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#i want more scenes from this time period
colesabi · 7 months
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i think about this scene a lot…
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countmothra · 2 months
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Love that after Nihil eats the forever weed brownie after getting dumped, he trips balls and briefly imagines the world of 1984 by George Orwell. Like,
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look me in my eyes and tell me that the tower with the giant fucking eye doesn’t radiate “big brother is always watching” vibes.
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prolibytherium · 2 months
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Man those The Hobbit movies really were bad huh
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yellow-dejavu · 8 months
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#dark netflix#eva's world#erit lux#apocalypse family#1888 gang#shitpost#memes#i posted this#even though eva's world is the one that received more attention there's still a bunch of things that they didn't show#i will never get over of Egon as a traveler#they show it one time and pretended that i didn't wanted to know everything about it#also all the characters that we never saw in their eva's world version#i'm gonna suposse that they all have bangs#s3 barely showed any interaction between the four and somehow I can't stop thinking about them#claudia was the leader and the only adult they have in their lives#jonas was everyone's favorite sad boy#the two of them learned sign language#elisabeth was the little one and she was adored by all of them#noah and his 1920s boy attitude was somehow the comedic relief of the group#they were like a sad sitcom and i'm sure they felt less sad because of elisabeth#claudia and elisabeth were the smart ones of the group#noah and jonas were smart too but they also were noah and jonas#they were like a family#i have no proof but no doubt either#poor agnes was born in the 1888 timeline and also had so little screen time#maybe baran and jantje realized that 1888 was the time period when magnus x franziska did something apart from loving each other#and inmediatley discarded the possibility of showing it because they went like “nope doing something onscreen defies their whole purpose”#i will always sound crazy talking about how beautiful Bartosz and Silja's love story is when they only have four scenes#this show had a weird 50something having to take care of a group of teenagers in the 19th & 20th century and decided not to elaborate on it#this show is so iconic
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goldentigerfestival · 3 months
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Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.
Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.
Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).
This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.
I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.
Part 2.
Part 3.
Part 4.
(Other) GTF Favorites.
I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).
I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.
Basically, to get the full experience for Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the dub context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).
As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.
There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.
For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.
I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏
Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.
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Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:
Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The dub just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).
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We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".
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Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the dub made up three months, but there was never originally even a time frame given).
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Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The dub made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.
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For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.
(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)
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I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the dub. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.
Not the only instance you'll find of the dub just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...
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Even though I can kind of see where they went with the dub here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.
The dub changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.
It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.
This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy".
Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.
I'm also mentioning it because it's the very first in a whole line of changes the dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.
Inserting the JP audio version of the following scene with Flynn here.
And... the following one from there.
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This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing?
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This dub change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the dub, regarding the council backing her.
The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.
The dub just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?
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Another weird one for me. In the dub Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the dub ended up with that.
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An example of the dub having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).
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Another super weird one in the dub. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).
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This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.
Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.
Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.
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I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.
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Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?
Once again, this gives off negative vibes toward Flynn as a character imo.
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Here Judith gives more of a reason for coming with them, which they changed in the dub to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".
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The dub changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the dub it comes across as more just unimpressed and "of course he'd do that".
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An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???
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This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).
Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the dub he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.
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And let's be honest, this just hits way harder than "he will get what he deserves".
Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.
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Not particularly important, but just another (more mild) case and example of how the dub just randomly changed tone/mood/wording for no reason.
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Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.
This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).
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(I left out the subtitles because all they did was copy the dub's localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)
This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).
I'd guess this got changed in the dub because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)
For now, we'll be back at Mantaic in the next post (due to image per post limit).
#Tales of Vesperia#GTF JP Vesperia Things#GTF Vesperia Localization Woes#really like... a lot of the time? the other characters weren't changed all that much#it's primarily Yuri who got this weird shift where they just... flattened his personality?#but some of the biggest offenders ended up being some of the most important scenes in the game which is what bothers me#and sometimes the localization is pretty much just... on point with the plot dialogue and other characters#yet for some reason they just... changed a lot of tone for Yuri?#it's just like... Yuri will have personality in his tone and they instead make dub Yuri speak it in a flat way in those moments#this did happen with the original dubbing quite a bit but it's also just SUPER noticeable with the new lines#my suggestion would be to at least play the game w/ JP dialogue and see how you feel coming out of it if you're a fan of Yuri and/or Flynn#and if you like it enough then I'd suggest watching the playthrough in JP that these screenshots came from if you're RLY dedicated lol#it's not JUST Yuri it's just /dominantly/ Yuri. other odd lines just didn't... go as hard?#like Raven and Karol especially go pretty hard on their lines in JP and the Schwann stuff with Karol was OOF#or if you'd rather just skip to watching it in JP I mean be my guest lol I just know some ppl might rather PLAY it#I just feel like... like... even tho not everything in the dub is horrendous... if you're a YURI fan?#it's hard to go back to the dub (impossible for me ngl) when you have this actual silly little guy#who is a lot more emotional and wholesome and Yuri isn't acting like he has a stick up his dubbed ass in some scenes#I still prefer the 360 version plot-wise for the most part and it's a mixed bag there a bit but#I can't get JP audio on the 360 so. it's the struggle ig.#in my case though it's this feeling of like... them wanting to create an image onto Yuri that wasn't supposed to be there?#obviously I don't know what went on in the loc room but I do know I walked out looking at dub Yuri like#him and the original Yuri aren't even the same. I get so frustrated with dub Yuri's unnecessary ATTITUDE sometimes#which wasn't ever a problem for me period in JP. he's emotional and sincere WAY more often#also lbh I cannot reasonably picture dub Yuri all dressed up and pretty the way he is in official artwork LOL#and that's the thing. I see them so differently it's like they're different people#I also just feel like the dub was like. he doesn't fit OUR vision for him. what WE want him to be like#and again I don't know what went on in that loc room but I DO know that's how I came out feeling from this game#anyway this is in hope more ppl will come to love JP Yuri's personality and stuff#but yeah more next time on ''why did you do this to my sweet baby boy''
