#that’s eddie in this okay? okay. | Explore Tumblr posts and blogs

hitlikehammers · 5 hours ago

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tremolo

…what if instead of learning clarinet or percussion, you could learn to read the music of hearts? 💕

rating: t ♥️ cw: love at first sight, car crash (off-screen), SUCH FLUFF ♥️ tags: ✨magical realism au, musician eddie munson, paramedic steve harrington, kinda soulmates (it makes more sense with the magical realism part), character study, softness

for @steddielovemonth day one: "Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of love everyone becomes a poet." —Plato

It was just like learning any instrument, really.

At least what they tried to convince Eddie to believe at the tender age of nine.

But it was all about finding an aptitude, apparently. Developing a talent. Fourth grade rolls around and he fucks up blowing with a reed, manages to give himself a tongue splinter. Nearly passes out on the brass. Ends up with the choir lady looking over horn-rimmed glasses and narrowing her eyes at him less like a teacher and more like a fortune teller or something, scrying what’s to come of him, like she can see through all that he is and will be, before she goes scribbling something on his little slip of paper already marking all the failed kinds of music he’ll never get to make and telling him: go to Room 011.

But no one ever goes to Room 011.

He meets a petite woman with mousy hair and clothes that look like they belong to someone else, somehow. She introduces herself as Miss L. She looks like a Miss L., so he doesn’t think any further on the point.

You will not play much, really, she tells him, and the way she talks is kinda funny, like she learned words but not from people actually saying them out loud. Eddie kinda likes it, though. The playing is only for emergencies, and if you find your True Note.

Eddie doesn’t know what most of that means, except for the fact that the whole point of trying—and failing—at all the instruments was to join the school band with something to play. So if that’s not what he’s going to learn, then what the heck is Eddie meant to be doing down here—is what he wants to ask.

He manages a little politer version of the same, his nan’d be proud. His dad wouldn’t care even if he was around and not behind bars. His uncle might be happy that Eddie’s kept his nose clean just this one time. So he figures he does okay.

But really, he just wants an answer. He was supposed to get to learn music. It was the one thing that was keeping this whole year feeling like he could maybe, maybe survive it.

It also means he doesn’t have to take the art class that’s mostly kindergarten crafts instead of real art, so.

“You will be learning music,” Miss L. answers, more patient than most grownups; “you are here to learn how to read the songs that hearts sing.”

And that is, by far, in all of his whole nine years of living, the most fucking absurd sentence that Eddie has ever heard.

——

He’d kinda thought it was a joke, when he left that first afternoon to get back before Language Arts.

Turned out: nope. It was not.

He’d maybe thrown something slightly less childish than a tantrum, when what he got was a big set of earphones and a box the size of an Easy-Bake Oven, where apparently he’d be playing some kind of recordings to start his lessons.

“Do you not wish to learn?” Miss L. asked so simply, and Eddie…

Eddie reminded himself that no matter how foolish and stupid this was, it couldn’t possibly be worse than making construction paper collages with Elmer’s glue, so.

He put the headphones on and pressed play.

——

His workbooks didn’t look like anyone else’s in band—in fact, Eddie didn’t think he was actually a part of the class band, like, he wasn’t expecting to play at the spring concert with the flutes and the trombones, anymore. When he had sheets of staves to fill out they didn’t have straight lines. He didn’t draw different circles with little flags and bridges connecting them. He…

“When there are no keys, and there is no time signature,” Miss L. had explained, and it took time to make any sense; “you are the rules, and you feel what is a melody,” she’d tapped something that feltbeautiful, like daffodils blooming, though Eddie couldn’t say why; “and what is a warning.”

And then she’d tapped again, and it clenched in Eddie’s chest like a tornado siren, and…yeah.

That was kind of the best explanation he could have asked for.

——

It’s in middle school, when everyone else gets new band directors while Eddie sticks with Miss L., that it starts to…well.

That’s when the fact that Eddie’s alone in his lessons, and no one seems to know quite what he does—and the other kids who get that kind of treatment are usually the ones who can’t add or spell right, who have some kind of problem to work on extra hard—but it’s around then that Eddie starts being called names for it.

It’s not too bad, at first. Eddie’s worked for his two full years of elementary school lessons to get through recognizing the songs, suffers the point where recognizing becomes unbearable, overwhelming—Miss L. never left his side when he held his head in pain for all the noise, all the songs because they were everywhere, in everyone, and how was he supposed to learn what was right and what was good and what was just okay but then what was also everything the opposite when he couldn’t even think—

But she taught him the tools, the ways to sift through the chatter, as she called it. Because not all of it was a warning; not all of it was bad just because it wasn’t beautiful.

