#id like an under cut again

[welcometogrouchland]

[ID: a piece of digital art depicting Luz, Willow, Amity and Vee from the owl house at Luz's quinceñera. The piece takes place outside the owl house at night with the characters all dancing. Willow's dress is blue with yellow and pink flowers as decoration. Luz's outfit is based on the good witch azura with a white and purple colour scheme. Amity wears a pink dress shirt and a dark blue skirt with transparent fabric both on the skirt and acting as the sleeves. Vee wears a yellow dress with white trim on the bottom. Light glyphs float in the air, the dancefloor lights the scene from below, and Hooty extends across the background. End ID]

on today's episode of "pieces I put way too much work into realistically!". Since it's unlikely we'll get a quinceñera for Luz at this stage of the show, I wanted to draw a cute scene of it, which slowly turned into posing and lighting practice

(Small disclaimer: I'm not a part of a culture that does quinceñeras! I hope that there's no glaringly inaccurate details here. As far as I know there isn't hard and fast rules for the dresses or dance floor? so hopefully everything here is plausible. Feel free to let me know if there's any egregious errors here. There's some doodles under the cut that are slightly more detailed, so same goes for those)

[ID: black and white digital doodles of owl house characters at Luz's quinceñera. The first doodle shows luz, Gus, Hunter and king, and is labeled "Gus, king & hunter = chambelands". The next shows willow, Vee, and Lilith with Luz and is labeled "Lilith, Willow and Vee = damas". There's a doodle of amity where's she's labeled "escort". There's a small full body doodle of Luz in a suit labeled "she gets a costume change!". The last doodle is Luz and hunter dancing together, labeled "Luz + hunter sibling dance". The background is purple. End ID]

[gibbearish]

it is with a heavy heart that i must announce. the five nights at freddy's movie was really good

sorry for how much of a behemoth this post is im fnaf autism just bear with me also i can't keep my thoughts straight for the life of me so this will be a bumpy ride. as an additional note i got very lucky and had literally 0 spoilers whatsoever for this movie, i haven't even seen the trailer

so first of all: i thought all the changes they made to the plot to make it work for a movie were good decisions, altho some of them did take a minute to actually feel like good changes lmao. once i thought about em a bit more though they made sense.

one of the things i really liked was that they also did include a lot of the things i wanted them to, or more specifically things that you're like "you literally can't have a fnaf movie without these, it just wouldn't be right", like we got mike schmidt, we got fucking VANESSA??? altho she might be in the trailer so that might not be the same reveal for yall as it was for me but still. they heavily alluded to vanny? (altho that's a part i'm kinda sad abt is they didn't /actually/ include vanny, vanessa just makes an offhand comment about how she "wouldn't be much help" if she was around afton and then. comes to help anyways and doesnt have any issues? lame they shouldve had him hypnotise her and then she fought her way out to help mike and abby. or alternatively they couldve used the family restructuring to make vanny be a result of afton giving vanessa osdd-2, like thats kinda functionally what he does with the mask anyways but this would make it more obvious).

also swinging back to changes they made that i liked!! VANESSA AFTON?? like this is the one that took me a while to get used to bc it feels like such a cliche from an outside perspective but it also kind of Super Isn't considering what the original plot is? like all the family restructuring they did makes pretty good sense to me, i do think it loses a bit of the weight having michael be Just Some Guy Whose Brother Happened To Be Kidnapped By Afton Forever Ago and now coincidentally has this weird guy offering him a job as a night guard, but also the og lore. absolutely would not fit into a movie lmao. so i like that they kept the characters everyone wanted around while also rearranging it to keep the spirit of "learning about all of this for the first time through the eyes of a security guard" you get from playing the games. it's fun for people who don't know the lore because it's easy to follow and it's fun for people who /do/ know the lore because they can pull apart all the differences.

oh right back to things they included that i wanted them to. we gotttt chica's cupcake murdering people, we got FUCKING MATPAT? SAYING THE ITS JUST A THEORY LINE? SOUNDING THRILLED OFF HIS ASS TO BE THERE??? i dont like the man and his opinions vis a vis addressing nonbinary characters but. goddamn was that a funny cameo. why couldnt you include markiplier too you fucking cowards. who said that. anyways. oh we kind of tangentially have a canon name for crying child? aka garrett? like idk this one could go either way because like. yeah he's mike's younger brother that died tragically and scarred him for life, makes sense that theyd be the same character in function but also it is technically a different family so who knows.

umm what else. oh this doesnt rlly fall into either category i just really liked it, the intro sequence for all the animatronics? showing what they can /really/ do with the breaking and entering dudes?? that was such a cool sequence i really liked the whole thing honestly. chica being introduced in the kitchen and the dude finding the cupcake then looking back and it's gone? bonnie in the supply closet? foxysprint??? AND FREDDY!! THE BITE!!! in case anyones reading this before watching the movie so they know what to expect: youll know when this moment is coming and if youre watching it at home with friends i HIGHLY recommend having the "was that the bite of 87" clip ready to play right after, they WILL lose their shit. i had it queued up from the very beginning of the movie cause i was like. they can't not include it /somehow/, it's the fnaf movie there has to be A Bite. and sure enough. oh also it's not at the same time but the golden freddy reveal is really good too, they did a good job of setting it up so even if youre already aware of golden freddy conceptually you still go "oh freddy's here? i mean i guess that makes sense he's the leader and all. or wait what happened to his eye why's he only got one? oh. oh i see. ohohohohohohohoho" 100/10. also very funny that they just straight up. MURDER THE AUNT? AND SHE NEVER GETS MENTIONED AGAIN SHE JUST IS DEAD??? the kid isnt like. hey what happened to aunt jane?? i get none of them liked her and with good reason but youd think at least one of em would be like "damn she sucked but she didnt deserve that, rip jane"

