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goldentigerfestival · 9 months ago

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Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.

Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.

Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).

This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.

I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.

Part 2.

Part 3.

Part 4.

(Other) GTF Favorites.

I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).

I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.

Basically, to get the full experience for Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the dub context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).

As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.

There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.

For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.

I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏

Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.

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Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:

Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The dub just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).

We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".

Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the dub made up three months, but there was never originally even a time frame given).

Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The dub made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.

For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.

(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)

I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the dub. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.

Not the only instance you'll find of the dub just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...

Even though I can kind of see where they went with the dub here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.

The dub changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.

It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.

This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy" (his line is more like, "but I lost my sense of genuine happiness when I saw this!").

Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.

I'm also mentioning it because it's the very first in a whole line of changes the dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.

Inserting the JP audio version of the following scene with Flynn here.

And... the following one from there.

This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing?

This dub change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the dub, regarding the council backing her.

The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.

The dub just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?

Another weird one for me. In the dub Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the dub ended up with that.

An example of the dub having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).

Another super weird one in the dub. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).

This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.

Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.

Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.

I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.

Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?

Once again, this gives off negative vibes toward Flynn as a character imo.

Here Judith gives more of a reason for coming with them, which they changed in the dub to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".

The dub changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the dub it comes across as more just unimpressed and "of course he'd do that".

An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???

This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).

Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the dub he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.

And let's be honest, this just hits way harder than "he will get what he deserves".

Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.

Not particularly important, but just another (more mild) case and example of how the dub just randomly changed tone/mood/wording for no reason.

Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.

This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).

(I left out the subtitles because all they did was copy the dub's localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)

This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).

I'd guess this got changed in the dub because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)

For now, we'll be back at Mantaic in the next post (due to image per post limit).

#Tales of Vesperia #GTF JP Vesperia Things #GTF Vesperia Localization Woes #really like... a lot of the time? the other characters weren't changed all that much #it's primarily Yuri who got this weird shift where they just... flattened his personality?#but some of the biggest offenders ended up being some of the most important scenes in the game which is what bothers me #and sometimes the localization is pretty much just... on point with the plot dialogue and other characters #yet for some reason they just... changed a lot of tone for Yuri?#it's just like... Yuri will have personality in his tone and they instead make dub Yuri speak it in a flat way in those moments #this did happen with the original dubbing quite a bit but it's also just SUPER noticeable with the new lines #my suggestion would be to at least play the game w/ JP dialogue and see how you feel coming out of it if you're a fan of Yuri and/or Flynn #and if you like it enough then I'd suggest watching the playthrough in JP that these screenshots came from if you're RLY dedicated lol #it's not JUST Yuri it's just /dominantly/ Yuri. other odd lines just didn't... go as hard?#like Raven and Karol especially go pretty hard on their lines in JP and the Schwann stuff with Karol was OOF #or if you'd rather just skip to watching it in JP I mean be my guest lol I just know some ppl might rather PLAY it #I just feel like... like... even tho not everything in the dub is horrendous... if you're a YURI fan?#it's hard to go back to the dub (impossible for me ngl) when you have this actual silly little guy #who is a lot more emotional and wholesome and Yuri isn't acting like he has a stick up his dubbed ass in some scenes #I still prefer the 360 version plot-wise for the most part and it's a mixed bag there a bit but #I can't get JP audio on the 360 so. it's the struggle ig.#in my case though it's this feeling of like... them wanting to create an image onto Yuri that wasn't supposed to be there?#obviously I don't know what went on in the loc room but I do know I walked out looking at dub Yuri like #him and the original Yuri aren't even the same. I get so frustrated with dub Yuri's unnecessary ATTITUDE sometimes #which wasn't ever a problem for me period in JP. he's emotional and sincere WAY more often #also lbh I cannot reasonably picture dub Yuri all dressed up and pretty the way he is in official artwork LOL #and that's the thing. I see them so differently it's like they're different people #I also just feel like the dub was like. he doesn't fit OUR vision for him. what WE want him to be like #and again I don't know what went on in that loc room but I DO know that's how I came out feeling from this game #anyway this is in hope more ppl will come to love JP Yuri's personality and stuff #but yeah more next time on ''why did you do this to my sweet baby boy''