Some of the noise just was.

She showed him how to trust his own ear; his own song in his own chest as a guide, because that’s why he was here: he had a gift, an aptitude, built in and in need of development. Liked they’d said in the beginning.

He’s nearly thirteen when she teaches him how to write his own songs, in the not-notes and the no-tempos. In the nameless flow of sound.

It’s when his classmates overhear one of those works-in-progress, the taunting gets worse, starts to hedge toward unbearable.

Until Eddie asks if he can just stop: quit this. It’s not worth it. He doesn’t want to be a freak.

“It is a rite of passage, to ask this,” Miss L. says slowly, no judgement, and weirdly no pity; “but I should tell you first,” and her eyes narrow more than Eddie thinks he’s ever seen them.

“Your skill is already greater than any I have seen, and is only getting sharper, more keen.”

And hell if a teacher’s ever said something niceabout Eddie Munson, let alone something that sounds like flat-out praise.

“They cannot hear the music, this is why they say those things,” she flicks her wrist less like conducting a chorus and more like shooing a gnat, like that’s the appropriate amount of consideration the comments deserve. “Your task has always been to teach them what they do not know, to show them the wonder they are ignoring as they live and breathe.”

And while it really would have been nice to know that before signing up for this…this what, calling? Vocation?

While that would’ve been nice, Eddie…Eddie can at least mostly understand he wouldn’t have understood any of it in the fourth grade.

He barely understands now.

But he can feel it. He understands how to feel the music that fills all those gaps.

“This is common,” Miss L. turns back to him, steeples her fingers while humming something from the radio: not bad, but not beautiful. That’s what she means, he realizes. The radio plays common.

“This,” and she puts a hand over her own chest and keeps time with her fingers on the tabletop as she hums a wholly novel thing out of thin air, and Eddie has never seen someone else recognize the music, has never watched someone compose in the veins where the songs that hearts sing are played, let alone in real time; maybe she never had because he had to lean for himself, first.

But it is kind of exquisite to witness.

“This,” she stops, and raises a brow pointedly in Eddie’s direction; “is human, built in your cells.”

Eddie couldn’t name why, precisely, but he feels…shamed, but also empowered. So different, but they make an almost compelling melody together as they clash.

“They will call you freak before they call you prodigy,” Miss L. says it like a fact, which…kinda sucks to hear, in all honesty.

“They will label you insane, before they recognize you as genius,” and the way she adds that part makes him feel like that was her personal burden to bear, and he aches for her in it.

“They will cry out garbage and nonsense,” and here, these words: these are the ones Eddie knows immediately he’s meant to be hearing, be weaving into notes the strongest, the ones she wants him to keep closest and never lose:

“They will cry out worthless,” she spits out with a venom he’s never heard her use; “before they will sob in the face of your masterworks, and how they will breathe magic in the soul.”

And…Eddie doesn’t know exactly what to do in the face of the conviction she says that last part with. To doubt it, as he instinctively wants to, feels vile; the most egregious disrespect. He can’t bring himself to even try. So, he asks instead, voice rough:

“When will it change?”

Because despite everything: he doesn’t want to be a freak.

“That I cannot say,” she sighs, and she does sound sorry; “and it may never change at all.”

Eddie doesn’t know if he’s built to handle that, the possibility of never.

“But even if you leave, here and now,” Miss L. cuts into his despairing; “even if you stop your learning, the songs will never leave you.”

Oh.

Oh, so did they…did they teach him to hear a endless goddamn curse, and as a fucking kid—

“You would always have come to hear them,” Miss L. must read his mind, or maybe just his face; “just never with any place to funnel the noise,” and he…guesses he should be grateful. He nearly went mad in those early years, before she taught him how to make new melodies, concertos the likes of which even the great masters hadn’t penned, because they played in a different medium. Their notes and structured time were useful, but limited.

And if they never heard otherwise, how would even the most brilliant talents know what they were passing over, leaving behind?

“Do you still wish to leave?”

Eddie turns, almost having forgotten Miss L. was still sitting there, watching him. Almost having forgotten what he’d come to ask, to give up.

There’s no question left, now.

He gets out his notebook, his pen, and starts as he always does.

With the listening.

——

It’s a genuine distraction—the songs get louder with time, but Miss L. tells him that’s a sign of his skill growing, his notice of the equivalents of key signatures and ligature notes in the heartbeats he passes every day—but it costs him passing senior year once, and then again, and almost a third time until by the skin of his teeth, he manages. While every other teacher shames him for it, derides him as incurably stupid, or at the very least unambitious to the point of embarrassment, the extra years mean more time with Miss L., and Eddie…most days, Eddie is nothing but thankful.

