#id kill to experience that for the first time again

[skateboardtotheheart]

all the girlies want to be able to re-live the moment when buck kissed a boy for the first time

[aria0fgold]

Well that was... unsettling...

[parkerluvsu]

nsfw alphabet for art donaldson.. not requested but i wanted to do it so.. enjoy it!!! <3

A = Aftercare (what they’re like after sex): i think that art definitely feels the pressure of society to be the dominate person in a relationship, so he does all the classic stuff, cleaning you up, brushing your hair cuddling with you.. but as he gets more comfortable in your relationship i think that he is open about the fact that he wants to be taken care of too.. he wants aftercare to be mutual, and he wants you to clean him up and tuck him into bed just like he does for you <3

B = Body part (their favorite body part of theirs and also their partner’s): art definitely isn't one to toot his own horn.. but if he was being honest i think he'd say his abs! he's worked so hard for them, training everyday + he likes when you rake your fingernails down them <3 for his partner.. i think he would say their hands! i think that art just generally runs cold, so having his partner warm him up with their hands would be like... a dream. also he just loves getting shoulder massages and getting his hair played with! (and all the other good things you can do with your hands) <3

C = Cum (anything to do with cum, basically): the one thing challengers fandom can agree on... art cums a lot and is loud. he always wants to jerk off but the cleaning after is a total buzz kill! whether he's humping his pillow or fucking his hand, the amount of cum he has to clean up is frankly.. embarrassing. he's also extremely loud.. he's just very sensitive and can't help but whine and moan and pretty much cry when he cums <3

D = Dirty secret (pretty self explanatory, a dirty secret of theirs): when he was younger, arts dirty secret was definitely jerking off, growing up in a strict household made it seem like masturbation was taboo.. but now that he's older, he definitely keeps his kinks close to his chest, so id say his secret is that he enjoys being dominated, yet again he feels pressure to be the dominant one in a relationship but there's nothing he enjoys more than being dominated and taken care of by his partner <3

E = Experience (how experienced are they? do they know what they’re doing?): i think that by the time he's in college, art has had his fair share of girlfriends but has rarely had sex with them, he just feels like sex is the ultimate connection with someone.. and it makes him nervous to do it with someone he even has a bit of doubt about. art is actually naturally gifted at sex for some reason, the first time you're together, you get ready to give him a little tutorial on eating you out, but he immediately gets to work, doing exactly what he should do <3

F = Favorite position (this goes without saying): any position in which he can see your face is arts favorite, he's a classic guy and he loves missionary, and he loves when you ride him too (you may be able to convince him to let you do a freaky little amazon position too) <3

G = Goofy (are they more serious in the moment? are they humorous? etc.): art is totally serious, he just gets very nervous that he's gonna mess something up or embarrass himself or hurt you, that he couldn't make a joke even if he tried! <3

H = Hair (how well groomed are they? does the carpet match the drapes? etc.): college art definitely shaves everytime he showers, he just hates the feeling of body hair on him, and he loves the way his body looks soft and shiny when he is shaved. older dilf! art definitely gets waxed, he makes regular appointments because it's easier than shaving for him, and it still makes him feel pretty <3

I = Intimacy (how are they during the moment? the romantic aspect): art is romantic to a fault, he absolutely puts you first in every aspect of your relationship, especially when being intimate so he tries to set the mood as best he can, being sweet and romantic (more than usual) almost like the first time you had sex, every time <3

J = Jack off (masturbation headcanon): art jerks off a lot. he just has a high sex drive, and it relaxes him, there's nothing more he wants to do after a long day than hump his pillow and fall asleep <3

K = Kink (one or more of their kinks): i think that art only explores his kinks when he feels really comfortable in a relationship and they kind of come out one by one.. first he says he like to be dominated.. then he amps it up to say maybe he wants you to rim him.. then it's pegging and before you know it he's calling you "mommy" <3

L = Location (favorite places to do the do): in bed. seriously the only place he'll do it. once, he got a little too tipsy and you guys did it on the couch but never again. he sees sex as a private thing, and that's what a bedroom is for! <3

M = Motivation (what turns them on, gets them going): literally just looking at you.. i mean you could just be sitting doing your homework at your desk and he'd only be thinking about you sitting on his cock <3

N = No (something they wouldn’t do, turn offs): many things i can think of.. but mainly he isn't into anything "gross" aka bodily fluids, or pain, the occasional love bite or hicky is okay with him, but i think he just can't really wrap his head around why you would want to hurt him during sex in the first place, after all he'd never hurt you <3

O = Oral (preference in giving or receiving, skill, etc.): art could 100% go both ways, eating you out pretty much gets him off too (you can't count the number of times he's came in his pants just eating you out), but the feeling of your hot mouth on him is as close to heaven as he thinks he'll ever get <3

P = Pace (are they fast and rough? slow and sensual? etc.): at the start, art goes slow and deep, really angling his hips to find that soft and squishy part in you that makes you scream. once he gets closer to his orgasm.. it's like he's in his own world, he doesn't even really pull out to thrust anymore, mostly just humping into you faster and faster until he does one last push of his hips to get his balls as snug as they can be against you when he cums <3

Q = Quickie (their opinions on quickies, how often, etc.): art doesn't like quickies, he prefers to do all the romantic parts of sex, like kissing, making out, foreplay etc. you can't really do that in a quickie, it leaves him feeling unsatisfied <3

R = Risk (are they game to experiment? do they take risks? etc.): in any part of his life, art likes for others to take the lead and make decisions, so you'd have to be the one to bring something up, and you'd really have to encourage him to be honest, because it's in his nature to say yes to everything in order to please you, even if he maybe doesn't want to do something <3

S = Stamina (how many rounds can they go for? how long do they last?): art is completely drained after one round, he just gets so overstimulated and sensitive after that it would just be painful to go again, he'll totally eat you out after sex though, if you're still not satisfied <3

T = Toys (do they own toys? do they use them? on a partner or themselves?): i firmly believe that patrick got art a fleshlight for his birthday one year and.. art didn't leave his room for a week. but once he has you, he doesn't really see the need for toys for himself, and it would take a little bit for him to see your toys as partners instead of competitors <3

U = Unfair (how much they like to tease): art is not a teaser at all, i mean he will get on his knees for you at any time, especially during sex, so he's never be able to tease you about something since he's just as eager as you are <3

V = Volume (how loud they are, what sounds they make, etc.): like i said before, art is loud. he moans, whines, pants, every noise under the sun. "mmmf.. more.. more" "fuck 'm gonna melt you're so warm" "'s feels so good" "k-keep squeezing me like that.." "fuck 'm close.. please- please keep going" "i wanna cum.. i needa cum for you.." <3

W = Wild card (a random headcanon for the character): as a birthday present, patrick got art a pack on flavoured condoms but art had no one to use them with so art just fast tested them by himself 😭 <3

X = X-ray (let’s see what’s going on under those clothes): i think that art is average thickness, maybe a little on the long side, like 6.5 inches, nothing too uncomfortable. a cute pink tip that drools pre and gets almost purple when he's about to cum.. and pretty round balls that slap deliciously against you and feel great to suck on <3

Y = Yearning (how high is their sex drive?): art is horny 99.999% percent of the time, he just can't help himself. but for art, horny doesn't necessarily mean he wants to have sex with you, it just means that he wants to be close to you, i mean he gets a boner every time you're around, so it's just his way of saying i love you <3

Z = Zzz (how quickly they fall asleep afterwards): art gets extremely tired after sex, if he could just stay inside you after sex and go right to sleep he absolutely would. but he's responsible.. so he cleans up, forces you to go pee and then presses his face into your chest and is out like a light in approximately 5 minutes <3

[tomahachi12]

What's the story behind your drone-sona? Since she has the Cabin Fever tag, I was curious what's the story behind her.

BUCKLE UP, IT'S A LONG ONE (some of this is headcanon crap, so not all info would be show accurate)

Toma (012) was a just regular worker drone working within the offices of the JCJenson Mining Facility.

The area of the offices she worked in had drones split into small groups to complete larger projects. She was part of the group which included Nori (002), Yeva (048) and Alice (017) (I LOVE THEM LEAVE ME ALONE).

She was usually tasked with taking paperwork back and forth between her group to turn in or for them to work on, something she was.. pretty bad at.

Because of Nori's shenanigans, their group often got in trouble with the humans.

At some point, Drones began to be selected from a lottery pool to be transferred to the lower levels of the facility. At first, the Humans would play this off as a "promotion" of sorts in order to keep the drones from becoming suspicious of their intentions and keep their minds at ease.

As time went on, the humans dropped the façade and the drones began to fear these selections, given that the chosen drones were never seen or heard from again after being selected.

Eventually, Toma's ID was drawn as the next to go. (she was chosen first out of their group, next was Alice, then Yeva and Nori was the last)

Toma was taken down the Cabin Fever Labs to be used in the "Solver" experiments.

When she was infected with the Solver Program, it took her over instantly. She was quickly given an early version of the patch (1.5.8) before causing too much damage.

The effect of the Solver's code on her body left her lethargic and forgetful. Since she was patched early, she cannot use the solver, but still suffers from it's effects; occasional possession, the need to consume oil, ect..

Not being able to provide much information for their research, the humans mostly kept her bound in her locker. Sometimes they even forgot she was in there.

Before the core collapse, she was able to escape her chains and wondered around the mines for a minute before the eventual implosion.

She was blown out the facility and somehow managed to survive, not only the blast, but even the crash back down to the planet. Though it knocked her offline for a time, causing anyone that found her to think she was dead.

RIP Toma lol

After she eventually woke up, she stayed put for a few months, hiding out in the outer buildings of the facility until she was found by another worker drone.

This drone invited Toma to join his colony, Outpost 9. She agreed and followed him to the base (wow Toma, ever heard of stranger danger gdamn..)

Toma was welcomed in this colony and she lived there for several years, learning how to live a life free from human-control. She was even able to pick up an old hobby she was never allowed to do back at the offices, drawing.

The nightmares gave her plenty to draw anyway.

Eventually, it all went to shit when the Murder Drones showed up, popped that base open like a soda can, and killed everyone inside.

Toma's solver kept her hidden long enough her to escape unnoticed. She needed somewhere to go and began to make her way toward the city she saw in the distance.

( oh hi, Y )

It took a while but she made it to the City only to find, you guessed it, more Murder Drones. She somehow managed to dodge them as well and found her way to some very large doors that resembled the ones back at her old colony. She frantically banged on the doors, shouting for help as she Murder Drones closed in on her.

The doors suddenly cracked open and a hand reached out, grabbing hold of Toma's coat and pulled her inside before slamming shut again.

