#because it waters her down into a one-dimensional character who only exists in the context of providing emotional support and life advice t

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[kyu-bri]

Magia Rapport pt 2

@magiarapport​

August 24th prompt: What was your favorite event, and why? Is it because of gameplay or the story?

It’s hard to choose so I’m gonna just, gush a bit.

As you can probably tell I’m very biased toward the OG girls, I started Magia Record primarily because PMMM had become my new obsession and I wanted some sort of constant flow of content out of decade old anime lmao.

But another thing I think I hooked onto was Inu Curry’s writing. They really know Madoka Magica and aren’t afraid to really play with them- something the writers for a spin-off gacha game (as with most spin-off stories honestly) can be scared to do. Inu Curry made references, revealed secrets and built upon the story we already know- which lets be honest is what we always truly want from a spin-off series. Magia Record proper does this well by putting more magical girls into the world and letting us see things work out better for them than for the original cast, but what I really appreciated with this story was getting to see that old original cast get to get in on that, and these events managed to do that without watering them down any.

Under the cut is me going on for 3000 words about why I love these three events I’m so sorry. TL;DR at the very end-

I’ll go in release order,

A La Carte Valentine was one of the first if not THE first event I got in on. I was eager to bc 1 Gay Magical Girl Shit Guaranteed. And ofc 2 OG Cast participation.

I want to preface by saying I actually loved all the girls’ stories in this. I was very much still in a state of getting used to Iroha’s gang let alone trying to care about the secondary girls. I knew Tsukasa had this angsty Twins Separated At Birth Deal and liked seeing her home life (also I immediantly stanned Take. Regular well-meaning dude who has no idea whats going on just trying his best and hating his boss). I knew nothing about Ami except Cowgirl Meguca and getting the bulk of her personality in one short even I think really kept me from being absolutely sick of her, she’s just a cute silly teenage girl who could be in literally anything and I was able to just endearingly giggle at that. Hinano managed to do the heterosexual unrequited crush cliché without me groaning or missing any of her regular personality. Also was there a Ren part? I don’t remember because everything Ren does feels like a Soft Yuri Valentines Special. Also I love Momoko. Ok moving on to what I Really wanna talk about.

Madoka is genuinely my Least Cared About of the Holy Sextet. I don’t think she’s bad or even boring- Madoka has a depth to her character, like, really deep- but that’s not something ever really touched upon by the fandom. Even when people like her and make her the Heroine she’s Supposed to be, it’s usually in the context of “Girl who feels nothing but kindness and happy thoughts would cut off her right hand to feed to a hungry dog. Isn’t she so Good????”. And honestly, while I understand the point it was going to make, I wasn’t crazy about her sacrifice in the end of the series. (Team Homura “Rebellion Is Good Actually” ftw) All because I think that I’m an Adult Woman watching this like “You are 14yrs old and need to be home playing Sims and not sacrificing yourself for the greater good you stupid silly little baby girl”

So my point is here near all fan content I encounter tends to emphasize whats sort of my least favorite facet of Madoka. I don’t think she made the ‘wrong’ decision in the context she and the story were given, but it’s still a sad thing to show a depressed(!!!) insecure girl resolving to give away her very existence so that every other girl on earth has a chance to just Dream. Oh and they still usually die young. But that’s ok because then she takes them and lets them sleep peacefully forever in her Heaven Basement (Yes I am bitter stan Homura I would yank this savior complex infant girl out the sky too)

MY POINT BEING (The servers closing let me BLEED OUT ALL MY FEELINGS) This event did not do that!!! It made Madoka…….. EVERYTHING SHE SHOULD BE??? ALWAYS??? Showed her HOW WE SHOULD BE ABLE TO VIEW HER??? (Read: Happy and Alive and Confident at no foreboding or sacrifice of anyone else!!!!)

She is Sassy and Surrounded By Friends and Really Funny??? And we get this Ridiculous Oh My God On Crack metaphor about her being this all-powerful apocalypse bringing being which is representing her love for the universe through her Witch form of Wanting Everyone To Be Happy And Safe With Her??? And she still risks herself to save everyone as is her Thing to do but we get to have her do it without erasing her existence as a human being at the end and if that is not some GOOD SHIT????

Ok next:

NGL Sayaka’s (fav character, inarguable best girl, can u not tell) parts in MagiReco til like the last arc have always left me a bit disappointed. She was the only late comer of the OG girls from what I understand and it kind of gives her the air of what a lot of the second(/thirdary?) girls suffer from. You can tell the writers can’t even figure out a trope to apply her to to make her easy and two dimensional to write about so they just don’t know what to do. They definitely try to make up for it (especially in the anime which Praise Be but that’s probably Inu Currys doing) but she’s still lacking like, any of the depth of her personality. Which, I guess I could anticipate. Because most of the fandom tends to as well. (again)

Gonna stop complaining and get on with- That didn’t feel as much the case in her Valentine event. Sure it was still the same formula of “The Issue Is Kyosuke” but that didn’t play out as grueling as her personal story did with “Nine Episodes Of “The Issue Is Kyosuke””

There was one big glaring heart-aching detail of “Mami isn’t really there because SHES IN A FUCKING CULT RIGHT NOW” which kind of jarred the event out of the ho-hum silly valentines sidestory these events usually keep up.

Sayaka has this crisis about Doing Anything Meaningful With Kyosuke which we all know what That’s calling back to, but in this environment we get to have Kyoko come right up and be in a position with her to earnestly and affectionately Push Her To Do It. The lonely little tsundere bitch girl pushes her Not Friend to Give The Bastard The Gotdamn Chocolate Already and for a moment you can only think about What If’s and If Only’s. Sayaka’s is still the weakest of the threes stories in this event but it worked harder to show us different sides of the characters then 6 chapters of Another Story managed to do.

And then there’s fucking Homura.

I will be, eternally grateful for Kuro. As a character that becomes metaphorical for the 2D ways we initially viewed the feathers and just NPCs in games in general, and also like, giving Homura a friend she actually cares about that isn’t the tangled dark web of Bullshit she’s gotten tied up with Madoka in. Please ask me about all my AU’s where Kuro is Homuras first girlfriend.

Seeing Moemura in Magia Record has always been a bit surreal, we never really understand just what stage of Trauma this Homura is in because Multiverses Are Hell, but this event gives us a good chunk of a Homura who still has hope and faith both in the world and Madoka. Theres this wonder to her that while still bogged down by terrible experiences still has the energy to be Trying. And she sees a girl who used to be like her- which when you think about it is probably what Madoka saw in her- and she wants to help. Because Madoka helped her. And Madoka is the best thing in the universe and maybe Homura can be just a little bit closer to that.

Kuro is too far gone though, as is the reality frequently in this series, things don’t work out just because of circumstance. Kuro was a bullied, insecure little girl who realistically shouldn’t have had to become a rampaging monster because of it. We’re reminded of this being the reality of the Madoka universe. Homura, is reminded of this reality. Homura loses this one chance to bring hope into the world like Madoka brought hope into hers.

And then her story ties into the ending of Madoka’s. Madoka saves her life yet again, even as Homura continues to feel miserable and empty. But at least Madoka is with her. The girls then share a quiet, intimate Valentines together. And you sort of understand how Homura fell so far into the darkness that the only thing she was able to still care about and fight for was Madoka’s safety.

That shit slaps. It slaps you right in the heart and causes fucking bruising but then u want it to do it again because you’re masochistic and Meguca Is Suffering.

Anyway I hope Kuroe slaps our hearts more in season2

MOVING ON!!!!

~Nagisa’s Wish~

Ok, I don’t remember what got me so simp over Nagisa, I think it was the heart-aching irony that Mami adopts the witch that fucking ate her. But that is my baby now and I’d die for her. Fandom Charlotte whose pink and silly and loves her mom and is Mami’s cancer-riddled girlfriend is cool and all but she isn’t a tiny Halloweeny baby whose fucking bitter angry and manically obsessed with cheese due to PTSD.

I had saw a summary of Nagisa’s Wish reposted just to quickly explain Nagisa’s backstory, and as such immediately had to search out if that crazy ride was true- so I actually watched this whole event probably before I downloaded the game. It was surreal on its own but replaying it when it came to NA didn’t lessen it any- I got to process more of what I was witnessing and as result stanned Yu pretty hard.

I guess to explain my Emotions here, saving Yu for later- calls for me to just, describe who Nagisa is as a human being and my headcanons surrounding it all with what this event gave us. Whether you consider it canon or not it’s one version of events that we were given and that I am all for accepting.

Nagisa’s Mom was a celebrity, she could have been an actress though I also like the idea of her being an Idol. She met Nagisa’s Dad oh-so romantically and got knocked up- they very well could have been married but it doesn’t seem clear enough. He seems to have left too suddenly for legal matters like that. Nagisa is approximately 11, and while she seems to remember her Father, she doesn’t in the sense of having had a relationship with him or any feelings. Her Mother has to “explain” why he left, so Nagisa was probably still young even if not a baby. What I’m getting at here is the timeline for when Nagisa’s Mom Got Like That. Nagisa can remember her from before she was, and then says that she got sick after her Dad left. So what I’m wondering is did Daddy Momoe ruin this young rich girls life, give her syphilis and then leave her with a baby she was unfit to care for in poverty? I know half of this is running on anime logic but Holy Shit all the possible ways reasons and ideas for why things could’ve gotten This Bad.

