#i will save sora he says

[confettipopsoda]

my gf got me into kingdom hearts and i chose the most obscure character in the series to be my favorite

[cinnabeat]

i love how kh games are just sometimes psychological horrors

[robotsafari]

if i see one more "oHhHH RiKu IS sUCH AN eDGY drAMA qUEEN" type fucking comment im going to cause the entire space-time continuum to collapse

[mxdotpng]

much easier to imagine sora in any other tales game than it is abyss. i dont even know why. maybe its because theyre having the most miserable time of their lives in that game. who knows

[kingdomhearts-and-soriku-trash]

Has anybody really said this? I’m really curious and I wanna know because if so then that is so messed up-

Sks: Ugh sorikus want Kairi out of the way for their ship how delusional of them

Also sks: Riku should've died in kh3 and Riku should fail in kh4 so Kairi can come in and save Sora so they can have their happily ever after

[miraculouslbcnreactions]

Do you think it's weird that I was fine with Roxas finding out he was Sora's Nobody in Kingdom Hearts, but Adrien not being what we thought he was triggered my ick factor a lot? Do you think it's because we learned that about Roxas before we had a lot of time to get attached to him?

I was initially going to say that I can't answer this because I've only played Kingdom Hearts 1, so my knowledge of the later games is pretty limited. Then I remembered that my little brother is both obsessed with those games and the Mycroft to my Sherlock*, so I gave him a call and got the expert opinion (and a reminder that I need to play the Kingdom Hearts games so that my brother can talk about them with someone who understands story telling because those games apparently make a lot of... interesting choices.)

Here is the sum of my brother's analysis:

The two properties handled the concept of personhood and artificial beings in such wildly different ways that it would never even occur to him to compare them (though it was an interesting question once posed). A good portion of the later Kingdom Hearts games revolve around asking what a person even is. Should they try to make the Nobodies into people? Do the Nobodies even need to change to be people or are they people already? What makes Roxas different from other Nobodies? These questions start being asked very early on and, for all the story's flaws, you can tell that the writers are aware that they're dealing with a serious topic and that they're trying to do it justice.

Meanwhile, Miraculous introduces artificial beings who don't have true free will and then... completely ignores all of the ethical implications of that plot point. Emilie and Gabriel are good parents. The fact that the heroes have been killing off sentimonsters isn't concerning. Gabriel's commands are just a minor inconvenience to Adrienette and not anything that needs to be explored in a deeper way. He's still totally redeemable and it's fine that Adrien never learned the truth while his father was alive so that he could decide what that meant for their relationship on his own terms.

Given all of that, it's really not shocking that Kingdom Hearts makes you feel invested while Miraculous repulses you because the Miraculous introduced human sentimonsters for cheap shock value to the point where I firmly believe that it was a retcon. Meanwhile Kingdom Hearts planned major elements of the plot around the concept and set it up right from the start of the second game. If Miraculous had done the same kind of thing, then I doubt that most salters would be deeply upset by the concept. They still might dislike it, but it would be seen more as a matter of taste than as a true flaw.

*For those who don't know, Mycroft Holmes is Sherlock Holmes' older brother. Sherlock openly admits that Mycroft is the smarter and more observant of the two siblings. The same can be said of my sibling when it comes to story telling. Everything I can do, he can do just as well or even better. He's never seen miraculous, but knows the major plot beats from a mix of cultural osmosis and reading the occasional fanfic when an author he likes crosses fandoms. He is highly amused that no one he follows does anything save for fix-it type stuff and says it tells him everything he needs to know about canon's writing quality, an assessment I fully agree with.

[i-m-art-ix]

God I love how all the dragons (or most) immediately trust Lloyd and cuddle up to him.

And of course Lloyd loves them too and I love petting them

Literally, the guy woke up in some strange place, he had no idea where he was, he had just fought the Oni, demons of darkness and destruction, and he and his friends were in danger, but fuck it, because it's a nice dragon and you need to pet it, fuck, it might hurt me because I don't know it but you need to pet it.

Or when Lloyd saves Sora and Arin but they tell him that the empire has kidnapped a dragon and Lloyd says "there is a dragon here" and of course he has to be saved because he is a family

And how he fights with Rapton and starts saying that he has a problem with him because he kidnapped children and OF COURSE THE DRAGON, because dragons are the most important

It's still very sweet that Riyu doesn't even know Lloyd, but he already hugs him and Lloyd immediately starts petting him out of instinct.🥹

I love Lloyd with dragons

[taddymason]

So, I think as a fandom it would be better if we understood that in Jaya it's not that one of them loves one more than the other, but that one of them is more selfish than the other.