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for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
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The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
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supercool-here · 6 months
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Ok my sins are keeping me up late at night so of course I'm going to post about ysblf. I am not a fic writer, actually I'm not a writer of any kind other than bad, but I really wish I could come up with a storyline in which Armando and Betty develop a somewhat healthy relationship, or at least one in which they get together without having gone through the ordeal of seducing/getting used. I will love reading your ideas, even fanfic recs if you know any. My own theory will be in the tags
#I THINK it could be possible for Betty and Armando to get together in a normal-ish way because#In the small period of time before Mario gets into Armando's head and convinces him he has to seduce Betty to keep the company safe#During that time Armando and Betty had something pretty sweet going on#Of course I think getting anywhere near romantic would've taken much longer than it does in the soap#But I think they could've eventually gotten there#BECAUSE Armando's and Betty's relationship was really nice#It was quite damped in inequalities tho#So I think in this alternative narrative the first step would be to get them to stand on the same grounds#Even the situation#So help Betty get more confidence and get the career she had always wanted#And help Armando break away from his unhealthy relationships and bad influences and help him be bold#Maybe then Armando starts to see Betty with longing eyes#And maybe Betty tries to go out with other people#To learn a lil about relationships and learn to stand up for herself MAYBE#And MAYBE then Armando realizes he feels jealous#Which he wouldn't want to admit not because Betty used to be an “uggo” but because he's always seen her as this sweet angel of a person#And MAYBE he goes on a personal quest to find himself because MAYBE he starts wondering wether he could ever be with someone like Betty#Could he ever be with someone so honest kind intelligent knowgeable innocent loyal yada yada basically so perfect when he is such a torment#That has been a cheater and what not#But then I need something to happen so he decides he wants to try to become the man Betty deserves#(which is what he does in the original story teehee)#And I don't know what that could be#But yeah I think so far we could get pretty cute scenes of them bonding#Armando being proud of Betty seeing her grow up and treat herself better#Scenes of Betty doing things she's scared of and then getting that reassurance knowing she's always been capable of those things#And our beloved scenes of tortured Armando#But then what is gonna push Armando to decide he wants to be good for Betty#I don't know if I want it to be jealousy#MAYBE it'll be some situation in which he realizes he has to fight for her or he'll loose her forever#Meanwhile for Betty
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ambrosiagourmet · 8 months
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I want to talk about why I think this is the one of the most important Falin panels:
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So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.
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In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.
At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.
And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.
Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.
If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.
We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:
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So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.
Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."
So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.
However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.
Isn't that the same thing?
No, no it very much is not.
Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:
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Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.
But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.
If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.
Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.
Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.
Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.
We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.
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And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.
So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.
It doesn't seem like Falin has ever confronted any of it directly.
And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:
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Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.
And this is something Falin embraces, too. She comes back to life, after all.
We see her choose to come back to life.
And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:
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Do you want to eat more?
There is a double meaning in the Winged Lion's final words on the next page.
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When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.
But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.
And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.
It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.
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masterhallmark · 6 months
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Rant incoming
I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.
All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.
Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!
Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.
Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.
We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?
We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?
We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.
Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.
Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.
And don't get me started on the non-princess animals.
Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?
Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.
Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."
Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.
Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.
The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.
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infamous-if · 11 days
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✭INFAMOUS UPDATE IS HERE ✭
238K -> 457K WORDS
Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)
This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.
Please let me know of errors! I tested it a few times with no problems but we know how it goes lol
IN THIS CHAPTER THREE UPDATE:
drama
mayhem
chaos
some betrayal
some surprises
just...read it lmao
PROLOGUE - CHAPTER 2 CHANGES:
**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**
fixed up grammatical errors and typos
expanded some scenes and added some more choices
you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)
you can choose to have changed your band's genre before/after seven
TECHNICAL CHANGES:
you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.
the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.
You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.
There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!
I changed a few stat names but their functions remain the same.
You will be able to choose how you would like to be described (masculine, feminine, neither, both).
O is officially gender-selectable.
You can set the genders of the ROs at the start or wait till you meet them.
PLAY HERE
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irisinluv · 20 days
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Isekaied as the Yandere Villain!? Pt 2
Part one
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It was almost 2 minutes before I realized I was still dragging the crown prince behind me. I quickly dropped his hand and looked at him, not able to hide the embarrassment on my face. Listen- I’m committed to the bit. I WILL be the crazy jealous fiancé. But… I’m still human ok. I just dragged a full grown man down several halls and a flight of stairs while I spaced out thinking about how I’m gonna buy my cat premium wet food once I get back home to her.
It’s fine, I’m not flustered at spacing out about my cat, my characters just flustered because she’s been holding the hand of the man she’s obsessed with, that’s all!
“Well…. Did you still want to dine and take that walk?”
I expected him to scold me for my mistreatment of Cressida, grow irritated from me dragging him along like this. Instead, he chuckles and threads his arm in mine, and begins escorting me down the hall.
“Absolutely, have you dined outside by the roses yet? There’s this lovely pavilion that I am eager to hear your thoughts on.”
And that’s how I found myself under an impressive array of roses, all trained up and around a cozy dining area, creating a canopy of green and pink over an intimate tea table. The food was equally impressive, I had to keep reminding myself that the other me is used to this lavish lifestyle, to not gawk at the fancy tiny sandwiches and deserts.