Is it ridiculously dark and edgy that the original story we were given was “Girl wishes her dying mother could have her favorite cake but then realizes OOPSIE-DAISY I could have wished for her to Not Die instead!!!!” got turned into “11yr old hates her abusive mother so much she wants to make her suffer in the most symbolic way she can and then goes mental when she isn’t able to do it”??? Yes. But if I had the mental capacity to I have to admit I was in a position to be just as bitter at that age too. I can’t call it unrealistic. I may infact be projecting hard with how much I support and enjoy this backstory.

Anyway Nagisa was in such a state of trauma and distress at a horrifically young age when she died that it broke her mental faculties so severely that even when she came back as a literal Angel of God she had blocked it out so deeply and thoroughly she seemingly regressed to an even younger capacity and hyperfixated on the trait that she has before used to try to bond with her Mother who she had died hating.

And that also slaps u right in the heart.

A N D T H E N !

~Beachside Bonds~

Just the simple structure of this story was so enjoyable and nicely done. We finally get to see the OG girls in a context we wouldn’t be able to in literally any other scenario. They’re going on a summer vacation together and Homura is sentimentally journaling every single second of it. Is this mayhaps because she’s never gotten to be this happy and blissful with these girls she loves so much??? Of course this is are you not paying attention what the fuck. Homura is so optimistic and healed and hopeful she’s acting like what she might actually be doing as a normal teenage girl. (A heartrending contrast to the end of her Valentines Special)

We get nothing short of pure fluffy Slice Of Life shenanigans on the beach which even includes a bunch of the Kamihama girls that the OG crew knows! And they talk about it! And introduce eachother! And their friends commentate on it! Ren gets to see Kyoko Not Being A Bitch and then Sayaka teases her about having made friends and oh my god my heart is turning into cottoncandy as we speak Mom holy FUCK

Sayaka’s existence fucking matters in this story! It’s her families Hotel they’re staying at and she has relationships and memories with the creepy twins that live there and she talks like a fucking person??? And gives opinions??? That aren’t just copypasted “Justice is Good and Bad things are BAD!!!!”

Mami is fresh out of her fucking Cult Drama and she’s still trying to be cool Senpai but then she DECKS Homura in the face and gets scared by the ghost stories and then turns into pudding and waxes nostalgia at Kyoko out of nowhere IT’S ALMOST LIKE SHE’S A FIFTEEN YEAR OLD GIRL????????

G H O S T S ? ? ? ?

Y U ! ? ! ? ! ? !

(IS G A Y ! ! ! !)

This whole fucking backstory and truly horrifying Romeo and Juliet on Acid love and death story between Yu and her girlfriend and like if I wasn’t fascinated enough by Yu just being the creepy organ harvester before but apparently thats what she became after she literally made some sort of wish that erased all of her memories besides the nickname her sweetheart used for her and coincidentally also added to her the task of killing all Bad People?????

Yu made a wish to be able to get rid of All Bad People preserving the innocent version of herself who grew up with this girl and it was right after a failed double suicide attempt on fucking Doomed Lovers Cliff fucking Lifetime Will You Ever.

It then pairs with Homura whose PTSD gets to shine through a bit in being unable to believe any bad sort of Madoka which how could you try to force her to at this point while Also pairing Homura with Ren in the “Gay Love Saved Our Lives: Traumatized vers & Vanilla vers”

I don’t remember if there was a symbolic finale and tbh I have forgotten a lot of the details with Yu and her girlfriend Whatsherface because that shit was just so shocking and bizarre to read and much too painful to reread in a timely fashion just.

That shit hurted but it was full of so much love and hope both doomed and stolen but still was wrapped up in the comforting concept that This Is The Universe Where Homura Gets To Be Okay This Time.

She’s still scarred beyond comprehension and this ghost drama accentuated it all but at the end of the day this is still the Safe Universe where all of them are alive and the Holy Quintet are friends and they’re all going to be okay (Godoka & Aniplex willing) and so many of us love Madoka Magica because it shows girls fighting through the same pain we’ve been through and keeping their hope alive and here we get to see them actually find peace in a clunkily written fanservicey spin-off mobile gacha game and hey, that made me happy while I got to experience it. Thanks for the ideas and memories and tragic backstories and funny thirdary characters MagiReco I’m gonna take em all and Run.

Akjsladbfalkjfsbslk If you read this all without getting a migraine or blocking me ily thanks for listening!!!!!!

TL;DR

Me likey A La Carte Valentine bc it’s silly and gay and I simp Kuro

Me likey Nagisa’s Wish bc sawft baby is good and so are Tragic Edgy Backstories

Me likey Beachside Bonds bc Gay Ghosts and Our Girls Finally Get To Be Happy Peaceful(ish) Teenage Girls and that’s all I want for them ;w;

Reeses In Pieces ya’ll

1Ten 2More 3Words 4To 5Hit 6(3000 7Words 8Woo 9Boy 10Howdy

[brightbeautifulthings]

Into The Drowning Deep by Mira Grant

"If the mermaid had been an idealized projection of a human woman onto a marine mammal, she would have looked different every time, fat during some eras, thin during others, not consistently slim to the point of freezing in oceanic waters. The people who described mermaids were describing a real creature, something that wasn't mammalian, but looked mammalian enough to make a tempting lure. And why would anything lure sailors, if not as a form of sustenance?"

Year Read: 2018, 2020

Rating: 5/5

Context: I started the Newsflesh trilogy for last year's Halloween reading list, and Into The Drowning Deep is the seventh Grant book I've read since then. That's not counting the Seanan McGuire titles, and I have the Parasitology series on my TBR for next year. It's safe to say that Mira Grant is one of my all-time favorite horror writers and queen of the scream queens. Trigger warnings: death, blood, gore, body horror, drowning, claustrophobia.

About: Seven years ago, the Atargatis sailed over the Mariana Trench to film a mockumentary about mermaids, funded by the entertainment company, Imagine. None of the crew survived, and the footage that was released was labeled a hoax. A select few in the scientific community know that it wasn't. When Imagine funds a second voyage, it stocks the Melusine with some of the best scientific minds in the world, along with upgraded security measures. Few people expect them to actually prove the existence of mermaids, but the effort will redeem Imagine's failing reputation in the wake of the Atargatis tragedy. For Victoria Stewart, the trip is an opportunity to find out what really happened to her sister seven years ago and, perhaps, finally lay her ghost to rest.

Thoughts: Last year's MVP of the Halloween reading list was The Girl With All The Gifts by M.R. Carey. Even though I'm only about halfway through this year's, I can already tell that Into The Drowning Deep is it, as well as possibly being the best book I've read all year. This is why I read horror. This is why I read, period. This book has everything: great writing, fantastic and diverse characters, gripping suspense, scarily plausible science, and, of course, no shortage of gore and bodies. Sorry in advance that this review is kind of a mess; there’s a lot in the book, and naturally, I tried to comment on everything (because I loved everything).

Let's start with Grant's mermaids, since they're the initial selling point of this novel. In short, they're terrifying. They're fast and brutal with a mouthful of needle-like teeth, and they're better equipped to kill things than any creature has a right to be (except there are real things in nature that are just as deadly). They're also frighteningly clever, and Grant uses her expertise in mad biology like a weapon in her toolbelt. Each new thing we uncover about the mermaids' biology or behavior is perfectly timed to add to the terror and, at times, they're not even the most frightening thing on the page--the ocean is filled with things that can kill us without even trying. (I got to the end of a particular chapter going "Oh shit. Holy shit.", which probably says more than all my rambling here.) The amount of research that went into this novel must have been incredible. All the science, from the mermaids' habitat and language to their hunting strategies, is scarily plausible, and it's rare to meet a novel that is just so breath-takingly smart.

One would think that a novel over 400 pages would have to lag at some point, but it doesn't. Not even once. Between the fascinating science and Grant's mastery of suspense, there's never a dull moment. The book is cleverly told from the perspectives of scientists and entertainment specialists, which means we get the best of both worlds: all the realistic oceanography, plus the horror aesthetic. The world-building emerges flawlessly, a piece at a time, so that we never feel bogged down in the scientific details. It's at a level that even readers with no background in marine biology can understand, and every new bit of information feels vitally important--because it usually is. In this book, science is a matter of life and death. There’s also a message about climate change and the damage humans are doing to the oceans, which skillfully follows in the tradition of some of the best horror in providing cultural commentary.

Some of the most tense scenes I've ever read happen in this book, beginning with a submersible's descent toward Challenger Deep (a terrifyingly claustrophobic scene, and not the only one) and rarely letting up. Grant cleverly labels the novel's sections with layers of the ocean (Photic, Aphotic, Bathypelagic, etc.), and the choice couldn't be more apt. We're pulled deeper into the story with every page, until the suspense is like a hundred of feet of water above our heads, set to crush us (or eat us) at any moment. Reading rarely keeps me up at night, but sleep was hard to find while I was reading this; my brain was constantly buzzing with the story, and I suspect it will be for a while.

The characters are well-developed, diverse, and largely female, which is always one of the major appeals of Grant’s books. There are twin deaf sisters who are experts in organic chemistry and piloting an underwater submersible, respectively; a character with debilitating chronic pain; a half-Hawaiian super scientist; an autistic lesbian reporter; a bisexual lead female; and a wlw romance. The best part is that all of them, down to the side characters, feel like original, three-dimensional people you might meet in the world, rather than characters on a page. Dr. Toth, the world’s leading scientist in sirenology, is a fierce and practical voice, and she may be a distant relative of Newsflesh’s Dr. Abbey (only mermaids haven’t pushed her to be quite as, er, practical as the zombies have). Even the purposely unlikable characters are still interesting.

