#i'm consuming your art

[smogsnuts]

Literally saw this on twitter like twenty minutes ago. I love this so much it's unreal

honey i think you should absolutely give him a cigar. give in to your gay desires

oaaughhh... doodle on a magma with some friends this is my first time drawing him so I'll workshop it properly

[teaboot]

You need to make art that nobody else likes. You need to make art that speaks to you alone. You need to cradle a serpent that eats its own tail and you need to love it until it loves you back

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[vellichorom]

you sick little animal, even death itself pities you.

[poorly-drawn-mdzs]

ORV is about enduring the horrors in real time.

(for @everyonesfavoritebastard)

[barksbog]

if anyone wants to learn color theory i will teach you

are you ready?

make things look edible. invoke the desire for your art to be shoved in someone's mouth. it just works.

[kit-screams-into-the-future]

wanted to try my hand at a fake screenshot thing with a scene from one of the bttf fics of all time, Time Is a Flat Circle by @fourth-dimensional-thinker! i set in to draw only the "little canary" line but. as you can tell. my hand slipped and fell down a 6 story building

if you haven't read it already please check it out PLEASEEE it's very good. i read the whole thing in basically one sitting. the vibes are perfect for the spooky season too!

versions without the filter/subtitles under the cut:

[cjgladback]

I went to my first fiber festival this past weekend! Hoosier Hills Fiber Festival; if I'm still in this state come June next year, I'll probably be back and would love to meet anybody else there. Socializing/hanging out/talking to people without feeling like I was obstructing Real Customers was the one thing I missed, though I didn't really get to any of the free lectures so maybe that's where I could've met some people. Since it was an unknown situation with a lot of people and nearly an hour drive each way, I strategized to make sure I'd go:

First day, I signed up for a couple volunteer shifts. Absolutely a recommended strategy.

Got to be helpful!

They happened to have goodie bags, to help me justify the gas and time (I now have a nice tape measure to replace the one that's been vacationing with a missing sewing kit for a couple years and a lasercut wood two-inch gauge window that might help me with consistency versus my suboptimal practice of just trying to knit perfect squares when swatching in pattern)

I got to learn things about the layout and schedule I wouldn't know to ask when answering questions and acting as a gofer -- especially true working two different locations

And of course, some people were pretty much guaranteed to be happy to see me!

Second day, I signed up for a workshop in the morning so I'd be there and able to shop for anything I needed at the end. Ombre yarn dyeing was the class! It's acid dyes, something I'm several years off from wanting to get into enough to commit to dedicated cookware, full pots of dye powder, etc. The room with the workshop was a barn that had plenty of outlets--but they did not represent plenty of breakers. So there weren't quite enough functional heating elements for the class to have sufficiently cooked our yarn before leaving, and I did need to risk a giant stock pot at home for three batches of four jars, almost-simmering in a water bath for thirty minutes each, of the yarn that hadn't proven it was done (all but the two palest greens). I was a little worried the delay/drawn out heat situation would affect the results but if it did it wasn't much; I got pretty much exactly what I was hoping for with my two color gradient and the single is great too!

The single dye gradient is the color Moss, which did some interesting things with the red portion separating out once they were heated. Every skein has redder blotches, so I'm not bothered about any inconsistency -- if anything it'll help my finished product camouflage stains. Though it was definitely a surprise for me and the other Moss user in the class when our first yarn to have exhausted the dye was the complementary color to what it went in as.

The two color gradient used Rhodamine Red on one end, which was one end of one of our instructor's samples where she chose a cool-green for the other end to show how multi-component dyes mix less predictably than most paint. (It was kinda like shading with markers where you can still see washes of the pink and green in what you squint at and call a grey-brown.) The other end was Cantaloupe, which was one of the maybe three colors she didn't have a sample cut of yarn for. But she described it as the flesh of a perfect ripe cantaloupe and obviously I had to see that, and it sounded like it would be fairly guaranteed to combine nicely with the magenta while being just enough around a bend in the color wheel to be interesting--warm orange versus cool pink. As I said, it turned out pretty much exactly as I was picturing. Not anticipated was how much the jars looked like they were full of some delicious dragonfruit-mango beverage. Were I still a barista I'd be trying to recreate this for my shift drink.

