#i’m like. a person

[ered]

Here’s my take on the whole audio books vs. reading:

Oral tradition of storytelling predates written ones by millennias, and honestly, which one you like is just a personal preference.

The actual difference is

when listening, you have no idea how to write characters’ names

when reading, you have no idea how to pronounce characters’ names

hope this helps!

[ciderjacks]

contracts written in blood

+

[wkiwf]

i love this new era of life im living in

[queer-is-future]

so when straight people ask me why I say I’m “queer” or “gay” instead of sharing my actual identity as a panromantic demisexual non-binary sapphic queer I just tell them “ok look, when you’re talking to someone who isn’t local and they ask you where you’re from and you either say the name of the largest city nearby or ‘town name, suburb of large nearby city’ so they can get some geographical context of where you’re located right, bc they’re probably not going to know the name of the little town you actually live in.”

but if you’re talking to a local you can say the name of your actual town bc they have a greater chance of knowing where/what that is.

ok well when I’m talking to a straight person I start with queer bc chances are they aren’t as familiar with the context of all the little towns in that big queer city and need gps (gay positioning system) to find me.

if I’m talking to another queer person and I say I live in a suburb of gay city in a town called panromantic on the demisexual side of the tracks which is in the county of queer and I live off the intersection of non-binary and sapphic, they’d probably be able to find me with little to no problems, make sense?

[chronicsymptomsyndrome]

*displays textbook symptomatic behavior of my own disorder that I am well educated on* what’s my deal why am I like this

[cozystars]

!!! BUILT LIKE BILBO BAGGINS !!!

[eatyourdamnpears]

I’ve been in such a funk since the concert. I’m not even sure I enjoyed myself that much. maybe I did. I don’t know

[goldensunset]

did you know? if you do your laundry you can get your clothes back

[shaftking]

Ao3 is actually massively culturally important and very very good at being what it is. I’m so serious when I say that ao3 needs to be protected as the anti censorship, by fans for fans, nonprofit, volunteer run, expertly designed archival site that it is. You don’t have to read or like fanfiction to understand that on principle, ao3 is a site that should be defended.

[black-quadrant]

sometimes all you need is one passionate person who goes berserk for your work to keep you creating

[bixels]

Baffled.

[idontmindifuforgetme]

a girl is never simply grocery shopping btw. she is grocery shopping and running away from the horrors. she is grocery shopping and trying to find her childhood whimsy somewhere between the aisles. she is grocery shopping and feeling an amount of grief that is insurmountable. but she is never just grocery shopping

[bluebelleisabelle]

I will never get over Pomni’s character development

Like, you’re telling me this woman went from distrusting every member of the circus (understandably so due to being thrust into a new environment), and being on the brink of a breakdown constantly

To having the most tender heart-to-heart with Gangle in which she offers to cover Gangle’s closing shift??

Pomni as a person is genuinely so so sweet, and it’s a side of her that we didn’t get to see in the pilot, considering she was so anxious and tended to place her needs above others. In episode 2, she was such a support towards Gummigoo, which was wonderful to see. She gained a stronger connection with Kinger in episode 3, but it really wasn’t until episode 4 that we saw Pomni lend her support to someone that isn’t an NPC. It’s really heartwarming.

I adore Pomni so much omg

[bloobydabloob]

Finally have a Minecraft realm again for the first time in 2 years. I’m so excited

[greykolla-art]

Alastor: “Now, let’s talk about literally anything else please!”

Me: “Good! Cause I don’t know where you went so I can’t go further with this!😂”

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?