Grant expertly juggles the many perspectives, letting us in on a new character's experience when it will serve the tension-building, but returning to the main few often enough that we're pulling for them. I was especially invested in Tory and Olivia's relationship, which is surprisingly well-developed given everything else that's going on. I said it about The Girl With All The Gifts, and I'll say it again here: if you're only going to read one horror novel this Halloween season, it should be this one. Orbit, please let her write the sequel! I’m buying a copy for everyone I know this Christmas. (Incidentally, a book about murder mermaids is right in the range of “normal” for a gift from me).

[passionpluto]

My Necessarily Unnecessary Analysis of Lightning Dust (EPISODE SPOILERS)

So, I watched the Washouts last night, and there are a few things I’d like to get off my chest.  Please keep in mind that most of these are about how I myself interpret Lightning Dust’s character, and you can choose to interpret her how I like.  Heck, I have a whole AU story interpreting her as an AI infected by a virus that made her try to kill Rainbow Dash once, so that should show you how off-the-wall my interpretations should get.

Anyway, back in the canon world.  I’m not sure if I really like (or subscribe to) the theory that Lightning planned everything as an elaborate revenge scheme against Rainbow Dash.  The whole dynamic between RD and LD near the beginning/middle of the episode was gold, and it’s not something we see with MLP rivals all too often.  A lot of times we get relationships like Twilight/Trixie, Twilight/Starlight, and so on--ones where both parties genuinely seem to dislike each other.  A ton of LD fics predicted that she’d be the same way towards Dash, but this actually makes their relationship stand out a ton more for me.  I’m a sucker for the Friendly Rivals trope, but having Lightning do what she did in order to get revenge would really simplify her character to some kind of Rainbow Dash/Trixie fusion, IMO.  I find it a lot more fun to have her really stand by the fact that she got rejected from the Wonderbolts and see it as water under the bridge, and even more fun that Rainbow’s that laid-back about it.  She only really “opposes” Lightning when she tries to get Scootaloo involved, and fangirls all over her before then.  It really reminds me of what Gilda and Rainbow had in S1, and I find it immensely interesting that the most “competitive” pony seems to have the most low-key rivalries.  I hypothesize that’s because the mare already loves friendly competition so much, she can’t really go too deep into the “hating” scale of things.

So if Lightning didn’t rope Scootaloo in out of revenge, why did she do it?  I have a few theories, one of which came to me as I was reading @marvelandponder‘s excellent episode analysis.  My first speculation is that Lightning isn’t just reckless, she doesn’t even really have a sense of danger to begin with.  She knows that things are dangerous, but that only really seems to come after the fact (i.e. when she apologizes for the tornado).  This can be differentiated from ponies like Twilight Velvet, adrenaline junkies who go on special trips to fulfill their need, but otherwise live very ordinary lives.  Even IRL professional stuntspeople can be very concerned with safety, something that Lightning regularly dismisses.  Now, there are brain conditions that interfere with someone’s ability to sense fear, and hence danger, but they’re extremely rare IRL and I’ll apply that same logic to LD.  We don’t really know why she goes to extremes, pardon my Billy Joel referencing, but what we do know is that she does, and for whatever reason, can’t comprehend the effect it has on others.

So that opens us up to one theory: for whatever reason, the whole idea that “strapping a filly to an untested rocket you probably bought from Trixie’s backalley operation” doesn’t register to her as something to fear.  If anything, it’s something fun, a cool way to show off.  And that brings us to our second theory.

@marvelandponder has suggested that Scootaloo might not be a child in this episode--with the time inconsistencies MLP often has, she could be a preteen or even teen.  Placed in this context, Scootaloo’s stunt might make more sense--after all, adults dare younger people to do smaller-scale dangerous stunts all the time.  Think of the latest dumb YouTube challenge you’ve come across, and wonder why in the world some adult would come up with such an idea.  A lot of times, it might be out of sheer recklessness, but other times, it might just be to develop a following or to look cool to the kids.  This is where, I feel, Lightning lines up.

Even if she doesn’t hate Dash, I think it’s highly possible she still has some desire to beat her in something.  At the beginning of the episode, Lightning outright rejects Scootaloo’s request to join the Washouts and says “you’re cute” in a way that suggests she’s aware of how young Scoots is.  If anything, that remark’s infantilizing her even more.  (Not that that’s a bad thing--the term “Cutealoo” exists for a reason.)  But once Rainbow takes her out to see Spitfire, Lightning’s tone noticeably changes.  Something about Dash protecting Scootaloo sets her off--and while some fans think it’s out of blind hatred, I feel it’s something else.  Throughout the rest of the episode, Lightning treats Scootaloo as a grown pony, and with how reckless she is, I can’t help but feel that maybe, just maybe, she went through something similar in her adolescence.  She probably was super rebellious and had a lot of adults tell her no, so maybe then she realized that she could beat Rainbow at being the “cool older friend.”  The one who never tells on you, who lets you do anything.

Does this excuse her actions?  Hell no.  A lot of times, having one of these “cool adult friends” can lead to all kinds of trouble down the road, and adults absolutely should step in to make sure minors don’t get into too much trouble.  But it helps flesh it out a little more than just having her be a one-dimensional villain who did it for the evils.  She very well could have seen it as “would I have wanted to try this stunt out at her age” and, knowing Lightning’s personality, the answer would have definitely been “yes.”

So no, I wouldn’t say LD is a villain.  I’d compare her to a deadbeat parent from a comedy movie.  The one who’s still barely more than a child themselves, who tries so hard to be “cool” and appeal to their child that they go in the other direction, with a ton of hijinks and stunts involved.  A character from a bad Adam Sandler movie, if you will.  Reckless, foolhardy, and dangerous to children, but you can’t really call them evil.  They just need a ton of straightening out, a lot of growing up to do, and a good smack upside the head if neither of that works.

Hey, it’s better than a FULL BODY HOOF AND WING CAST, right?

[destiny-smasher]

So! Episode 2 of Before the Storm! It was very good! If you haven't read my thoughts on Episode 1, here those are.

If you want an audio discussion about either episode, I've recorded podcasts with my girlfriend, @mollifiable, as well as musicians Riley Hawke and Koethe. Here’s what we discussed on Ep1, and here’s the podcast on Ep2. BEAR IN MIND I will be discussing a number of things from EPISODE 2, so you probably shouldn’t read this if you haven’t experienced it yet. There are some inherent problems I still have with this projects conception (which I got into in that first post back in September), but Epsiode 2 has gone a long way toward giving me faith in why this story is being made. Or, at the least, that it's being made with a lot of thought and care. I've played a LOT of story-focused, episode games, and honestly, I think this episode is one of the best I've ever experienced, overall. I still struggle with some elements of the story (ex. I just don't like Rachel as much as I think I'm 'meant to,' BUT I think that ties into what the overall story may be about), and I still feel frustrated that your team is being limited by the nature of the setup (why is this all happening over three days when it could’ve been over three years, for example), but Episode 2 just has so much good going for it and I felt like it really showed what can be done with a project like this. Like last time, I want to address this to Madeleine, Felice, and the entire team at Deck Nine directly – and point out how much it means to us that you guys actually reach back and communicate with us, even encouraging criticism. I'm proud of what your team has been able to accomplish with this episode and think it stands out in the genre in a lot of ways.

Let’s get to it.