oh and the springlocks of course the springlocks. like as soon as we saw aftons name in the cast list we all knew he was gonna get springlocked, it's such a cherished memory for so many of us and there's no way in hell The Fnaf Movie™ wouldnt include afton getting springlocked, they just legally can't leave that out. and they do it pretty well too like yeah if you know what's gonna happen you can see it coming way ahead of time and it's kind of a slow crawl to get there but like. idk i think it still works pretty well. i don't personally like how long the actual springlocking itself took, i think they couldve milked that a little bit less cause i was under the impression that if one springlock failed they All Would Instantaneously And Your Flesh Body Will Become Occupied By A Full Endoskeleton. but no we just get very slow rib beartrap. w/e though still cool and again the leadup to it was really good even knowing exactly how it would end, like just the really slow shuffling of the animatronics towards him? like yeah it's slow and kinda tedious but its also like. theres literally nothing you can do, youre surrounded and defenseless and theyre infinitely faster and stronger than you and now they remember that you killed them. and you just have to sit there and watch them slowly slowly get closer all while trying to talk your way out of it knowing youre fucked. 10/10 they did that part well

oh and that also falls under changes i liked, i liked that instead of "afton tries to escape intangible ghosts by getting into old decrepit suit which then fails and kills him" it was "afton was already in the suit to do murders in and has brainwashed the bots to follow him" wait omg point postponed i just realized that part is from security breach. i thought vanessa was the only thing they brought over from that i didnt even notice that they werent doing the theyre-attacking-all-adults-indiscriminately thing goddamn. omg wait and the fact that the restaurants already closed in this one, it really is just a blend of all the games huh. scott do you see how much more coherent your plot couldve been if there wasnt So much going on. anyways. back to what i was saying. instead of "afton tries to escape intangible ghosts by getting into old decrepit suit which then fails and kills him" it was "afton was already in the suit to do murders in and brainwashed the ghosts into thinking he was their friend so they would help him do murders while possessing the robots. then they get their memories back and the robots turn on him and.. i think deliberately? set off the springlocks, or were just aiming to regular kill him and the springlocks failing was a happy accident? then the robots drag him away as they keep slowly one by one collapsing into him", like the first one made a lot of sense for the game and the timeline and the second one just feels right for this too. it's still his hubris that kills him, still his springlocks, it's just in one version the hubris is "trusting his springlock design to still work after however many years" and in the other its "thinking he has conplete control over the ghosts he killed", plus the ghosts finally get a bit more direct participation in his death than in the other version lol.

one change i did not like. forced het romance. like i dunno i guess im happy for them, both of those characters have certainly earned happy endings by this point so its nice they can get something cutesy. but also. like cmon man it's vanessa and mike do we have to do this she just got stabbed stop holding her hand

oh also this change wasnt really good or bad i just thought it was funny, vanessas a full on cop now? like i get they prolly just dont wanna have two security guards or something but i mean. it wouldve been really easy to just say she was the day shift guard? thatd explain why she had more information on the bots and the place's history than him, why she's always Around, it wouldve even flowed into the vanessa afton reveal pretty well too because like. yeah obviously a guy doing murders would want his main security guard to be someone he trusts and who better than his theoretically brainwashed daughter yknow? as it was she just kinda Showed Up Knowing Stuff And Ignoring Questions and later afton's like "you were supposed to be keeping an eye on him" but like of course Mike was getting dodgy about the weirdo cop loitering nearby for no reason, thats sus as hell lmao. vs "experienced security guard here to show you the ropes" he would have a much easier time trusting that she actually did have his best interests at heart. idk it just seemed like a weird change to me lmao

ummm oh my roommate pointed out the fact that when they tried to springlock abby the suit they were aiming for looked suspiciously like circus baby and abby and baby are anagrams so thats fun. it's hard to tell though if shes intended to be a rework of elizabeth or if vanessa's filling that role now. cause like on the one hand, michael's younger sister whose name is v close to baby, on the other hand, vanessa is afton's daughter. so idk i feel like it could go either way. if abby's elizabeth i guess that negates the thing about garret maybe being crying child's name bc then theyd prolly just be keeping mike's name the same. w/e

oh my god i completely forgot when i was talking about changes to the afton springlock thing, they had him deliberately put his mask on after the other springlocks started releasing and say the "i always come back" line, i thought that was an excellent touch. like he's actively dying a horrific death and is like. no no. im not leaving this bot. this shit is going to suck ass no matter what so i might as well do all i can to ENSURE my soul gets locked in this fuckin thing, go on stab me in the brain lets do this. i will however also say that having him say "i always come back"... before he's even come back the first time? is a little bit weird, i know thats another one of the "we have to include this in the fnaf movie" things so im not mad but just in the moment it def flows a bit weird. like mf you don't even have one example of that yet much less several to be saying "always" about

OH AND THE BIGGEST ONE. THE ANIMATRONICS. theyre so good. like im so glad they went all in on that, i think they probably knew that if there was one single thing they had to get absolutely 100% right to avoid a fan uprising it was those and by god did they deliver, theyre so big and so unsettling and so fun. chica's wink at abby was the best part of the movie no questions asked. or alternatively bonnie falling over after they built the fort. like theyre all just so good. OH MY GOD OR IN CHICA'S INTRODUCTION SEQUENCE WHERE YOU CAN SEE HER JUST. SCOOTING BY THROUGH THE VENT?? THAT WAS THE FUNNIEST THING OF ALL TIME HELLO???