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courtillyy · 2 days ago

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hannah :( nooo, u just go away when that man does too ? thats so tragic

#astro watches #charmed #ok im offically in. im having fucking Fun with this show. dude cheesy 00s shows my beloved #fr tho i did not expect the whoel rex thing to come to ahead so quickly #like that suprised me but i was glad for it. he was startign to get on my nerves #but i thought hannah would stick around once they killed him. she could continue with the mission #but no. she just got sent away too #dude it was so fun to see ht emum from good luck charlie be a little sexy evil assistant #that hair looked so good on her. and just everytime she showed up i owuld be like !!! woo hiiiii :)#also im starting to enjoy the theme song. it took a second. i think its bc its so slow #and like idk. the vibes are odd. but no i think i like it #i also like that everytime alyssa milanos name comes up i hear america ferrara ebing like #oh alyssa jane milano in that superstore scene. which just makes me want to watch superstore. its a telveision loop lol #i also love that right after teh theme song plays u get a random hit from the time period. like so fun so random #plus when i know the song its v exciting. having torn in there. hell yeah. a fkn forever bop to me #also the leo reveal.. fuck yeah hes a withc hell yeah. confused abt the freezing mechanics working on him #maybe its a gender thing ? idk. anyways i was up for him and piper #but like they seemed kinda boring. plus piper Is aroace. to me.#but him being a withc makes them much more inetresting. plus aroace piper who loves the idea of romance #adn finds a stead partner (qpr headcanons maybe) in leo is smth i can get behind #anyways. just a little check in where im at in the show lol #i have no idea if any followers care abotu charmed #but if u its ur lucky day. or at least if i finish it/watch enough to make mbs #so it ur lucky day in like six months lol

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weirdly-specific-but-ok · 10 months ago

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for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

#good omens #neil gaiman #sir terry pratchett #good omens show #good omens fandom #good omens mascot #weirdly specific but ok #asmi

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hayatheauthor · 4 months ago

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10 Lethal Injuries to Add Pain to Your Writing

Prev: Non-Lethal Injury Ideas

Need some creative ways to give your characters a real fight for survival? Here are 10 ideas:

1. Punctured Artery

A puncture to major arteries like the femoral artery (thigh), the carotid artery (neck), or radial artery (arm) can cause rapid blood loss. It starts off with a sharp pain, weakness, lightheadedness and eventually can lead to hypovolemic shock. Requires urgent medical attention.

2. Punctured Eye Socket

A punctured eye socket will cause blood vessel damage leading to internal bleeding. I would use this for non-combat characters trying to get away. The eyes are an easy weak spot + you don’t need much strength to cause a critical injury/puncture. Also good for a protag's tragic backstory.

3. Torn Achilles Tendon

A torn Achilles tendon can result in severe bleeding if nearby arteries or veins are damaged. Your character will be forced to hobble away as pain causes their foot to swell and bruise. Plus, you can easily adjust the pain levels per your scene, from swift cuts to explosive jumps.

4. Neck Hyperextension (Hangman’s Fracture)

This injury will fracture the C2 vertebra and can lead to spinal cord damage, paralysis or sudden death. This isn’t a light injury your character can come back from, so I would suggest using it only when you’re aiming for death.

5. Pierced Lung

A punctured lung will lead to a pneumothorax where air escapes into the chest cavity, collapsing the lung. Characters with this injury may have difficulty breathing, chest pain, and a cough that produces frothy blood (all the dramatics you need).

6. Severe Concussion

A severe concussion will lead to confusion, vomiting, immobility and memory loss. More dangerously, brain swelling, internal bleeding and damaged brain tissue. Plus, it has a long recovery period.

7. Shattered Pelvis

If you need something severe that restricts mobility but also causes severe pain then this is perfect! Involves signs of shock, internal bleeding, numbness, swelling—really a lot of things. Can occur if OC falls from a high place, hit repeatedly, car accident, etc.

8. Internal Bleeding from Blunt Force Trauma

I like using this when you need something subtle since it doesn't show immediate symptoms. Over time, they will feel weak, cold, nauseous, and intense pain. Perfect if you want that 'everyone made it out then suddenly someone collapses' moment.

