#idk what I wanted for him be it death or redemption or what but it sure as hell wasn't
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pinacoladamatata · 4 months ago
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Man like. I really hope the theories about 'redeeming Solas' ending being to die/mirror his friend wisdom where he dies but will eventually get respawned as a 'new' him, aren't true. Because ngl that's. A very unappealing ending imo. Like that isn't worth the 10 year wait at all.
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doerot · 3 months ago
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I have no desire to catch back up with bnha so whatever. But I have learned what happens to dabi and guys. It's so bad. It kinda makes me feel a little sick
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grandwretch · 2 years ago
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redemptive death is the laziest trope in western literature i think. redemption should take work. to have it undone with one act where they don’t even have to confront their own ills is a disservice. both the character and the other characters they’ve harmed deserve better. more zukos, less kylos. please. 
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saetoru · 1 year ago
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✩ ‧₊˚ ✩。what if you’re someone i just want around (i’m falling again)
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synopsis. somewhere along the line, you started to hate suguru—that doesn’t mean you stopped loving him too
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— word count. 9.5k (i am in misery)
— contents. post canon! au — fix it! (we all need a good fix it fic with suguru don't lie), this fic was started before recent manga chapters so the higher ups are still alive—just go with it ok :,), geto survives + lives free of kenjaku, exes to lovers, kind of redemption i suppose, mentions of blood, injuries, and weight loss (geto), mentions of canon character deaths (nanako, mimiko, nanami), mentions of wanting to raise children with geto and have a family, no gendered terms but reader has a personality and actual thoughts and feelings, references to the hunger games (you have movie night lol), BFF satoru (he is babie), there is a kiss y’all !! (scandalous i know :O)
— notes. i started this fic back in march and i had trouble with it and put it on pause for a while. i’m very glad i finished it in the end. i always like fix it! fics and this is self-indulgent and idk if ppl will read it bc it’s sfw but it’s ok if they don’t, i loved writing it. thank you koi for beta-reading this whole bad boy. mwah <333
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the day suguru is declared a free man is actually the day he signs away his freedom for good. 
you say nothing, but you know it’s the truth. satoru fights tooth and nail to plead suguru’s case—you think it’s perhaps a little too desperate for it to be in the best interest of suguru and not himself. but satoru has suffered enough, and admittedly—although you deny it—a small part of you does not want to lose suguru twice. you watch as satoru argues that suguru has already died once—surely he can’t die again? and losing control of his body and mind is paying for his crimes enough, is it not? he argues that there are no ideals left for a man like geto suguru to chase after losing himself to every principle he had left. 
and then satoru wins. 
you expect it, but it doesn’t make it any easier. you watch numbly as suguru is assigned under your watch. you should be happy. you love suguru—you never stopped. but it doesn’t change the fact that he’s not a free man, and now he drags your freedom with his. you’ll never break away from him, never cut through the ropes that tie your hands behind your back and bind you to him—and then you wonder for a moment, unsure if it’s selfish or selfless or some cruel in-between to think this way, if geto suguru was better off dead. 
whether that’s for your sake, or his, you’re not sure. 
and yes, he’s let off alive, and sure, there’s no real punishment for all he’s done, but you know deep down he’s as chained and shackled as he’s ever been. he’s not allowed to leave the house unless you or satoru are there to chaperone, and it’s never to be anywhere near non-sorcerers. he’s not to live in a place of his own until the higher up’s deem him trustworthy. he has to ask you to buy the things he wants from the grocery store. he can’t even step outside for a smoke unless you’re aware. 
for a long time, he doesn’t speak much—can hardly muster a barely audible mornin’ back when you force a smile and greet him cheerily for breakfast. slowly, it turns into half-snarky conversations that get cut short by one of you leaving the room. finally, you’re civil—maybe even friendly. you’re not so sure where you stand with him as of now.
it’s not the same suguru you remember falling in love with, it’s not even close to the version of the man you fell for all those years ago. it’s hard having him here—some days you’re angry and want to throw him out, to scream at him for haunting you again just when you think you’ve moved on from the horrors of your past. some days you want to cry and cling to him, bury your face into his neck and thank him for being here again, for finding his way back to you. and some days you wish you never met him at all, that this would all be easier if it didn’t exist in the first place. 
he’s not the same geto suguru you loved, but somehow, because life is as bitter as it is ruthless, you fall in love with this version just as hard no matter how much you deny it. 
“i made your favorite,” you smile gently, placing a neat plate of french toast with freshly cut strawberries on the side. you even take great care to get the syrup-to-powdered sugar ratio he likes right, but he doesn’t make a move to reach for the plate. instead, suguru sits at the table stiffly, like he has to be here or there are consequences for that too. it almost makes you sad—even here, he’s not free. 
“thanks,” he says quietly, “but i’m not hungry.”
“you said that last night, suguru,” you sigh, “and at lunch. and at breakfast. and at dinner the night before—”
“i’ll eat it later,” he cuts you off, playing with the ends of his hair. 
it’s a lot shorter now. it’s you who finds his body battered and bruised after the smoke clears. he’s almost unrecognizable, not the same charming and perfect suguru you’re used to seeing. not the same silkened strands and smooth skin, not the same muscled and toned body, not the same chiseled jaw and soft cheeks. instead, he’s a shell of himself. his hair is matted in knots, his body is almost frail, and you notice the sunken hollows of his cheeks and dark undereyes as you lift him from the rubble a little too easily. but his body is his own—that much you can tell from the way the stitches have disappeared. 
it takes shoko a long time to nurse him back to health—it takes even longer for him to open his eyes.
you waited day and night by his side, hand over his as he breathed slowly, unconscious and unsuspecting. it would be so easy, you think one night, it would be so easy to kill him and forget and move on. 
you’ve already grieved him once before. you’ve felt and conquered the pain of loving geto suguru and losing him first to himself and then to death. but love is as selfish as it is selfless, and it’s under your mercy that you let him live—yet it’s under your cowardice that you keep him close. 
“you have to gain back the weight you lost, suguru,” you sigh, “you’re w—”
“weak?” he finishes for you, eyeing you for a second and then grinning. it’s unsettling, a grin that makes your skin crawl and your heart stop for a moment before he’s reaching for the fork and stabbing into his toast. “is that what you wanted to say? that i’m weak?”
“suguru, you know that’s not how i meant—”
“you’re not wrong,” he hums, chewing on the first bite as he speaks, “i suppose i am pretty weak right now, huh? couldn’t even kill you in your sleep if i tried could i?”
your throat is dry as you shrug, “i suppose not,” you whisper. 
“ah,” he grins again, “but that doesn’t stop you from locking your door every night, does it?” 
suguru is still healing. his body is weak, and sometimes, he leans against the wall as he walks. his arm is healed—you’re not entirely sure how, but you catch him rolling the shoulder out every now and then like it’s sore and stiff. he’s lost a lot of weight—part of it is from being bedridden for as long as he was, injured and half alive, and part of it is from barely eating—save for the few bites you force into him. you never thought there’d be a day when you could say this—but the odds of you beating suguru in hand-to-hand combat are high, and the reality is an everlasting reminder that he is not who you fell for. 
you swallow, letting out a shaky breath as he watches you closely, diligently cutting another bite from the french toast sitting on his plate as he stares you down like he can see past your soul. you don’t know what’s scarier—that suguru can still practically see yours, or that you’re unsure he even has one anymore. 
“you tried coming in?” you ask, unsure what else to say. he merely shrugs, takes another bite, and sets his fork down. 
“thought i’d check on you,” he pops a strawberry half into his mouth as he speaks.
“is that what it really was?” you raise a brow, “or was i right to lock the door?”
you’re not sure why you lock the door at night. maybe it’s because you don’t trust him, or maybe it’s because you don’t want him near you just yet. you’re not sure. you’re not sure how satoru can go back to his cheery self, how he can step through your door and boom a loud yo, suguru! before settling beside suguru on the couch with his feet on the coffee table as he rambles away. maybe it’s not real—maybe it’s satoru desperately pretending that if he tries hard enough, things can go back to how they were. 
but you don’t know how he still has the energy to try, and you don’t know if you have it in you to try anymore yourself. 
you and suguru stare each other down like that for a bit, the tension rising with every silent second that passes. you’re sure he doesn’t want to be here as much as you don’t want him around—but you’re also sure he’s glad it’s here with you as much as you’re glad it’s with no one else.
“you tell me,” he smirks after a bit, the hint of amusement making your fists clench. how dare he have the audacity to look at you like that in your own home? like he has the upper hand over you without trying? “what do you think i was there for?”
“i think you should stay in your room, suguru,” you say carefully, “i bought a new bed just for that room.”
“how sweet of you,” he hums. he sips the tea before him—it’s cold by now, but it’s just how he likes it, rose with one sugar. “you must have been excited to have me.”
“hardly,” you mumble bitterly—you can’t help it. you want him to feel hurt, even just a little. you want him to know that just because he’s back, it doesn’t mean you’ve waited all this time for him to be. liar, a part of you says, you’ve always waited for him, haven’t you? but suguru doesn’t seem phased—he doesn’t even blink.
“then tell me, why am i here?” suguru asks, his tone is as casual as ever. 
i wish i knew, you want to say. i wish i knew but i don’t.
“because satoru asked you to be,” is all you can say.
he nods, pushing back his plate and standing up, offering you that same grin. “you’re right,” he hums, “that’s exactly why i’m here.”
it hits you why his smile is so unsettling once he leaves—it’s almost genuine, like he’s still loved you all this time. impossible, you tell yourself. suguru stopped loving you a long time ago. and you need to stop trying to figure out why. 
————————————————
even despite telling yourself you don’t care what suguru thinks, a small part of you needs to prove to him you’re not scared of him. that you don’t fear for your own safety in your home, and that him being here is not some form of him haunting you. you don’t care. he shouldn’t get the luxury of thinking you care. he can come in and watch you sleep like the creep he is if he wants—you couldn’t bother to give it a second thought. 
the first night you take a chance and leave the door unlocked, suguru slips into bed beside you. it wakes you up instantly, and before you can question it, his head tucks into your neck, and his hand grasps your shirt tightly. you notice the panting almost instantly—and then you realize, it must be a nightmare. 
you fall into old habits, even after all these years, defaulting to care for him like it’s second nature. 
“you’re safe, suguru,” is what you settle for saying after a moment of contemplation. it’s all you can really think to say, so you brush your lips over the top of his head as you murmur, “you’re safe,” over and over again. 
as difficult as it is to have suguru around, as painful and cruel and aggravating as it is to be reminded of his distant existence even as he’s two doors down, this part feels natural. it’s almost like you’re back in jujutsu high, waking up to him sneaking into your room as he presses his weight over your body and wakes you with soft kisses along your face. 
except this time, he’s not annoyingly demanding cuddles or telling you about his weird dream, he’s not stealing your blanket and demanding you play with his hair. this time, it’s not the same suguru—and this time, it’s not jujutsu high. 
it’s your room. the one you got on the other side of town to leave the sorcery world behind, somehow still stuck right in the center of it no matter where you go. and yet, just like all those years ago, your legs tangle, and your arms wrap him up, and you murmur, “you’re safe,” while he catches his breath. 
“but they’re not,” he mutters in between labored pants, making you pause. 
and then you remember. 
faintly, you recall the blonde and black hair from a distance, you remember bitterly wondering what’d it be like watching suguru fathering children of your own as you came to the reality that it would never happen. sometimes, you wonder if you hate nanako and mimiko for existing, for living as the dreams you never got to live through with suguru. 
it’s selfish—to hate two children because they are what you do not have. 
but then you feel something wet hit your neck, and then you wish they were okay—for his sake. and just for a moment, you’re selfless again. 
“they’re not safe,” he mutters, making you sigh. 
“they are,” you whisper, hesitating for a moment before letting your fingers slip into his hair. you scratch gently at his scalp, feeling his body melt into yours almost instantly—like it’s a response that’s natural to him. “they’re not suffering. not anymore.”
“is that supposed to make me feel better?” he scoffs. you shrug, letting your cheek press against the top of his head as you sigh.
“it helps me feel better,” you say softly, “‘s just how you learn to cope.”
it’s an understanding you both silently come to. loss on both sides. bloodshed on either ground. defeat no matter which ideal you take. to love is to bear the pain of mortality—it’s a lesson that you never cease to learn until the ends of time itself. 
“the jujutsu world is one of suffering,” he grits, sniffling into your neck. you hum, pressing a kiss to his head as your eyes close. 
“every world is one of suffering, suguru, you can’t erase them all. the sooner you realize that, the easier you’ll find peace.”
you fall into a slumber after that, faintly aware of the way he shuffles closer to you, faintly aware of the soft kiss pressed to your skin as sleep takes over your body and drifts you out of consciousness. 
when you wake up the next morning, suguru is gone, and the door is closed. the blanket is tucked up to your chin, and your neck still tingles from last night. 