“Well? Is everything to your liking? ”
I’m going off script here, how am I supposed to know how the villainess would react to a romantic scene like this?? If my “evil crazy” side isn’t supposed to be directed at him, and she’s usually kinda distant and unsure around him…. That means I should probably respond pretty curtly, polite, yet not really engaging. But…. I’ve already messed that up…. I guess I can be more genuine when it’s the two of us like this. He can think that this version of me is the facade, that I’m pretending to be pleasant, and then will start to see what a jerk “I” truly am when Cressida’s around. Besides…. I almost feel bad for the villainess. She really just seems like she was shy. Who knows- maybe, if given the opportunity, she really would have opened up more. It’s clear she loved the prince, and just didn’t know how to show it. So, with that thought, I made up my mind.
“It’s breathtaking! Roses are my favorite flower, and I’ve never seen so many kinds in bloom at once…. Plus the food and company leave little to be desired.”
There you go- slip in some subtle flirting! I’m not quite sure what time period this is supposed to be, but I get the impression flirting as bit more high class here, and I think I can have some fun with that.
“I’m glad, to be honest I was a bit flustered asking you to dine with me… you caught me quite off guard today, but in a good way.” He reaches his hand across the table and places it on my own, “I’d like to do this more often, you and I. I feel like the confines of our current arrangement have left us practically strangers, despite being engaged for several months already. I’m enjoying just being companionable with you, even if it’s just existing comfortably in the same room.”
Ohhhh, I know I’m the villain in this story but I can’t help but root for him- what a sweetheart! It’s so obvious he’s been lonely, I can’t wait for him and Cressida to fall in love and have a couple of kids that they’ll spoil rotten. And in the meantime…. Maybe I do have a bit of evil in me, because I’m going to selfishly enjoy this handsome man treating me to lunches under roses and reading in cozy libraries while I can.
“I know exactly how you feel your highness. Now, you mentioned a walk?”
We spent the afternoon laughing and chatting, and it felt nice to chat without worrying too much about my role. He asked me about that book I picked out earlier, and listened attentively as I caught him up with where I’m at in the plot. In turn, I asked about what papers he’s been signing, documents he’s been drafting, etc.
The only thing I had to do was send glares to any young ladies we passed, settling my hand on his arm possessively, and I saw their eyes widen and faces disappear behind fans as they whisper to one another. I can picture this illustrated in a manhwa- the nasty princess sinking her claws into the gullible prince… hopefully all these ladies will start gossiping and we can really cement this evil persona of mine now that Cressida’s here.
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When we returned to our separate apartments, I explored my rooms a bit until servants came to get me ready for dinner, and I slipped back into the frigid bitch persona. The servant girls dressed me in a slightly stuffy gown, but I had to admit, I looked gorgeous. I sat stiff and straight as they did my hair, forcing myself to be the very picture of cold indifference. I then dismissively thanked them for their help, then sat there awkwardly as they stared at me like I was crazy.
Ohhhh shit…. The original story hadn’t prepared me for this. My character was a villain, yes, but a side character for the most part! How was she supposed to act towards her servants? I went over what I knew- the novel showed the villainess alone quite often, usually obsessing over Eric and plotting/stalking. It showed her with Eric, and how distant and awkward their relationship was when together. And then of course the numerous scenes with Cressida where the Villainess did all sorts of heinous things to the sweet girl. But… it never depicted her with servants, or even any friends or other nobles. Just… Eric and Cressida. Was other me not actually a bitch all the time? Am I being unnecessarily rude right now? Oh god I’m such an idiot.
The story is told through Cressida’s point of view- of course there’s more depth to my own character than I initially thought! The Villianess must be a misunderstood introvert! Unsure of how to act around her crush, she’s fiercely insecure and jealous of this new girl who doesn’t struggle the same way she does. When she notices the prince slipping from her grasp, she acts out against Cressida because she can’t bear to lose Eric!
As someone’s who’s worked minimum wage jobs and struggled with social anxiety most of my life, I try to be nice to the people just working to survive, but here I am acting like these poor women are the dirt beneath my shoe…. Ok. Um. Well they’re still standing there in shock, I can fix this….
“You really did a lovely job… my hair has never looked so gorgeous, you’re truly talented! And I think the prince will be very pleased with this choice of ribbon!”
There- I was nicer, and I brought it back to Eric, so I’m still the lovesick fiancé whose entire world is waiting for her in the dining room. I frowned as the servants scuttled out of the room with hurried excuses, all of them looking like they were about to faint. Damn it… I can’t believe I misread the relationship between us. I probably just ruined their night by being uncharacteristically rude. I’ve gotta learn their names next time…. Maybe ask them to help me eat some fancy pastries as an apology…?
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I didn’t know it, but while I was lamenting how wrong I was about the Villainess’ character, the servants were all gossiping to the others about what had just transpired.
“You’re telling me she said THANK YOU!?”
“Yes!!! And then you should have seen how nervous she got! She just rambled, blurting out such a sweet compliment, and she even tied it back to the prince!”
“I had no idea how precious she was… I can’t believe I never realized she’s just shy! In a new place, all alone aside from her new fiancé…. Who I gather she’s got a bit of a crush on! Poor dear.”
“Ohh our sweet girl, I’m sure it must be hard bonding with the prince, when all you do is sit yards apart and hardly speak …”
“Well I may have some news about that… and it’s no wonder she was a bit flustered today, because I saw the two of them in the gardens today! They were both nothing but smiles- absolutely smitten with one another!”
“Such a lovely girl, and we never knew it all this time!”