More time means Eddie also learns that the songs he hears are as much a public service as they are an art form, as much a defense mechanism as a craft. He knows when bullies are on the prowl, and to make himself scarce for their screeching cacophonies. He knows when he has to be less of a coward and step in when a wild rhythm makes him sick with its fear.

The more he pays attention to the not-quite-beautiful songs—especially when he thinks on them later and stumbles upon nuggets of the exquisite inside every way they weren’t—the more he remembers years ago, out of almost nowhere, but maybe…maybe everywhere, like it’d been written in his heart’s song the day she spoke it:

“My first day,” he enters the same room—not the same-same room but the one in the high school that’s as abandoned as all of them have been, always Room 011—but he enters the room close to the end of the year, the last year, with the question thick on his tongue, and woven the same in his song as he closes the door and feels his heartbeat quicken for no reason and every reason, like he’s long learned these songs always do.

Miss L., for her part, just nods; waits.

“You said,” Eddie rolls his lips together; “emergencies.”

It’s a delay tactic. They both know it.

She’s kind to play along.

“Mmm,” she hums; “the slightest bits, yes, you can shift the rules to change the song, because you made the rules to begin with,” she eyes him carefully, then. “But only by bits, and in only the most dire moments.”

Yeah, yeah, sure. He never thought he could like…write lines to coax a heart to sing itself back from the dead or some shit. He gets the point.

Again, they both know: that’s not the point he’s here for, heart pounding high in his throat.

“But then you also said something else.”

This time, she doesn’t nod at all; just stares. Eddie has to clear his throat twice to make a sound so as to ask:

“What’s a True Note?”

Because Eddie’s had a couple flings here and there. And the idea of anything real with someone else, alongside the weight of this…talent of his, this training that’s defined half his life by now: it’s really nothing more than a stray idea. But Eddie can’t really hide from the fact that, somewhere along the way, he’s suffused that idea with so much promise and potential, but with no legs for it to fucking stand on.

And he’s about to graduate. About to go out into the world and…who the fuck knows what.

He needs to either hold onto this insane, silly notion of some cosmic meant-to-be match waiting for him somewhere, that it’s at least possible, and then hold on to it like burning—or let it go, and get on with the rest of his fucking life.

“Do you know how I said you could sway the rhythm just the littlest bit, in the greatest of need?”

Of course he did. She literally just said it.

“Your True Note will sing like you have never heard before,” she tells him like it’s not something…immense; “and that song will sway your rhythm so much more than the littlest of anything.”

She just fucking says it, like it isn’t already swaying the rhythm his heart sings in. Here and now.

“That heartsong will change your world.”

And all Eddie can even think to ask, to make more plain in it, is just one thing:

“Will I change theirs, too?”

Miss L’s eyes lock to his and hold for enough seconds where it should be uncomfortable, where his chest starts to grow unbearably tight.

“Hmm,” she considers finally; “if it is meant to be that way.”

Eddie wants to scream. It’s not enough.

And still somehow, it will have to be.

——

In the months that follow his freedom, he misses Miss L. Kinda desperately.

But the lack of structure, the openness of knowing he has to find a way to piece together all the snippets of song he’s bombarded with: it is the reason he ever picks up a guitar. It’s the whole learning heartsongs thing that he has to thank for it, a roundabout journey toward the destination he’d wanted from the beginning.

Or else, that he thought he did.

It’s not just guitar, though. He eventually learns the woodwinds without ending up with a splinter in his mouth. Figures out the different harmonies at hand in making sure he tempers the way he breathes for the brass. He loves the piano, and the cello especially, alongside guitar and double bass: he makes a trip back home specifically to see her and ask—Miss L. tells him it’s probably because of their strings, like hearts have, too.

It feels right in a way things haven’t felt in a very long time.

Which is really how he comes to not only understand, but to accept in his bones: no matter if they ever call him prodigy or genius, if he ever plays a concert hall or anywhere but on a street corner with an open case for change, he was made for this; built for this. The woman with the horn-rimmed glasses who sent him to the basement music room saw it in him. Miss L. proved it to him by teaching him to prove it to himself. He doesn’t know if he’d have picked it, but he knows it was never something he could have picked or turned down in the first place at all: it’s who he is.

He is the music. He is the songs that hearts use for singing. And maybe someday he’ll meet someone who sees it in him, and hears his song, and sings ecstatic. Maybe.

He hopes.

But either way: this is his life.

This is his melody.

——

It takes years before they do sob for his masterpieces, for them to be ready for a style and cadence they don’t understand because they will never comprehend the language, that speaks deeper than the logic required for any of those rules. It takes a long fucking time before they start listening with the lens of the first song any of them ever learned. But the time does come, and Eddie is grateful, because he’d genuinely feared the maybe-never he’d been warned about. He’s glad that’s not where he is, now.