That being said, I do want to offer my criticisms, so let's just get those out of the way first. First off, Samuel – yeesh. Sorry, I just really didn't like the scene with Samuel. Part of it is his new voice actor just sounding more...creepy? I guess I'd say? But also, his manner of speech and the things he said felt out of place. Not just for his character but with the story in general. In LiS1, Samuel comes across as mentally different than those around him, almost like a sort of sage in a way, engaging with the world in a different way than those around him (there's a similar character in Supergiant's brilliant Pyre who comes to mind). But here, Samuel felt like a cross between a psychiatrist and a guy taking too many drugs? That's perhaps harsh, but especially given that his character model/rigging didn't seem to carry over properly, I was just rubbed the wrong way by his presence in this episode in a way that hasn't happened with any other recurring characters. I appreciate the intent I picked up from his scene – to remind us that there's more going on than just what we can see on the surface – but I felt like it missed the mark of who Samuel was as a character without really establishing why he would be different in this way three years in the past. On a related subject – the adult characters in this episode, or at least some of them, felt weird. MOST of them felt more like caricatures than actual characters. Wells felt fine, and I actually kind of PREFER this take on Wells because he feels LESS like a caricature and more like an actual principle. I can even kind of see a headcanon link between this interpretation of him and the version of him three years having just kind of shed away his decorum from the stress of managing a school undergoing so many changes and financial problems. I really felt for Joyce, and I felt that David's character was finally presented in a way that lacked the cliché “military” skew that LiS1 forced too hard while simultaneously giving the audience an understanding of precisely why his presence in the household would push Chloe so far away (though I still find much of the Joyce/David stuff odd here because we already know where this all leads and nothing here really seems to build anything new from that). Characters like Rachel's dad, the theater teacher, Samuel, Skip, Damon, and Sean Prescott all felt...a bit too cartoony in ways. Damon maybe least of all due to the intensity of that scene and the nice subtext we can pick up (after all, money is a realistic and pragmatic motive to drive one to aggression) In general, the adults felt flatter and more cartoony than I think works for this setting. Not to say they should NEVER be funny or anything, just that I was repeatedly taken out of the story by how jarringly one-dimensional a line was, or how flat a voice delivery was, etc. Fortunately, this problem doesn't really carry over to the teens, who are, of course, the focus of the narrative. I also noticed more moments in this episode where characters' eyes were uncanny, staring straight ahead in unnatural ways – or mouth movements being weird (Samuel being the biggest example, to the point that it jarred me out of the story and distracted from his dialogue). Minor complaint, all things considered, but worth pointing out as I didn't really notice this happen in episode 1, which makes me worry that maybe things got rushed a bit too much? (you guys did release this episode weeks earlier than expected) On the upside, though, this problem did NOT exist when it mattered the most, so at least that detail was put into the important moments. All right, last nitpick – I found the whole “drugging” thing re: the pre-play scene to be in bad taste. On the one hand, I LIKE the premise, and how it really does a fascinating thing with developing/contrasting/comparing Rachel and Victoria (in a way that requires knowledge of alternate events, something only a video game could do), but on the other hand...ya'll made drugging teen girls in an active, malicious way this...joke. While I do love that BtS has more comedy in its tone, I found turning Victoria's drug-induced passing out into a JOKE to be kind of offensive, especially given that she can get drugged and murdered in LiS1 (and Rachel AND Chloe both get drugged and/or murdered?), and just...yea. All in all, I think the concept of this scene works, it's the execution that makes it feel insensitive and kind of worrying. (ex. Victoria passes out and fucking NO ONE calls a doctor or tries to help her, the camera fucking PANS on her unconscious body like it's this joke and the way the whole thing is framed just invites laughter on something that kinda sorta shouldn't be funny given the full context of this story) Anyway, it's kind of like the wine scene in the first episode, but worse in terms of implications, I guess? I'm not THAT torn up over it since it's brief, and everyone's OK in the end, I presume, but it just feels a bit tone deaf when SO MUCH of this episode is SO GOOD. It really took me out of the experience – but the layered nature of it (how Rachel gets her way no matter what, how Rachel AND Victoria are both willing to drug each other, how Vic can be manipulated while Rachel can't) makes it really intriguing. I think the concept here was intriguing, but the execution on stuff like this could be handled more thoughtfully. I could get into pacing issues, I suppose, but honestly, I've already critiqued enough, and I think this episode was really good, so I don't want to get too down on the details when I'm sure others will get into this topic. (like the canon inconsistencies, they’re there, but aren’t really detracting from the good stuff)

OK! With all of that out of the way, let me get into what I loved about this episode, which was most of it. Episode 1 was unclear and uncertain in what it was trying to convey, which makes more sense now that we have Episode 2, which dives right into what this story seems to be about – passion, and the good and bad that comes from it. Passion, to be clear, being different from love. Love is steady, consistent, like a stream of water, while passion is fast and bright and sudden, like fire. I could get into the elemental symbolism you could correlate between wind, water, fire and Chloe, Max, and Rachel, but I'm sure folks have done this already. I do think it's still worth pointing out just how great a job you've done so far using fire as a metaphor for Rachel and Chloe's relationship, both within the story presented here and overarching into LiS as a whole. You managed to work it into the actual plot, as well, in a way that doesn't feel forced or thoughtless – an entire episode later and there are still consequences from it. Having just experienced the CA wildfires a half hour away from my home, I can appreciate a certain level of fear and awe at how much can be affected by fire, even the air itself, and just how quickly it can spread and how much damage it can do in a short time. The fact that the title screen itself it an analogy about passion makes me super excited at the potential for episode 3. Absolutely love that the title screen doubles as atmosphere AND symbolism. Specifically, I have to call out the dream sequence here as being quite awesome. From the moment I saw the burning car with a shadowed figure, I already knew what the visual reveal at the end of the scene was going to be, and was still thoroughly satisfied. I absolutely love LOVE the metaphor William presents about comparing/contrasting light and dark in terms of how both can cause us to lose ourselves, lose our ways, and be blinded. The way this correlates to Chloe's loss of William, Max, and Rachel (darkness) to how she can be blinded by light (passion for Rachel, even excitement about Max's power later on) is all encapsulated in a single bit of dialogue that communicates such an underexplored theme in the medium, and one that makes telling this story from a teenage perspective suddenly feel 100% sensible instead of just a coincidence. Telling a story diving into the theme of passion just wouldn't work the same from a character too young or too old, because it's this part of the human condition that we experience passion the deepest and the hottest. Which brings us to the fantastic play aspect, which is one of my favorite moments in all of LiS at this point. The layers of meaning at work here were genius. First off, it's all a play – an act. And Chloe is trying to keep up, while Rachel is clearly experienced with this. Secondly, the connections between relationships in The Tempest to the protagonists is great use of intertextual storytelling. Thirdly, highlighting a Shakespearean play, which highlights passion from teenage youths, yet another layer. Fourth, they go off script, which itself has really interesting connotations in terms of this game itself existing in the first place as an “off script” piece of the story, as well as how the content of their moment carries an unrealistic, impractical hopefulness to it that is inspiring, but still an act in a play, involving magic and fantasy. Fifth, concluding the scene with the way the play ends adds this really awesome extra layer of meta expression – Rachel as a character gets to be expressed and represented in a way she originally was not, with the help of fans of the LiS developing this prequel, but also fans of LiS breathing life into Rachel before this prequel existed; PLUS the prequel itself is a performance that you, the development team, are putting on for us, the audience. There's just so much going on here, and the musical choices helped seal the moment's emotional impact. Even as myself, coming from the perspective of not trusting Rachel's judgment/actions, I felt as if I finally had a 'moment' where I truly understood why Chloe was so swiftly enamored with Rachel. It reminded me of moments I've experienced in my own past, though nothing as 'magical' as this. It also just highlighted how Rachel's character has power and influence over those around her despite being so young. All in all, bravo. This scene came together fantastically, and I think it's one of the most thoughtfully put together scripted scenes I've ever seen in a video game. This was the moment I fell in love with this story – not because of AmberPrice but because it was so well put together by everyone involved. I think this will probably go down as the highlight of this game when all is said and done. To back things up a bit, I did enjoy the premise of the junkyard stuff. I really liked giving Chloe's character a bit of breathing room on her own – the kinds of things she thinks to herself while exploring the environment showed a bit of Max's influence on her still being present even as she's trying to forget Max. I liked that we could pick different objects to help decorate/fix the van, as well, but the flow of the scene would work better if we could do it all in one trip rather than taking two trips – I found myself disoriented after placing the battery into the car, and by that point had lost track of where specific objects were, whereas it would've been more fitting to maybe have Chloe make note of the items first, or even gather them all up into a pile and let the player choose from there. I predicted and felt satisfied by how the truck was utilized as an analogy for Chloe as a person – broken, banged up, abandoned, lost, but if given enough attention and care, could be back up and running. The therapy session Rachel and Chloe have was also nice at building their relationship further.