She was met by a group of drones all sitting around a table, seemingly playing cards. The drone that pulled her in helped her up to her feet. After checking if she was alright, he introduced himself as "Khan" the apparent leader of this colony. Outpost 3.

She was welcomed in` just as warmly as she was in her last colony, and settled in easily, but soon found this colony was quite.. different from her old one. There were.. "kids" running around, and "babies" and... "teenagers".. Some drones were even married.

She also found out that every adult drones had to contribute to their society as well, unless they were raising children. Everyone had a job, and Toma was expected to have one as well.

She decided to join the Worker Defense Force, mostly as "watchman". She was tasked with doing patrols around the colony, looking out for any potential problems or weak points that could cause a breach.

She was pretty bad at it since she kept falling asleep while on patrol or forgetting where she was suppose to be.

The others were very forgiving toward her, though, but they figured she needed a different job.

After taking note of her interest in art, she was given the job as the new Art Teacher for the school.

Now if only she could stop falling asleep in class..

TL;DR/I only looked at the pretty pictures:

Toma was part of the Solver Experiments and now lives at Outpost 3 as the resident dumbass Art Teacher.

[raviposting]

DEAN WINCHESTER & EDDIE DIAZ PARALLELS ↳ Alternatively:

[Image ID under the cut]

GIF 1: A square gif of Dean Winchester from Supernatural 10x16. He is in a confessional booth, and the light from the confessional booth is shining on him, causing a crosshatch pattern to show across his face. He looks sad, saying: "There's things, there's…people, feelings, that I-I-I want to experience differently than I have before, or maybe even for the first time."

GIF 2: A gif of Eddie Diaz in 911 8x06. He is in a confessional booth, red orange toned, and he looks guilty. He looks down and then up, as he says: "I put my desires before his needs."

GIF 3: A gif of Dean in Supernatural 1x18. He is in a blue-green denim jacket and he looks down, saying: "He gave me an order and I didn't listen, I almost got you killed." Sam, offscreen, says: ["You were just a kid."]

GIF 4: A gif of Eddie in 911 5x17. He is in a black shirt, speaking angrily to his father (offscreen). Eddie says: "Why don't you tell them about the time you pulled your 10 year old son aside and told him it was time to step up, be the man of the house?"

GIF 5: A gif of Dean and Jack Kline in Supernatural 15x11. Dean cups Jack's face, searching his eyes, while Jack looks back at him.

GIF 6: A gif of Eddie and Christopher Diaz in 911 3x04. Eddie is speaking to Christopher and making eye contact with him, and puts his hands on Chris's shoulder.

GIF 7: A gif of Dean from Supernatural 4x10. It is close up on his face, and his eyes are teary, and he's shaking his head. He says: "How I feel...This...inside me...I wish I couldn't feel anything, Sammy. I wish I couldn't feel a damn thing." As he speaks, a tear rolls down his cheek.

GIF 8: A gif of Eddie in 911 5x13. It is a close up of his face, and Eddie's face is red from crying. There are tears in his eyes and he shakes his head. Buck, offscreen, asks: ["What are you afraid of?"] and Eddie replies: "That I'm never gonna feel normal again."

GIF 9: A gif of Aaron and Dean in Supernatural 8x13. Aaron is sitting at a rounded table with a drink. He awkwardly touches his nose and says: "I thought we had [...] a little 'eye magic' moment [...] I figured I'd wait until you were done with your meeting and then maybe we might..." Dean nods slightly and says: "Yeah. Uh, okay but no - uh, no moment."

GIF 10: A gif of Eddie and Father Brian from 911 8x06. They are outside, sitting at the juice bar table. The priest sips his coffee and says "You come here often?" Eddie leans in and waves his hand defensively, saying, "Oh, uh, listen uh, no offense, I'm straight."

GIF 11: A gif of Lisa Braeden and Dean hugging in 5x22. Lisa holds onto Dean, closing her eyes, and readjusts her hand to hug him tighter. Dean closes his eyes and leans in closer.

GIF 12: A gif of Kim and Eddie hugging in 7x09. Kim holds onto Eddie, readjusting her hands to hold him tighter. Eddie's eyes are closed and he's leaned in close to Kim.

GIF 13: A close up gif of Dean in Supernatural 3x10. He is listening to Dream Dean (offscreen), who says: ["He knew what you were. A good soldier and nothing else."]

GIF 14: A gif of Eddie in 911 5x15. He is on a hospital bed with a lot of wounds and bandages and looks weary. Offscreen, someone says: ["You got them all out. Staff Sergeant Diaz...you did good."]

GIF 15: A gif of Castiel and Dean from Supernatural 10x22. Dean's face is bloody, and he looks up at Cas, who is holding a knife. Dean says "We need you. I need you." Cas starts slowly moving the knife away.

GIF 16: A gif of Buck and Eddie in 911 4x14. They are at the hospital, Buck in a mustard button up and Eddie in a black tee shirt. Eddie looks forward, saying to Buck: "You act like you're expendable, but you're wrong." Buck looks at him when he hears this.

GIF 17: A gif of Dean in Supernatural 10x16. He is at the confessional booth, and he speaks for a moment before stopping. The shot of Dean is obscured by the pattern of the confessional booth.

GIF 18: A gif of Eddie in 911 8x06. He is at the confessional booth, and he speaks for a moment before stopping. The shot of Eddie is obscured by the pattern of the confessional booth.

CAPTION IMAGE: A screenshot of a discord message stating: "They’re the same person. Tragically, Dean was born in a show created in a pre-Glee world."

/end image ID

[translatemunson]

file 001 — call sign: Hyde

chapter one of death defying acts

masterlist | next chapter

cw: fem!reader, afab!reader, no descriptions of reader (i'm really trying to keep my descriptions of her and her background to a minimum so i can be inclusive to all people, but let me know if i can improve), no use of y/n, reader has a call sign (i had to pick one, it makes sense for the story), innacuracies about the navy, topgun and army (i did my best guys), this takes places after the events of the movie.

It has been the longest 48 hours of your life.

You were supposed to touch down in San Diego on a Monday, but because of an airline error, your flight was postponed to late Tuesday, from an airport 2 hours away from Fallon, Nevada. When you arrived, Tuesday night, there was no time to unpack your stuff, just to find a clean uniform in the boxes, pack yourself a bag for your first day, check if your father got enough gas on your car, get your bed ready and sleep.

You were expected in the San Diego Naval Air Station North Island at the break of dawn. You would be lying if you said you weren’t excited or anxious to work in such a historical place like North Island. Your mother told you stories from when she worked there, decades ago, and your dad said the best teams were assembled there, amongst the Top Gun students. The pressure was on.

You joined the Navy in your home state, but you were transferred around during your fighter pilot training, and then again for Intelligence officer training. After completing the training, you transferred to Nevada to get a more in depth experience on Air missions with the Top Gun graduates, but that didn’t lead you to working with them during real missions.

Now being in San Diego, you knew it was your chance to impress the higher ups and finally earn some well deserved respect for your work. Intelligence Work was just as hard as flying those jets, but there was something always making your next step even harder inside those officers and mission control rooms.

The guy at the gates checked your ID. Once he cleared your entry, you drove to the Administration Office, ready to get your new credentials and get the job done. You parked your black Renegade, texted your mom — Hey, it’s gonna be a busy day. I’ll call you on Friday. —, grabbed your backpack and entered the place like you were on a mission.

It was like being on autopilot: waiting rooms, greetings, new credentials, a quick introduction to your new Intelligence team, a look at the following weeks schedule, a long meeting with Admiral Simpson — call sign Cyclone — discussing all the classified information you had to know about the team you would be working closely with. Names, call signs, previous missions and confirmed air kills. Familiar faces, new ones, a few last names you knew came from a line of ex military parents, just like you.

It was way past two when you were clear from all the first day activities. The Admiral ended the presentation just as his secretary entered the room to let him know he was needed in the meeting room.

“Don’t hesitate to stop by if you have questions, Officer. Your father spoke very highly of you and your work.” Oh, of course, he knew your father. Everybody was familiar with the teaching techniques from the one and only Warbird. “I believe Captain Mitchell is conducting flying exercises on Hangar One, if you’re interested in meeting the Dagger Squad.”

“Thank you, Admiral.” You collected all the files that were designated to you. “Will do.”

It was a good idea to just turn to the parking and go home, but you were curious to meet part of the team. Differently from other previous missions, all your analysis and suggestions would go through the captains and admirals before they made any decisions. But still, it was very important for you to understand what was at stake and which suggestions could be made right away.

You stopped by your car to throw your bag on the passenger seat and followed the path to the hangar. The waiting room was empty, but you saw a few silhouettes on the tarmac, going through the end of the day checklist. You turned the volume of the radio on, trying to gather some information about who was on the air. Besides a few directions here and there, they were useless to find out who those pilots were.

You could tell one of them was arrogant by their tone, maybe even too snarky and impatient. Based on their banter, it was clear they were doing basic maneuver training, and Maverick was the one chasing them. Some good old flight training tactics, you see. For a team that just got back from a dangerous mission — barely in one piece, but still — you were wondering why they kept those guys back for another one instead of taking advantage of Maverick’s skills and getting a new team there. Maybe even with the almost mission failure, there was potential amongst those aviators.

“You’re out, kid.” You heard Maverick on the radio, and more grumblings from the other guy.

You left the waiting room and finally walked to the tarmac. Arms crossed over your chest, you were looking forward to the following day, where you would gather details about their flight styles and their skills during missions. You had something around ten weeks to settle down and learn everything about the team before you’re deployed to a mission.

The F/A-18s landed graciously, and that constant nostalgia hit you again, leaving you wondering how would it feel to be back on a jet, what would feel to be on an official mission. Those days were far gone for you, the idea of flying just in case of traveling, and maybe a few minutes in one of your dad’s planes. But just for a moment enough to pump some adrenaline, landing on the tarmac just before your mind picked up the speed.

“Do my eyes deceive me?” You turned around and smiled at the sight of a familiar face.

“You wouldn’t be backseating if your sighting was bad, Robert.” You joked. Bob joined the Navy in the same period as you, and you trained together until the very last day you hopped on a jet. “Heard you managed the impossible.”

“Just doing my job.”

You hugged him, and finally those aviators started to pay attention to you.

“Who’s the pretty face, Bob?” A tall, tanned skin and blond aviator asked. “Your girlfriend?”

“Keep it in your pants, Bagman.” A woman came from behind one of the jets.

“Glad to see you’re still as sharp as that one training in Nevada, Phoenix.” You were happy to be back with Natasha Trace. She was one of the Navy aviators in one of the mission simulations you had back in Nevada, two years ago. It was one of the first times you stepped in as mission commander, and while other aviators weren’t happy with your orders, Phoenix was one of the few that happily followed them — and succeeded in the simulation.