9. Intestinal Perforation

A sharp blow or penetrating wound can cause a tear in the intestines, leaking bacteria into the body cavity, then peritonitis. It can go from small stomach pain to near death pretty quickly. Without prompt medical care, sepsis can set in, causing organ failure and death.

10. Cut to the Jugular

If you need something more visibly dramatic then go with the classic cut to the jugular. A warm rush of blood will pour out, and blood would spurt with every heartbeat. Causes panic, choking, and internal bleeding too. All the blood and gore you need.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. Remember the worse the injury the more likely your character is to die (so be realistic folks). Happy writing! :)

Looking For More Writing Tips And Tricks?

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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supercool-here · 1 year ago

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Ok my sins are keeping me up late at night so of course I'm going to post about ysblf. I am not a fic writer, actually I'm not a writer of any kind other than bad, but I really wish I could come up with a storyline in which Armando and Betty develop a somewhat healthy relationship, or at least one in which they get together without having gone through the ordeal of seducing/getting used. I will love reading your ideas, even fanfic recs if you know any. My own theory will be in the tags

#I THINK it could be possible for Betty and Armando to get together in a normal-ish way because #In the small period of time before Mario gets into Armando's head and convinces him he has to seduce Betty to keep the company safe #During that time Armando and Betty had something pretty sweet going on #Of course I think getting anywhere near romantic would've taken much longer than it does in the soap #But I think they could've eventually gotten there #BECAUSE Armando's and Betty's relationship was really nice #It was quite damped in inequalities tho #So I think in this alternative narrative the first step would be to get them to stand on the same grounds #Even the situation #So help Betty get more confidence and get the career she had always wanted #And help Armando break away from his unhealthy relationships and bad influences and help him be bold #Maybe then Armando starts to see Betty with longing eyes #And maybe Betty tries to go out with other people #To learn a lil about relationships and learn to stand up for herself MAYBE #And MAYBE then Armando realizes he feels jealous #Which he wouldn't want to admit not because Betty used to be an “uggo” but because he's always seen her as this sweet angel of a person #And MAYBE he goes on a personal quest to find himself because MAYBE he starts wondering wether he could ever be with someone like Betty #Could he ever be with someone so honest kind intelligent knowgeable innocent loyal yada yada basically so perfect when he is such a torment #That has been a cheater and what not #But then I need something to happen so he decides he wants to try to become the man Betty deserves #(which is what he does in the original story teehee)#And I don't know what that could be #But yeah I think so far we could get pretty cute scenes of them bonding #Armando being proud of Betty seeing her grow up and treat herself better #Scenes of Betty doing things she's scared of and then getting that reassurance knowing she's always been capable of those things #And our beloved scenes of tortured Armando #But then what is gonna push Armando to decide he wants to be good for Betty #I don't know if I want it to be jealousy #MAYBE it'll be some situation in which he realizes he has to fight for her or he'll loose her forever #Meanwhile for Betty

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ambrosiagourmet · 1 year ago

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I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

#dungeon meshi #delicious in dungeon #falin touden #dunmeshi analysis #I love it when dungeon meshi says. the trauma was real and it changed you #and the way you are because of it isn’t anything to be ashamed of #but you have to keep living. you have to chose to keep living.#and you can #dungeon meshi spoilers

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irisinluv · 7 months ago

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Isekaied as the Yandere Villain!? Pt 2

Part one

It was almost 2 minutes before I realized I was still dragging the crown prince behind me. I quickly dropped his hand and looked at him, not able to hide the embarrassment on my face. Listen- I’m committed to the bit. I WILL be the crazy jealous fiancé. But… I’m still human ok. I just dragged a full grown man down several halls and a flight of stairs while I spaced out thinking about how I’m gonna buy my cat premium wet food once I get back home to her.

It’s fine, I’m not flustered at spacing out about my cat, my characters just flustered because she’s been holding the hand of the man she’s obsessed with, that’s all!

“Well…. Did you still want to dine and take that walk?”

I expected him to scold me for my mistreatment of Cressida, grow irritated from me dragging him along like this. Instead, he chuckles and threads his arm in mine, and begins escorting me down the hall.

“Absolutely, have you dined outside by the roses yet? There’s this lovely pavilion that I am eager to hear your thoughts on.”