Something that wasn't as apparent in episode 1 because it simply needed time to grow was the whole way that Rachel is presented as someone who is flawed. Because the story is from Chloe's perspective, there's maybe too many limits on how this can be developed, though we'll see how the finale handles things, but I really liked that all of the flaws we already know about her character from stuff in LiS1 felt contextualized in this episode. She can be manipulative, short-sighted, impulsive, and even self-absorbed, but it's not malicious or even intentional all of the time. Rachel herself is in a similar position as Chloe – they're teenagers – she is still figuring herself out, what she really wants, who she really wants to be, and how she can achieve those things. All of my doubts, concerns, and fears about this relationship between them all feel validated by their dynamics, by the theming and foreshadowing, and yet it simultaneously makes sense why and how they'd end up together – out of teenage passion, and a shared sense of longing to feel both needed by someone else and taken care of by someone else. The scene after the play, in the street, had a great sense of aesthetic to it, which felt like it was from a teen romance film from the 80's or something. The imagery of the scene highlights the nature of this whole story – a splash of light along a dark road that is Chloe's teenage years. The multiple ways this scene can play out depending on previous choices was neat, too. I was especially intrigued by the possibility of making the “Friendship” choice in Ep1, then asking for a kiss here in this scene – there's this amazing bit of animation in Rachel's face that really shows her thought processes clicking together in an ambiguous way that really fits her character. I'm also super curious as to what will come of the bracelet bit, since Rachel surprisingly gives it to Chloe if you ask for it, despite the fact that we know she ultimately gives it to Frank. There's multiple possibilities of what that could entail, and I'm really interested in seeing how that plays out. This actually reminds me of how much I liked the way decisions from episode 1 have branched out here. Rather than decisions having a single static meaning later on, you have aspects from Episode 1 lead to different branching possibilities of how scenes play out. The outcomes are usually the same, but still, it makes the story feel more dynamic, and I like how these aren't always super obvious. There's a lot of examples of this, from telling Rachel that Chloe feels romantically or not, to stealing the money, to what you do WITH the money, and some other smaller things, too. Great work with this stuff, it helps us see different angles to the characters when we have these options, and highlights what LiS was originally about re: characters – perspective is everything. And yet, Rachel seems almost immune to things in a sense, which is appropriate given how her character works and how she influences those around her. I liked the scene with Frank in the RV and the way it contrasts and compares his future self to his past self. Which reminds me, this episode had a bit more interesting 'character development through environment,' which was a highlight of LiS1 that felt missing from Ep1 of Before the Storm. Whether it was Frank's RV, Elliot's dorm room, the Amber household, or, most poignantly, Drew's dorm room, you guys did a great job letting us learn more about the characters through the environments. While you could argue that it doesn't quite match Chloe's character the way it does Max (and I'd argue that the whole nature of trying to socialize and make friends itself already is kind of against Chloe's character in Ep1), I think it works well enough and just makes sense from a game design standpoint. I liked that we got more opportunities for graffiti in ways that weren't just straight up wall graffiti (ex. Crossword, drawing on the newspaper photo). I glossed over this last time, but part of what I've been frustrated by with Before the Storm is the way Chloe at 16 years old...already feels like Chloe at 19, but slightly more awkward. Episode 2 helped resolve some of this by putting her outside of her comfort zone more and highlighting her vulnerability, cynicism, and uncertainty (whereas Chloe at 19 kind of doesn't give a shit and dives head first into everything and doesn't care what anyone thinks). I also really love the multiple ways you've referenced that Chloe was originally a “nerd” like Max, and has gradually been straying away from that – and yet, it's still part of who she is (and ends up showing itself later on in LiS1, like how she seems to know more about time travel theory than Warren does). In particular, I loved how she pulls up different characters' web search histories – something that doesn't specifically take much effort, but that most people wouldn't think to do. This in and of itself was a really clever way of adding more to character development for those involved. (“why won't puppy eat steak” is hilarious to me and I can't get over it for some reason) The entire scene with Mikey, Drew, and Damon was wonderful. I loved the multiple outcomes and how none of them are specifically good, and any of them can feel in character for Chloe. I think Damon's character feels a little one dimensional here, BUT the context makes sense – he wants his fucking money. He's collecting debts after suffering a huge monetary loss. Of course he's going to be single-minded. As a side note, I loved the small but significant bit re: Damon's e-mail to Frank. Props to whoever came up with that. What a brilliantly subtle way of telling us so much about Damon's true character and his relationship with Frank. Going back to the conflict at the dorm, I loved that you took a bully character who appeared simple and effortlessly fleshed him out enough to feel legitimately believable with real motives. I loved how I was able to figure out the passcode to his lock organically given everything I had seen, and how I then used that knowledge to express what I felt would be in his best interests in the conflict – even though, as my girlfriend pointed out, it might not have been the best long-term outcome. I wish we'd seen more of Mikey and Steph, but what was there was still good. Steph's brief convo with Chloe I saw coming in a good way, and I really liked how you presented it. I liked the bits we got with Samantha and Skip, as well, thought I'm wondering where you're going with Samantha and Nathan. I was actually really frustrated with the Backtalk sequence with Skip, but then, I think that was the whole point. Speaking of, I really didn't like Backtalk in Ep1, but it was overall much better here. In Ep1, Backtalk was like some weird 'Be an Asshole' thing, and it felt weird how the game inherently encouraged you to do this. In Ep2, there were multiple times where I felt unsure if Backtalk was 'the best' way to go, and even then, most of its uses felt much more organic. It wasn't just about being a jerk to make someone feel bad, there was often some organic purpose to it – talking Victoria out of being in the play in a way that made her feel like it was her own decision; trying to get info out of Frank; trying to get into a dorm you weren't supposed to be in; trying to stick up for Rachel in the face of discipline, or trying to help her confront her father. In every case, there was an interpersonal motivation – Chloe wasn't doing it for something she specifically wanted, or just to make someone feel bad, but to try and do something for someone else. Also, they felt more like arguments, or ways of manipulating someone, rather than straight up insults. In some ways, it reminded me of things in TellTale's The Walking Dead Season 2, using more manipulative dialogue to resolve a situation rather than just brute-forcing things. This also contributes toward the theme of 'influence' regarding Chloe being influenced by Rachel so quickly and easily that she's even picking up some of Rachel's tactics (which, one could argue, she uses later on when she's older). This being said, I'm hoping that in Episode 3 we're given a more high-stakes situation that can be resolved using those more manipulative mannerisms, which gives the Backtalk mechanic a “climax” of sorts.

I like the way that you've been able to build this sense of supernatural occurrences without actually showing anything supernatural. The All-Seeing-Eye, the recurring Raven imagery, the weird shit going on with Chloe and others seeming to be having mysterious, prophetic dreams (even Elliot and Frank seem to be having them), the way the ash fall at the end of the episode foils the snowfall at the end of Ep1 of Life is Strange. This builds to a fascinating moment at the end of the episode where, for the first time, perspective SHIFTS from Chloe to Rachel, only for a few seconds, but in a really neat way that leads you to FEEL like something supernatural is about to happen, only for it not to. In a way, this feels like what your overall story could be about in a sense, though it'd be downright odd at this point to have NO answers or resolution regarding what I described above. One of the original game's biggest flaws was how it drummed up mystery only to leave things unexplained or unresolved in ways that damaged the actual plot. Dream sequences don't necessarily do this, but with how much emphasis you've put on them and the Raven/Eye imagery, I feel like there must be a purpose you have here – especially if members of your staff are getting ravens tattooed on their bodies. Naturally, Rachel's mom seems tied to all of this, if not the origin point of it. And I can't help but wonder if we'll even get a perspective shift near the end of the story from Rachel's point of view, if only to help imply or insinuate some things that tie into unanswered elements of Max's story. Speaking of Max, I was much more happy with the 'letters' in this episode, as they spend very little time needlessly bashing a character who wasn't even present, and more time on Chloe quickly becoming obsessed with Rachel – which all makes sense with the arc you seem to be going for. I liked the extra allusions to Chloe's future with Max, such as the maze and William's remark about a “beauty” to come in the future. It's such a complicated thing to tackle – and trust me, I've spent two years and hundreds of thousands of words trying to tackle it myself with these same characters – but I finally have come to a place where I can appreciate the balance you've managed to find between supporting the good elements Chloe and Rachel had going for them, while also implying the bad elements and the reasons why Chloe would develop feelings for Max later on. On a personal level, I relate with Chloe a lot in regards to her relationships (I relate with Max in a lot of ways, too, but that's a separate matter). I have lived through both long term and short term experiences of passion, romantically and platonically. And I have been romantically involved with people who remind me of Rachel. And I think that's part of why I just...don't like her, personally. BUT I am at a place now, after this episode, where I like her as a CHARACTER, even if I don't like her as a fictional person. I never can fully let my guard down around her, but can totally understand why Chloe would (and did), and have been there. And now that I have the context of this episode, I can finally start to see what 'the point' of this story seems to be, which makes me very curious to see how it is resolved. Lastly, again, great job using mocap and facial animation to heighten realism for a lot of scenes. While I noticed more “flat” moments than before, it never detracted from the important moments having that level of detail to make them bring out an extra layer of inevitability. From Chloe knocking at a dartboard to finger-gun gestures, to subtle but complex expressions, just a lot of great expressive details going on here. On that note, I noticed a real improvement in Rhianna’s performance. She felt like she wasn’t trying to mimic Ashly Burch or Ellen Page and was instead just finding her own interpretation of the role, and it works MUCH better. In a way, I still feel a constant sense of ‘this isn’t exactly Chloe’ but not in a bad way, just a...different way. Instead of feeling distracted by her actress being different, I felt instead like I was being more absorbed into this alternate interpretation of the character. Both Hannah and Ashly needed some time to fill into their roles before ‘the good stuff’ really came out in their performances, so I’m really looking forward to what Rhianna might pull off in Episode 3, and what she can do in the future after this role, when she isn’t burdened by the complexities of this kind of situation. I could go on, but I've ranted stream-of-conscious style long enough. I still have some more broad strokes issues with this game’s narrative, but then again, I have issues with the original game’s, as well -- and this story isn’t done yet, so I want to wait until I have the full context before I comment on those broad-scope design elements. I hope at least some of what I've written here is helpful to your team, and that my critical comments highlight just how good a job you guys did with this second entry. Regardless of how I end up feeling about Episode 3 of Before the Storm, I am really happy for your team and what they've pulled off here, and am very supportive of what you seem to be trying to do, as delicate a balancing act as it surely is.

[shalheretical]

I think one of the biggest problems with Unalaaq's character, aside from the fact that he's probably the most one dimensional villain in cartoon history, is that Bryke doesn't seem to understand eastern philosophies very well, and that leads them to think that the Avatar's "extreme good" needs an "extreme bad," when that's not what balance would even really mean in this context.

They've gotten the idea of yin and yang a little mixed up before, but it at least seemed like they understood that there's no real "good vs evil" as far as spirits go, and that it's all about finding balance within yourself and the universe, and humans and nature living in harmony. In LOK, they completely forewent any of that, and just decided to make (firstly) make the spirits fucking pokemon instead of, you know, spirits. The second, is the applied morality to the spirits - they can be 'turned evil,' and as the Avatar, Korra must 'turn them back.' ATLA had seem pretty obvious Biblical allegories, but it became really apparent that Christian theology was the only thing they understood in LOK. Thirdly, they seemed to think yin and yang was also a struggle between good and evil when it just isn't. Anyway, all of these contributed to them thinking, "Oh, there needs to be a Dark Avatar to keep balance, because the Avatar is obviously Inherently Good."