Apparently, I had it backwards. The real villainess truly was a 2D, basic character. She was insecure and possessive over the prince, bullying Cressida half to remind her who Eric belonged to, half for the fun of it. But she didn’t let on to anyone about the true depth of her love for him. She didn’t gossip to her handmaid, didn’t ask the servants which dress he would like better. Simply acted as if they did not exist, hardly saying a word to them.
While I thought my blunt “thank you” was colder than they were used to, and then tried to smooth things over…. It was more words than they’d heard from me in the whole time I’d lived in the palace. They lapped it up and declared me their own shy little dove after that.
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When I arrived to dinner, I realized why daily dinners weren’t exactly a bonding activity for the villainess and Eric. The table was massive, and only held two chairs, one at either end. It felt so…. Cold?
Eric had beat me there, and quickly stood up from his seat, waiting until I sat and a servant pushed in my chair to retake his own seat. He smiled at me and said,
“Good evening, princess.”
He had to project his voice slightly. It wasn’t like he was shouting or being loud, it was just the manner of speaking you use when talking to an elderly relative, clearer, and enunciating better so they could hear you.
I replied back, projecting my voice similarly, and found the conversation was, in fact, more awkward than it had been earlier. We ate our food mostly in silence, occasionally one of us would say something and the other would stop moving their utensils on their plate, listening closer as they ask,
“What’s that?”
By the time dinner was over and we each went to bed, I felt drained. I could have just been louder I suppose- but it’s so hard to keep up a conversation like that. I know we get along- we had chatted all afternoon after all. But some part of me realized it’s probably good to keep a bit of distance between us, even if I’ve rewritten things to be a bit chummier between the two of us. Cressida needs to swoop in and steal him from me… and my job is still to leave that room for her to do so.
It’s hard trying to be someone else, yet also making sure you lead the plot in the right direction- it’s exhausting! I feel like both director and actress!
It’s with this in mind that I launch myself into the softest bed I’d ever felt, and passed out. My first day as princess consort, the Yandere fiancé, complete.
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While I was getting acquainted with my feather bed, Eric was speaking with the head waitstaff.
“Yes, tomorrow, would you mind adjusting the seating situation? I’d like for the princess consort and I to be closer together from now on. Yes, and ask my assistant to arrange my schedules like so, I’ve detailed it here. Thank you.”
At the same time, Cressida was recounting her run in with the prince and I to her handmaiden as she finishing unpacking and settling into her family’s guest apartments. Which, unbeknownst to me… was right across the hall.
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Aaaa! You survived your first day! And look at you- doing suuuuch a good job staying true to character. Nothing could go wrong… right?
Tag list for the series;
@bitternsweet @tonightwrites @confused-they @lanxianschoenheit @poptrim @siriuslyobsessedwithfiction @one-really-annoying-tree-rat @anonymousdisco @forbidden-sunlight
Tag list closed! Stay tuned for part 3!
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lovebugism · 8 months
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do something with king steve who secretly likes female/shy/reader
hope u like it xoxo — the one where king steve keeps his best girl a secret (shy!fem!r, secret relationship, fluff, 1.2k)
bug's one year celebration ♡
“Boo!”
You jump when a figure appears suddenly behind the door of your opened locker. They’re wearing bell bottoms and a sparkly clip in their strawberry curls. Carol Perkins giggles when her attempts to scare you work. Tommy Hagan follows just behind her, laughing louder until his freckled face scrunches together.
The only reassuring thing about seeing both of them together is knowing Steve isn’t too far behind. He’s got his tongue in his cheek, and his arms crossed over his chest, visibly unamused.  “What are you guys— three?” he scoffs, pushing the sleeves of his sweater up to his elbows.
“Yeah, three inches deep in your mom,” Tommy retorts with a boyish chuckle.
Carol squints her made-up eyes at him. She deadpans, “That’s not the comeback you think it is, Hagan.”
You turn to Steve with a panicked glimmer in your eye. You’re so used to being the butt of all their jokes that being in their proximity now fills you with something close to ice-cold dread. You peer at the boy beside you with pinched-together brows, knowing he’s the only one who cares about you past cheating off your homework.
“What’s going on?” you wonder quietly, for only him to hear.
Steve grins, brows raised and eyes twinkling. “My house is gonna be empty tonight. ‘Cause, you know, my dad’s got a work conference or whatever, so… No parents. Big house—”
“A total recipe for disaster,” Tommy interjects with a laugh.
“You’re throwing a party?” you ask, voice trembling. There’s little more that scares you than crowds — well, crowds and loud music and drunk people. Parties were never your scene. Steve knows that better than anyone.
He corrects you quickly, stammering over himself because he never wants you to feel uncomfortable. “No! No, not a party. It’s gonna be lowkey. Just a— a get-together, you know? Just the four of us.”
“Ooh,” Carol croons from behind you. “So no priss?”
“Shut up, Carol,” Steve snaps.
“I’m just used to you following her around like a lost puppy, that’s all.” Carol and Tommy laugh about it together. ‘Cause that’s all they’re really good at — making stupid jokes and cackling like supervillains.
Steve rolls his eyes with an annoyed huff and turns his attention back to you. You take it from him wholly, every ounce of his focus. 
There was something ethereal in your vagueness — in how softly you spoke and how pretty you looked when you weren’t even trying. You’re quiet and mysterious and hidden. Steve desperately wants to be the one that deciphers you.
“Are you in?” he asks in a low, honeyed tone.
Your gaze falls to the tile. “I don’t know…” you murmur.
“C’mon,” he croons and steps closer to you. His sneakers enter your vision until you look up at him again, peering at him from beneath your lashes. His grin is pink and pretty and lopsided. “Don’t leave me with these assholes all night.”
