#idk m rambling

[aew-regression-cove]

gonna write a fic (maybe tomorrow)

gotta go bed first tho might not remember idea so m a give myself enough information to rember what it was 👍🏻

✨ movie ✨

[lazylittledragon]

i'm going to scream i got accused of being a transmisogynist by someone on twitter because of this specific part of my t4t steddie art

[2004hitalbumsevenswans]

I really enjoyed Batman: Caped Crusader. I was worried (like everyone else) that Bruce Timm would push his Bruce/Barbara obsession, but they barely interact when Bruce is out of costume, and he’s all business as Batman. Barbara is (presumably) about the same age as Bruce in this adaptation, she’s a young public defender, who still lives at home with her dad. Commissioner Gordon is mentioned to have 30 years on the Gotham police force at one point. And the series is loosely based on Batman: Year One by Frank Miller, and has Matt Reeves as a producer. It’s definitely an interpretation of the early years of Batman.

The setting is vaguely and aesthetically set in the 1940s, mirroring the original Batman and riffing on DC comic stories and character interpretations from that time. Clayface’s story and appearance is based on the original interpretation of the character, which I really enjoyed - especially as someone’s who’s read the first couple years of the original Detective Comics/Batman stories. (There’s also a lot of great references to the Adam West show, and a couple of its themes are reimagined for this more noir story.)

I could see the series setting up something between Bruce and Barbara potentially, but their interactions are really blink-and-you’ll-miss-it. There’s a moment where Bruce’s is climbing back onto the Iceberg Lounge yacht and he uses a pick up line on her, which she scoffs at, then he proceeds to use the line on two other young women. There’s another moment that you could say is pre-flirting, or is at least setting up a foundation to further a relationship between the two. Where Barbara makes a comment about Batman letting himself into her office unannounced whenever he feels like it, and she tells him she needs a way to contact him, and he gives her the Batphone number. At this point I think you could make more of an argument for a Harleen/Barbara pairing than her and Bruce.

I think the characters would both individually need a lot more development to be in a romantic relationship. I’ll say this even though I know it will be an unpopular opinion: in this interpretation I wouldn’t mind putting Bruce and Barbara together. I know that’s practically sacrilege coming from someone who’s favourite character is Oracle but hear me out.

My main issues with Bruce and Barbara together (especially when it comes to Timm’s work) is the age difference. It’s often debated but Barbara in most iterations (including current comic canon) is around the same age as Dick, usually a couple of years older, 2-3 at most. Bruce is depicted as having at least 15 years on her, if not more. And most stories that have Bruce and Barbara together also fixate on her being batgirl. Then there’s the tendency to make a Nightwing-Batgirl-Batman love triangle which I don’t want to get into but I hate completely.

None of that is happening here. Barbara has her own storylines that are just as prominent as Bruce and Harvey’s. She’s an adult with agency and flaws and is just as fleshed out as any of the other characters are. I wouldn’t be surprised if the show takes a season or two to develop a romantic relationship between the two of them. Bruce is completely focused on being Batman and sees Bruce Wayne as a persona. He’s callous with peoples feelings (Harvey, notably) and is shown to struggle with smaller acts of empathy, opening himself up to people, and honestly, social skills. The last of which doesnt doesn’t affect him too negatively because he’s a rich and well known man in Gotham.

Compared to the Bruce Wayne of BTAS it was a smart choice to show a Bruce/Batman who struggles with people and emotions. It reminded me a lot of Reeves’ the Batman. In wider Batman media you usually see two types of depictions: a compassionate Batman (which is where I would place BTAS) or a more emotionless, be-stoic-and-punch-the-bad-guys-and-look-badass version that is usually just a male power fantasy.

This version of Batman sets up the foundation for a storyline that is relatively unexplored, and I’m sure they’re going to explore it more in the next season (which has already been greenlit).

I was surprised at the lack of adult themes in the show, it was marketed for an adult audience but could easily fit into a PG13 rating, but that was probably on purpose. I was impressed they managed to have so many strong, fleshed out storylines in only 10, 30 minute episodes. But I wouldn’t expect anything less of Bruce Timm, or some of the other names I recognized attached to the project in various ways (Greg Rucka, JJ Abrams, Matt Reeves, and Ed Brubaker).