god. but yeah i was honestly expecting it to be a lot worse than it was. also this mike is a bad brother/dad figure. but i guess in the games he also kind of is the pinnacle of bad brother so i mean it couldve been a lot worse. theres definitely some rough parts, i mightve mentioned this already but i felt like a few of the dramatic pause things were a bit too drawn out, like i said the springlocks locking is one good example of that but another that i REALLY found slow was like. in the opening we watch a guy get turbomurdered by the swirly blade mask and it takes. way longer than i feel like was necessary. also unnecessary: a jumpcut a second from scared eyes to swirly blades to hands fumbling and repeating during that. oh another thing that was weird to me, why was mike so insistent on sleeping specifically at night? to the point of deliberately sleeping on the job? like i get he wanted to revisit the kidnapping dream but like. presumably he could dream just as well during the day, no? done his night shift then once it was up rolled out a sleeping bag for a quick powernap before heading home? idk that just felt. forced to me

more random things, i am sad we didnt get a whiff of henry emily (my fringe theory was that their twist to change it from the games was they were gonna make henry be evil, rip to that idea) or the puppet/charlie, and kinda sad they changed the kid possessing golden freddy to be a boy like. we love cassidy and her Undying Rage Towards Afton's Soul smh why would you get rid of her. also loved balloon boy, kinda wish mangle had gotten like a similar level appearance but thats w/e. oh also while i did appreciate the low gore level there were also a few times where it was a bit weird how minor the injuries the dead people had were. like this man just had his face put in a blender mask and he just has like. some forehead gashes or whatever? he should look like someone stirred up jello

anyways with that gross thought i think i am out of things to say about the movie for now. if anyone else watched it already and somehow read all of this blease tell me your thoughts

[rsenak]

long time no horse! 1/3

alt. versions under the cut

[listen-to-the-inner-walrus]

Having some feelings today.

[pivsketch]

we started a new type of morning art activity at work, which is "stream a movie and then pause every once in a while for everyone to do a 5 min composition study together". so far we are like 20 minutes into blade runner 2049 (one of my faves!) and will probably be doing these for the rest of the week and then some 'til we finish the movie

hardest part is managing level of detail w.r.t. the 5 min time constraint. second hardest part is trying to correctly eyeball the placement of everything in the still image. even though i specifically matched my canvas' aspect ratio to the movie's, i swear my canvas doesnt look wide enough. its like dealing with an optical illusion... very distracting

i also need to figure out a better solution for exporting and collating these frames. if i was using photoshop itd be trivial to export all the layers/groups out all at once by selecting them and doing a right click -> export layers, but im using clip. next time im gonna try and use the animation system so i can easily export out an image sequence, but im not looking forward to dealing with the animation timeline. as for arranging them onto one image, im not even gonna bother figuring out an independent solution and im just going to use photoshop's file -> automate -> contact sheet ii.

the toughest part about trying to remove photoshop from my workflow is that ive spent over 2 decades working in it so im extremely familiar with its many obscure features 😔 i dearly miss smart objects, layer comps (personally i use the frame timeline for this functionality), how it treats layer masks (a grayscale layer you can colorpick transparency from / step inside to edit in isolation and paste stuff), and probably like a zillion other small things i bump into. the layer mask thing i relied on soooo much it was such a huge loss for me when i moved to clip. but i simply did not want to continue paying to use photoshop on my home computer

[triggeringtommy]

..... i miss him .......

[moralcandy]

eye doodle from the last post but separate because i like it a lot ^^

[malcriada]

TIME SENSITIVE, PLEASE HELP BILAL

We want to extend our deepest gratitude and thanks to all the people who came out in support of Bilal‘s campaign and shared and donated. 

I‘m really happy to announce that not only have some of the funds raised benefitted his family in Gaza, but it has also helped Bilal find a new place to stay, away from his terrible ex-employer and landlord, and has enabled him to extend his residency for another month. He  is no longer at risk of deportation right now. It’s only thanks to your incredible support that all this was possible.

But despite all these good news, we need your help again. 

There is currently no option to transfer funds from Germany to Gaza, as bank transfers to Gaza are being blocked by the German government. This means Bilal has to first transfer the funds to a bank in another country, and then from there to Gaza. The funds currently take a very long time to reach his family, and require Bilal to pay a high fee for the transfer as well. 

On top of that, his ex-employer and landlord had extorted a large sum (€4800) from Bilal – a sum he claimed he still owed him from the time he was employed under him. With no other source of income at the time, Bilal saw no choice but to pay it using some of the money from the campaign. 

Bilal feels extremely conflicted to be asking for help so soon again after reaching his last goal. But he unfortunately sees no other option due to the aforementioned problems. 

We need your help in fighting the repression from the German government and also making sure that the funds you helped Bilal raise also reach his family in full. 

This is why we need to raise €8,850 by the 15th of September i.e within the next 2 weeks. he currently has raised €101,150 of €110,000

This amount will help make up for the funds that were extorted from him by his landlord and help him pay the fees for multiple international bank transfers.

Please help Bilal reach his goal in time. You have gotten him this far, please don't let him down now. his campaign has been verified and can be found on @/el-shab-hussein’s and @/nabulsi’s list of vetted fundraisers here (#132, line 136) so PLEASE don't hesitate to share and donate.