“Dick,” you hear Tommy scoff from behind you. He sounds much further away than that ‘cause all you can see now is Steve. And his pretty hair and his pretty eyes and his stupid pretty smile.
You cave instantly. 
You never really stood a chance, anyway. Not with the way he was looking at you.
“I’ll think about it,” you mumble and turn back to your locker. You switch your English textbook for a History one and cradle it in your arms. Steve grins, knowing he’s forgotten his on purpose just so he could sit next to you all period.
“Good,” the boy hums.
“We’re finally wearing Wallflower down,” Carol muses, giggling to herself.
Tommy knocks you too hard on the shoulder. “You’ll be one of us in no time,” he grins.
You grimace as they walk off down the hall. That’s the last thing you’ve ever wanted. The thought of there being an ounce of similarities between you and them makes your stomach ache.
“I’ll see you later, yeah?” Steve tells you, smiling quietly when you nod. 
He reaches into the pocket of his jeans and passes you a folded-up piece of paper. He doesn’t look back at you when he follows his friends down the corridor. You don’t open it until he’s gone.
West wing chem lab, he’s written in chicken scratch. Come find me. 
—————
The hallway at the west end of the school is dim and empty. The floors are untouched, and the lockers are sparingly opened. The air is thick and noticeably stale. You open the door to the old chemistry room with a high-pitched squeak that sounds like something out of a horror movie.
Steve waits for you in the dark classroom, lit only by the natural sunlight streaming in through translucent curtains. He sits at a table in front of the window and toys with the burner at the end of it. He turns the thin blue flame on and off and on again, silently wishing he’d plucked a cigarette from Tommy before he left.
His honey eyes flit to yours when you walk into the room. He grins at the soft smirk on your bitten lips. “What’s that look for, huh?” he teases, turning off the burner and sliding off the desk.
You shrug. “Nothin’…”
“I missed you.”
You scoff when he wraps his arms around you. His wide palms smooth over your back. “You just saw me.”
“It doesn’t count when I’m with Tommy and Carol. I need you all to myself…”
“Yeah?”
“Yeah,” he murmurs lowly, ducking down to kiss you. His plush lips lock with yours, tasting of nicotine and chewing gum — a near-lethal concoction. He smiles against your mouth when you melt further into him. He parts from you with a gentle smack.
“They’re starting to like me, I think,” you mumble, smoothing your hands over his chest. “Tommy and Carol.”
“I think so, too.”
“It’s awful.”
“Absolutely disgusting,” he concurs, grinning wide when you giggle.
“But, you know, maybe we wouldn’t have to hide anymore,” you stammer, gaze falling when it becomes too hard to hold his. “If they don’t think I’m, like, the lamest person on the planet.”
Steve’s brows furrow. “What do you mean?”
“Well, that’s why you don’t want them to know about us, right? ‘Cause you’re King Steve, and I’m… fish bait,” you conclude with a forced laugh.
“No,” he answers instantly. “What? No. That’s not— That’s not why.”
“Oh.”
“I don’t want them to know about us because they’re assholes,” Steve confesses. “I mean, they were awful to Nancy when we were together. ‘Cause they’re miserable, and they hate when other people are actually nice. I just don’t want them to… ruin anything, that’s all…”
You muss with a rogue thread at the neckline of his sweater and smile quietly to yourself. “I thought you were scared because you accidentally fell in love with the Wallflower instead of the Prom Queen.”
Steve scoffs. “I didn’t accidentally fall in love with you, first of all.”
“No?” you murmur, brow quirking in disbelief. 
“No, it was very intentional.”
“I don’t believe that,” you argue with a lighthearted chuckle. You think it’s easier than saying, I don’t believe you because there’s no way you love someone like me because you want to.
Steve’s palms squeeze your sides reassuringly, like he can hear all the mean thoughts swirling in your head. “Well, you didn’t make it any easier on me,” he tells you, a crooked smile tugging at his pink lips. “You started talkin’ all smart in Ms. Click’s class, and I started melting.”
“That’s when you knew you liked me?” you scoff. “After I gave a presentation about geopolitical tensions in China?”
He exhales sharply through his nose, licking his lips with heavy eyelids. “See what I mean? That’s hot.”
“God, you’re such a boy.”
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reyenii · 4 months
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since edwin is very closed off, except for when he’s with his best friend, charles, costume designer kelli dunsmore reflected his buttoned-up mentality through his bespoke suit, complete with bowtie and collar. edwin’s outfit, along with charles’ period garb, were designed to help them stand out more in modern day port townsend. “i knew edwin would, because no one dresses like that now,” says dunsmore.
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dunsmore wanted everything about charles to feel “a little bit cool and underground,” from his union jack and the who bull’s-eye patches to his checkerboard pins. his little cross earring and chain on the outside of his shirt are also meant to be homages to the ’80s.
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in the show, crystal’s hero color is purple, which you’ll notice in her velvet coat and long silk letterman jacket, which dunsmore thought of as a psychic cloak with hand-embroidered patches, including the wilting rose of england.
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her brown trench coat represents an explosion of everything going on in her mind. dunsmore decided the scribbled words and drawings are a result of crystal writing all over it to express her inner turmoil. there are even lyrics on there from the song she’s listening to on the tube when she meets the dead boys.
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david’s connection with crystal seeps into her wardrobe, too. since david wears a flower shirt, dunsmore’s team hand-painted flowers onto crystal’s black boots. and niko is wearing a dark sweater with flowers on it when we first meet her, as an homage to crystal. the costume department also drew the same rune pattern the dead boys use to exorcise david in episode 1 onto crystal’s trench coat and on the tab of her wool bomber jacket. “so she’s always got some sort of protection,” says dunmore.