I wish this aspect was acknowledged more and not interpreted as "Nya doesn't need Jay or loves him as much as he loves her" but rather both characters have different priorities. Nya is a protective person, she is much more selfless in her actions, when Lloyd asks her to stay at the tournament, she does it because she knows she is needed, she knows Lloyd needs her and counts on her and of course no matter when she wants to go find Jay, she will always be there for her little brother like it happened in S9 and all the show tbh. And also because the tournament was a priority for the team at that time.

Now I'm not saying that Jay isn't capable of selfless sacrifices but I think there's a reason why this happens to a lesser extent with strangers and with MUCH more consistency with those she loves. And I'm not even talking about Nya. Jay dropped absolutely EVERYTHING without telling anyone in S7 to go save his parents, or in S6 the guy said "fuck the low profile" and summoned a dragon in the middle of the street in S6 to go see Ed in case he died.

Jay is much more prone to ignoring the greater good and putting absolutely everything aside for his close circle of loved ones (I actually love this about him a lot and it sets him apart from the team as one with the most questionable morals). One of Jay’s themes is family, again, and it’s not limited to Nya, but to his parents and how he always rushes in to save them without thinking, or how when Wu was in danger in S7 the guy jumped off the bounty against Lloyd’s orders to fight a mysterious stranger. I could go on, but it’s important that this aspect isn’t limited to Nya, but that Jay always puts his close circle of loved ones over the greater good. If you asked Jay to stay and complete a mission instead of going to save a loved one (be it Nya, his parents, or anyone on the team), the guy would do whatever he wanted, sorry.

And instead, Nya, from her role as a zamurai, has the theme of protecting, of taking care of others. Not only as a warrior, because she is genuinely kind supporting others like Lloyd or Sora. Nya SHOULD be allowed to be more selfish but ever since she was a child she's had to accept a very harsh reality where you can't afford to be "selfish", she's been forced to accept roles that people put on her, ever since s5 she was accepting something she didn't want for the greater good of becoming the water ninja. Of course she loves her family but she's also more analytical than Jay (who's going to react in the most impulsive/explosive way when you corner him) in order to know where she's most in need.

And even in S2 you can see how she puts aside her mourning for Kai (and the righteous anger she would have with Ras and Cinder) and tries to calm Wyldfyre at every opportunity.

To sum it all up, it's not just that Nya and Jay have very different ways of expressing affection to their loved ones (I beg you to stop using "I love you" as evidence because Nya hasn't said it to Kai either and I think we all know how much she loves him) but they also handle things very differently in complicated situations.

I think if the roles had been reversed in DR, would Jay have gone to look for Nya after she lost the tournament? Tbh yeah, most likely, but that doesn't mean he loves her more than she loves him. It's just that Jay is generally a more selfish person who will react more impulsively before thinking about the pros and cons or doing what is asked of him for the greater good. It's notable that the greatest act of love Nya does for him (which is sacrificing her humanity in s14) is not only for him, but also to save Ninjago. Again, getting into the subject of the sacrifices she makes to protect others, accepting decisions she doesn't really want to make.

[rikusahoge]

"But be safe. No reckless stunts."

On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship

Under readmore because i am going to talk a lot

As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!

One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)

無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)

無茶 (mucha): reckless, absurd, unreasonable, ridiculous

無理 (muri): impossible, unreasonable, unjustifiable

Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.

Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.

what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)

Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.

Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).

It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.

Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.

Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!

Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.

We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)

So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!

Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"

He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):

(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)

he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.

I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!

So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.

Let's start with Sora and "mucha".

The first instance i have found "mucha" used is in Olympus Colliseum.

lets recall How Herc initially loses his power in KH2, and compare it to the movie.

In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.

Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)

(Herc even has a second journal entry for his Desaturared form.)

You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.

Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.

Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.

She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.

What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)

So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.

The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)

We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:

Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:

instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":

to which herc responds:

"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)

so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.

Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.

The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)

Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.

It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.

Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.

Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.

After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.

he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.

Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)

Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)

This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.

We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:

Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.

Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.

After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)

He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.

Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.

HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.

After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).

Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.

We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:

Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.

Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:

(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.

Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.

Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)

I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.

I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:

So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.

Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?

DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw

Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.

So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.

(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)

It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)

Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)

Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.

It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again

Herc here is saying "taisetsu na hito" which is translated to "person I love most"

The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.

Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)

There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE

phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)

Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.

As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.

So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!

I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.

Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.

(just putting these in here to hurt you and myself)

So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.

In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)

It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)

So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.

Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.

In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)

So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.

I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.

In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)

Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.

After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.

She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)

Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.

In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.

I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).

So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.

Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)

One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.

And what does she tell Riku, before he leaves?

"Be careful. Do not attempt to do the impossible."

---------

if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts

[ohnoitstbskyen]

I know you made shorts for Sora, Riku, and Kairi, but do you have any other thoughts about Kingdom Hearts?

Ik this is kinda vauge and you get these kind of asks all the goddamn time, but I hyperfixated on those games for most of elementary and middle school and its always cool to see your favorite Youtuber talk about stuff you really like. Not to guilt trip you into answering this one or anything, just. . . I'm very tired and it would be very cool lol.

Again, saving my character design thoughts for some more shorts, but I adore Kingdom Hearts. Like, the first game really ISN'T much more than a cross-promotional branding exercise for Disney and Square, same as any of a dozen other similar crossover centric franchises; it's a Saturday morning cartoon show that wants to get you invested (or keep you invested) in a bunch of fancy IPs to buy toys of, but it's a really good one of those.

And it's a game that understands that the central thing that's going to hook people IN to that kind of thing is characters that are willing to believe in what they've got going on with one thousand percent sincerity. Which I think is the thing they nailed more than anything. Sora cares SO MUCH, and he wants to find his friend and his love interest (Kairi and Riku, respectively) SO BADLY, you can't help but root for the poor kid and want to believe in it.

Then, with the first game successfully managing to hook a solid fanbase, the creative team went "hey what if we had even MORE extremely earnest cool anime people getting deep in their feelings?" and now we're off to the races with Organizations and Oblivion Castles and fractions of 358 days.

And the thing that makes all the hyper-convoluted wheels-within-wheels plot machination nonsense WORK is that down, deep down, right at the core of what the franchise is always trying to say, is that love will save us. Yeah yeah hearts and darkness and unversed and nobodies and keyblades and blah blah blah (to be clear: I adore all that nonsense), but all of it is top-to-bottom in service of that singular central thematic clarion call.

Love will save us.

What holds Ventus together after Xehanort tears his heart apart? The love of Sora. What keeps Roxas the nobody from fading into Sora? The love of Xion and Axel, and Hayner, Pence and Olette. What brings Xion back? The love of Axel and Roxas. Hearts ring together and resonate and bind themselves to each other and there is no darkness so deep, no tragedy so absolute, no villain so foul that the cry of a loving heart cannot defeat it.

Roxas is a nobody doomed to darkness? Fuck you, Kingdom Hearts is love, no he isn't. Xion is a mere replica puppet, a failed experiment that nobody will remember? >>EXTREMELY LOUD INCORRECT BUZZER<< get seasalt icecream'd on top of a clock tower at sunset, IDIOT.

Over and over again characters sink into despair and loneliness, they fear that their connections are fake or fading, they fear being forgotten or left behind (Riku in the first game, the breaking of Ventus, Aqua and Terra, Roxas thinking nobody would miss him, Aqua in the Realm of Darkness), and over and over again they are proven beautifully wrong. There is always a hand reaching out, there is always someone who will miss you. Love will save us.

And this absolutely gets hokey, of course it does, it's a saturday morning children's cartoon. It's a bit simplistic, maybe a bit naïve, but honestly in a world where you can't walk two steps without bleak-minded doomer cynicism forcing the assumption that nothing truly good is possible and that the worst will always happen, Kingdom Hearts is a story so absolutely drenched in hope, sincerely held, that it feels like a fucking balm.

Also, LITERALLY where the fuck else are you going to get Woody from Toy Story reading an edgy anime villain for absolute filth? Nowhere, that's where. ONLY Kingdom Hearts.

None of this is to suggest I don't have criticisms of the franchise or that it's faultless. I could talk for several hours unbroken about all my gripes and problems, chief among which is LET KAIRI DO THINGS OH MY FUCKING GOD the franchise is low key misogynistic towards its female characters sometimes but I am talking about the things I love here let me just be happy for a second.

