#idk i can make this make sense okay

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[inkskinned]

the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.

people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.

"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."

the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.

the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.

at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.

"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.

this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.

[doctorsiren]

he’s mad she ratted him out

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[beanghostprincess]

I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But.

But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.

Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.

Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.

But sometimes it does.

[jerreeeeeee]

as much as i enjoy the more wholesome fantasy high parents like jawbone and sklonda and the thistlesprings there’s something so compelling and achingly real about bill seacaster that makes him my favorite. he and fabian have a relationship that is so deeply unhealthy and entrenched in distorted ways of viewing other people and parenthood and the world, and yet is so fiercely and undeniably loving. like, is bill seacaster a good dad? what does being a good dad even mean for someone like bill? bill seacaster has such unrealistic and toxic expectations of fabian and a myopic, entirely self-centered way of relating to him for most of his life, and yet, you truly get the sense that even if fabian disappoints him again and again and never steps out of his shadow and never becomes the man bill wants him to be, bill will never love him any less than completely and unconditionally. bill seacaster is a man who has built his entire life and sense of identity around doing whatever he wants and never facing consequences and never thinking about anyone else. bill seacaster becomes disappointed in his son. and he finds the idea of that so unacceptable that, instead of demanding that fabian meet his expectations, bill loves him so much that he reconsiders his entire concept of himself and the purpose of his life, and he grows. a man whose legacy and identity was based around selfishness and narcissism and unwillingness to bend, and fabian makes him change.

[wildfey]

I think my ideal fandom experience is just to log back in every six months, post about the most niche ships I can imagine and then leave again.

With that being said: The world's most hopeless cop falls for two people who cannot keep a job or avoid being murder suspects. I think they would have fun together. I think their relationship would be utterly incomprehensible to anyone else. I think Maggey and Larry literally cannot go anywhere together without finding a body. Good times.

[relaxxattack]

every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh

OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...

i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.

you know... like every relationship.

like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.

i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?

no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.

*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.

[insomnya777]

joel etho single dads au .........

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[deerdeardarling]

Im probably the only one who would want this- but I'd be okay with a live action* Ever After High

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[deoidesign]

.

[angelnumber27]

violently forcing myself to have better days

[synthshenanigans]

something something the window in light & night is a mirror and its all just been Whole looking in a mirror thinking about himself/his brain

[funkopersonal]

Pls block this person.

They literally found my account, told me to kill myself, not once but twice, and then went into a post where i was asking for advice on my bat mitzvah and told me to kill myself once more.

So um... yea thats all i wanted to say today. bye bye