————————————————
“get up,” you throw a pillow at suguru, waking him up with a start as he sits up. his hair is tousled and messy from sleep—it’s now long enough that he can put it in a bun without strands slipping from the bottom anymore. you chuckle as he glares at you, rubbing the sleep out of his eyes as he groans. 
“the fuck was that for?” he grunts, holding the blanket up to cover his exposed chest. 
it’s funny that he does that, in a way. it’s not as though you haven’t seen his chest…and then some too. it’s not like you haven’t torn his shirt off to stanch the flow of blood from his injuries before or feel the bare skin with your palm under the pale moonlight as the lingering scent of sex breezes through the room. 
but somehow, even though he doesn’t need to cover his chest around you of all people, you’re glad that he does. truthfully, it keeps you slightly comforted to know that he’s aware you’re still technically strangers—no matter how well-versed you are in each other’s pasts. but you don’t ponder on it too much. instead, you grin, shoving aside the visual of the small glance you caught at his pecs, and you clap your hands to motion him to hurry. 
“we are going grocery shopping,” you say casually—as though it’s not something to make him raise a brow in shock.
“me?” he points a finger at himself. you roll your eyes, and he challenges you with another raise of his brow. “aren’t i supposed to stay away from civilians?”
“yes, you,” you nod, pointing back at him, “and satoru has worked overtime to get you granted permission to roam around with me. he says you’re welcome, by the way.”
“tell him to go fuck off.”
“that’s ungrateful,” you say flatly, “his feelings will be hurt.”
“his feelings will find a way to cope,” suguru huffs. “i don’t want to be around…them,” he says bitterly. 
you suppose it’s wishful thinking to hope suguru has let go of his past beliefs. perhaps he’s long abandoned the possibility of the vision he once planned on bringing to life, but you can’t say you expected him to revert back to the old suguru who fought alongside you and satoru. you yourself certainly have no intention of returning to the sorcery world after all the events, so you can’t say you’re shocked by the lack of change he seems to show. but then again, you suppose suguru has changed. whether he sees it or not. 
he stays here and doesn’t put up a fight to leave even though he can now that he’s healed. he eats lunch when you tell him and even washes the dishes. sometimes, when you come home a bit late, dinner is even ready on the table as he sits and stares at you expectantly. his plate is empty like yours—like he’s been waiting for you even though he doesn’t need to. you suppose you can see he’s changed in the way he doesn’t scoff at the tv channels you surf through, he silently sits on the opposite end of the couch now and watches with you, and perhaps if you’re lucky, you’ll hear a light chuckle or a quiet sigh as the scenes roll on the screen. 
you suppose this suguru is a step closer to your suguru every day he spends with you, but you don’t know if any suguru is what you need right now. perhaps that name should’ve been buried away as a distant memory, perhaps it should’ve only been something you unlock once every year on his death anniversary—when satoru clambers through your door drunk and unsteady as he clutches the hand that killed his best friend, only to share pancakes with you in the morning and pretend like you don’t notice the dried tears on his cheeks while he acts like he doesn’t catch the way your hand shakes as you cut into your breakfast. 
but suguru is here now. whether it’s as geto, one half of the strongest duo in jujutsu high, whether it’s as suguru, the love of your life and the sole reason you exist, or whether it’s as geto suguru, the curse user and mass murderer who haunts your past, present, and everything in between. 
so you simply sigh, grab the pillow again, and hit the top of his head before walking over to the door as you call over your shoulder, “i’m gonna wait for you by the door in fifteen minutes. be ready or face the consequences..”
“no thanks. don’t wanna,” suguru grumbles petulantly, frowning at you as you stick your tongue at him, smirking as if you’ve just played your ace. 
“too bad,” you sing before swinging the door shut.
he’s at the door in exactly fifteen minutes, like he waited until the last possible second to join you as a move of spite. but you simply gesture him out the door and lock up, taking your sweet time as he stands there with an annoyed face. you stare at the doorknob once you’re done, taking a deep breath before turning to him with your best smile. 
“let’s go,” you hum.
“after you,” he mutters.
he grimaces as soon as he sees the people going about their business, clearly unhappy with the idea of being around non-sorcerers, but one sharp glare from you has him sighing and trekking along. the grocery store, admittedly, is not as bad as suguru thinks—in fact, there are lots of things he doesn’t realize he misses until he watches you grab a shopping cart. 
suddenly, he sees shadows. the silhouette of your figure climbing into the cart, the angry wave of satoru’s hands as he claims it's his turn to be pushed around, the figure of shoko pinching the bridge of her nose in irritation from the back—and then, he sees the dark shadow of baggy pants and a small bun. it’s him. suguru watches himself almost in slow motion through the remnants of his imagination as he gently shoves satoru out of the way and reaches to poke the tip of your nose before he pushes the cart with you in it.  
it’s a happy memory—and it’s gone all too soon.
as soon as he blinks, the shadows have disappeared—instead, it’s you waving a hand in his face, concern written on your features as you call his name. 
“suguru? hey, hello? are you with me?”
he exhales, pulled from his trance as he gently grabs your wrist from in front of his face and sets it down as he nods, “yeah, i’m fine. just thinking,” he mumbles. 
for a second, you hesitate, like you almost mean to say something. but in the end, you only nod before turning to grab the shopping cart. but he stops you—grabs the handle and turns to you with a small smile on his face, making you raise a brow as he gently moves you away. 
“what are you—”
“get in,” he grins, making you stare at him in bewilderment. 
“what?”
“just get in,” he sighs, “you love it when you get to sit in the cart.”
“i’m not a teenager anymore—”
“get in, will you?” he groans, “always so damn difficult.”
“hey,” you pout, glaring at him with your hands planted at your hips, “that’s rude.” it’s cute. suguru stares at you with amusement in his eyes and a soft look on his face that you don’t think you’ve really seen in years. 
“humor me,” he hums, “just get in, okay?”
so you do. 
with a huff and a grumble under your breath, you fight back a smile and climb into the damn cart just like old times. you swallow and try not to let it get to you when he reaches over and pokes the tip of your nose and pushes the cart around, letting you name off the things you need from your list while he grabs them. and when he sneaks snacks into the pile, you roll your eyes and glare at him in the way you always did—the one that isn’t actually annoyed. fond. happy to let it slide because it’s him.
“we need candy,” you murmur, “that’s the last thing on the list.”
“okay. what kind?” he asks, turning the cart into the candy aisle and smiling softly down at you.
“doesn’t matter, satoru eats anything as long as it’s sweet. he’s more likely to die from sugar than fighting a curse, i think.”
“you buy candy for satoru?” he asks, making you shrug as you reach over and grab a few bags of candy off the shelves, setting them down beside you. 
“he comes over a lot so i learned to keep stuff stocked up for him. you know how he gets when he’s hungry.”
suguru feels something he hasn’t felt since he was a teenager. jealousy—specifically of satoru. 
suguru is not foolish. he knows as soon as he meets gojo satoru that of the two, one of them is stronger and it’s definitely not himself. for the longest time, he’s okay with that, okay being the strongest only when alongside satoru—until he’s not. and even if suguru always had a bit more attention in the romance department than satoru, in his head he’s always known that perhaps satoru can keep you safer, more well off, maybe even happier. with smooth smiles and eyes as welcoming as an oasis, gojo satoru would never leave you in the dark pit of misery as suguru once had. 
something about the thought of you and satoru keeping each other company through the lonely years, filling that empty spot suguru left behind, sharing moments over candy and empty wrappers makes suguru wonder for a moment if perhaps he’d be happier if he stayed. maybe he could have worn a heartfelt smile in a world that carves them off the faces of sorcerers with bloody knives as long as you were there to wipe the blood.  
but before he can dwell on it, you snatch one more bag—this time of his favorite candy, placing it into the cart and grinning gently up at him. 
“i haven’t bought this one in years,” you admit, “i almost forget how it tastes.”
“me too,” he says quietly.
“well,” you hum, “we’ll have to have some when we’re home.”
home. you say it as though it belongs to him as much as it does you, and then like you always have, without even meaning to, you wash away the dark stains of his jealousy with no trace left behind.
“yeah,” he chuckles, “we—”
“daddy, look! candy!” suguru is cut off by the gentle pitter-patter of two tiny feet running into the aisle, pointing at a bag of candy as a man follows close behind. 
his breath hitches. 
she’s small, the girl—she has two pigtails with soft strands of blonde hair falling out of the loosely tied bands. it reminds suguru of the first time he perfected tying up nanako’s hair, the soft giggles behind her tiny hand as she twirled in the mirror. 
there’s another girl in the man’s arms—dark hair on her head as she curls into her father’s chest and tucks her head into his neck when she sees you and suguru in the aisle. she’s shy, he realizes, like mimiko, and suddenly he remembers the tiny fingers that used to hook into his pants when she got too overwhelmed by the people around her, waiting for suguru to scoop her into his arms. 
perhaps in another life, suguru would redo everything differently—he’d be happy with you and satoru and shoko, and nanami and haibara would be there too, well and alive. but no matter what, he’d never redo nanako and mimiko differently. he’d never change a thing about them, not even the way nanako whines too much about small things or the way mimiko never speaks up even when something is clearly bothering her. he’d never change the way he saved them and took them in at the tender age of eighteen, too lost to be a father but choosing to raise them anyway. he’d never change the feeling of pure joy and unbridled pride when they climbed into his bed for the first time, shushing each other so as not to wake him—even though he’d awoken as soon as the door to his room opened. 
because he realized that night that yeah, maybe he’d made mistakes in his lifetime, lots of them too. maybe he’d made a bad choice choosing the path he did, or maybe he didn’t. he’s never been completely sure—just that he had to try at least to make his vision for a different world come to life. but one mistake he never made was his girls. one thing he was always sure about was the soft clutch at his pants and the tiny hands reaching for his own.
suguru wouldn’t change anything about nanako and mimiko—except maybe the fact that they aren’t here, gone because of him. 
“suguru?” you ask softly, reaching for his hand as he grips the cart tightly and pulling his gaze away from the family in the distance. 
he blinks, meets your eyes, and knows that you know. with one glance at your face, he knows you understand. the world is cruel, one filled with suffering, he thinks. but then he remembers what you said, that every world is full of suffering, not just his—that it’s a truth he has to come face to face with.
but it’s hard. it’s hard when this man has his two little girls and suguru does not—it’s hard to watch someone have what he wants with no worries of losing it, all because of people and their own weaknesses. he thinks for a moment that he’s been right all along—that non-sorcerers are too weak for this life, that the jujutsu world has always suffered so they don’t have to. 
but then the man speaks up, catching both of your attention. 
“your mother used to love those,” he says quietly to his daughter, a pained smile on his face. instantly, you and suguru both seem to understand the weight of that single sentence. 
every world has its own pain, suguru realizes. its own cruelties and unfairness, its own way of bringing suffering in its wake as it rips away the things closest to you from your begging fingertips, leaving them cold and empty and numb from the lost weight underneath them. 
“let’s go, suguru,” you whisper, “we have everything we came for.”
“yeah,” he whispers back, clearing his throat so his voice doesn’t crack, “let’s go.”
suguru leaves the grocery store with you after you pay, and for a brief moment, he’s unsure. unsure whether he’s grateful to satoru for fighting for him to be able to come and grateful to you for dragging him along, or if he wishes he died along with the rubble, gone before you could find him and turn him into this.
“before you even think about hiding away in your room,” you say, grabbing the bags from the cart as you put it back where it belongs, “you have to help with putting away the groceries.”
“sure,” he says smoothly. he grabs all the heavy bags from your hand, and you make a move to protest that you don’t need him to take the heavier ones, that you’re fine and can handle them like you’ve always handled them. 
but he walks off, and finally, you decide to simply follow.