[cloudofash]

"With All My Heart" Comparison between Hercules in KH2 and Riku in KH3

This is a parallel that is often mentioned but I haven't seen anyone do a deep dive into the actual scenes in KH2 and compare them to Riku in KH3. I would like to take time to do this now.

Hercules saves Meg, his God powers awaken and he realizes that his powers have returned due to sacrificing himself for Meg and fighting for her with all his heart. Then laughs and says in response to Sora "People do crazy things when they're in love".

------

Riku realizes he has found the strength to protect "his precious person" (per OG Japanese dialogue). Sora yet again says "No crazy stunts" this time to Riku. Riku pulls a crazy stunt, sacrificing his own life, to protect Sora even if he knows it's to no avail. Riku perishes and his body floats in the Realm of the Gods, the same way Hercules awakened as a God when he saved Meg.

It's nearly a 1:1 parallel, the only exception is that Hercules' sacrifice, realization and admittance of his love happens in one cutscene while Riku's sacrifice and realization are stretched across KH3 and we have yet to see his admittance. Despite this, it's extremely on the nose, especially where Sora repeats the phrase "No reckless stunts" to Riku after saying such to Hercules in Kh2. Even more pointed with Riku's body winding up in the Realm of the Gods, floating above The Sun God's, Apollo's, Delphic Tripod. The only thing we're missing from this Hercules / Riku comparison is Riku admitting to pulling this crazy stunt because he's in love. Pending KH4 hopefully.

It's so direct that there isn't even much for me to analyze or add, I'll just let the screenshots do the talking.

[maiqua]

So I recently was replaying KH3 and while in the toy story world I noticed something that made me pretty excited. The focus on Woody and Buzz reaching their hands for each other and holding onto it.

In this scene here Woody was climbing and Buzz reached his hand for him to grab to help him stand up.

And at first I was like oh okay until I noticed who was staring at the scene taking place while everyone was looking the opposite way.

Was he thinking of Riku here? Cause as the player we have seen multiple times how much Sora regrets not taking Riku's hand. Now at this point I was on notice for any other time Woody and Buzz reached and held each other's hand.

And later on in this world Young Xehanort used Buzz darkness to have him took over. And he says this to Sora.

This to me feels like such a call back to KH1. Buzz is in the place of Riku and Young Xehanort is in the place of Ansem. Young Xehanort uses Buzz's darkness here against him like how Ansem used Riku's against him. Sora though not intentionally made Riku feel distrust and doubt in KH1. Just like Xehanort is saying Sora is doing here.

Im not saying Sora's reaction here is fully because he was making the connection to what happend in KH1. I do truly believe Sora wanted to help Buzz here cause he considers him his friend! But I wouldn't be suprised if it reminded him of KH1 and thats why his reaction was so extreme here.

Im not sure what Young Xehanort says in the Original JP dialogue in this scene but Im assuming its something similar.

Now another instance of Woody and Buzz reaching each other's hand is after Buzz is saved. Woody reaches his hand to Buzz and Buzz accepts it.

I do think since in this scenario Buzz is being shown to be Riku I feel it's safe to say Woody here is Sora. In the first example Buzz reached for Woody and now in the second one Woody reached for Buzz. Like how Riku reached for Sora in KH1 and since then Sora has been reaching for Riku. But in both cases on Sora and Riku's sides they haven't been able to reach and hold onto each other's hands like Woody and Buzz can yet.

And of course what really drilled this into me was this scene in the last few minutes of the Toy Story world.

Buzz who is the Riku parallel of this world reaches his hand out to Sora. Expressing his guilt.

And Sora accepts it.

[ooffmlsorry]

Getting Drunk with One Piece Men

sabo, ace, law, zoro, sanji

A/n: Ngl writing drunk characters is my bread and butter. Idk man. It's just how I am.

