#idk why i wanted to talk about this

[azumetapraline]

I find it amusing when I see a comic/drawing of two characters, and they’re tagged as ship

and when I look at the art, they’re just… interacting, not even in a romantic way

[ur-local-anxious-fiend]

even tho Solo got called up to be a part of the Bloodline…

i still like that they still let him have his individuality and he’s not just the Uso’s little brother and actually make a interesting character out of him

like- they didn’t change his name to “Solo Uso”

(cuz that would sound kinda stupid)

he has his own unique moveset and his own style of gear

idk, just something I really enjoy seeing

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[mamawasatesttube]

the whole "jason rules crime alley and none of the other bats are allowed there!!1!" thing is so funny like. tim LITERALLY lives in the theater where bruce's parents died,

[gladiators-spark]

came to me in a dream

[galactaknightyaoi]

HAPPY BIRTHDAY, GALACTA KNIGHT!!!! And congratulations to Meta Knight for experiencing the Cain Instinct for the first time.

Galacta Knight, as you might've been able to tell already, is one of my favorite characters, and KSSU is one of my favorite games (the original SS was my introduction to Kirby!) so I wanted to go all out. Happy day, old man. I pray for at least 20 more years.

Oh, and don't worry! He's not upset about the cake smash, he thinks it's funny. And he got back at him.

As for the in-universe explanation for there being 16 candles in his cake?

... 500+ didn't fit in safely.

The birthday boy and his family were just a bit too flammable.

[non-plutonian-druid]

[ID: a doodle of old, Commission-era Five lounging in a bathtub with cucumbers over his eyes and a glass of wine in one hand and a bottle in the other. He has several scars, including one that starts at his collarbones and goes all the way down his torso. End ID.]

i missed old five this season so bad. where was he!!! Where was my old man!!! I took it upon myself to answer with "in the bath, chilling" because he deserves it. old five people, you're welcome

[secriden]

Everyone in the tags calling Style swagless and rizzless, but can I just raise the counterpoint that the second he actually tried to be seductive, Fadel folded like the wet tissue paper he had to use to clean himself up afterwards.

[drop-dead-dropout]

I've said it before but I really really really need everyone in the disco elysium fandom to like. look at themselves for a moment and make sure they're not being insanely ridiculously dehumanizing to addicts because I see it way too often. I'm not talking about saying that harry is a bad person, depending on your choices in your playthrough he could absolutely be described as a very shitty person, I'm talking about this weird insistence that harry as an addict/recovering addict/whatever doesn't deserve love or friendship or community because he's just That Bad and he will ALWAYS be That Bad and inflicting him on someone else would be cruel and unusual punishment. like... actually fuck each and every last one of you who says shit like that I'm not joking.

[channie-binnie]

Welcome back Maxident era

WaxingRacha be looking fine af

[manchesterau]

[justaz]

merlin’s secret being a visual thing. when he is around arthur or gwen or leon or morgana or [insert whatever character here] merlin seems pale and thin, almost like a ghost or an apparition. when the sun lands on him he reflects it like a corpse, he eyes seem dark and dull. he has this ethereal beauty to him, this otherworldly visage that leads many to believe he is of fae blood. he just doesn’t seem to be 100% human. but when he is ONLY with lancelot or gaius (cough or gwaine bc gwaine DEFINITELY knew) merlin is heartachingly human. merlin shines in the sunlight, colors are brighter and more vibrant around him, and his smiles are wide and his laughs are boisterous. he takes on color and leaves everyone wanting to know him. but when other join in or interact with the two, merlin shifts before their eyes so quickly and suddenly that they aren’t sure whether or not what they saw was a trick of the light. the idea still leaves them wanting more and wanting to see the merlin who is just so full of life but that merlin only appears for a small select group of people. merlin who has a guard so high that it has an effect of other’s perception of him.