————————————————
satoru likes to come and visit—you’ve started a routine movie night every week (unless he’s away, of course.) it’s fun, but it also means he makes your veins pop because he’s a headache like that—always makes himself right at home and eats your snacks like this is his place and not yours. he helps himself to your already limited candy and puts his sock-clad feet up on the coffee table no matter how many times you tell him not to. 
you try sitting with legs as long as these, he always whines, earning a harsh glare from you as you smack at his shins until he ultimately caves and begrudgingly sets his feet down. 
but then they always make their way back up to the coffee table, and you’re too busy enjoying his company to care—although you’ll never admit it. 
satoru is endearing like that, swallowing the dark clouds from your shoulders whole and eating up your burdens with that side of responsibility that you don’t think you could ever stomach. satoru is just like that, you realize, taking the brunt of the weight and laughing off every concern until you can’t help but not take them seriously yourself. 
it’s hard to remember that sometimes you didn’t just lose suguru, the love of your life, that night. everyone lost something. shoko lost someone to smoke with, yaga lost a student to scold, nanami lost a headache to avoid, and satoru?
well…satoru lost what you think might’ve been the only filled void of his miserably empty life. 
it’s hard to remember that satoru lost his best friend—the only best friend he’s ever had (although you like to think of yourself as a close contender)—because he’s so good at letting you forget. he brings you ice cream (that he eats half of because it’s only fair he gets a share), and he sits and hogs your couch (that he argues you don’t really need as much space as him on because your legs aren’t as long), and he watches those stupid sitcoms that are dry with boring jokes (that you used to make suguru watch back in the day).
it’s hard to remember that satoru also lost as much as you because he’s so damn good at making you forget about your own loss, you don’t care to think about anyone else’s for a while. just a short while. just until he’s yawning that obnoxiously loud yawn and stretching those awkwardly long limbs of his before he claims he really should go and that being the world’s best teacher requires as many hours of beauty sleep as you can squeeze in. 
and then he’s off. and it’s empty again. and just like that, you’re reminded of why he was there in the first place—to fill in that sick and painful void that geto suguru left in you. 
it’s gaping, like he tore a chunk of you right out with sharp teeth, like you’re just a piece of meat for him to get his fill of. if suguru really loved you, would you be so easy to let go of? why couldn’t he smile? because you could—god, you could smile just from the sight of him alone, you realize a long time ago. him with his cigarette tucked between his lips, those death sticks as you called them, hung loosely from his mouth as he gives you a lopsided grin. 
geto suguru is enough of a reason to smile. the world could crumble at your feet and leave you with nothing but rubble and dirt, and still, suguru is the core of the earth you’re searching for. 
so why couldn’t you be the same? what is it you were missing? what about you was just not enough for him like the way he was enough for you? 
it dawns on you one night, through bitter tears and shaky sobs, and that sick, twisted, pleading feeling in your gut that begs the wind to carry him back to you—geto suguru has never loved you the way you loved him.
and for that, you can never forgive him, you don’t think.
“you tryin’ to go bug-eyed?” he asks, settling down on the couch next to you, making you snap out of your trance. you shake your head a little, stare back at him for a moment before putting on that look on your face where you roll your eyes and pretend everything is fine.
“no,” you huff, “i’m just thinking.”
“about…?”
“satoru has rarely ever missed a movie night.”
“maybe he’s sick of you,” he shrugs, grinning slyly at you as you narrow your eyes with a glare, “there’s someone here to keep you company now so he’s probably taken his opportunity to run.”
“you’re hardly company,” you scoff, “freeloader.”
“hey,” he defends, shrugging as if it’s not his fault. you suppose it’s not. “i didn’t ask to be rescued. you can’t be high and mighty and petty. ‘s not how that works.”
“says who? you don’t make the rules. i can be graciously kind and a jerk all at once.”
“complexity,” he nods, “i like it.”
“i’m not as complicated as you might think,” you grumble, crossing your arms as you stare at the time. yeah, satoru isn’t making it—which, he told you as much, but he’s strolled in at the last second too many times to count before. you figure today would be the same. “as long as you don’t skip movie nights with me, i’m pretty simple to keep appeased.”
“alright,” he props his feet up on the coffee table—seriously, what is it with asshole men putting their feet on your table? satoru is a terrible influence. “let’s have a movie night.”
“what?” you blink.
“movie night,” he repeats, “you said you don’t like skipping movie night—”
“well, i meant i don’t like satoru skipping movie—”
“well, it was me before satoru, wasn’t it?” he says with a smile. his eyes are closed, crinkled at the corners, but his voice is carefully neutral—like he takes extra care not to let you see any emotion behind it. 
but that only means there is an emotion, isn’t there? is he jealous? does he hate the fact that you and satoru have a routine of your own without him? that you don’t need him to continue living your life? 
good. he should be. he walked out on you all those years ago. he killed a village. killed his parents. you never even got to meet them—he never even got to take you home and introduce you to them before he ripped away every fantasy you ever had with him. 
and now he’s back—he has the audacity to live, to laugh in your face with his existence that yes, geto suguru is here. and he was supposed to be executed, but your stubborn friend didn’t let that happen. he was supposed to be your husband by now with kids and a happy little home, and you were supposed to be his parent’s new addition to their family that they loved so much. but none of that is even close to happening, and it’s suguru’s fault, and the least he can do is show you some regret and maybe feel just the slightest bit bad that you now have to watch shitty movies with his best friend instead of him to feel normal. 
ex-best friend? half best friend? you don’t even know—do they still consider each other their best friends? does anyone consider suguru anything? you don’t know what you consider him. but you think the least he can do is act just the slightest bit pathetic after making you feel so pathetic for so long just to even the score. 
he should be a stranger. he feels like an old friend. but either is dangerous. 
“alright,” you sigh, “let's bring back movie night. don’t fall asleep.”
“i get plenty of sleep nowadays,” he hums, “i have more than enough free time for that now.”
“how lucky of you,” you snort. 
picking a movie with suguru is difficult. he actually has standards—satoru watches anything so long as he gets snacks, and he can make anything fun to watch with the way he comments from the side like a critic. suguru, on the other hand, actually cares about the quality of a movie, the metrics that make it good. 
so you pick the hunger games just to piss him off. 
“seriously?” he raises a brow, “this is your pick?”
“yes,” you grin, “i like these movies.”
“of all movies—”
“my house, my rules,” you grin cheekily, “you can pick the movies as soon as you start paying the bills.”
“wow,” he deadpans, “stooping to use my financial status against me? i thought you were better than this.”
“oh suguru,” you sigh dramatically, grabbing a bag of chips from the table, “you don’t know me at all.”
all things considered, you think it’s a rather enjoyable experience. it’s not as fun without satoru’s stupid comments that you pretend to hate, but suguru provides his own commentary that earns a giggle out of you here and there too—although his are not meant to be funny. but that’s the appeal of it, you think. 
“she should have picked gale,” he mumbles. you raise a brow.
“peeta was always there for her, did you miss the rain scene?”
“so was gale,” he says smoothly, grabbing a chip from your bag and making you scowl.
“gale killed her sister,” you point out, “and a lot of other people too. he was ruthless. she needed peeta.”
“gale did what he had to do,” suguru mumbles. 
suddenly, it doesn’t really feel like you’re discussing the movie anymore. it feels more than that. it feels sickening—the air is heavy, and your throat is dry and god, you just wanted a movie night and not this heaviness as you talk about stuff from the past without actually talking about it. 
you blink before turning to your chips, playing around with the bag as you shrug. 
“in the end he didn’t get katniss, did he?”
suguru studies you for a moment, stares a little too deep into you that you start to feel the urge to bolt to your room and go to bed. 
“guess not,” he says quietly, “guess that’s the one regret he has, huh?”
you think for a second, as suguru stares at your eyes with something you can’t quite read, that you might cry. you might cry and throw that half-empty can of soda in his face for speaking in codes and making you question what he means and remember your past. you might cry because suguru could’ve always gotten you—in fact, he had you.
it’s not fair. nothing is, but you can’t help but dwell on it.
“i’m going to bed. it’s late,” you mumble after a few moments, standing. he only nods, staring at the tv as the credits roll. when you make it to your room and the door shuts behind you, you debate clicking the lock in place. 
in the end, you don’t lock the door. suguru climbs into bed with you once more later that night, shaking slightly from his nightmare but calmer than usual. he’s still gone by the time morning comes, and you still never mention it.
it hits you one night that maybe he still has you—maybe you never let him stop having you, no matter what you say.
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suguru is good at cleaning while you’re away. you have to go out and do adult things like breadwinning and grocery shopping and bill paying. he dusts and cleans and even takes out the trash when you’re home to monitor him as he steps two feet out of your front door. sometimes, because you like to get on his nerves, you accidentally mess up a corner of the house just as he cleans it, laughing as he shoots you an unimpressed look. 
“stop getting crumbs on the floor,” he mumbles, “i just vacuumed.”
“you make a good malewife,” you giggle, “vacuuming and everything. how cute.”
“don’t call me that,” he grumbles, sitting down on the couch. 
“but you missed a spot,” you point to the crumbs you’ve sprinkled from your fingers as you snack away, making him glare. “failwife.”
“i’m going to divorce you and take everything,” he snaps, making you snort as you put your hands up in surrender.
“you don’t have to, you know,” you murmur, “clean, i mean. i can handle it.”
“i think i should carry my weight around here,” he shrugs, “since you are basically sugar babying me around for now.”
“dangerous curse user to the world, but sugar baby to me,” you tease, pulling a chuckle out of him as he rolls his eyes. 
sometimes it’s nice to have his company. suguru is good with banter like that, he’s not annoying like satoru where you run in circles. suguru makes you laugh from your belly, makes the hiccups catch in your throat as you double over. he’s always been like that, always known how to make laughter pour from your lips and trickle down your chin. it’s comforting to know he still knows how. it leaves a small amount of bitterness that he’s still able to make you feel like this. 
“by the way, next time you go shopping, take me with you,” he says casually, “i need to buy stuff for my hair. it’s growing.”
“you’ll finally see the sun just for your hair?” you gasp, “who knew that’s all it’d take?”
despite the playfulness in your words, there’s still shock. suguru is willingly stepping foot outside your house. he’s finally choosing to return to life after living like a recluse no matter how many times you and satoru have tried to beg him to get up and go somewhere. the most you can get out of him is a walk around the neighborhood before he goes back to wandering your home and hiding away in his room. 
suguru is returning to life, his life, and you can’t help but wonder where that leaves room for you.
“my hair is my charm,” he reasons, “wouldn’t you agree?”
there’s a smirk on his lips when he asks—it’s like he’s seventeen and teasing you again, giving you that unfairly flirty smile that used to make you stutter as a kid. back when you were hopelessly in love. back when it was you, suguru, and the world in your corner. back when you had dreams of your future, practically giggling as you planned it away in a notebook. 
suguru was always perfect like that, the kind of guy you could only dream about. he’s always been handsome—he’s always been the center of attention everywhere you went. you used to huff about it, about all the attention he managed to get from walking into a room alone. but then he’d smile, give you that tender look of his as he’d chuckle, and you’d be hopeless again. 
he shouldn’t have that effect on you anymore after over a decade. but he does. it’s cruel, the way the universe works. it’s like there’s a magnet that pushes you together no matter how far you try to go, still pulled by gravity straight into his awaiting eyes and devilish smile.
“i cut your hair off once, i can do it again,” you huff. he laughs, it’s good-natured and kind. 
“i was a bit heartbroken when i realized it was so short, i have to admit,” he says, “i didn’t look like me.”
“you looked good,” you say quietly, “i think you’d make anything work, to be honest.”
“yeah?” he grins, “any requests? i might consider it if it’s you.”
“oh shut up,” you roll your eyes, “how about shaving your head bald? let's see how much charm you have without all that hair.”
“i could charm you without the hair still, couldn’t i?” he winks. 
it’s unfair how he acts like normal. like a few months in your home undoes everything he’s ever committed, all the atrocities he’s caused. the way he flirts with you feels like you’re his again. the way he’s aged and changed feels like you’re meeting someone new. you don’t understand how suguru is so natural with that—with seamlessly falling back into a rhythm with you like nothing has changed at all.
deep down, you know that suguru is just moving on with his life. he’s making the most of what he can. he can’t die, satoru would never let him have a peaceful death after all this. he can’t go back to the way things used to be, whether that’s his sorcery days or his curse user days, and he certainly can’t start over. so he’s making do with what he has—which is very little in reality.
it’s you, your home, and the biweekly visits from satoru and occasionally shoko. so he weaves you seamlessly into his life and treats you with a sense of normalcy you can’t hope to treat him with. maybe it’s because suguru was actually able to move on after he left. 
it’s the part you hated him most for. for building a family with new people. for having two girls that he raised as daughters. for finding people to follow him and trust. suguru, after he walked away from everything he ever knew, actually did something with his life—even if it could hardly be considered good. 
you? you fell deeper and deeper into a pit of denial until clawing your way back out was too impossible, until you had to leave behind everything you’ve ever known to get away from the remnants of his existence. 
it’s easy for him to weave you back into his life because he chose to cut you loose. it feels damn near impossible to let him weave back into yours after he tore himself from the edges and frayed away. 
“don’t do that,” you sigh, making him frown.
“do what?”
“you know what, suguru,” you pinch your nose in frustration, “stop acting like things are normal.”
“things are definitely not normal,” he snorts bitterly, “i think needing your approval to take the trash out is not equal to normal.”
“then why are you acting like…” you trail off, unsure.
“like what?” he raises a brow. 
“like we never changed,” you slam your hands down on the couch in exasperation. 
he stares at you for a minute, blinks once, then twice, and then furrows his brows.