Content: gender neutral except female pet names in Zoro's

SABO

Y'all become idiot 1 and idiot 2, honestly you might even fight over who gets to be idiot 1

Koala's so tired of y'all omg this poor woman deserves a vacation from the two of you

You can drink him under the table, he's such a lightweight

I'm so sorry to tell you your man's a wanderer. At least once you're going to turn around and say "where'd Sabo go????" Half of your night might be spent looking for him

Despite being drunk Sabo's still a gentleman, you two are gonna stumble down the street arm and arm, he'll walk on the outside of the sidewalk closer to the street to keep you safe, and he likes getting your drinks for you

He drinks sugary drinks and will have a HORRIBLE hangover in the morning

He's not necessarily an angry drunk but he is a loud argumentative one, when he inevitably wanders off you're going to find him loudly arguing on behalf of the revolution and shit talking the world government to anyone that listens and to anyone who won't

You're also going to give each other increasingly stupid dares and stunts throughout the night

Gets affectionate as the drunkness gets closer to tiredness and then he turns into a cuddly man baby

Y'all also both crash pretty unceremoniously. Hack is going to find you two curled up in a coat closet together with a random dog and a dick drawn on your face???

ACE

two words: GOOFBALL ALERT!! He's unserious normally but when he's drunk unless something really, really bad is going down, don't expect a serious response out of him

So LOUD!!

"Ace, why are you yelling? I'm right here."

"I'M YELLING???"

You're all of his impulse control for the night and if you don't have any either than good luck to Marco...

Will loudly brag about you to anyone who listens. Probably does a toast just because you exist and will probably say something he shouldn't

Please stay near him, he just wants you to be right next to him. If you're a wanderer you're gonna stress him out real bad and he's gonna start spiraling. He's just physically clingy, he's got his arms wrapped around you, his head resting on your shoulder, sitting on his lap would make him very happy. -10 personal space.

Lights a shot of liquor on fire and drinks it to impress you. Every. Single. Time.

Speaking of that he repeats SO MANY of the same stories he's told you before

Also wants to dance with you, you've got no option unless you absolutely hate it

Tells you he loves you once every 2 minutes. please say it back. Don't be surprise if he proposes to you a couple of times when he's drunk

Inevitably starts crying...the later it is the more likely it is to happen. Just be prepared to coddle him and be covered in snot before morning.

LAW

First of all, it's gonna take a lot to get this man to actually drink. He's not a fan of being out of control. But he would do it, especially if someone told him he couldn't or told him not to

He also doesn't have the highest tolerance, the fact that he's tall is the only thing saving him from being a lightweight

You know he's drunk because he gets really expressive and talks with his hands a lot more.

I'm telling you this man is going to start talking about his coins. Fucking coins. And Sora. He's gonna out himself as a huge fucking nerd.

He's the most self aware drunk you've ever met. For the entire night he's fully aware of the things he shouldn't be doing/saying and still does them.

"I've had way too much, Y/N-ya. This is going to be awful."

*Gets another drink*

This also includes being all over you. If your relationship was a secret it's not anymore because he can't stop staring at you and keeps finding his way back to your side. And he does this thing where he keeps inspecting your hands and fingers??? He's captivated by them. You think he's trying to hold your hand without looking like he's holding your hand??? But it's kind of unclear????

The more I think about it the more I'm certain that drunk Law turns into a little weirdo.

If you touch him at all he's going to turn into putty, like his face is just gonna look like 🥴

Might start telling you secret dumb thoughts that he has or recalling good memories with Cora.

If Luffy or Kid is there he won't say no to a challenge, he doesn't say no anyway but it's so. much. worse.

He's gonna have to drink enough to put him to sleep or he's going to sober up and recall the horror of what drunk!Law was like

Please act like none of it ever happened. Please.

ZORO

This man is gonna fall asleep.

Can Zoro even get drunk???

Well, hell froze over and he did. Somehow.

Drunk Zoro is surprisingly friendly, he even almost compliments Sanji which is WILD

Like he kind of has something nice to say about everyone worth saying something nice about

There's still something really intimidating about him especially if anyone makes you uncomfortable

Suddenly Zoro can't remember your name and only refers to you as "my girl" or "woman"

Honestly, he can't believe you're actually dating him and he'll tell you several times

Will probably say something like "damn, I keep forgetting how pretty you are. 'S fucking weird."

Teases you a lot. He's like a kid pulling your pigtails because he likes you. As soon as you do it back you're going to get a big reaction out of him though

"OI! WHAT THE HELL WAS THAT FOR???"

"NOT SO FUNNY NOW IS IT!!"