“What? Did I miss any memo about a new pilot?” Bagman turned around.

“Not a pilot, Seresin.” Maverick finally showed up. “Officer, glad you could join us.”

“Captain, would you have a minute to discuss a few details about next week's mission simulation?” Time was precious for you. As soon as you could align the information you had in hand with the captain, the easier it would be to come up with plans for action.

“Definitely not a pilot.” Just like a shadow to his father, Bradley Bradshaw even carried the same mustache you saw in your dad’s pictures. You two had never crossed paths during your career in the Navy, but aviators would talk a lot over a few beers and drinks. And you were not looking forward to working with him.

“I’ll meet you in the office in 5,” he replied and went his way.

You turned around, now facing a bigger group of curious aviators. The Dagger Squadron. You knew their names and faces now, but that didn’t matter a lot.

“Ok, so who are you exactly?” Bagman, or Seresin, asked.

“People call me Hyde.” Even though your last name was embroidered in your uniform, people tended to ignore it. Your call sign from when you were flying jets carried over to the Intelligence rooms because of your reputation. “I’m part of the Navy Intelligence, and I’m gonna be training closely with you,” you looked around, “and be part of the next mission.”

You weren’t planning on being there for longer than one mission: you needed to prove yourself to your superiors in order to get assigned to missions overseas, with international teams. It was just another mission for you.

“We’ll be seeing each other soon. Have a nice evening, aviators.”

You turned around and walked back to the hall, but before you could be out of reach, you heard someone saying, “Who the hell does she think she is?”

a/n: hello everyone! first fanfic for top gun: maverick, let me know what you guys think! i believe this will be more fast paced, focused on reader and her life as an intelligence officer (i made up most of the stuff for it since it's not easy to find info about it on the internet). huge shout out to the lovely @live-love-be-unique for indulging in this universe with me! i'm taking requests for this fic, so feel free to reach out via asks or dms! see ya soon.

[speakofthedebbie]

@manicali still inspiring me to chase my dreams so have some hazbin hotel incorrect quotes i made a while ago + four actually new ones (dividers cuz the last one hurt my eyes lol)

---

alastor: overall, id say that experience was a net positive! vaggie: YOU KILLED AN ENTIRE BLOODLINE! alastor: net positive

kill em with kindness saga

charlie: if you kill someone with anything, kill em with kindness! angel: instructions unclear, i killed them with a tommy gun named kindness

---

vaggie: alastor, why the fuck is there a dead sinner at our dining table?!? alastor: first of all, how dare you assume it was me- vaggie: literally who else would it be. alastor: -second of all, charlie told us the other day to "kill em with kindness" so i baked them a pie alastor: it was poisoned

---

alastor: i toe the line between confidence and arrogance every day lucifer: i thought we all agreed that you are like. firmly on the arrogance side

--- (i altered the next one but you wouldnt know that)

alastor: you roughhouse with a guy one time and suddenly youre in timeout vaggie: alastor, you tried to kill him. and he was a guest alastor: key word being tried. hes still kicking, so i think i shouldnt be in trouble vaggie: do you know how many fucked up people would be walking the streets if that was how the world worked? alastor: i know. im one of them

---

alastor: i only kill people who kinda deserved it vaggie: then whats with the dead sinner at your feet? alastor: he was saying something about women belonging in the kitchen vaggie: vaggie: ...fair

---

charlie: al, what are you doing? alastor: stress release! charlie: ...youre stabbing a very life-like doll of my dad alastor: as i said, stress release!

---(the hotel needs a therapist frfr)

lucifer: who doesnt have a bit of existential dread in the morning? charlie: ...everyone??? husk: thats not normal? alastor: damn it angel: fuck! vaggie: oof niffty: *maniacal laughter in the corner* charlie: should i call someone???

---(charlie please get everyone a therapist trust exercises arent enough)

charlie: and what do we do when we feel overwhelmed? angel: drugs! alastor: go on a murder spree! niffty: a roach murder spree! lucifer: self-isolate for millennia! husk: drink until i forget what feelings are vaggie: irrationally hate on everyone! charlie: no!

---(luci the typa guy to talk to his cat frfr. maybe he actually understands her idk) [these next ones are actually new. yeah i had a bit of a backlog]

lucifer: hmm.. what about you, keekee? keekee: meow lucifer: my thoughts exactly

---

lucifer: pancakes are the best breakfast food! alastor: id beg to differ lucifer: Then beg.

---

lucifer: shower thoughts in the rain are still shower thoughts. if you think about it alastor: why am i in love with you again lucifer: i ask myself that question everyday :)

---

alastor: what can i say, i aim to please lucifer: you have never said a nice thing to me in your life alastor: i love you :) lucifer: you have said one nice thing to me in your life

oki bye

[tonydaddingham]

okay let's get them hard truths out in the open following episode 6, bearing in mind that i am in the UK and am therefore chronically sleep-deprived, and have watched the Feral Domestic™ maybe only like oh 7 times:

crowley is as much at fault as aziraphale. they are both as bad as each other. their own individual idiosyncrasies are literally the other's emotional downfall and if im honest im not entirely sure there's any way they can adequately move past it.

waxed on and on and on about it, but aziraphale's issue is not that he has any allegiance to heaven. he doesn't at all, and that is obvious in his initial reaction to the metatron, in that he essentially says that he knows his place and it is not Up Above. it is right there in the bookshop, and with crowley (even if he didn't consciously think it that explicitly at the time). he doesn't want any part of the heaven that it currently is, he has had enough and is tired of trying to be the angel that hides who he is and what he wants from his existence. that much is very much clear.

but the mantra throughout most of life is to be the change you want to see in the world. look at the major societal issues that are happening in the world today; people are rising up and fighting for what is right, and what they believe in, and wanting to make changes. now look at this opportunity that aziraphale has been given. regardless of the questionable motive of the metatron offering it to him; if you were in his position, could you say you'd find it easy to refuse that?

the issue here with aziraphale is that he (again, ill harp on about it until the cows come home) thinks that crowley - this demon that isn't a good demon because he is good and kind and gentle - would want to have his place in making that change happen; be by aziraphale's side whilst they create the world and heaven that is different from the largely shit one they've always known, hated, and feared. this is where the Pedestal comes in; like i said before, aziraphale has now been confronted with the fact that this demon, his best friend and love of his life, is acting in the way he's always acted but that aziraphale refuses to acknowledge... because to acknowledge crowley's shortcomings (which ill discuss in a sec) would be to question aziraphale's faith in him, and mean falling from the pedestal that has been aziraphale's status quo for the last few thousand years at minimum.

edit: this also needed adding because it touches on aziraphale's tendency to hold himself superior to crowley, which he also does in the Domestic scene.

crowley's issue is twofold. one, he cannot move on from the fall. second, that he is sometimes a manipulative and childish shit. the first is obvious, and his recent experiences with heaven have only compounded this (ie his conversation with gabriel/goob, where he lays into him about gabriel's part in the cruelty shown towards aziraphale to the point he almost makes goob kill/injure himself). crowley can also however be incredibly cruel borne out of his own pain. there were major hints in s2 that not only did crowley fall (no matter what the metatron says, im still not convinced he fell for only asking questions) but he fell from a great sodding height that in his mind should have made him untouchable. my thoughts on morality in heaven have already been discussed, but that must have had a huge impact on crowley; it is no wonder that it's a sore point and he feels bitter, resentful, and angry.

in the above context, id want nothing to do with heaven either. but crowley doesn't communicate and im guessing that his feelings about the fall are a No Go area in terms of what he's shared with aziraphale... so for crowley to assume that aziraphale turned down the metatron is grossly unfair - how was aziraphale necessarily meant to know how deep his trauma (if we're applying human mental health constructs) runs? he isn't to know that at all - so it does track that aziraphale would think that crowley would want to help him make a difference so they don't have to keep getting involved in the toxicity that is the heaven/hell politico-moral dichotomy.

what also upset me about the Domestic was the kiss. i loved it for what it was in isolation and it was a long time coming, and a huge movement in the dance they constantly have with each other, but it was in essence manipulative. i realise crowley was on his last emotional straw and yes, perhaps the love and devotion got too much for him to contain... but he literally just stood there and heard aziraphale tell him that he wanted crowley and he wanted them to be together. there were no qualms at all that aziraphale loves him as much as he loves aziraphale. so, what was the kiss meant to prove?

to my mind, it was manipulation; specific, a temptation. whilst very romantic and 'sweep him off his feet with the violins playing', it was also non-consensual and unwarranted on crowley's part - to the point of being derogatory and redundant (lets be clear: not a criticism on Neil for adding the kiss, im purely talking about crowley as a character and his Choices here). there was nothing to prove, nothing that that kiss could have possibly convinced aziraphale to do. so the only thing that leaves, imo, is that it was a temptation. crowley does not typically use temptation in this way, or at least that's the impression ive had throughout s1 and s2, so he chooses now is the time? to tempt aziraphale into staying with him? of course he does!

he's desperate, but also childish and immature and completely ignorant of what aziraphale is actually saying to him. aziraphale never denied him; aziraphale wanted him in this opportunity exactly by his side as he always has been. but that didn't fit with what crowley wanted, so he tried to make aziraphale bend to his will. aziraphale says the fatal words "i forgive you", but if he has (as i suspect he has) realised that crowley was trying to manipulate him... well, id probably say something as damning to crowley as 'i forgive you' too.

when aziraphale said 'nothing last forever', i realise crowley took that to mean him and the life that they built together, but it obviously wasn't that at all. aziraphale is saying that they have eternity ahead of them, that he wants to spend it with crowley, whatever has to end around them (ahem the world? apocalypse from s1, anyone?). aziraphale demonstrated consistently throughout s2 that he is trying to give crowley his own agency where heaven/hell are concerned (paraphrased but: "I want you to help me but if you don't want to, you are free to leave"). crowley however seemed that he was constantly one foot out the door in case things got Too Much (which, you know - valid) but aziraphale really did his best to make crowley not only not feel suffocated but also that crowley was wanted. and for anyone that is a tough balancing act.

the two of them have had 6000+ years of Not Really Communicating. this is the detritus that remains when they don't, and it was absolutely needed in this season. for them to break apart and break in and of themselves. s3 needs to be where they learn more about themselves than each other, and stop believing that the other is infallible, because such thinking - worship, blind faith - only ends badly.

[mossy-rainfrog]

[ID: Several drawings of Arthur Lester and John Doe from Malevolent, from the chest up. Arthur is portrayed as a midsized white man with short, disheveled brown hair that is hanging partially over his face. He has some stubble and wears a brown sweater over a gray button down. His eyes are yellow.