“well, of course we changed,” he mumbles in confusion, “i know that—”
you shouldn’t have said anything. you quickly realize that. suguru is not trying to act like things are normal—he’s trying to be civil, and you’re just a fool. a fool who looks too deeply into everything and assumes what you want to out of things and god, you’ve embarrassed yourself in front of your one and only ex-boyfriend in over a decade who was once dead and somehow came back to the land of the living.
of course, he knows things are not the same. he doesn’t want what you think he does. it’s been years and suguru has moved on—he had already moved on all those years ago, and you’re the only one here that is still focused on the past. and now he knows it too. 
you stand before he can finish, nodding as you stare down instead of meeting his eyes, pretending to adjust your clothes. 
“right, of course you do,” you nod, “i don’t know why i said that. just ignore me, i’ll be going to my room now. i have…things to do, so i’ll be—”
“hang on,” he frowns, hand grabbing your wrist, “i don’t mean it like that,” he says gently.
fuck geto suguru for being so confusing and fuck him for being nice about it too. 
“you can let go, suguru,” you pull at your wrist, “forget what i said, i wasn’t thinking—”
“i still feel the same,” he cuts you off, making your eyes widen, “if that’s what you mean. i never stopped.”
never stopped—that’s almost worse than moving on. how could he have felt the same all those years and still never come back?
“that does not help even a little,” you swallow the lump in your throat. “that makes this so much worse, do you see that?”
“i know,” he sighs, “i’m sor—”
“don’t say you’re sorry,” you grit your teeth, “we both know you’re not.”
“maybe not,” he admits, “i had to try. and that meant leaving—i’m sorry that’s not what you wanted.”
“it’s not!” you turn around, pulling your arm out of his grasp—suguru, for what it’s worth, takes the shove to his chest like a champ. “of course i didn’t want you to leave and kill a bunch of people and have an execution stamped on your forehead and live your life without me.”
“i know—”
“and now you’re back. back! in my house, eating my food and sleeping in my bed for half the night and i just have to act like this is normal. how is any of this normal?” 
“it’s not,” he agrees. he’s calm. so calm, it almost makes you mad. why is he so calm? “nothing about anything in our lives is normal. it never was.”
“you ruined my life,” you blink back tears. he smiles sadly, taking a step closer.
“i guess i can take the blame for that,” he nods, hands finding their way to your hips. against your better judgment, you lean half your weight against his body. this is bad, very bad—but it’s also the best thing ever. 
being close to suguru feels like the sun’s heat tearing through your skin—it’s warm. it’s pleasant. it leaves you parched and drained with a dry throat. but still, you need it to survive. 
“why did you come back?” you ask tiredly. his hand finds the small of your back, rubbing slow circles.
“i don’t know,” he hums, “i didn’t really get a say. maybe i was always meant to, who knows?”
you look at him at that—tilt your head to get a good look at his features. his eyes are more tired, and his cheeks are a bit more sunken in compared to the youthful flesh you remember him with. his hair isn’t as healthy, and his forehead has the slightest traces of pale marks from the scars. but he’s still suguru—and you have always loved suguru, even if he gives you every reason to hate him.
“you make my life unreasonably difficult,” you mutter.
he hums, smiling. “can i?” he asks breathlessly, pleadingly. you stare at his eyes, he stares at your lips. you know what he wants—but fuck, you can’t let him have it so easy. 
“can you what?” you ask, raising a brow slowly.
“are you really gonna make me say it?” he grunts, lips almost curled into a pout. it’s cute, the way he looks longingly at your lips—it’s so cute and beautiful and dangerous all at once, just like suguru. 
“yes,” you say, “yes i am. i deserve to hear it suguru, after everything you put me through. you…you left me. i wasn’t enough for you. i mourned you. i grieved a body i never even saw. do you know what that does to a person? to lose them not once but two times? the least you could do is tell me what you want,” your voice wavers just a little. 
it shakes for the lost time. for the moments you’ll never have. for the memories you lost. for the past that’s tainted. time is cruel like that. but that’s the beauty of it all—the fragility. it’s like sand falling through the cracks of your fingers, every grain slipping from your reach but still soft and soothing against your skin as it falls. everything fades over time, everything starts to hurt one way or another. but it stops. it heals. it starts over. the sand fills the cup of your palms again, warm and delicate and just as beautiful as before it crumbled. 
“can i kiss you?” he asks desperately, “please?”
“kissing me is not a temporary thing,” you shake your head, “not anymore. it’s for good. only for good.”
“i want to kiss you for good,” he nods, hands digging into your hips impatiently. you’re close. you’re too far. he can feel you, smell you, hear your unsteady breaths. but it’s not enough. he needs to devour you, taste you on his tongue, and melt you with his touch. “i won’t stop this time,” he promises. 
“you better not,” you sniffle, tears blurring your vision. you hated suguru for leaving you. you hated him for coming back to you like this. you never stopped loving him, never will stop loving him—and maybe that’s what love is. when the darkness is worth trekking through for the afterglow of the light. “if you fucking leave me again, you’re dead to me. i don’t care how many times you come back to life. you’re dead to me.”
“okay,” he agrees through a shaky chuckle, “i suppose i deserve that. let me kiss you, yeah?”
“yeah,” you breathe.
he kisses you—years too late, he kisses you. it feels like you’re teenagers again. it feels different and foreign. you know this feeling like the back of your hand. you don’t understand what this sensation is anymore. it’s new. it’s old. it’s perfect. it hurts. suguru is here. he promised not to leave—you don’t know if you believe him, but you’re going to trust that finally, for once, you are enough. 
you’re enough to make him happy. to give him a sense of purpose. to keep him swimming when his limbs start to sink. 
finally, for once, you’re enough. 
“i love you,” he whispers against your mouth, breathing the words into you like he’s offering you the air from his lungs, “i never stopped. i promise.”
“you don’t deserve to hear it from me,” you murmur back, panting against his lips, “not yet.”
“fair enough,” he chuckles, “you sure know how to leave a guy waiting.”
“i learned from the best,” you shoot back.
he grins—suguru smiles, heartfelt and real. life is full of misery, it’s painful, and nothing fucking makes sense. everything is cruel. everything dies no matter how carefully you water the roots. there’s always something, someone, ready to tear it from the earth. but if you keep planting the seeds, suguru will keep watering. 
maybe something kind can bloom from that, something big enough for him to hide under the shade when the scorching heat of tragedy becomes too much. 
in this world or in the jujutsu world; in this life or in the next. suguru is yours.
“why am i here?” he asks gently, his face digging into your neck. you hold him, cradling the back of his head as you hum. 
“because i need you here. will you stay?”
“yes,” he murmurs, “i think i’ll stay.”
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hi. i have been working on this since march. its still not how i envisioned it to be originally but that's okay. i had fun writing it and it means a lot to me even tho its kind of. well....cliche LMAO like everything i write. but. i enjoy the cliches okay ?? i do. kxljchskdf hope u guys didn't hate it </3
also the fic banner is …. not the greatest. just ignore it ok
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rubydubydoo122 · 11 months ago
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I've seen a lot of discourse about who the angry Robin was, but like... why do we have to define the Robins in terms of that?
Dick's Robin embodied Light. He was the Foil to Batman's Darkness. His story is meant to parallel Bruce's and it's because of the reason he became Robin in the first place. He became Robin, not to avenge his parents- he didn't want to kill Tony Zucco. He became Robin in a very similar way that Jason became the Red Hood; To make sure it doesn't happen to anyone again.
Jason's Robin embodied Hope. He was a character who was given opportunities and he made the best of them. He was given a home, and a family, and education and he loved it all because at some point he could only hope to have those things. It gave him the outlook of 'If things could get better for me, than things can get better for other people, if I do what I can help them.' To Jason, Robin meant giving people hope, and that's why Jason was deeply affected by Gloria Stanson's death. She had lost hope.
Tim's Robin embodied Determination. No matter how many times he was rejected by Bruce, he still stood by his side. No matter how many of his family and friends died, he still kept fighting. No matter how hard he was beat, he still got up.
Stephanie's Robin didn't have a long run, and I sadly don't really know how to quantify her Robin. Maybe spite, I feel like. Because she became Spoiler to stop her dad, and be like 'haha, L' and also because she became Robin after her and Tim broke up. Idk, if any of you have a better idea pls tell me
Damian's Robin embodied redemption. You can tell from the beginning of his run, to current comics how much he has grown and changed. When he was younger, he didn't really understand how the LOA morals were wrong, but then he learned, and he's constantly trying to move away from that and lead with more compassion in his own Damian way.
Duke's Robin embodied the people. He was what they needed at the time. I don't really know much about his Robin either, so pls lmk if it's not that.
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vickyzangels · 1 year ago
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You do NSFW too right? If so could you do Tom going down on reader?
% “너와 천천히 오래 걷고 싶어 until the end of time.”
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# synopsis ; redemption era?? resurrection era? idk🧍🏻‍♀️
# pairing ; tom kaulitz x reader
# word count ; 614
# warnings ; nsfw (mdni), recreational drug use, he’s pussywhipped, tom is a, what does ice spice call them? a munch.
a/n ; YALL….. i completely scrapped the fic i was working on like i hate to admit it but i couldn’t do it i scrapped it 😭 but at least i found out something important from it, that i am entirely incapable of having any plot, like i can do a blurb at BEST, but god forbid i put even a minor storyline in. i might go back to it one day when i’m that deep and far into the trenches but the a/n for that fic literally looks like this so…;
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he can tie cherry stems with his tongue alone. no hands. gn.
kind of relates but kind of doesn’t anyway one of his favorite things to do while eating you out is fingering you (MY GODDDDD)
his calloused hands from guitar-playing are brushing up EVERY corner inside you, curling and making “come-hither” motions to reach that spot that has you squeezing your legs around his hands and yet he does NOT care, continuing up from your cunt to leave the most sweetest and innocent kisses and marks on your neck like he wasn’t hovering over you and abusing your g-spot till you squirted into his hand
on that topic, he LOVES squirters like he likes creamers too (he doesn’t discriminate), but he’s so into it like, god forbid he gets you to squirt (in which he always does) because he’ll happily come up soaked in your juices like a puppy
i’ve never mentioned this anywhere else but he’s 50/50 in bed with his attitude (that sounds so vague i’m sorry) and i mean that he is generally serious like he’ll fuck your brains out while sternly whispering in your ears about how much of a dirty slut you are HOWEVER, on the flip side of things he acts like he’s sooo damn funny 😐 like he’ll jokingly nip at you while going down on you (obviously lightly he doesn’t want to hurt you) and laugh when you look at him like 😧
he gets so weak if you sit on his face. his hands are wandering everywhere, spots on your hips where there are guaranteed to be bruises by tomorrow by how hard he’s holding you down onto him and his other hand going up to rub and hold your body while he groans into you because everytime his voice vibrates on you it makes you shiver🧎🏻‍♀️listen, tom has fuckboy experience he can keep going for ROUNDS before he decides to cum once but when you’re on top of him squeezing your thigh around his head, HE’S A GONER.
whether or not you smoke, you hypothetically do for this; tom’s such a slut for the way you taste the main reason why you ever get overstimulated when he eats you out is because you taste so good to him, so when you two smoked a blend that had flowers in it for calming effect, it doubled for an aphrodisiac and you had to pry him from your pussy.
about an hour ago, you and tom smoked blunts with a new blend you found from your dealer that only piqued your interest because she explained to you it also worked as an aphrodisiac. truth be told, that was the only thing you actually registered come out of her mouth cause you zoned out when she started talking, but knowing you and tom fucked like bunnies, you told her to take all your money and you were on your way. so now here you were, on your back with your legs over tom’s shoulders god near choking him to death (not that he was complaining), gasping moans into the air while your hand made its way to tom’s head, making weak efforts to push him away. “to- mm..! i can’t take it!” starting to writhe your hips, accidentally bucking further into tom’s mouth. he was pushing you and he knew it, pushing you towards your 4th orgasm and counting and he had no intention of stopping any time soon, especially not when whatever in that blunt was making you suddenly taste so much sweeter. not when whatever was in that blunt was making the music sensually slow down, or making your moans so honey smooth.
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a/n ; last blurb’s dialogue was definitely… 😟 but all i know is that i’m leaving the longer fics to people like @arquiiva and omg i think i’m back? and i also watched astv so i’m adding that to the topic list in guidelines but yeah i’ll try not to leave out of no where again
© ALL RIGHTS BELONG TO VICKYZANGELS. do not steal, repost, plagiarize, or use my work for anything.
taglist ; @cup1d-lix @imabitchh @arquiiva @verelace @iovemoonyy @everseve
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dannydoesnotexist · 10 months ago
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Once again, THANK YOU OP, LIKE- JESUS FUCKING CHRIST
I for the first FOURTEEN YEARS OF MY LIFE (my mom) I emotionally abused and manipulated and gaslit, as well as threatened to be sent to a mental hospital (after being told that they were horrible and then later being gaslit into thinking that never happened and that they're fine) for expressing my want to go and seek help, I also had a horrible one-sided codependent relationship with my mother where I couldn't spend a whole *night* [sleep over] without her and without thinking I betrayed her somehow, she was controlling and I was *terrified* to ask anything of her because I didn't want her to yell at me and make me feel like I did something wrong by just asking a question.