He might play fight with you lmao, be prepared to be manhandled because he's rough around the edges but man does he love you

Like I said...this man is inevitably going to fall asleep, hopefully you were done partying by that point because he's not letting go of you. You're stuck. Sorry. You're his new nighttime plushie.

SANJI

Oh Sanji *long sigh*

He thinks he's being smooth but he's boderline incoherent when he's really drunk

He's gonna hype you up!! A LOT!!!!

Probably the most normal drunk because he's already a perv and being drunk doesn't make it that much worse

He can be a little petty though lol, not towards you but you might hear him muttering something here or there

Wants to take a bunch of pictures with you

Unfortunately over half of them are gonna be a blurry mess

Absolutely wants to dance with you

He's not drinking nasty alcohol

Honestly, he's kind of giving Brittany Broski in the sense that depending on what drink he has he's gonna gag

Sidenote: he could theoretically stomach it, Zeff didn't raise no bitch(/j) but why torture him??

So excited you exist??? Like for a moment he's gonna get philosophical and be in complete awe that the two of you exist at the same time and met??? How lucky can he be!!!?

Actually, drunk Sanji gets kind of deep after a while, especially when the two of you are alone

He's not gonna cook drunk. Big no-no. That's a hazard. But if you were drunk and hungry or wanted to sober up he'll make you a cup of coffee and something that doesn't require fire or a lot of knife skills

Would rather whisk you away somewhere quiet to be alone with you after a while. Like, he's not a wanderer per se, but he wants to be alone with you

Leans on you a lot when he's drunk

He might definitely be the little spoon that night, he gets so soft by the end of the night just hold him, okay?

[vesora]

all you got to do is sit there and look pretty: loa edition

DISCLAIMER: this was written before a series of realisations, the main point still stands but the subconscious mind does not exist. it is simply awareness. let go and let god.

one thing i have noticed, even in myself, is that we have this need to keep doing something. i need to keep affirming, i need to keep forcing myself into a state, i need to keep focusing on my thoughts or else it won’t manifest. all these thoughts have a common link, a fear of not manifesting, or rather, the 3D not conforming. 

it’s not our fault. we have been primed to think this way. work this hard and you’ll get (x). this is not the way it’s supposed to be. with the law, we break free. 

i need you to know that it’s okay if you’re consciously not thinking from your desire all the time. it’s okay that you don’t feel okay with entering another state if this one is too traumatic for you. relax and know the you on the outside, does not manifest.

who manifests then?

our inner self; our subconscious mind. our subconscious mind is us, but unlike our conscious selves, it is also the Universal Mind, meaning it knows all, it has all knowledge and power stored inside it. our job is to give the subconscious mind a job. as the conscious mind, we hold the key to decide to let what the subcon should manifest and not. we are the guard, we don’t manifest. 

all we really have to do is be still and let God, and by God i do not mean some external being, i mean our subconscious mind; our true self. letting go and detaching doesn’t mean you will stop caring about what you’re manifesting, it simply means that you know that the subconscious will handle it for you. because the subconscious IS you, it’s a robot that only listens to YOUR command. it cannot be influenced by any other force. 

experience 

for the past few days, when i made the unfavourable circumstances post, i was feeling so incredibly awful. i felt i had no reason to live, because i thought me as the conscious sora, was responsible for changing my life. while that is true to an extent, all i have to do is give an order. i told my subconscious mind that night to fix everything for me because i was tired and the next day, all the things that were causing me distress got solved. the next day i had an even better day, because the subconscious really fixed the things causing me stress. life was peaceful again.

it was then i realised that i have been too attached with doing things right, when all i had to do was sit there and look pretty while my subconscious does the work. 

another success happened just now! my browser froze and i didnt save this post. i panicked for a second then i was like “sora you just wrote a post about your subcon fixing things”; so i told my subcon “hey man fix this pls” and it did! lol browser is back to normal which is how ur seeing this post rn

what if my subconscious doesn’t listen?

anything that happens regarding these things is a direct reflection of you. inner creates outer, not the other way around. so, any failure is not because the technique failed, it’s because you haven’t changed self yet. and what changes self? persistence. you must keep persisting because the subconcious HAS NO CHOICE but to listen to you. if it ‘doesn’t’, DON’T ACCEPT IT. 