While there are a lot of critiques of Timm I agree with, I generally enjoy his work and the care he puts into it. I love Greg Rucka and was really excited to see that he wrote the episode that was more Renee Montoya centric. And while I have my issues with Ed Brubaker, I do enjoy his work.

While the series is visually and technologically based around the 1940s, the politics are more modern. Harleen asks Renee out on a date and she talks about it with Barbara openly. I saw one review call the show “race blind” which I would not agree with. Most of the racism is implied through euphemism (the scene with Lucius Fox and Gentleman ghost), but it’s still felt as a point of friction for multiple characters, it affects how they interact with the world around them. There’s also a line spoken by either detective Flass or Bullock that implies no one in the GCPD wants to follow Renee because she’s gay. It’s cut off before the last word, but again, the meaning is implied.

An issue I always had with the Timmverse is its depictions of female characters. They always feel less real than their male counterparts, less important and less visually stylized. All the important (read: desirable) women have the same body shape. They’re thin and extremely, unnaturally curvy. I’m aware that these characters are supposed to evoke that 50s comic pinup imagery but I always thought it was a bit much. Male characters - even before the animation downgrade in BTAS season 4 - were always way more unique from each other than the female characters. That wasn’t something I felt with Caped Crusader. The three most prominent female characters (Barbara, Renee and Harleen) were all different from each other, with different heights, body shapes, hair and clothing styles. They also all had 3 distinct personalities that were built up through the series. I would argue that the show was as much about the “supporting cast” (characters like Harvey, Commissioner Gordon, Renee and Barbara) as it was about Batman.

Overall I was really impressed by the show. I was disappointed with how short it was. I hope that Renee’s personal life gets a focus with the next season, and I hope they bring back Greg Rucka to write it. I love how he wrote her in Gotham Central. I was a little annoyed that they introduced the Joker at the end of the series (as a peak into the next season). I think he’s too over saturated as a character, and sometimes his introduction into a Batman story takes over everything else, and he’s depicted as Batman’s Moriarty. I do have hope that this won’t happen in Caped Crusader, because it seems that villains will be reoccurring, but there’ll be a large cast, just like in BTAS. That aspect did remind me of the way characters were introduced in those early Batman comics, it really has the same vibe. I also really really do not want Harley to be involved with the Joker in any way. Please keep her as a separate character, this new interpretation of her is great as is, he doesn’t need to be involved.

I would also be interested to see if the show develops Barbara’s character into Oracle. I could see that happening with the introduction of the Joker at the end of season one. Maybe they’re going to rework the Killing Joke? I couldn’t see them having her as batgirl, but I would be interested to see how they worked Oracle into a world with 1940s technology. I’m thinking back to her as Oracle in the Doom that Came to Gotham, and how clever that was. I’m sure they could do something just as interesting with her here. Something more supernatural feels like a long shot, because Timm usually sticks to the more “realistic”, street-level versions of Batman, but they did introduce Gentleman Ghost. So it’s a possibility.

One thing I did think could have been better was some of the voice work. Not the voice acting itself, but the design. It felt too polished alongside the score and the animation. I wish the voice acting had been more atmospheric, had more depth. It felt too clean. Hamish Linklater was great as Bruce/Batman. Following Kevin Conroy is no small feat, and Linklater’s performance felt reminiscent of Conroy without sounding like an impression. It was quiet and unassuming, yet strong.

I’m not usually someone who watches things more than once, but I’m definitely going to be rewatching Caped Crusader soon.

[transmascutena]

okay so i love drawing parallels between characters -- and i especially love drawing parallels between characters who seemingly have nothing in common -- and in a show where every character is a mirror of one another, i think kozue and utena might be the two who are the least alike. so i wanna talk (ramble) about them.

what does it mean that kozue and utena both have an injured ankle on their 'date' with akio?

i think it has something to do with restricted movement meaning restricted agency.

utena's injured ankle means she can't walk on her own, which means she would not be able to escape her situation if she wanted to. kozue on the other hand can walk, and chooses to go in the car, but i think they're both ultimately in a similar situation of believing they have more agency than they do in their relationships with akio.