I constantly felt the need to lie to her and I just *couldn't* be honest with her because I didn't want to risk pissing her off (later in life I would learn to track whatever mood she was in), I was constantly fucking stressed, high-strung, I had horrible anxiety and my grades were just dropping lower as time went on, I had so much missing homework and shit like that just because I was either too tired or just too burnt out by being the 'gifted kid' in my early life.
I was yelled at and laughed at for crying, told to be quiet when I laughed, and I got punished when i was angry, I was so stressed when I had to watch my sister at nine years old that I would *break down in tears* when she left us at the babysitter's because they didn't watch my sister and I had too and my sister was constantly crying because she was a toddler and wanted her mom. I cried on the way to the babysitter's because I didn't want her to leave since it took the whole day for her to get back. And so I grew up being taught that crying was weak and that showing pretty much any emotion was wrong and so my go-to emotion was anger.
Yelling was the only way I wouldn't be talked over and also the fact that I was constantly at my fucking limit (since I wasn't even in the double digits and I was worrying about paying bills and helping to make money) I was constantly in a bad mood and my mom would just be fucking condescending as shit which made me even more pissy, and as I got older and the abuse just went on the anger just burnt out and I was just fucking *tired* and *scared* of her I had anxiety attacks because of her and when that happened I would wake up and go to school early before she woke up because the next two days I *still* felt the panic in my chest. And then it got to the point where I was just tired of her shit, I ignored her when she tried to start fights with me and just began to isolate myself from her.
But I *understand* she has shit wrong with her (mentally, I fucking know she has trauma and mental issues because I fucking grew up having to deal with them first-hand) and I still care about her (I don't think I could ever stop) but that doesn't make the shit she did to me okay, and the fact that for years I must've deserved it I must've done something wrong because why would my mom, the person who's supposed to love me unconditionally, hurt me for no reason? It's fucking bullshit that people actually blame the victim JUST BECAUSE of their personality, like- you fucking idiots, people's personalities can be changed BECAUSE OF TRAUMA, I wasn't always the fucking blunt, sarcastic 'asshole' that I am today, but after years of being fucking chastised and made fun of for doing things I enjoy and expressing my emotions of course I'm going to be fucking weirded out when people can express emotions I'm a healthy way, or when I'm in a healthy environment or have to comfort some, BECAUSE I NEVER *GOT* THAT, SO HOW THE FUCK WOULD I BE ABLE TO UNDERSTAND IT? it doesn't fucking matter how old I was. If you never grew up using the internet, how the fuck would you know what to do once you do use it, especially with nobody around to help you or if you're just to embarrassed to ask for help, that's how it fucking feels.
It's not my fault I was never taught how to show emotions in a healthy way, nor have I ever been apologized to for people hurting me, but it IS my fault if I hurt someone else, which I thankfully have a lot of self control and normally end up only hurting myself but not everyone is like that, for some people anger can be used as a weapon or a shield so that they can't be hurt at all or again by someone.
But pretty much what I'm trying to get at is that I relate to this man so fucking much that it's probably concerning, I *understand* what fucking *years* of stress and worry can do to someone and their mental health, especially with the fact that he also probably grew up being told showing emotion was weak, *and* he also has to provide for another person (mentioned in canon how he makes sure that the consequences of Ed's actions don't bite him in the ass) of course not as stressful as taking care of a child while you yourself are also one, but it's still fucking stressful. And that same person you're taking care of doesn't listen to you and you do everything in your power to make them listen without wanting to physically hurt them and they just DON'T LISTEN, of course you're gonna be fucking pissed especially if the person is YOUR BOSS, not your sibling, cousin, child, friend (even if they may have been friends in the past it seems to be more of a workplace friendship now that they're older), or lover, but YOUR *BOSS* who you *love* who is ignoring you; who has known him for at least a *decade*, over someone who he's known for less than a week, yeah you're gonna be fucking pissed off and jealous.
And also with the fact that the crew doesn't seem to have any experience working on a ship, something you have been doing for most of your life, along with the fact that *your* crew died to save these people your captain said that you would kill (at least their own captain), yeah you won't give a shit about them so it'll be easier to do the job and also just the fact that they suck at their jobs and so you don't like them by principle, but you also don't wanna fucking die and *nothing* is going the way you want and it feels like the world is ending because you seem to be the only person who actually wants to do your job, yeah all that pent up anger is gonna explode in everyone's face.
And so yeah, he stabs the guy his boss told him they were gonna kill, WHICH WAS THE ONLY REASON HE STAYED ON THE SHIP, and then he's kicked off the ship, and yes, the show isn't historically accurate and these guys try to be kinda like the present where abuse isn't good but *Izzy* is still in the unhealthy, toxic-masculinity pirate mindset and so, what happens when your boss whom you have worked for for years, lets people you cared about (crew) die to save some random 'pirates' who are shit at their job and whose captain *chose* piracy instead of not having a choice, the same people who don't respect your authority that you have worked hard to achieve, then your boss doesn't listen to you when you try to talk to him about the shit conditions of the ship, then your coworkers seem to 'turn' on you because they choose to stop doing their jobs, then your boss doesn't let you kill the man he said you two would kill and then lets you get kicked off the ship? You get desperate, especially because of the codependent relationship you have with your boss where you are *nothing* without him, and so you try to get him back to his job by showing him that this 'whim' has gotten out of hand, but *then* he decides to once again choose a man he has only known for at at least a few months over *you* someone who has been by his side for his worst and best days, someone who knows him better than himself, someone who is so used to being depended (just like you depending on him) on by him that you don't know what to do when he suddenly pulls away.
So yeah he's an asshole and I love him because of it, but he's also a victim and you people need to pull your heads out of your asses and stop villainizing him. And no, I'm not saying Ed is a mOnStEr, I'm saying that they both have had fucked up lives and because of that fucked up mental states, but what I am saying is that Izzy has NEVER laid a (harmful) hand on Edward (not that canon has implied anyways), while Edward has mutilated him, forced him to fucking cannibalize himself, shot him in the knee, causing it to be cut off, tried to do a double suicide (implied by the gun having two bullets) with him by making him kill both of them, led him to trying to kill himself, then gave him a half-assed apology ("sorry about the leg"), I don't know man but that sounds pretty fuck up to me.
Yes, Izzy yelled at him (people say shit when they're mad that they probably wouldn't if they weren't, in s1 Ed was *literally* the only one Izzy apologized to, which shows that he at least cares about what he says to Edward and at least cares somewhat about the affect it has on him) and sold Stede out to the English and got easily pissed off at the crew but how the FUCK does that lead to him deserving to be LITERALLY *TORTURED*
Sorry if this rant is just me repeating myself, or is just all over the place, or just sounds biased I just have a lot of pent up anger about this 😭😭😭🖐🏻
cannot believe that 'yelling at your boss when he repeatedly almost gets you and your crew killed and lies to manipulate you into staying when you try to leave, is not emotional abuse, actually' and 'there is such a thing as a mutually toxic and unhealthy relationship where both parties are incredibly shitty to each other - and this is obviously where Ed and Izzy stand until S2, when it becomes blatantly abusive' is a controversial take. But as this is Abuse Apologism And Ableism, The FandomTM, I really should not be surprised
Just.
I was deep in physically and mentally abusive relationships in my teens/twenties - including relationships that started out with mutual toxicity and bad decisions on all sides, but which became outright physical & mental & other sorts of abuse with myself as the victim. I know my shit.
I suppose I can see where 'Izzy emotionally abused Ed' comes from IF people give literally the most uncharitable interpretation to Every Single Scene, and assume Izzy shouts angrily at Ed and negs him all the time rather than this being how he acts when he's incredibly stressed by circumstance caused directly by Ed and at the end of his fucking rope? Which, as we see in S2... Is not the case.
It's not freaking emotional abuse when you're shouting at your boss who keeps almost getting you and your crew killed. Even if this is NOT a kind or productive way to help Ed deal with his mental health, considering that Ed's actions have consequences that he repeatedly and blithely ignores, it's pretty fucking justified!
It's not freaking emotional abuse if your boss OPENLY LOVES MAIMING PEOPLE AND IS MORE THAN HAPPY TO BURN THEM ALIVE and you encourage that, while upholding his right to not kill with his own hands. Even if he has private breakdowns after the fact because he suffers from black-and-white thinking, dissociates himself from any wrongdoing, and is afraid of his potential to become 'a monster'.
Are these choices helpful? No. Are they kind? No. Is Izzy demonstrating Model Citizen Behaviour? Definitely not.
But it's sure as hell not emotional abuse. And it doesn't justify the physical and emotional abuse Ed puts Izzy through in S2.
Nothing you say can 'make' him hit you. If he chooses to hit you (or... choke you out then repeatedly mutilate you and pressure you to commit suicide and makes you constantly live in fear for your life and the lives of people you care about) he makes that decision himself. Yes, even if you shouted at him first. Yes, even if you were arguing. Yes, even if you were in the wrong in that argument. Yes, even if he has a Tragic BackstoryTM and mental health issues. This shit shouldn't be controversial.
Signed: one of those actual abuse survivors.
#prev tags:#izzy hands#israel hands#the izcourse#ofmd izzy#our flag means death#ofmd#to be clear: I think Izzy was an absolute shitbag in S1!#but. as someone who WAS emotionally AND physically abused just. Idk. The amount of straws people are grasping at#that's... not what emotional abuse looks like. holy shit.#if they were trying to depict that then they frankly did a really bad job lol#I think he was jealous and also worried for himself and HIS crew (who weren't the Revenge crew at that point in time)#I think he egged Ed on. But as we see REPEATED THROUGHOUT THE SHOW#ED DOES ENJOY VIOLENCE#HE LOVES A GOOD MAIM#HE BURNS PEOPLE ALIVE#THEN DISSOCIATES - that's what makes his character so fascinating and relatable to me! but he absolutely kills people#he just can't handle the reality of that or what it says about him#Izzy didn't 'make' him do jack shit. S1 is heavily dedicated to showing just how much Izzy never can get Ed to do what he wants#'Ed was afraid of him'?? wtf where do you even GET that from#if anything Ed is afraid of HIMSELF in that final scene. And he has good reason to be!#That self-loathing and fear of the self is INTEGRAL to him! See: when he's ACTUALLY scared of the fucking kraken#Anyway stop making both Ed and Izzy fundamentally boring by making one wholly good and one wholly bad lol#Izzy did bad shit. He got a good redemption arc and died. a lot of his fans are tired of that arc.#Ed did bad shit. He didn't get a good redemption arc and a lot of his fans are pissed about it.
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halcyonnhood · 4 months ago
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After my sister and I watched twisters together, she was adamant that Javi was the villain of the story and unrdeemable even after the ending. I find it so wild that she found that as a takeaway from their characters. Others had similar thoughts. Maybe I'm simply too sympathetic or something, because even when he chose to continue with Storm Par, I understood the nuisances behind his decision.
This man lost three of his best friends and probably assumed all four were dead. He was responsible for not only capturing the data, but also monitoring the radar and wind speeds, etc. The guilt that likely hangs over his head despite not being IN the storm is immense. He probably feels responsible for not being able to warn them sooner...to prevent their deaths. And storm par? I know he meant it as being his redemption. He wanted to help people and while it was shady business, these people selling their land gave them money and a clean slate to start with. It's likely what he did after all of that, just moved on as fast as he could to not be preoccupied with the horrors of it. He meant well and in the end came around to understanding that there were better ways of helping people. And seemed to help him move on from that guilt a bit.
Idk. If you read this far, thanks for reading my silly little character rants and analysis ig
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literallyjusttoa · 5 months ago
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I have been obsessed with the idea of Paris coming to the modern day in the same way Midas, Lityerses, and Medea did. Like, If anybody had some unfinished business, it's every citizen of Troy. Anyway here are some different little scenarios I've cooked up about how this silly little war criminal fared after making a mad dash for the doors of death in HoO.