And that’s how I found myself under an impressive array of roses, all trained up and around a cozy dining area, creating a canopy of green and pink over an intimate tea table. The food was equally impressive, I had to keep reminding myself that the other me is used to this lavish lifestyle, to not gawk at the fancy tiny sandwiches and deserts.

“Well? Is everything to your liking? ”

I’m going off script here, how am I supposed to know how the villainess would react to a romantic scene like this?? If my “evil crazy” side isn’t supposed to be directed at him, and she’s usually kinda distant and unsure around him…. That means I should probably respond pretty curtly, polite, yet not really engaging. But…. I’ve already messed that up…. I guess I can be more genuine when it’s the two of us like this. He can think that this version of me is the facade, that I’m pretending to be pleasant, and then will start to see what a jerk “I” truly am when Cressida’s around. Besides…. I almost feel bad for the villainess. She really just seems like she was shy. Who knows- maybe, if given the opportunity, she really would have opened up more. It’s clear she loved the prince, and just didn’t know how to show it. So, with that thought, I made up my mind.

“It’s breathtaking! Roses are my favorite flower, and I’ve never seen so many kinds in bloom at once…. Plus the food and company leave little to be desired.”

There you go- slip in some subtle flirting! I’m not quite sure what time period this is supposed to be, but I get the impression flirting as bit more high class here, and I think I can have some fun with that.

“I’m glad, to be honest I was a bit flustered asking you to dine with me… you caught me quite off guard today, but in a good way.” He reaches his hand across the table and places it on my own, “I’d like to do this more often, you and I. I feel like the confines of our current arrangement have left us practically strangers, despite being engaged for several months already. I’m enjoying just being companionable with you, even if it’s just existing comfortably in the same room.”

Ohhhh, I know I’m the villain in this story but I can’t help but root for him- what a sweetheart! It’s so obvious he’s been lonely, I can’t wait for him and Cressida to fall in love and have a couple of kids that they’ll spoil rotten. And in the meantime…. Maybe I do have a bit of evil in me, because I’m going to selfishly enjoy this handsome man treating me to lunches under roses and reading in cozy libraries while I can.

“I know exactly how you feel your highness. Now, you mentioned a walk?”

We spent the afternoon laughing and chatting, and it felt nice to chat without worrying too much about my role. He asked me about that book I picked out earlier, and listened attentively as I caught him up with where I’m at in the plot. In turn, I asked about what papers he’s been signing, documents he’s been drafting, etc.

The only thing I had to do was send glares to any young ladies we passed, settling my hand on his arm possessively, and I saw their eyes widen and faces disappear behind fans as they whisper to one another. I can picture this illustrated in a manhwa- the nasty princess sinking her claws into the gullible prince… hopefully all these ladies will start gossiping and we can really cement this evil persona of mine now that Cressida’s here.

When we returned to our separate apartments, I explored my rooms a bit until servants came to get me ready for dinner, and I slipped back into the frigid bitch persona. The servant girls dressed me in a slightly stuffy gown, but I had to admit, I looked gorgeous. I sat stiff and straight as they did my hair, forcing myself to be the very picture of cold indifference. I then dismissively thanked them for their help, then sat there awkwardly as they stared at me like I was crazy.

Ohhhh shit…. The original story hadn’t prepared me for this. My character was a villain, yes, but a side character for the most part! How was she supposed to act towards her servants? I went over what I knew- the novel showed the villainess alone quite often, usually obsessing over Eric and plotting/stalking. It showed her with Eric, and how distant and awkward their relationship was when together. And then of course the numerous scenes with Cressida where the Villainess did all sorts of heinous things to the sweet girl. But… it never depicted her with servants, or even any friends or other nobles. Just… Eric and Cressida. Was other me not actually a bitch all the time? Am I being unnecessarily rude right now? Oh god I’m such an idiot.

The story is told through Cressida’s point of view- of course there’s more depth to my own character than I initially thought! The Villianess must be a misunderstood introvert! Unsure of how to act around her crush, she’s fiercely insecure and jealous of this new girl who doesn’t struggle the same way she does. When she notices the prince slipping from her grasp, she acts out against Cressida because she can’t bear to lose Eric!

As someone’s who’s worked minimum wage jobs and struggled with social anxiety most of my life, I try to be nice to the people just working to survive, but here I am acting like these poor women are the dirt beneath my shoe…. Ok. Um. Well they’re still standing there in shock, I can fix this….