kozue is more convinced of this because she's used to using romance and sexuality to get what she wants. she believes that she is using akio just as much as he is using her, and is fine with that arrangement (this is, i think, similar to touga's mentality. they both believe they're getting something out of their relationships with akio, which is why they stay.) but, of course, no matter how nefarious your intent is, it will never make up for the power imbalance between a child and an adult.

utena is... well it's more complicated. i don't think she's at all aware of what she wants, and she certainly does not think that akio is using her. (if anything she might think she's using him, and feels guilty about it.) she doesn't stay despite the abuse, she stays because she doesn't know about it. kozue knows akio is a bad person and doesn't care -- utena thinks he's a good person. akio takes advantage of both of these things in a pretty similar way. he makes all of his victims think that they are entirely in control of their own actions, even when they aren't. he makes kozue believe she is just as selfish as he is, and he makes utena believe that everything he does to her is her own fault. both of these things also conviniently serve to make sure neither of them ever tell anyone. (not entirely true. kozue does tell miki on his car ride, but it doesn't end up mattering at all)

then there's how they each got their injuries. utena's was either directly or indrectly akio's fault, depending on interpretation, whereas kozue's came from a decision she made that had nothing to do with him. i think this mainly reflects that kozue is not part of akio's plan in any significant way, whereas utena obviously is. he needed to personally restrict utena's agency, whereas he only took advantage of the way kozue has limited her own agency via the choices she makes (and the structure she lives in that pressured her into said choices, of course. i hope i don't sound like i'm victim blaming.) this again ties into kozue being able to walk despite her injury where utena can't -- kozue is much more free to leave her situation.

[claitea]

i know i shouldnt dwell on stupid opinions like this but a while ago i saw someone complain that Applin was a boring concept bc its just a worm in an apple and i was FLOORED. this iirc was in response to smth about gen 1 designs being boring as well

its not just a worm its a Wyrm its a pun. that is a concept. maybe you don't like it personally but to say its objectively bad is certainly Something. not every pokemon has to be based on a myth or something else fantastical to be a good concept. you Need "boring" pokemon for the dex to feel complete, if Everything is Cool then nothing is actually cool

"gamefreak is running out of ideas" yeah there's a billion fish pokemon but they're all actually very different to each other, lanturn is an anglerfish and lumineon is a butterfly fish. say what you will abt gamefreak rn its probably warranted but imo the one thing they still do right 100% of the time is unique concepts for each pokemon. the execution can be debated but the fundamentals are always there

[insertcoolermonikerhere]

had a lovely little conversation with @xicheesecake that essentially amounted to me yelling incoherently at her but i love love love breath of the wild and will never never be normal about it so all of YOU have to suffer. :).

[urfavdirtbag]

jason and cassandra are an underrated duo and id love to see it more.

it's nothing too they just like hanging out cass plays her heavy metal jams in his car and they rock out. they eat sandwiches together on top of a building after patrols. jason helps cass with reading. ( they have a book club with steph. jason and steph argue over some random side character while cassandra quietly focuses on trying to understand her own book. )

[3416]

okay none of this is coherent bc i'm on the verge of sleep at 9pm rn but that right hand man as dog post literally has my gears turning bc that's mitch fucking marner bro. that's mitch and there are so many levels to it. mitch who has made his whole career being the assist guy... takes pride in the fact that he can help the team even if that results in his point accumulation seeming lesser bc they're not goals. taking advantage of the skills and iq he possesses to try to make the people around him better and literally set them up for success...always the first one there to congratulate them on it too.... literally naming his whole foundation the marner assist foundation bc he embraces that role on a team with a generational goal scorer who's made it clear he wants to play with MITCH and appreciates mitch's talent and communication. like. actually his right winger... his right hand man. okay and even happy with being the second best, as he's been for large portions of his life w an older bro who's good at everything right on into a stacked draft class.