The first drawing shows Arthur in profile with a neutral expression, with John depicted as an audio wave over his head. The second drawing depicts John as a floating disembodied mouth with sharp yellow teeth. Arthur has his eyes shut and yells: "You tried to kill me!!" to which John yells back: "Get over it!!"

The third drawing shows John as disembodied teeth again, this time making a confused expression as he says "Why are you so happy. We almost died." Arthur is smiling, his hair swept out of his face as he answers: "I get to move forward. It's brilliant!" The final drawing depicts John as a large negative black space in the shape of sharp teeth, with the inner maw bright yellow. He is large enough to entirely surround Arthur as he yells "Arthur, RUN." Arthur gasps in horror and looks back over his shoulder in panic. In his eyes there is a small audio wave where his pupil should be. End ID.]

listening to malevolent 💛 this podcast makes me want gnaw off my arm 🥰

been experimenting with some designs for these two. I picture Arthur very clearly but still debating how to depict John 🤔🤔

[lodeddiperactivate]

I hate you more! Part 3

Pairing: Rodrick Heffley x fem!reader

Word count: 737

Warnings: angst

Summary: Reader sabotages Rodrick’s chances with Heather. A classic enemies to lovers!

Author's note: I'm trying to be more consistent in writing, and I'm trying to "plan out" the chapters more? As you may have noticed (or not), I have also updated my masterlist for better reading experience I guess haha I have also started to be more detailed as I can when posting fanfics including warnings and proper tagging lol I'm still new to all of this but yeah :) This chapter's a bit short but I just wanted to get this out so I can start "planning" the next few chapters? lol yeah

Tags: @tomhockstetter7-111 @vihtoriacorrea @sleepyb1txh

"How do you read this again?" You asked Rodrick while pointing at the word "Sweaty" that's spelled out on a dog bowl.

"Uhh duh, it's sweetie!" Rodrick said confidently.

This is the second day of your tutoring session with Rodrick, and a day before your big test. You had arrived at the Heffleys a bit early so you decided to hang out with Greg and Rowley in the living room when Greg told you about how Rodrick pronounces "Sweetie." You decided to put it to the test when Rodrick came in through the front doors, and you held up the dog bowl and asked him what it says.

You, Greg, and Rowley failed miserably at trying to hide your laughter. It was too much that even Rodrick got embarassed. What's worse is that he doesn't know why you guys were laughing. He taunted Greg, and you decided to step in.

"Alright, come on, Rodrick, time to study," as you pull him by the waistband on his shirt.

"Don't tell me what to do," Rodrick snapped at you as he eyed you pulling him by his shirt.

"Oh? I think in this case, I can," you snapped back at him.

"Is that so?"

"Yes, because if you don't," you paused for a while and smirked at him. "Oh Mrs. Heffleyyyy," you said in an almost sing-song voice.

"Fine fine, you're a snitch!" Rodrick sighed in defeat as he headed upstairs into his room.

"She's awesome!" Greg told Rowley but you didn't hear it because you were already walking up the stairs with Rodrick.

When you arrived at Rodrick's room, it was still as messy as the first time you had set foot in there.

"Geez, would it kill you to clean up in here?"

"Why clean my own room when my mom will do it for me when she gets tired of calling me out on not cleaning my room?" Rodrick said as if he had figured out all the answers to the world. You just rolled your eyes.

"Let's just get this over with."

"What's the rush?" He asked.

"None of your business," you replied. The truth is that you're planning to sneak out later because you heard that there was this party where college students go to at the far-end of town. You always thought that you were too mature for your age so you casually enjoy hanging out with older people. Truth is, you always thought people can see right through your "too cool to be here" attitude and you're worried that people would hate you for it. Maybe Rodrick was right when he said you were only pretending in order to fit in. Did he just figure out your whole double life, the one you tried oh so hard to hide?

The good news is that no one can really tell how old you were when at events like college parties, and you still have your own set of fake IDs from when you were dating your ex. Rodrick didn't ask anymore questions but you can tell that he was curious about it.

"Anyway, let me be frank, you suck at spelling and your grammar is shitty. If I am getting this $100 a week, you need to really mean it."

"Why should I? You're the one getting paid, and if I recall correctly, you lied to me!"

"About what?"

"About Heather!"

"Please, you never had a chance with her!"

Rodrick became silent. His expression pained. You apologized and decided to reach your hand out to him, with the intention of giving him a light tap on the shoulder, but he dismissed it.

"Yeah okay," Rodrick's voice was low and soft. "Whatever," he said after some pause.

He was sitting on the bed and you were facing him, books and notes sprawled out in front of you two. Recently, you've noticed that there's this gnawing feeling whenever you see this side of him, like you want to take care of him. Then again, there is that other side that makes you want to punch him in the face.

"Rodrick," you said softly.

"What?" You detected a hint of annoyance in his voice.

"What if I split the $100? You get $40, I get $60, as long as you take this seriously. And if you take this seriously, we can end today's session a bit early," that last one was for your own benefit.

"Deal."

DOAWK masterlist

[renren-006]

Love Knot | Enemy's to Lovers

Wanda x Fem reader

plot: god you hated her...and the way she smiled so beautifully, but you had to kill her...right? (This is a bit of a longer one shot)

warning: love, enemy,

word count: 1614

a/n: hey!!! i am soooo happy to be posting another Wanda story!! incase anyone forgot shes my wife!! i hope you all enjoy the story and thank you to everyone who voted and contributed to helping me get to where we are!! alsoooo do you guys like me doing polls?? i think letting you guys have some sway in the story is fun but also you can submit requests for any specific storys or even if its a character and a short idea id love to hear it!

AO3 story- Love Knot

You hated her, you hated how she made you feel, how you screwed up missions when she was there, and how your boss wanted her dead. The hell were you supposed to do? For the last three years the two of you have been enemies, with a hint of flirtation. The run-ins with the two of you started when your boss wanted to test you, test your powers so he sent you somewhere he knew an Avenger would show up. It was probably the most embarrassing moment of your life coming face to face with the Scarlet Witch, you force and almost peed your pants you were so caught off guard and nervous. At the time you had not developed the extent of feelings you would have over the three years, making you hate her even more for that, but nonetheless at the time you were terrified towards her. Your shield created itself from your hands, the metal in your blood seeped out to create the weapon. She watched as it formed, merely entranced by your powers. 

“Is that all you do?” she asked, her Sikovian accent in her speech. Your own measly sound made its way out.

“No…cough No” You said. That catch almost made you look weak…almost. He laughed slightly at you and simply walked past you. What the fuck did she just walk away from me? you were baffled at what she just did, her suit swishing as she made her way down the hallway. 

“What…I'm sorry…why are you not fighting me?” You asked running after her, your eyebrows were up signaling to her that this in fact was your first time in a ‘fight’. She stopped and turned to you, pinning you to the wall with her powers, your blood sounded in your ears and your heart thumped away faster in your chest. 

“You've never done this before hu? Well little villain, I could kill you right now without even laying a finger on you but I won't, next time I hope you've trained more to fight me head on…sweetheart” she said all those things to you, leaving you stuttering at the wall and going home hours later after catching your breath and wrapping your mind around, her. 

About almost a year later you came face to face with her again, this time you had a bit more experience and you knew your powers better. You couldn't exactly remember why you were there at the same time she was, maybe it had been a coincidence or maybe it had not, you didn't really know. She stood in front of you, eying you up and down. 

“Here for a mission or just to see me?” You asked her, ketting cocky and flirting was the only way you were going to make it out of this interaction with at least some part of your pride. You didn't think you could win but you also didn't want her to know that. 

“I'm on a mission, little villain” She said to you, annoyance and slight amusement coursed through her words. She wanted to be annoyed that you were there but she also wasn't exactly happy about having to go through the interaction. 

“My name isn't little villain” 

“Oh? Then what is it?” she asked me, cocking her head to the side. 

“Y/H/N” You told her, she smirked. 

“What's your real name?” she asked. A genuine question from the witch. You froze, your boss's words flowing through your head. 

“Never give out your real name, they will find you or your family. We cant risk you fucking up this group.” Your boss said, harsh words towards you. You nodded your head. “Your only here because of your power, don't forget that” 

 “Y/N” you told her, letting your name slip from your lips. She smiled at you. 

“Well, little villain Y/N, it's good to be your enemy,” she said. Her hands started glowing red and before you could even create a shield from your metal you were out. Once you woke up you realized that you were lying on the ground, alarms blaring and you had just messed up another mission. Your boss was going to be seriously mad. 

The next few months were some of the harshest training you had endured, and all because you let Wanda get in your head and distract you. Your boss was exhausted from your run-ins and wanted her to pay. You did too, you wanted to prove yourself, but it seemed hard to both prove to her you were a villain and succeed in your mission. It took you a longer time before he let you go out, six months since you saw wanda you were sent out on another mission. 

This next mission you had included stealing equipment from an old SHIELD building. You had more training and you knew and worked with your powers more fluidly. You walked into the door, careful about alarms or other triggers that one of the Avengers would show up. The building was quiet, nothing moved and no rumble through your skin of any movement on the metal around you. This building was completely abandoned. You crept your way down to their lab, hoping to find anything on the list of things you needed to grab. It wasn't until you were almost there that a small woosh of power flooded your senses. She was here. You looked up and there she was floating down towards you. You made a shield and swords, getting ready for whatever fight was going to happen. 

“Well look at you, better handle your powers now sweetheart” she said once she was on the floor next to you. You nodded and straightened your back, nerves running through you. Your heart rate increased at the flirtations name calling. “You seem…different”

“Just ready for a fight now, ready to complete this mission”

“Ah, your boss is mad at you. Little Villain” She said smirking and giving you a once over. 

“Only because of you” “Me? Why I'm not the one who doesn't have a handle on her powers.” She told you, but she was mistaken. The metal under her feet began to mold and wrap around her feet. She looked down shocked to see what was happening. The burning in your head made you have to fold her sword and shield back into yourself. 

“Don't. Underestimate. Me.” you said, letting the metal in you wrap around her more keeping her in place. She smiled at you.

“I'd applaud if I had my hands available.” she told you. You gave her a look not letting her hands out knowing that's how she controlled her magic. You made your way swiftly into the lab room grabbing everything you could find on your list and walked back out a few moments later. Wanda was still trapped, but you knew you only had a little longer of strength to keep her there. She smiled at you when you let her go before you bolted out of the building leaving her there impressed by your use of your powers. 

He wanted her dead a year later. Your boss put a hit out on her for everything with the Avengers and also some personal vendetta against the witch. You hated her, yes, and wanted to prove you were powerful but you never wanted her dead. How could you when you liked her so much? You knew you had to do something…something to stop this. You knew you were enemies even if you didn't feel like it. That night you made the most drastic decision ever, you sent a message to the Avengers about the threat, and sat back and waited. 