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every color niko wears is inspired by what’s happening in that episode, from the green post-sprite exodus to blue when she’s feeling sad. niko only wears a white look, with nods to her japanese heritage, in the finale as a reset. the charms on her obi belt represent the colors she’s worn all season.
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night nurse is someone who’s in control all the time and likes things to be in their proper place. dunsmore looked to vivienne westwood for inspiration, since everything in night nurse’s world is a bit exaggerated. (by the way, niko’s orange monochromatic look is a nod to her scenes with night nurse and night nurse’s red hair.)
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since david is a demon, he finds a london boy that looks cool enough for crystal to find attractive. that meant dunsmore dressing him in a shearling jacket you’d find in “all the guy ritchie movies,” black pants and creeper shoes. the costumer’s mood board for “david the d” featured radiohead and amy winehouse and her husband blake, who often wore hats similar to the one you see david wearing in the show.
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pay close attention to monty’s leather jacket and you just might spot an inlaid crow feather or two.
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it’s not only esther who wears clothes with a gilt, old-gold color — cat king and night nurse also do as a nod to their villainy. (esther and cat king also have similar fur coats.) amidst her beauty, dunsmore wanted esther to be a little rough around the edges. she wears a cuff around her hand that’s adorned with a snake and a ring with teeth all around it to represent the teeth she’s collecting from all the little girls. her eye necklace is meant to be her witch pendant.
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mischievous as ever, cat king has (cat) eyes everywhere and is aware of edwin’s affection for charles. so he wears charles’ socks the first time he meets edwin.
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hoshifighting · 3 months
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Seventeen reaction when something embarrassing happens during sex
a/n: just a heads-up; It's more common than you think
Warnings: this content contains mature themes and accidents during sexual situations.
Seungcheol
you’re in the middle of the sex, feeling seungcheol's strong body moving with yours, his hands gripping your hips tightly. everything is intense and passionate until you hear him moan, “seungkwan…”
you both freeze. the room goes silent except for your heavy breaths. you can't help it; laughter bursts out of you. the absurdity of the situation, combined with the tension, makes you laugh so hard your sides ache.
the fact that your boyfriend had spent the whole day fighting with seungkwan, perhaps made the boy's name spontaneously come out of his lips, without intention.
seungcheol’s face is buried in your chest, and you feel his shoulders shaking. he lifts his head, his eyes filled with embarrassment and a hint of laughter. “i’m so sorry,” he chuckles, almost crying from shame.
you kiss his forehead, still giggling. “it’s okay, babe. you’ve been scolding him all day. no wonder his name slipped out.”
Jeonghan
jeonghan is thrusting into you, both of you lost in the rhythm of his thrusts when suddenly he lets out a loud burp. the sound is so unexpected that he immediately slows down, a look of utter embarrassment on his face.
going on a date, and eating more than a plate of fried pork and large ass glasses of beer were definitely not the best meal before having sex.
he starts laughing, shyly apologizing, “sorry, baby, i’m so full.”
you bury your face in the sheets, chuckling at the situation. “next time, maybe less fried pork before bed?”
Joshua
you’re sucking joshua greedily, feeling his hands gripping your hair, his moans filling the room. suddenly, one of his moans turns into a funny squeak. you can’t help but smile around him, the sound is so random and endearing.
joshua’s face turns red, and he looks down at you with embarrassment. “i guess i'm doing a great job,” you tease, and he laughs, his head falling back against the pillow.
Junhui
junhui comes home late, exhausted but needing you. he kisses you deeply, pushing you onto the bed, but as you ride him, you notice his moans becoming quieter. when you open your eyes, you find him asleep, his eyes half-open but clearly out of it.
you scoff softly, sliding off him. you clean him up and tuck him in, a fond smile on your face. “we can continue this in the morning,” you whisper, kissing his forehead.
Soonyoung
hoshi’s enthusiasm is infectious, but you’ve told him several times to move to the center of the bed. he doesn’t listen, too caught up in his eagerness, until he loses his balance and falls off the border with a thud.
you gasp and rush to the side of the bed, finding him on the floor looking both dazed and sheepish. “i told you to move to the center,” you say, helping him back up.
he grins, rubbing the back of his head. “guess i was a bit too excited.”
Wonwoo
wonwoo’s glasses have been slipping, but he’s too focused on you to take them off. suddenly, they fall onto your face, startling both of you. he pauses, eyes wide in horror, then quickly puts them back on, looking at you with concern.
you burst out laughing, the absurdity too much to handle. his face scrunches in embarrassment, but he joins in your laughter, relieved that you’re not hurt.
Woozi
you’re riding woozi on his couch, driven by your fertile period一that didn't go easy on you, when he suddenly groans in pain. his leg stretches out in a funny way, and you realize he has a cramp.
“do you want me to stretch it for you?” you ask, giggling.
he nods, wincing. you gently help him extend his leg, massaging the cramp away. the scene gets funnier because you're both naked stretching in the middle of his studio. he sighs in relief, a sheepish smile on his face. “thanks, babe. i think we need a short break.”
Minghao
his thrusts are powerful, each one driving the headboard against the wall with a rhythmic thud. you both have your eyes closed, lost in the sensation, when suddenly the picture frame hanging above the bed crashes down, hitting the headboard and then you.
“ouch!” you yelp, more surprised than hurt.
minghao opens his eyes, alarmed. he sees you holding the picture frame, a laugh bubbling out of you. he can’t help but chuckle too, albeit with a sheepish look.
“sorry about that,” he murmurs, taking the frame from you and hanging it back on the wall. he moves you both to a less...impacting position, continuing more gently this time.