“You really did a lovely job… my hair has never looked so gorgeous, you’re truly talented! And I think the prince will be very pleased with this choice of ribbon!”

There- I was nicer, and I brought it back to Eric, so I’m still the lovesick fiancé whose entire world is waiting for her in the dining room. I frowned as the servants scuttled out of the room with hurried excuses, all of them looking like they were about to faint. Damn it… I can’t believe I misread the relationship between us. I probably just ruined their night by being uncharacteristically rude. I’ve gotta learn their names next time…. Maybe ask them to help me eat some fancy pastries as an apology…?

I didn’t know it, but while I was lamenting how wrong I was about the Villainess’ character, the servants were all gossiping to the others about what had just transpired.

“You’re telling me she said THANK YOU!?”

“Yes!!! And then you should have seen how nervous she got! She just rambled, blurting out such a sweet compliment, and she even tied it back to the prince!”

“I had no idea how precious she was… I can’t believe I never realized she’s just shy! In a new place, all alone aside from her new fiancé…. Who I gather she’s got a bit of a crush on! Poor dear.”

“Ohh our sweet girl, I’m sure it must be hard bonding with the prince, when all you do is sit yards apart and hardly speak …”

“Well I may have some news about that… and it’s no wonder she was a bit flustered today, because I saw the two of them in the gardens today! They were both nothing but smiles- absolutely smitten with one another!”

“Such a lovely girl, and we never knew it all this time!”

Apparently, I had it backwards. The real villainess truly was a 2D, basic character. She was insecure and possessive over the prince, bullying Cressida half to remind her who Eric belonged to, half for the fun of it. But she didn’t let on to anyone about the true depth of her love for him. She didn’t gossip to her handmaid, didn’t ask the servants which dress he would like better. Simply acted as if they did not exist, hardly saying a word to them.

While I thought my blunt “thank you” was colder than they were used to, and then tried to smooth things over…. It was more words than they’d heard from me in the whole time I’d lived in the palace. They lapped it up and declared me their own shy little dove after that.

When I arrived to dinner, I realized why daily dinners weren’t exactly a bonding activity for the villainess and Eric. The table was massive, and only held two chairs, one at either end. It felt so…. Cold?

Eric had beat me there, and quickly stood up from his seat, waiting until I sat and a servant pushed in my chair to retake his own seat. He smiled at me and said,

“Good evening, princess.”

He had to project his voice slightly. It wasn’t like he was shouting or being loud, it was just the manner of speaking you use when talking to an elderly relative, clearer, and enunciating better so they could hear you.

I replied back, projecting my voice similarly, and found the conversation was, in fact, more awkward than it had been earlier. We ate our food mostly in silence, occasionally one of us would say something and the other would stop moving their utensils on their plate, listening closer as they ask,

“What’s that?”

By the time dinner was over and we each went to bed, I felt drained. I could have just been louder I suppose- but it’s so hard to keep up a conversation like that. I know we get along- we had chatted all afternoon after all. But some part of me realized it’s probably good to keep a bit of distance between us, even if I’ve rewritten things to be a bit chummier between the two of us. Cressida needs to swoop in and steal him from me… and my job is still to leave that room for her to do so.

It’s hard trying to be someone else, yet also making sure you lead the plot in the right direction- it’s exhausting! I feel like both director and actress!

It’s with this in mind that I launch myself into the softest bed I’d ever felt, and passed out. My first day as princess consort, the Yandere fiancé, complete.

While I was getting acquainted with my feather bed, Eric was speaking with the head waitstaff.

“Yes, tomorrow, would you mind adjusting the seating situation? I’d like for the princess consort and I to be closer together from now on. Yes, and ask my assistant to arrange my schedules like so, I’ve detailed it here. Thank you.”

At the same time, Cressida was recounting her run in with the prince and I to her handmaiden as she finishing unpacking and settling into her family’s guest apartments. Which, unbeknownst to me… was right across the hall.

Series discontinued- sorry my loves. Ik y’all wanted more but the good news is that I’ve seen several really talented authors picking up this idea and executing it wayyyy better than my sporadic mood writing ever could.