Ok, so in this scenario, Paris is recruited by Gaea just like all the other spirits who come back from the dead. He ends up being tasked with working alongside Octavian. At first, he's driven only by grief and anger at the loss of his own family and city. As they approach Camp Half-Blood, Paris regularly remarks on how happy he is that's he'll be the one storming the walls this time. But over time, he slowly finds himself growing worried about Octavian's sanity. He tries to steer Octavian away from making reckless decisions, but Octavian refuses to back down. Paris sees the deadly fervor of his fellow soldiers in Octavian, and pulls away. From here we split off into two endings. 1. (the sad one) Octavian's fate plays out the same as the books and Paris just has to deal with how his actions unintentionally spurred the young man towards his own death. Or 2. (the happy one) Paris leaving is the wake-up call Octavian needs, and he pulls himself out of battle at the last second, breaking the cycle of hatred and wrath that started at Troy. Pick your fighter I guess.
In this scenario, Paris is not the only one who comes back from the doors of death. Half of the Argo II crew find him in Ancient Greece (Don't ask why he's there instead of Turkey idk shhhhh) And he's very helpful to them in whatever quest they're trying to complete at the time. All's well that ends well, except the OTHER half of the Argo II crew actually just met up with Hector on the other side of Greece lol. Turns out neither brother knows the other is alive, and the Argo II take the time to reunite the pair. I would specifically set this in BoO, and have the focus be on Jason and Leo as parallels for Hector and Paris, especially with them both thinking about sacrificing themselves bc of the prophecy (the whole "storm or fire" thing). Like, my idea is that a lot of emphasis would be put on Hector dying first, and how he sacrificed for Troy, and how Paris wishes he could've saved Hector. And Jason would come away from that thinking "Yes, I want to be Hector, i've made peace with making the final sacrifice to keep my friends safe" and Leo thinking "I'll do what Paris couldn't and give my life so that Jason doesn't have to" and ahhhh angst.
This is a ToA scenario instead of an HoO scenario. Paris and one of his siblings come back to life like in the last one, but instead of it being Hector, this time it's Cassandra. Idk when this would happen in the timeline of ToA, bc those books are so tight knit (maybe the infamous TTT to TON roadtrip) But I would add a little side quest where Apollo and Meg have to find Cassandra bc Nero's trying to kidnap her or smth. They run into Paris while they're searching for Cassandra, and the three of them team up for a lil bit. In this scenario, Paris works as a direct parallel to Apollo, all though he's a bit further behind on his redemption journey. Basically, Apollo feels like he's looking at slightly embarrassing old pictures of himself. When they find Cassandra, Apollo offers a genuine apology for everything he did to her. Emboldened by Apollo's example, Paris also opens up to Cassandra in a way he'd never done before. The two are finally able to air out their shared grief from Troy, and they set out to ... idk New Rome or the Waystation or smth. Either way they're a lot closer as siblings now, and Apollo promises to visit them once the Trials are over.
Of course, these are only my ideas that kinda fit into canon, I have a whole bunch more that go entirely off the rails. Anyways this pathetic little failure of a man has bewitched my body and soul or whatever I love rolling him around like a balled up chewing gum wrapper.
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wixenburr · 7 months ago
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Saw some ppl talking about Reverse Robins and i had thoughts
Talking abt u guys @eldritchdreamss @brucewaynehater101
Why kill Tim when you could kill baby Jason? What I want is for all of them to keep their own backstories and personalities (Developed in line with the story of course) So ofc i had to write a 1,000 word brainrot abt it.
(Also i'll only be going over the main 4 batbros for now i will add more later but these guys are the ones im most passionate about so here we go)
Damian
Let Damian come in, desperate to be of use and be worthy of his father, only for a softer, less jaded bruce (since jason hasnt died yet) to help him open up his heart and let him act as a kid. With no competition for so long, I imagine he and Bruce get along very well while he works with him. Yeah, they need to work on the no killing deal and Damian's... i guess impulse control? But i think it would be easier with very intensely focused reparenting; no distractions of other kids you know? No favoring or anything.
I see Damian growing up as a stoic, jaded adult. He's had a rough life. Maybe he sticks with the vigilante business. but I really love headcanons where he gets out of it, and focuses on something calmer, like his art. (I do appreciate and love the veterinarian Damian AUs, but im going for FULL calmness, you know? And doctor/vet work is Not calm lol)
So yeah, maybe he grows a real passion for heroism, maybe he doesn't? Maybe he goes on to be an artist and that's just what he does. Bro is ready to settle down as a scarred, veteran trophy husband and i adore him for that.
(Sorry lol i just love Damian and i love the idea of him growing out of both of his parent's legacies. Let him live his own life!!! He fights so so hard for at least 15 years. ALL 15 years of his life. He deserves to have some peace.)
Tim
Tim i think would need a much different story to join the Batfam. He still starts out as a stalker who follows batman and. . . . . . . Redimar (meaning Redemption iykyk (I just spend 17min researching names rip)) at night, takes photos, etc... Since Damian doesn't die, maybe he finds Tim? and like, tim is like 11 and Damian is 17 or 18. He's started going out as Redimar less and less, not that B really minds? In fact hes probably happy for his son so...
But then Damian finds Tim, and now he has to keep going out because he can't let this kid get himself killed like this. He would hold himself accountable since hes the only reason Tim keeps going out so much- also i imagine Tim follows Redimar more than Batman.
Cue a classic Tim Joining The Batfam plotline. They get to know each other better, get a grasp on Tim's situation, Damian finally introduces Tim to Bruce... (Probably something like Dami: "Father, this is my new brother. Timothy, say hello to Father," Tim: "Hello, Father," Dami: "Perfect." Bruce: "*falls off the batchair*)
Anyway, so, Tim ends up kinda just merging with the Waynes. They start training him, its all good and nice, and Tim makes his own little hero team unlike Damian, which is actually pretty interesting here; its Tim who made the first young hero team. Damian only ever had Jon (Superboy 1 in this!!) and he finds Young Just Us and becomes a great leader and its all fine and dandy.
Tim and Damian get along well. Damian is the sage older brother whos kinda distant, but only because he has such high emotional walls (but secretly a softy). He is very much like Bruce- nope, nevermind, hes definitely worse than Bruce in this AU, since Bruce is depicted as being much more agreeable before Jason's death, you know? So yeah, Damian is the emotionally constipated bitch in the fam and we love him for that. But hey!! Tim does manage to get through his walls! And Bruce does sometimes too!! (Tho i imagine Bruce and Damian's relationship to be very.. idk let me try to expalain. Dami: "Father." Bruce: "Son :)" Dami: "Tt." Bruce: *nods* "Hrn." Dami: "Hmph." Bruce: "Hm.") DO U PICK UP WHAT IM PUTTING DOWN--- lmfao. They hardly need words.
Tim ends up growing up very very capable. Once his parents die, he gets a little jaded, but hes still Tim. He and Damian become kind of an... ice prince duo? If you get what I mean. But Tim is the one whos actually the ice prince, Damian is secretly a HUGE softie. He is Delicate and Tim protects him lmfao.
Jason
Jason comes along like he does in canon. Has the same backstory. Tries to steal the Batmobile's wheels. Tim is sleeping over at Damian's flat for the night, so its just Bruce. They bond. Shit happens. Jason joins the fam.
I don't imagine them not getting along, but they don't immediately hit it off either. Jason is wary of all of them for a time, but he ends up warming up to Damian pretty fast after realizing what a softie he is. He pokes fun at Damian and Damian just freaking takes it lmao. Hes an adult he cannot be disturbed. Bro has seen too much and he finds Jason adorable. (Dami: "You were never this cute, Timothy." <- he is lying. Tim: *offended* "What the fu- flip!?" Jason: "Lmao Tim just say fuck." Dami: *deadpan stare* Tim: "JASON NO DONT SAY THE FUCK WORD-") ahem.
anywho and then Jason dies rip skill issue ratio.
The whole batfam is heartbroken. Genuinely shattered. Jason was a light in their lives. Not that they were WITHOUT any light, but Jason was the epitome of a sunshine child.
It's been too long since Damian has killed someone. Bro's god oodles and oodles of trauma. He can't bring himself to kill the Joker.
but Tim can.
It's a whole dramatic thing; Damian feels awful that he made his- now only- little brother kill. Bruce is hella upset but feels responsible for not seeing how badly both of his kids were handling the death of their brother. Tim goes a little off the deep end.
Things turn out.... okay. sort of. but not really. Tim changes his hero name to Red Cardinal. He feels pretty lost. Maybe he stumbles into Ra's al Ghul or smthn idk maybe smthn happens there perhaps. Maybe Damian has to put on Redimar again and rescue him? But its less of a rescue and more of a "Stop joining the dark side Tim jesus christ-" (and it does work).
They go home. Tim gets a boyfriend or two. Damian falls into his art. Bruce is throwing himself into work. They're all kind of a mess, but they keep moving.
and then
Dick
(lmao that sounded wrong)
ahem; and then the circus comes to town. The batfam- well, Tim, Damian, and Bruce- all decide to get together to do something fun. Take the opportunities given, yk? So they go to the circus together.
Wham bam rip the falling Flying Graysons.
They see Dick, breaking apart, and they know they have to do something. Bruce is the first to move. Then Tim. Damian is the last.
It's pretty quick getting Dick home, since Bruce is already a foster parent cuz of Tim yk. So Dick doesn't have to suffer in Juvie at all really. But that doesn't change the fact that he is ANGRY.
Dick is SO angry. he wants to kill the person who murdered his parents. He knows what he saw.
The fam of course do their best to investigate. Mostly Tim, who feels unworthy of being around an innocent little kid after his whole.... villain era, i suppose lol. (ofc Dick thinks Tim doesnt like him lol misunderstanding arc GO)
The whole "Dick accepts that justice is better than murder kinda maybe FOR NOW" storyline happens, and Dick becomes the conniving, bright, little Robin we all know and love. (Thinking of the Young Justice Cartoon Robin (but not the characters- just Dick's character) aaaand
Womp womp GUESS WHOS BACK
Jason's Back
but i'll leave that for later.
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sillywormz · 7 days ago
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some thoughts/things i liked about the hypothetical s2 scavengers reign teaser
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AZIIIIIII LOOK AT HER!!!!!!!! my jaw hit the floor..... dgmw i love a good buzzcut but she looks so handsome with the slightly longer hair i want her so bad. also she looks kinda sad/melancholy in this scene....... babygirl are you ok😢
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THE FREAKY SPACE DEATH CULT WERE GONNA HAVE SKULL LASERS????? FUCKING SKULL LASERS
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their ship is the coolest thing i've ever fucking seen what the hell. it reminds me of a rlly ornate vase
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i'm guessing this person was gonna be the leader of the space cultists, or at least someone important to them? idk anything abt her but i'm fucking obsessed with her from design alone. like this is one of the best character designs i've ever seen just from seeing her face......graaaagahh she's so coooooool
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HI LEVI HI BABYGIRL <3 <3 <3 getting up to their One With Nature activities as usual i see
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kamen 😒........ (just kidding i was excited to see my horrible little guy even if it's just the back of his head lol. i wonder if s2 would've been a redemption arc for him, he kinda looks like he's just chilling here)
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barry has got facial hair!! i wonder if that means a relatively large timeskip was gonna happen between seasons? his hair has grown out a lot too :') he looks so grown up aww
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URSULAAAAA!!! idk what she's doing inside this alien pod but it looks badass. this scene honestly gives me the vibe that she's preparing for a fight or some kind of other rlly dramatic event? also if you look there are little metal darts in the side of the pod she's in, i think?? i wonder what the context for this was...........
ANYWAY i am heartbroken to know that scavengers wasn't renewed....... but equally i'm so glad to have got this glimpse of the series again and i am not giving up hope that it'll get a second season. maybe if enough people watch season 1 and hype up the show on social media there's still a chance it could be renewed! regardless, please watch scavengers reign if you haven't yet. this show is fucking everything to me and i love it so much
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echos-gal · 7 months ago
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ok i'm rapidly losing hope that Tech is still alive, and this sucks because it was basically the top thing i desperately wanted from this season. i wanted to see him survive. so here's my exhaustive and embarrassingly long list of reasons why he SHOULD still be alive, and if he isn't, why it was a missed opportunity. obviously no hate to the writers or anything, i love them dearly for creating this show!!!
(if you're a "Tech should stay dead for the stakes/so someone in SW stays dead for once/i hate delusional Tech stans" person, kindly keep scrolling, this ain't for you)
SEASON 2:
right from the start, Romar connects with Tech and calls himself "a survivor." HELLO???
in this same arc, Tech breaks his leg in a fall which he survives. he continues to walk on it, fighting off troopers to save Echo & Omega, showcasing his persistence and grit.
one of Phee's first lines is "better late than dead," and we know she shares a connection with Tech. she flirts with him later in this scene. it would be a shame not to reuse this line, i'm just saying....
Cid still owes Tech for racing for her in Faster. we see Cid looking miserable as she betrays the batch in Plan 99, so her playing a part in his rescue/comeback would be a nice way to show her growth. (i'm afraid there isn't enough time for this, though- as much as i thought a Cid redemption was on the horizon!)