But now? Things start to happen almost unbearably fast. Shows here and flights there, guest appearances and interviews, record labels and live recordings, a book deal he can’t even begin to think about. The world tips on its axis and Eddie only really considered that happening to him for one reason: because of a song so beautiful, in a Note so True—this isn’t that.

But everything still feels upside down anyway; totally off-kilter.

He’s crossed ten time-zones this time. He’s exhausted, but he has a performance tonight, just like he did in the tonight of the place he just left. The car he’s in on his way to the next venue is sleek, like they all are now; his team is already there preparing, so it’s just him and some local hires he hasn’t even had a chance to learn the names of yet, which he hates. He hates being privy to their songs and not even knowing their names, let alone their stories.

He jots the notes he gleans from how they sing without their words on the drive across town anyway. Waste not, and all that.

Eddie has the pen in hand, cap between his teeth, when the truck plows straight into them.

What follows would be unsurprising, if Eddie could process it from a bystander’s point of view—as it is, the only thing he knows in the melee is the music.

He is devastated, as he reaches out for the slowing songs around him, knowing in the back of his mind what their slacking tempos mean, and marveling with something like horror at how beautiful each one is as it starts to fade: still unique, still something Eddie could braid into a piece, certainly one to draw tears.

His own song is ebbing, he knows, but it’s less important than the sweet melodies around him, especially—

Oh.

Eddie thinks, with what may be the last thought left to him as pressure and heat and pain tingle at the edges of the music, almost too strong now to be drowned out by the notes that are what Eddie is at his core: but he thinks he may be too far gone already, because what he begins to hear is…

Exultant. It’s…

If Eddie believed in a heaven, this would be what the hosts there sang. When the idea of divinity is bandied about, they can only ever be talking about some cheap imitation of what Eddie hears now. Luminous. Effervescent.

Beautiful in a way that exceeds the word itself so deeply that it barely fits, obliterates the notion on sight.

And what a gift, Eddie muses as everything dims to black, to hear such Notes, such perfect music as the last thing he has to hold onto in the end.

To end on something that’s True.

——

The next tones Eddie hears are mechanical. He winces—not bad but certainly not beautiful—and then winces harder because wincing itself fucking hurts.

He holds himself still, seeks the song he knows in his own veins: yes, and he’d been so sure it was gone, because there’d be an accident, a crash, he’d been thrown, crushed, songs all around him were dying and he’d heard the magnificent symphony of otherworldly perfection so—

“I’m technically not supposed to be here,” a voice interjects, or no: drips in leisurely, like comfort, like honey; “because you’re a patient, and I’m,” and Eddie forces his eyes open to see the voice come out of a man, who is pointing at his chest: a uniform. Medical.

“I’m not dead?”

All signs do point that direction but…Eddie had been kinda fairly sure he was done for.

“God,” the man chokes like he’s pained, like the idea hurts him, and why; “no,” and he says that a little fiercely, protective almost; “though not for lack of an effort.”

He looks tired, as Eddie’s vision starts to clear some more. He looks radiant. Exquisite.

Beautiful.

“You saved me?”

Because Eddie clocks the uniform now: paramedic. The ones who come onto the scenes and try like hell to save who they can. Heroes.

“I helped,” the beautiful man says, like a hero would, of course. But…it still doesn’t make sense. If the man does this for his job, then Eddie isn’t special, so then why is he so vehement, and then what of all the fading songs Eddie remembers, because Eddie had heard—

“What about,” he starts, but there’s a hand over his quickly, soothing.

“Everyone’s here, different wards,” the hero-beauty tells him in lows tones; “we don’t know if they’ll all make it through the night, but,” he nods, like…this is enough.

And it is. Except…

“How?”

And where Eddie is baffled, his hero just quirks a brow.

“Don’t tell me you never covered emergencies?” he asks skeptically. “Most dire moments, greatest of need?”

And it’s with those words that Eddie’s world slows very quickly to a halt. The music swells in a way he’s never known: because it’s always present to hear.

Buts it’s never been so tangible to feel, not like this, and with such…magnificence, no lesser word could touch it. Maybe he truly is closer to death than not, maybe that’s the reason for the fervor in this man he doesn’t know—the choirs of the angels Eddie wasn’t banking on swells and is visceral, and this hero sits before him, speaks the words that have haunted Eddie more days of his life than not, and—

“This was where the music took my life,” the man pulls at his collar, indicative again: the heroism. He…he saves people, because he, he also hears…

“But I couldn’t have done it without you.”