Which is really dumb, since there's been Avatar's who's made mistakes before, but giving them the treatment of "they're so divine and holy, that they can never be wrong," takes away a lot, and also - ironically - does throw things off balance. If they had just kept it that way, s2 could've probably been fine. If they hadn't retconned ATLA's spirituality, there literally would've been no reason for Vaatu to exist. And it's still stupid he exists, even with the retcon.

I would've done it like this: Unalaaq is genuinely concerned about the Water Tribe, yes, especially because he doesn't exactly trust his brother. However, the Southern Water Tribe has been using Northern Water Tribe resources to help rebuild for a while, which has made them basically a territory of the North, so this has caused friction between the North and the South. And when he gets there, he is worried about their spirituality, and thinks that he should probably take the reins because you really do need to appease the spirits, because otherwise, yeah, they might get upset with you. However, he does also want to consolidate power of the South, because it's actually pretty hard to have them be separate but dependent. He invades, the South riots, and the main problem for Korra is deciding who is in the right. She's expected to make the right choice, but just because the Avatar says its right, doesn't mean it is. Unalaaq isn't evil - just in the wrong, and extremist in the conservative actions he wants to take, but because he wants to protect a tribe that he feels is his cousins, his people. He's well-meaning, but misguided, which can lead him down a darker path, especially with his rivalry towards his brother.

It's not perfect, but that's a much better example of misguided extremism than making a literal pact with the devil. You can see his point of view, but you also know the forceful seizure of sovereign lands is wrong. And Korra, obviously, wants both what's best for her people, but also the spirits. That's what balancing actual is for the Avatar, not just punching the bad guys. It's finding solutions that can benefit every part involved, or finding a way to get people to back down, or making sure the spirits' voices are being advocated for. And her character struggle is that she can't just punch her way through problems, but that she has to be a more political/diplomatic Avatar.

I’m just thinking about how much better Book 2 of LoK would be if Unalaq wasn’t the incarnation of evil with a literal pact with the devil but instead was a reasonable if somewhat misguided man with legitimate concerns and issues with his brother.

[marvelandponder]

I’M SCREAMING

We’re 3 months away from this glitter-bomb and they gave us some stuff to scream about. I think I’ll do just that. I took my sweet time putting this together, I know, but there’s a fair bit to unpack and a lot to be excited about so, let’s go through it all!

Animation

Okay, so first things first: people are calling this a 2D movie and that’s not really that accurate.

It certainly has some 2D elements, like the backgrounds, but the style of animation only makes the characters look 2D, when in fact they’re 3D models.

You can tell in how they move. If I were to give you a still screen shot, you might guess that it was from a 2D animation, but in motion, you can tell what it actually is: cel-shading.

I had a hunch that’s what it was so I asked a storyboarder who worked on the MLP movie (and the show) if I was right and she said: 

The program they’re using is ToonBoom, which does rigs with 2D toon shaders, among other things!

You know, I don’t often call things, but I fucking called it. Let me have this. Just to give you a quick definition from Wikipedia:

“Cel shading or toon shading is a type of non-photorealistic rendering designed to make 3-D computer graphics appear to be flat by using less shading color instead of a shade gradient or tints and shades.”

3-dimensional figure with cel shading, has the effect of making it  look 2D. Typically seen with thick outlines on the outside and little to no outlines on the inside:

(Team Fortress 2 itself isn’t normally cel shaded, but that’s a great example a fan made of what cel shading usually looked like when I was growing up)

Cel shading without outlines, as seen in Wind Waker. 

Like I said, just seeing this still image, it looks 2D, but watching it move, you can tell there’s a 3rd dimension to the character with the features and lineart mapped out onto the models to make it look 2D

Which by the way, is really unique for a major release! I don’t know about anyone else, but I was excited that MLP: The Movie seemed to be 2-D since there hasn’t been a domestic 2-D animated movie since Winnie the Pooh in 2011. 6 damn years! While I maybe would’ve ideally liked a completely 2-D animated movie, the backgrounds and the cel shading works in really neat ways, and it will definitely make the movie stand out 

The purely 3-D objects seem unfinished at the moment (but that’s not out of the ordinary, CGI seems to be one of the last processes). It needs texture or shading or something, and I can tell because most of the ship looks too soft (too much like a model) to be metal. I really think this will be fixed for the final product, but that’s probably the most jarring part of the style at the moment

Not all of the 3-D looks unfinished, but the best looking parts are still the painterly, 2-D stuff (look at those towers; they’re really stylized, but you can tell they’re 3D in a more 2D environment)

THAT DIGITALLY PAINTED VERSION OF CANTERLOT THOUGH:

The light effects are definitely 3-D in the fireworks and rainboom

Oh, and speaking lighting, so much of it looks so pretty! There are one or two times when the colours are slightly off, but the majority of the time it looks freaking gorgeous

You can kinda see by looking at Rarity that the shading is juuust slightly off here (kinda like they were for the teaser trailer), but then you look in the background and see this BEAUTIFUL background and Twilight all upset and worried about this invasion, and it feels like such a nitpick to worry about what will probably still be cleaned up before it hits theaters

We also get some really great expressions, so they’re not really limited by the 3D models underneath (if I’m right about that)

Also, just as one last little note here, the style is detailed enough to see little things about the characters we didn’t know up until now, like the fact that the spines on the side of Spike’s head are translucent, or that the colours of RD’s mane aren’t 100% perfectly separated

Overall with the animation, I’m so impressed not only by how gorgeous it is,but by how willing they were to take a risk and incorporate a 3D element in the form of  (I think) cel-shading. This only really matches the creative spirit of the MLP team, though. Whether or not you agree on how well they always execute everything, they always try to step up their game with every new season and push themselves to be and do better.

And while I will say that if some of the more 3D parts (yeah, I’m talking about the zeppelin/airships mostly) aren’t fixed for the final release, I would have a bone to pick with them, but I have faith that we’ll be seeing a much smoother integration of that 3D on the big screen.

Story and Character Details

I really appreciate that they didn’t outright spoil anything too big. It’s definitely a well-cut trailer! We basically only know about the same information we did before, with just a hint or two as to things like who the true villain is.

Just based on the focus given to these characters in the trailer (and what I know of the Storm King’s characterization in the first Movie Prequel comic that was just released), seems like he’s not as big of a threat as the commander of his fleet, Tempest. 

It’s a kind of villain we haven’t seen on the show or even in EQG, and not only that, but 

She’s got a fantastic voice actress behind her, so she can pull off the deliciously evil vibe well without, say, reminding us too much of Chrysalis or other powerful animated villains from Disney classics

Plus her design with the broken horn and her magic sparking up out of it is instantly intriguing to me: for such a powerful presence, it’s awesome to see her weakness (and most likely shady past) is always on display---especially for a commander character, that’s just really cool

Grubber seems to be pretty standard so far, nothing he’s done has really impressed me quite yet, but I’m hoping his best stuff is saved for the movie itself

The sky pirates (or skyrates) look like a lot of fun, and in context I can see how well the bipedal birb pirate blends with the universe (the bipedal designs were the ones I had the most trouble with)

On top of that, we have sea ponies at last! And they’re far more adorable than I ever could’ve hoped

The original sea pony designs from G1 looked a lot more like sea horses, with curling tails and fins on either side, but I think the meraid-ish look is both more marketable for Hasbro and more appealing to look at (the original sea ponies always seemed like a joke in the fandom to me, I admittedly never understood why people would actually want it in G4)

And a-ha! Good queens do exist! Poor Celestia and Luna. Always a princess, never a queen.

Oh, and Seaquestria? It’s freakin’ beautiful. I LOVE the rich blues and purples here. If you haven’t had a chance to check out the 360 image of the underwater palace complete with an excellent piece of background music, treat yourself.

The Mane 6′s sea pony designs are pretty dang adorable. I don’t have anything interesting to say, I just like the cute water horses, okay?

Minor Details and Incidentals

I’ll start out by saying Twilight’s narration in the trailer is pretty standard, but still heartwarming (mostly because I already know and love these characters though). It sort of reminds me of the bits of narration from the How to Train Your Dragon movies, although those had a bit more character to them. 

The what could possible go wrong? line, though. It just makes me laugh thinking of all the flashbacks we could have to the series. 

I guess she’s talking about that festival specifically that she’s organizing, and in that way it’s a show of character development (in a similar way to the character development on display in A Flurry of Emotions, where Twilight is told she’s late and doesn't have a panic attack or worry about what could go wrong... too much), but it’s still hilarious to contrast the idea that nothing could go wrong in Equestria to... literally all of the show. 

AJ and RD protecting their friends even before the others have gotten over the shock of whatever they’re seeing tho

Starlight and Trixie get a bit of screen-time together and it’s adorable. Starlight might be stuck in Canterlot for the duration of the adventure, but I’m glad to see her included. Characters like Discord who might be too hard to explain to new audiences are understandable losses, but even if Starlight’s cameo is brief, it’s good to see her role acknowledged

In terms of music, Sia’s looking adorable so far, and Lukas Graham’s as of yet unreleased Off to See the World sounds pretty catchy (it’s the song at the end of the trailer), so they’ve got talent behind the vocals!