Phee and Tech's departure is awkward, and although we have some context from season 3 (they talked more than we realized), the scene would do best if reconciled in person imo. it felt like it was setting up for something, and feels weird to leave hanging.
"don't go running off with any pirates or smugglers" could not have just been a throw away line. it set up for him to do exactly that. how fitting would it be if pirates or smugglers actually did manage to pick him up before the empire made it to the railcar crash site?
Hemlock's retrieval of the goggles shows that he sent a team to look through the wreckage. he thought there was a chance Tech survived, and may have him.
i won't go into the logistics, but big falls ARE survivable. in star wars especially. we have no idea what was below the layer of clouds/mist Tech fell through.
SEASON 3:
this is mostly CX-2 centric. their armor is very similar: the jaw/mouth shape, the hexagons over the ears, the rectangles on the chest, and the pouches/pockets.
"domicile." that is all.
CX-2 uses technology more than the other operatives we've seen, and he gets past the encryption on Phee's ship with ease.
"who are you?" was enunciated in the exact same way Tech says it to Trace and Rafa, which i definitely think was intentional.
CX-2 stops to use his rifle scope in the exact same spot where Tech and Phee stood to let down the ladders in the sea surge on Pabu.
he survives a waterfall plunge on Teth, which appears to have fooled Rex's group into thinking he'd died. the writers could have killed him off there and sent a new operative, but they chose to stick with CX-2 pursuing them to Pabu.
it's worth noting that while this CX is designated as "2," Tech's CT number is CT-9902. he is associated with the number even on a visual level: he's a dual-wielder, he wears goggles, he salutes with two fingers.
FROM A STORY PERSPECTIVE:
firstly, i am sorry and i LOVE the writers, but if you want people to accept a character's death, you've got to show his family and friends' grief. we saw no reaction from Crosshair or Phee, no tears from Hunter or Echo. it feels like fans were sadder about Tech's death than the characters in the story.
Tech seems to have been mentioned more in the second half of season 3 than the first half, which works if they want to bring him back in the finale.
the finale is called "The Cavalry Has Arrived." i really don't think you can have the cavalry (aka the bad batch) arrive without every member present. i also don't think it would feel right to play their theme without Tech there. idk, that feels incomplete!
we saw no body, and Hunter received Tech's goggles not from a trusted ally or friend, but from Hemlock. this calls into question the legitimacy of his claim that the goggles were "all he could salvage."
Tech alive and being held on Tantiss would provide a nice parallel to Echo in the first mission where we meet the batch, in TCW. and [ep 14 SPOILERS] we see that Echo is currently looking more like his TCW self, with his earpiece removed.
feels kinda sour that a character who a lot of people related to as neurodivergent representation would die just a few episodes after having a deep conversation with his sister about it.
likewise (and as a white woman i can't speak for WOC), from what i have seen, Black women are rarely the main love interest of a series! Phee is the ONLY love interest in this whole show, and it would suck to just cut off that romance before it could really become something. a lot of people wanted to see TechPhee become canon.
CX-2 is the one who destroys the marauder. it works well storywise for its pilot to have been the one to do that- the person who worked so hard modifying it, flying it, and teaching his sister to fly it. i'll be lowkey pissed if it turns out some random dude blew it up.
it's also CX-2 who invades and sets fire to Pabu. this is emotionally gripping on its own, but if he is Tech, it's even more so.
we have no idea what the operatives go through. Crosshair isn't telling, but it clearly put him in a really bad place. if Tech underwent this conditioning in his post-fall injured state, there's a chance he could come back from it. Emerie is probably the key to this, if they take the CX-2 route.
this show is all about a family trying to stay together as the Empire desperately tries to rip them apart. seeing the whole family together again - even if not everyone survives - in the finale is the satisfaction that the show ideally would go for. the last time they were all together was the season 1 finale. that was about 2 years ago in the show's timeline.
leaving Crosshair and Tech's final interactions be where they parted on the Kamino platform also feels off. Tech was the one who really vocalized the need to rescue Crosshair in season 2's finale. Crosshair, in the meantime, has changed significantly as a person. Tech's comment about Crosshair being "severe and unyielding," and unable to change this facet of his nature, is incorrect. leaving Tech dead would mean that he never gets to see this change in Crosshair, which makes me feel like a deflated balloon.
FROM MY SELFISH PERSPECTIVE!!!
give me Tech with cool scars and slightly disheveled longer hair. this is such a good opportunity for the creators to give him a sweet new look!
we never got to see Tech without his goggles on, despite Phee constantly referring to his eyes. he definitely doesn't have them right now (they're in the Archium), so we could get Mister Big Brown Eyes if he's alive. it's another missed opportunity if not, imo!
the goggles being placed in the Archium was a beautiful scene that makes me tear up whenever i think about it. it's symbolic, it's bittersweet, and it's exactly where the goggles belong. but was it closure for me? not really.
Tech is a character who became a LOT of people's favorite in season 2, including my own. why kill off a fan-favorite with an entire season to go?
yes, i desperately want a Rex and Echo series. yes, i want the batch to cameo in it, and yes... that includes Tech. making up for lost season 3 Tech content 😎
the finale will feature the zillo beast, and Tech loves the zillo beast. FREE HER! REUNITE THEM! he would love to witness her rampage.
FROM A "SURPRISE!!!!!" PERSPECTIVE
it seems like most people think Tech is either CX-2 or dead. it would be a great finale twist if we DID get CX-2's identity, it's NOT Tech, the audience loses hope, and then he shows up. i think this is actually plausible given the other assassin schematics Hemlock was looking at in Point of No Return. Tech might be in Hemlock's grasp, but not an active operative. having an enhanced clone to toy with is something Hemlock would want to keep under wraps. we see him step out of the assassin chamber at the start of that episode - if Tech is anywhere on Tantiss, i think it's here.
i think the writers have expected us to have all lost hope by now, so his finale reappearance would ideally come as a shock. the finale is almost guaranteed to be a very long episode, so we really might have quite a bit of time to explore his return, if it happens.
secret 16th episode: i know, i'm putting my clown makeup on as i type this. but the previous 2 seasons each had 16 episodes, with a two-parter finale. season 3 is just 15, with a single episode finale. TBB formally ends may 1st, so what if we get a may 4th surprise episode detailing how Tech survived? (that or an epilogue leading into a new series, which i think is more likely actually!)
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pinacoladamatata · 5 months ago
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I am once again thinking about Solas and how his potential arc this game could go regarding the Veil being up or down and I'm gnawing at the bars of my enclosure [spoilers obviously] I don't like being intelligent/thoughtful on here I prefer to be stupid but here we go
In [yet another] article that came out, idk? today? Mark Darrah says the story "allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole."
and I don't know what to fucking think about this? They obviously know people's opinions are varied and I think it should be obvious that this is not a case where 'one ending fits all'
Because like, he is such a tragic character and I know there's gonna be an option to kill him, calm down, before you start in my inbox with "I WANT TO KILL HIM" like, you will be able to, that's kind of...almost a certainty. Especially for low approval Inquisitor/swore to stop him at all costs. Because if he Won't agree to stop trying to tear down the veil and causing mass destruction, (even after dealing with Elgarnan and Ghilly) then you'll have to kill him. Even trapping him forever isn't really an option because he created the fucking veil, man's crafty, he'd eventually find a way out. Like, If he will not and cannot see reason, then you, the protagonist, will have to end him.
It's the OTHER option that has me spinning because, you could, maybe, potentially, hopefully, talk him out of it. And if you did that, either as a romanced or friendly Inquisitor, or apparenty? Rook? based on this new info that Solas and Rook are going to have a lot of interaction, then he doesn't NEED to die. If he stops wanting to tear down the veil, he could potentially just disappear and do whatever he wants, like nerd out over magic.
And honestly, having him die on both paths is such a slap in the face for "your choices matter" because like clearly they do not if that happens; like what was the point of making me choose at the end of trespasser? If the only difference is 'stop Solas at all costs' leads to a boss fight where you kill him and 'redeem Solas' leads to ? him dying anyway somehow? Like I'm sorry but that is lazy and boring. His redemption should not end in death, he should have to live and deal with the consequences, because that could be so much more interesting.
[because I'll be real, I don't think they're going to let us have the option to tear down the veil/side with him AND have the option to keep the veil up. I think it will be one or the other no matter your choices; Simply because there is too much of a massive difference between world states of 'killed Solas to prevent him taking down the veil Thedas remains status quo' VS 'let Solas take down the veil, Thedas is now fundamentally different in an almost inconceivable way'. Like the setting for any future games depend on this; you would have to create 2 very different games. There has to be some uniformness to the world state, like; the veil remains, but it's thinned or whatever and the people of Thedas are living life more or less as usual if they ever want to make DA5. Would be wild of them do go the route of no matter what you do the veil comes down anyway. Which would be annoying if you swore to stop Solas at all costs and he just... succeeds anyway, even if he dies? Of course, there is Sandals prophecy, which I think is about the events of DA4. And devs have said in the past they had 'something' planned since Origins. "One day the magic will come back - all of it. Everyone will be just like they were" - The veil coming down and everyone gaining magic? Not just elves but humans, dwarves and qunari too? "The shadows will part and the skies will open wide" - Talking about the veil coming down?? Do shadows represent the abyss? "When he rises, everyone will see" - I'm actually convinced this is about Elgar'nan, or, something even worse; like the 'thing' that Mythal locked away, that the "evanuris in their greed could unleash" that "would destroy us all". So I think the end of DA:TV will be either the veil stays in place no matter what, or the veil comes down no matter what, which is, idk, interesting? Because again, they can't have both- that just gets too messy for the setting for the next game. They could have the veil come down no matter what, but, you would need to have a "better option" as Varric and Solas put it. Which, let's say for narrative purposes, this option exists and we tell it to Solas and he goes "Okay let's do that instead" and it results in a world state where the veil is 'down' but not in a catastrophic mega-calamity way. Even then though, some players are just not going to pick that and also if the veil comes down; what the fuck are we guarding it for???? I think it might come down temporarily. Maybe we have to make a new one? a better one? we have our fade tamagotchi fen'harel who happens to be the only fucker who knows how to make a veil too. Could this 'better veil' alleviate some of the problems Solas had with the old one? If there was like a set door way that allowed people and spirits to pass safely? One that didn't cause so much discord between spirits/people? Is our Veilguard a Fade TSA? I can dream. But who knows. Either way, I think we're only getting one endgame worldstate regarding the veil.
So; OK, back to Solas and how the fuck that could end. Harking back to that Varric/Solas conversation about the old man living alone. Solas is clearly speaking as though he is the old man, and he can't fathom just living a quiet life when there are literal world ending gods waiting for a weak moment to bust free. He Will not, Cannot stand by and do nothing while he knows his prison is failing. He HAS to at least deal with the 2 evanuris before tearing down the veil bc he doesn't want them to cause harm. He didn't want that before (hence locking them away) and he doesn't want it now, even for modern day Thedas (hence him helping Rook). He's got such a fucking heart under all that armor. He cares about people, he demonstrates it again and again. But my god what if, he finally *sees* that the veil may not have been a mistake, it doesn't need to be torn down, (maybe it has to be remade, better?or just altered?) and then us the protag, no longer has to kill him to stop him from tearing it down?
Like, I am very partial to the "what if love changes everything" trope especially for such a tragic character. Bc he's got death flags left and right; "I walk the dinanshiral" "there is only death on this journey" "this does not end in my downfall" his "dying alone" fear tombstone, and he's lonely he's miserable he's afraid. I'm so worried they'll kill him off anyway bc 'he was always doomed' trope and it would be easier to write, but motherfuck it would just, be SO so satisfying if, instead, there was a path where he wasn't doomed; whether it's bc of Rook or the Inquisitor or a combo of both. I feel like what if, either platonic or romantic; if there was just at least one path where love changes everything.
ofc this is massive amounts of copium and I don't expect bioware to give me anything so cool as "the veil starts to come down anyway and you, Rook, have to rebuild it with Solas' and the Inquisitor's help and at the end you can either kill him or convince him that this world is worth living in"
but hey, i can dream ¯\_(ツ)_/¯
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galactic-rhea · 24 days ago
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I love your empress padme au, they should be evil and unhinged. I'm misly curious as to what the kiddos are up to, (and some of the other characters, I imagen they're mostly side eyeing anidalla like "wtf is happining over there???") Anyways I kind of love the consept of "evil chaos family fun"
Neither of them are stay at home parents but the imagen of vaderkin in a frilly apron trying SO hard to cook for his family has popped into my head and will not leave
Vader should get a cloak wich has "property of Padme" embrodered on the back
dfkjgnkjngfdjk thank you, Padmé would ask him to cook with an appron and nothing else
About the question, well! Just yesterday someone asked in the comments about the twins too! And well, you see, I'm undecided! This will get long!