Image descriptions under the cut.

[ID: Five images following fourteen small skeins of sock yarn dyed in individual glass jars, in two gradients. One gradient is six skeins from a medium forest green through a pale creamy pink, the other is eight skeins from a vibrant yellow orange through an even more vibrant magenta. The first photo is inside under fluorescent lights, showing the 32oz glass canning jars with metal lids and rings, full of dye and yarn on a table at the end of the class in which they were filled and heated for a short time.

The next two images are animated gifs. The first gif is two frames showing the finished dye jars sitting in grass, with their yarn and with it removed. The green gradient left only transparent blue color in its jars, and most of the pink to orange gradient's water looks more orange without its yarn, aside from the third and fourth jars from the orange end, which shade toward a neon lilac with the peachy pink yarn removed. The second gif is a view of the inside of the bright green wash bucket, with just the pink-orange yarn in it, then all of them mixed up, all as they were after a soak with the rust-brown water, in the first rinse, and that rinse water alone showing its transparent but still brown tint.

The last two photos show the gradients lined up along a weathered wooden bench on the side of a deck. The first photo has the wet piles of yarn bundled in front of each of their respective jars with remaining dye. The final photo has the clean, dry yarn wound into center-pull balls and still vibrant in the direct sunlight. End ID]

[elkkiel]

Regarding ST's merch, I think it's really obvious quality wise what merch the boys had a direct hand in and what merch is just RCA slapping ST's name and logo on something because they know it'll sell. The figurine and the constant HT/Spencer's drops scream RCA just trying to make a buck.

I think the big thing we can do as fans, or in this case consumers, is just be really picky about what merch we actually buy. Let sales numbers and the market talk for us ig (ew capitalism, but unfortunately that's how this works)

Things like the graphic novel? Hell yeah, support the shit out of that! We're out here Obtaining new, original stories made in collaboration with the band themselves, AND supporting art that aligns with the band's previously-curated brand image. Throw your money at that or hype it up online, since that's what we REALLY want to see from them. (even if it's too $$$ for many people. But, I get the sense that they wouldn't mind the pdf being shared with other fans lol. You can't tell me those nerds haven't read pirated manga/comics/books online before)

The low quality, soulless Licensed Products keep on coming because there's apparently a market for them. People will buy it just because it's ST, not because it's actually worth the money. As if it'll bring any value to their experience with the band. How many fans actually want a fuckin lava lamp, or any assortment of the hot topic merch that's just Vessel's face cheaply screenprinted on the front?

I think there's a lot of hype and market potential for their brand and likeness right now, and—for a corporate entity—it makes sense to flood the market like fucking Atlantic with whatever merch will sell. Voting with your wallet really does help. Not buying into the obvious cash-grab merch produces data that tells marketers that we're tired of it. It produces trend reports which indicate their current merch practices are becoming unprofitable to continue (oh, the horrors!)

Idk like I said last night, there seems to be a big disconnect between the band's history of being very selective with aesthetics/design, and whatever is going on right now. Personally, I'd much rather wallow in despair over sleeping through a relatively rare merch drop during European daylight hours. Because then at least the drop feels worth it, and fans who were able to buy merch will have a better, higher quality experience that actually aligns with their brand. Literally anything other than what we're seeing from them right now.

Sorry I just woke up not too long ago, so this might not read very clearly. I want to see my boys succeed and make a living off their art as much as anyone else, but surely there's a better way to support them.

[ancientbygone]

and everything that's here is rising in tone and saturation it's an aching, it's a violence, it's a longing to erase the separation

a companion piece to Cicadas, of sorts. closeups under the cut:

[loresbird]

"I refuse to do that. If I worship a god, I want something concrete in return. Not community, not fulfillment, not purpose. I’m giving them power, I want something equally as valuable.” In which Technoblade is the youngest son of the Blood God and inheritor of his title, and Dream is his priest, but not his follower. I wrote this last month as a pinch hit for the MCYTBLR AU Fest, but hadn't posted it yet. I'm working on a follow-up piece that flips who's the god, and I'm really enjoying getting to play with Techno and Dream's dynamic again!