and mitch personality wise gets the dog description sometimes too. loyal, happy go lucky, wants to be around his guys all the time, and it's where he's the happiest and thrives the most. he's energetic, he's buzzin, he's willing to entertain, he's the life and love in that room in so many ways that are loud.... that bark but don't necessarily bite (THOUGH THEY CAN BITE. criticism can be doled out and taken as long as it's from the right places with him) but like. especially when he was younger too, he was literally the team emotional support puppy who loved cuddles and attention and with age comes protection from the outside a little bit..,. dialing back what he's willing to show or admit to people on the outside but it's still there and what keeps the camaraderie alive despite an ever rotating roster. and i kNOW. i know. so much dog imagery and symbolism has to do with being protective and fierce, and in hockey for mitch that doesn't necessarily translate on the ice the same way bc he's not big and rough and physically forward the way some people wish he was, but he probably would take a bullet for most of those guys. and in ways, he has taken on the shield or become the punching bag... he was with babcock, he's taken on the scapegoat with media so a lot of critique is thrown squarely at him for group failure. he's the martyr even if that's not exactly what he signed up for.

he's grown more guarded but he's LITERALLY. literally. a dog. a dawg. auston's dawg.... their dawg. the epitome of lots of good things about hockey culture (and i'm sure some bad too), but he embodies so much of the loyalty.. the side kick.. the best friend energy in some ways.... it makes me emo. and....... and to think of him with his own dog trying to recreate unbridled joy from his childhood (cut to those pics of him as a kid w his chocolate lab vs him now w zeus).... like he's desperate for love and recognition of his loyalty and companionship. he's gotten used to being second fiddle, not necessarily in any resentful way but like. these past few weeks he's kind of gotten to step up and be the guy™. he's the heartbeat...... the dog's not usually meant to be the main character but maybe he is worthy of it.

[pesedjet]

i think nephset is very fun to think about and analyze because nephthys basically revolves around seth (and seth to nephthys in a similar vein) (minus the whole "being hypnotized by osiris and forced to carry their baby (anubis) and lying to seth about it. which is not really her fault) (also i dont care what anyone else says anubis is seths son) but i find it very odd that when present day nephseth is brought up especially in the newer chapters theres this. pushback to it. and the reason why really feels like its because she gets in the way of the yaoi rather than it being the fact that they probably would not work together anymore

like dont get me wrong. i currently believe that seth and nephthys cannot come together again without it being really awkward. it has been awkward for so long and their relationship has been strained so much by seths insanity that it definitely does not work. if it were to work they would need intense couples counciling (that would also not exist). however i feel like most people struggle to realize you can both ship/like/think about nephseth along with horuseth and it doesnt devalue the latter at all

[charlidrawz]

Yes I preordered Sonic the Hedgehog 3 for my husband & I as soon as I could

No I don't have a problem

[slightlyunconventional]

hi snz squad (Sorry. Not funny.) i got some food for the h/awks fans FINALLY sorry for the wait i had writers block for like a month straight 😜 love that. anyway heres about 1.7k of allergic h/awks and some really badly written fighting/sparring LMAO enjoy!!

“You ready, birdie?” Dabi says, his lopsided grin wicked as usual.

“As I’ll ever be,” replies Hawks. The villain’s left hand is swallowed by bright cerulean flames, so hot there’s already faint plumes of smoke puffing out around it. In turn, Hawks draws his two longest feathers and sharpens them with ease, and raises them into a defensive position. He wonders, briefly, who’ll make the first move, then decides that these sparring sessions are for him to improve against fire; Dabi’s skills are perfectly fine as they are (Perhaps. He does sometimes think the man could do with some extra precision training, but he’s here to incinerate, not sauté, so who’s Hawks to judge?). Hawks lunges forward, feather-blades brandished, aiming straight for Dabi. Don’t hold back runs through his head over and over as he moves, the words Dabi keeps having to say to him every time they do this. It’s not Hawks’ fault he’s got such a hero complex. 

“Don’t hold back,” Dabi had said, flexing his wrists after their spar, “There’s no point in doing this if you aren’t gonna show me your full potential.”

Hawks had sighed. “Easier said than done, hot stuff.”

Dabi raised an eyebrow. “Is it?” he said, “You seem to be just fine facing off against any other villain when you’re on fuckin’ hero patrol.”

“That’s different, and you know it,” Hawks had replied, “This is training. I can’t just- make myself fight you properly without good reason.” He let out another long breath and drank from his water bottle.