[sunnibits]

potentially hot take but this is a pet peeve of mine

[ganondoodle]

botw2 (totk rewritten) ganondorf design post 2.0

(the better, less rambly one, bc i shouldnt be allowed to write when its past midnight- not deleting the other one bc i am a little whimp and am getting so bad decision paralysis over it its made me cry, this one is more heavy on design and the basic plot of the game)

Basic plot summary (shorter version- longer version at the end):

sheikah in service of the ancient queen discover remnants of the past while excavating for luminous stones, these remnants were being defended/kept safe by the sonau (engl. zonai) little shy cave dwellers who have kept these last ruins save but secret bc they thought it could lead to disaster seemingly aware of the ever repeating cycle and believing it to be not divine but a self perpetuated one built on the one sided history of the past, which is a threat to hyrule and its golden legacy; these ruins speak of a world threatening evil being born as the king of the gerudo, the ancient queen thus plans to lure him into a trap to seal him away before he can realize his destiny, he learns of it however and is forced to confront the queen through breaking into the castle, she sees that as a confirmation of her fears and it escalates into a battle between them that kills everyone that was in the throne room except the young princess- the queen sealing ganondorf as the room and parts of the castle is destroyed and buried beneath the ground. (the game largely revolves around finding clues about it, especially in sealed off caves of the now long extinct sonau)

except for the scene in the throne room nothing is clearly shown of the past, but it is the background behind everything

(zeldas main struggle in this game will be having to come to terms with her families legacy, what she thought and was taught not being true, the dark secrets buried everywhere, and perhaps trying to be better, now that all of hyrules been destroyed and the lands and people yet survived)

Mummy version:

what you discover beneath hyrule castle after going to investigate the failing of shiekah tech all around, it is a clearly shiekah made system all around, though the chamber you find him in was built around him after the sealing, it being implied they used his spiritual power as the main energy source for all future tech, once disturbed the seal breaks and fuses to zelda (similar to the og trailer with link) he wakes up, the shock of suddendly being back in this broken body leading him to rather viciously attack them, the mastersword breaks and link loses his arm, the cave crumbles and zelda flees as she drags link behind her- the cataclysm happens and links gets his shiekah tech arm.

(in the little sketch there is a very roughly approximation to where ganondorf is located at the start and mid game fight, the arena you fought calamity ganon in is in reality a sphere with the lower half being an energy reserve for the royal family and further down the mechanism for the rising pillars from botw, its located between the castle and ganondorfs chamber, to quickly react when the malice build up has reached a critical point to detect immediately and start the defense programm- its all broken but still explorable after the mid point)

ganondorfs body is very damanged, the hole in his chest from the seal leads into an empty cavity, the ribs broken and bent in a swirling pattern like a gravitational pull, his right arm was desolved over time as he defensively grabbed the queens arm in his last moments; the face is more bone and there are no eyes, he does not move his jaw to speak, his hair is more like smoke after a certain amount of progression in the game the castle that fell into the underground (current hyrule castle) bc of the cataclysm is made accessible, as you venture in link is grabbed and pulled further in, seperated from zelda, she later rejoins you in the dungeon, acting all normal unless you are observant and see her using her left arm only and walking past things she normally wouldnt- at a certain point once the camera is not watching her, she suddendly starts to attack you viciously, as it was ganondorf in disguise- after the second half the real zelda breaks into the room with your friends in tow (yunobo, teba+tulin, riju, sidon) and he drops the disguise, the rest of the fight is against his mummy form, at the end of which is the cutscene of the confrontation with the queen, it is the only time you are given a direct window into the past. (plus its shown in that cutscene he has the ability to disguise himself as others, but only AFTER you have encountered it as to not ruin that moment..)