Three days later the attacks started and of course you did your best to stay out of the way and not die. You knew she was here before she even landed in one of the hallways. The metal sung her song of magic shocking your veins. You could feel your boss, marching his way towards her. The security cameras, shit. He saw her arrive and was on a mission. You made your ebay up the stairs towards the top level of the facility. Once you got there the fighting had already broken out, and before you could even think you flung yourself into the conflict fighting your way over to her. Then there she was, you pulled her back and threw a shield up before your boss could throw his power at her, it reflected and hit him instead. She stared at you, eyes wide. 

“You sent it,” She said, looking deep into your eyes. 

“I did,” you told her. Once you lowered the shield your boss was in the group backing away. The other Avengers arrived to see him being held to the ground by your power. Wanda held her hand back before they could touch you, letting them know you were good, you were not a threat to them anymore. 

“Don't. Ever. underestimate me again. I'll defend her from you if you try to harm her again” you told him, crushing him more with your power and then letting him go so the others could finally lock him up.

“Well little villain, looks like i need to change your name. Little Hero” she told you, giving you a kiss on the cheek. 

“It's your fault too that I fell in love with you” you said, referencing when the former boss of yours was mad at you because of her. A smile fell onto her lips. 

“Well I could say the same thing," she responded. The two of you are happy to not be on either side of a fight anymore.

[cipheramnesia]

Hi Cipher ive been following for a while.

Im really astounded to seeing you reblog holocaust inersion. I think your are conflating war with genocide, and fueling the rising antismitism in the world that way.

IDK. Like, obviously you havent known of my existance up until now. But i have appearently formed some kind of parasocial relationship.

Ive really been looking up to you and miss-demeanor for some time now. So it does come as a surprise.

Id like to invite you to the following thought experiment:

Imagine, you can decide on the actions Israel takes. Your neigbor has sworn to kill all jews, broken every ceasefire, just masscred 1200 of your population (during a ceasefire), has sworn to do it again and still holds some of your inhabitants hostage. Whats your plan to guarantee the life and wellfare of your citizins, including all hostages?

I so i guess, i am sincerily asking: In your eyes, can jews do anything correctly, besides die?

I think you are correct about the parasocial relationship, and this is a very strange ask to send to someone Jewish reblogging one donation post for Palestinians (which is not something I would comb through given the size of it) and what amounts to a tiny handful of news reports from people who do reliable research into their news sources. This is something like 10 posts about Palestine per month out of thousands, which also seems unusual to take issue over.

I assume all good faith was intended but I will leave you with the idea that "wishing that one group of people was not getting killed" is not something which ever automatically translates into "believing another group of people has to die."

It is my, perhaps foolish, hope that we as humans can stop massacring one another at an alarming rate and I can stop living through whole people getting wiped out in real time globally, including in the USA (currently still chipping away at the first nations). That's really it. I just want people to live, and I'm so exhausted by so much death. Here's a link to donate to Doctor's Without Borders, one of the best known worldwide relief agencies that exists, and which is possibly the most apolitical place to send any money you have to spare for the overall cause of "less people killed."

Trusting people not to act like dicks on reblogs. I don't think I'm going to entertain other questions on this topic.

[the-s1lly-corner]

Okokokok I just saw your Heket and Leshy x soft spoken reader who snaps but but but but- and hear me out on this- soft spoken reader finally breaking. as in they just... cave and cry.. hard... any follower!bishops of your choosing!

Heket and Shamura x Soft spoken!Kind!reader sobbing uncontrollably

rubs my hands like a little fly- id write this on my own with the bishops as they were in the beginning but i think... we all know that they would wipe the other person out of existence with no hesitation notes: reader is gn, follower bishops, post game cws: canon typical violence, mentions of bullying/harassment

HEKET

She.... does not handle people crying well- granted shes not as horrible with it when it's someone she truly does care about... but oh... she is so.. angry...

Not at you, of course- you did nothing wrong, you've just finally hit your limit with your circumstances- you always take your time to tend to others even when they spit in your face

The second she sees your eyes welling up with tears shes seething with rage and gritting her teeth as she glares at whoever hurt you

She wont kill them... but oh she wants to, so bad- maybe she will, when everyones back is turned... surely no one would miss them- she gets so caught up in her rage she nearly forgets about you as you try to articulate your words through your sobs

Handles the person before handling you, whether it be giving them the nastiest look or trying to give them a verbal lashing (trying... her struggle to get the words out only makes her more enraged) before shuffling you away from everyone else so you can have some privacy

She doesn't talk, because she doesn't know what to say... you two end up sitting in a sunny patch in a far corner of the grounds and just.. take a breather..

SHAMURA

Their eyes widen as you go from trying to diffuse the situation- someone has been giving you flack and following you around all day to say horrible things to you- to breaking down into a sob... they're by your side in an instant, abandoning their current task

You take first priority, they will handle this... person... soon enough, first they want to ensure that you are okay.. cannot and will not let this slide, if you give them permission they will make sure you wont be bothered again

Can definitely see them possibly asking the lamb if they can face the cultist in the fighting pit- fallen god or not, shamura still has experience in war and fighting... they will win

But until then... they being you to the edge of the grounds, where the trees really start to thicken... its.. quiet here and far enough away that everyone will leave the two of you alone

Wipes your tears away as they cup your face... it's going to be okay.. you can keep crying if you still have tears to release... they're outwardly calm for you, but internally they're in a whirlwind, so many thoughts... so many things to do, so few ways to make things right

They dont leave your side for the remainder of the day and inform the lamb of what's happened when they inevitably ask why you and shamura suddenly abandoned your work

[greenday-bingus]

[𝒜𝓇𝓂𝓎 𝒟𝓇𝑒𝒶𝓂𝑒𝓇𝓈] (JJK x Blood User!Reader)

𝟐.𝟑𝐤 𝐰𝐨𝐫𝐝𝐬

CH.1 CH.2

ʏᴏᴜ'ᴠᴇ ʙᴇᴇɴ ᴛʀᴀɪɴɪɴɢ ᴡɪᴛʜ ᴛʜᴇ ɢʀᴇᴀᴛᴇꜱᴛ ꜱᴏʀᴄᴇʀᴇʀꜱ ᴏꜰ ᴀʟʟ ᴛɪᴍᴇ, ᴀɢᴀɪɴꜱᴛ ʏᴏᴜʀ ᴡɪʟʟ ᴏꜰ ᴄᴏᴜʀꜱᴇ. ᴛʀʏɪɴɢ ᴛᴏ ʙᴇ ᴀ ɴᴏʀᴍᴀʟ ʜɪɢʜ ꜱᴄʜᴏᴏʟᴇʀ ɪꜱɴ'ᴛ ꜰᴏʀ ᴛʜᴇ ᴡᴇᴀᴋ, ʙᴜᴛ ʏᴏᴜ ꜱᴏᴍᴇʜᴏᴡ ᴍᴀɴᴀɢᴇ ʜᴀᴠɪɴɢ ᴀʟʟ ᴏꜰ ʏᴏᴜʀ ꜰʀɪᴇɴᴅꜱ ʙʏ ʏᴏᴜʀ ꜱɪᴅᴇ. ᴛʜᴏᴜɢʜ ᴅᴏɴ'ᴛ ɢᴇᴛ ʏᴏᴜʀ ʜᴏᴘᴇꜱ ᴛᴏᴏ ʜɪɢʜ ᴏʀ ᴇʟꜱᴇ ʏᴏᴜ ᴍɪɢʜᴛ ᴘᴀꜱꜱ ᴏᴜᴛ!

★◥▬▭▭▭▭▭◳◺✩◿◰▭▭▭▭▭▬◤★

♥ [Chapter 1] Just like Heaven ♥

‘Briiing Briiing’ 

“Hey shouldn’t you pick that up?” 

You were currently walking through a very crowded and busy sidewalk with your very close friends. You guys were shopping and taking stops to eat small pastries, having the time of your lives, until you saw the caller ID. Gojo-Sensei.

“Jeez what’s wrong? You look disappointed,” one of your other friends pointed out. “Because I am! Let’s go somewhere less crowded so I can take this phone call.” You and your friends joined hands and began to run off to somewhere more peaceful. Unfortunately you ended up bumping into multiple people, and got a lot shouted at a lot. One of your friends pointed out a small empty cafe to go to, so the small group quickly went inside.

“Okay guys I’ll be back!” your friends nodded and picked a place to sit at. You went inside the restrooms and closed one of the stalls. “Wow, I really thought you would have never answered me! My star student, ignoring me-”

“What is it, spit it out, I don’t have all day, I barely got out of school,” you pinched the bridge of your nose and sighed. You were a sorcerer, a very cursed one, though you were somewhat sparred, but at what cost? A ton of Missions and almost death experiences a normal teenager shouldn’t go through. Normal people don’t see inhuman things cling to people and drain them. Normal teenagers don’t fight these imaginary objects, yet here you are calling one of the most powerful sorcerers telling you, you need to get your ass up and kill some things. “Well you wouldn’t have to worry about having to travel so much if you just stayed at Tokyo jujutsu, or if you weren’t running away from-”

“Okay!” you yelled before covering your mouth, you were being too loud. “Okay, I get it, but I’m still trying to live a normal life,” on the other side of the phone you could hear Gojo giggling. “Whatever just tell me where and when and who, and” you let out a dramatic sigh, “and I’ll be there,” 

Now you’re currently running towards the one and only Megumi Fushiguro, “Fushiguuuuro! It’s been so long since I’ve seen you!,” he turned around and pretended to not see you. “I know you see me! C’mon we gotta do this together!” You could hear Megumi mumble to himself saying, “why did I have to be paired with you out all the other students…” Megumi turned around feeling your hand on his shoulder, “Do you really hate me thaaat much? It’ll be done, quick and easy,” Megumi gave you a scowl. 

“Knowing you, you’ll fuck it up,” you raised an eyebrow to him. “You do realize that I’m gonna be a first grade sorcerer soon right?...” Megumi only rolled his eyes and began to walk off into the abandoned building, a hotel from what you could make out. You quickly caught up with Megumi, staying very close to his side. You grabbed a flashlight from your school bag, and gave it to Megumi. He turned it on and started to look around everywhere, “so what are we looking for?”

Megumi again rolled his eyes, “I feel like you should know this… But we’re looking for a couple of grade 3 curses, many idiots go through this abandoned hotel to do theft and graffiti, but they never came back.” You nodded while listening and prepared your technique, blood manipulation. That’s right, you were from the Kamo clan, but you left not wanting to be a part of them. 