persistence

And He said unto them, Which of you shall have a friend, and shall go unto him at midnight, and say unto him, Friend, lend me three loaves; for a friend of mine in his journey is come to me, and I have nothing to set before him? And he from within shall answer and say, Trouble me not; the door is now shut, and my children are with me in bed; I cannot rise and give thee. I say unto you, Though he will not rise and give him, because he is his friend, yet because of his importunity he will rise and give him as many as he needeth. And I say unto you, Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you. Luke 11:5-9

in this verse that neville also referenced, we can see that the man did not give up. in fact, importunity means: the act of making intrusions, being unrelenting, consistent. unrelenting, he never took no for an answer. he kept going and going and going until the man decided to give him bread. do not take no for an answer. do not settle. even if the door seems shut, you will ALWAYS be the key to open it; there is no other choice. keep telling your subconscious mind that you are rich, you are beautiful, you are everything and your subconscious mind will have no choice but to reflect that onto the 3D because that is its job.

excerpt from power of awareness:

“THERE ARE three principal characters in this quotation, you and the two friends mentioned.

The first friend is a desired state of consciousness .

The second friend is a desire seeking fulfillment.

Three is the symbol of wholeness, completion.

Loaves symbolize substance.

The shut door symbolizes the senses which separate the seen from the unseen.

Children in bed means ideas that are dormant.

Inability to rise means a desired state of consciousness cannot rise to you, you must rise to it.

Importunity means demanding persistency, a kind of brazen impudence.

Ask, seek, and knock mean assuming the consciousness of already having what you desire.

Thus the scriptures tell you that you must persist in rising to (assuming) the consciousness of your wish already being fulfilled. The promise is definite that if you are shameless in your impudence in assuming that you already have that which your senses deny, it shall be given unto you – your desire shall be attained.”

[spammynegrutou]

I hope in KH4 Riku gets himself in trouble.

I hope in KH4 Sora is the one to protect Riku and not the other way around.

I hope in KH4 Sora realizes what Riku means when he says "Strength to protect the things that matter."

I hope in KH4 Sora finds his strength. His inner one, not the one connected to friends.

I hope in KH4 Sora and Riku have a REAL talk about the shit that happened to them.

I hope in KH4 Riku tells Sora how much him and Kairi mean to him. And how they kept him going.

I hope in KH4 they laugh together.

I HOPE IN KH4 KAIRI SHOOTS DOWN FROM THE FUCKING SKY LIKE A BADASS TO SAVE THOSE TWO IDIOTS.

[jellyfishvibes]

Random theory while i was rewatching khux,

So all the dream eaters are Chirithy's wrapped around the sleeping hearts of the dandelions waiting to be awakened, and we know dream eaters are connected to regular people outside of the realm of sleep, the spirits consume nightmare and the nightmares consume good dreams of people, Riku becomes Sora's dream eater ect, and Chirithys are connected to people aswell, each being given to and assigned to a keykid (? daybreak townie? child soldier-) by Mom/the foretellers, and last but not least Kairi is connected to chirithy in some way, having chirithy ears on her kh3 outfit hood and all

But theres a connection were forgetting, Ventus Of the unique dream eaters we know of, we have Riku: Sora's dream eater, Chirithy: the first dream eaters, the boss nightmares, Nightmare Chirithy: both the purple version and the fused with Darkling version, the Anti Black Coat (i hate that name lmao): the physical manifestation of Sora's nightmare And Armoured Ventus Nightmare Ventus unconsciously wrapped his armour around Sora's sleeping heart to protect it, taking on the darkness and thus a nightmare form in the process, Ventus wraps himself around the sleeping Sora to protect him until he could be awoken, exactly like how the Chirithy's saved the Dandelions If Riku is Sora's Dream Eater then Ventus is his Chirithy Bonus design overanalyzing:

Ventus' colour is green, his wayfinder is green, his armour is green, his heart station is green, his colour on the trio heart station is green

But Ventus himself isn't very green until bbs, specifically the only green on his outfit is the keyblade armour

His colours line up more with Chirithys colour palette, curiously it is majority Spirit Chirithy's but i would say the black undershirt and specifically the red inside of his jacket actually remind me of Nightmare Chirithy's red cape underside, he may be majority light but darkness was lurking beneath him from the very beginning, becoming so intertwined with him that he gave that formless shadow a body and a mind

unfortunately i am now thinking about poking a ventus and vanitas redesign because the world is cruel and never lets me rest