[ID: a gfm link with a picture of two small children sitting in the sand in front of a cooking pot. they are looking up a the camera, eyes half-closed. the title reads "Donate to Help Evacuate My Family from Gaza to Safety, organized by Bilal salah" End ID] tagging for reach under the cut, please let me know if you'd like to be removed:

@timetravellingkitty @deathlonging @briarhips @dirhwangdaseul @mahoushojoe

@rhubarbspring @schoolhater @pcktknife @transmutationisms @sawasawako

@feluka @birabiroo @irhabiya @commissions4aid-international @wellwaterhysteria

@deepspaceboytoy @post-brahminism @khanger @evillesbianvillain @neechees

@mangocheesecakes @kyra45-helping-others @jezior0 @7bitter @tortiefrancis

@toiletpotato @fromjannah @omegaversereloaded @vague-humanoid @tododeku-or-bust

@aristotels @komsomolka @xinakwans @heritageposts @nibeul

@ot3 @amygdalae @ankle-beez @lonniemachin @dykesbat

@watermotif @stuckinapril @mavigator @lacecap @yugiohz

@socalgal @chilewithcarnage @ghelgheli @sayruq @northgazaupdates2

@vakarians-babe @wayneradiotv @paper-mario-wiki @rthko @decolonize-the-everything

@velvetys @3000s @punkitt-is-here @ghelgheli @feluka

@cruzwalters @yugiohz @akajustmerry @shesnake @tamamita

@opencommunion

[tony-andonuts]

Gonna put something under the cut, I'd rather preach to the choir (on a public social media site lmao) but if you decide to read it PLEASE pretend like if it ever comes up in the future that that is your true first reaction. Also gonna retcon this post from tony-andonuts canon so if you read this NO YOU DIDNT!

I can tell that this bout of active addiction is legitimately impacting my mental abilities butlike. I will go fucking mad if i have to be sober, the fact that i get to go home and drink n take whatever pills/drugs i have on hand is what allows me to go to work the next day all happy-go-lucky and even though this shit is killing me I'm able to interact with others without needing to have a mental breakdown and break things, or even worse harm others.

Like before i was heavily using I remember this one specific moment where a resident asked for something reasonable as I was closing up and after giving it to them I went into the walk-in, screamed, and punched right through a carton of juice

But now I just cry once a month whenever someone acts especially negatively toward me because i know the second I get home I'll be drunk n high and whatever happened at work that day will be quickly forgotten

[littlelamy]

a/n: the beginning is loosely based of S4 with rafe and sofia! I’m kinda obsessed with rafe being needy behind close doors 🥵I hope you guys enjoy!

you couldn’t stop replaying his words over and over again in your head. each syllable hit harder, cutting deeper than the last. always running her mouth? what. just a hookup, id never date a pogue.

you stood there, behind the slightly ajar door, heart pounding so loudly you were sure it could be heard. but rafe didn’t notice—he was too busy tearing you down with topper, speaking like you were nothing more than a nuisance in his life. he’d never know how those words would haunt you, how the trust you had in him shattered like glass.

your eyes burned with unshed tears, the sharp sting of betrayal settling into the pit of your stomach. but there was something else bubbling just beneath the surface—rage. not the hot, fiery kind that comes and goes. no, this was colder, more calculated. the type that stews, planning its revenge.

your fingers itched to grab your things and leave, but not without making sure he understood who held the power in this relationship. you weren’t going to walk away defeated, not when you could leave him begging for mercy.

so, instead of running, you turned, heart hardening with each step as you walked back into the room, your hands trembling slightly as you pulled out a suitcase from under the bed.

if he thought he could treat you like this, he was about to learn how wrong he was. you weren’t some weak girl who would let this slide. no, rafe was about to see a side of you he never had before.

the door clicked shut behind him, and for a moment, you could hear his confused muttering. "yo, topper, i’ll catch you later."

rafe’s voice rang through the hallway, much closer now, but still carrying the same arrogant tone. you ignored him, hands moving swiftly as you tossed your clothes into the bag, each item thrown more aggressively than the last.

when rafe finally stepped into the room, his eyes immediately fell on you, and panic flickered in his expression. "what the hell are you doing?"

his voice wavered as he took in the scene—your half-packed bag, the angry flush on your cheeks, the tight set of your jaw.

"what does it look like?" you shot back, barely sparing him a glance as you continued packing.

he hesitated, taking a step closer to you, but the sight of your seething rage stopped him in his tracks. "hey, let’s just—let’s talk about this, okay?"

you laughed bitterly, slamming the suitcase shut before finally turning to face him. "oh, now you want to talk?" you snapped, the sharp edge in your voice slicing through the air between you. "funny, because earlier, it seemed like you had plenty to say."

his face paled as realization dawned on him. you watched as his lips parted, searching for words but finding none. for the first time in a long time, rafe cameron was speechless, guilt flooding his features.

"i didn’t—" he started, but you cut him off.