Jumping back to little details, it’s neat how sea pony magic has a very distinct look from unicorn/alicorn magic. Also, the bubbles are really cute

And, okay, I just wanted to take a minute to appreciate how serious this ponk is. Can we all just stop and take a look, because in this scene Twilight’s saying how she’s the one Tempest is after, and she should probably face this alone, which seems to be our Princess of Friendship’s big dilemma in this movie, and Pinkie’s clearly trying to tell her she’s crazy

Gotta love that they didn’t just go for hyperactive comic relief Pinkie Pie; they don’t seem to be boiling down these characters to just one trait (which is partially why I loved the moment where RD and AJ defend the girls; RD’s ego will no doubt be on display throughout the movie, but you’ll also see she’s ready to lay down her life for her friends)

And hey, lookie here! Canterlot got a make-over... and a contractor. There’s more pink than there typically is and it doesn’t necessarily match what we’ve seen of it in the show. Especially places like the throne room:

And you know, I’m a little torn on this detail? It’s beautiful, and I’m digging the starry night mosiac they’ve got going on back there, but it would’ve been nice to see the throne room we know and love rendered in this new style, you know? I’m gonna miss the deep magentas and the stain glass windows of the Mane 6′s accomplishments. I know that’s mostly the fangirl in me, but I like seeing continuity nods back to the show (like hey look: Cadence gets a cameo!)

Unless Canterlot gets destroyed and subsequently rebuilt in the season 7 finale, in which case I’ll shut my mouth

Speaking of which, I still have to wonder exactly when this will take place in the series, or if it exists slightly to the left of canon like the Equestria Girls movies (which, I mean, I consider canon, but still). I know there’s ties into the comics, but I wonder if/when the show will acknowledge the events of the movie... I guess only time will tell

And for now, I think that about wraps it up! All in all, I’m beyond excited to see this thing, as anyone could’ve guessed. 

It should also be noted that a lot of kids movie trailers focus on the fun, comedic portions of the movie, so while I do think it’s mostly going to feel like this, I’m also looking forward to the more character-driven feelsy parts. As we well know, you can never get the full scope of a movie from just the trailer, but it’s usually especially true for kids movies.

Even just from what we have seen, it looks like we’re in for a ride. Can’t wait to get on.

Hey, if you’d like more MLP stuff, you can click right here to see my editorials or here for episode reviews. And if those links don’t look pretty enough, have the last three things I’ve done right here:

Parental Glideance Review, Celestia/Daybreaker Editorial, and LGBT+ Editorial

Year of the Pony

[elsa-of-arrendelle]

If Destiel shippers are allowed to post why they ship Destiel, I am allowed to say why I don’t.

I’ll point out that, yes, I’m religious. I’m a Christian of the LDS church and I believe that marriage and sexual relations should be between a man and a woman. But that’s not the big reason I don’t ship Destiel (Heck, I think Cecil and Carlos are *neat* and freaking adorable). 

I don’t ship Destiel because of what it cancels from the characters, the healthiness of the proposed relationship, and the effect it’s had on the fandom over the years.

Destiel is a ship that began as a fanon ship and still is. The biggest promotion is fans on tumblr, the lip-service and stories are written by fans, the scenes are either drawn by or edited from available sources by fans. The writers clearly have no intent of making it canon and the actors (mainly Jensen cause he’s tired of the constant peppering) have said that Destiel does not exist in the show.

The character-destroying reasons I don’t ship Destiel:

There is a canonically straight man who watches soap operas, cleans, cooks, has worn pink satin panties, drinks flavored water, listens to kids, show empathy, cries, is unafraid to show affection to his male friends and family, mother-hens his friends and family, and listens to his own moral code. It bashes so many stereotypes it makes me want to cry of happiness. Turning Dean Bi changes “breaking useless gender roles and stereotypes” to “Oh, well yeah, he’s gay so that makes sense now.” and degrades how revolutionary his character already is against mainstream media.

There’s also an angel who doesn’t care about sexuality more than a person’s actions (a slap to Westboro Baptists) with no personal reasons for it other than his conscience. He is sweet and kind but can also be awe-inspiring and ruthless against his enemies. Has immense power but tries to use it to help people, even in small acts of service which takes down the idea that abilities are only useful if they’re out beating up bad guys over doing what you can no matter how small.

And I refuse to ignore Sam because he is not going to be demoted to a cheerleader for Destiel. Sam is kind, passionate, and endures immense hardships and is just as valid as Dean or Cas. He is his own powerhouse and while I’m certain that he supports his brother being happy and healthy in any relationship that Dean might choose, he shouldn’t be ignored or downsized as a character to make way for a new romance plot which will inevitably happen because guys, this is tv land. It always happens.

Meg. Megstiel was actually canon. Yet, during the same time that people were still trying to make it Destiel. Meg was literally making out with Cas and it was not one-sided. I have seen more romance - proper, healthy romance, mind you - and positive character development between these two than between Dean and Cas. Castiel would compliment her poetically and she had her pet-name for him and would fuss over him and cared for him when Dean didn’t because the Winchesters had their own problems to deal with.

^^^ Related to this but Destiel shippers have actually stolen a lot from Megstiel which is just messed up. The Pizza Man was based on Megstiel. The idea of having a “unicorn” is from Megstiel. Could you please use your own cliche’s in your fanfics and headcanons??? You can’t think of any that you have on your own?? That’s messed up. If you can’t write a story without stealing a competing ship’s motifs to pass as your own, you probably shouldn’t be writing and should be researching your own dang ship instead.

Dean and Castiel’s relationship would be toxic, in case you didn’t notice. It very nearly is right now. Cas is not and never will be Dean’s top priority. He’s still a priority for sure, but he’s not Sam. A healthy relationship has either each other on equal standing whether their first priority is each other or God. Goals, real-time emotions, or anything else too changeable are easily toppled. The reason Dean and Lisa worked out for a year was because Sam was not an option for Dean to prioritize anymore but the second he came back, the relationship started (sadly) to fall apart and Dean lost that stability. Unless Sam is also Cas’ #1 priority, their relationship is going to capsize faster than the Titanic without interference from Balthazar.

Not to mention, when Dean is stressed about losing Sam/failing the world/problems, he dishes out on Castiel. Cas is a strange character in that he is so old and has so much knowledge but he’s simultaneously like a child for the first several seasons because he’s missing so much social development. Two emotionally unbalanced factors in a relationship either balance each other out perfectly or they go up like a nuclear reactor. Sometimes it’s immediate and other times it builds up, but Dean and Cas initially clash and still clash on many major decisions. They don’t balance each other, they make the other alarmed by their unpredictability and recklessness.

Dean does care about Cas, but he’s not used to him or expressing concern to anyone beyond Sam, John, and Bobby. He’s bad at expressing negative feelings in an okay way. I’m not going to be the anti-shipper who paints Dean as some kind of abusive monster cause I love Dean and they twist him out of context too, but Dean has said some hurtful things and failed on the supportive front for Cas several times because Cas is not his main priority. Similarly, Cas has shown no interest in becoming a human, he enjoys human interaction and helping humans. He’s not some Ariel out to be ‘part of our world’ and S12 had him taking up Joshua on the deal to allow him back into Heaven. They have their own goals and those goals do not align in a way that gives room for a relationship. In short, their relationship will hurt each other, not support each other.

The fact that other characters refer to them as a couple is obsolete. If anyone has ever referred to you and someone else you know as an item, you understand that other people’s feelings on your emotions do not create a relationship, your individual feelings do. So that is not ‘proof’.

Something I want to point out to the fandom:

These are like the 3 most aggresively sexualized moments that the fandom has to work with when it comes to hardcore shipping over fluff. Usually these images are followed by fics of making out passionately after these moments. Fans have turned these moments into ‘magical’ events that scream UST and drama.

But I need you to understand something so listen up.

In each of these moments... DEAN IS FREAKING TERRIFIED. 

#1 +2. Castiel warning Dean to show him respect... because he brought Dean out of Hell and could throw him back in and Dean at this point is most definitely not close to coping with the trauma of those 40 years. He’s threatening him with his biggest trigger right here.

How Romantic. Sparks are flying, guys.

#3. Castiel is literally beating up Dean in an alleyway while yelling at him that he’s being selfish and weak and ignoring Cas’ sacrifices. By the end of this, Dean believes that Cas is just going to kill him.    Awwwwww...

#4. The angels have just been exposed at villians and Dean has yelled at Cas to make a decision. Several hours later, Cas appears and slams Dean into the wall and Dean is completely lost and alarmed by this and is unaware of what side Cas has chosen until after a moment of waiting for something to happen.

All of these moments have Dean afraid and/or believing that he is probably going to die. STOP TRYING TO TURN FEAR INTO AROUSAL. That is some serious rape-culture logic and it is messed up. It’s not “kinky”, it’s not “sexy”, it’s fear. If you can’t tell the difference, go see a psychologist.

Okay. Moving past that, the fandom has a lot of issues to deal with when it comes to context and character intent. Most of the scenes ‘supporting’ Destiel are regular pictures taken at a moment with 0 context provided. Others are gifs where something else is actually going on but it looks flirty when there aren’t words so it goes. Most shippers will also confess to not being very big Destiel shippers before they got into the fanfic because it changes their perspective and makes them look for a notice things that aren’t meant to be that way. I read some Bela/Dean stories and found myself shipping them for a while when I used to be die-hard Lisa or Jo.

Also worth mentioning: The argument of Cas being a “multi-dimensional wavelength of celestial intent and therefore isn’t really gay so there’s not a problem” is a double-edged sword with the fact that Castiel has never been with anyone not female (or even human btw it was a reaper and almost Hannah and Meg), but you’re also backspacing over the idea that if it was canon it would be a gay ship so... there goes the side opting for LGBTQA representation...what is your goal with that?