“It’s cause we fucked, isn’t it?” Dabi had said, smirking. That had made Hawks splutter on his water. He glared indignantly at Dabi.

“Absolutely fucking not,” he declared. “You wish that was why.”

“Relax, I’m just messing,” said Dabi, with that shit-eating smirk still on his face. “Just fight harder next time, or whatever. Ain’t gonna learn anything if you don’t try.” He left the room, and Hawks had frowned after him.

Dabi sidesteps Hawks, but only just. Had he moved a millisecond later, Hawks’ blades would probably have been stuck in him. Whether that’s for the worse or the better, Hawks can’t decide - Dabi’ll probably chastise him for it later, but there’s only so much potential you can exhibit before stepping the boundary of actual murder. The villain’s blue flames have caught on the very edge of Hawks’ feather, and are creeping down its lengths with some pace, threatening to reduce the entire thing to ash. He quickly shakes it out and lifts the blades once again. If he can convince Dabi he’s planning on sticking this whole spar out melee-style, then maybe he can discreetly send some feathers behind for an ambush. He just needs to find the right moment. 

Then, Dabi raises his own hand and throws a stripe of glowing blue fire straight at Hawks. Right as he does so, Hawks takes his chance and releases a few medium-sized feathers, sending them to hover in position behind Dabi, ready to make their move from the rear. He ducks down, and just in time, too, as he feels the searing heat of Dabi’s attack barely inches from the top of his head. He does his best to ignore the sting in his eyes and how every blink threatens to send irritated tears sliding down his face, but it’s unexpected… that doesn’t tend to happen, and there’s normally a whole lot more fire involved in their fights than there is now. But, Dabi’s unrelenting nature doesn’t allow Hawks more than a moment of thought, and he’s almost instantly back upright, sharpened feathers pointing outwards, stalking Dabi back towards the wall. He keeps having to blink against his blurring vision, though, and it’s affecting his focus. If Dabi picks up on it, he doesn’t say anything. There’s still a thin plume of smoke issuing from his feather, too; those flames are no joke. Hawks crosses the feathers in his hands, preparing to drive forward and strike - if all goes to plan, Dabi will assume that’s all he’s going to do, and counterattack accordingly, then Hawks can compromise him with the feathers he has poised behind the villain. If all goes to plan.

And thankfully, it does, if you look past the single tiny snag. As predicted, Dabi releases a billowing explosion of fire straight forwards. Hawks’ blades are both ignited, but that’s neither here nor there, since he’s focused on bringing his other feathers back from behind Dabi, and up to his throat, mere millimetres away from his skin. They aren’t sharpened, but he doesn’t need to know that. Hawks knows he daren’t step into them to test. 

Dabi’s eyebrows lift up, his expression a mix of amused and impressed. “Not bad,” he says, glancing down towards the feathers at his throat. “Not exactly a technique that’ll work every time, but I didn’t see it coming, so that’s gotta count for something.”

Then comes that tiny snag. Hawks stops listening halfway through Dabi’s sentence when his sinuses start stinging like crazy, with such sharpness that it makes his eyes water even more than they already are. He sniffs, half testing the waters, half hoping it’ll make the sting go away, but unfortunately it only makes it worse. Just as Dabi lifts his hands up to incinerate the feathers in front of his neck so they can begin another round of sparring, Hawks sends said feathers rapidly towards the villain’s arms and pins him against the wall.

“Sorry, what–” he begins, startled.

Hawks lifts the fur-lined collar of his jacket and ducks down into it. For a moment, nothing happens, but–

“heHt’sSHHhue!”

Dabi pulls a face. “I swear to God, if you’re doing this and you’ve got a fucking c–”

“ah’hAH-! eH’SHHhyu! No, you cock, I don’t have a cold. I’m not that stupid.”

“You are, but okay,” Dabi says flatly, “Why do I have to be pinned to the fuckin’ wall?”

“‘Cause your psycho ass would probably attack me while I waahhs s-sn-hahh! hheh’sHHh’hiew!”