"save it," you hissed, stepping closer to him now, your eyes blazing. "i heard everything, rafe. every. single. word."

rafe’s breath hitched as the full weight of your words crashed down on him. his eyes widened in panic, and he took another shaky step toward you, reaching out as if to touch you, to ground himself in this spiraling nightmare. "i didn’t mean it, baby. i swear, i wasn’t thinking—i was just venting—"

"venting?" you scoffed, stepping back from his touch. "do i look like someone you just 'vent' about, rafe? am i just some girl you get to shit on when i’m not around?" your voice cracked slightly, the hurt bubbling beneath your fury slipping through the cracks.

rafe’s hands trembled as he dropped them to his sides, a strangled sound escaping his throat as he shook his head. "no, no—please, you know i didn’t mean any of that. i was just—" his voice broke, and you watched as his composure started to crumble, tears pooling in his eyes. "i was just talking, okay? i’m sorry, i didn’t mean it. you have to believe me."

but you weren’t about to let him off the hook that easily. your eyes darkened as you stepped even closer to him, your voice dropping to a dangerously low whisper. "if you’re really sorry, rafe, you’re going to have to prove it."

a flicker of hope sparked in his eyes, and he nodded eagerly, desperate to fix what he’d broken. "anything," he breathed, his voice shaky. "i’ll do anything."

you stared him down, watching as he swallowed hard, his adam’s apple bobbing with nervous anticipation. there was no trace of the cocky, confident rafe now. instead, he was a trembling mess, willing to do whatever it took to keep you from walking out that door.

you grabbed your phone from the dresser, starting the recording and letting the soft beep fill the silence. rafe’s eyes widened as he watched you, confusion and curiosity mixing with the fear in his gaze.

"get on your knees," you ordered, your voice firm, leaving no room for hesitation.

rafe blinked, momentarily stunned by the command, but the second your eyes met his, cold and unwavering, he obeyed. he dropped to his knees before you, looking up with wide, tear-filled eyes. the vulnerability radiating off him was palpable, his breath shaky as he knelt before you, completely at your mercy.

"you don’t get to speak," you warned, holding the phone steady as you circled him slowly, capturing his wide eyes, his trembling hands. "you only get to listen and do what i say."

he nodded quickly, his throat tight with emotion as he blinked away the tears threatening to spill down his cheeks.

you positioned yourself on the bed, spreading your legs slightly, and gestured for him to come closer. "you know what to do," you said, your tone soft but commanding.

without a moment’s hesitation, rafe shuffled forward on his knees, his eyes glued to your thighs as he leaned in, his lips pressing soft, tentative kisses along your skin. his breath was hot and shaky, the desperation in every touch making your pulse quicken.

"good boy," you murmured, threading your fingers through his hair and pulling him closer, guiding his mouth exactly where you wanted it. "now, show me how sorry you are."

rafe wasted no time, his tongue flicking against you with a desperation that sent shivers down your spine. his hands gripped your thighs, holding on for dear life as he worked to prove himself, his movements frantic, eager to please.

your head tipped back slightly as a soft sigh escaped your lips, but you quickly regained control, focusing on the phone’s camera in your hand. you adjusted the angle, making sure you captured every second of rafe’s unraveling—his lips swollen and red from the effort, his face flushed, sweat beading on his forehead.

"look at you," you cooed softly, your free hand caressing his cheek. "you’re such a mess for me, aren’t you?"

rafe whimpered in response, the vibrations from his soft sobs sending waves of pleasure through you. his eyes fluttered shut as he pressed his face harder against you, the tears finally spilling over and streaming down his cheeks.

you could feel the shift in him—the way his body trembled beneath your touch, the way his breaths came in ragged, uneven gasps. he was breaking, right in front of you, and the sight sent a surge of power through your veins.

"don’t stop," you whispered, your fingers tugging on his hair as his pace quickened, his tongue working furiously. "not until i say so."

rafe let out a choked sob, his tears soaking into your skin as he continued, his movements growing sloppier, more desperate. you glanced down at him, the sight of his tear-streaked face and swollen lips sending a rush of heat through you.

"you’re mine," you whispered, your voice dripping with possession as you tilted his face up slightly, capturing the tear that rolled down his cheek with your thumb. "and you’ll never forget it."

rafe’s body shuddered at your words, a strangled moan escaping his lips as he clung to you, his breath coming in short, shallow gasps. another tear slipped down his face, and you leaned down, your lips brushing against his cheek, kissing the tear away.

you recorded it all, making sure you caught the exact moment rafe broke for you, his body trembling beneath your touch as he whimpered your name.

"please," he gasped, his voice barely above a whisper. "i’m yours. i’ll never leave you. i love you. please…don’t leave me."

his words were slurred, thick with emotion, and you smiled softly, running your fingers through his hair in a soothing motion.

"good boy," you whispered, pressing one last kiss to his temple as his body finally collapsed against you, completely spent and vulnerable.

slowly, you stopped recording. rafe barely noticed, his head resting against your thigh, still trying to steady his breathing. his tear-streaked face was a picture of surrender.

you stood up, gently pushing him off you, and his body slumped against the mattress, too weak to even protest. you didn’t say a word as you picked up your phone, your fingers tapping with practiced precision.

rafe watched through bleary eyes, his chest still rising and falling with uneven breaths, the reality of the situation not quite sinking in yet.

the video—the raw, intimate recording of rafe at his most vulnerable—was right there, in your hand. the smirk playing at your lips deepened as you attached it to a group chat, the names of topper, kelce, and several other friends flashing across the screen. rafe’s inner circle, the same ones he was so eager to talk big around. they’d all see this.

and then, for the final touch. your fingers hovered over the keyboard for just a moment before typing: looks like the pogue got your boy.

the message was delivered, the little ‘sent’ confirmation making your heart race with satisfaction. the power was now entirely in your hands, and you relished the silence that followed, the calm before the inevitable storm.

rafe blinked, finally realizing what had happened as he noticed the shift in your demeanor. “w-what did you do?” his voice was small, trembling with fear as his eyes darted from your phone to your face, dread sinking in fast.

you leaned down, brushing a lock of hair out of his face with surprising gentleness, and a sweet peck on his lips. “just reminding you who really holds the power here, rafe,” you whispered softly, your voice laced with a wicked edge. “you thought you could talk shit about me behind my back? guess again.”

