#i…. don’t know what happened here
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girlsdads · 3 months ago
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this post made me feel deranged…
ik this concept has been written 100 times over but i’m thinking about 2017 rbr era daniel who’s come to terms (in a sense) with the fact that he wants to hook up with men but he labels himself as a top exclusively bc he thinks of it as more manly™️ etc etc whatever anyway he and max get together and it’s the best sex daniel’s ever had, max takes it so well, looks and sounds like he loves it and daniel is kind of like.. huh.. after they’re done one day daniel is trying to be casual like “wow so you really like bottoming” and max is like “of course, it is very good why would i not like it” and then he asks daniel if he’d like to try it, genuinely thinking that’s where this conversation was heading, but daniel gets indignant and sputtery like “n-no! i’m not— i’m not like that, haha” max is kinda mad now like “you are not like what, daniel? not like the girl? is that what you think? that i am like the girl? we are both men, you are having sex with a man it does not matter which way you are doing it.” daniel is trying to dig himself out of a hole (heh) but max is putting his clothes on and he’s going to leave and let daniel figure his shit out but suddenly there’s an urgent knock on the door and when max opens it BAM 2024 max is standing there. turns out he’s stuck in a time loop kind of sitch that can only end if he gets 2017 daniel to bottom for him! 2024 max explains why he’s there bc informed consent and all that jazz, 2017 daniel is of course shocked and a little mortified to hear that 2024 daniel actually prefers to bottom. he’s flushed and starting to get hard again though bc 2024 max is hot and the fact that they’re like.. together together in the future is really doing it for him apparently… anyway he agrees to do it, 2024 max rocks his world then he watches and instructs 2017 max on how to fuck daniel the way he likes best and daniel is reduced to a whimper-y mess of cum and sweat and tears and his 2 max’s cuddle him to sleep, when he wakes up 2024 max is gone and he asks 2017 max to fuck him again and jokingly is like “this doesn’t mean i’m the girl haha” and max is like “no of course you are very manly daniel now show me your hole”
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zytes · 11 months ago
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this manatee looks like it’s in a skyrim loading screen
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vaperarmand · 9 months ago
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hey guys if you’re planning on making a vaguepost on the dashboard can you message me with the details and some of the lore behind the vague post you’re making. a vaguepost for the dash and a detailedpost for me. because i like to know what’s going on. if you do this i will automatically take your side because you’ve done the right thing by letting me know what’s up. thanks in advance ❤️
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twinstxrs · 8 months ago
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so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.
#fantasy high#dimension 20#fhjy#fhjy spoilers#fantasy high junior year#fig faeth#ruben hopclap#lucy frostblade#the rat grinders#adaine abernant#kipperlilly copperkettle#watching fig terrorize him like girl!!! we don’t even know if he’s guilty!!!!#this might just be for me but i do not think 5 teenagers willingly brutally killed their friend idk#like there just has to be some other element to it and i am very scared to find out what that was#what if they were put in a position where they felt there was/there was no other choice… like oh my god#my comedy brain is having fun but my ‘this is a teenager’ brain is in such deep distress all the time this season#the rat grinders i trust brennan to not make u cartoonishly evil so i am holding u as gently as i can in my confused shaky hands#also with the devil’s nectar i’ve been wondering why they all seem so well-adjusted & now i’m curious if they’ve been intentionally-#changing their memories in a way so that either the trauma is lesser or they think they aren’t guilty. idk#but it seems like from how gertie was talking she was making it more recently so the well adjustedness from early jy doesn’t quite add up#they could have another source maybe??? idk i’m just low stakes 4 a.m. spitballing here#there’s also the strong possibility that they’re aware of what happened but they weren’t the ones who killed lucy. idk who knows#the way you could probably devil’s nectar yourself into believing it wasn’t your fault someone died… CRAZY IMPLICATIONS!!! CRAZY IDEA!!!#anyways the bad kids & the rat grinders don’t ever have to like each other but i do wonder if at least some of those kids deserve a chance
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ghost-bxrd · 3 months ago
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You guys ever think about an AU where Jason goes to hound Tim through Titans Tower, and, mid pursuit—while Tim is screaming at him about the second Robin being his hero, tryin to crawl away in a trail of blood—realizes he’s become an even worse version of his own mother, who sold him out to the Joker?
Because I do.