In order to escape from them, you managed to hide your cursed energy very well, most sorcerers wouldn’t even notice you because of it. Until of course Tokyo jujutsu found you, saying they’ll throw you to the Kamo clan if you don’t become a sorcerer for them. But you were able to make a compensation with them, you would still go to your old school to actually learn , and to Tokyo for training and missions and such. Another thing was being able to have a dorm there too, since your parents were nowhere to be seen.

“Fushiguro, it is so quiet in here, normally with curses being around, it would be somewhat noisy?” Megumi rose an eyebrow and took some thought, “I guess you’re right, something is wrong-”

Something quickly smacks Megumi into a wall, making him break it from how hard the impact was. It managed to scrape your cheek, “there is no way that curse is a grade 3!” You looked around very quickly, hoping to spot a glimpse of what hit Megumi, “are you good Fushiguro?” He let out a small groan before summoning his divine dogs. They quickly go to stand by your side making sure you don’t get striked by the curse.

Megumi slowly gets up from the crumbled wall, and takes out a sword, quickly getting into a fighting position. The flash light that was in Megumi’s hand was long gone, making the room dark. You could feel your heart rate shoot up quickly, “ᵇˡᵒᵒᵈ ᵉᵈᵍᵉ” you whispered to yourself. You had a small dagger made of blood, but now half of your face was stained with blood. Megumi's eyes then widened, “watch out!”

You quickly slashed your dagger and transformed it into a long blade, you managed to cut the curse in half. You started to laugh, “imagine losing to that?” You stared at Megumi’s face (or tried to, it was hard to make out any details) but he had a horrid look on his face. You slowly turned around to see the curse was split into two. “C’mon!” you yelled.

Megumi starts dashing at you, looks like he needed you to give him a boost, so you crouched down and cupped your hands together. He takes a step into your hand and jumps up as you give him the boost. He then uses his dogs to bite the curse, once they were distracted he quickly exorcizes them. 

He then falls gracefully on the ground, “I hope to god there isn’t more.” Megumi then gives you a fearful look once again as more of the same curse walks in.

You let out a groan and got prepared to fight again.

You and Megumi manage to exorize every curse in the cursed building, only for you to fall face first into the ground. “Don’t tell me you’re anemic, I am not carrying you!” Megumi expected a reaction from you, but saw you didn’t even twitch. “Hey? Hello? Are you in there?” he started to shake your body. 

As he shakes your body trying to wake you up, a car pulls up right next to the both of you. The window rolled down, and Megumi was met with a certain white hair teacher. “Hey Megumi, you didn’t kill my student right?” Iijichi was in the driver seat and had his mouth gaped open, “don’t talk about students dying!” Megumi rolled his eyes as the two adults bicker with each other, he then picks your body up and places you in the backseat. He then buckled you up so you wouldn’t go flying because who knows what could happen when Gojo is in the car.

Megumi laid back, as he wiped some sweat off his head. He normally didn’t break a sweat fighting curses but this time it was more life threatening. He almost summoned Mahoraga, only to be stopped when you whipped him with your blood. 

While Megumi was stuck in his head, Gojo twisted his body to face Megumi.

“I got a mission for you Megumi.”

You woke up in the car feeling very drained, everything was pretty blurry but you could hear Gojo and Iijichi talking about something. You rubbed your eyes and sighed, you looked over to your side and saw Megumi with his arms crossed and eyes closed.

“Damn he has some long lashes,” you thought to yourself, you wished to be blessed with natural long lashes. “Gojo, can we get Wendy’s? I’m hungry and thirsty!”

Gojo jumped a bit, he forgot you were in the car. You were almost invisible to him, reminding him of someone he wants to forget about. “Why eat Wendy's when you have something luxurious?”

Ahh rich people. “But Wendy's.”

“Wendy’s isn’t even healthy!”

“Says you, don’t act like I don’t see you eat sweets all the damn time,”

“I told you I have a condition!”

Megumi opened his eyes because he heard the two of you bicker with each other. He wished he could block the sounds of you guys. “Why can’t we just have a home cooked meal!?” 

Gojo and you looked at Megumi and then nodded, “okay? But what if-“

“You know what it’s not my fault if you don’t put a damn apron,” Megumi reached for his back trying to tie his apron, failing to have it tied together. “you took the big one, this tiny one,” you held up a really small pink apron that was definitely for a 10 year old, “will cover nothing!”

You go behind Megumi and tied his apron together with a bow for him. With him being stubborn you didn’t even ask if needed help, because he would’ve said no. “At least it covers something,” Megumi decided to return the favor and put the small apron on you and then tied it regularly. 

“I feel stupid,”

“that’s great because you look stupid,”

“I hate you,”

Gojo sat in the kitchen scrolling through his phone doing god knows what. Sometimes giggling at his phone like a teen.

You and Megumi stopped bickering after hearing Gojo giggle like a mad man. The two of you then slowly turn to look at each other, then slowly back at the food. “Anyways, I forgot to tell you, you can stop calling me Fushiguro, just call me by my name.”

Finally on close terms with the one and only Megumi!? 

“Tuna tuna,” 

“Hey guys what are you guys up to? We smelt something and it smelt great,” 

“Yeah smells pretty good,”

The second years came into the kitchen deciding to lounge around and see what you and Megumi were up to. “Just making some rice and chicken, did you guys want some?”

Megumi threw you a dirty look, there were too many people in the kitchen, and he did not want to cook for more people. At this point who knows how long it’ll be before he beats someone up. “Yeah sure, I'm pretty hungry,” Maki smiled and adjusted her glasses. Toge and Panda nodded in agreement.

“Can you guys at least get out of the kitchen then? Even having Gojo in here it feels crowded,”  Megumi said as he gently took the salt out of your hands and salted the chicken for you. 

“Yeah, get outta here you strays” you said in your mind as you threw the chicken on the pan.

“Man,”

“what?” Megumi raised an eyebrow as he also cooks the chicken on a different pan. 

“I can’t believe we’re gonna have another student here! I heard that she’s from the country side, and she’s a girl! And guess what? She’s gonna be in our grade, I’m so happy!”

“How are you going to meet her, don’t you go to another school?”

“…”

Damn he really got you there. You weren’t really close to any of the student and teachers at Tokyo jujutsu high, except for Megumi and Gojo, and that’s even a long shot for being close to them.

But it’s completely fine, you spend most of your time with your actual school friends. You would set the whole world on fire just for them, they meant a lot to you. They’ve been there for you since middle school, it was one of the reasons why you fight so hard to stay there.

Your small group of friends are basically family to you. 

“Close friendships is what I care about!”

“You’re a Jujutsu sorcerer, you should be concerned about fighting curses.”

Right, you could never experience normal teen life with this curse. 

“Shut up and grow up, because when I see you I throw up,”

“Freak”

Extra

What an idiot, you forgot your umbrella. You knew you were forgetting something, but your brain did that thing where you can’t remember what you forgot. Now all your clothes and homework is wet, you held your small bag over your head as you looked for shelter.

BAM!

It’s the end for your book bag as you drop it into the puddle. “Crap! Mr. White is going to kill me! All my chemistry papers!” 

You completely forgot you bumped into a person. Damn, you should get your head checked. 

As you reach for your book bag, the stranger before you had grabbed it for you. You looked up and saw the stranger. 

“Holy crap he’s gorgeous! His hair is so long, and his skin is practically perfect! Except for those stitches in his head. I wondered what happened”

“Ah, I’m sorry Sir!”

“Oh may you look very drenched!” His voice was smooth and low. “Looks like you need an Umbrella, let me walk you?”

“Uhm”

STRANGER DANGER. At this point I'm using an umbrella, you’re already wet, your chem papers are wet, maybe you should give up now. You lived a long, fulfilling life, right? “Only if you don’t mind!” 

You got under his umbrella but kept your distance. Walking with him was Awkward for sure.

“I guess if he tries anything, I could definitely take in a fight. Probably, I mean he probably won’t expect it. Probably.”

“So, you have anywhere to be?”

“Uhm just the nearest convenience store will do,” you started to sweat, it’s hard talking to older men, mostly because who knows what they’re thinking. 

The stranger nodded and took you to the nearby convenience store. “What a nice gentleman, I hope he has a great day.”

Which you probably think if you didn’t feel like a wet cat who’s been kicked out of its home. The feeling of wet clothes clinging to your skin felt awful and made you want to die on the inside. The nice man walked you inside the small store and left. 

“Sigh, he’s so beautiful! I hope I see him again one day,” you sighed some more.

“Are you gonna stand there or are you going to buy something!?”

[queenoftheferns]

Harley, Woodrue, and The Green: An in-depth analysis of Poison Ivy (2022)

(Discalaimer: This is an analysis of vol. 1 -issues 1-6- of the Poison Ivy series by G Willow Wilson, and it doesn’t take any later events into account. This is also over 2,400 words long so buckle up)

Hi!! I watched a video on how to analyse things and was inspired- I loved the first bit of Poison Ivy’s series and had a lot of fun going super in-depth into the writing, symbolism and psychology of Poison Ivy.  So let’s get into it! 

First, to make things easier, I’m going to assign some new meanings to the words “change” and “transformation”.  Although this is not how these words usually work, in this analysis “change” refers to the way you choose to evolve. Change comes from within yourself and is never something forced. “Transformation” on the other hand, is something done to you by someone/something else. It is a violation of your personal autonomy and it erases your identity with a new one deemed as “better” by the other person’s standards. Now. Back to Ivy.

Transformation: What it means to Ivy

This theme appeares a lot in Ivy’s story. Her first instance of transformation is with Woodrue who experiments on her- transforming her body and mind against her will. He’s the one who first introduces this concept of “out with the old- in with the new”- something we end up seeing a lot of in Ivy’s ideology. “Nature is not sentimental” Woodrue says, “the strong consume the weak… this is the virtuous cycle.” The fact that “Virtuous Cycle” is the title of Vol. 1 should tell us a bit about how much Ivy has carried these ideas with her (more on that later).

[ID: A picture from the comic depicting Ivy's flashback to Woodrue's experiment. Narration: "She thinks it's going to kill her." Woodrue: "Nature is not sentimental. The strong consume the weak and then excrete them to fertilize the earth. That is the virtuous cycle. Consume. Digest. Renew." /end ID]

Like many villains (and heroes for that matter), she draws a clear line between her two identities. In her eyes, the identity of “Pamela Isley” represents everything wrong with humanity: she’s shortsighted and can’t see the bigger picture beyond her own emotions and she failed to acheive her goals because of her human need for love and validation. The identity of “Poison Ivy,” however, has embraced her transformation and has let her old identity be completely eradicated. Ivy isn’t human, she’s Greater, More Than human. She can see the bigger picture, the one humans could see if they weren’t so wrapped up in their silly mortal relationships. Poison Ivy is untouchable. 