rafe’s eyes widened as he tried to sit up, his body weak and uncoordinated. “no, no, no—what did you send? please, baby, please!” he pleaded, his voice cracking with desperation.

you straightened up, staring down at him, your smile never faltering. “i sent a little reminder to all your friends. they’ll see it soon enough.”

he scrambled to reach for his phone, but it was too late. his friends were already watching the video, seeing him like they’d never seen him before—broken, crying, at your feet, worshiping you. and with that message—looks like the pogue got your boy—they’d know he wasn’t the powerful rafe cameron anymore. not with you around.

rafe’s breath hitched, panic surging through his veins as his phone buzzed incessantly on the bedside table. “no,” he whimpered, tears spilling over again, pure terror flashing in his eyes as he looked up at you, utterly helpless, still with a needy gaze.

you bent down one last time, tilting his chin up so he could meet your gaze, your thumb gently brushing against his swollen lips. “next time you even think about talking behind my back,” you whispered, “remember this moment. because there’s more where that came from.”

with that, you walked away, leaving rafe alone in the room, his phone lighting up with messages from his friends, the weight of his humiliation crushing him.

you didn’t even glance back as the door clicked shut behind you, a satisfied smile tugging at the corners of your lips.

you owned him now. completely.

taglist: @namelesslosers @princessslutt @averyoceanblvd @iknowdatsrightbih @starkeysprincess @sixrosberg @anamiad00msday @ivysprophecy @wearemadeofstardust0

[verrixstudios]

Last Tribe A Day run cycle was today so I decided to combine them all to show the differences!

ID under the cut

[ID: Seven sketchy animated run cycles, all of the original dragon tribes from Wings of Fire. They alternate sides as they go down, starting with the top one on the left and the second on the right, and so on. The background is a blank white. Each dragon has shaded limbs to help see the differences while in movement. The right wing is the darkest shade, followed by the left wing (closest to the screen), the the right legs are the lightest shaded. Descriptions are in order from top to bottom:

Mudwing: Drawn in a dark red. The thickest dragon by far, opening is mouth in a smile as its front legs hit the ground. Its large wings have four toes as if they were a third set of talons, which is used as another set of legs while running. The wings lift off after the back legs. The entire body bobs with its weight while it runs, lunging with its back legs. One of its back legs disappears while it runs (oopsies) and its large tail flicks with the run.

Skywing: Drawn in a darker red. Much skinnier dragon with longer limbs and larger wings. Its large wings remain slight open above its border, slightly bobbing as it moves. The body itself doesn’t move up and down, instead just twisting with movement of its limbs. Its tail is a little stiff, again just moving up and down. As it runs, one foot touches and leaves the ground at a time.

Icewing: Drawn in a dark blue. Its body and shape is ridgid, its head swooping up and down like it lunges with every time its front talons land. Again, its wings are used as a third pair of legs, however they are mostly used after the other limbs are mid-air. Its talons are visibly sharper, as well as its wings. Sharp spines on the back of its neck and end of its tail are visible as well, which bobs with the movement.

Seawing: Drawn in a dark blue. A thicker, long dragon with short but thick limbs and webbed frills along its spine and sternum. It’s thick tail continues the up and down curve it’s body makes with every move, flicking the end of the frills as it does. Its wings are semi open above its body, bobbing with the running movement and tilting up and down as its spine curves.

Sandwing: Drawn in a warm brown. Long limbs but thicker than skywing. All four feet lift of the air when they’re closest during the run, each foot hitting the ground one at a time. It’s barbed scorpion-like tail bobs up and down at the end. Its wings are folded and stuff near its shoulders, tilted diagonally. A solid frill lines its spine, biggest at the back of its neck and above the back legs.

Nightwing: Drawn in a dark purple grey, and by far the stiffest run cycle. Thick body with short but thinner legs than mudwings or seawings. Spikes line the spine all along its body, longest at the back of the neck and back of the body. Its wings are held stiffly and slightly folded over its body. Other than the legs and tail, most of the nightwing barely moves as it runs, and its legs hit the ground in pairs, front legs then back legs. They don’t even cross between each other at the closest part in the run. Its mouth opens and closes as it runs, not in any particular expression, I was just bored.

Rainwing: Drawn in a muted dark green. By far the bounciest run. It has a thin body and a head I accidentally drew a little big. It’s three-toed wings are used as a third pair of legs, used most right before it’s front legs hit the ground. Its front legs hit the ground at different time, however the back legs hit and leave together. Its tail is by far the longest, curled at the end and slightly unraveling as it flicks up and down. Beneath the curved horns is a frill with two connections that slight opens and closes with the movement. It’s grin also opens and closes with the movement.

END ID]

[aerequets]

i started drawing this idea i had, then my wrist began to hurt again, so instead of waiting for the pain to go away like a normal person i just used my other hand instead. and you know what i think its better this way

ID under the cut courtesy of @princess-of-purple-prose !

this is what i did before the pain began U_U

[ID: A sketchy Spy x Family comic. Loid and Yor are sitting on the couch, and Loid says, "Yor, I have a question." She says, "Yes?" and he asks, "Why don't you use a gun? I'd think you'd have learned. (As an assassin and all.)" Yor replies cheerily, "Oh, I didn't see the point when I can throw projectiles faster. It's quieter, too." Loid looks comically shocked.