post revival/restored: this is how he appears at the end of the game, the last dungeon is within the forgotten plateau, there is a longer cutscene of zelda and him talking while tension builds until the fight begins once your friends arrive (sidenote, this is also only unlocked with more progression, including the koga and deku dungeon and the master sword restoration quest)

this design isnt fully how he was in the past but fit to the circumstances now, but restored to the best of his abilities; he is older (50+) with greying hair; i wanted to make him look both strong and a little worn out, but with a vibe of incredible power he is well aware of as well as warmth the outfit is elaborate but mostly aimed to be practical, its easy to see he used to be a proud king, and still is, even if no one remembers him anymore; he wears a little armguard on the left to for deflecting purposes, his belt is also switched around to how it was originally to make drawing his sword easier with the left arm; a little wooden boar figurine carved from the wood of long extinct trees hangs on his belt, a gift from one of his daughters perhaps he wields magic with ease and his moveset makes it clear just how good of a fighter he is, even after thousands and thousands of years without motion, his moves are controlled and practiced- the magic is also NOT just based on malice, malice might be what keeps him alive now but its not all he is, he wields lightning and simpler moves with other elements, perhaps implying that magic was more widely spread back in his day .. or he has learned to wield it in part to the repeated interactions with the other races (both in the past, and as calamity ganon- it is made clear that whatever the malice eyes saw he saw as well, (also explaining how he can speak their languages) though it is also implied that the calamity as such is not fully his own making, but something familiar reaching out to try and help him break free -NOT anythign demise related, leave the guy alone- but going with the idea of the calamity having been what remained of oot ganondorf after degrading over all this time- a kindred spirit reaching out to take revenge together in a way

Beast Ganon(dorf), normal

Beast Ganon(dorf), charging magic

phase 3 of the end fight, after phase two he takes out all your friends and tranforms, chasing you (link and zelda) through the ground until breaking through to the surface of the plateau where this battle takes place.

his design is loosely inspired by the smoke version of calamity ganon and twilight princess beast ganon, his face and teeth mostly from the calamity- his back is split open with a shiekah tech spine, given his connection to it via being its power source as well as overtaking it in botw, reddish smoke eminating from it, hes has 5 limbs as he is still missing his right arm, the big dark arms are made of malice and in phase 2 he takes one of those big arms to 'rebuild' his missing one, though it is not as well usable like a real one, his braids carry over thoguh now dark black, when charging magic it lights up in waves; the tail is flat and he moves not all that beast like, more draconic really, able to float for short periods of time and 'swim' through the ground reminiscent of moldoras his attack pattern is changed to fit this appearance, but he still uses magic in varying ways, thouhg swiping and biting after you as well, he will sometimes go for zelda directly but she will usually protect herself in a bubble of light- typical weak point is within the mouth though he makes sure to not give you alot of opportunities, typical staggers migth include destroying a front leg (since those are all made of goo)

my aim with this was to create a beast version both familiar and very different, with the vibe of, this is still him, just another appearance, though angered and more agressive he has not lost himself, perhaps even enjoying it a little, feeling a little more alive again, though he does not care for this world, he is a stranger here, this isnt his time and all that ever mattered to him is long gone, destroyed or forgotten, now all that matters to him is to end zeldas rotten family

Phase 2 and Phase 4 (out of order bc big boar lad wouldnt fit on here)

in phase 2 he 'rebuilds' his missing arm with one taken from the boar form, as it appears afterwards, he changes his sword into a larger one during the second half and can change its hilt length on the fly, making it both a big sword and a spear- the malice arm will be used to mimic some of links abilities, like the hookshot, grabbing onto you from afar, pulling you closer or flinging you around, while still being largely a swordfight with magic- he can aim lightning directly at you just as you can via the shiekah arm and rijus ability, if you are quick enough you can activate it at the same time as he does and catch the charge instead, either refilling your magic meter or deflecting it back at him (like the god ol back and forth)

phase 4 is the final phase after beast (phase 3) his design is a mix of all forms, he is larger than in 1 and 2, furry all over and although much more human again his hair is all smoke like, the armguard fused to his arm like golden scales and the wound in the chest now broken open again with malice eyes staring from within

after phase 3 it seems like the battle is over and zelda steps up to do just as she did at botw end, but before she can finish it a swordslash cuts off half her right hand, as ganondorf isnt done yet and changed from phase 3 to 4; zelda is then disabled for this last fight (no fighting support and repairing weapons), shes been taken to safety by your friends, who finally managed to follow you up here, and you, link, are now the last one standing- his moveset is a mix of it all, quickly changing between swordplay and swipes, magical abilities and grab attacks, it is faster than the previous ones and he dodges much more as well, its meant to really be a challenge

(also heres a sketch of his swords?)