I don’t ship it because I’m tired of great characters being simplified, of great relationships being ignored, of made-up images and quotes being spread as though they were true, of looking up Supernatural and being hit by a wave of Destiel headcanons, of people insulting my favorite actors for both refusing to approve of the relationship and for trying not to shut down the relationship, of the level of tin-hatting required to insist that a character is bi because of the color shirt that they wear, and for people tagging every post - no matter how unrelated - as “Destiel”, I’m sick of it all. 

Spamming is the biggest reasons for Anti-Destiel blogs. Tagging everything with your ship name makes anyone who doesn’t ship it want to scream and hate you. This is not how you gain support.

I’m personally just very sick of feeling like I’m not really a part of this fandom because I don’t ship Destiel. But a lot of fans don’t. A lot of fans aren’t on tumblr, they don’t read your fanfic, they don’t consider Cas and Dean to be a couple, they just watch and like the show. That’s kinda what being a fan is. Making everything on Supernatural about Destiel is how you lose support for the show and the fandom.

Shipping despite this is fine. You want to, go for it. It won’t change the show that I enjoy, but please remember that not everyone will ship what you ship and spamming them or harassing them is pointless and rude.

[roboticblanket]

All the Stars In All the Skies

The first fanfiction I’ve written for the ACOTAR fandom, and certainly not the last. This is an ongoing drabble series in which I hope to include multiple pairings and characters with both AU and canon plots. You can also find this fic of the same name on AO3 where my username is the same as my tumblr name. I do take requests and prompts so feel free to ask, I have no particular preference for pairing or setting. This include non-canon pairings, I’ve recently seen an upsurge of pairings like Elain/Azriel and Nesta/Morrigan so if you ship those or other non-canon pairings I would be happy to write them for you, it’s always fun to stretch my writing muscles and try new things.

This first chapter I started kind of easy and did a little blurb of what it would have been like from Elain’s point of view to emerge from the cauldron and deal with the stress of the situation plus being made, plus discovering her new mate who she doesn’t even know. I always thought that given how big of a Feysand fan I am that I would have started with one of them, but Elain’s voice was just..kinda begging to be heard a little bit. She’s lowkey one of the characters I’m most interested in and I really hope we get to learn a bit more about her perspective in ACOWAR.  

Chapter 1: Made

The moment she tumbled out of the cauldron onto the cold floor of that accursed, bone-white castle, Elain knew she would never look at the world the same way again.

When she finally, finally drew her first made breath, after lying in a puddle of that abominable magic for what felt like an eternity, right away Elain could tell she was no longer human.

The air felt thicker, more alive, even in the dank castle chamber. Elain could feel, almost taste, the crackle of magic in the air, a portion of which, she realized solemnly, was now coming from her. She made to pick herself off the floor, and almost gasped at the sudden strength she felt in her new bones. She remained on her elbows, searching the room for something familiar to anchor herself. Her sister, where is my sister?

Ignoring the restraints of the gag in her mouth, Elain twisted around to see Feyre, whose face was stricken with mute horror in a way that Elain had never seen in all their years of hardship together. For the first time since their father had been beaten in front of her, Feyre looked helpless. Seeing her younger sister—her strong, resilient, clever sister—powerless to stop such madness told Elain of how truly hopeless the situation was.

Her other sister must have had the same thought, because the moment Elain looked up from the floor, Nesta let out a roar that seemed a thousand times louder to Elain’s new ears. Ears, Elain realized, that must now be pointed, or Nesta would not have had such a visceral reaction to her face.

Nesta continued to scream, Feyre fell to her knees and sobbed, the queens marveled at the horrific demonstration’s success, the one-eyed stranger with the red hair thrashed against his bonds, and amid the madness Elain noted dully that her skin was now glowing. The sight of something that once would have been impossible for her human body sent Elain reeling from her tentative grip on reality and she shut her eyes. She grasped desperately for something familiar about herself, but found little to comfort her. Her skin, aside from suddenly being luminescent, seemed flawless; her hearing was not only better but also more dimensional, Elain was hearing timbres in Nesta’s cries that she had never noticed as a human; colors now had a distinctive brightness and sheen that Elain just couldn’t register before. Out of context, it all could have sounded like a wonderful blessing, to be able to experience the world in such a way, but Elain could see no blessing in being taken from her home and forced to become…this. Staring into the void of her new existence, Elain tried everything she could to will it away, to wake up from this horrid nightmare, anything that meant she might reject this form. As she was searching for a way out of her body, Elain felt something, a strong connection radiating from within her. It was warm and inviting and almost familiar, though Elain couldn’t place why. Just as she was maybe grasping for something to cling to in this strange new body (A thread? A rope? What was that strange tightness?) she heard the voice of that monstrous Fae king.

“The hellcat now, if you’ll be so kind.”

Elain realized he must have meant Nesta, because she suddenly went quiet. The thought of her sister enduring what she just had…Elain couldn’t help it, she broke right there. She let herself kneel on the damp floor, shivering and practically naked in a room full of creatures she had feared all her life. And now she was one of them, Mother, how could she be one of them?

Through the maelstrom of her thoughts, Elain heard a vaguely familiar voice snarl at the king, “Don’t just leave her on the damned floor.” There was a sudden scraping noise and Elain looked up to see the Fae male with one eye stalking toward her. The sight of him sparked something in her, and Elain cringed away from the unfamiliarity of it. When the male offered her his coat, she increased her efforts ten-fold. Too much, she thought, too much going on right now, I can barely make sense of any of it.

In the corner of her now impeccable vision, Elain could make out Nesta being dragged toward the horrid cauldron she had just come out of, kicking and screaming the entire way there. Remembering what it was like to be trapped beneath the magic waters brought on a new wave of shivers. Elain recalled how she tried with what little human strength she’d had to swim out of the wretched black water, but the cauldron, it seemed, would not let her surface until it was satisfied with her. She was held down beneath the water by some unseen magic until she was forced to succumb to the cauldron’s demands of Elain: her death. It must have been what allowed her to be made into this new creature, Elain thought, first she’d had to sacrifice her mortal life, however involuntarily. Dimly, Elain considered that if she could survive the cauldron’s demands, then Nesta, who’d always been the most strong-willed of her sisters, would more than survive them.

But that didn’t mean that Elain herself had the strength to watch her sister’s humanity be taken from her.

Distracted by the sounds of her sister’s resistance, Elain allowed the Fae male she’d been cringing away from all this time to drape his coat over her shoulders. She took comfort in the little warmth it afforded her, if not also for the way it shielded her body from the many lecherous eyes in the room, giving her a shred of decency for the first time since she’d been dragged to this awful castle.

As Nesta’s shouts grew louder and more frantic, Elain knew it was only a matter of time before her sister was fully submerged in the cauldron, a thought punctuated by the king’s hiss of, “Put her under.”

There were more sounds of struggle, Elain could hear splashing noises as Nesta was undoubtedly struggling to her last human breath.

Elain supposed the room could have gone silent when Nesta was finally submerged in the cauldron, but she wasn’t used to all the new activity that her ears now picked up, and she wasn’t entirely yet sure what silence sounded like to a…Fae. As a result, Elain didn’t know for sure that Nesta was under until she watched Feyre suddenly vomit on the floor. For all her dislike of the Fae, Elain could not help but be relieved when Rhys knelt to comfort her sister, just as she felt some small relief that this unfamiliar male had come to comfort her.

Speaking of her strange savior, he was lifting Elain in his arms out of the way of the cauldron’s water that was now rushing toward them. Finally standing, and using the male’s powerful body to steady herself, Elain was finally able to get a good look at him.

As soon as she did, the world fell away.

Elain finally saw the male’s face in its entirety, his strong jaw framed by long hair that was colored a lovely shade of auburn, high cheekbones that slanted toward delicately pointed ears, but it was his rust colored eyes—or rather, eye, given that the other seemed like it had been lost in some sort of terrible altercation, if the scar protruding from metal placeholder was anything to go by—that held Elain fast, powerless to speak or even breathe. All at once, that strange connection she’d found earlier began to stir incessantly within her. Before she was able to fully discern what it was she was feeling, or even properly meet the male’s eyes, Elain was ripped from the comforting grasp of his arms by Nesta. She knocked the male out of the way, screaming, “Get off her!” Reeling a bit from the force of her sister, Elain began to slip on the wet floor, saved from another meeting with it only when her sister gripped her shoulders to steady her, Nesta ran her hands over Elain and sobbed her name over and over, trying to reconcile both of their new bodies.

Elain, however, found she could not pay much attention to her sister’s sobs. She stared over Nesta’s shoulder at the male who, in the confusion of Nesta’s forceful separation of the two, had instinctively looked at Elain.

The connection that had been stirring within Elain flared the moment she finally met eyes with him. Despite the ordeal she had just been through along with her sister, Elain could not help but feel at peace when she and this male looked at each other. She didn’t even know his name, something ancient within her seemed to whisper this like a burning, centuries old question. The strength and intensity of this feeling was altogether wonderful and terrifying to Elain, who had never felt the voracity of such a feeling in all her life. What could this be? Elain thought. Who are you?

Moments later, after what felt like a lifetime of Nesta sobbing, Elain had her answer as the male whispered, “You’re my mate.”