The image under the cut shows a Yor kneeling on the floor and wiping down a long dagger, drawn with cleaner line art and captioned "they were gonna be sitting on the floor cleaning their weapons together :(" End ID]

[torchtour]

Pt 1, Pt 2, Pt 3, Pt 4

TLDR: gonna try to remove it with force. open to alternative measures if anyone has any bright ideas

the long version under the cut

thank you all for the advice, sympathies, and concerns. i appreciate it greatly.

but i legitimately think im gonna have to kill this thing. or at least try.

i have no way of proving this and it could very well just be the stress of the situation, but i think it's somehow making me sick. ive been having the worst night terrors of my life, waking up bruised and extremely ill, and (like i mentioned in the tags of my original post) my eye has been bleeding. ill post a picture if anyone's interested but idk if it's too gruesome for tumblr.

some of yall have been saying to feed it + house it, which feels slightly absurd to me given how overtly threatening it has been, and a handful have mentioned contacting either an exorcist or "The Pines", both of which i do not have the means to do. i have never had the desire to hurt another living thing in my entire life before. i cry when i squash bugs in my attempts to take them outside. but then again, i haven't been feeling like myself. and i am overwhelmingly terrified.

i don't have my gun license but i do have a toolshed and knife block. i am not very strong but i dont feel like i have any other option. if anyone has any better ideas id love to hear them now because i do feel my life is in serious danger. it tries to grab me when i peek in the bathroom.

(again, inspired by @squidflavoredsoup !! their houseguest seems a little less volatile than mine ^^)

[dragons-and-yellow-roses]

.

[emptymasks]

They're done! I really want to try and make prints again as it's been years and I've never felt like I was very good at making whole posters. Dipping my toe back in with these silly chibis of each Papa with every Ghoul they've had. Perhaps they can also work as a guide for those wanting to learn all the characters? I added in a fair amount of little references with the Ghoul's poses so it'll be interesting to see what you guys figure out and notice!

The prints are on pre-order and won't ship out until November. I've put up 25 of each to start with but if they get low on stock I'll keep adding more until I have them printed and then it'll be a set amount in stock.

Also a reminder about the stickers of every Ghost Papa and Ghoul that I made earlier this year that are also available as customisable badges! Thank you so much to everyone who already bought them and got Etsy to list them as a 'bestseller' for a while. They're still up and in stock.

EDIT: someone informed me Delta was not in Secondo's era so sorry little water ghoul but he got edited out of that drawing.

Characters featured on the prints and are also available on stickers and badges: Papa Emeritus I / Primo, Papa Emeritus II / Secondo, Papa Emerirus III / Terzo, Papa Emeritus IV / Cardinal Copia, Aether, Air, Alpha / Fire, Aurora, Chain / Water, Cirrus, Cowbell, Cumulus, Delta, Dewdrop / Sodo, Earth, Ifrit, Ivy, Lake, Mist, Mountain, Omega / Quintessence, Pebble, Phantom, Phil / Special Ghoul, Rain, Sunshine, Swiss, Zephy.

I can’t link to my Etsy without risking Tumblr hiding the post from tag search results, but the link is in my pinned post, my carrd, I’m emptymasks on Etsy. Reblogs help support artists more than likes ❤️

[ID: Four landscape drawings, one for each of Ghost's Papas and the Ghouls that were in the band with them while they were the lead singer. Each Papa is in the center with each of their ghouls standings to their sides. Every character has their name written above or below them, on brightly coloured backgrounds for each Papa's robe colour. Also, individual pixel art chibi drawings of 69 characters from various European musicals (listed above) that are available as stickers. These drawings are also available as badges where they are placed inside circles to show what they will look like as physical button badges, some of them with plain colour backgrounds and some with 1-3 different pride flags as examples of how you can customise the backgrounds.]

For those who want to know what the little references in the prints are and don't want to guess, they're under the cut:

Omega can be a stompy boy when he's playing guitar, Alpha likes to throw up peace signs, Air is very found of the rock horns hand symbol, there's one close-up photo of Lake out there where you can clearly see his black sclera contacts and he's doing double 'horns' hand symbol, Mountain infamously takes his shoes off when playing the drums and leaves them on the stage at the site of his drumkit, Dewdrop likes to like.. most things including his guitar and his picks and sometimes his own hand, Pebble liked to hand out his drumsticks at the end of shows by dropkicking them into the crowd, Omega wore a flower tucked into his guitar strap during one show and Terzo constantly flirts with him more than other ghouls, Delta is suspected to be the ghoul that attempted to kick an audience member off stage when they climbed onstage and attempted to kiss Terzo, Zephyr was the only band member and only keyboardist who sat down while playing, the special ghoul played by Tobias wore a nametag 'Phil' in an interview, Swiss constantly is showing all his teethies with his smiles and always wiggling and moving around, Aether and Dewdrop often interact with Dew teasing/bothering Aether, Dew and Rain also often interact with Dew constantly reaching to grab his neck and attempt to kiss him, aaaand I think that's everything I intentionally included other than just generally tried to get the poses and expressions to match the personality we've seen from each ghoul.

[vroomvro0mferrari]

LN4 | Panic at the Disco

Summary: When you call your brother to pick you up from the club, it's his best friend who answers.

Lando Norris x Fewtrell!Reader

WC: 1.3K

Warnings: Maybe slight panic attack, insinuated sexual harassment/assault

Part 2

Masterlist

You rush through the club in a hurry, bumping into God knows how many people as you search for the exit. The hot, stuffy air makes it even more difficult to breathe as you keep pushing through the crowd. You can feel the wetness of your tears run down your cheeks as you reach the exit, nearly running into the bouncer checking IDs outside. You stand close to him as you wipe your cheeks and sniffle, trying to calm yourself down while you rummage through your purse in search of your phone. Taking a deep breath, you call your brother.