Mingyu 
mingyu's passionate thrusts have you both moving in perfect sync, until one particularly hard thrust sends your head banging against the wall with a loud thud.
you cover the top of your head, laughing despite the pain. “ouch, that one hurt!”
mingyu’s eyes go wide with worry, and before you know it, he’s running naked to the kitchen, ass, dick, balls, swaying as he runs. you laugh even harder at the sight. he returns with an ice pack, pressing it gently to your head, his face flushed with shame.
“i’m so sorry, babe,” he mumbles, his embarrassment spreading down his neck.
you kiss his cheek, still giggling. “it’s okay, mingyu. you running naked was worth it.”
Seokmin
you and seokmin love changing positions during sex, experimenting with the most unusual ones. tonight, however, is filled with accidents—your thighs bumping into each other, his cock slipping out.
after a particularly awkward attempt, he collapses back onto the bed, still giggling. “i don’t think that one’s gonna work.”
each time, you both burst into laughter, the errors becoming funnier. eventually, too tired to keep trying, you settle into classic missionary.
“guess this one’s a bit too advanced for us,” you say, still giggling.
seokmin laughs with you, nodding. “yeah, let’s stick to what we know works.” 
Seungkwan
with seungkwan, laughter is a constant companion, but during sex, it’s usually a more serious affair. tonight, though, as you move together, you lock eyes in complete silence, and suddenly both of you burst into laughter.
“we really can’t take anything seriously, can we?” he says, giggling uncontrollably.
Vernon
you nod, tears of laughter streaming down your face. “nope, we’re just two giggling bitches.”
vernon loves when you ride him, often begging you to go until he can’t feel his legs. tonight, you take that request seriously. when he tries to get up to change positions, his legs are completely numb.
“baby, i can’t feel my legs,” he says, his voice a mix of awe and amusement.
you laugh, shaking his legs gently to get the blood flowing again. “guess i went a little harder today. sorry, baby.”
he chuckles, leaning back and watching you with a grin. “no complaints here.”
Chan
you and chan decide to try something new, ending up on the sturdy dining table. or so you thought. just as things are heating up, the table gives way with a loud crack, sending you both sprawling.
chan grabs you quickly, preventing you from falling face-first. “are you okay?” he asks, his voice filled with concern.
you both stay silent for a moment, the shock wearing off, then burst into laughter, the silliness of the situation too much to handle. your belly hurts from laughing so hard, and chan’s infectious laugh makes it even better.
“guess we’ll need a new table,” he says, grinning.
you nod, still giggling. “and maybe stick to the bed next time.”
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nezz-cringe-crib · 5 months
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growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.
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i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.
dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.
this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.
not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.
anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3
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strongheartneteyam · 10 months
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We are just animals.
Pairing: Neteyam Sully x female!human!reader
CW: "light" non con, dubious consent, voyeurism, neteyam jerking off to reader touching herself, descriptions of masturbation, kinda mean/dark neteyam, belly bulge, rough sex, semi public sex, p in v, creampie, dirty talk, size kink, size difference, exophilia, dominant neteyam, sub reader, primal play [hunter/prey] (if you squint), doggy position
Synopsis: Neteyam is on his rut period and he's struggling to deal with the fact that masturbation doesn't really seem to help anymore when it comes to easing his strong urges. But when he finds a human girl alone in the middle of the forest, that seems to be the solution he was desperately longing for.
Slightly proofread. I'm running on 4 hours of sleep, a cup of strong coffee with no sugar and only one slice of whole grain bread rn (and I'm in a hurry to go out lol) so be gentle with me 🥲☕ love you guys <3
Pretty girl, full of virtue and youthfulness
The forest's flowers and songs I love
Hey, pretty young girl
What are you doing in the forest alone, so far from all beings?
Omnos (Eluveitie)
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Neteyam had been extremely frustrated and moody lately. He had been aloof and impatient with people, even with his family, these past days, which is so not like him. But the Omatikaya people tried to understand and cut him some slack since they knew he was going through his rut and he didn't exactly have a partner to help him ease that itch right then.
Neteyam tossed back and fourth on his mat at eclipse and he couldn't get restful nights of sleep as he would wake up in the middle of the dark hours with such a strong urge to mate that he felt like it would drive him insane. It was so incredibly troubling. He found no other way to deal with it than being the quietest he could be while stroking his erect cock, desperately trying to get some release. But Eywa... it was never enough. No. What he needed was to cum inside a good inviting cunt.
One day Neteyam was walking through the forest, looking for good branches so he could gather an enough amount of them to light up the bonfire for that day's communal meal time at eclipse.
He was in a place in the forest that was far enough of the Omatikaya huts for it to be somehow private, as private as a forest could be. There was always a risk of people being around, of course.
He almost couldn't believe his eyes when he caught you pleasuring yourself as you laid on the grass with your eyes closed, your small delicate human fingers rubbing your wet clit, his nostrils getting filled with the delicious scent of your juices (that he just knew tasted delicious too). Neteyam knew he had found the girl that would help him get some release from his madness inducing urges that were bothering him all the time in this rut.
You were just the perfect prey. So small, fragile and soft. His cock got hard as a rock just thinking about sinking himself deep inside your ekxìn (tight) pussy.
So, Neteyam hid behind a tree and uncovered his cock, pushing his loincloth to the side as quickly as he possibly could as he did not want to spend one more second watching that delicious scene that was you shoving your small fingers inside of your tiny pussy without pleasuring himself to it.
You were so lost in your pleasure haze that you didn't even think someone could be watching you.
But then, suddenly, you stopped what you were doing when you heard a muffled moan of pleasure.