His hand on Eddie’s tightens, like gratitude, and Eddie…gapes like a fucking fish, and then—

“There’s something else.”

“Not just here to check up on the fruits of your medical miracle?” Eddie’s tongue feels heavy, thick in his mouth; he feels sluggish all over, weighted down and like he can barely move because…this man hears the music that hearts make.

Can he hear the ineffable beauty, like Eddie can? He must, that’s how it works, so why is he not in the same amount of awe—

“Not just,” the man smiles small, but real, a little hesitant. A little…shy, maybe, before he straightens, leans a little closer.

“Watch that screen,” and he tracks Eddie’s gaze until Eddie’s fixed upon the ECG, the most disappointing distillation of the songs he’s learned to find so much wonder in.

But then the man is pressing Eddie’s hand to his own chest, which…is forward, given they don’t even know each other.

Eddie is maybe still on, or at least just-recently-off, death’s door, and either way he’s fucking thrilledwith this development, warm beneath his palm.

“Now count.”

It only takes a moment, to put the gestures together into a statement.

The beat under his touch matches the line across the screen. Exactly.

But this man’s not the one attached to the monitor.

“Got it?”

Eddie nods, and the man doesn’t hesitate, lifts Eddie’s hand and presses it back to Eddie’s own chest.

“Again.”

And that’s…that’s not the same rhythm as the one on the screen; the songs don’t match at all.

But Eddie can still hear the one that does—the beauty. The exaltation.

“Can you,” Eddie asks, lifts his finger that’s got a clip on it, and the man’s a professional, he’ll understand—looks less than conflicted about disconnecting Eddie from wires and leads before clipping his own finger and letting the screen shift to a new cadence.

The same one under Eddie’s hand, in Eddie’s own chest.

“Holy fuck.”

“Yeah,” the man barely breathes, and Eddie notices now how intense his eyes are, focused solely on Eddie, and…Eddie remembers the words that came after the ones about emergencies. About how little he could help, but that he could still do something.

But with only one person, it could be—

“You didn’t just sway my rhythm,” Eddie half-gasps; “you made it your own.”

And oh: Eddie never tied the song of hearts to the song of laughter, but from this man, the huff of incredulous joy that slips from him now—they’re made wholly of the same stuff.

Symphonic. Staggering. Weeping to feel this much, in the soul, to be privy to such a…

Masterpiece.

“Worked both ways, it seems.”

“I heard you,” Eddie blurts out, because it makes sense now; “before I, when I thought I was,” dying, when he thought it was all over; “like I’ve never heard anything before.”

And now: of course this man hears the heavenly movement Eddie thought was a mercy before the end but was instead the arrival of everything he’d ever hoped to one day find, literally coming to rescue him in more ways than one; but that song is somehow commonplace to this unfathomable angel on the earth.

And what this man hears stronger, louder, dearer seems somehow to be Eddie, the song he sings from the chest, in how it’s causing those caramel eyes to glimmer, and to barely blink lest they miss something in just…Eddie.

“You never stopped,” the man says with urgency, with feeling; “your song never stopped,” and then he’s closing his eyes and laying both his hands over his own chest, where Eddie’s heartsong is ringing full and maybe changing his world, because the song in Eddie’s chest sure as hell has already changed his, and—

“It’s extraordinary.”

And Eddie, in years of ridicule, in months of celebration, in all the ups and downs and doubts and hopes this life of songs and hearts and rhythms and beats has left him with, in all of it—

Those two words rewrite his whole fucking being.

“True Note,” Eddie mouths more than speaks before he scoffs; “shit, but that seems like a really fucking inadequate thing to call it,” and his eyes lift to take in the man who he knows, he knows is going to be his magnum opus, or more: is going to write the magnum opus they will be and breathe and share from here to all ends:

“To call you.”

And there’s the clearest sense of a trip in a beat, but who it belongs to isn’t clear, and maybe that’s the reality for them both now: every subtlety of the song is now shared, now theirs.

“You could start with Steve.”

Eddie looks up, breath a little heavy, but the smile on the man’s face is broad and kind of overjoyed, kind of looks like Eddie’s chest feels:

“My name’s Steve.”

And that?

Best damn title for a symphony Eddie’s ever fucking heard.

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runraerun · 3 months ago

Text

Steddie Amnesia Fic: 1/3

-> Part 2 | Part 3 | AO3

cw: lots of head trauma/brain injury/recovery stuff.

Steve wakes up in the hospital with someone snoring loudly on his leg, mouth open, drool getting soaked up into the scratchy hospital blanket over him.

Steve just stares.

It’s… Freddie? No, that’s not right... Eddie! Eddie ‘the freak’ Munson, known delinquent and drug dealer… resting his head on Steve’s lap.