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masterhallmark · 1 year ago

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Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

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doyoulikethissong-poll · 16 days ago

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Ron Wasserman - X-Men 1992

X-Men: The Animated Series is an American animated superhero television series aired for five seasons from 1992 to 1997. Set in the same fictional universe as Spider-Man (1994–1998), it was followed by a revival, X-Men '97, which began airing on March 20, 2024, on Disney+ to critical acclaim. In the 2022 MCU film Doctor Strange in the Multiverse of Madness, the theme song from the TV series (orchestrated by Danny Elfman and credited as X-Men '97 Theme) is played when Charles Xavier (portrayed by Patrick Stewart) first appears; in the film, unlike his previous performances as the character in Fox's X-Men franchise, Stewart's Xavier is visually redesigned to match his animated counterpart, complete with his iconic green suit, blue and black tie, and yellow hoverchair. (let's be fair; his entry scene with this music is the only thing worth remembering about that film) In the Ms. Marvel episode "No Normal", the X-Men theme is played when Kamala Khan discovers that she is a "mutant".

Ronald Aaron Wasserman, also known as Aaron Waters and The Mighty Raw, is an American musician who composed the original theme songs for Mighty Morphin Power Rangers and X-Men: The Animated Series. He composed the theme songs for Sweet Valley High, Teknoman and VR Troopers. During his early days at Saban Entertainment, Wasserman worked as a music engineer, sometimes contributing background music and co-writing themes for several of their smaller series. Shows Wasserman worked on during this period include King Arthur and the Knights of Justice (which he composed the theme for), Little Shop, Saban's Around the World in Eighty Dreams, Saban's Gulliver's Travels, and Video Power.

In 1992, Wasserman wrote the theme song for the animated X-Men series and co-composed background music for it, with this being the first hit show he worked on. Wasserman did not know anything about X-Men when he was asked to compose the theme. In a retrospective 2022 article, Wasserman remembered, "it was two weeks of hell putting that song together", adding that "I kept getting notes saying they wanted more baseline, then more high-hats. It was a real pain in the ass to do all that back then too. It came out really great though, the theme was really catchy and interesting and it was especially interesting when they animated to it." Wasserman also wrote some of the show's background music, with other composers from Saban also working on the background music. For the early episodes, the show's closing credits featured an instrumental heavy rock song from Wasserman, but for later episodes it was replaced by a shortened version of his opening theme.

Wasserman's X-Men theme would later be reworked by The Newton Brothers for X-Men '97 (2024). The series is a continuation of X: Men: The Animated Series, which originally ended in 1997. One of Feige's stipulations for reviving X-Men: The Animated Series was ensuring Marvel Studios was able to use that series' theme song. Following legal battles with Saban Entertainment over the use of the theme, Marvel Studios paid a large sum to secure the rights to it in 2022. This was done on the condition that it be re-recorded for future projects and credited to the original series' music executives.

"X-Men" received a total of 89,3% yes votes! A special shout-out to those of you who knew this theme would show up because I have mentioned X-Men a few times here before already, lol. 😂 I chose to put the '97 version on the reveal video with the original remaining on the poll's audio. :)

youtube

#finished #high yes #high reblog #low no #90s #o1 #lo3 #soundtracks #instrumental #ron wasserman

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sweetfictionalworld · 2 months ago

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Distraction

Pairing: Seong Gi-hun x Female Reader

Requested by @queencvrdwv : hi girlyy, I just saw your request and I NEED a Seong Gi-hun x reader🙏🏽 Like idk, headcanons or maybe the bathroom scene from Season 1? I mean, Gi-hun is stressed after the first two games so Reader tries to comfort him and it leads to some lewd things in the bathroom😝

Warnings: Nsfw, Smut, Semi-public sex.

Author's notes: Thank you for the request! I hope you like it ♡

"Hey, are you okay?"

Gi-hun looked up at you and you could see the stress written all over his face.

"Hey, you did really well with that umbrella shape. I was really impressed," you said, trying to ease his troubled mind.

Gi-hun gave you a small smile. "Thanks, y/n."

You sat down next to him and saw him swallow hard and flutter his eyes as he glanced down at your arm touching his. God, he was so damn cute and awkward. Ever since he had taken you in as part of his group, you'd had a crush on him. And you suspected he felt the same about you.