Fuck! Was someone around you?! It couldn't be! But, damn, you knew it was risky to masturbate in the middle of the forest. You just thought you could get lucky and not be seen. Somehow... Yeah. That sounded stupid and you knew it.
You almost panicked when you realized Neteyam was looking at you with a predatory look in his golden eyes, behind a tree near where you were. When you looked down and realized he was touching himself while gazing at you, your mouth fell slightly open.
But your startled face only seemed to make the desire inside him grow even stronger.
Neteyam saw the way your eyes betrayed your shyness just as the way your blood rushed to your cheeks, while you closed your legs fast, pressing your sweet soft thighs against one another but he also had heard from some friends how you had a crazy crush on him. So, he took that as a good sign, something that only meant you were just embarassed you got caught touching yourself and not that you didn't want him too.
"Don't let me interrupt you. It's beautiful. I wanna keep watching you, paskalin." (sweet berry)
"What-" It was hard to talk as you were nervous as hell "What are you doing here?"
"Nothing more natural than an Omatikaya in the forest" He smirked "What are you doing here, sevin tawtute?" (pretty human)
You shut your mouth at that. You couldn't think of a good enough answer.
"You saw me..." your cheeks burned with embarrassment "I was touching myself, OK? Are you gonna judge me? You were doing the same. And looking at me while doing it. You sure are bold." You tried to be confident and overpower him with your argument but it was obviously failing
"Who told you to be touching your pretty pussy in the middle of the forest? Didn't you think someone could catch you?" He said in a mean tone but his na'vi accent only got your already soaked pussy even wetter. The way he rolled the "L" letter... oh my Eywa...
"Of course I thought it could happen. But I hoped no one would. I certainly did not expect you to be creeping around and jerking off while watching me. Pervert." You snapped back
"Cut the crap. I don't need any complications right now, tawtute. I know you have a crush on me and all I want is to cum inside of you. So, tell me. Do you want me? Yes or no. It's simple." Neteyam said impatiently
"What? I don't know what you're talking about!" You tried to hide your feelings but it was useless
Neteyam walked to you, took you with ease from the grass you were laying on and put you over his shoulder. You shaked your legs incessantly in protest.
"What the fuck are you doing?! Let me go, now, Neteyam! Arghhh!" Your shouting only sounded funny to his na'vi ears
Neteyam pressed your body against the nearest large Pandoran tree in front of you two and you could feel his big bulge pressing against your ass as he was lifting you with his blue hands under your arms, your legs hanging in the air, leaving you with the feeling of being helpless at the time.
"I'm gonna say it again and for the last time. Yes or no?"
Your heart beat fast inside your chest as you moved your head back and fourth slightly, telling him that, yes, you did want him to fuck you.
"Yes... Yes, damn it... I want you." You confessed
"Good. That's what I wanted to hear." He stated
Neteyam put you down on the ground again. You stood up but your legs felt weak with anticipation and some fear.
He undid the way the long string of his loincloth was wrapped around his tail to get rid of that piece of clothing that was getting on his way and making it harder for him to just fuck you dumb already.
You just couldn't stop staring at his cock, the way it was huge and all covered in his precum because of the way he had been stroking it while watching you. To know Neteyam's cock was glistening with precum like that because of you made a tight knot form in the lower part of your belly.
"Now, on your knees." He ordered
You swiftly obeyed him. Neteyam had you around his finger. You had dreamed about what it would feel like to have him inside of you for so long. You had always lusted over him when you saw his muscles on display when he practiced his archery on the Omatikaya mainland. But it seemed like he had never noticed you like that before. You thought that perhaps you just didn't spark any interest in him. But maybe you were wrong.
"Now this dripping tawtute pussy is mine! Let me finish the job." Neteyam stated "You'll feel so full with this na'vi cock. You'll see." He smirked in a perverted way
Neteyam walked until he got behind you, got on his knees too and forced you forward just so you would be on all fours for him.
He pressed his swollen tip against your entrance and you whimpered at how good just that felt. You couldn't wait for what was coming.
When you least expected it, he pushed his cock in a quick motion inside of you, burying all of its length inside of you. As your pussy was dripping wet, it wasn't as hard to fit as you thought it would be. You let out a cry of sheer, strong pleasure.
Neteyam covered your mouth with his huge blue hand to prevent you from being too loud but your muffled moans still echoed slightly around the both of you as he pushed his hard big cock roughly inside of your soaked pussy, his hips crashing against your butt and making your soft flesh jiggle which only turned him on even more. He just thought human girls were so hot because of how soft and delicate they were. He was surely loving to squeeze your soft stomach while his hand rested right above your belly button, where the huge bulge his cock was causing on you could be seen.
"Great Mother, your pussy feels too fucking good, yawntutsyìp..." (darling)
Neteyam kept fucking you as deeply as he could, hurting the tip of your womb just enough to make you feel a masochist type of pleasure burning inside of you. At this pace, you suspected you were gonna cream around his cock soon enough.
What if someone came and saw the both of you fucking like that? Oh, God...
But you had to admit that - despite of how wrong that felt - if anything, the being wrong part of it only turned you on more.
"Gonna cum loads inside this ekxìn pussy, tawtute. Did you know I'm on my rut period? I'm needing to release all this cum trapped inside my balls somewhere, baby. They're so heavy." Neteyam whispered in your ear. His words were so dirty but so enticing.
Many hard delicious thrusts later you felt his thick load of cum filling you up to the brim. The feeling was amazing.
After he composed himself and got his breath back again, he said:
"You are a perfect cum slut. You're mine now, tawtute. My mate."
Taglist:
@yeosxxx
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