Long plot summary: the shiekah in the service of the ancient queen of hyrule discovered ancient remnants of times long past (aka the old titles, long forgotten) while excavating for luminous stones (as they were developing their tech and needed something to fuel it) that speak of a world threatening evil born as the king of the gerudo, which the queen takes as a warning of the past, and as there currently is a ganondorf as the gerudos king who refuse to unite under her banner but are otherwise on neutral terms she plans to imprison him in a stasis between life and death before he can become that world threatening evil she now believes he is destined to be in order to save everyone and delay it from returning as long as possible (assuming there will be no other male gerudo born while the current one is technically still alive)

(the discovery of said remnants of the past also involves the shiekah persecuting the sonau (zonai), little shy cave dwellers who keep their distance from everyone and have kept these last ruins save but secret bc they thought it could lead to disaster seemingly aware of the ever repeating cycle and believing it to be not divine but a self perpetuated one built on the one sided history of the past, self fullfilling prophecies, which is a threat to hyrule and its golden legacy)

its a plan enacted over years, including secretly manipulating things to make the gerudo farmlands wield bad harvests (NOT in a 'desert was green and lush uwu' way, but they have had their techniques to thrive), forcing them to trade with hyrule and starting to depend on it- the goal being to put ganondorf under so much pressure until he is willing to let go of their sovereignity for the sake of his people or otherwise willing to talk, the meeting with the queen however would be to lure him into a trap and enact the seal

ganondorf here is a new one, he is named so in honor of old myths and legends, he is older (50+) and has two daughters, a proud king and firm in his stance to not bow to anyone yet wanting to avoid conflict for the sake of his people and family; he learns of the scheme before its fully realized, including that the many years of failing crops and dying animals might not be a play of nature after all (through hyrule soldiers talking too much after a having a few too many drinks? something something about their view of the gerudo, since thats always in the games, lets make use of it no?) he sends messengers and messages to the queen, requesting an audience, but she rejects all of it and refuses to talk with him, as the plan isnt fully prepared yet and she has become fearful of him over the years of obsessing over the warnings of the past and the worlds fate, as she sees it, depending on her and the success of it

at some point he has had enough of it and disguises himself and his two most trusted advisors/warriors (potentially his mothers?) as the shiekahs leader and two underlings to finally get to the queen, aiming to confront her about everything- it works and they are let into the castle, overwhelm the guards locking the doors so its only him, his advisors and the royal family with a few taken out guards etc. the queen sees this as a confirmation of his true nature coming through though- he can see there is nothing he could do to convince her he is not what she thinks he is, he attempts to be diplomatic but she is unwavering in her faith

she gives him a choice, to be sealed willingly so he can be remembered as a noble king who gave his life for the world before he became the beast that would threaten to destroy it all, or refuse and risk war and defamation. he refuses of course and a fight ensues, escalating to the point of the throne room itself being send below the earth and the death of everyone within it, with the exception of the young princess of hyrule (who will go on to keep this secret safe and spin the story her way)

it is implied that ganondorf had not told alot of people about hyrules schemes, wanting to deescalate the situation and it ending in a way no one anticipated, but theres remnants of old gerudo villages hidden away as some stayed loyal to him, likely of one of his daughters, as the world turned his legacy into a frightful tale and the gerudo falling under hyrules rule, one chose to resist as the other chose to bow

(i hope its clear that ganondorf is supposed to be framed as the one more in the right, even if its not outright said out loud bc i still want people to think .. i hoped to strike a balance between what i like and what zelda stories usually amount to while leaning much more clearly into a hyrule critical lense .. without, hopefully, being too overtly so)

(i thought about making the mid game cutscene into a rough comic or storyboard but im honestly very unsure about it all again q-q)

(i hope this version is better, i will never post these drawing again i swear im done with this part ..)

[hijinxinprogress]

Billy definitely thinks about random things during fights and decides the internet needs to know immediately

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is