See, when I originally envisioned the empress Padmé AU, what I had on mind is that Padmé spent about 5-6-7 years with the rebels, and that's why we have Vader as...as we known him, you know, almost-classic Vader. Unknown to the rebeels that Padmé's goal was sliiiiiightly different as theirs. She would have the twins (or at least, known where they're being hidden, and visint them and everything) and her goal would be to reunite her family, she's a bit obssesed with having her family fully and complete.
But! The idea that, for example, after having the twins she was unconscious for several days or something, and it was decided that hidding the twins was the better choice and told her they died it's so very tasty and angsty! Vader and Padmé would be EVEN MORE codependant and messed up out of the grief (also THE GUILT Vader feels about thinking he caused their kids death as he sees Padmé so distraguth?!!!! He wants to constantly kill himself, he probably wants Padmé to kill him, tasty angst) If she believes her twins to be dead, then she believes she only has her husband, and she's very overprotective of him (and possesive, a lot).
And then you would have the plot following slightly similar to the movies, but now the twins have to redeem BOTH of their parents who are kinda enabling each other so hjhbdgdfsf
(Either Leia wasn't given to Bail and Breha because...come on, or I'll have to invent a super duper and convenient explanation)
Also @squad-724 suggested the idea of Padmé and Vader somehow sort of bringing Ahsoka (inquisitor ahsoka, wahoo!) into this and now I won't stop thinking about it (unconsciously) having Ahsoka as their stand-in-daugther because they lost their twins. Messed up, messed up and all these conflicting feelings guys!!!!
BUT! On the other hand, Imperial twins raised by both EVIL PARENTS is super fun, like, this poor galaxy can't catch a breath. Because my Vader raises the twins AU have them being double agents with Vader trying hard to cover them up so the emperor won't kill them. But here it probably makes them less likely to turn against their parents! However, 5-6 years being raised among rebels, and then being raised in the imperial palace and becoming prince and princess and at the very least knowing your mom kinda betrayed the rebels is probably enough to give you suspicion and "huh,,,this is kinda bad? Maybe"
For Padmé and Vader though, I think it would bring a very devoted and angry protectiveness for both Padmé and Vader; they aren't that invested in the empire and power tbh, they just want to have their Little House On The Prairie fantasy with a family fully complete and safe, at all costs. It would make them even more of a team and less weaknesses. Though, I once kinda as a joke just imagined Padmé getting tired of all of it and going "ah whatevery, let the galaxy burn by itself while we ran a way somewhere" and that's it because seriously Padmé wanted to actually give up on all the work, no big redemption or big epic dramatic moment, the imperial family just disappeared one night and no one knows what happened (surely they were murdered?) when they're just chilling in some super random and secret corner of the galaxy doing, idk, the most boring thing ever, farming. Luke and Leia get bored and become spice smugglers . The end.
For the last question, though, I think half of the people think Padmé is a victim of this terrible situation somehow (oh noooo, she was kidnapped by that monster, who knows what she's enduring, or she's being mind-controlled :( ), that she's some sort of puppet empress while Vader actually makes all the choices because,,,come on, that was the emperor's second hand right there. The other half of the people remember Padmé was a bit of a political apprentice for Palpatine, and they're also both from Naboo, and it was also thanks to her Palpatine became the Chancellor, maybe she did want power from the start, maybe Naboo is fucked up, never let politicans from Naboo have power again.
And then there's the third secret thing, which is only a very limited number of people like Obi-Wan and Bail (and Padmé and Vader's palace staff lol), that are fully side-eyeing her.
There's also the problem that since she actually worked with the rebels, she,,,knows a lot, she probably knows almost all the names of the rebels' leaders, she probably knows there's a underground society helping jedi run and to which planets. She knows so much, and yet she doesn't actively chase them (or more like, she doesn't actively send Vader to chase them), and if she does send her husband, which is rarely since she wants him to stay where she can see him (remember when I said obssesive and possesive and overprotective?), she's probably doesn't tell him that much info because it's entertaining, giant galactic chess game, lmao.
Also, her empire isn't half as awful as Palpatine's, like, it's still very bad but it's leagues better and she does probably finally forces the good charity projects she never could as a senator, and well, complacency it's extremelly dangerous for freedom. So there's that.
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alexxncl · 7 months ago
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‼️NIGHTBRINGER LESSON 34 SPOILERS‼️
masterlist | all lessons | season 2 | lesson 33 | lesson 35
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i might be getting ahead of myself here, but are we lilith ?? like is that what's happening rn ??? he's not saying mc's name, and raphael doesn't day their name in the next scene...if so then that's actually really fucking sad 💀
it makes sense though, belphie not wanting mc to go into his head bc he's still clinging to the past and doesn't want to lose them forever like he lost his little sister forever, especially since human life is so finite compared to that of a demon or an angel or a reaper
also it's obvious by his choice of words that despite him looking older, belphie is very, very young in his mindscape, just like mammon was. i feel like this also shows how close mams and belphie are even if it's not shown much on screen in the game, or at least how much belphie takes after mammon's, if not all of his older brothers traits, for better or worse
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well nvm...i still think my theory is valid though. belphie wants to go back to his old life and end up not losing lilith, but still have mc with him
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i wonder how similar mammon and belphie's bond in the celestial realm is to their bond in the devildom. is belphie still as reluctant to ask for help and advice openly? is the banter still the same? are there less insults? how does the age gap here cause them to treat each other differently if at all? or the lack of angelic status?
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oh i'm gonna cry
big brother mammon will always have my heart and i need more of him
we know belphie's love of stars and constellations and the night sky in general started when he was in the celestial realm, and seeing it manifest in mammon in his mindscape makes my heart happy, even if mammon isn't the reason he became interested in astronomy (was it michael? lucifer? idk i don't remember)
i also think it's very interesting how belphie's brain is actively working against him "wanting to hide from mc". he literally said "i don't want you to see the inside of my mind" and is hiding away from them. i think, in reality and in his mindscape, he's running from the fact that he has to face his feelings about the idea of mc leaving to go to the "human realm" and the possibility of losing them forever like he lost lilith
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this was (obviously) not beel speaking, but his inner thoughts in the shape and voice of beel. circling back to belphie having the best and worst traits of his brothers, his insecurity and need for reassurance rivals levi's, and we don't get to see it as blatantly because he masks it way better than levi does
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ok so we're here in the timeline...interesting. how much time passed between luci and dia's first meeting and the celestial war? how much time had passed between the celestial war and mc's initial arrival to the devildom? how much had belphie aged?
angels and demons age different than humans do, and belphie doesn't feel any older than like...10 or 11 at the most, but beel seems older than that. maybe its his mind warping things to make himself seem and feel younger, but maybe he really was that young. was lilith even born at this point? how old was belphie during the time of the war ?????
also i'm mad we didn't get to see michael bc i wanna know what he looks like but oh well 🧍🏾
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oh baby :((((
i'm not the biggest belphie fan AT ALL, at least canon belphie, but i think it's necessary to acknowledge how his trauma severely affects the way he acts. he went from blaming himself, to blaming an entire race of people for his sister's death. he feels like he should've been the one to die, even if it meant leaving his twin without him
now, if he got a proper redemption arc after lesson 16, THEN we could talk. i think the devs fumbled his character in that regard, but my hcs about his redemption will have to suffice for now
he didn't want mc to see this dark part of himself because he hates that he still has this mindset, that he's trapped in a cycle of "what ifs" and wishing it were him instead of her, constantly ruminating and letting his anger and grief fester without ever dealing with it properly and letting himself heal. he not only thinks he doesn't deserve to heal, but that he doesn't deserve to live long enough to see himself heal, that he doesnt deserve to live at all
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WHY ARE YOU BEING DIFFICULT????
i mean i knew this would happen since its only lesson 34 and there's still 6 more to go...but damn
i love and hate the fact that he's so smart. like, they could easily just ask barbatos to send them back to the human realm if it was that serious. he's clearly taken a liking to them. lucifer knows something's up, and he won't forge a pact with them until he gets to the bottom of whatever's going on
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initially, i thought it was a spell to bring them back since he'd been the one facilitating the trips into the brothers' mindscapes this whole time, but this is wayyy more interesting
i feel like the barbatoses communicate across timelines, or that their lives intermingle with each others' somehow, so whatever they feel for one person in a specific timeline is felt for ever version of them in every timeline. we know barbatos, at the very least, knows that kayden is an important person in the grand scheme of things, whether it be because of the way diavolo feels about them or because they play a large part in the obey me version of a canon event
if it's more than base level importance, we can assume that there's a level of trust and love that barbatos feels for mc that stretches across time (callback to the login screen's dialogue)
maybe he gave us the piece of the grimoire for a reason outside of belphie's mindscape escapades. what if this is how we gain lucifer's trust? if a demon as powerful as barbatos can give mc a piece of his grimoire, then he should be able to make a pact with them, seeing as they're trustworthy enough to be in cahoots with THE time demon
anyways barbatos is nightbringer and you can't tell me otherwise. unless you think it's michael. then i might hear you out...i'm stuck between thinking either of them is the titular character simply because of the simultaneous lack and abundabce of emphasis on michael's importance
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diientedegato · 10 months ago
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I'm curious if you have any thoughts on what Ben Paul would look like if he was alive years after S1 of TWDG :> I honestly prefer to imagine both him & Kenny going off on their own adventures after S1, because Idk if I'd've had Kenny as part of S2, it felt like when he returned it became less Clem's story & more his. That might be controversial among fans but it's how I feel :s I like to imagine Ben, Kenny & Sarita forming their own little family in fact <3 I'd expect Ben would end up with shaggier hair after a while but I wouldn't mind knowing what he'd look like with short, spiked up hair ;>
IM SORRY BOTH THE ASK AND DRAWING ARE OLD- but I came across the sketch I had eugeugeh. I do not have many headcanons but behind the cut is just a rant about. Kenny mostly. Too much should I warn? But yah I'm sorry it took me like 5 months lol
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The only headcanon (regarding Ben's appearance) is that he'd keep his school jacket for as long as possible. Until it thorns apart. Or until he dies.
I'm big fan of Ben lives possibility btw I've gotta draw sum about that sometime (I say, about every twdg character i like,)
And dude, do I agree about Kenny. Man doesn't belong in season 2. The character they made him to be in the second season is not Kenny, it's just a nostalgia element. Don't get me wrong, I love the guy, I'm biased as hell, I break that hug choice every time. But it made the character development in the first season just.... pointless. "For some reason, I saved that piece of shit Ben", man, that quote just disappoints me. Kenny lost everything. Father and husband of none no more, which was pretty much the arc of Kenny on the first season?? I think? . Everything he loved and he had he lost, and he killed the person responsible for it. But not as revenge, he killed a kid out of mercy. He saved the boy from suffering a painful death, and that was forgiveness, to the reason he hadn't any. He took a decision he would be fully responsible of, when it was time for him to go. And he was perfect.
Hell, if he had appeared during season 2, I do prefer the Kenny as Carver idea. Clementine wasn't even that close to Kenny in the past, the player was, so even then it feels... off, off to be forced to care about a man that says so much he wants to protect you. (They're not really family, but is as if Kenny tries to protect and have Clem on his side, to have Clem's loyalty through and through. Though he does let her go and is proud of her on her individuality... hm.) But still, I mean, second season Kenny is not first season Kenny, and it isn't even a change that made sense. If he had been antagonist (which pretty much feels like it in the Canon story already), he should have had some other background story, no Sarita or company. Maybe then the cynical view he has would have mattered. The violence and anger and whatever else. For him to change that way was a consequence of him losing what he represented, protection of family? Wasn't failure and grief and acceptance meant to be important after all?
But otherwise yea I think it would've been pretty cool if Ben survived :3 I am a sucker for tales of redemption, forgiveness, and found family. And I hadn't thought about Kenny, Ben, and Sarita, but hell yeah. Man, even if they appeared in the second season, it would've been interesting if the choice wasn't between two individuals, but between two families. Ben already had a relationship with Clem! He appreciated her and calls her his only friend during season 1, he did leave her behind during that scene, -but the point of Ben was that- He was a coward all the season, until when he wasn't. He wanted to help Lee help Clem. They would've had an interesting sibling relationship-? also Ben had a young sister before the apocalypse so ooooh projection and parallels and shi. And if Ben had lived, he would've completed his development to something close to bravery-?
Well, I don't know, at least I think that'd be one interesting way to bring back old characters. Otherwise, Kenny should only be mentioned on dialogue maximum. The way I see it.
(I repeat the same thing over and over when I talk about something I'm sorry
(I've developed no language skills whatsoever in my life
(Yippee
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