Until she’s not. Until her body is transformed against her will once again at the end of “Fear State,” but this time not into something stronger or greater. Although Ivy’s anger at Harley (issue #1) is in no way justified, it makes a little more sense when you consider how reminiscent this is of her backstory: changed forever against her will by the actions of someone she loves, cutting her off from her relationships (with Woodrue her green skin and powers/pheremones cut her off from humans, with Harley and Gardner she was cut off from her relationships with plants and the Green), and destroying all of her ideas for what her future would look like. 

[ID: A picture from the comic where Ivy is losing her green skintone and preparing to drink the vial of Ophiocordyceps Lamia. Narration: "Every day I lose a little more of the power of Queen Ivy. Soon enough I'll be back to my old self. As the invincible parts of me die away. But there is one last chance to salvage something from all this. One final opportunity to carry out the will of the Green..." /end ID]

Of course Harley didn’t know that would happen and had just wanted to save her girlfriend, but she, and the readers, can also understand how triggering and painful it must have been for Ivy and that it’s realistic for her to lash out at first. What Harley doesn’t see is this: That Ivy’s spent years hating her past self and seeing Pamela Isley as the epitome of human weakness- and now she’s her again. From here on out, Pamela’s views of humanity as a whole are directly related to her view of herself. She thinks that humans aren’t essential to the environment, so she tells Harley “you saved the parts of me that didn’t mtter”.  She beleives all of humanity must die via the Opiocordyceps Lamia, and although she makes an exception for Harley she doesn’t make one for herself. In her conversation with dream Harley, what they say (“It’s not too late to fix a mistake.”/“I wish that were true.” etc.) could be applied to either humanity as a whole or to Ivy’s view of herself as broken and unfixable. And, as her view of herself evolves, her view of humanity evolves with it. 

[ID: Image one. Ivy and Harley are having an argument after Ivy has lost her connection to the Green. Harley: "We were trying to save your life!" Ivy: "You saved the parts of me that didn't matter!" Image two. A shot of a man consumed by the Ophiocordyceps Lamia. Narration: "Sucking up every resource on this planet until all that's left is a ball of superheated concrete. The only way to save this beatiful marble is to get rid of us. Every one of us. Even me. Because there is only one person who deserves all this beauty. And that's you." /end ID]

To carry out her new plan, Pamela goes “back to the beginning” and steals the Opiocordyceps Lamia from Jason Woodrue. It’s clear she still feels that she needs something from Woodrue in order to be Poison Ivy- after all, he’s her creator. Her breakup with Harley and her plans going forward seem to have grown from her desperate desire to prove that she’s still not entirely human, and won’t make human mistakes. In the first few issues, we get the sense that she would (at this point in her story) rather die than be Pamela Isley again. For her, escaping Pamela Isley means embracing the ideology of the man that killed her. Of course, Ivy doesn’t see it that way, but it’s not hard for us to see in the way she attempts to transform the other humans against their will like what Woodrue did to her. Watching the human’s shock and betrayal fade into awe that the beauty of the Green is reminiscent of how Ivy herself learned to love her connection to the Green despite the pain of her original transformation.

[ID: A scene from the comic where Janet is talking with Ivy while being consumed by the Ophiocordyceps Lamia. Narration: "Janet is part of something else now. Part of the life cycle of this riverbank." Janet: It's so beautiful. So clean. Like starting over." Ivy: "Right? Now you can see it too." Janet: "I want to see everything like you see. Take me with you. I don't want to go back to... to that." /end ID]

She also inherits Woodrue’s view of the natural world as something detatched from humanity with no room for human kindness and love (JW: “Nature is not sentimental”/PI: “Nature isn’t cruel, just efficient”). The same way Ivy unknowingly spreads Woodrues ideology, she is also unknowingly spreading his mind control virus in the form of Opiocordyceps Lamia. Throughout the story, transformation is a force of evil, violating someone’s autonomy in an attempt to make them a vessel for something greater. Yet the creator can never really control what people transform into…

Change: What it means to Ivy

Change is never on the table for Ivy. She is transformed by Woodrue and in turn tries to transform the planet and humanity. In every instance, whether it be about society or Ivy herself, her mindset is always that change is too late. Our life courses are set in stone by our own nature unless we are transformed by some greater force. This is why Ivy seeks out Woodrue after losing her connection to the Green, and why she is so focused on following the “will of the Green” rather than doing what she wants to. She doesn’t trust herself to make the right decisions (she’s been wrong too many times) so instead she wants some Other Force to transform her into someone who doesn’t make human mistakes. This rejection of change and worship of transformation was the basis of Ivy’s ideology. Until…

…Harley Quinn! Seeing Harley in this comic always brings with it a mild sense of disbelief. She seems so out of place within the comic’s mood and aesthetic… and I realized that it’s for a good reason. Harley Quinn is the epitome of change, she’s multifaceted and unpredictable and her path in life is never fixed. First she was going to become a gymnast, but then she was a psychologist, but then she fell in love with the Joker, but then she left him, but then she went back, and just when you think you see a pattern, when you think you know what she’ll do next, Harley does something else. She breaks up with the Joker for good, she falls in love with Ivy, they break up but not really, she starts to become a hero but her redemption arc itself is filled with messiness and unpredictability and all of it was her choice. Sure there was more than a little manipulation on the Joker’s part, but at the end of the day Harley chose to jump into that vat of acid— she wasn’t pushed.

[ID: Image one. A picture from the Gardener Files comic showing Ivy in a cell meeting Harley. Bella's Narration: "After years trapped in an echo chamber of her own dark thought, a woman was place in an adjacent cell. A young woman madle in love with a monster, trapped in a cycle of abuse. Harley Quinn." Image two. A scene from the end of the Fear State saga with Harley and Ivy talking. Ivy: "There's one more thing I need to to..." Ivy pulls Harley closer with vines. Harley: "Hoo-boy... Pammy... I know this is a lot to process and you don't like when I get all meddly... but I'm trying to be a good guy and save the city and junk-" Ivy: "Harley, stop talking." Harley: "Okay." The two kiss. Image three. Harley and Ivy from Ivy's dream in Poison Ivy (2022). Ivy: "I can't. I've gone to far to turn back now." Dream Harley: "It's never too late to fix a mistake." /end ID]

In every respect, Harley’s mere existence is the most persuasive argument against Ivy’s ideology. Although this might seem like a roadblock in their relationship, it’s actually the reson Ivy loves her so much. Harley’s ability to change is everything Ivy wishes humanity (and herself) could be. If more people were like Harley, not held back by societal norms and not paralyzed by the fear that it’s “too late” to change, then maybe Ivy could have more hope for humanity. (I can imagine Ivy, bored and self-righteous, meeting Dr. Quinzel for the first time, thinking she knows exactly what to expect from a young, naive psychologist. Then beginning to fall for Harley as she smashes Ivy’s expections again and again. That’s what a good joke is after all: building up an expectation and then subverting it. Anyways. Back to Ivy).

Ivy's Arc

Ultimately, Ivy/Pamela’s story is about her relationship to her own humanity, and the other characters’ role in the plot is to tug Pamela back and forth between two perspectives: Humanity (and by extension, Pamela) being irredeeamble and in need of a deadly transformation, vs humanity (and Pamela) having inherent value and being capable of changing and turning things around. Woodrue beleives that the only way to thrive in this dying world is to take advantage of the struggle around him to benefit himself. This is reflected in George Holloran, the boss at the packaging company Ivy works at for all of ten minutes (issue #4). Like Woodrue, he accepts the state of the world with no attempt to change anything, deciding to climb to the top of the hierarchy instead of trying to dismantle it. The guys at the bar (#1) also mirror this with their focus on satisfying their own desire rather than treat a woman with respect and (unlike Harley) do not stray even a little from Ivy’s expectations. They and Woodrue represent Ivy’s worst assumptions about humanity: that everyone is ruled by their own desire for power and pleasure and are incapable of changing or growing because of how society has shaped them. 

[ID: A panel of Jason Woodrue as Floronic Man. Woodrue: "This planet is too far gone to save, Pamela. It needs a revolution, but all it wants is a band-aid. So we might as well make millions selling band-aids." /end ID]

[ID: A scene where George Halloran is being consumed by the Ophiocordyceps Lamia. George: "It's just hard, you know? To be the boss. At first you want everybody to like you. Th-then you realize it doesn't work. They hate you anyway. Because you're all in the same system. And the system chews people up. S-so you start to do things you shouldn't because you start to hate them back. You f-figure out that fear is more effective than love. And that's... when it all... goes dark." /end ID]

On the other hand, however, are characters like Jesslyn and Timothy at the packaging company (#4), Carrie at the motel (#3), Jenny Bolger at the restaurant (#2), and of course, Harley Quinn. Other than Harley, all of these characters are people struggling to make meaningful change in the confines of their normal lives under capitalism. Whether it’s through art, human connection, or focusing on a small peice of earth you can control, these people show Ivy what change looks like. It’s not as flashy and sudden as Ivy’s plan to transform everyone, and these aren’t the kind of stories Ivy would’ve known about had she simply looked on the news. But the willingness of all these people to at least try to help the world and each other is enough to make Ivy question her assumptions on the fixedness of human nature. 

[ID: Two panels, one with Ivy and one with Carrie, the lady Ivy meets at the motel. Narration: "It's too early to make exceptions. Yet somehow, that's exactly what I find myself doing." Ivy: "-I don't want to get dirt all over you." Carrie: "Well. Suit yourself." /end ID]

When on her own, Ivy has no particular character growth, but when she is with these people, the good people, or when she has memories of Harley, those are the moments we see her grow and change. Ivy says she has faith in the world while working with Carrie, and her will to live comes back after sleeping with Jesslyn. And of course, everything always comes back to Harley, the love of her life. In the end, Ivy defeats Woodrue not because of her ideology but because he made the mistake of threatening Harley. This is the moment a lot of her developement has been leading up to. She’s lost all her powers, even the ones given to her by the Lamia. Like when she first became Poison Ivy, Woodrue has complete control over her body. Like before, she had trusted his science when she shouldn’t have. Manipulated, weak, and abandoned by the Green, there is barely anything left of Poison Ivy. She is almost entirely human. Almost entirely Pamela. Finally, she has no choice but to rely on her human instincts- her love for, and desire to protect, another human. And it works. Pamela Isley succeeded where Poison Ivy failed because of  her humanity- not in spite of it.