You wait impatiently as the phone rings. He doesn’t answer, so you call again. And again. Eventually, after three tries, the phone is picked up. 

“Hello? Max?” You say rushedly.

You hear some noise on the other side. In your frenzy, you don’t realise it’s not your brother, not from the mere grumpy hello the phone is answered with.

“Can you come pick me up? Please?” The sheer panic you’re experiencing is clear in your voice. Lando can even hear your sniffling through the phone as you wipe your hand under your nose. 

“Y/N? Is that you? Are you crying?” He asks, much more awake now as he sits up from his position on the couch.

“Who’s this? Lando?” You realise now that you hear him speak; it's your brother’s best friend – to your frustration.

“Yes.”

“Why are you answering my brother’s phone?” You ask annoyed.

“We were just hanging out, he fell asleep and—”

“You know what – it doesn’t matter. Can you tell him to come pick me up please?”

“Where are you?”

“I’m not sure, uhm, it’s called Palace, I think.” You sniffle. “You’ll send him to get me?” You ask hopefully.

“I’ll come get you myself. I’m just putting my shoes on, I’ll be there in a bit,” he says, putting your brother’s phone on speaker mode and stepping into his shoes.

“Lando you don’t have to come, just tell Max to come pick me up, please. I need him right now,” you say, frustrated that Lando wants to come. He’s not who you want and need at this moment; you need someone who you can trust, who’ll protect you and make you feel safe after what just happened. You need your brother, a close friend, or maybe even your father, but not Lando. Why can’t he understand that? You can feel your tears welling up again in frustration.

Lando ignores you, however. “Are you safe right now? You should try to find a group of people or something, stick to them until I get there, okay?”

“Lan—” He cuts you off, in a rush to get to you. 

“Do you want to stay on the phone? I’m getting in the car right now, I’ll be there in, like, eight minutes.”

“Lando, just send Max, please.”

“I’m already in the car. Do you want me to stay on the line, or not?” You hear the car revving in the background.

You sigh. Nevertheless, you’re relieved he’s on his way and you don’t have to stay here much longer. “That’s not necessary, Lando. I’m with the bouncer right now. Just come quick, please?” You’ve given up on the idea that your brother might come, Lando’s very much set in his ways.

“Of course, I’ll be right there,” Lando says firmly before hanging up.

Although you and Lando aren’t the best of friends, you get along well enough. Regardless, you get caught up in discussions quite regularly; both of you are passionate and stubborn in your opinions – it rarely happens that you and Lando do not end up being separated by your brother or a mutual friend. However, that you know exactly how to push each other's buttons doesn’t mean Lando doesn’t care about you. In fact, the opposite is true. Although he would never admit it, Lando has liked you for quite a while and cares for you deeply, even though he doesn’t generally show his feelings. And so, when you call him (well, not him specifically, but that doesn’t matter) crying and upset, he worries about you. He could’ve woken up your brother, who you obviously would have preferred over him, but he wants to be the one who’s there for you. He wants to be the one who protects you and keeps you safe – better yet, the one who makes you feel safe, if he could ever accomplish such a thing.

Lando exceeds his own expectations when he arrives at the nightclub in under five minutes. Already spotting you standing with the big, bulky bouncer, arms wrapped around yourself in an attempt to keep yourself warm in the cold, late night (or early morning) breeze. He carelessly parked his car on the side of the road, barely turning on the hazard lights before exiting the car. 

“Y/N! Are you okay?” He jogs towards the club entrance, concern showing on his face.

You lifted your head at the familiar voice yelling your name. Quickly thanking the bouncer who kept you company, you rushed over to the familiar boy. You had never been so happy to see Lando.

He pulled you into his arms as soon as you were within his reach. Cradling your head and brushing your hair with one hand, while the other pulled you closer by your waist. Although you initially wanted your brother to come, this was good too – you’d even go as far as to say you were enjoying it. Despite your differences, Lando’s presence (more specifically, his strong arms holding you tight) made you feel at ease and calmed you down. He relieved the tenseness of your body and you relaxed in his hold. Hiding your face in his neck and fisting the fabric of his shirt, you nestled yourself comfortably in Lando’s body and exhaled the breath you had been holding.

He buried his nose in your hair on the top of your head, breathing in your scent and smiling at the feeling of you snuggling into him. It felt right, so right, to be holding you like this. He whispers, “Are you okay?” You merely nod your head, not wanting to leave his embrace. “Do you want to tell me what happened?” He questions further.

You stay silent, enjoying Lando’s strong hold on you. It makes you feel safe. Safe enough to share what happened in the club. “There was some random guy who thought he was entitled to my attention.” You mumble into his neck.

“He didn’t touch you, did he?” He continues, already fearing the answer.

You let a silence fall before answering, “He did,”

Lando squeezes you tighter at the revelation. He’s not surprised a man ruined your fun night out.

You continue quickly, “But there were some girls who helped me, and I think they kicked him out. I’m not sure though, I left as soon as I could. Then I called Max, but he didn’t answer, and now…”

“I’m sorry,” Lando says, a pained expression on his face. “Men are shit.”

You let out a small laugh and Lando can barely avoid shivering at the feeling of your warm breath hitting the sensitive skin of his neck. Nevertheless, he smiles in accomplishment when he hears the sound, glad he could cheer you up.

“You want to go home? To my place, I mean, Max is there…”

“Yes,” you say into Lando’s neck, sighing before distancing yourself from him.

He kisses the top of your head before letting you leave his hold, “Let’s go then,” he says, pulling you along to his car, still tucked into his side.

– – – – –

Part 2