"Do you maybe...want to get out of here for a bit? Distract yourself from all the horrible shit going on here?"

Gi-hun looked at you in confusion. You just smiled and stood up.

"I'm going to the bathroom. Maybe you need to go too?"

Gi-hun watched with wide eyes as you went over to the door and knocked on it. A few seconds later, one of the guards opened, and after a few persuasive words about being on your period, the guard let you outside. Gi-hun licked his bottom lip and pondered what to do, if your words really meant what he thought they meant. At last, his curiosity got the better of him and he stood up.

"Oh, Gi-hun," you moaned and grabbed his shoulder for support as you rode his cock in a soft and gentle pace, reveling in the feeling of him inside you.

Gi-hun groaned softly and stared at you in awe, at the pleasured expression on your face as you bounced up and down on his dick. Fuck, you felt so good, his cock moving so easily in and out of your warm and wet pussy. He reached underneath your t-shirt, beneath your bra, and cupped your breast, softly kneading the soft flesh gently, feeling your nipple harden from his touch.

You opened your eyes, palmed his face as you leaned down and kissed him.

Gi-hun kissed you back with eagerness, his lips getting greedier with each buck of his hips. It had been such a long time since he felt the comforting warmth of a woman, so long since he let himself indulge in the world of pleasure.

It didn’t take many more moments for him to come, his fingers digging into the flesh of your hips as he grunted when his cock twitched and pumped his load inside you.

You followed in his path, the feeling of his swelling cock inside you bringing you over the edge with him. Grinding your hips a final time, you came with a soft moan as his cock throbbed inside you.

You giggled as you slumped down on his lap, and Gi-hun chuckled softly while gently caressing your hip.

"This was nice," you said and suddenly felt very shy, sitting there with his cock slipping out of you, followed by the slow dripping of his cum.

"It was," Gi-hun replied with a soft smile, and you could see he was feeling just as shy as you.

"I think we need to hurry, I'm guessing the guard is standing outside waiting for us," you said and stood up.

"Oh, right!" Gi-hun rushed to his feet, blushed as he quickly pulled up his pants over his cock.

You giggled at his cuteness and grabbed some toilet paper, swiftly wiping his cum off your inner thighs.

"Maybe...." You bit your lip nervously. "Maybe, we can meet up when we get out of here? Go on a date?" you asked and looked at him hopefully.

Gi-hun looked at you in surprise and then smiled cutely. "I'd like that very much."

Years after, Gi-hun would still think fondly of that single moment the two of you shared together.

#seong gi hun x reader #seong gi hun smut #gi hun x reader #gi hun x you #seong gi hun #gi hun smut #seong gi hun fanfiction #gi hun fanfiction #gi hun squid game #squid game smut #squid game fanfic #squid game imagine #squid game #squid game season 2 #squid game fanfiction

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infamous-if · 7 months ago

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✭INFAMOUS UPDATE IS HERE ✭

238K -> 457K WORDS

Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)

This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.

Please let me know of errors! I tested it a few times with no problems but we know how it goes lol

IN THIS CHAPTER THREE UPDATE:

drama

mayhem

chaos

some betrayal

some surprises

just...read it lmao

PROLOGUE - CHAPTER 2 CHANGES:

**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**

fixed up grammatical errors and typos

expanded some scenes and added some more choices

you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)

you can choose to have changed your band's genre before/after seven

TECHNICAL CHANGES:

you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.

the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.

You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.

There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!

I changed a few stat names but their functions remain the same.

You will be able to choose how you would like to be described (masculine, feminine, neither, both).

O is officially gender-selectable.

You can set the genders of the ROs at the start or wait till you meet them.

