Feels Like Magic' by 42hrb | @exhuastedpigeon (T, ~30k, WIP) in which Buddie are a witch and a psychic.

'Choral Chant for Practicing Witches', ch 7 in a series of one-shots, 'The Monsterfucker's Symphony' by @letmetellyouaboutmyfeels (rated E) in which Witch!Buck uses his powers for good

'Buck's café (take my heart, just not my order)' by MonsterRae1 (E, 10k) in which probationary Firefighter!Eddie meets Barista!Buck.

'collectively unconsciously composed' by Rianne | @rianneeyre (E, 47k, 72k in the full series, 'let it pour out of your soul'): a great series with fun world building.

Part 1, 3 | Rec list Masterlist