He pitches forward into his collar again, cutting himself off mid-sentence with a third desperate sneeze. They’re already getting harder to keep in check; and what the fuck is itching this badly? Sure, it’s mid-spring, and his hayfever’s probably acting up a bit, but no way in hell is it this bad. Maybe he’s just… sensitive today. He didn’t bother checking the pollen count this morning, so…

“You think I would do such a thing?” says Dabi dramatically in mock offence, “Sweet, innocent me?”

“Shut up. Yes, you absolutely woul- Jesus– h-haHh!...” Hawks’ breath catches sharply in his throat, but he’s exhaling shakily a moment later. 

“Lost it,” he says, only a little breathlessly, “You are the furthest thing from innocent and we both know that.”

The need to sneeze hasn’t left Hawks, despite the last one having eluded him. It’s laying dormant (for now), an incessant buzzing high in his nose that seems to also be accompanied by profusely watering eyes. He tries scrunching his nose to quell the feeling - it doesn’t help but rather slightly the opposite. Dabi arches an eyebrow at him.

“Yeah, yeah, whatever. You gonna let me go or what?”

“Uhh… oh! Right, sorry. Instinct, I guess,” Hawks says. He withdraws the feathers holding Dabi in place and the villain subsequently takes a few steps towards him. There’s still smoke rolling off of his arms, where he’d used his quirk, and it floats lazily upwards in greyish plumes. That smoke has always been mesmerising to Hawks, the way it curls and twists, almost as gracefully as Dabi’s flames themselves. It seems different to regular smoke, though, realistically it probably isn’t, and Hawks has just convinced himself it is so he has something else about Dabi to admire with childish adoration. The smell of it often clings to Dabi, though, fainter, obviously, but it’s still distinct if you’re up close. It’s filling the air now, the bitter scent comforting, strong, but stinging, and–

“-ah’hHahH-?!” Caught completely off guard, Hawks desperately draws in a staggered breath before he’s truly able to comprehend it. 

“hh’heHSHHh-iihHSCHHh’ue! Huuhh… fucking Jesus–” The double volleys through him with unexpected force, leaving him more than a little winded (but almost certainly not finished).

Dabi’s staring at him now, his expression half concerned, half incredulous. Can’t exactly blame him. He opens his mouth to say something, but Hawks is already cutting him off with another sneeze.

“haH’iihtTSHHhyu!”

“So, about that cold you don’t have?” Dabi says, after Hawks has recovered - for now - with a series of pitiful sniffles and a less than kind rub at his nose with one gloved hand. 

“No, it’s–” his voice wavers slightly as he speaks, “it’s not that, I think it’s, ihh-it’s–”

Dabi shakes his head. “Sneeze first, speak after.”

“Rihhh– right, yeah I– hah-hhaHH’sSHHuuhh! ehHISHHhue! Jeez, okay, done now..” Hawks isn’t one to sneeze loudly per se - they’re usually softer, fairly subdued - but these ones are well on their way there. They’ve got the same intonation as usual, but with the intensity amped up a shocking degree. He’s not quite used to it.

“Done, done?” 

“Yeah, whatever– ‘m not sick, I think it’s your-” Hawks gestures vaguely at Dabi with one hand, and the latter’s eyebrow raises again, “-yourhhHehHTSChhnn!”

“What did I just say?” Dabi says, exasperated, and maybe a little fond.

“Leave me alone, that one didn’t give me any warning-!” whines Hawks in response, “You are so mean to me.”

“I know. Now spit it out, you’ve got me on the edge of my seat,” replies the villain dryly. 

Hawks rolls his still-watery eyes. “Shut up. It’s your smoke, I think,” he finally gets out.

Dabi looks slightly perplexed by this, and he voices it, “Never bothered you before.”

“No, I know, but,” He needs desperately to sneeze again. It’s all-consuming, but he’s determined to at least get a sentence out; “spring allergies’re making me s-sensitive to it.. I think that’s it, anyway–hhah sorry, I reahhllyneedto-hhiihSHHh-ehhH’shHHuue! Ugh.”

“Oh. Okay,” says Dabi, “so probably best we take a break for today, then?”

“Mm, yeah,” Hawks replies, knuckling at his nose. 

“Postmature bless you, by the way,” Dabi says with a funny look. Hawks nearly laughs.

“...Postmature?” 

“Yeah, like the opposite of premature. Is that the opposite of premature? Screw off, you’ve got me questioning myself now,” he replies, trying and failing to hide a stupid smile.