This was written to pair with this lovely art that inspired me so greatly, created by @neakillz!

[improbable-implosions]

This one's kinda funny, I went into affixing that patch SO sure that the design of that sword of mine, Arma, would be plenty for that patch, but the longer I stared at it doing other mends for these pants, the longer I felt it needed _something_ else, you know?

First up, we've got to stitch on the patch itself! I did some nice even straight stitches, because initially, I was planning on a little area of sashiko mending.

But, in looking at the size of the chunk of dissolvable backing I had cut, there wasn't really any patterns immediately springing to mind that'd work at a scale that small, or, so I thought after seeing how that basketweave pattern came together on an earlier piece. For context, the whole patch is roughly the size of the palm of my hand, at 3.5 inches square.

So, instead, I decided to try something a bit more complex to render than I'd really tried out before, this art of Arma! (Despite the sword's design being my work, the art in question is by @razzmatazic, who I did ask if I tried to trace, and she had no problems!) And so trace I did, tracing the outlines of the major features of the piece, namely, the outer lines, and the shapes of the gemstones.

Unfortunately, in my haste (and, admittedly, my focus, since this was much higher detail than I normally tackle around here), I didn't grab any in-progress shots of this. Still, I actually really enjoy how this came out looking, even if it doesn't perfectly evoke the design or detail of the original piece, it certainly emulates the look of Arma well enough I recognize it, and very visibly reads Cool Sword, y'know?

Next up were a few colorful rims around the edges of the front pockets! They were fraying pretty significantly, so not only does this add a fun splash of color, but it keeps me from picking the edges of these seams apart while I'm not thinking about my hands. Initially, I was going to pick a different set of colors than that turquoise and purple, based on a fun fact about my hometown, but that color scheme was just calling out to me! I decided to lean into the somewhat royal vibes and went for a different, lighter purple, with two little bits of yellow thread, which, fun fact, I actually dyed with some yellow flowers I foraged back in the boston area!

As for these two little spot-mends, they were really more an exercise in frustration. Really, I'm mostly miffed the thread broke on the original patch in the one place the hole kept trying to expand through, but hopefully that little bit of randa stitching (which looks MUCH more like randa stitching should than my previous efforts, namely on my wallet and that previous pair of pants that we detailed, the ones with the segaihana sashiko) alongside some additional reinforcement along the edge of that original yellow patch, made from some thread I scavenged from a fraying bit of denim, should keep this particular pair of shorts from getting any more fixes right on the edge of the patch that has misbehaved TWICE now!

Last but not least, while I was wrangling those pocket rims and the spot mends, I really just had the feeling that Arma would look kinda... lonely, I suppose? Centered in the framing straight stitches like that, so I improvised a little open book next to her! (She's not a sword-girl, promise, it's she/her like you'd she/her a boat) There's actually some really nice dimensionality to the book, too, with some looser stitches to emulate ruffle-able pages, and those two knots along the spine make for a pleasant, crinkled texture to the cover lines! Can you tell I'm pleased with myself for getting that just so, without any guides?

All that said, hopefully that's all the mends my poor poor jean shorts need, I swear, just as I get one set fixed, the other winds up with another hole! Don't get me wrong, I'm starting to enjoy the whole almost boro-like vibe they're developing, with all these overlapping mends, but I'd like them to develop it slower, thanks! (And yes, I do plan to wear these at LEAST until they look like I've quilted them back together, they're comfy!)

[triaelf9]

AHAHA aww, the critter artist hater is still out there and active! I was so worried that they'd actually gotten a real hobby and that I wasn't still living rent free in their head, but looks like they're still working SO hard to send hate even tho I've blocked them everywhere LOL

Also, sweetheart, it's "YOUR art is trash and so are you" not "you art". Maybe you could retake elementary school grammar instead of being an anon troll? Anywho, glad to see you're doing okay, XOXOXO!

Remember, you can support me on p@treon & K0-fi to see more trash art! 😘

No but seriously it's okay to feel good about yourself, you don't need to shit on other people to feel better. I hope you get the help you need ^_^

[nedeii]

[s2pdoktopus]

The brothel experience.

[izzymatic-art]

The Sharing of Takis-2024