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moonkhao · 4 months ago
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WE ARE | EP16
#we are#we are the series#we are series#tanfang#aou thanaboon#aouboom#boom tharatorn#my edits#weareedit#AOUBOOM MAIN LEADS WHEN???#i do appreciate them and the way they’ve been portraying tanfang#i know tan was a bit over the top 99% of the time#but every scene and touch felt so genuine#and i’m not gonna credit that to new#bc he wasn’t able to direct ppw in a way that didn’t make their kisses look a bit awkward#i know scenes have to look aesthetically pleasing in some way#and that’s why we keep having to deal the ‘no one would kiss with this much space for jesus between each other’ complaints#but like look at aouboom here#this is mostly them and their acting choices in my humble opinion#and don’t get me started on the pecks#ppw BARELY touched the other one’s lips when they had to do a peck kiss#like cmon the difference between ppw and aouboom pecks is insane#i’m sorry for picking on ppw but i’m a bit sad that some of their romantic scenes were a bit lackluster#especially that very last kiss which tbh i rather wouldn’t have seen bc it felt a bit awkward to me#but that may be just me#i need new to get a bit more frisky with kiss scenes when it comes to his directing#bc i feel like friskier kiss scenes only happen when the actors mostly do their thing after finding out what the director wants#(maybe i’m completely wrong about new but tkdkfdkddkdk)#and don’t get me wrong idgaf if there are kisses or not but if there’s a kiss scene you should commit instead of holding yourself back idk#and ppw definitely need a better director to help them achieve that bc jojo was definitely better at directing them
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sainteddie · 8 days ago
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it’s not bucktommy.
that’s sad.. absolutely, but that’s not why i’m- and i think a lot of us - are upset.
i’m hurt because i watched a sector of this fandom devolve into some of the most vile behaviour i’ve ever seen in fandom because some of us dared step outside of the hive mind and decide to ship a person with two people.
which then devolved into some of the most heinous personal attacks (of both fans and lou) i’ve seen in fandom ever, and i’ve been in some rough trenches.
i adore buddie. always have. always will. (they’re quite literally the reason i’m married)
but i do not know how to interact with them in fandom spaces anymore, which is why i stopped. because who am i interacting with? where do they stand on the horrific stuff that has gone on? were they the ones sending the anon hate?
bucktommy (and buddietommy) became the safe haven for a lot of us to still be able to interact with the fandom and characters we love once it got so bad, and now that it’s ended…
i can’t unsee all the shit that has gone down.
THAT is what hurts.
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a-ferryman-a-day · 1 month ago
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Day 13 - floating
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soupysundae · 14 days ago
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❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹
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lynxgriffin · 2 years ago
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Some Self Reflection
A short follow-up to the previous Deal With The Devil comic. Basically, while I was working on that one, I got to thinking…
“Okay, so Kris gives Gaster their soul in exchange for being possessed by the player. What would Gaster even do with it?”
“.....”
“OHHHHH shhhhiiiiii–”
Extra bonus ending: Susie drops back in and completely ruins the mood.
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dragodoodlez · 3 months ago
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Is there a canon reason why people think Kabru sleeps around? Like it’s a very wildly agreed upon headcanon - at least, that he has the reputation for it - like in fanfiction/art that I’ve seen
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jackklinemybeloved · 1 year ago
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zac’s “less is more” approach to comedy is always golden but it is working PERFECTLY for colin provolone from both a comedic and dramatic standpoint. everyone else I kinda get the vibe of but colin is Just Some Guy which is driving both me and raphaniel up the fucking WALL.
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creative-robot · 5 months ago
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I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning
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It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.
My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.
But
Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.
They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.
Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.
So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?
Do not watch the following material
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marragurl · 7 months ago
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Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.
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Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.
Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.
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(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)
So imagine this:
Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)
Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.
Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.
Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.
If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.
As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.
Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.
It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.
One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.
(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)
There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.
Sunday couldn’t look away.
He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.
Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?
He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.
Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most comfort in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.
Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.
The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.
It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.
It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.
It was quiet as Sunday quietly hummed along.
It was quiet as they both knew that it would not last.
OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.
Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS
So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”
I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?
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turtleblogatlast · 8 months ago
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The fact that Leo can go literally anywhere on earth to be alone with his thoughts at a single moment’s notice is something that shakes around in my head all the time. Like, portals and teleportation are amazing and convenient abilities both in and out of battle, but they could also so easily be used to run away as well.
I don’t think Leo ever would, at least not most of the time. He loves his family too much, and is too dependent on their love and attention to cut himself off so suddenly like that, but it’s a very real possibility nonetheless.
It’s a good thing Leo’s overall temper is more on the mild side and he prefers going to his room or something to complete solitude, because it really is dangerous for a kid to have the ability to isolate themselves like that at their fingertips.
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scificrows · 1 year ago
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The feed ID doesn’t need to say anything other than what everyone else’s says, just name, gender, and…” She trailed off. She was looking at me and I was looking at her. - Martha Wells, Fugitive Telemetry (The Murderbot art I used is the official cover art from the French edition of ASR)
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