“It is now, I s’pose,” says Hawks, not at all fondly, “Thanks.”

[salamispots]

like...a month or 2 ago I devoured all of evan dahm's webcomics and now I'm just like I need to have all your comics in physical print pls

[transmascutena]

Good evening (or morning, depending on your timezone).

Absolutely no hate, but I want to ask how you reconcile your enjoyment of the show with the reality of what Ikuhara has (most likely) done?/gen

I understand Death of the Author, but what drew me to Utena in the first place was its theme of critiquing the patriarchy and calling out abuse, which feels somewhat hypocritical now. I resonate with this show, and many of Ikuhara's other shows, on a personal level, which is why I am especially disappointed with the accusations since I now have to wonder how that reflects onto me as a person...?

Obviously I don't know you personally, but you seem to spend a lot of time and care on your analyses (which are great btw) so have you also struggled with this?

Again, there is like zero judgement when I say this and I'm absolutely not trying to come off as hostile (in case that is how this reads). And, there is no pressure on you to answer this and I'll completely understand if you want to ignore the ask.

Thanks.

hi, i've been thinking about this as well since yesterday, and it is kind of tough to figure out how to feel about. i think it's important to remember that ikuhara did not make revolutionary girl utena alone, for one. he had a whole team of writers and animators and producers and so on, that it would not exist without. obviously ikuhara played a big part in the show's creation, but far from the only one (if it was, i have no doubt it would be very very different), and . idk what my point really is here but i don't think his actions reflect on the show as a whole. it still is what it is, it still says the same important things about our society's systems of abuse that we've always talked about, even if the director didn't understand it or didn't want to understand it or however you want to put it. and by extension i don't think it reflects on to all the people who have enjoyed the show, who have seen their experiences in it, who have learned from it more about how this kind of abuse works and so on. and i think we need to be aware of what has (allegedly, but again, i believe it) happened, but i don't necessarily think we need to write off the show just because he had a hand in making it. because it is just as important as we've always known it to be, you know? though i think there are (as there has always been and there always is in anything) elements of the show to be critical of, and maybe some new things as well in light of this. i'll have to think about it more.

[xxplastic-cubexx]

just read the new mutants issue where Charles chose to stay behind in space and my god the juxtaposition between Charles trusting Erik and Erik joining the hellfire club and wondering at his own trust worthiness. I wonder how much of Charles decision was him ultimately trying to avoid the fact that his first class had seemingly betrayed mutant kind and not be willing to face them and how much of it was Dani and Illyana's reaction to him having Karma mind control Illyana. the fact that Illyana was depending on him to ease her mind through limbo and in choosing to stay he forced karma to do it instead, probably fucking up their relationship in the process.

I love him, this is crazy, how much of this is him trying to runaway and how much is this him not trusting himself to fix things and how much is it just him trusting Erik?

i keep trying to put into words my exact thoughts about the sitch but there really is a lot for one issue aintit... oh charles you and your brain...

[caffiene-fueled-fuckery]

Mash Attachment Styles are driving me fucking insane

I’m doing a reading for my uni class and all through uni and part of high school we learned about attachment styles but the more I read (especially the more I read about adult attachment and write papers on it and such) the more I keep thinking about what all the characters attachment styles are and W H Y.

Thinking about securely attached Potter trying to understand why Radar is the way he is, and poor Radar having just lost a second Father figure… Hawkeye being ambivalent leaning towards avoidant after Carly left him and then Trapper left without a note and during gfa he knows he won’t see BJ again and BJ won’t say goodbye goddammit. Or Frank who is so desperate for love but doesn’t know what to do about it. And Father Mulcahy who doesn’t get close to people not just because he’s a priest but because he was rejected by his parents and peers as a child, and now trusts very few people with his vulnerable side.

Just. MASH attachment styles.

[trashcreatyre]

I think the main thing that pisses me off about like 90% of mephiles ships is that people will be like "how old is he??" Look that fanwiki says that he's ten and they RUN with it. Like they don't read further. I'm so convinced that most people don't even know the plot of 06 bc the shit I've seen people draw and write with the characters is just mind boggling.