What the hell…?

Steve reaches up with a wobbly, IV-ridden hand to clumsily pat along his head, but instead of meeting messy hair, he meets a thick wad of bandages. He flinches when he hits an especially tender spot.

It’s not much but it’s enough to wake Eddie Munson up with a jolt, and a random jumble of words that sounded something like, “the dice have spoken!”, but Steve can’t be sure. Not with the sharp ringing still going off inside his skull.

“Steve? Steve! Oh thank fuck, Jesus H. Christ, you scared the ever loving shit out of me.” Eddie stood and grabbed at one of Steve’s shoulders, shaking him enough to elicit another wince.

“Oh, damn, sorry. I’m like a fucking bull in a china shop here, man. There’s way too much expensive, breakable shit here. I’m not used to it. I accidentally ripped your IV out the other day... Fuck. The nurses hate my guts.” Eddie chuckles, eyes wide and solely on Steve, talking like they were old friends or something.

But that can’t be right. Steve doesn’t remember saying more than two words to Eddie Munson during the entire time he knew he even existed, and even then it was just to discuss weed prices.

“For real though, talk to me Harrington, how you feelin’, hm? Loopy? Gonna yak again? Apparently they got you on the good stuff,” Eddie flicks a liquid filled bag hanging above Steve and shakes his head, “but they keep cutting you back. Dicks.”

Steve’s eyes try and follow Eddie’s erratic movements but his eyes ache the more he moves them. He blinks against the harsh fluorescents and tries to open his mouth. And thank God, Eddie Munson seems to take this as a sign and shut up.

“What happened?” Steve finally croaks.

One of Eddie’s brows jumps. “You don’t remember?”

Steve gives his head a small shake. Did Eddie hit him with his car or something? Is that why he’s sleeping at his bedside and talking to him like they’re buddies?

“You fell, Stevie.” Eddie makes a whistling noise and mimicks something falling with his hands, then makes a crashing sound when his hand lands on Steve’s bandaged head. “Like a coconut out of a tree. Landed right on that big ol’ melon of yours. There was blood everywhere. It scared the shit out of me and the kids. Especially when you wouldn’t wake up.”

Steve’s throat feels like sandpaper, but he manages to swallow, his throat clicking as he did, and gets out, “The kids?”

Eddie seems to notice, even before Steve can ask, and reaches for a water bottle with a straw already in it, and half chewed. Eddie’s own, no doubt. Against his better judgment, Steve accepts it when Eddie offers it to him. He was just so goddamn thirsty.

“Don’t worry, they’re all fine. They were just shaken up. I’ll radio the little gremlins and give ‘em the good news in a sec.” Eddie’s smile falters a little, seeming lost for words. Like he wants to say something, but can’t quite get it out.

Steve finishes swallowing his few, meager gulps of water before he asks, “What is it?”

“Don’t freak out—“ Eddie begins.

And, okay, that’s exactly the thing you tell someone before they freak the fuck out. Steve’s stomach is subject to a growing, sluggish panic. “What? Dude, tell me—“

“It’s your hair.” Eddie seems genuinely pained at having to deliver this crushing of a blow to Steve ‘The Hair’ Harrington.

Steve can hear the beeping from the monitors he’s hooked up to begin to pick up speed as his heart begins racing. “My hair?”

“It’s okay! It’s okay, it’ll grow back! They just had to take a little bit off where the stitches went, you can hardest notice it—well, that’s a fucking lie, you could spot that landing strip from space—but I think if you part it to the other side it won’t look so… y’know.”

“No, dude, I don’t know.” Steve says, eyes wide, brows pinched.

“Like a drunk toddler took a pair of rusty kitchen shears to your mop.” Eddie says, huffing out a nervous sort of laugh.

Steve groans, half due to the bastardization that’s happened to his favorite feature, and half due to the migraine that’s looming on his horizon.

“You’re still pretty, Stevie, don’t worry.” Eddie grins, eyebrows raised, like he’s trying to be cute or something.

That weirdest part is, it’s kind of working.

Steve must have hit his head really, really hard.

The doctors eventually come in and perform all sorts of tests, and he tries his best to comply with them and jump through whatever hoops they make him jump through. He just wants to get the hell out of this hospital bed.

Unfortunately for him, Steve hadn’t exactly aced any of the tests.

In fact, he had failed most of them pretty fucking dismally. He couldn’t remember the date, who the president was, where he lived, couldn’t say the alphabet backwards… although, who the fuck can do that? He stands by that failing grade.

A couple of CAT scans later and it’s clear that Steve’s brain got smacked around a little more than they had originally thought.