PLAY HERE

#update #ch 2 is super cursed by the way #so big it couldn't upload on dd #had to move the variables #was ripping my hair out #infamous update

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bumblingbabooshka · 2 months ago

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AU where the Alter Ego storyline takes place over a longer period of time (The Harry-Tuvok portions stay the same in content but maybe we delve a little deeper into both of them and their burgeoning friendship when given more time...but this post isn't about that!) and Tuvok comes out as trans (not in those words) to Marayna while thinking she's just a hologram. Marayna is not trans but she resonates deeply with the loneliness she senses from Tuvok (just as she did originally) and the feeling Tuvok expresses of being 'stuck' the way you are for a multitude of reasons despite it slowly making you more and more miserable. In the alpha quadrant being a man made Tuvok a 'Husband' and 'Father' for decades - roles that have brought fulfilment. Now, alone, what does it bring? Tuvok asserts that Marayna can change, she can return to her people. She doesn't have to just bear it. "What about you, Tuvok?" she asks. The Lieutenant has no answer....things will surely remain as they've always been. Tuvok doesn't know how to change them now. Is it even worth it to change them? Tuvok's not as bad off as the emotional Marayna. There's no need to change. Why rock the boat unnecessarily, because of a (decades long deep-seated) whim? Marayna is later able to sporadically contact Tuvok somehow (she's traveling instead of being among her own people) which leads to them finally meeting up in some alien virtual space. Marayna uses the 'Marayna' (not her real name) model so Tuvok can quickly identify her and Tuvok uses a Default Vulcan Model...the fact that the model is female was sheer coincidence. It was just the first one that popped up and Tuvok doesn't care either way. Obviously. The two of them have a wonderful time observing the alien program - standing apart from the crowd but also being together. Tuvok begins spending more and more free time in the program even when Marayna isn't there. Eventually, on the last day the program can be activated (Voyager's moving out of range) after saying goodbye to Marayna Tuvok's noticed by an alien and spends the rest of the night talking with them. The alien doesn't know Tuvok and acts as if they're speaking to any other woman. When asked for a name, Tuvok says "T'Vok." Immediately afterward, Voyager goes out of range. Tuvok stares at the ceiling. Meditates. It was the same as going undercover. Nothing has changed. Nothing. That night the Vulcan dreams of someone: That fuzzy childhood-static-filled image of herself as an adult...as a woman. Waking up, Tuvok meditates again - this time not seeking to accept and overcome (as a Vulcan normally would) but to repress, erase. 'It is unnecessary' Tuvok repeats, erasing her yet again.

What if Tuvok was a closeted trans woman and the episode 'Alter Ego' got a whole lot sadder

#mtf tuvok #mtf star trek #trans star trek #star trek voyager alter ego #mr broad generalizations says: every trans person has had a moment playing a video game where you choose the boy character or the girl #character and you make up some excuse as to why and feel like you've gotten away with something #I like Marayna a lot she's very interesting and though I don't feel like she NEEDED any more time devoted to her (her mystique is part of #her charm) I'm not saying no to it! + Tuvok interacting with people he likes is sorely needed once he and janeway stop having scenes #together and Kes gets killed off #but that's about the real show - THIS -points upward to the post- is a fake version of voyager in my head where Tuvok's a trans woman #sometimes the fake version of voyager in your head is the realest version of all <3 #anyway I can imagine Tuvok genuinely enjoying being a father and husband but being neutral-negative about being a Man in both #Human and Vulcan circles. Feels much more negatively about it/separate from it around Humans so categorizes it as another 'Human Thing'#Tuvok dislikes/can't understand while ignoring the fact that even among Vulcans Tuvok doesn't connect as much to men and wants #above all to bond with and be accepted by women #I'm interested in Vulcan trans-ness....alien trans-ness #Tuvok & Marayna would be insufferable together I love them #Tuvok: Haven't you noticed? I don't 'fit in' - and I don't want to fit in.#Marayna: -head over heels- Me either. I'm a weirdo. Have you seen me without this stupid holographic body? That's weird #Tuvok canonically intentionally doing things to set him apart from others and show he's not like them...I get why Tim Russ called him #'brooding' I WISH WE'D GOTTEN TO EXPLORE THAT MORE IN THE SHOW #anyway Janeway to me seems like she went all in on feminity after coming out - everything pink everything girly full face of makeup #voice training whole new wardrobe!!! and then slowly developed her own distinct style after settling into herself (but she needed that #initial almost 'catch up' or validation period? I'm sure she missed a lot of stuff especially having a sister) all to say that after #Tuvok comes out she's SO ready to give that same experience to Tuvok as a one-woman team and Tuvok just like...wears slightly more makeup #to the bridge the next day #Janeway: ??? / Tuvok: -confused why she thought it'd be different- We're at work.

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