[ID: A scene with Ivy and Woodrue in the comic, Woodure is forcing Ivy to hold a knife to her own neck via the Ophiocordyceps Lamia. Narration: "-simply have to accept that you've failed. Your enemy has won. And no one is coming to help." Woodrue: "And then I'm going to track down your little blonde girlfriend. --And I'm doing to turn her inside out. Not for any scientific purposes. Just because I can." Narration: "But that's not what happened this time." /end ID]

This is what ultimately opens her eyes to how, actually, these human instincts and human desires are what’s going to save the world. Her desire to protect Harley is the same as her deisre to protect the planet, which is the same as Carrie’s drive to save the plot of land by the motel, which is the same as Jenny’s drive to create art, and Jesslyn and Timothy’s drive to reach out to others and support each other in a hostile environment. After meeting a child and sensing the ecosystems he contained, Pamela comes to the conclusion that “we are the Green”. She realizes that our humanity is a feature, not a bug. We were designed to be here, and to love and protect the world and people around us. It’s when some people deny their humanity (for personal gain like Woodrue, or fear and self-hate like Ivy) that we start causing harm. 

[ID: A scene from the comic where Ivy is picturing the faces of Jesslyn, Jenny and the nice guy from the restaurant. Narration: "Home. The only home any of us will ever have. Because nobody without billions of dollars to burn is going anywhere. And because-- after all-- we're not so bad. We can still gorw things. Gardens. Communities. Friendships. Against all odds. I realize, here at the end of everything, that I've been fighting the wrong people. Because it was easier. Easier than fighting the real enemies." /end ID]

[ID: A scene where Ivy is reaching out to a child who's handing her back her scarf. Narration: "--but when I look at this child, I see more than just one individual. We float in our own ecosystem of symbiotic bacteria. We exhale and the trees inhale. Billions of tiny organisms call our bodies home. To the microscopic beings alive on his skin, this child is the entire universe." Ivy: "...We are the Green." /end ID]

In eating Woodrue’s corpse (Iconic, by the way), she shows that she understands now that the blame for what he did to her lies with him, not her. In the end, she tells Harley that she “made me understand that we have to protect what is truly precious.” In other words, helped Ivy understand that protecting people is protecting the Green. She signs her name as “Pammy”, not “Ivy” or “Ives”. Maybe this is just because Harley calls her that, or maybe it’s because the identity of Pamela Isley has finally proven herself to Ivy.

[ID: A comic scene of Harley Quinn reading Ivy's letter (which is also the narration.) Narration/Letter: " --you've made me understand that we have to protect what is truly precious. I love you. And only you. Until the end of the world. No matter what. Always and forever, Your Pammy." /end ID]

If you read this far, THANK YOU!!! I love analysing stuff and hope to put out some more Poison Ivy analysis in the future. In the meantime, I really, really appreciate any comments, questions, or even disagreements. I would love nothing more than to have a conversation about Poison Ivy in the notes.

[kittyamore0]

𝐤𝐧𝐨𝐜𝐤𝐢𝐧𝐠 𝐚𝐭 𝐝𝐞𝐚𝐭𝐡'𝐬 𝐝𝐨𝐨𝐫

༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉

༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉

[PART II]

RATING: SFW

FANDOM/GENRE: Horror, dark romance, scream 6, Ghostface, Ethan Landry

WRITING STYLE: One-shot

TAGS: @kittiescrownedsoul, @zspen, @h34rtsformilli, @alice121804, @kylespencersvocalcords, @babywantskith

REMINDER: Do NOT translate, transfer, modfiy, copy or steal my ideas!

CW: Attempted murder, stalking, stabbing, breaking and entering, usage of a knife, knife mentions, fighting, shouting/screaming, swearing, blood, passing out

༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉

"You fuck up!" An angry Quinn slams her hand on the small, wooden coffee table. "I wasn't going to sit there and watch you kill the love of my life!" Quinn scoffs. "Richie didn't care about trying to kill Sam!" Ethan rolled his eyes. "That's because he was with Amber! He didn't care about Sam, none of them did! Billy, Stu...I care about [Name!]"

Quinn lets out a frustrated groan. "You fucking virgin..." Ethan shrugged. "That changed with [Nam ]" Quinn pretends to gag. "Dude, overshare!" Ethan raises his hands in a 'whatever' matter.

"Dad won't be happy about this. You're messing up the plan...!" Ethan mumbled 'i dont care...' to which Quinn responded by bumping into him, hard.

She slammed the door shut, making Ethan flinch. "Cranky..." He faked shivered.

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You hummed while listening to music on your headphones, glancing outside your house window, remembering your terrifying experience on the makeshift ladder while trying to escape.

You shook your head and lifted your shoulders up and down, continuing on munching on your small snack.

Your phone rang. You were hesitant to pick up after seeing the callers ID, 'unknown caller,' but it could be Gale, prank-ers, etc...

You decided to play the safe game by hanging up, nibbling on your sweet treats.

You received another phone call again. You started getting pissed off and grabbed it in a swift motion, 'Tara' it read.

You took a deep breath in before answering and putting the phone to your ear.

"Hey, Tara, whats up?"

You could hear faint breathing from the other side.

"Hello, [Name]..."

Your breathing stopped, all of your movements stopped.

That same fucking deep, moderated Ghostface voice.

"How have you been since the last time we met, hmm? That ladder stunt you pulled was impressive, but incredibly bitchy at the same time..."

You turned to your window and then your door.

"You're acting like you wouldn't pull something like that if you were on the brick of death, cocky asshole."

They chuckled.

"You've got a point, so vulgar though..."

You scoffed.

"Says the fucker who said my surviving skills were bitchy!" "Feisty, i like it..."

You grimaced.

"Fuck you, you perv!"

You ran to your knife holder, pulling out a knife. You were about to hang up until you heard Ghostface shriek.

"Hang up and ill have you hanging on those trees on your front porch like ornaments, and we all know Its too early for Christmas so you'll be an early Christmas gift! You hear me?!"

You smiled and flashed a smile grin.

"You think I'm scared of you now? Maybe at when i was on the ladder, but this is my house and I'm for sure not gonna let you parade around MY house trying to kill me and doing whatever the fuck you want!"

You hanged up, stuffing your phone in your pocket. At first, it was quiet. You stayed still trying to figure out where Ghostface could be hiding.

You heard some clothes shuffling in the background. There. You swung your head to the left of you and a gloved hand holding a knife came in contact with your right that held nothing.

You kicked the figure in the back of their knee, making them fumble forwards. You held your knife and swung it at them, but they had also lifted their knife, clashing it against yours.

During that process, the knife in your hand flew from the impact. "Fuck!" They tried stabbing you again, but you dodged by crouching under their arm and running to the kitchen counters.

They were hot on your tail. Your current goal was to get another knife, but chances were slim with this fucker running and partying. You pulled on one of your cabinets, letting it fly right into Ghostfaces mask, hitting them directly without the mask too.

You reached out to the knife holder, until the clothed arms slithered around your waist. They raised the knife and let it sink into your waist. You scream in pain.

You lifted your right foot up and then down, kicking them from your behind, pushing them back too. The knife went with them as they flew.

You took this chance to run upstairs, going into your bedrooms closet and stuffing yourself behind a suitcase.

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"Goddammit...where did she go?" Ethan huffed in frustration. Text after text, Quinn didn't respond. He passed the room she was staying in, sending another text, but hearing the notification come from her room.

He opened the door to her room, slowly going in after curiosity got to him. He spotted Quinns phone on her bed. "She probably forgot to take this..." He grabbed her phone while it switched on.

'Tara and [Name] have to be got to be taken care of.'

What...?

He opened her phone, and paused before putting the password in. He scrolled through messages until he found the message between Quinn and detective Bailey.

Quinn: Im telling you. That fucker, [Name], has Ethan under control! He beat the shit out of me for trying to kill her. If i wasn't wearing the mask, i would have a massive black eye! Detective Bailey: Tara troublesome too. More than Mindy. Quinn: Mindy's such a fuck ass. Nagging about whose this whose that, what can be the killer or what cannot. Killer history! I never asked for it. Detective Bailey: Well, we have to be patient. Quinn: No, the fuck we dont. I dont even have the patience either. That bitch, [Name], is getting me on my nerves. I have a plan anyways. Detective Bailey: And what is that plan, Quinn? Quinn: You go for Tara, i go for [Name]. We get rid of them and dont tell Ethan the plan. Detective Bailey: What do you suggest we do other than what you said? Quinn: I just need Taras phone, to call [Name], then you can have your way with Tara while i have mine with [Name]. Detective Bailey: Alright.

"Shit!" Ethan rushed out of Quinns room, running towards his own. He fell foward into his room, scrambling to get his own Ghostface costume.

"No...no, no, no!" Tears build up in his eyes

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You sighed in relief, feeling your phone still in the same place you had left it.

You dialed the police, explaining your situation to them. They asked you to stay on call, but the closet door burst opened. Ghostface. Out of panic, you hanged up and put a hand over your mouth, also putting your phone on silent and low light.

They rummaged through your clothes, even taking some out. They grunted and slammed the door.

After a few minutes of silence, you crawled out of your closet. You put a hand over your chest, in relief that they werent here, but wait... something felt wrong?

You turned around to see Ghostface charging at you. You yelped and threw yourself to the left again, making them miss their hit and run.

They turned around and lifted the knife in their hand. You ducked under their arm and grabbed the lamp of the nearby, throwing it at their mask, causing them to grunt.

You tried to take another swing before Ghostface held your right arm that held the lamp. You brought your foot up and kicked their arm away. You hit them with the lamp. Right and then left, their head went.

You ran out of the room and slammed the door closed. You heard your door crack from how hard the door hit. Your throat felt tight, the collar of your shirt was snatched, but as soon as it was snatched, it was let go.

You heard a grunt and felt the Ghostface chasing you not so hot on your trail anymore. You turned around to see two Ghostface brawling it out.

"What the fuck...?" One of them jumped at you and hugged your body, pushing you away from the other one trying to snatch up.

The Ghostface that was holding you pushed you aside and punched the first Ghostface to appear. The first Ghostface to appear hit the back of their head on the hallway mirror.

The second Ghostface grabbed the same mirror and smashed it on the other Ghostface head, making them go limp and all movements stilled.

The other turned to you, and you stayed put, unsure of what to do. Suddenly, they embraced you, before pushing you away. "Leave. You're bleeding..." You nodded, confused.

You turned around and ran downstairs, limping your way onto your porch and streets. Your vision went black and everything had caught up to you. You were just saved by a Ghostface and your waist is bleeding as in status SOS!

Your head throbbed and everything twisted and turned in your vision.

The last thing you remember was losing your breath before hitting the concrete ground.

༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉

༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉༉𓆩❀˚𓆪༉