Among a pile of other stuff, the thing that sticks out the most to Steve is his diagnosis of something called short term amnesia. They explain it like the past 2 to 3 years has just been wiped from his brain. The last clear thing he really remembers is getting the shit beat out of him by Billy, and then it all sort of gets jumbled. Fragmented. The doctors explain that this is pretty typical for head trauma patients.

He’s a head trauma patient, now.

It’s normal for memories of trauma to link, creating spiderwebs throughout your brain.

Which, that’s great. So when he gets beat up again, there’s always a chance his brain will try and erase his easy, happy years and revert back to a trauma default. Really helpful brain, thank you.

And the thing that sucks the most is that his years after the Billy beat down sound pretty great. Traumatizing, sure, but great. Once the Upside Down shit was locked up, with every scary nightmare fuel monster inside of it, life in Hawkins didn’t sound all that terrible.

He lived with Robin, who’s his best friend, (his ‘platonic soulmate’ even, as she explains it), he’s working a retail job, (also with Robin), and coaches the high school basketball team during the evenings. He’d even been talking with Hopper about joining the force.

Well, he was. Now he’s more or less useless, working full time at re-learning his life, along with a couple of fine motor skills that got glitchy after the fall.

And then there’s Eddie.

Eddie, who’s apparently also his best friend, only their soulmate link isn’t platonic at all.

The strange and weirdly exciting reality was that Steve Harrington had woken up from his 3-day medically induced coma with not only a full fledged relationship, but a boyfriend.

It’s a lot to digest, and part of him still doesn’t even know how to process it, but hearing the stories being told around him, seeing how Eddie is practically living in his and Robin’s two-bedroom apartment, and just… the way Eddie looks at him?

It’s with love—Steve can see it. Feel it. Eddie’s practically vibrating with it.

What’s even crazier is that when Steve looks at Eddie, he feels the exact same way.

It’s like looking at the stars. Steve’s heart skips a beat when those dark eyes of hit him, and Steve wants nothing more than to make Eddie smile—no, better than that, to make him laugh, just so he can watch Eddie’s adam’s apple bob up and down and hear that manic, unhinged cackle. It’s downright delightful. Steve loves being in relationships like this, where it’s all consuming.

Steve may not have the memories of falling in love with Eddie, but he has all the feelings.

No one talks about it with Steve, of course. Maybe they think it’s going to be too heavy for him to process that he’s into dudes now, but Steve isn’t a big dumb baby. Sure, he’s got a pretty severe brain injury, and yeah, alright, it takes him a minute to remember people’s names sometimes, and he has a harder time controlling his emotions, but he isn’t a complete invalid. Only a little bit of one. He’s working on it, dammit.

And Eddie is so painfully, frustratingly patient with him. He never pushes. He’s clearly letting Steve retrieve his memories before he makes a move, because despite his whole outward appearance, Eddie Munson is a goddamn gentleman. He never so much as reaches for Steve’s hands, but Steve can tell by the way their pinkies graze when they watch movies late at night that he wants to.

Steve can tell by the way Eddie teases him, the way he’s there with him through his recovery, that he doesn’t ever make Steve feel stupid when he asks the same questions over and over again, when he cries at the drop of a hat or when he gets sort of confused about the lay out of his apartment—he doesn’t care about that of that.

Because he’s in love with Steve. It’s so painfully romantic, it brings a painful lump to Steve’s throat every time he thinks too much about it.

The two of them are driving to one of Steve’s therapy sessions, Eddie in the driver's seat, Steve in the passengers, listening to a low racket of some kind of heavy metal music. Eddie always keeps the volume low now, for Steve.

He’s just been so intensely good about everything that Steve needs to try and do something good for Eddie in return. He needs Eddie to know that there’s a light at the end of this tunnel that they’re both currently lost in.

“I’m sorry about this, y’know.” Steve says when they finally pull up the building that has ‘Brain Injury Recover Center’ written on the front. So all the boys and girls with scrambled eggs for brains know where to converge.

“Don’t worry about it, man. I work the evening shifts, remember? My days are free.” Eddie explains, and Steve wonders if he’s had to be told this bit of information a couple of times now. Sometimes it takes a few times before something sticks to his brain now. His short term memory is still majorly flighty. But no, Steve remembers that Eddie bartends at a local bowling alley most evenings. He’s gone a few times. Not to bowl, of course—too much hand eye coordination involved—but just to hang out with Eddie. He’s pretty decent at Ms. Pac-Man though.

Steve shakes his head. He knows his mind must have wandered because there’s been a lull where no one’s spoken. Eddie never seems to care about that though. “I don’t mean about the drive. I was talking about… y’know.”

“Wha’dy’mean?” Eddie mumbles as he backs into his parking space, hand on the back of Steve’s headrest.

Steve sighs and decides to just come out and say it: “I mean having your boyfriend forget everything about you and your relationship. I just… that must be really tough.”

Everything in Eddie Munson comes to a jarring halt, hand frozen over where he’s turned to ignition off.

It’s sort of unnerving—Eddie is always moving, fidgeting. Damn near bouncing off the walls. But now it’s like someone hit the poor guy with a freeze ray gun.

Steve chuckles softly as he reaches out and touches Eddie’s arm, giving him a playful jostle, to loosen him up a little, “it’s okay, Eddie. I know. You don’t have to keep going easy on me. I’m gay! Or, bi-sexual. Whatever.” Steve shrugs, “see? Not falling apart. I can handle being in love with another dude. You don’t need to keep babying me.”

The side of Eddie’s mouth twitches into a downturned smile that he seems to be trying to hide.

“I know, I know. Not just any dude.” Steve rolls his eyes, a smile still firmly on his face. He takes Eddie’s hand from the steering wheel, and Eddie seems to watch it go in a detached sort of awe. Steve wonders if Eddie’s proud of him for being so cool with it all. “In love with you.”

“Steve, I don’t think—

“Wait, just let me finish.” Steve asks, and Eddie blinks and works on closing his mouth. Knows it’s important to let Steve get his thoughts out quickly, lest they be lost to the giant black hole inside of his beat-up brain now. “I know that I don’t remember any of the important stuff with us. Our first date, or our first kiss or, y’know, any of our other first firsts. So maybe it feels like you’re cheating on the old Steve with me? But… Eddie, I know it’s crazy but even though my brain forgot all of the specifics; my heart didn’t. I look at you, and it’s all there. I’m still so into you, dude. I can feel it, even though I don’t remember how I got here. I’m in l—“

“Steve! Stevestevesteve wait, holy shit—!” Eddie’s eyes snap up from his intense stare at the place where their hands are linked. “Steve—”

“Yeah?” Steve prompts when Eddie doesn’t seem to be able to find the words. He runs his thumb gently over Eddie’s knuckles. It feels so nice to finally be able to hold his hand again. They fit together so well, and Steve wonders briefly if it’s some kind of muscle memory.

Eddie opens his mouth a few more times before he remembers how to make the words come out.

“Steve. Buddy. We’re… we’re not dating.”

Steve’s face falls, and he can feel a lump form in his throat, but he keeps a firm hold of Eddie’s warm hand in his own. “Yeah, I know, I know. We haven’t had any time to be a couple. And it’s probably been torture for you, man. You’re so busy taking care of me and making sure I don’t freak out over everything that you’ve clearly been neglecting your own hierarchy of needs.”

Eddie raises a brow.

Steve chuckles, “Shut up. It’s a therapy term.”

Eddie laughs in his throat. “Steve, you gotta slow down and listen to me.”

He turns his shoulders so that he’s fully facing Steve while he reaches his free hand over and tugs at one of his earlobes. “Got your hearing ears on?”

Steve rolls his eyes, but he nods just the same.

“We… we weren’t dating before your accident,” Eddie speaks slowly, his voice warm, gentle. “Hell, I didn’t even know you were, y’know, into dudes like that. Much less me.”

Something throbs dully behind Steve’s eyes. It’s the start of a migraine—the one that makes it hard to process much of anything. Steve squints, trying to make sense of what Eddie’s saying. “…you’re not my boyfriend?”

Eddie shakes his head very, very slowly. “No.”

Steve snatches his hand back like he’s only just now noticed how burning hot Eddie’s hand is.

He settles back in his seat, staring out the front window. The sounds from the outside world are muffled, and everything feels far away and sort of… Made up. Just like everything he’d imagined was going on between him and Eddie. Not real.

He feels painfully detached from reality. Unmoored. Maybe this was the disassociation thing the doctor mentioned might happen…

“Are you sure?” Steve asks, risking another glance over to Eddie, who hasn’t taken his eyes off him for a second.

“Pretty fuckin’ sure.” Eddie snorts.

“Oh, God. This is… I’m—sorry. I’m so stupid. Fuck, I gotta—“ Steve suddenly attacks the door handle with a clumsy fury that has his hand fumbling with the handle for way too long. Fucking busted up, bruised as fuck fucking brain-!

“Steve, it’s okay, dude,” Eddie says from behind Steve, but that’s easy for him to say; he didn’t just humiliate himself in front of his not-boyfriend, definitely-crush, possibly ex-friend—“Steve, wait!”

Steve flees the van on unsteady feet, not daring to look back.

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